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In many cultures, black walnut 
trees are considered to be a 

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symbol of gathering energy and 
New Beginnings that makes them 

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the perfect treat for this. 
Our very first episode, my name 

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is Dori Robinson and this is 
tree speech. 

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A podcast where we explore and 
celebrate the importance of 

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trees in our lives. 
This whole project began when my

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collaborators had a light Our 
Guild and I wanted to learn and 

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share stories about trees are 
connections to them. 

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The science behind them the 
history symbolism folklore, and 

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modern-day impact. 
So let's get started. 

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When was the last time you saw a
black walnut tree? 

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You'd know it from its tall 
straight stature, they can grow 

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up to 150 feet. 
In fact competing with the rest 

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of the overstory for light from 
its beautiful strong and dark 

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wood to the nutritious food. 
They provide the black walnut 

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has To offer. 
They have a defensive side to. 

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They are a Leo Pathak exuding, a
chemical called juglone, a 

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natural herbicide. 
That is toxic for other plants. 

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This means that many other 
plants cannot live underneath it

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giving the roots a lot more 
space. 

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We'll hear more about the black 
walnut tree. 

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As we sit down to speak with 
artists Gardener and 

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Storyteller, Karen Hampton 
residing in the Greater Boston 

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area. 
Karen Hampton is an 

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internationally recognized 
conceptual fiber. 

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Artists addressing issues of 
colorism and kinship Hamptons 

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art. 
Practice is the synthesis of 

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memory history, time and cloth a
student of cultural 

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relationships. 
She seeks to break through 

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stereotypes and address issues 
related to being a black woman. 

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Using her training in the Fiber 
Arts and anthropology. 

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She brings together the roles of
the Weaver, the dire, the 

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painter, the embroiderer, and 
the Storyteller before we get 

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started, a quick note part of 
the answer. 

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Reason for this podcast was 
seeing how many more people are 

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getting outside. 
During the pandemic, we are 

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walking running hiking and 
adventuring more benefiting from

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tree bathing and just generally 
taking in The Wonder of trees, 

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it makes us breathe differently.
More deeply inspired by this. 

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We will begin and end every 
episode with a big deep breath 

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to help us feel as grounded as 
the trees. 

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We talk about, you'll hear me 
guide that brief exercise in 

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just a moment. 
So we start by taking a deep 

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breath in. 
And letting it out. 

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So Karen, you are a Beyond 
accomplished International 

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artists. 
And yet, I got the great Fortune

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of meeting you around the 
campfire, here in Lowell in this

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first season of tree speech. 
I'm asking people who have 

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really resonated with me as an 
artist and as a person to share 

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stories with me. 
And so I really appreciate you 

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coming here. 
So that I can ask you the 

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question. 
Tell me a story about a tree. 

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Okay, well, my tree is a black 
walnut tree and it was a very 

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pivotal moment in my life. 
When I was about, I think I was 

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10 and my parents were getting a
divorce and decided that my 

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mother would take my sister and 
I to Jamaica. 

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So that my father could move out
and all of that sort of stuff 

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and my grandmother stayed. 
And during that time, we had 

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this black walnut tree in our 
yard in this fenced area in our 

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yard, and my grandmother decided
to have the tree cut down or had

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planned. 
And so it involved our next door

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neighbors who were gardeners, 
and they came, and they cut the 

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tree down and they composted the
tree underground, they were 

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Happenes family of two 
generations of gardeners and and

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so that was what they did. 
And that was the first time I 

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ever heard about compost or 
anything else, but it, you know,

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began to decompose in the soil 
and everything and that ended up

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providing the space for my first
garden. 

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And then my grandmother, who had
had at least one heart attack at

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that point. 
You know, she asked me if I when

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I got back she asked, would I 
help her set up the garden? 

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And so, you know, I had never 
done any gardening. 

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I mean, I hadn't really paid, 
pant, plants, much attention, 

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until that point. 
And I went out there and, you 

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know, she told me what she need 
me to do, and I did it. 

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And once I started, I couldn't 
stop. 

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So, I had a garden every year 
until I left home in that spot 

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and I always felt like it was a 
trick. 

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My grandmother was working me 
into gardening. 

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Wow. 
What a wonderful trick though? 

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Your grandmother sounds like a 
very smart woman. 

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Yeah, she was. 
Yeah, she did not many words but

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she was observing and so she 
knew how to feed people feed on 

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multiple levels. 
Yeah. 

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Yeah. 
Yeah, so when you first came 

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back and saw that the black 
walnut tree was not there were 

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you surprised devastated didn't 
even notice? 

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Well, you know, I the tree is 
far, as I was concerned always 

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just took up this huge amount of
space. 

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Uh-huh, there was a black walnut
tree and there was a banana 

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tree. 
And and so these two trees and 

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when they cut down the banana 
tree, the banana tree, just 

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Grows Right Back. 
Like wow, growing. 

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In the same day. 
Oh, you know the banana tree was

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not going away, but I'd never 
been able to even get inside 

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that fence and it just was like,
not used. 

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So it was like, making this land
available and I think it was the

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first time that I became aware 
that land was really important 

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to me. 
That is that is a huge, huge 

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thought. 
I mean just the fact that you 

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said it was the first time that 
you were introduced to 

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composting that it's suddenly We
made space for so many other 

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things to happen and laid the 
groundwork for your gardening to

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continue year after year. 
One a deep in my, my 

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relationship with my next-door 
neighbor's the father was 

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someone that I, you know, I 
would go and just talk to him. 

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Oh, we had this intimacy over 
this. 

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This tree had like, broken down,
cultural barriers. 

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Wow, man, the grandfather who 
spoke no English, but I would go

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over there and their whole tree 
with their whole yard was bonds.

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I'd so I was learning about 
trees and learning about 

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different growing methods from 
when I was a little kid that's 

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kind of incredible to break down
the sort of cultural barriers 

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just by having this space to do 
so, a lot of your work. 

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Deals with cultural continuity. 
I mean, you very much address, 

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giving voice to the voiceless, 
especially sort of that 

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disconnection. 
We have sometimes with our 

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predecessors, with our ancestors
who we don't know their stories 

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are have a difficult time, 
finding their stories and how to

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give voice to them. 
Can you speak a little bit about

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what that Journey has been for 
you? 

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Yeah, you know, it's, it's kind 
of funny because my grandmother 

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was so important but her sister 
Was even more important, really?

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Yeah. 
And so my auntie is I would call

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her had been an athlete in her 
Youth and then it turn of the 

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century athlete in Jamaica and 
and then in the 30s became 

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disabled and couldn't have 
children. 

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And and so there was this major 
loss in her her life in her 

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heart. 
So she was like the best aunt in

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the world to the First 
generation, and an even better 

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aunt to my sister and I, in the 
second generation. 

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And so she was just 
unconditional love and, and 

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every free moment in my, my life
until I was 17, was what I was 

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devoted to her. 
So, you know, no matter what 

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ever happened in my life, she 
was, she was culture. 

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She was She became a Storyteller
for me, and so she taught me the

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art of story and that was how 
she introduced me to all of the 

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family. 
She lived in a little duplex. 

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She never lived more than four 
blocks away. 

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And from this position where she
would only get out at most once 

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a week, but that through that, 
that little bit of space. 

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And so, it meant, my play Space 
was all inside, her plays, her 

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little one. 
Bedroom duplex and and inside 

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her fenced yard and the stories 
were just there and the 

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photographs were there. 
And so I would, I was like this 

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kid that would sit and go 
through these pictures once a 

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month until they imprinted. 
I it's like, I was trying to 

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imprint everyone and their 
stories and just remember it all

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and I was her Confidant. 
And so No, and by the time I was

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like eight, she couldn't her 
arthritis was so bad, she 

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couldn't write and so I would 
have to write her letters for 

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her. 
So I was part of her ability to 

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reach out as well and she died 
when I was 17. 

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She died during my last year of 
high school. 

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Oh my gosh. 
Beginning in my last semester 

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just days after my birthday and 
I and and it was it took years 

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to get Get over the the empty 
hollow inside of me. 

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And and so because of that, that
led me to doing work with a 

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native healer on death and 
dying. 

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And so when I did that work, 
that was really important for me

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to come to terms with, and to 
come to terms with death, they 

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have a phrase today is a good 
day. 

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To die and and that by by being 
able to say that and feel that 

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every day, then it allows you to
live your fullest. 

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And then that eventually and 
that another things led me to a 

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life of a very rural life for a 
number of years where I lived 

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way way out in the country in 
California and lived on on 

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native land that Was where I 
could feel the spirits and talk 

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to the spirits and stuff like 
that and so that began kind of 

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the beginning. 
I would say that, you know, long

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before I was doing any kind of 
narrative, I, ah, in those times

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of having those kinds of 
experiences. 

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First, thank you for sharing 
that and second, if you know, 

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land keeps coming up in your 
stories between the black walnut

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tree getting composted, so that 
it could make the land fertile 

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for you and your grandmother to 
grow Garden to living on native 

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land. 
And then I know that one of your

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ancestors Flora started with 500
acres of land land, keeps coming

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up for you. 
Is that something that I don't 

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know? 
Is that, like, how do you hold 

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those thoughts about land in 
your mind now. 

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Oh my God, all I want is land, 
you know, I don't know that I 

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have it in my body to actually 
work the land anymore. 

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You know? 
I mean I do feel the limitations

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of my age but my dream is to is 
to have Collective land because 

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I think that I don't believe. 
Even the nuclear anything and so

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I believe in the collective. 
Hmm. 

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And that the collective can have
and teach so much. 

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The collective allows people to 
enjoy the fruit from the land 

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and to share it, you're very 
good at supporting other people 

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and telling their stories. 
Can we talk a little bit about 

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your journey as a Storyteller 
because you mentioned that those

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seeds were planted by your aunt 
and I know that narrative It has

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become a part of your work. 
There was a period in the early 

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90s, the very like late 80s to 
the early 90s where, you know, 

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with my field being textiles and
I was primarily a weaver and I 

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didn't understand how I didn't 
quite fit into the weaving art 

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world, huh? 
I would I was like an odd fit. 

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I, it was like nothing, you 
know, I was very aware that it 

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was Happening. 
And I think I was so that for so

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long, I held onto the fact that 
racism wasn't in the art world, 

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you know, needed this one part 
of my life that gave me so much 

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to not have issues of race. 
And and and it was this this 

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place where I came to this, you 
know, kind of I had to like get 

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smacked up in the face with it. 
A number of times for me to come

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to terms with that and The Next 
Period of time was really about,

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I I wanted to find what my true 
art was. 

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I was also, because of my time 
of being on in and around a res.

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I really had become very clear, 
indigenous voices were the most 

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direct voices that there were, 
and that the work that I was 

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drawn to around the World, where
indigenous were, and that's 

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where the strength was. 
And so that began this cluing in

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to me, that race was really that
it was really this construct of 

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colonialism. 
So I got very interested in 

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anthropology and so, my whole 
dive into anthropology was 

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really during that period of 
time, when anthropologists were 

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really starting to look at self 
rather than rather than the Just

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the goes to another culture and 
studies a culture under a 

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microscope but really the period
of time where anthropologists 

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were, like looking at their own 
garbage. 

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And that process of looking at 
your own garbage, tells you 

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loads of stuff with that. 
Did these exercises to try to 

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find? 
What was my true art. 

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And in that process, it began 
with. 

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I decided my very first 
narrative Dave was my father's 

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mother, who died when my father 
was five years old. 

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And her name was never spoken 
again. 

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So, I knew what a shell, it had 
left, my father. 

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And so, I went about 
interviewing much like you're 

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doing right now. 
Interviewing all the people that

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were still alive, that had known
her to recreate an image of who 

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she was to feel that that voice 
And so that's where it all 

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began, that's pretty incredible.
The idea of there being a void 

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and you, you know, finding a way
to fill it in on so many levels 

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through stories through 
connections with family members.

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Yeah, well, you know, the 
Baseline of me as an artist is 

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to use art for healing. 
Now, I mean that's the first 

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thing that that I say is that 
for me the very first place that

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me becoming a weaver Was that 
the actual process was healing 

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to me. 
And so that began with that was 

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why my my connection was so 
deep. 

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And then it becomes the 
realization that the ACT can 

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actually, you know, can extend 
beyond yourself and then extend 

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into communities, you know, like
when I was really creating this,

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I'm in, there was nothing 
written on it. 

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There was absolutely nothing. 
Just was like going on this gut 

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intuitive thing about who and 
what I needed. 

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And so, you're well, if it helps
me then it must be able to help 

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other people. 
And so in that way, I started 

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realizing, oh, I can start 
disseminating and using my art 

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form. 
Because because writers do it, 

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you know, just because it's not 
the path for the visual artists 

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usually take, there's a whole 
track record because Writers 

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have been doing it forever. 
So I know it's an artist that 

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there's this pressure for 
everything to look. 

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Good to look polish to be clean 
that a lot of emphasis is on the

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product, rather than the 
process. 

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And you completely divert from 
that, which is one of the things

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I love about you. 
I think it's, for me, is getting

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to the soul. 
Uh-huh. 

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I'm trying to reveal the soul 
that I use empathy. 

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To dig into the soul because I 
believe that that we all really 

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come from one. 
One place, you know. 

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Humans we've all read all just 
evolving on this Earth. 

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Everything is the same and that 
when we take off all the layers 

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of stuff and so if we can just 
get to those places of 

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commonality haha that there is 
this great stuff for you. 

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Being a Storyteller and are 
Stunned, A Healer are very much 

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the same thing and that I think 
is so resonant, and you and your

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work and something that you are 
trying to impart to others. 

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Now, as you teach, because 
again, for me in my artistic 

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life, I think there has been a 
lot of this pressure to be an 

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artist that just puts out 
something new that you've never 

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thought of before. 
Rather than something that we 

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resonates with everyone, and 
that connects us, And I think a 

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more cynical, you know, in the 
sense that I think that that 

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everything's already been 
created in one form or another 

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or it just for me, is much more 
worth my time to take in 

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everything and synthesize it. 
Let it synthesize and breathe in

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your own body and then let it 
be. 

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So along those lines. 
What are you working on? 

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Now, Karen, I'm doing something 
completely different. 

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That is inspired. 
By my students who I'm needle, 

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00:20:11,800 --> 00:20:15,300
felting a rug. 
And I before I moved to 

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Massachusetts, I never knew what
needle felting was. 

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00:20:18,600 --> 00:20:21,500
I never heard of it. 
I knew wet felting. 

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00:20:21,500 --> 00:20:25,600
I knew Nuno felting. 
But, you know, needle felting is

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00:20:25,600 --> 00:20:28,300
this thing that most people sit 
and make like, little little 

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00:20:28,300 --> 00:20:32,700
doll characters out of felt and 
little things like that, which I

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00:20:32,700 --> 00:20:39,500
don't like, but I immediately 
saw the potential of Oh, okay. 

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00:20:39,500 --> 00:20:43,200
This is easy to make something 
you can make a design by 

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00:20:43,200 --> 00:20:46,900
layering like much like you 
would do layering like you might

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00:20:46,900 --> 00:20:51,000
do in a quilt or something. 
But so you have the ability to 

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00:20:51,000 --> 00:20:55,900
make shapes and and I it's been 
so many years since I've just 

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00:20:55,900 --> 00:20:59,700
had the opportunity to explode 
with color, and I've been 

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00:20:59,700 --> 00:21:03,600
needing to do something that was
very free feeling. 

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00:21:03,600 --> 00:21:08,600
And so and it's a very physical 
act because I take this Like 

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00:21:08,900 --> 00:21:13,700
thing with eight needles and I 
just sit and pounded into wall. 

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00:21:15,500 --> 00:21:19,500
But I was getting my life where 
I need this to get this 

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00:21:19,500 --> 00:21:24,300
aggression out in just get it 
white after into the wall. 

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00:21:24,300 --> 00:21:30,500
What I said is it is I'm making 
my Verna cornica wow. 

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00:21:31,000 --> 00:21:38,000
And how inspired by the Amazon. 
Oh, so giant floral kind? 

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00:21:38,200 --> 00:21:40,900
He's of things and colors and 
stuff. 

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00:21:41,100 --> 00:21:45,100
Oh, that is exciting. 
Just that just kind of wild. 

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00:21:45,600 --> 00:21:50,300
I think covid has allowed many 
of us to explore something that 

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00:21:50,300 --> 00:21:55,700
is that is close to what we do 
but tangental or a new skill and

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00:21:55,700 --> 00:21:59,200
it's what it's doing is it's 
freeing me up because I have a 

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00:21:59,200 --> 00:22:03,800
show coming up next year where I
have to do a lot of my 

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00:22:03,800 --> 00:22:07,800
historical pieces. 
And so I'm going to be sitting 

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00:22:07,800 --> 00:22:14,700
in Evening and wow and I need to
you know be doing this right now

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00:22:14,700 --> 00:22:19,700
to get to get this kind of 
energy out of my body so that 

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00:22:19,700 --> 00:22:23,700
then I can just like going and 
settling her down. 

313
00:22:23,900 --> 00:22:26,000
Yeah. 
Can you tell us about the show? 

314
00:22:26,400 --> 00:22:31,200
Yeah, I'm pretty excited. 
The shows going to be and st. 

315
00:22:31,200 --> 00:22:36,500
Augustine Florida. 
Oh wow, at Flagler College and 

316
00:22:36,700 --> 00:22:40,200
st. 
Augustine is Is where one branch

317
00:22:40,200 --> 00:22:46,900
of my of my ancestors are from. 
And this is the branch that I 

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00:22:47,100 --> 00:22:49,100
am. 
Probably most known for because 

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00:22:49,200 --> 00:22:54,800
I've done the most Research into
this family and the white part 

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00:22:54,800 --> 00:22:59,800
of the family, Trace back to 
England and Ireland in the early

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00:22:59,800 --> 00:23:05,500
1700s and it became an 
interracial family in the late 

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00:23:05,500 --> 00:23:11,800
1700s and And so I have lots of 
individual stories of this 

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00:23:11,800 --> 00:23:16,500
family and and their story is an
interracial family began in st. 

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00:23:16,500 --> 00:23:20,700
Augustine. 
And I just look at it is that 

325
00:23:20,800 --> 00:23:23,600
I'm part of this lineage of 
these women. 

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00:23:23,900 --> 00:23:28,400
And because I knew to recognize 
the stories really do believe 

327
00:23:28,400 --> 00:23:32,000
that my ancestors chose me that 
they just went and they said 

328
00:23:32,000 --> 00:23:34,900
this one. 
This precocious child is the one

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00:23:34,900 --> 00:23:37,300
that can can do something with 
it. 

330
00:23:37,400 --> 00:23:38,900
They chose. 
Very well. 

331
00:23:39,700 --> 00:23:42,500
They really did like what a 
beautiful lineage. 

332
00:23:42,500 --> 00:23:44,900
What incredible stories and you 
do. 

333
00:23:44,900 --> 00:23:49,500
You hold them very well and in 
ways, you know, certainly in 

334
00:23:49,500 --> 00:23:53,300
your artwork ways, they would 
have never imagined visually 

335
00:23:53,300 --> 00:23:56,300
seeing it. 
Yeah, it's a pretty weird thing 

336
00:23:56,300 --> 00:24:00,800
to do. 
You've done so much incredible 

337
00:24:00,800 --> 00:24:03,900
work. 
Harvesting the information about

338
00:24:04,000 --> 00:24:06,900
your ancestors, do you have any 
advice for someone who would 

339
00:24:06,900 --> 00:24:11,100
want to do the same? 
I tell people all the time, I 

340
00:24:11,100 --> 00:24:14,800
said, do digging dig. 
I'll, I believe that the story 

341
00:24:14,800 --> 00:24:18,800
that you're going to find the 
good, the bad, the ugly that you

342
00:24:18,800 --> 00:24:23,300
have to accept all parts of it. 
That, you know, that we're all 

343
00:24:23,300 --> 00:24:26,100
humans. 
If you can't, if you don't have 

344
00:24:26,100 --> 00:24:30,100
the history right you know you 
don't know quite where to go. 

345
00:24:30,100 --> 00:24:34,500
If you have locations go and do 
research on the location because

346
00:24:34,500 --> 00:24:38,700
that will be so satisfying in 
terms of picking, Hang up the 

347
00:24:38,700 --> 00:24:42,300
culture. 
If you were to find out that 

348
00:24:42,300 --> 00:24:48,700
your family was in a small 
community, in Eastern Europe, 

349
00:24:48,800 --> 00:24:52,500
and that history has been, you 
know, all but wiped out and you 

350
00:24:52,500 --> 00:24:56,700
can only pick up the area of the
land, then then pick up the 

351
00:24:56,700 --> 00:25:02,200
energy of the land because the 
land pulled stories that, you 

352
00:25:02,200 --> 00:25:06,000
know, from my early research. 
When I walk down my very first 

353
00:25:06,000 --> 00:25:11,400
plantations, and You know, and 
I'm scared to death doing that 

354
00:25:11,400 --> 00:25:15,100
work. 
But as I did it, I started to 

355
00:25:15,100 --> 00:25:20,400
really feel for the first time 
and I was able to feel the same 

356
00:25:20,400 --> 00:25:24,800
kinds of things that I felt when
I lived on on native land. 

357
00:25:24,800 --> 00:25:30,400
And it is that memory that every
Rock, every, every bit of soil, 

358
00:25:30,400 --> 00:25:35,100
everything is just holding 
something that is such a 

359
00:25:35,500 --> 00:25:40,000
beautiful and true statement 
that I I think is is so deeply 

360
00:25:40,000 --> 00:25:42,500
important. 
You know, obviously part of the 

361
00:25:42,508 --> 00:25:48,100
point of the podcast is to 
encourage a connection to land 

362
00:25:48,100 --> 00:25:52,200
and two trees. 
So as to treat land and trees 

363
00:25:52,200 --> 00:25:55,900
and the people who care for them
and live on them, treat it all. 

364
00:25:55,900 --> 00:25:58,100
Well so thank you for that 
statement. 

365
00:25:58,100 --> 00:26:03,900
It really feels as though you're
continuing your own work and 

366
00:26:03,900 --> 00:26:07,800
also picking up the torch for 
your grandmother and making sure

367
00:26:07,800 --> 00:26:10,200
other people. 
People still understand how to 

368
00:26:10,300 --> 00:26:12,900
work with the land. 
I hadn't thought about that. 

369
00:26:12,900 --> 00:26:16,500
But yeah, I think I'm doing it 
for like, all of my ancestors. 

370
00:26:16,800 --> 00:26:21,200
I'm just like, you know, I'm 
like making sure that the land, 

371
00:26:21,400 --> 00:26:25,400
the land base really continues 
and at the same time, scouting 

372
00:26:25,400 --> 00:26:28,000
and going. 
Okay, where's my piece of lamb. 

373
00:26:30,500 --> 00:26:33,900
Oh, I am so excited to find out 
what's next for you. 

374
00:26:35,700 --> 00:26:39,000
You know, we will see, you know,
but we also Yes, but it's just 

375
00:26:39,000 --> 00:26:44,300
it's just that's how I look at 
life as I, I really look at, can

376
00:26:44,300 --> 00:26:47,300
I in my time while I'm here on 
this Earth? 

377
00:26:47,600 --> 00:26:51,800
My goal is to make it a better 
place and that's well, that's 

378
00:26:51,800 --> 00:26:56,500
all I think about my think you 
do, and I'm really appreciate 

379
00:26:57,100 --> 00:27:00,900
you sharing these thoughts with 
me because I really resonate 

380
00:27:00,900 --> 00:27:05,700
with how you look at the world 
at Earth itself, such as soil, 

381
00:27:05,700 --> 00:27:08,000
and land, and art and 
storytelling. 

382
00:27:08,100 --> 00:27:11,700
Telling so Karen. 
Thank you so much for joining us

383
00:27:11,700 --> 00:27:13,300
today. 
Thank you. 

384
00:27:13,300 --> 00:27:16,700
This was really lovely. 
We're going to close again with 

385
00:27:16,700 --> 00:27:19,700
just taking a deep breath to 
feel grounded and to bring us 

386
00:27:19,700 --> 00:27:29,700
back. 
So taking your time Thank you so

387
00:27:29,700 --> 00:27:39,200
much, Karen. 
I think I could speak with Karen

388
00:27:39,200 --> 00:27:42,400
all the live long day, and I'm 
so glad that she shared just a 

389
00:27:42,408 --> 00:27:44,400
few of her wonderful stories 
with us. 

390
00:27:44,900 --> 00:27:48,600
And now, for today's tree 
takeaways, where I share a 

391
00:27:48,600 --> 00:27:51,800
little bit more about the tree 
we met today, as mentioned 

392
00:27:51,800 --> 00:27:55,000
earlier, many Native American 
communities view, the black 

393
00:27:55,000 --> 00:27:58,700
walnut, as a symbol for 
Gathering new energy, Clarity, 

394
00:27:58,700 --> 00:28:01,900
and focus indeed. 
Indigenous individuals have 

395
00:28:01,900 --> 00:28:05,300
gained the benefits of walnuts 
long before European explorers 

396
00:28:05,300 --> 00:28:07,400
arrived. 
While walnuts. 

397
00:28:07,600 --> 00:28:10,500
Order term are said to date, all
the way back to the Hanging 

398
00:28:10,500 --> 00:28:13,800
Gardens of Babylon. 
The black walnut tree is native 

399
00:28:13,800 --> 00:28:17,300
to North America. 
So you might think that such a 

400
00:28:17,300 --> 00:28:20,900
large tree immediately bears 
fruit, but that is not the case.

401
00:28:21,000 --> 00:28:25,200
Black walnut trees take 10 to 15
years to produce fruit and they 

402
00:28:25,200 --> 00:28:27,900
are biennials meaning that they 
produce their Bounty. 

403
00:28:27,900 --> 00:28:33,200
Every other year, Mary Oliver, 
one of my favorites has a famous

404
00:28:33,200 --> 00:28:35,700
poem titled, the black walnut 
tree. 

405
00:28:35,900 --> 00:28:37,400
You can actually read it in the 
show. 

406
00:28:37,500 --> 00:28:40,500
Show notes, which alludes to the
fact that the wood of the tree 

407
00:28:40,500 --> 00:28:45,500
itself is highly desired. 
It is indeed a hot prize easily 

408
00:28:45,500 --> 00:28:49,500
worked, the dense and beautiful.
Hardwood has long been valued by

409
00:28:49,500 --> 00:28:52,800
furniture and cabinet makers for
its color and strength and the 

410
00:28:52,800 --> 00:28:56,600
interior wood of the walnut tree
fetches, a premium price on 

411
00:28:56,600 --> 00:29:02,400
today's market so much so that 
there are walnut tree thieves. 

412
00:29:02,500 --> 00:29:06,300
I read one story where in 
Oklahoma rustlers dressed as 

413
00:29:06,300 --> 00:29:09,900
landscapers, I waited until a 
household went off to work, 

414
00:29:09,900 --> 00:29:13,200
rolled up with trucks and heavy 
equipment outside the house, 

415
00:29:13,500 --> 00:29:17,400
chop down the tree and left in 
the light of day. 

416
00:29:17,700 --> 00:29:20,700
And the neighbors simply said, 
well, I thought you were just 

417
00:29:20,700 --> 00:29:23,800
doing landscaping. 
So, yes, walnut trees are a hot 

418
00:29:23,800 --> 00:29:27,700
commodity protect your trees, 
folks beyond the food and the 

419
00:29:27,708 --> 00:29:30,200
wood, the tree has been used in 
other ways. 

420
00:29:30,400 --> 00:29:33,500
The husks of the Walnut have 
been a source of ink for artists

421
00:29:33,500 --> 00:29:36,300
such as Leonardo da Vinci and 
Rembrandt. 

422
00:29:36,400 --> 00:29:40,000
Maybe there's a bit of not in 
the Mona, Lisa, who knows? 

423
00:29:40,300 --> 00:29:43,500
They've even served in Wars as 
airplane, propellers, that's how

424
00:29:43,500 --> 00:29:47,400
resilient they are walnuts 
themselves, sort of resemble the

425
00:29:47,400 --> 00:29:50,400
brain, the outside looking, like
a membrane, the inside, like the

426
00:29:50,400 --> 00:29:53,800
brain itself and then fact, they
are one of the best foods for 

427
00:29:53,800 --> 00:29:57,700
brain Health and Longevity. 
Maybe all of this information 

428
00:29:57,700 --> 00:30:01,200
together as why the Romans 
called walnuts the food of the 

429
00:30:01,200 --> 00:30:05,500
Gods, I keep thinking about 
Karen's work. 

430
00:30:05,600 --> 00:30:09,500
As an artist myself, I feel the 
For my work to be perfect and 

431
00:30:09,500 --> 00:30:13,500
Polished. 
And Karen's work, is not 

432
00:30:13,500 --> 00:30:15,300
concerned. 
With that Karen's worked 

433
00:30:15,300 --> 00:30:19,600
absence, who the soul her work 
is rooted in connection, not 

434
00:30:19,600 --> 00:30:24,300
Perfection, finding authenticity
and beauty and Truth by leaning 

435
00:30:24,300 --> 00:30:28,800
into our stories, which are big 
and bold and heart-wrenching, 

436
00:30:28,800 --> 00:30:33,600
and playful, and messy. 
And I find such beauty in that 

437
00:30:34,100 --> 00:30:36,300
even more. 
So that she feels that her 

438
00:30:36,300 --> 00:30:40,700
ancestors chose Is her to do 
this work and I wonder what my 

439
00:30:40,700 --> 00:30:44,800
ancestors may want me to do. 
Do you ever wonder that, what 

440
00:30:44,800 --> 00:30:49,600
your ancestors, ask you? 
So as we go into this week, 

441
00:30:49,600 --> 00:30:53,300
think about what you're planting
maybe it's an idea of maybe it's

442
00:30:53,300 --> 00:30:55,700
a hope. 
Maybe it's an actual tree or 

443
00:30:55,700 --> 00:30:58,700
flowers. 
What are you planting this week?

444
00:30:58,900 --> 00:31:00,800
Tell someone the story about 
that. 

445
00:31:01,000 --> 00:31:02,900
Let's keep these conversations 
going. 

446
00:31:03,300 --> 00:31:06,100
We are grateful to have spoken 
with care and Hampton during our

447
00:31:06,100 --> 00:31:09,600
Premier episode. 
You can learn more about her at 

448
00:31:09,600 --> 00:31:15,600
www.ktdrr.org nets aham PTO 
n.com. 

449
00:31:16,100 --> 00:31:19,400
This week's episode was recorded
in Massachusetts, on the native 

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lands of the wabanaki 
Confederacy, Penacook 

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Massachusetts and Pawtucket 
people and was produced by 

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Jonathan's out, Nur and a light 
theater. 

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Guild logo designed by Mill 
Riot. 

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Please join us for the rest of 
the spring season, as we 

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continue to hear more about 
various trees from various 

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voices. 
Most of all learn more about us 

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00:31:39,200 --> 00:31:43,600
at tree speech, podcast.com and 
on Instagram with the handle 

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tree speech, podcast. 
I'm Dory Robinson. 

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Thanks for joining tree speech 
today.

