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You're listening to the London 
History Podcast. 

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I am Hazel Baker from 
londonguidedwalks.co.uk. 

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Today's episode is Milner Square
through a hole in the wall in 

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Islington, just off the bustle 
of. 

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Upper Street, a short walk. 
From the Emelda Theatre sits A 

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narrow rectangle of houses 
called Milner Square, laid out 

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in the 1840s as part of London's
great northward expansion. 

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It was meant to attract the 
aspiring middle classes fleeing 

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the smoke of the city for 
cleaner Islington Air, The 

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Milner Gibson family and their 
architect, Gough and Rimue, 

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wrapped the square in a single 
continuous terrace of tall 

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houses. 
No grand corner mansions, no 

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breaks in the facade. 
Just one pale brick wall. 

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Turning and. 
Turning on itself. 

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By the 20th century, that vision
had curdled. 

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Like so many other London 
squares, Milner Square had slid 

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from respectability into multi 
occupation, rooms let floor by 

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floor, families sharing toilets,
washing strung out over the 

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garden between the walls. 
And into the 1950s Barnesbury 

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and the surrounding streets were
written up as some of the worst 

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slums in London, a world away 
from the Islington of political 

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shorthand and £800,000 flats 
that we know today. 

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Yet behind the headlines, life. 
Here was full. 

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Of work, noise and community. 
Richford Iron Foundry glowed 

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with molten metal Nearby, the 
British Siphon Company made 

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equipment in Waterloo House. 
Caledonia had local women 

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folding greeting cards. 
Piece work brought home to 

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cramped front rooms. 
Children played in the central 

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garden of the square, dodging 
washing lines in Tim Baths, 

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while their parents navigated to
London, where no one had very 

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much but everyone seemed to know
everyone else. 

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In 1972, Islington Council 
stepped in with a compulsory 

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purchase order, clearing what 
was officially unfit tenements 

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and rehousing families in new 
estates or even new towns like 

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Milton Keynes and Stevenage. 
New flats came with indoor 

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bathrooms, boilers and central 
heating, modern comforts that 

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felt miraculous. 
But they also came with front 

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doors that neighbors shut behind
them and estates where children 

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had nowhere safe to play. 
Meanwhile, as bonds re 

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gentrified through the late 20th
century, Milner Square followed 

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the now familiar inner London 
pattern from slum designation to

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conservation area, from 
controlled rents to eye watering

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property prices. 
Compared with prettier 

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neighbors, Milner Square 
continues terrace and tight 

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proportions gives it a slightly 
severe air. 

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It's central garden has shifted 
from a rough and ready 

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playground shared by working 
class families to a much more 

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managed and in part private 
space. 

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Unlike many 19th century 
squares, it never gained the 

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planned. 
Church at its centre. 

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An absence that perhaps made the
Tightweber kinship, rather than 

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formal religion, the real glue 
of the community. 

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Into this layered landscape 
steps writer and screenwriter 

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Susan Udo, born and brought up 
in Islington, whose grandparents

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moved into Milner Square in the 
1930s and whose parents stayed 

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until the clearances of the 
early 1970s. 

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In her 2015 film Through the 
Hole in the Wall, she walks us 

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back through Milner's Square, 
using family memories, 

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neighbors, voices and evocative 
objects such as a Tim Bath, a 

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Russian book factory, tools to 
open up much bigger questions 

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about housing, work, class and 
belonging in 20th century 

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London. 
The film has become a powerful 

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tool for reminiscence and oral 
history training across the 

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borough, helping older listeners
remember neighborhoods that have

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been transformed almost beyond 
recognition. 

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Hello, Susan. 
Welcome. 

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Thank you for joining. 
Me today, it's a pleasure. 

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Now your film really inspired me
to think about more about the 

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everyday people in history, 
because part of the challenge 

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really is. 
When you're. 

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Thinking about history, a lot of
the time you're thinking about 

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the olden days when things have 
changed so much in the last 100 

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years. 
What was it that prompted you to

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create and produce this film in 
the 1st place? 

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Oh it. 
Kind of evolved because when I 

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had the initial idea, it was a 
very, very small idea. 

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I was, I literally went out and 
bought myself a little Sony 

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camcorder and the idea was 
really to talked to my aunt and 

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uncle who were the sort of older
generation of people who'd lived

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around Milner Square because of 
their age really, they were 

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knocking 80. 
And I thought, my own parents 

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are dead. 
There wasn't going to be a lot 

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of time left to capture those 
memories. 

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And then it kind of grew because
I'm fortunate enough to work in,

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in a, in the television 
industry. 

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So I was talking to a mate who 
was a director and he said, I'll

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direct it for you. 
And, and actually, he 

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unfortunately became ill and 
recommended someone else who was

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our director, Chiara Massenet, 
who's brilliant. 

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And so it kind of grew because 
then Chiara came on board and 

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she said, oh, we need, we need a
sound Accordis, we need this. 

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And, and we had no money, so we 
applied to the lottery fund, the

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history of the element of the 
lottery fund for a very small 

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amount of money. 
Actually, if I'd only known, I 

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would have got asked for more. 
And so we ended up, well, all my

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kids were brought in as, as kind
of runners and my sister did the

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foods and my husband was the cab
driver. 

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So it became a family affair and
it became it, it grew from being

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just my family to other people 
who'd also lived around Milner 

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Square. 
And I suppose I was keen to 

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capture it for the reason I've 
said about, you know, those 

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older people dying off, but also
because of the impression people

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have of Islington. 
So it was also because when you 

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tell people you live in 
Islington, they have a view, I 

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guess, from people like Tony 
Blair and all the film stars we 

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have living here now that you've
got a lot of money, that it's a 

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very posh area. 
And so which it is. 

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But I, I wanted to tell people a
bit about the history of it and 

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what it was like to live in 
Islington kind of back in the 

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day before gentrification and 
before all of that money poured 

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into the borough. 
Wow, that's one of the things 

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that high enough about being a 
tour guide, especially if I'm 

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researching something. 
There I am with my little 

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clipboard and I'm walking around
the streets just trying to get 

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John very often. 
I mean, like an old lady, you 

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know, gentlemen will come and 
go. 

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What you doing? 
You know what you're hovering 

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around for? 
I'll say, oh, well, I'm trying 

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to do this and try. 
Oh, well, you know, my 

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generation, my mother, you know,
she was born here and, you know,

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and you're talking about how 
they felt like they needed to 

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click between the steps of the 
house every day. 

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You know all that, you know, it 
was your, it was your 

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responsibility that the bit of 
the pavement in front of the 

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house and all these unwritten 
rules that we, we assume the 

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council's going to do nowadays. 
So it was actually part of that,

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the community holding themselves
together in the council. 

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Absolutely. 
Because in, in the houses in 

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Milner Square, which I suppose 
if you were to describe them at 

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the time I lived there in the, I
was born there in the 50s. 

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But my, my aunt and uncle who 
were in the film were in the 

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30s. 
They were very much tenements in

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that they weren't even 
self-contained flats. 

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They were rooms. 
So with our place for instance, 

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and we were my mum and dad and 
four kids, we were on the 1st 

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and 2nd floor, but they weren't,
it wasn't a contained flat. 

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You went to the first floor. 
There were no locks on the door.

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Anybody could have come into our
flat. 

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Yeah, I call it a flat and it 
just went into our rooms and 

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then you went up and on the half
landing. 

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Eventually, I think I was about 
12 when my dad turned this 

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rubbish room into a bathroom. 
Up till then we'd had a tin bath

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like most people and then up to 
the rest to the, to the next 

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floor up and there were three 
bedrooms, which is where you 

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know, we all, we all slept. 
But again, there were no locks 

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on the doors. 
It wasn't self-contained. 

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So and there was no real heating
until I was in my teenage years.

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You know, we, we've got gas 
fires put in, but it was 2 coal 

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fires basically and nothing in 
the bedroom. 

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So it was that evening of being 
very old very often and there 

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was, you know, there weren't 
bathrooms. 

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There was shared loose very 
often. 

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I think in the film Margaret 
talks about sharing there's one 

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toilet in the whole house with 
four families. 

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So they were very much kind of 
merging on slum tenements, which

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again, is something people don't
really associate Islington with.

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So it was, it wasn't really 
saying poor me, poor me, because

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the other thing that comes 
through on the film is that 

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although everybody was very 
poor, they were very happy. 

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So it wasn't people saying that 
they had a terrible life. 

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They didn't. 
I mean, you know, there wasn't a

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lot of money. 
There wasn't a lot of luxuries 

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or food, but it it was people 
were very happy in that 

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community and it was getting 
across that kind of community 

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which sadly I think doesn't 
exist to the same degree these 

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days. 
No, no, I've concluded that. 

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But one other thing I think you 
talk about kind of lead on is 

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that better use of space. 
When the Council stepped in with

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the commodity repurchase in 72, 
you know, they they changed it 

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all but the space used 
beforehand. 

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And also if we think about who's
in and out of that space, so 

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mum's at home. 
So we're thinking shared toilet 

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through all the mums. 
You've got the kids either at 

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school or playing in the square.
And I think one of the gentlemen

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mentioned about all the boys not
bothering going back to spend 

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the pennies. 
Unfortunately, my brother, yes. 

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That's that's. 
You man, think of that. 

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You can imagine it. 
Aren't you going old? 

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Go in hat. 
Side and then mum will ask me to

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do something. 
George should make me wipe my 

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face or I can just stay here 
outside with my friends and, you

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know, fix it all. 
But it's a safe space for the 

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kids to play as well. 
And then of course the. 

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And the men were at work. 
So you've got three different 

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groups of people being able to 
coexist because they're able to 

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move around. 
Yeah, I, I mean, thank God for 

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that garden area in the middle 
of the square because, you know,

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I just think women of that 
generation were amazing when I 

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think of my own mum, you know, 
with four kids and before the 

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White Revolution. 
So you didn't have a washing 

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machine and, you know, you 
didn't have a fridge. 

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And so nappies were washed by 
hand and put through the mangle 

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and hung out. 
And my mum would go early 

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morning cleaning jobs and then 
she'd have jobs she did at home 

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so that, you know, she could be 
there for the kids. 

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So it was kind of 24/7 because 
you're trying to keep the house 

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going as well and making, you 
know, food stretch. 

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My dad was a plasterer, but I 
mean, these days plasterers and 

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a bloody fortune. 
Sorry for the language, but 

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they, they do good luck to them.
But back in my dad's day, they 

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didn't. 
And very often, you know, he was

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especially in the winter months 
to be was out of work. 

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So and there was no unemployment
benefit for if you were. 

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So it was trying to kind of make
a little go a long way. 

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And so and that generally fell 
on the women you know who 

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performed miracles, really. 
Yeah, I wonder what would have 

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happened with all the the 
children if there hadn't been 

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the square, because there had 
been a church originally and 

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funded for that. 
Indeed, there had been, which is

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amazing to imagine. 
It was a Chapel of ease. 

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So because obviously the Saint 
Mary's Church, which was the the

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one on Upper Street in Islington
where my parents got married, my

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aunts and uncles got married. 
I was christened there and, and,

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and must have had a full 
congregation in the, IT was, it 

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must have been the square was 
built in the 1840s. 

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So at that time, I guess mid 
19th century, people went to 

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church in their, in their 
numbers. 

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But that Chapel wasn't built in 
the end, but the square. 

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And it's funny going back there 
now because it seems so small, 

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but at the time it, it seemed 
huge and it was divided into 

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areas. 
So you had the swings and you 

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had the seated part in the 
middle and you had a grass area 

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at the end. 
And so people were, you know, 

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00:14:21,440 --> 00:14:25,160
playing football, hanging out 
with friends, doing hopscotch, 

225
00:14:25,160 --> 00:14:29,360
playing cannon, you know, 
Bulldog or any of those other 

226
00:14:29,360 --> 00:14:32,720
games that, that. 
And it was, it was the, you 

227
00:14:32,720 --> 00:14:35,320
know, the whole square, all the 
kids from the square. 

228
00:14:35,320 --> 00:14:39,280
So it was a, a large number. 
You never, you were never short 

229
00:14:39,280 --> 00:14:43,720
of somebody to play with. 
Yeah, what a great feeling that 

230
00:14:43,720 --> 00:14:45,280
would be. 
Just out in the world. 

231
00:14:45,280 --> 00:14:48,360
You're not free, but you know 
that you're going to be meeting 

232
00:14:48,360 --> 00:14:50,560
routine friends there. 
I think there's something that 

233
00:14:50,560 --> 00:14:53,880
new you mentioned on in the film
and you just touched on it about

234
00:14:53,880 --> 00:14:56,040
this, you know, community. 
I think it was your uncle was 

235
00:14:56,040 --> 00:15:00,040
talking about having parties in 
the house fitting 30 or 40 

236
00:15:00,040 --> 00:15:02,720
people there. 
And that kind of links my 

237
00:15:02,720 --> 00:15:04,960
thoughts with when you were 
mentioning about the community 

238
00:15:05,080 --> 00:15:08,000
at the church, you know, all the
weddings and all the Christians.

239
00:15:08,240 --> 00:15:12,000
So assuming they wouldn't need 
the church hall, they'd come 

240
00:15:12,000 --> 00:15:13,760
back. 
To the square where. 

241
00:15:13,760 --> 00:15:16,120
All the. 
Extended family and and and you 

242
00:15:16,120 --> 00:15:18,760
know, neighbors straight friends
were and and had a little bit of

243
00:15:18,760 --> 00:15:21,440
a needs up there well. 
Very often, yeah, I think there 

244
00:15:21,440 --> 00:15:25,240
were a couple of I remember my 
Aunt Pat, who's in the film. 

245
00:15:25,240 --> 00:15:27,760
I was her bridesmaids and I 
remember her wedding. 

246
00:15:27,760 --> 00:15:33,200
I was about 5:00, but that that 
was in in some kind of church 

247
00:15:33,200 --> 00:15:35,880
all I think. 
But very often, especially at 

248
00:15:35,880 --> 00:15:39,920
Christmas time or those 
occasions, there would be huge 

249
00:15:39,920 --> 00:15:44,480
numbers of people there and it 
would be music and playing cards

250
00:15:44,480 --> 00:15:51,000
and and kids, you know, up all 
hours nicking bits of alcoholic 

251
00:15:51,000 --> 00:15:53,160
drinks from the table when 
nobody was looking. 

252
00:15:53,160 --> 00:15:56,720
It's that kind of thing. 
And then on Boxing Day, you 

253
00:15:56,720 --> 00:15:59,920
know, if the Arsenal had to know
how much, we'd all go to the 

254
00:15:59,920 --> 00:16:03,760
Arsenal. 
And yes, so it was, yeah, it was

255
00:16:03,760 --> 00:16:06,680
great, great times. 
Or. 

256
00:16:07,360 --> 00:16:10,520
And you call the film through 
the hole in the wall. 

257
00:16:11,000 --> 00:16:12,920
Yeah. 
You're explained to the 

258
00:16:12,920 --> 00:16:17,880
listeners what that mean. 
Yeah, there was a literally a 

259
00:16:17,880 --> 00:16:23,280
kind of a long alleyway that was
built between two of the houses 

260
00:16:23,280 --> 00:16:28,720
that linked Milner Square with 
Almeida St. on the other side. 

261
00:16:28,720 --> 00:16:33,120
And it was a cut through. 
And at that time it's it's no 

262
00:16:33,120 --> 00:16:37,160
longer there actually. 
And it the alleyway is there, 

263
00:16:37,160 --> 00:16:42,160
but they used to be a front door
halfway down the alleyway. 

264
00:16:42,160 --> 00:16:44,400
So somebody's front door was 
there. 

265
00:16:44,400 --> 00:16:48,520
I mean, in this black space, A 
people I know, actually. 

266
00:16:48,920 --> 00:16:53,840
And and it was just a rather 
forbidding kind of place because

267
00:16:53,840 --> 00:16:56,960
it was so dark. 
So you'd go, I'd literally go up

268
00:16:57,240 --> 00:17:00,760
if it was night time to, if I 
was out with friends, I'd, I'd 

269
00:17:00,760 --> 00:17:03,000
have to think twice about going 
home that way. 

270
00:17:03,200 --> 00:17:07,359
But I'd get up to the end of 
the, the alleyway in Almeda St. 

271
00:17:07,359 --> 00:17:10,760
and literally run through it 
till you get to the other side. 

272
00:17:10,760 --> 00:17:14,599
And there's a sense of safety 
because it's what you know, and 

273
00:17:14,599 --> 00:17:17,359
you know, all the people in it. 
And I think it was something 

274
00:17:17,359 --> 00:17:21,319
else that in a way my uncle 
touched on in the film that, 

275
00:17:21,319 --> 00:17:25,079
that the world we lived in was 
very small. 

276
00:17:25,079 --> 00:17:27,920
I think, you know, nobody owned 
a car. 

277
00:17:29,480 --> 00:17:33,120
We didn't really have that many 
holidays because there wasn't 

278
00:17:33,160 --> 00:17:37,480
much money. 
And so the world you inhabited 

279
00:17:37,480 --> 00:17:41,160
was much smaller than the one 
that generally people have these

280
00:17:41,160 --> 00:17:44,280
days. 
So it was very much concentrated

281
00:17:44,320 --> 00:17:48,000
on the square and the walk to 
school. 

282
00:17:48,360 --> 00:17:51,840
You know, I, I went to, to 
Laycock School, which you know, 

283
00:17:51,840 --> 00:17:55,120
is, is a 10 minute walk away 
along Liverpool Road. 

284
00:17:55,120 --> 00:18:00,040
And that was the kind of journey
that you, you did regularly, but

285
00:18:00,040 --> 00:18:04,440
there weren't that many others. 
I, I had a dodgy eye when I was 

286
00:18:04,440 --> 00:18:06,720
a kid. 
And I remember going from on the

287
00:18:06,840 --> 00:18:10,600
thing that on the bus to 
Moorefield's Eye Hospital in, in

288
00:18:10,600 --> 00:18:14,400
City Road. 
And that was exotic. 

289
00:18:14,440 --> 00:18:18,360
And I remember being on the top.
We sat on the top of the bus and

290
00:18:18,360 --> 00:18:23,040
it went over the canal and it 
was like, Oh my God, it was like

291
00:18:23,040 --> 00:18:26,880
going to the seaside, you know, 
a stretch of water. 

292
00:18:27,400 --> 00:18:31,360
So I think that, you know, our, 
our kind of experiences were, 

293
00:18:31,600 --> 00:18:36,920
were ridiculously kind of few in
comparison with what most kids 

294
00:18:36,920 --> 00:18:41,640
have these days. 
I'm looking back now because 

295
00:18:41,640 --> 00:18:45,000
it's it's been what, 10 years 
since it launched. 

296
00:18:45,000 --> 00:18:48,800
What are your fondest memories 
from the making of film? 

297
00:18:48,800 --> 00:18:57,440
From making the film, I think it
was my aunt who since died on 

298
00:18:57,440 --> 00:19:04,200
film and my uncle who's very 
poorly is on the film and Doris 

299
00:19:04,200 --> 00:19:09,200
who was a neighbor whose kids I 
used to play with and when I was

300
00:19:09,320 --> 00:19:13,920
a kid has since died. 
So I think I feel very pleased 

301
00:19:13,920 --> 00:19:18,080
that I was able to kind of 
capture that a bit of their 

302
00:19:18,080 --> 00:19:21,600
stories really. 
And and because, you know, as 

303
00:19:21,600 --> 00:19:27,920
you say said before, that kind 
of sense of oral history that, 

304
00:19:27,960 --> 00:19:33,240
you know, we, you know, we stand
to lose a lot of that and these 

305
00:19:33,240 --> 00:19:37,600
things are done. 
I mean, someone said to me after

306
00:19:37,600 --> 00:19:39,640
I did this one or what's the 
next one you're going to do? 

307
00:19:39,640 --> 00:19:43,080
And it's like, Oh my God, 
because it was like we were 

308
00:19:43,080 --> 00:19:46,720
filming with octogenarians in 
85° heat. 

309
00:19:46,720 --> 00:19:52,480
It was it's not easy. 
And, and we had to beg, steal 

310
00:19:52,480 --> 00:19:57,080
and borrow, you know, people 
were so generous and gave the, 

311
00:19:57,360 --> 00:20:00,600
the editor work for nothing, the
director work for nothing. 

312
00:20:00,600 --> 00:20:04,880
You know, people were brilliant 
because we had a, a proper ITV 

313
00:20:04,880 --> 00:20:09,720
who I, I work for this, all the 
loan, just all the equipment. 

314
00:20:09,720 --> 00:20:14,320
We had professional equipment. 
The screen on the green in 

315
00:20:14,320 --> 00:20:17,280
Islington. 
You know, we, we, we had our 

316
00:20:17,280 --> 00:20:22,240
premiere there, the recording 
studio that's on Upper Street. 

317
00:20:22,520 --> 00:20:26,600
Where I think Kylie had been the
day before recording her 

318
00:20:26,600 --> 00:20:29,720
Christmas song. 
I went in there and they gave us

319
00:20:29,720 --> 00:20:34,800
a studio to do some voice over. 
You know, people were fantastic.

320
00:20:34,800 --> 00:20:39,080
But it's like a full time job 
doing it. 

321
00:20:39,440 --> 00:20:43,600
But you know, it is it is 
something I'm very proud of and 

322
00:20:43,600 --> 00:20:48,000
I'm very glad I did. 
Yeah, you know, talking about, 

323
00:20:48,000 --> 00:20:51,040
you know, sounds like you built 
your own community during this 

324
00:20:51,040 --> 00:20:54,040
project. 
Well, it was interesting going 

325
00:20:54,040 --> 00:20:57,680
back to Milner Square as well. 
So the thing when you get 

326
00:20:57,680 --> 00:21:02,200
lottery funding is that there 
are various things that you have

327
00:21:02,200 --> 00:21:06,320
to comply with. 
And I'm one of those was 

328
00:21:06,320 --> 00:21:10,240
involving people who lived in 
Milner Square now, none of whom 

329
00:21:10,240 --> 00:21:14,920
I knew and, and, and other 
groups interested groups. 

330
00:21:14,920 --> 00:21:19,680
So we ended up as quite a weird 
band in the end because we had 

331
00:21:19,680 --> 00:21:23,880
Age UK involved, we had the 
Veterans Association involved 

332
00:21:24,440 --> 00:21:31,160
and I put on an event at the 
Islington Town Hall and we 

333
00:21:31,160 --> 00:21:34,880
leafleted Milner Square and 
asked people to come along. 

334
00:21:35,520 --> 00:21:39,480
And the current residents, I 
mean, many of them were 

335
00:21:39,480 --> 00:21:43,880
brilliant because they allowed 
us access to their homes. 

336
00:21:44,520 --> 00:21:48,640
Now, you know, without that, 
there would have been no kind of

337
00:21:48,640 --> 00:21:54,000
comparison for us to make. 
So yeah, we had, there were lots

338
00:21:54,000 --> 00:21:57,920
of people who I was very 
privileged to kind of work with 

339
00:21:57,920 --> 00:22:00,960
on it. 
And one of them was actually 

340
00:22:01,000 --> 00:22:04,960
Julie Myers from the Islington 
History Museum, local History 

341
00:22:04,960 --> 00:22:07,240
Museum. 
And they were brilliant because 

342
00:22:07,240 --> 00:22:11,720
we had use of their archive. 
And that was fantastic going 

343
00:22:11,720 --> 00:22:15,360
through the archive and seeing 
lots of old photographs of 

344
00:22:15,360 --> 00:22:20,000
Islington and, and I think our 
stuff is now in there as as part

345
00:22:20,080 --> 00:22:25,200
of their archive. 
So yeah, it was, it was a great 

346
00:22:25,200 --> 00:22:27,800
experience. 
Tiring, but great. 

347
00:22:30,120 --> 00:22:33,040
And of all the things that 
subjects that you covered, what 

348
00:22:33,040 --> 00:22:37,360
was the thing that you were 
surprised about the most? 

349
00:22:38,320 --> 00:22:42,400
I don't, I don't think I was 
surprised by people's responses 

350
00:22:42,400 --> 00:22:47,080
in terms of the, the, the fact 
that that growing up there was a

351
00:22:47,080 --> 00:22:53,000
very happy experience because I 
think that everybody loves that 

352
00:22:53,000 --> 00:22:56,520
sense of community and, and 
safety. 

353
00:22:56,640 --> 00:23:00,640
Really, I think especially now 
in what's the kind of fairly 

354
00:23:00,640 --> 00:23:05,160
scary world, to have that sense 
that there were always people 

355
00:23:05,440 --> 00:23:10,160
looking out for you. 
So I, I wasn't surprised by 

356
00:23:10,160 --> 00:23:12,000
that. 
I suppose some of the individual

357
00:23:12,000 --> 00:23:16,880
stories, I mean, Brian, who I 
didn't know growing up, he's a 

358
00:23:17,000 --> 00:23:19,680
bit older than me. 
My brother, my oldest brother 

359
00:23:19,680 --> 00:23:26,400
knew him, but he'd had a very 
poor childhood and sadly his dad

360
00:23:26,920 --> 00:23:31,240
died before Brian, a couple of 
months before Brian was born. 

361
00:23:31,240 --> 00:23:36,960
So he never knew his dad and, 
and his step dad, I think wasn't

362
00:23:36,960 --> 00:23:41,720
that keen on, you know, the, the
kids and he'd had a really hard 

363
00:23:41,720 --> 00:23:45,920
time. 
So that was a bit of an eye out 

364
00:23:45,920 --> 00:23:49,680
in a really because I mean, 
although we had no money, we had

365
00:23:49,760 --> 00:23:52,240
a loving family, extended 
family. 

366
00:23:52,240 --> 00:23:56,600
So when we had no money, my nan 
who ran a Christmas club, you 

367
00:23:56,600 --> 00:24:01,200
know, where my aunts and my mum 
would put in two and six a week 

368
00:24:01,200 --> 00:24:03,480
and you know, then you'd have 
food for Christmas. 

369
00:24:03,760 --> 00:24:07,720
So but also use that as some 
money you could borrow during 

370
00:24:07,720 --> 00:24:10,800
the year and you could pay it 
back or so hard. 

371
00:24:10,920 --> 00:24:13,840
Nobody really went to a bank. 
We didn't have bank accounts. 

372
00:24:14,400 --> 00:24:19,960
But Brian's was very poor and 
that kind of surprised me 

373
00:24:19,960 --> 00:24:23,440
because you know, he we lived in
that same environment. 

374
00:24:23,920 --> 00:24:28,360
And Margaret who lives then 
still Margaret Crown who was in 

375
00:24:28,360 --> 00:24:34,680
the film has lived there all her
life and she now lives on a a 

376
00:24:34,680 --> 00:24:39,080
block that was built, I think it
was built in the 70s after the 

377
00:24:39,080 --> 00:24:43,720
council took over Milner Square 
and was on the site of the old 

378
00:24:43,720 --> 00:24:48,880
Richmond Foundry. 
She has only ever known Milner 

379
00:24:48,880 --> 00:24:53,320
Square and has and her dad died 
there. 

380
00:24:53,320 --> 00:24:55,840
And that was quite a shocking 
story as well. 

381
00:24:55,840 --> 00:24:59,480
The fact that somebody has a 
heart attack, you run to the 

382
00:24:59,480 --> 00:25:02,840
doctor and the doctor won't 
come, you know, and you go to 

383
00:25:02,840 --> 00:25:06,520
the place. 
It's like that life was the 

384
00:25:06,520 --> 00:25:11,840
value on it was so much less. 
I think that came through Brian 

385
00:25:11,840 --> 00:25:17,560
and Margaret's stories, and I 
think she's making the film in a

386
00:25:17,560 --> 00:25:19,640
way. 
It's even though she says she 

387
00:25:19,640 --> 00:25:21,320
walks through the square every 
day. 

388
00:25:21,320 --> 00:25:26,600
It made her relooked, if you 
like and remember what it was 

389
00:25:26,600 --> 00:25:28,760
like. 
And when her dad died, for 

390
00:25:28,760 --> 00:25:32,120
instance, they had two floors. 
There were three children and 

391
00:25:32,120 --> 00:25:35,440
and her parents and they rented 
rooms on two floors. 

392
00:25:35,440 --> 00:25:38,360
But when her dad died, they had 
no income, there was no money. 

393
00:25:39,800 --> 00:25:45,080
So they had to, they had to give
up one of the floors. 

394
00:25:45,320 --> 00:25:50,120
And they were all three girls 
and, and her mum, I mean they 

395
00:25:50,120 --> 00:25:55,040
slept 2 in the bed in, in, you 
know, the 2 rooms upstairs that 

396
00:25:55,040 --> 00:25:57,600
was the kitchen, the living room
and so on. 

397
00:25:58,080 --> 00:26:03,840
So it was those kinds of 
hardships that continued into a 

398
00:26:03,840 --> 00:26:07,360
time when you just thought that 
things were better. 

399
00:26:07,800 --> 00:26:10,880
Well, quality of life is so much
different now, isn't it? 

400
00:26:10,880 --> 00:26:13,120
You know children expect their. 
Their own room let. 

401
00:26:13,120 --> 00:26:17,200
Alone their own bed my mum was 
talking about Yes exactly yeah, 

402
00:26:17,200 --> 00:26:21,960
not even like yeah my mum talk 
about sharing the one bedroom 

403
00:26:21,960 --> 00:26:24,600
that she and her sister shared 
and shared the same brand and 

404
00:26:24,600 --> 00:26:25,880
you. 
Know that was just. 

405
00:26:25,880 --> 00:26:28,840
Your inquiries. 
I think until I left home I'd 

406
00:26:28,840 --> 00:26:32,480
never had my own bedroom. 
I mean, I was either, you know, 

407
00:26:32,480 --> 00:26:36,640
I was in with my brother when we
were little, then my sister, and

408
00:26:36,640 --> 00:26:39,840
then when my eldest brother got 
married and he came to live with

409
00:26:39,840 --> 00:26:43,920
us temporarily and my parents 
gave him their bed. 

410
00:26:43,920 --> 00:26:47,440
And so at one point, at the 
other bedroom, there were my 

411
00:26:47,440 --> 00:26:52,640
parents, my brother and me, you 
know, just in one bedroom. 

412
00:26:52,640 --> 00:26:57,280
So, you know, no, it was kind of
par for the course. 

413
00:26:57,280 --> 00:27:02,680
So you wouldn't think of 
yourself as deprived or anything

414
00:27:02,680 --> 00:27:04,600
like that. 
It was just, that's just what 

415
00:27:04,600 --> 00:27:06,720
happened. 
So yeah. 

416
00:27:08,200 --> 00:27:11,400
Some of the stories like Rhinos,
I was surprised about it. 

417
00:27:11,400 --> 00:27:14,360
It was also heartwarming it 
about the practicality of the 

418
00:27:14,400 --> 00:27:18,720
the fathers, especially during 
wartime, and strengthening the 

419
00:27:18,720 --> 00:27:20,720
house and all the family could 
be together. 

420
00:27:21,000 --> 00:27:25,040
Yeah, yeah. 
So that was my granddad to my 

421
00:27:25,040 --> 00:27:29,160
aunt remembers him putting true 
Trump's in. 

422
00:27:29,160 --> 00:27:32,520
He was quite resourceful. 
Was my grandfather putting tree 

423
00:27:32,520 --> 00:27:36,280
trunks in the living room? 
I mean, I'm not sure how 

424
00:27:36,280 --> 00:27:38,880
effective they would have been, 
to be honest with you, because I

425
00:27:38,880 --> 00:27:42,440
think the old Latham plaster 
ceilings probably would have 

426
00:27:42,440 --> 00:27:45,840
caved in pretty quickly. 
But yeah, trying to prop up the 

427
00:27:45,840 --> 00:27:50,080
ceilings and having the kids 
there so they didn't go off. 

428
00:27:50,200 --> 00:27:53,960
They weren't evacuated and they 
they stayed in the square. 

429
00:27:54,360 --> 00:27:57,720
And I know people had very 
difficult decisions to make on 

430
00:27:57,720 --> 00:28:01,120
that time and whether we'd catch
our kids around you or not. 

431
00:28:01,120 --> 00:28:05,600
But fortunately they were safe. 
But there was a lot of bombing 

432
00:28:05,600 --> 00:28:10,680
in and around that area. 
And as my uncle says in the film

433
00:28:10,680 --> 00:28:14,440
that, you know, you turned up 
for school sometimes and kids 

434
00:28:14,440 --> 00:28:19,360
didn't arrive. 
So yeah, it was, it was an area 

435
00:28:19,360 --> 00:28:24,040
that kind of then got rebuilt in
certain areas. 

436
00:28:24,040 --> 00:28:28,800
And I think there was a very old
looking head of planning at 

437
00:28:28,800 --> 00:28:33,200
Islington Council at that time. 
Well, not during the war, but 

438
00:28:33,200 --> 00:28:36,640
after the war and leading up to 
the council purchasing Milner 

439
00:28:36,640 --> 00:28:44,240
Square, who didn't opt for the 
solutions that a lot of other 

440
00:28:44,240 --> 00:28:48,000
London boroughs that had been 
bombed had taken, which was to 

441
00:28:48,000 --> 00:28:52,160
build high rise blocks of flats.
There were very few flats. 

442
00:28:52,160 --> 00:28:55,920
I mean, if you look at Islington
now, there are very high rise 

443
00:28:55,920 --> 00:28:58,920
blocks, if any. 
I mean you'd barely call them 

444
00:28:58,920 --> 00:29:03,000
high rise. 
And so the, the interesting 

445
00:29:03,000 --> 00:29:08,680
thing about Milner Square, or 
all the squares really, is that 

446
00:29:09,320 --> 00:29:14,200
they were very mixed because 
the, the Islington Council 

447
00:29:14,200 --> 00:29:19,520
wanted to keep council tenants 
in the street properties rather 

448
00:29:19,520 --> 00:29:24,680
than in these big high rises. 
So, so still today you have 

449
00:29:24,680 --> 00:29:29,040
squares that are very mixed in 
terms of being privately owned 

450
00:29:29,200 --> 00:29:34,520
housing association and council.
So the, the, the, you know, the 

451
00:29:34,520 --> 00:29:37,680
geographic is a very mixed 
demographic in Islington, living

452
00:29:37,680 --> 00:29:43,320
cheek by jowl. 
Yeah, I do think it was under 

453
00:29:43,320 --> 00:29:46,840
the pressure post war with a big
housing shortage. 

454
00:29:47,320 --> 00:29:49,360
Yeah, the. 
Easiest thing to do was to knock

455
00:29:49,360 --> 00:29:52,000
up a high rise and just get 
everybody into that. 

456
00:29:52,480 --> 00:29:55,240
And so, yeah, but building these
perhaps that often look like 

457
00:29:55,240 --> 00:29:59,800
houses as well, and keeping 
that, that, that small square 

458
00:29:59,800 --> 00:30:02,720
nature was a very good idea, I 
think. 

459
00:30:03,160 --> 00:30:06,200
I mean, the square visually has 
changed a lot, hasn't it? 

460
00:30:06,200 --> 00:30:08,160
I'm looking at old photos. 
It's. 

461
00:30:08,640 --> 00:30:12,640
What it looks now? 
It's, it's a very, it's a very 

462
00:30:12,640 --> 00:30:16,680
unusual square. 
The architects were, were 

463
00:30:16,680 --> 00:30:21,960
slightly eccentric, I think. 
And I think the another example 

464
00:30:21,960 --> 00:30:26,840
of, of their work is just down 
in our media St. towards the end

465
00:30:26,840 --> 00:30:31,760
where the Armida Theatre is now.
And it's not, it's not quite 

466
00:30:31,760 --> 00:30:36,160
brutal, but it's, it's a very, 
it's a very unusual kind of 

467
00:30:36,160 --> 00:30:40,880
architecture and it's quite a 
beautiful square now, because 

468
00:30:40,880 --> 00:30:44,640
the council, which is still is 
still the freeholder of that 

469
00:30:44,640 --> 00:30:50,800
square, maintain it very well. 
But after, you know, a, a, a 

470
00:30:50,800 --> 00:30:56,480
period of time with them slot 
people using coal as their main 

471
00:30:56,480 --> 00:31:00,560
source of heating. 
You had the brickwork in Milner 

472
00:31:00,560 --> 00:31:06,240
Square was blackened and because
of this less than ornate 

473
00:31:06,320 --> 00:31:10,680
architecture that, you know, 
other squares in Islington enjoy

474
00:31:11,120 --> 00:31:13,880
it. 
It did have a rather foreboding 

475
00:31:13,880 --> 00:31:17,120
kind of look to it. 
So you had the blackened 

476
00:31:17,120 --> 00:31:22,160
brickwork and the peeling paint 
on the doors and so on. 

477
00:31:22,480 --> 00:31:27,280
So it, it did look like you'd 
walked into a kind of Dickensian

478
00:31:27,360 --> 00:31:32,000
film when it nowadays it, it 
actually looks pretty good, I 

479
00:31:32,000 --> 00:31:34,480
think. 
And, and just an example of, I 

480
00:31:34,480 --> 00:31:38,520
mean, a lot of obviously the 
demographic of Islington became 

481
00:31:38,880 --> 00:31:41,560
partly as it is because of 
people buying under the right to

482
00:31:41,560 --> 00:31:46,600
buy under Thatcher. 
So you, you Milma Square is very

483
00:31:46,600 --> 00:31:52,240
like that where you have private
flats and council flats and it's

484
00:31:52,240 --> 00:31:56,080
a, it's a very mixed area. 
And visually it's very 

485
00:31:56,080 --> 00:31:58,400
different. 
They like Lonsdale Square, your 

486
00:31:58,400 --> 00:32:02,240
next door neighbor in terms of, 
but I think also it the the 

487
00:32:02,240 --> 00:32:05,160
scale of things, they're not 
just the pretty architecture. 

488
00:32:05,160 --> 00:32:07,520
You've got a lot planar 
architecture, but also it's. 

489
00:32:07,520 --> 00:32:08,840
Nothing. 
A lozenge. 

490
00:32:09,360 --> 00:32:13,760
Rather than a square, isn't it? 
It's long and thin, and I 

491
00:32:13,760 --> 00:32:16,120
suppose that and imagine that 
with the church. 

492
00:32:16,120 --> 00:32:18,160
In as well. 
That wouldn't have got any lots.

493
00:32:18,200 --> 00:32:21,480
Of it, yes, yes, it would have 
been quite a sight. 

494
00:32:21,720 --> 00:32:24,480
Yeah, it is a bit like that. 
And I think it's the height of 

495
00:32:24,480 --> 00:32:29,280
the buildings that accentuates 
that because it is it's there 

496
00:32:29,280 --> 00:32:31,360
are basements and then four 
floors. 

497
00:32:31,360 --> 00:32:35,680
So it's that they're very tall 
buildings and because the upper 

498
00:32:35,680 --> 00:32:39,760
floors, the first floor in 
particular would have been where

499
00:32:39,760 --> 00:32:41,480
the. 
The drawing room. 

500
00:32:41,560 --> 00:32:45,480
Would have been so the ceilings 
were incredibly high with, you 

501
00:32:45,480 --> 00:32:47,840
know, marble fireplaces and 
cornices. 

502
00:32:47,840 --> 00:32:51,360
And so it was a very, very tall 
building. 

503
00:32:51,720 --> 00:32:55,160
And like, as you say, with 
Lonsdale squares is a Gothic 

504
00:32:55,160 --> 00:32:59,320
architecture. 
Gibson Square built not that far

505
00:32:59,480 --> 00:33:04,080
away in time to Milner Square. 
And in fact, some of the 

506
00:33:04,080 --> 00:33:08,680
material we used in the 
documentary was actually taken 

507
00:33:08,680 --> 00:33:12,800
from an excellent six part 
series that the BBC did back in 

508
00:33:12,800 --> 00:33:16,960
the 1960s called Six Sides of 
the Square. 

509
00:33:17,360 --> 00:33:20,680
I'd recommend anyone to check it
out if you can in an archive. 

510
00:33:22,120 --> 00:33:29,080
And it was about the the 
emerging kind of gentrification 

511
00:33:29,440 --> 00:33:35,160
of places like Islington, where 
it showed you solicitors and 

512
00:33:35,160 --> 00:33:38,640
doctors moving in and cleaning 
out their cornices and so on. 

513
00:33:39,120 --> 00:33:44,280
And down in the basement next 
door would be some little old 

514
00:33:44,280 --> 00:33:48,000
lady with no heating living in 
abject poverty. 

515
00:33:48,240 --> 00:33:50,200
So. 
And it covered a different 

516
00:33:50,200 --> 00:33:55,240
subject to each each episode. 
But that was, that was, yeah, a 

517
00:33:55,240 --> 00:33:59,440
brilliant piece of documentary 
footage that we drew from for 

518
00:33:59,440 --> 00:34:02,920
hours. 
I'll link the six sides of the 

519
00:34:02,920 --> 00:34:05,400
square as well. 
It's on the BBC Archive website 

520
00:34:05,400 --> 00:34:07,560
I think. 
Still they haven't moved it. 

521
00:34:07,840 --> 00:34:11,880
They'll be able to get a better 
idea of what real London was. 

522
00:34:11,880 --> 00:34:20,000
Like I suppose it's that sense 
of residential being kind of 

523
00:34:20,000 --> 00:34:25,960
cheap by jowl with industry, 
which we had in with the iron 

524
00:34:25,960 --> 00:34:30,880
foundry, but also with to the 
well, it was 1 factory, but at 

525
00:34:30,880 --> 00:34:33,040
one time it was the siphon 
factory. 

526
00:34:33,040 --> 00:34:36,159
You remember like James Bock 
millions whiskey and soda or 

527
00:34:36,159 --> 00:34:37,800
whatever. 
Yeah. 

528
00:34:38,239 --> 00:34:40,120
And Cardonia is why wasn't it a 
greeting? 

529
00:34:40,120 --> 00:34:45,560
Card and in fact, the nieces of 
the guy who owned the Cardonia 

530
00:34:46,000 --> 00:34:49,560
were the ones who gave us the 
footage of the women that were 

531
00:34:49,560 --> 00:34:55,360
inside May folding the the cards
was and and a number of people, 

532
00:34:55,520 --> 00:35:00,880
women mainly or probably 
exclusively from the square who 

533
00:35:00,880 --> 00:35:05,800
worked in factory industries. 
At least you know to earn money 

534
00:35:05,840 --> 00:35:08,240
again. 
And bringing work home with them

535
00:35:08,240 --> 00:35:10,800
as well. 
Oh yeah, I remember my mum doing

536
00:35:10,800 --> 00:35:14,400
padded hangers and that you 
know, and something with loads 

537
00:35:14,400 --> 00:35:18,000
of glister. 
I remember that it was really 

538
00:35:18,000 --> 00:35:21,200
different homework to, yeah, 
just to kind of try and 

539
00:35:21,200 --> 00:35:25,640
supplement your income and 
whilst juggling kids because it 

540
00:35:25,640 --> 00:35:29,640
was your extended family again 
who looked after your kids if 

541
00:35:29,640 --> 00:35:33,160
you worked. 
So that was the other beauty I 

542
00:35:33,160 --> 00:35:38,080
guess for having that set up 
round, well in any community but

543
00:35:38,080 --> 00:35:39,760
round Mona Square at that time. 
Anthony. 

544
00:35:41,400 --> 00:35:44,280
Yourself, you said you were you 
were born in Milner Square. 

545
00:35:44,280 --> 00:35:45,960
So what? 
What family did you have 

546
00:35:45,960 --> 00:35:52,200
connected together on that? 
Street so, so my both, both my 

547
00:35:52,400 --> 00:35:55,640
maternal and paternal 
grandparents live there. 

548
00:35:55,920 --> 00:36:01,680
So one, one of my nan's lived at
35 and my other nan lived at 49.

549
00:36:01,680 --> 00:36:09,000
We lived at 41 and my Aunt Pat, 
who's in the film, she lived at 

550
00:36:09,000 --> 00:36:12,680
33. 
But she took over that flat from

551
00:36:12,680 --> 00:36:17,760
my Uncle Ronnie, who was at 33 
and then moved out to Aylesbury.

552
00:36:18,280 --> 00:36:23,000
And then my other aunt, well, my
great aunt lived on on the other

553
00:36:23,000 --> 00:36:26,440
side of the square. 
At one point, my aunt Shut, my 

554
00:36:26,440 --> 00:36:31,560
great Aunt Charlotte and my Aunt
Doris and my Uncle George lived 

555
00:36:31,560 --> 00:36:34,160
over the other side of the 
square as well. 

556
00:36:34,520 --> 00:36:40,040
So yeah, So when my parents met 
in the square, that's where they

557
00:36:40,040 --> 00:36:41,440
met. 
And they got married. 

558
00:36:41,440 --> 00:36:45,960
And my mom was 18. 
And, you know, my dad was 1920, 

559
00:36:46,600 --> 00:36:50,360
and then he went off to war, you
know, after that. 

560
00:36:53,120 --> 00:36:55,720
Yeah. 
So we had but a lot of families.

561
00:36:55,720 --> 00:37:00,040
Doris, who I interview in the 
film, she had both her brothers 

562
00:37:00,040 --> 00:37:01,960
lived on the square with their 
families. 

563
00:37:01,960 --> 00:37:07,000
They had a large number of kids.
So there, there was a lot of 

564
00:37:07,000 --> 00:37:09,440
that. 
You know, it was like Beaujo's 

565
00:37:09,440 --> 00:37:12,560
or, or the Brennan was, you 
know, and it was like a little 

566
00:37:12,560 --> 00:37:16,680
tribe. 
So I suppose when people heard 

567
00:37:16,680 --> 00:37:20,680
of flats becoming vacant, they 
told their family members and 

568
00:37:20,960 --> 00:37:24,600
they'd go to Dove Brothers, who 
were the people who you paid the

569
00:37:24,600 --> 00:37:27,960
rent to. 
You just say, you know, have you

570
00:37:27,960 --> 00:37:29,960
got a flat? 
It wasn't, it's not like today 

571
00:37:29,960 --> 00:37:33,480
where kids can't get properties 
in Islington for love, no money.

572
00:37:35,080 --> 00:37:39,360
My dad, my dad always used to 
tell the story of how back in I 

573
00:37:39,440 --> 00:37:43,840
was probably in the 60s, that 
they were trying to offload the 

574
00:37:43,840 --> 00:37:46,480
properties because they were in 
such a state of disrepair. 

575
00:37:46,480 --> 00:37:49,280
It's too expensive to put the 
right. 

576
00:37:49,280 --> 00:37:53,720
And they were 4000 lbs. 
But of course, it might just as 

577
00:37:53,720 --> 00:37:56,560
well have been 4 million because
there's no way we could have, 

578
00:37:57,200 --> 00:38:01,800
you know, 4000 lbs. 
Yeah. 

579
00:38:02,000 --> 00:38:05,680
And so it did take a lot, you 
know, that company that bought 

580
00:38:05,680 --> 00:38:09,040
the square and, and did nothing 
with it for a long time. 

581
00:38:09,040 --> 00:38:11,840
And they were rented, just 
rented out and allowed to go 

582
00:38:12,120 --> 00:38:17,080
into an even greater state of 
disrepair until council bought 

583
00:38:17,080 --> 00:38:19,240
them under the compulsory 
purchase order. 

584
00:38:21,000 --> 00:38:24,800
Yeah, it's amazing also how I 
suppose families moved away at 

585
00:38:24,880 --> 00:38:27,440
that climb as well, you know, 
Milton Keynes, etcetera. 

586
00:38:27,720 --> 00:38:31,360
I was on hybrid fields and I was
just walking along the Crescent 

587
00:38:31,360 --> 00:38:34,840
there and there's an older lady,
she said you used to live on 

588
00:38:34,840 --> 00:38:38,800
Highbury Fields and with her 
family and they were just 

589
00:38:38,800 --> 00:38:40,560
falling apart. 
Once again. 

590
00:38:40,560 --> 00:38:44,880
Could offer the opportunity to 
buy it, but no child, you know, 

591
00:38:44,880 --> 00:38:46,720
you might as well say go and 
live on the moon. 

592
00:38:47,120 --> 00:38:48,960
And so now, of course, that's 
in. 

593
00:38:48,960 --> 00:38:52,080
What was it for weddings and a 
funeral, A really beautiful 

594
00:38:52,080 --> 00:38:55,480
facade, but that was crumbling 
down then as well. 

595
00:38:55,480 --> 00:38:58,400
So all these places that look 
nice and posh. 

596
00:38:58,720 --> 00:39:00,320
You know. 
If they're if they're old, then 

597
00:39:00,320 --> 00:39:03,320
they've got a story and those 
stories are pre falls and 

598
00:39:03,320 --> 00:39:06,440
communities in them. 
So yeah, so lots, lots of 

599
00:39:06,440 --> 00:39:09,680
changed in this thing to us and 
having lived, you know, living 

600
00:39:09,680 --> 00:39:12,160
there yourself and rating your 
four daughters. 

601
00:39:12,480 --> 00:39:15,160
Have you seen that A type of 
community change? 

602
00:39:15,160 --> 00:39:18,160
Radio World. 
Yeah, I have. 

603
00:39:18,280 --> 00:39:23,280
I mean, when we left Milner 
Square, we moved, we moved on to

604
00:39:23,320 --> 00:39:27,760
a council estate which was off 
of Caledonian Rd. which had just

605
00:39:27,760 --> 00:39:31,680
been built. 
And my grandmother who was still

606
00:39:31,680 --> 00:39:34,880
was living in Milner Square was 
desperate to go there because it

607
00:39:34,880 --> 00:39:40,000
had a bathroom, not because for 
her, she was on the 3rd floor in

608
00:39:40,000 --> 00:39:43,560
Milner Square and the toilet was
down by the garden. 

609
00:39:44,520 --> 00:39:50,280
So we moved to this council 
estate and and then at some 

610
00:39:50,280 --> 00:39:54,960
point I got, I moved into a flat
in Thornhill Road and, and my 

611
00:39:54,960 --> 00:39:57,840
husband moved in. 
And then when we were looking to

612
00:39:57,840 --> 00:40:00,000
buy somewhere we couldn't afford
Islington. 

613
00:40:00,000 --> 00:40:04,760
So we moved to Stoke Newington. 
And my dad thought I was mad. 

614
00:40:04,880 --> 00:40:09,240
It was like at that time him 
thinks Stoke Newington High 

615
00:40:09,240 --> 00:40:12,480
Street was Muggers Mile and. 
It was, yeah. 

616
00:40:12,480 --> 00:40:14,840
So anyway, we bought it. 
We managed to buy a house 

617
00:40:14,840 --> 00:40:18,640
because nobody wanted to live 
there, £31,000 for a 5 bedroom 

618
00:40:18,640 --> 00:40:22,080
house. 
And eventually we moved after we

619
00:40:22,080 --> 00:40:26,280
had our fourth daughter, we 
moved back to Islington to a 

620
00:40:26,280 --> 00:40:30,400
house that was semi derelict. 
It's the story of our lives. 

621
00:40:30,800 --> 00:40:34,400
But I live in a square now. 
Mostly they are flats. 

622
00:40:34,480 --> 00:40:38,000
It it's, you know, 4 flats in a 
house or whatever. 

623
00:40:38,800 --> 00:40:45,520
And I probably, I mean, we've 
got residents associations and 

624
00:40:45,520 --> 00:40:51,240
whatnot, but I don't know that 
many people, you know, I suppose

625
00:40:51,920 --> 00:40:54,840
my kids possibly that's another 
thing. 

626
00:40:56,200 --> 00:40:58,960
No, no, no, actually, no. 
I did have young kids when we 

627
00:40:58,960 --> 00:41:00,760
moved to here, but to this 
place. 

628
00:41:00,760 --> 00:41:06,640
But I think it is different. 
Yeah, I think I think people 

629
00:41:06,640 --> 00:41:09,400
kind of keep themselves to 
themselves a bit more now. 

630
00:41:09,960 --> 00:41:12,120
I'm always different when I go 
up north to work. 

631
00:41:12,120 --> 00:41:15,400
I'm always defending the South 
because people say we're so 

632
00:41:15,400 --> 00:41:21,080
unfriendly and so on and that, 
you know, everyone in Manchester

633
00:41:21,080 --> 00:41:24,640
is, is is so jolly. 
Then I can, I mean, then 

634
00:41:24,640 --> 00:41:27,080
sometimes I think, you know, 
probably, you know, they're not 

635
00:41:27,080 --> 00:41:33,040
wrong respects with, but I think
people, I think there are lots 

636
00:41:33,040 --> 00:41:35,960
more problems in London and I 
think people are never quite 

637
00:41:35,960 --> 00:41:38,880
sure, you know, what they might 
get themselves into. 

638
00:41:38,880 --> 00:41:41,360
So I think I think it's some 
little streets. 

639
00:41:41,360 --> 00:41:44,960
There's probably that same sense
of community, but I'd say it's 

640
00:41:44,960 --> 00:41:50,440
not as as widespread as it was. 
Now that you're right, I'm if 

641
00:41:50,440 --> 00:41:54,720
I'm in a Victorian tariff and 
really only see the neighbors 

642
00:41:54,720 --> 00:41:56,920
when we all put our bins out. 
Otherwise. 

643
00:41:57,080 --> 00:41:59,680
You know, we're, we're inside. 
But I think that is the other 

644
00:41:59,680 --> 00:42:04,280
thing, isn't it, that a lot more
women were at home during that 

645
00:42:04,280 --> 00:42:36,640
time? 
And so, and, and it was like you

646
00:42:36,640 --> 00:42:41,200
said early on, you know, even 
though she were kind of slums 

647
00:42:41,200 --> 00:42:45,320
and we didn't own them. 
I mean, you know, women were out

648
00:42:45,320 --> 00:42:49,240
there with their tub of BIM 
scrubbing the front steps every 

649
00:42:49,240 --> 00:42:51,800
week. 
It was you take it in turns. 

650
00:42:52,280 --> 00:42:56,920
And my Nan's, you know the lino 
in my nan's hallway, it was like

651
00:42:56,920 --> 00:42:59,920
an ice skating rink. 
So yeah. 

652
00:43:00,680 --> 00:43:03,560
They were all at home or they 
were hanging out the washing or 

653
00:43:03,560 --> 00:43:09,240
doing the winds windows and so 
on and going to the local shop. 

654
00:43:09,560 --> 00:43:12,880
I mean, you know, there was in 
Islington, because I've worked 

655
00:43:12,880 --> 00:43:16,560
here, so many shops in Islington
growing up, whether it's Marks 

656
00:43:16,560 --> 00:43:19,640
and Spencer's clerks, the 
bakers, the Wimpy, the bookies. 

657
00:43:20,160 --> 00:43:23,240
But there wasn't a Sainsbury's, 
you know, there weren't, there 

658
00:43:23,240 --> 00:43:27,960
weren't those big supermarkets. 
And so people went to the local 

659
00:43:27,960 --> 00:43:32,640
grocery shop on Barnsbury St. 
and the sweet shop next door to 

660
00:43:32,640 --> 00:43:36,000
get their tobacco on whatever. 
So there was a lot more 

661
00:43:36,000 --> 00:43:41,840
interaction with local people. 
And I think that that that 

662
00:43:41,840 --> 00:43:43,920
perhaps has has gone a little 
bit. 

663
00:43:45,320 --> 00:43:48,600
And where was the local boozer? 
Which one was the go to? 

664
00:43:49,120 --> 00:43:52,120
Neither. 
And my parents drank, I think my

665
00:43:52,120 --> 00:43:56,520
mum got drunk on port when she 
was about 19 and she came home 

666
00:43:56,520 --> 00:44:00,600
with a Turkey under her arm or 
something for Chris first time. 

667
00:44:00,920 --> 00:44:03,520
And then she didn't, she never 
dragged after that. 

668
00:44:03,520 --> 00:44:08,200
And my dad didn't really drink. 
So, so they we, we kind of 

669
00:44:08,200 --> 00:44:11,520
didn't go to the to the boozers 
that much. 

670
00:44:11,600 --> 00:44:14,520
You know, I know kids who didn't
sat outside for the bucket of 

671
00:44:14,520 --> 00:44:18,400
Chris, but I think it, yeah, I 
don't know which ones people 

672
00:44:18,400 --> 00:44:23,880
used, really. 
Right, what fantastic way to to 

673
00:44:23,880 --> 00:44:30,800
remember Little little Pocket of
London Line and thank you so 

674
00:44:30,800 --> 00:44:34,520
much for talking about your your
experiences with this film and 

675
00:44:34,520 --> 00:44:36,360
sharing your family stories as 
well. 

676
00:44:36,520 --> 00:44:40,160
I wish, I wish more. 
People did it because we're just

677
00:44:40,160 --> 00:44:42,280
going to. 
We're going to lose so much if 

678
00:44:42,280 --> 00:44:44,400
we don't. 
Indeed, indeed. 

679
00:44:44,400 --> 00:44:47,600
Yeah, yeah. 
Thank you, Susan. 

680
00:44:47,600 --> 00:44:49,160
That's been. 
Absolutely wonderful. 

681
00:44:49,160 --> 00:44:50,360
You're very welcome.
