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Best New Artist has never been 
more competitive, from breakout 

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artists having massive hits to 
longtime musicians finally 

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getting that mainstream 
recognition they deserve. 

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We have a girl group nominated 
for the first time in 10 years. 

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We have two boys nominated with 
the two biggest songs when a boy

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hasn't won in eight years. 
And even artists like Addison 

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Rae, who pulled out the rebrand 
of a century and sold the world 

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on her vision as more than just 
creator. 

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But in true artists with a 
vision that is here to stay, 

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there is truly no clear front 
runner the way that there has 

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been for most years in the past.
So I thought it would be 

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interesting to sit down and look
at the data. 

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Who actually has the biggest 
song, the biggest album, the 

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biggest listeners, and find out 
who is most likely to win? 

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Why would they win? 
What was their big cultural 

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moment? 
Or if not, what is holding that 

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artist back? 
What did they miss to really 

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breakthrough to that next 
pedestal and win? 

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And after that, we're going to 
lock in our prediction for what 

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that I think is going to be the 
best new artist. 

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So with that, welcome back to 
Nikki and I. 

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I'm your host, Nikki Reardon 
long time awaited Grammy episode

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as I have gotten many, many 
requests to do. 

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I don't know, I just like I 
talked about it so much on like 

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TikTok and stuff like kind of 
like felt that I settled and I 

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need to say for the time, but 
now I really want to talk about 

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best new artist. 
It is my favorite category. 

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If you all have known as a long 
time viewer of the show, I think

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it's by far the most 
interesting. 

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I think it's by far the hardest 
to predict the nominees for. 

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I think it's the hardest to pick
the winner for great in some 

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years. 
Like last year, I just knew 

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Chapel was going to win. 
But you know, this is a year 

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that's so exciting. 
I also think what's really cool 

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about best new artists is a 
category is one of the few 

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genres where they really 
intentionally cast like genre 

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diversity or really, really try 
to make it a a broad spectrum 

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reflective of who is up and 
coming in music and all of their

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respective scenes. 
Which one of the very 

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interesting things I want to 
talk about no rap artist this 

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year and no country artist this 
year, which is crazy. 

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Like those are the two 
definitively biggest genres 

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outside of pop. 
And for that's not happened is 

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really, really insane. 
Granted, like a lot of the 

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people here did have like some 
bigger moments and songs and 

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things than some other artists, 
but that really shocked me and 

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isn't an interesting state of 
music. 

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You know, that the fact that the
entire recording Academy 

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couldn't find a, a unanimous 
rapper or, or country artist 

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that qualified for best new 
artist this year to, to rally 

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around in that way. 
I don't know. 

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I, I just think it's a very, 
very fascinating thing. 

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We're seeing so much of, of 
music shift and change that I 

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wanted to talk about this and go
through all of the nominees. 

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Hey, don't forget to subscribe 
to the show while you're here. 

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You know, I did see an 
interesting statistic on my 

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YouTube studio that like 90% of 
the people who have ever watched

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my videos have not hit the 
subscribe button. 

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So check if you have, you know, 
come join, come hang out. 

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I'm going to talk about the 
Grammys more. 

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We love music here. 
I got good stuff coming up. 

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I want to talk about Marty 
Supreme, like come hang out. 

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Hey, follow the Spotify too. 
Follow us on Apple pods, 

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whatever you got to do. 
You know, you can listen to all 

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of the audio versions of these 
episodes on your car way to work

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at the gym. 
It is such a huge thing for 

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supporting it. 
Seriously, please, if you're 

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listening on Spotify now, make 
sure that you're following there

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also, again, another statistic. 
Oh Speaking of Spotify, we got 

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Spotify wrapped. 
I was the number one show for 

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42,000 people. 
That's crazy. 

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That's crazy. 
I cried, I seriously cried. 

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And so many people like to tag 
me on their stories and stuff 

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and sharing that and it's just 
the most amazing thing ever. 

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I can't believe I was so 
shocked. 

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I was so shocked because like 
the show on Spotify only has 

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$15,000. 
Like people don't really follow 

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on Spotify as a metric. 
They just like TuneIn, everyone 

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smile, you know what I mean? 
And I, I was blown back. 

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I was, I could not believe it 
and I, it was like just I, it 

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made my, it was I, I can't put 
into words how much it meant to 

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be and how much people spend 
time with me and how much time 

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with me. 
Like you're changing my life, 

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dude. 
Thank you. 

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I love doing this. 
And that's why I really want to,

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you know, continue growing like 
the podcast version and stuff 

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like that so we can get more 
guests and get more support and 

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production support so I can do 
more episodes. 

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And you know what I mean? 
Just all of that, like the more 

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it grows, the bigger it gets and
the more that can happen with 

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it. 
And I was so honoured. 

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I I just love it. 
Also when you guys like tag me 

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on your stories and stuff. 
I'd love to see like how you are

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when you are like watching that 
episode or listening to that 

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episode. 
Like people will like show 

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they're like eating dinner or 
something while watching. 

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I love it. 
Please do it. 

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Please tag me if I ever see 
them. 

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I always try to repost them 
because it just makes me so 

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happy. 
So yeah, do it. 

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Tag me on Instagram. 
If you do say hi, share your 

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Spotify rapped if I was in it 
with that, we're going to talk 

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about some best new artists this
year. 

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OK, there are 8 of them. 
I'm going to talk about it from 

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a data perspective, also a bit 
from a culturally perspective. 

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So we're gonna start with 
Somber. 

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Somber has 53,000,000 monthly 
listeners. 

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He peaked around 60, which is I 
believe the highest on this 

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list, which is very, very 
impressive. 

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His biggest song is Back to 
Friends with 1.4 billion 

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streams. 
His second biggest song is 

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Undressed with 600 million 
streams. 

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However, his second fastest 
growing song is 12 to 12, which 

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is like maybe my favorite Somber
song and I think really shows 

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that there's like more there. 
You know what I mean? 

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Like this is his very like sad 
boy, emo boy alternative era, 

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but twelve. 
I was like, oh, you could do 

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like a little disco number, like
you can make you can make some 

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fun dance music, and I love that
people are really getting into 

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it in that way. 
I also think Somber is what I 

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love about Somber is that he did
not try to copy the Harry Styles

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blueprint. 
Every man ever tried to be Harry

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Styles and and put on some 
random jumpsuit to the point 

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where like it was annoying. 
And I love that Somber pulls so 

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much inspiration from bands from
Julia Casablancas from the 1975,

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from The Strokes. 
Even his music is more adjacent 

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to like alternative music, rock 
music, like that. 

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It even is pop. 
I would say like if he existed 

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10 years ago, I don't think we 
would call him a pop star. 

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But now that's what pop is, you 
know, it it's so 

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all-encompassing. 
It reminds me of like the 

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neighborhood even I think would 
be a great example. 

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And I think that's so amazing 
for young people to have now 

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like they spent so much time 
decades plus, like without their

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own teenage version of the 1975 
that we all got to have, right? 

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And like, that's why I think 
it's so cool that he has a young

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fan base. 
You know what I mean? 

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Like I remember that was like 
being a criticism of like somber

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fans are so young. 
Good, like good. 

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We had Justin Bieber and Justin 
Timberlake and Harry Styles. 

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They don't have that anymore. 
Like 12 year old girls are 

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fantasizing about like a 30 year
old man. 

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And I want them to like have 
somebody reflective of their age

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and their experiences and their 
memes. 

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Do a 6-7 meme that's funny to 
people today like that. 

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It's for them. 
It doesn't have to be for you. 

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Like it can still be great 
music. 

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And he's so freaking talented. 
Did you know that Somber solo 

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wrote and produced Back to 
Friends and he solo wrote the 

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entire album. 
There's only one person with 

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production credits in the 
entirety of the thing, which is 

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Tony Bird. 
Everything else he either solo 

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produced and the entirety of it 
he solo wrote, which is insane. 

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A teenager went from like 
effectively 0 monthly listeners 

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to 60 million within a year. 
A song with a billion streams. 

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I think he just did his first 
like arena show. 

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That is amazing. 
Like he is a very talented 

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artist. 
You know, people love to talk 

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about how you know, it's insane 
that Taylor Swift writes her own

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music or it's so insane that 
Billy, you know, just produces 

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with her brother and stuff. 
I'm like, somber is doing that, 

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you know, like even if you don't
like aren't a personal huge fan 

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of somber, like you cannot 
disregard the talent. 

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That is something that pisses me
off about the Internet these 

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days is like when people don't 
like someone, therefore they are

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untalented and stupid. 
Like you can't just be like, oh,

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I don't really like what they're
doing that much. 

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They are like everything about 
time is bad instead of like, you

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know, maybe I'm not the biggest 
fan of so and So's music, but 

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like, they're an incredible 
singer. 

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You know what I mean? 
Like that more than one thing 

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could be true at the same time. 
That is really annoying me about

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some of the song for criticism 
because I think he's so 

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ridiculously talented. 
And if you actually like look 

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into it, it, it is a undeniable 
like the the amount of musical 

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talent and and the way he's 
constructed this album. 

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What do I think could hold 
somber back? 

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I mean, I think what was getting
what would get in there is Back 

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to Frency is one of the biggest 
songs of the entire year. 

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He has had mass again. 
I think he just plays first 

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arena show. 
I think he is just on a rocket 

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ship truly. 
I would love if he won because 

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again, a man has not won in 
eight years and like we need 

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some sort of new alternative boy
for young people. 

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Like, I really think that that 
is an important space to be 

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filled in music right now. 
What I think would be holding 

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him back is I think Somber has 
this interesting thing with his 

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marketing where so much of it is
geared around his sense of humor

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and him being very funny and 
charismatic. 

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And you know, like the 6-7 means
and that sort of thing. 

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It's like very for young 
chronically online young people,

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which we love. 
As somebody who was once a 

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chronically online young person,
however, his music is a complete

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opposite perspective. 
It is very, very sad. 

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It is very, very yearning. 
It is very, very heartbroken. 

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And I think to a lot of people 
that makes them feel like 2 

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completely different things. 
They feel like there's this like

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online funny. 
He, he kid somber and then you 

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00:09:25,440 --> 00:09:28,160
listen to the music and you're 
like, who is this sad yearning 

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00:09:28,520 --> 00:09:30,440
man? 
Like talking about this woman 

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and, and how she decimated him 
and, and he can't, he doesn't 

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00:09:34,640 --> 00:09:36,480
know how to go back to being 
friends with her, right? 

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00:09:36,800 --> 00:09:40,320
And what he's struggled with is 
finding a way to connect the two

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to be like, yeah, I am both of 
those things. 

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The way I express that 
heartbreak is through the music.

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And and the way I express my 
personality is through humor. 

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And I think I know that as 
somebody who's like, really 

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studied him and studied his 
marketing a lot. 

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00:09:55,280 --> 00:09:58,080
But I think to the general 
consensus that it feels like 

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like when I ask people about 
somber, they feel like one of 

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00:10:01,040 --> 00:10:03,320
those things is fake, right? 
They either are like, Oh, I hate

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00:10:03,320 --> 00:10:07,480
the tik toks and it's so Kitty 
and it's you know, like I I wish

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00:10:07,480 --> 00:10:10,520
he would just like be this 
musician or there are people who

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like love the humor and love 
that. 

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And they're like, I don't this 
this the yearning and the 

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writing sounds fake. 
Like I don't even know if he was

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in a relationship because he's 
like all laughing and blah, 

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blah, blah. 
Do you know what I mean? 

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Like I think he needs to find a 
way to connect to those 

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00:10:23,160 --> 00:10:28,120
narratives and be like, that is 
somber, you know, and it's an 

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00:10:28,120 --> 00:10:30,480
interesting thing. 
Again, you know, his his name is

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literally somber. 
Like it means like sadness, 

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darkness. 
Also, I think something that 

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00:10:36,240 --> 00:10:38,880
could hold him back, which, you 
know, I've talked about this. 

225
00:10:38,880 --> 00:10:40,960
I don't I don't, I think that 
this is a good decision. 

226
00:10:40,960 --> 00:10:43,200
It's just annoying. 
Weird way to the Grammys works. 

227
00:10:43,440 --> 00:10:46,280
So the Grammys cut off is August
30th every year. 

228
00:10:46,360 --> 00:10:48,000
It does not go through the full 
calendar year. 

229
00:10:48,200 --> 00:10:50,280
It's August 30th to the next 
August 30th. 

230
00:10:50,560 --> 00:10:52,080
I don't know exactly why that 
is. 

231
00:10:52,080 --> 00:10:53,920
I couldn't tell you. 
That's just the way it is. 

232
00:10:54,080 --> 00:10:57,400
Somber, I think knew that he had
such two of the biggest, you 

233
00:10:57,400 --> 00:11:00,640
know, singles of the year was on
a really big rocket ship. 

234
00:11:00,680 --> 00:11:05,840
And I think that the label and 
him made a decision to put out a

235
00:11:05,840 --> 00:11:08,200
really, really short album. 
It was only 10 songs. 

236
00:11:08,200 --> 00:11:11,080
And I don't think was fully not 
that the songs are unfinished, 

237
00:11:11,080 --> 00:11:13,480
but I think that he would have 
added either added more to them 

238
00:11:13,480 --> 00:11:16,640
or just added more songs or more
range in general. 

239
00:11:16,960 --> 00:11:20,840
But they did it because the week
that they did, because I think 

240
00:11:20,840 --> 00:11:23,080
the week after Taylor Swift was 
releasing, which nobody can 

241
00:11:23,080 --> 00:11:25,160
release the week of Taylor Swift
because you can't chart at all. 

242
00:11:25,760 --> 00:11:29,640
And so they decided to just like
we're going to go with what we 

243
00:11:29,640 --> 00:11:33,520
have because if we go now, then 
it can be eligible for Grammy 

244
00:11:33,520 --> 00:11:36,440
submissions. 
And if they didn't do that, it 

245
00:11:36,440 --> 00:11:38,400
wouldn't, it wouldn't be 
eligible, which is something 

246
00:11:38,400 --> 00:11:41,360
I'll talk about with Olivia Dean
later, because technically this 

247
00:11:41,360 --> 00:11:44,000
Olivia Dean album does not count
for this Grammy cycle, which is 

248
00:11:44,000 --> 00:11:45,240
something interesting we'll get 
into. 

249
00:11:45,640 --> 00:11:47,280
So yeah, I think that that was 
like a decision made by the 

250
00:11:47,280 --> 00:11:48,680
team. 
I think that that's probably the

251
00:11:48,680 --> 00:11:51,040
right decision, honestly. 
Like if I was consulting for the

252
00:11:51,040 --> 00:11:54,200
artist, I'd be like, yeah, like 
it's, it's kind of annoying and 

253
00:11:54,200 --> 00:11:55,680
unfortunate, but like, go for 
it. 

254
00:11:55,800 --> 00:11:59,200
So I think because of that, you 
know, like the more like music 

255
00:11:59,200 --> 00:12:01,200
critiques I've read, like 
Billboard and stuff talking 

256
00:12:01,200 --> 00:12:04,600
about Somber's album is they 
feel like that there was not as 

257
00:12:04,600 --> 00:12:08,080
much range or, you know, as much
vision, whatever. 

258
00:12:08,080 --> 00:12:10,520
The the visuals I don't think 
were as like deeply thought out 

259
00:12:10,520 --> 00:12:12,040
as a lot of the singles covers 
were. 

260
00:12:12,360 --> 00:12:14,320
I think that's what I had to do.
And so I think that was the 

261
00:12:14,320 --> 00:12:17,400
right decision. 
Next, we're moving into my 

262
00:12:17,400 --> 00:12:20,760
queen, my icon, Addison Rae. 
Dream guest of the show. 

263
00:12:20,760 --> 00:12:25,440
Dream guest of the show. 
And the day I get Addison Rae in

264
00:12:25,440 --> 00:12:27,760
this room, you guys are going to
be sick of me. 

265
00:12:29,320 --> 00:12:32,080
Sick of me. 
Oh my God, Oh my God. 

266
00:12:32,080 --> 00:12:35,240
I'll cry and hug and jump up and
down and dress like a mermaid 

267
00:12:35,280 --> 00:12:36,240
for aquamarine. 
Are you kidding? 

268
00:12:36,240 --> 00:12:38,560
Of course. 
And do a live performance of it 

269
00:12:38,560 --> 00:12:42,040
myself. 
She has 13.9 million monthly 

270
00:12:42,040 --> 00:12:44,760
listeners, one of the lower on 
this list, which is interesting 

271
00:12:44,840 --> 00:12:46,920
because I would argue that she's
one of the biggest fandoms on 

272
00:12:46,920 --> 00:12:48,120
this list like and she's 
selling. 

273
00:12:48,160 --> 00:12:51,600
She's had massive shows I saw 
with the Greek, which is bigger 

274
00:12:51,640 --> 00:12:54,040
than a lot of other artists can 
do. 

275
00:12:54,360 --> 00:12:57,560
Her biggest song is Diet Pepsi 
with 591,000,000 streams. 

276
00:12:57,680 --> 00:12:59,960
And I'm going to be honest, when
I was talking to my friends 

277
00:12:59,960 --> 00:13:02,600
about this and made my 
prediction list, I didn't think 

278
00:13:02,600 --> 00:13:06,320
Addison would get in because I 
thought that the sort of like, 

279
00:13:06,880 --> 00:13:11,280
music snobby critics of the 
Recording Academy type would not

280
00:13:11,280 --> 00:13:14,160
be into her. 
It turns out that I could not 

281
00:13:14,160 --> 00:13:17,000
have been more wrong. 
They are obsessed with her. 

282
00:13:17,600 --> 00:13:23,560
Pitchfork put headphones on on 
their as #4 on their top 100 

283
00:13:23,960 --> 00:13:26,680
best songs of the year, which is
crazy. 

284
00:13:26,680 --> 00:13:28,440
Pitchfork. 
It's like one of the most, you 

285
00:13:28,440 --> 00:13:34,280
know, critic based publications 
and you know, I think she has 

286
00:13:34,560 --> 00:13:38,440
some of the best pop production 
of the entire year. 

287
00:13:38,440 --> 00:13:42,200
I mean, like the the way she 
just had a concept and nailed 

288
00:13:42,200 --> 00:13:44,640
it. 
Like every song is so exactly 

289
00:13:44,640 --> 00:13:46,040
right. 
Like the way the beginning of 

290
00:13:46,040 --> 00:13:50,040
fame is a gun, an aquamarine, 
like it's just enchanting. 

291
00:13:50,040 --> 00:13:52,520
It pulls you in. 
Like it's like I can't skip it 

292
00:13:52,520 --> 00:13:54,000
when it comes on shuffle, you 
know what I mean? 

293
00:13:54,000 --> 00:13:58,520
Like it it is intoxicating. 
It's it's so, so good. 

294
00:13:58,520 --> 00:14:01,960
And I think she again, really 
found this like way to do this 

295
00:14:01,960 --> 00:14:05,520
sort of psychedelic pop, but it 
still remains pretty upbeat most

296
00:14:05,520 --> 00:14:09,720
of the time or up tempo or gives
you that positive emotion, which

297
00:14:09,720 --> 00:14:11,480
is really cool. 
I love this sort of, you know, 

298
00:14:11,480 --> 00:14:16,160
like trip hop, very psychedelic 
production coming back. 

299
00:14:16,160 --> 00:14:17,960
Like the Maria is another great 
example of the whole somebody 

300
00:14:17,960 --> 00:14:20,840
who's like really psychedelic 
that I like and you know, I 

301
00:14:20,880 --> 00:14:22,560
loved it. 
I know she found her lane and I 

302
00:14:22,560 --> 00:14:27,000
think she is, you know, you can 
see the love of Brittany, but it

303
00:14:27,000 --> 00:14:29,920
doesn't feel like a RIP off. 
You can see the love of Bjork, 

304
00:14:29,920 --> 00:14:32,280
but it doesn't feel or Madonna. 
You know what I mean? 

305
00:14:32,280 --> 00:14:35,720
Like I I so clearly feel her 
inspirations and why she likes 

306
00:14:35,720 --> 00:14:38,120
those artists and what she's 
pulling from them. 

307
00:14:38,120 --> 00:14:43,000
But in a way that's so Addison. 
I think her aestheticism in her 

308
00:14:43,000 --> 00:14:47,120
visuals are so her and so 
referential of like people who 

309
00:14:47,120 --> 00:14:48,880
grew up in the 20 tens like I 
did. 

310
00:14:50,000 --> 00:14:53,080
I also think I I think Addison 
Rae had the best live 

311
00:14:53,080 --> 00:14:55,240
performance of any artist I have
seen this year. 

312
00:14:55,240 --> 00:14:58,040
It was insane one. 
I've never seen a crowd so 

313
00:14:58,040 --> 00:15:02,560
excited and locked in. 
I loved that she was just her. 

314
00:15:02,680 --> 00:15:05,800
Like there was no there wasn't 
100 dancers, there wasn't a set,

315
00:15:05,800 --> 00:15:07,640
nothing. 
I actually think the coolest 

316
00:15:07,640 --> 00:15:11,040
thing about the show was she did
have budget for a set, and she 

317
00:15:11,040 --> 00:15:13,040
only used it for the gate at the
beginning. 

318
00:15:14,040 --> 00:15:16,880
Like there's a gate that starts 
at the beginning of the show 

319
00:15:16,960 --> 00:15:19,560
before she's even on stage, like
while everyone's waiting. 

320
00:15:19,760 --> 00:15:21,680
And then when she starts, it 
goes away. 

321
00:15:21,800 --> 00:15:24,920
Like she chose to use her budget
on that, on something that 

322
00:15:24,920 --> 00:15:29,080
creates anticipation. 
And just her raw aura can fill 

323
00:15:29,080 --> 00:15:32,640
up the stage in such a way that 
is magnificent. 

324
00:15:32,640 --> 00:15:35,000
And then Diet Pepsi ends with 
like the big sparks. 

325
00:15:35,240 --> 00:15:36,800
Oh, it was the best show I've 
seen all year. 

326
00:15:36,880 --> 00:15:38,960
I was obsessed. 
What do I think would hold 

327
00:15:38,960 --> 00:15:43,040
Addison back from winning? 
I guess I mean, I don't know. 

328
00:15:43,040 --> 00:15:46,400
Diet Pepsi is a hit. 
I I just think what's really 

329
00:15:46,400 --> 00:15:49,400
tough is that there's a lot of 
really good female pop this 

330
00:15:49,400 --> 00:15:51,280
year. 
And something that happens with 

331
00:15:51,280 --> 00:15:54,840
the Grammys is that a lot of the
times when there's a lot of 

332
00:15:54,840 --> 00:15:58,840
really good contenders in the 
same sort of lane slash 

333
00:15:58,840 --> 00:16:03,920
category, what happens is the 
vote gets divided and fought up 

334
00:16:04,040 --> 00:16:06,560
amongst them and then something 
else wins. 

335
00:16:07,360 --> 00:16:09,240
You know, like I feel like a 
really great example of this was

336
00:16:09,240 --> 00:16:12,480
album of the Year last year, 
Cowie Carter, incredible Art 

337
00:16:12,480 --> 00:16:14,000
Room. 
I love cowboy quarter. 

338
00:16:14,000 --> 00:16:18,760
I made an entire video about it,
but you know, it was like hit me

339
00:16:18,760 --> 00:16:22,120
hard and soft rise involvement 
risen W Prince says short and 

340
00:16:22,120 --> 00:16:26,880
sweet brat for incredible mass 
and Taylor Swift massive pop 

341
00:16:26,880 --> 00:16:29,400
albums, right, and what 1 was a 
country album. 

342
00:16:29,520 --> 00:16:32,120
You know what I mean? 
Like it's all of if you like if 

343
00:16:32,120 --> 00:16:34,280
you like country, if country is 
your number one genre and you're

344
00:16:34,280 --> 00:16:37,000
just like, I'm going to like the
country album more than a pop 

345
00:16:37,000 --> 00:16:39,240
album. 
Just a in the in a vacuum 

346
00:16:39,240 --> 00:16:42,080
majority of the time, like 
that's when something like that 

347
00:16:42,080 --> 00:16:44,200
will win, you know what I mean? 
So I could see something like 

348
00:16:44,200 --> 00:16:46,800
that happening with this with 
pop this year because there's so

349
00:16:46,800 --> 00:16:51,360
many good female pop stars that 
it ends up going somewhere else.

350
00:16:51,640 --> 00:16:56,360
I also could see again too, that
like a lot of the like Addison 

351
00:16:56,360 --> 00:17:00,360
Rae is not for straight men. 
Like so is the Grant, like are 

352
00:17:00,360 --> 00:17:02,520
those types of guys and people 
in the recording Academy going 

353
00:17:02,520 --> 00:17:04,800
to vote for it? 
I don't know if she won. 

354
00:17:05,480 --> 00:17:10,079
I will buy a lottery ticket, I 
will scream, anything is 

355
00:17:10,079 --> 00:17:13,440
possible. 
I will break into the old hype. 

356
00:17:13,520 --> 00:17:18,520
I don't know, I don't know, I 
would be so happy #3 is Cat's 

357
00:17:18,520 --> 00:17:20,319
Eye. 
How many of you notice? 

358
00:17:20,440 --> 00:17:23,119
Be honest, don't lie. 
How long did it take you? 

359
00:17:24,240 --> 00:17:25,880
Yes, this is from the Gap 
commercial. 

360
00:17:26,000 --> 00:17:28,680
Kansai has 33 million monthly 
listeners. 

361
00:17:28,880 --> 00:17:31,920
Their biggest song is actually 
Thai Gabriella and Touch, which 

362
00:17:31,920 --> 00:17:35,080
both have 504,000,000 streams. 
I was very surprised it wasn't 

363
00:17:35,080 --> 00:17:37,920
gnarly, which is 376,000,000 
because I feel like that's the 

364
00:17:37,920 --> 00:17:40,600
song that gets talked about the 
most and like memes the most or 

365
00:17:40,600 --> 00:17:43,480
maybe the biggest in the fandom.
I genuinely believe Cats. 

366
00:17:43,480 --> 00:17:46,120
I got best new artist from the 
Gap commercial. 

367
00:17:46,600 --> 00:17:50,040
I am so serious. 
I think that was the defining 

368
00:17:50,040 --> 00:17:52,160
moment. 
Like the fact that that broke 

369
00:17:52,160 --> 00:17:56,080
the record for the biggest ad 
Gap has ever done in its 

370
00:17:56,080 --> 00:17:58,920
history. 
There are like fan posts of it 

371
00:17:58,920 --> 00:18:02,840
that have 5 million likes and 
like 50 million views. 

372
00:18:02,840 --> 00:18:06,560
Like it was just intoxicating. 
It started trend, it was 

373
00:18:07,000 --> 00:18:10,160
everywhere. 
Like so many people I knew that 

374
00:18:10,160 --> 00:18:14,080
are very casual music fans or 
just not into pop like that. 

375
00:18:14,520 --> 00:18:17,240
That was their moment of 
discovering Cat's Eye and being 

376
00:18:17,240 --> 00:18:19,400
like, who are these girls 
serving? 

377
00:18:19,520 --> 00:18:22,640
You know what I mean? 
Which I absolutely love. 

378
00:18:22,640 --> 00:18:25,520
And and I think it would be so 
iconic and it is iconic that 

379
00:18:25,520 --> 00:18:27,840
they had a culturally defining 
moment through a commercial. 

380
00:18:27,960 --> 00:18:30,440
That's crazy. 
That is so rare to do. 

381
00:18:31,320 --> 00:18:34,440
Incredible from the Band, 
incredible from Robbie Blue and 

382
00:18:34,440 --> 00:18:37,440
his choreography, incredible 
from all those girls and they're

383
00:18:37,440 --> 00:18:39,880
performing capability and 
incredible for the team on Gap 

384
00:18:39,880 --> 00:18:43,000
for really figuring that out and
and taking a chance on them. 

385
00:18:43,320 --> 00:18:45,160
Also another thing that's 
fascinating and it's another 

386
00:18:45,160 --> 00:18:48,200
huge moment for them is they 
actually broke the record for 

387
00:18:48,200 --> 00:18:52,520
the largest daytime set at 
Lollapalooza and had 80,000 

388
00:18:52,520 --> 00:18:56,880
people showing up at 3:00 PM, 
which is crazy, crazy, crazy. 

389
00:18:57,320 --> 00:19:00,640
Here is some interesting things 
that I have about cats. 

390
00:19:00,640 --> 00:19:02,640
I I love cats. 
I am a Stan. 

391
00:19:02,920 --> 00:19:06,200
But I do think what's holding 
them back is the music. 

392
00:19:06,680 --> 00:19:09,000
I think what they're doing right
now is very cutesy. 

393
00:19:09,000 --> 00:19:13,160
I think it's very concept songs.
I think they're very fun, but 

394
00:19:13,160 --> 00:19:17,080
like the talent of those girls 
versus the simplicity of a lot 

395
00:19:17,080 --> 00:19:20,160
of their music is not there. 
Like the music needs to elevate.

396
00:19:20,280 --> 00:19:24,040
They're at this weird crossroads
where Katzai is huge in America,

397
00:19:24,240 --> 00:19:25,840
much, much, much bigger than 
America than they ever 

398
00:19:25,840 --> 00:19:28,480
anticipated in them to be. 
I think they're smaller in Korea

399
00:19:28,480 --> 00:19:29,800
than they anticipated them to 
be. 

400
00:19:30,520 --> 00:19:33,040
And what's interesting is a lot 
of stuff that works in Korea is 

401
00:19:33,040 --> 00:19:35,760
these very like cutesy, gimmicky
songs. 

402
00:19:35,880 --> 00:19:38,240
So much of, I mean, they don't 
write their own music, you know 

403
00:19:38,240 --> 00:19:39,480
what I mean? 
Like that's what K Pop is. 

404
00:19:39,480 --> 00:19:43,080
It's very, it's produced. 
It's very like made. 

405
00:19:44,480 --> 00:19:48,080
And I think what we want is 
Cat's Eye to have a bit more 

406
00:19:48,080 --> 00:19:51,480
personality, have a bit more 
soul, have a bit more range in 

407
00:19:51,480 --> 00:19:55,400
the music itself. 
But there is I think like maybe 

408
00:19:55,400 --> 00:19:58,320
this this friction of like what 
has worked for K Pop and what 

409
00:19:58,320 --> 00:20:01,840
will work in Korea versus what 
everybody in America wants them 

410
00:20:01,840 --> 00:20:04,600
to be. 
I think most people feel about 

411
00:20:04,600 --> 00:20:07,200
Cat's Eye right now is like, we 
love them. 

412
00:20:07,200 --> 00:20:11,840
We are obsessed with them. 
I want to see them perform live,

413
00:20:12,000 --> 00:20:14,600
but I'm not streaming Gabriella 
on repeat everyday. 

414
00:20:14,720 --> 00:20:17,000
Just that's what they're going 
to have to overcome in order to 

415
00:20:17,000 --> 00:20:18,920
get there. 
Something also that I really 

416
00:20:18,920 --> 00:20:22,320
want to talk about with Cat's 
Eye is like Hat's Eye is proof 

417
00:20:22,320 --> 00:20:26,360
of why labels need to bring back
real artist development. 

418
00:20:26,520 --> 00:20:30,240
Like they put these girls in a 
two year training camp where 

419
00:20:30,240 --> 00:20:33,600
they were dancing with 
professional dancers, practicing

420
00:20:33,600 --> 00:20:37,080
their vocals, being around other
performers and artists to learn 

421
00:20:37,080 --> 00:20:39,360
from one another, made a 
documentary about it. 

422
00:20:39,760 --> 00:20:42,160
And like everybody's like, wow, 
they're so talented. 

423
00:20:42,160 --> 00:20:42,920
Wow. 
And they're so amazing. 

424
00:20:42,920 --> 00:20:45,200
Like, yes, that's what an artist
development is. 

425
00:20:45,280 --> 00:20:49,440
That used to be a thing that all
labels did all the time. 

426
00:20:49,640 --> 00:20:51,720
You can look like Google the 
stories about, you know, like 

427
00:20:51,720 --> 00:20:53,880
when they signed Bruno Mars or 
when they signed Sizza or 

428
00:20:53,880 --> 00:20:56,480
Kendrick versus like when these 
people debuted. 

429
00:20:56,520 --> 00:21:00,080
Like they would spend years like
giving them training, helping 

430
00:21:00,080 --> 00:21:02,440
them, you know, putting them in 
rooms of songwriters, helping 

431
00:21:02,440 --> 00:21:04,880
them dance, helping them sing, 
like whatever sort of thing, 

432
00:21:04,880 --> 00:21:08,520
crafting a brand around them. 
And that is something that 

433
00:21:08,520 --> 00:21:12,440
labels just do not do anymore 
because it's not as profitable. 

434
00:21:12,440 --> 00:21:16,560
It is this weird issue that 
happened when a bunch of the 

435
00:21:16,560 --> 00:21:18,880
music labels became publicly 
traded companies, right? 

436
00:21:18,880 --> 00:21:22,920
They, they IPO and they had 
stocks and back in the day, you 

437
00:21:22,920 --> 00:21:26,080
know that when you're a private 
company, you can just agree that

438
00:21:26,080 --> 00:21:28,000
like, yeah, someone who's a 
star. 

439
00:21:28,000 --> 00:21:31,560
And we think they're amazing and
we're going to fund them for two

440
00:21:31,560 --> 00:21:32,920
years. 
We're going to put them in all 

441
00:21:32,920 --> 00:21:36,200
this dance and all this training
and all these things to make 

442
00:21:36,200 --> 00:21:40,000
them like, you know, you Polish 
the diamond until they are ready

443
00:21:40,000 --> 00:21:42,880
to like go out and make music 
and go on tour and do all these 

444
00:21:42,880 --> 00:21:43,560
things. 
Right. 

445
00:21:43,800 --> 00:21:46,280
And the era of TikTok was just 
like quick sign, quick. 

446
00:21:46,440 --> 00:21:48,040
Oh, they're having him. 
We have to be the first to sign 

447
00:21:48,040 --> 00:21:49,760
them. 
And then and then the they 

448
00:21:49,760 --> 00:21:51,800
wouldn't do as well and they 
drop them in a year, right? 

449
00:21:51,800 --> 00:21:54,760
Or drop them in two years. 
Like we just, we, we started to 

450
00:21:54,760 --> 00:21:58,520
view these people as like a 
cycle and, and disposable 

451
00:21:58,520 --> 00:22:03,080
instead of investments, instead 
of artists that needed to be 

452
00:22:03,280 --> 00:22:06,320
poured into and cultivated. 
Like artistry doesn't happen 

453
00:22:06,320 --> 00:22:08,760
overnight. 
Artistry is developed, it 

454
00:22:08,760 --> 00:22:12,920
changes, it's very fluid, it 
evolves as the person evolves. 

455
00:22:13,320 --> 00:22:17,680
And there that doesn't fit into 
this capitalistic structure of 

456
00:22:17,680 --> 00:22:20,240
a, of an IPO, right? 
Like where you have to give 

457
00:22:20,240 --> 00:22:22,840
quarterly reportings and you 
have to talk about how you made 

458
00:22:22,920 --> 00:22:25,200
this much money, you're going to
make more money next year than 

459
00:22:25,200 --> 00:22:27,320
you did last year, right? 
That is this thing that has 

460
00:22:27,320 --> 00:22:29,760
happened with labels and, and 
it's a terrible thing with the 

461
00:22:29,760 --> 00:22:32,800
industry of music too, because 
like Republic Records and like 

462
00:22:32,800 --> 00:22:35,080
you have a Taylor Swift and 
Ariana Grande album in the same 

463
00:22:35,080 --> 00:22:37,960
year, next year, you're not 
going to make as much money. 

464
00:22:38,560 --> 00:22:41,440
You're just not, they're two of 
the big top five biggest artists

465
00:22:41,440 --> 00:22:43,680
of all time, right? 
Like you're just not going to 

466
00:22:43,680 --> 00:22:45,320
make as much money. 
It doesn't mean the label's a 

467
00:22:45,320 --> 00:22:46,680
failure. 
It doesn't mean that they're 

468
00:22:46,680 --> 00:22:49,000
doing things wrong. 
It's just like they had two 

469
00:22:49,000 --> 00:22:50,800
artists released a year before 
that, right? 

470
00:22:50,800 --> 00:22:53,160
And that's a good thing. 
But like, that doesn't fit into 

471
00:22:53,160 --> 00:22:56,280
this like capitalistic structure
of the way stocks work and, and 

472
00:22:56,280 --> 00:22:58,720
the way people want to invest 
and have this, you know, ever 

473
00:22:58,720 --> 00:23:02,440
growing line of investment. 
And that has impacted the way 

474
00:23:02,440 --> 00:23:05,400
that they're able to develop 
artists and fun artists. 

475
00:23:05,440 --> 00:23:07,200
And it's really sad. 
I've talked to a lot of people 

476
00:23:07,440 --> 00:23:10,280
in music about this. 
A lot of my I have many friends 

477
00:23:10,280 --> 00:23:12,760
are like executives or director 
levels of music, and they've 

478
00:23:12,760 --> 00:23:17,560
talked about how they have felt 
that shift since their labels IP

479
00:23:17,560 --> 00:23:21,520
OED because there's no you 
can't, you don't get time 

480
00:23:21,520 --> 00:23:24,280
anymore, you know, like, you 
know, if the artist doesn't make

481
00:23:24,280 --> 00:23:26,240
enough money in the first year 
or two, like they got to drop 

482
00:23:26,240 --> 00:23:30,000
them and and use and pick 
someone else up and that has 

483
00:23:30,000 --> 00:23:31,520
made it. 
So I think it's just sucks. 

484
00:23:31,520 --> 00:23:33,760
But I hope Cat's eye is an 
example of this. 

485
00:23:33,760 --> 00:23:36,120
I hope that they realize K pop 
still does it all the time, 

486
00:23:36,120 --> 00:23:37,560
right? 
Like they do all these trainings

487
00:23:37,560 --> 00:23:40,280
and things and K pop has a lot 
of other problems the way they 

488
00:23:40,280 --> 00:23:43,240
treat artists in other ways. 
But I hope it is just a sign of 

489
00:23:43,240 --> 00:23:46,240
like the importance of of 
development and training because

490
00:23:46,240 --> 00:23:49,440
you see how well it worked. 
Next we have Olivia Dean. 

491
00:23:49,760 --> 00:23:52,040
She has 55,000,000 monthly 
listeners. 

492
00:23:52,040 --> 00:23:55,000
Currently. 
Her biggest song is Man, I need 

493
00:23:55,000 --> 00:23:59,560
with 484,000,000 streams. 
Now this is the very interesting

494
00:23:59,640 --> 00:24:04,520
thing about Olivia Dean is that 
technically this album, The Art 

495
00:24:04,520 --> 00:24:07,720
of Loving does not count for 
this Grammy cycle. 

496
00:24:07,920 --> 00:24:12,080
It came out in September and the
cut off is August 30th. 

497
00:24:12,440 --> 00:24:16,520
So the singles that came out 
before me and I Need and Nice to

498
00:24:16,520 --> 00:24:19,640
Each Other, which are her two 
biggest songs, which is good, do

499
00:24:19,640 --> 00:24:21,560
count because they came out 
before the window. 

500
00:24:21,920 --> 00:24:25,320
However, technically speaking, 
nothing from this album should 

501
00:24:25,320 --> 00:24:27,480
count. 
However, I feel like people in 

502
00:24:27,480 --> 00:24:29,560
the recording Academy sometimes 
kind of bend those rules, you 

503
00:24:29,560 --> 00:24:31,040
know what I mean? 
Or at the very least like the 

504
00:24:31,040 --> 00:24:34,040
bias takes over. 
They are just so loving the 

505
00:24:34,040 --> 00:24:36,680
artist and loving the work and 
even though they know that so 

506
00:24:36,680 --> 00:24:39,240
and so thing like a song like So
easy to Fall in love is 

507
00:24:39,720 --> 00:24:43,680
shouldn't be counting for this, 
but they just love it so much 

508
00:24:43,680 --> 00:24:46,400
and love her so much. 
They and mentally are like 

509
00:24:46,440 --> 00:24:48,560
adding those points and still, 
you know what I mean? 

510
00:24:48,560 --> 00:24:51,360
That's an interesting thing. 
And again, like, I don't know, I

511
00:24:51,360 --> 00:24:52,760
don't know how much that will 
hurt her. 

512
00:24:53,960 --> 00:24:56,200
I can't really say I don't know 
enough. 

513
00:24:56,200 --> 00:24:58,840
It really just depends on these 
random people who vote, you 

514
00:24:58,840 --> 00:25:02,320
know, So like, it could end up 
being one of those things where 

515
00:25:02,320 --> 00:25:05,360
people really are really are 
like Olivia Dean, amazing, love 

516
00:25:05,360 --> 00:25:06,640
her. 
Everything she's doing is great.

517
00:25:06,640 --> 00:25:08,080
But this album wasn't part of 
this. 

518
00:25:08,080 --> 00:25:09,920
So, you know, I'll vote for her 
next year, but I can't vote for 

519
00:25:09,920 --> 00:25:12,560
her now or people would just not
care and be like, I fucking love

520
00:25:12,560 --> 00:25:14,280
Olivia Dean. 
I'm going to vote for her. 

521
00:25:15,720 --> 00:25:17,320
It it is literally, I don't 
know. 

522
00:25:18,240 --> 00:25:21,640
I think she probably has the 
most momentum of any artists on 

523
00:25:21,640 --> 00:25:24,120
this list right now. 
I feel like she is just 

524
00:25:24,440 --> 00:25:26,360
everywhere on my For you page 
when I open my phone. 

525
00:25:26,360 --> 00:25:30,080
It's like everybody is really in
this process of discovering her 

526
00:25:30,080 --> 00:25:32,840
right now. 
I think the art of loving is one

527
00:25:32,840 --> 00:25:35,240
of the best albums of this year 
for sure. 

528
00:25:35,560 --> 00:25:38,280
You know, she just came off the 
Torah Sabrina, which was huge 

529
00:25:38,280 --> 00:25:41,200
for her. 
And also I really see her as 

530
00:25:41,200 --> 00:25:44,360
like, I feel like the real music
lovers love her. 

531
00:25:44,360 --> 00:25:46,240
You know what I mean? 
I think she's feeling this void 

532
00:25:46,240 --> 00:25:50,320
of just happy, loving music that
is so great, such feel good 

533
00:25:50,320 --> 00:25:53,360
music that is so great. 
But she also has these moments 

534
00:25:53,360 --> 00:25:57,160
of real vocal power almost, you 
know, some some sort of like 

535
00:25:57,160 --> 00:26:00,440
Adele inspired songs in in the 
album that I love. 

536
00:26:01,760 --> 00:26:04,160
I think her aura and everything 
about her is just magnificent. 

537
00:26:04,160 --> 00:26:05,680
Like you just want to be her 
best friend. 

538
00:26:05,960 --> 00:26:10,040
But I feel like I barely know 
about her as a person, which is 

539
00:26:10,040 --> 00:26:12,400
a really interesting thing. 
I know she's from the UK because

540
00:26:12,400 --> 00:26:16,480
of her accent. 
I don't know much I like, I 

541
00:26:16,480 --> 00:26:18,000
don't feel like she really talks
about herself. 

542
00:26:18,000 --> 00:26:22,000
She isn't really like, like I, I
just don't know anything about 

543
00:26:22,000 --> 00:26:24,880
her as a person and what she 
likes, you know, like when, when

544
00:26:24,880 --> 00:26:27,720
it comes to me, like falling in 
love with an artist, I love a a 

545
00:26:27,720 --> 00:26:30,520
story and a narrative, you know 
what I mean? 

546
00:26:30,520 --> 00:26:33,440
Like, even someone like like an 
Addison who is very publicly 

547
00:26:33,440 --> 00:26:37,360
shit on for her, for her TP and 
all that, you know, like, I like

548
00:26:37,360 --> 00:26:40,000
that she was that she talked 
about it, that she talked about 

549
00:26:40,000 --> 00:26:42,920
like, yeah, people did not like 
that, but I believed in myself. 

550
00:26:42,920 --> 00:26:45,240
So I'm going to push through 
this and, and do this thing. 

551
00:26:45,240 --> 00:26:47,120
Like her interview on the 
podcast is incredible. 

552
00:26:47,680 --> 00:26:48,960
You know what I mean? 
Like Olivia Dean, I just feel 

553
00:26:48,960 --> 00:26:50,640
like I haven't had, I haven't 
seen as much moments with those 

554
00:26:51,120 --> 00:26:53,840
from that from her. 
Maybe I it's just hasn't popped 

555
00:26:53,840 --> 00:26:56,400
up on my like for you page or my
recommended or whatever my 

556
00:26:56,400 --> 00:26:58,760
YouTube. 
But like, that's really what I 

557
00:26:58,760 --> 00:27:00,920
want more from her. 
I'm sold on the mute. 

558
00:27:00,920 --> 00:27:02,560
Like all in couldn't be more all
in. 

559
00:27:02,760 --> 00:27:06,040
But I think that in terms of 
like building her career as an 

560
00:27:06,040 --> 00:27:09,280
artist, her team really needs to
do a lot more to push the 

561
00:27:09,280 --> 00:27:12,000
narrative in the story of Olivia
Dean. 

562
00:27:12,000 --> 00:27:13,240
Who is she? 
Where did she come from? 

563
00:27:13,240 --> 00:27:15,760
Where is she going? 
Why is this meaningful to her? 

564
00:27:16,400 --> 00:27:19,640
I don't know, you guys tell me. 
Next we have Lily Young who has 

565
00:27:19,640 --> 00:27:23,280
29.3 million monthly listeners. 
Her song, her biggest song, is 

566
00:27:23,280 --> 00:27:25,760
Messy that has 950 million 
streams. 

567
00:27:26,120 --> 00:27:29,840
Something interesting I will say
is that this album did not have 

568
00:27:29,840 --> 00:27:32,960
that same level of impact. 
You know, it goes from a 950 

569
00:27:32,960 --> 00:27:36,480
million stream song to the next 
biggest song is one thing with 

570
00:27:36,480 --> 00:27:39,400
120 million streams and that I 
don't think any other song on 

571
00:27:39,400 --> 00:27:42,320
the album has hit that 100 
million streams mark yet. 

572
00:27:44,120 --> 00:27:47,200
I think she is an unreal 
vocalist. 

573
00:27:47,200 --> 00:27:51,160
Like so much incredible power in
those vocals that she isn't even

574
00:27:51,160 --> 00:27:54,440
like in some ways she taps into 
this album, but she could go 

575
00:27:54,440 --> 00:27:57,600
harder than she did. 
But I also kind of love that. 

576
00:27:57,600 --> 00:27:59,880
I love that she's a lot of still
like British rock influence type

577
00:27:59,880 --> 00:28:01,560
songs on the album and stuff 
like that. 

578
00:28:01,920 --> 00:28:04,160
And I also think that her 
getting injured and not being 

579
00:28:04,160 --> 00:28:08,120
able to like tour and stuff 
anymore has a huge impact on 

580
00:28:08,560 --> 00:28:10,520
that. 
The album not picking up as much

581
00:28:10,520 --> 00:28:14,360
as it did because so much of 
getting people, I think to 

582
00:28:14,360 --> 00:28:18,000
discover the meat of an album 
comes through live performances.

583
00:28:18,000 --> 00:28:20,840
You know, they they know the one
or two or three big hits, but 

584
00:28:20,840 --> 00:28:23,040
then they go to the concert and 
they're like, wait, what was 

585
00:28:23,040 --> 00:28:25,080
that song again? 
I was dancing to that like, 

586
00:28:25,080 --> 00:28:25,920
well, what, you know what I 
mean? 

587
00:28:26,320 --> 00:28:28,560
And losing out on that moment, I
think was really, really big. 

588
00:28:28,920 --> 00:28:30,760
But also with Lola, I think 
something that's holding her 

589
00:28:30,760 --> 00:28:33,760
back is there's no clear 
branding there to me. 

590
00:28:33,760 --> 00:28:36,920
There's no, it's hard to latch 
onto you. 

591
00:28:36,920 --> 00:28:39,080
I don't know what I would wear 
to a Lola Young concert. 

592
00:28:39,320 --> 00:28:43,800
She didn't really have this 
defined like persona or style or

593
00:28:43,800 --> 00:28:46,880
aesthetic or color or you know 
what I mean? 

594
00:28:46,880 --> 00:28:49,160
And it's very interesting that 
she's at the same label as 

595
00:28:49,160 --> 00:28:53,280
someone like a Sabrina Carpenter
who is so packaged, like the 

596
00:28:53,280 --> 00:28:56,280
most brandable branded artist of
all time is Sabrina Carpenter. 

597
00:28:56,280 --> 00:28:58,200
It's why I reference her all the
time, because I think she just 

598
00:28:58,200 --> 00:29:01,240
has such a stark visual example 
of a lot of these things I try 

599
00:29:01,240 --> 00:29:05,080
to instill in you guys of like 
what artistry is outside of just

600
00:29:05,080 --> 00:29:08,360
making music. 
And that's why I think what's 

601
00:29:08,360 --> 00:29:11,480
missing from Lola Young, I I 
think her talent is undeniable. 

602
00:29:12,040 --> 00:29:15,040
I think Messi is a song that has
incredible writing too and and 

603
00:29:15,040 --> 00:29:18,600
really tapped into these themes 
of feeling like a disaster a 

604
00:29:18,600 --> 00:29:21,560
little bit, you know, and what 
it means to be a young person 

605
00:29:21,880 --> 00:29:24,160
struggling through the world we 
are in now. 

606
00:29:24,360 --> 00:29:27,640
But I want it to have a more 
holistic visual approach. 

607
00:29:27,640 --> 00:29:29,200
I think that's what she really 
needs. 

608
00:29:29,360 --> 00:29:33,040
Next we have Alex Warren, who 
has 51.9 million monthly 

609
00:29:33,040 --> 00:29:35,680
listeners. 
His biggest song is Ordinary 

610
00:29:35,680 --> 00:29:39,440
with 1.4 billion streams. 
And I will say in terms of 

611
00:29:39,440 --> 00:29:44,560
overall streams, he fucking 
crushes everyone on this list. 

612
00:29:44,560 --> 00:29:48,400
Like crushes. 
I think he has like 10 songs 

613
00:29:48,400 --> 00:29:53,160
with 100 million plus streams. 
He also did like a two-part 

614
00:29:53,160 --> 00:29:55,280
album situation. 
Or was it 2 albums? 

615
00:29:55,280 --> 00:29:57,520
I don't really get it. 
I just know there was one thing 

616
00:29:57,520 --> 00:30:00,080
with 11 songs and another thing 
with 10 more songs that also had

617
00:30:00,080 --> 00:30:04,400
the 1st 11 on them. 
I don't know was it 2 albums? 

618
00:30:04,400 --> 00:30:05,440
Was it a deluxe? 
I don't get it. 

619
00:30:05,920 --> 00:30:10,040
Those such things confuse me, 
but it is he's massive. 

620
00:30:10,120 --> 00:30:14,400
What's crazy to me is how many 
people stream Alex Warren, yet 

621
00:30:14,480 --> 00:30:16,960
for some reason I seem to have 
not met a single one of them. 

622
00:30:17,560 --> 00:30:20,680
Like I cannot tell you one 
person I know in my life or my 

623
00:30:20,680 --> 00:30:23,520
circle of friends or anyone, 
like around me, my age or 

624
00:30:23,520 --> 00:30:27,200
whatever, and where I am that is
bumping Alex Warren. 

625
00:30:28,120 --> 00:30:32,400
They're out there 51 million of 
you 52,000,000 about I think to 

626
00:30:32,400 --> 00:30:34,200
me, you know, I've given my 
thoughts about Alex Warren in 

627
00:30:34,200 --> 00:30:37,440
the death of the male pop star 
video of like, it's just where 

628
00:30:37,440 --> 00:30:40,680
is the flavor? 
You know, it's so interesting. 

629
00:30:40,680 --> 00:30:43,080
Sam made a really great play 
that episode, one that I have 

630
00:30:43,080 --> 00:30:47,200
not been able to stop thinking 
about where to a lot of people, 

631
00:30:47,200 --> 00:30:51,440
they, they see pop music as this
like manufactured thing, the 

632
00:30:51,440 --> 00:30:53,040
glitz and the glam and all of 
that. 

633
00:30:53,600 --> 00:30:56,640
And they when they hear, you 
know, it's just like a a sultry 

634
00:30:56,640 --> 00:31:00,600
man with a guitar that feels 
more real and authentic to them.

635
00:31:00,600 --> 00:31:03,000
Like they view that as real 
music and they're a real 

636
00:31:03,000 --> 00:31:05,760
musician because they don't need
all that other stuff. 

637
00:31:05,760 --> 00:31:09,040
They just sing. 
But to me it's like, like, where

638
00:31:09,040 --> 00:31:11,360
is the flavour? 
Like do something, anything at 

639
00:31:11,360 --> 00:31:13,800
all, like have a visual, have a 
big performance. 

640
00:31:13,800 --> 00:31:15,920
His VM as was great, I will say,
but that was like all the 

641
00:31:15,920 --> 00:31:17,720
marching band and the dancers, 
you know what I mean? 

642
00:31:17,720 --> 00:31:21,720
Like do something like, give me 
something like, Oh my God, it's 

643
00:31:21,800 --> 00:31:25,720
just boiled chicken. 
I'm sorry, I'm sorry. 

644
00:31:25,720 --> 00:31:28,040
Alex Warrington I and I don't 
mean to be mean, I really don't,

645
00:31:29,160 --> 00:31:30,360
but like it's just not moving 
me. 

646
00:31:30,360 --> 00:31:33,320
There's nothing about it. 
It's this whole like derivative 

647
00:31:33,320 --> 00:31:37,160
of Ed Sheeran, like boring white
boy music that has just never 

648
00:31:37,560 --> 00:31:39,400
ranged for me. 
You know what I mean? 

649
00:31:39,400 --> 00:31:40,600
Like I'm not a big Benson Boone 
guy. 

650
00:31:40,600 --> 00:31:42,560
I'm not a big. 
I wasn't big into Teddy Swims. 

651
00:31:42,560 --> 00:31:44,600
I wasn't big into I'm not even 
big into Ed Sheeran. 

652
00:31:44,600 --> 00:31:46,600
Am I being honest? 
Alex wore another example. 

653
00:31:46,600 --> 00:31:49,920
You know what I mean? 
It's just like ordinary singing 

654
00:31:49,920 --> 00:31:52,360
about a girl, blah, blah, blah. 
You want to get married? 

655
00:31:52,360 --> 00:31:53,920
Oh, so cute. 
Oh, but you love her. 

656
00:31:53,920 --> 00:31:56,320
Oh, but bad thing happened. 
But oh, I just don't know 

657
00:31:57,120 --> 00:31:59,120
Flair's flavor. 
I want some flavor. 

658
00:31:59,280 --> 00:32:02,120
Then we have the Marias, which 
is you want to talk about 

659
00:32:02,120 --> 00:32:04,880
flavor, bitch? 
Flavor town. 

660
00:32:04,880 --> 00:32:07,760
I love the Marias. 
Oh my God, 35.7 million monthly 

661
00:32:07,760 --> 00:32:09,760
listeners. 
Their biggest song is No One 

662
00:32:09,760 --> 00:32:13,280
Noticed with 855,000,000. 
Something interesting is 

663
00:32:13,280 --> 00:32:16,280
technically Submarine does not 
count in this Grammy cycle. 

664
00:32:16,280 --> 00:32:20,880
Submarine came out in May of 
last year, the album, but songs 

665
00:32:20,880 --> 00:32:25,040
like Nobody Knew and Back to Me 
did come out in this cycle. 

666
00:32:25,680 --> 00:32:28,600
You know, like the feature of 
Host Teresa's on the Selena and 

667
00:32:28,600 --> 00:32:33,360
Benny album is in this cycle. 
And the Marias might be the only

668
00:32:33,360 --> 00:32:37,080
breakthrough bands that we have 
had since the pandemic. 

669
00:32:37,080 --> 00:32:40,400
Like, bands do not really exist 
anymore. 

670
00:32:40,400 --> 00:32:44,080
And it is so sad because you can
see how important that musical 

671
00:32:44,080 --> 00:32:48,920
chemistry is to the Marias. 
Like the music is so psychedelic

672
00:32:48,920 --> 00:32:52,120
and otherworldly. 
And she has these like soft, 

673
00:32:52,120 --> 00:32:55,600
whispery vocals that don't feel 
like a siren call. 

674
00:32:55,680 --> 00:32:59,000
So it's enchanting. 
It's almost futuristic feeling 

675
00:32:59,000 --> 00:33:01,520
sometimes. 
But then they'll have these long

676
00:33:01,520 --> 00:33:03,920
breaks of instrumentation in the
song. 

677
00:33:03,920 --> 00:33:07,120
Like Carino is such a perfect 
example, an older Maria's song. 

678
00:33:07,120 --> 00:33:09,800
But like it's not. 
It's just they can like touch 

679
00:33:09,800 --> 00:33:11,400
into all these genres and 
sounds. 

680
00:33:11,400 --> 00:33:14,640
I love that she uses she speaks 
Spanish in her music, but not 

681
00:33:14,640 --> 00:33:16,680
all the time. 
Like there's so much influence 

682
00:33:16,680 --> 00:33:20,520
of culture and that like it's 
just amazing. 

683
00:33:20,520 --> 00:33:22,560
It's so good. 
I just freaking love the 

684
00:33:22,560 --> 00:33:24,640
marinas. 
People are not into the like 

685
00:33:24,680 --> 00:33:27,560
body of submarine enough. 
OK, your homework is to listen 

686
00:33:27,560 --> 00:33:29,400
to the song. 
I know play though by the 

687
00:33:29,400 --> 00:33:32,120
marinas on Submarine. 
One of my favorites, actually. 

688
00:33:32,120 --> 00:33:33,640
I'd like you to listen to it 
start to finish again. 

689
00:33:33,640 --> 00:33:36,440
But you know, if we're going to 
do one thing, that's the song I 

690
00:33:36,440 --> 00:33:39,320
want you to listen to or listen 
to Carino by the marinas. 

691
00:33:39,320 --> 00:33:42,240
If you're just a recent fan, if 
you just discovered them from 

692
00:33:42,240 --> 00:33:43,640
like back to me and that type of
stuff. 

693
00:33:43,640 --> 00:33:45,560
No one noticed. 
God, she's so good. 

694
00:33:45,560 --> 00:33:48,200
She's so interesting. 
One of my favorite things about 

695
00:33:48,200 --> 00:33:51,680
the marinas, I saw them at 
Lollapalooza and I have been 

696
00:33:51,680 --> 00:33:55,320
telling this to a lot of my 
artist friends and a lot of 

697
00:33:55,320 --> 00:34:00,440
people I know who work in music 
of like she is the blueprint for

698
00:34:00,680 --> 00:34:04,200
how to have a commanding stage 
presence when you are not a 

699
00:34:04,200 --> 00:34:07,360
dancer and when the music is 
very slow, that's a really, 

700
00:34:07,360 --> 00:34:11,040
really tough thing to do. 
You know when to hold the energy

701
00:34:11,040 --> 00:34:15,840
of 10s of thousands of people 
when the music is very sad and 

702
00:34:15,840 --> 00:34:19,480
methodical and slow. 
But watch her sets dude. 

703
00:34:19,480 --> 00:34:23,480
Like finds them on YouTube. 
The way she like, contorts her 

704
00:34:23,480 --> 00:34:26,320
body and moves around the stage 
and she's so like. 

705
00:34:26,639 --> 00:34:30,880
Like she is so appalling. 
You are locked in on her despite

706
00:34:30,880 --> 00:34:34,000
the fact that these songs 
aren't, you know, that sort of 

707
00:34:34,000 --> 00:34:36,320
high energy thing that might not
create that within you. 

708
00:34:36,320 --> 00:34:40,520
But like, she knows how to 
entrance you and how to use her 

709
00:34:40,520 --> 00:34:43,880
body to be this physical 
expression of the song. 

710
00:34:43,880 --> 00:34:47,120
That's not dance. 
It's just movement. 

711
00:34:47,120 --> 00:34:50,239
It's very fluid. 
It's, I don't know, like it. 

712
00:34:50,239 --> 00:34:53,400
It's just so interesting. 
I think she's such a a brilliant

713
00:34:53,600 --> 00:34:57,160
artist to study if you were like
that, you know, if if you're 

714
00:34:57,160 --> 00:35:00,160
worried about having to perform 
or maybe you have some slower 

715
00:35:00,160 --> 00:35:03,640
tempo songs that you don't know 
how to maintain the energy of 

716
00:35:03,640 --> 00:35:07,080
the crowd for, I really, really 
recommend just like actually 

717
00:35:07,080 --> 00:35:09,400
studying her, her her stage 
performance and and what she 

718
00:35:09,400 --> 00:35:12,800
does. 
I also randomly have been saying

719
00:35:12,800 --> 00:35:15,640
this for so long. 
I want Maria to star in a horror

720
00:35:15,640 --> 00:35:17,560
movie. 
Look at that face. 

721
00:35:17,880 --> 00:35:22,040
She would serve face as like a 
possessed girl. 

722
00:35:22,680 --> 00:35:27,160
Are you kidding me? 
She she was locked in on that 

723
00:35:27,160 --> 00:35:30,240
camera Like she she truly could 
have no lines in the movie if 

724
00:35:30,240 --> 00:35:33,400
she was just like a hot demon. 
Oh, my God, I would eat it up. 

725
00:35:33,720 --> 00:35:35,840
I would eat it up. 
It would be so good. 

726
00:35:35,840 --> 00:35:38,840
But get up, cast 824. 
What are you doing? 

727
00:35:39,080 --> 00:35:42,280
Get Maria in the horror movies. 
OK. 

728
00:35:42,280 --> 00:35:44,760
I want to see her being a Kunti 
demon. 

729
00:35:46,960 --> 00:35:52,040
Then we have Leon Thomas with 
14.1 million monthly listeners. 

730
00:35:52,120 --> 00:35:55,600
His biggest song is Mutt, which 
has 340 million streams. 

731
00:35:55,960 --> 00:35:59,080
His next biggest song has like 
around 60 million mark. 

732
00:35:59,200 --> 00:36:02,640
So again, a huge song, huge 
moment for him. 

733
00:36:02,840 --> 00:36:06,200
I'm not sure as much it it got 
as many people to, to pull into 

734
00:36:06,200 --> 00:36:09,040
the album. 
Something I do think is very 

735
00:36:09,040 --> 00:36:12,320
interesting to note is that he 
is the only one on this list to 

736
00:36:12,320 --> 00:36:14,120
also get an album of the year 
nomination. 

737
00:36:14,440 --> 00:36:18,320
So people really liked it. 
Like people who care about R&B 

738
00:36:18,320 --> 00:36:21,280
and music and, and are in it and
we're studying it are 

739
00:36:21,280 --> 00:36:23,480
obsessively autonomous. 
I think he's very much also just

740
00:36:23,480 --> 00:36:26,080
like a musician's musician. 
He's also somebody who's just 

741
00:36:26,080 --> 00:36:27,960
like done a lot of cool stuff. 
I think he's been a writer for a

742
00:36:27,960 --> 00:36:29,440
lot of other people. 
He's been a producer for other 

743
00:36:29,440 --> 00:36:32,200
people. 
He's very musically gifted and 

744
00:36:32,200 --> 00:36:35,160
always has been. 
And you know, it is really that 

745
00:36:35,160 --> 00:36:38,200
sort of his like moment, like 
his mainstream moment. 

746
00:36:38,200 --> 00:36:40,280
You know, sort of, I say I got 
quite a very similar age, like 

747
00:36:40,280 --> 00:36:42,160
Victoria Monet, you know, what 
happened with her where like 

748
00:36:42,480 --> 00:36:44,400
people knew about her. 
People knew of her. 

749
00:36:44,480 --> 00:36:47,240
People in the industry knew she 
was incredibly talented and they

750
00:36:47,240 --> 00:36:50,160
knew that she was behind some of
Ariana Grande's biggest songs. 

751
00:36:50,480 --> 00:36:55,080
And then it just it, it was like
2023 when she had her moment for

752
00:36:55,080 --> 00:36:56,960
her music. 
And I feel like that's very 

753
00:36:56,960 --> 00:36:58,920
similar to what's happening with
Leon Thomas right now. 

754
00:36:59,160 --> 00:37:01,840
Truly it, it takes 10 years to 
be an overnight success type of 

755
00:37:01,840 --> 00:37:05,240
story and probably the best R&B 
album of the year. 

756
00:37:05,240 --> 00:37:07,480
I, I think he'll win that Grammy
for sure. 

757
00:37:09,040 --> 00:37:10,320
Again, I don't know, it's tough 
to say. 

758
00:37:10,320 --> 00:37:12,840
It's, it's, you know, when you 
look at his numbers compared to 

759
00:37:12,840 --> 00:37:16,880
other people, it's, it's the 
sort of, it's not as there as 

760
00:37:16,880 --> 00:37:19,480
much. 
But again, like he is the only 

761
00:37:19,480 --> 00:37:22,720
R&B artist on this list. 
I and people really like him 

762
00:37:22,720 --> 00:37:24,800
enough to again, the only one 
that got an album of the year 

763
00:37:24,800 --> 00:37:27,160
nomination also. 
So it would be one of those 

764
00:37:27,160 --> 00:37:30,480
interesting things where it's 
like a big industry pick, then 

765
00:37:30,480 --> 00:37:34,280
it is like just going off raw 
commercial success type pick. 

766
00:37:34,480 --> 00:37:37,960
But who is my overall prediction
if I have to pick one? 

767
00:37:38,360 --> 00:37:40,680
I mean, I I like there's nobody 
on this list that will 

768
00:37:40,680 --> 00:37:43,880
disappoint me besides Alex 
Warren, but I don't think that's

769
00:37:43,880 --> 00:37:45,240
going to happen. 
Something interesting I forgot 

770
00:37:45,240 --> 00:37:48,000
to mention in Alex Warren and 
somber too, was it shocked me 

771
00:37:48,000 --> 00:37:50,400
that neither of their songs got 
nominated for record of the year

772
00:37:50,400 --> 00:37:53,000
or song of the year. 
Ordinary has like 1 1/2 billion 

773
00:37:53,000 --> 00:37:55,880
streams and back to friends like
1 1/2 billion streams. 

774
00:37:55,880 --> 00:38:00,600
Neither one got nominated, which
makes me less confident and 

775
00:38:00,600 --> 00:38:03,800
either of them is winning the 
even the best new artist 

776
00:38:03,800 --> 00:38:05,760
category. 
Honestly, my prediction, I feel 

777
00:38:06,040 --> 00:38:07,600
like it's going to be Olivia 
Dean. 

778
00:38:08,040 --> 00:38:11,480
I just feel like she has so much
momentum right now. 

779
00:38:11,480 --> 00:38:16,560
I think her music is so positive
and and feel good in a way that 

780
00:38:16,640 --> 00:38:20,080
not a lot of other people are 
tapping into in the same way. 

781
00:38:20,080 --> 00:38:23,840
I think she's such like a real 
music lovers music. 

782
00:38:23,840 --> 00:38:28,880
I was so I was so surprised at 
how many people had her album in

783
00:38:28,880 --> 00:38:31,080
the top five albums on their 
Spotify rap, considering the 

784
00:38:31,080 --> 00:38:32,800
fact that it came out in 
September. 

785
00:38:33,120 --> 00:38:35,160
I could really just see her 
winning, you know, I, I really, 

786
00:38:35,160 --> 00:38:38,040
really could. 
I would God, I would love it if 

787
00:38:38,040 --> 00:38:41,440
Hadison won. 
I would love it if I would love 

788
00:38:41,440 --> 00:38:42,680
the cats. 
I won too, but I don't think 

789
00:38:42,680 --> 00:38:44,520
they will. 
I don't think I, you know, Lola 

790
00:38:44,520 --> 00:38:46,480
Young to the God. 
I would love it if the Maria's 

791
00:38:46,480 --> 00:38:50,680
won. 
Somber or Olivia Dean feels like

792
00:38:50,680 --> 00:38:52,480
the most likely to me. 
I'm going to lock in Olivia 

793
00:38:52,480 --> 00:38:54,200
Dean. 
It's just I feel it in my soul. 

794
00:38:54,600 --> 00:38:55,680
What do you think? 
What do you want? 

795
00:38:55,760 --> 00:38:58,280
Who do you want to win and who 
do you think is gonna win? 

796
00:38:58,480 --> 00:39:00,000
Comment that below. 
I wanna know. 

797
00:39:01,280 --> 00:39:03,120
And yeah, don't forget to follow
on Spotify. 

798
00:39:03,120 --> 00:39:06,040
Don't forget to do all the 
things I said at the beginning 

799
00:39:06,040 --> 00:39:07,200
of the episode. 
Subscribe. 

800
00:39:08,760 --> 00:39:10,640
I love y'all and I'll see you 
soon. 

801
00:39:11,040 --> 00:39:11,280
Bye.
