1 00:00:00,040 --> 00:00:03,280 Is this bitch on? Is this bitch recording? 2 00:00:12,080 --> 00:00:14,920 You're the contest everybody welcome back to jobless 3 00:00:14,920 --> 00:00:19,080 behaviour how we doing today excellent so good you look a 4 00:00:19,080 --> 00:00:22,120 little different. I do look a little different. 5 00:00:22,480 --> 00:00:25,520 Little fun, little fierce, very fierce. 6 00:00:25,960 --> 00:00:28,880 Like 80s yes. In honour of what we're 7 00:00:28,880 --> 00:00:33,600 reviewing today, my. Dear yes, we are doing Doja Cat 8 00:00:34,840 --> 00:00:38,480 the the Viva la France. We're in Paris. 9 00:00:39,400 --> 00:00:43,600 Salah. Yes, yeah, we're doing Dosha Cat 10 00:00:43,600 --> 00:00:47,120 B Yeah, no, I'm very excited to do Miss Dosha Cat. 11 00:00:47,800 --> 00:00:50,160 I've been looking forward to this album for a while. 12 00:00:50,680 --> 00:00:57,440 And yeah, what what are our overall first impressions of the 13 00:00:57,440 --> 00:01:00,480 project? I mean, I think it would be 14 00:01:00,480 --> 00:01:03,960 remiss to not talk about our first impression of the project, 15 00:01:04,319 --> 00:01:07,160 which would be the jealous type music video. 16 00:01:08,240 --> 00:01:11,440 Yes, Girl. Jealous type as a whole was 17 00:01:12,120 --> 00:01:14,640 insane. Amazing. 18 00:01:14,840 --> 00:01:20,680 Literally just it's like pop perfection but then it's mixed 19 00:01:20,680 --> 00:01:23,680 with rap. The visuals are stunning. 20 00:01:23,680 --> 00:01:29,920 She fully like encompasses the aesthetic while also repeating 21 00:01:29,920 --> 00:01:31,400 the same things I did before the Kylie rave. 22 00:01:31,400 --> 00:01:36,680 So it's like like all the time, but it's modern like, but it's. 23 00:01:36,960 --> 00:01:38,320 New but. It's classic. 24 00:01:38,320 --> 00:01:40,880 Yeah. No, I absolutely love jealous 25 00:01:40,880 --> 00:01:41,840 type. Yeah. 26 00:01:42,080 --> 00:01:43,560 I. An amazing song. 27 00:01:43,760 --> 00:01:47,120 Instant earworm. Yeah, so clear and it's 28 00:01:47,240 --> 00:01:49,840 references. Yes, I'm afraid to reference or 29 00:01:49,840 --> 00:01:50,640 not. Reference. 30 00:01:52,680 --> 00:01:56,800 Yes. And unfortunately, in a general 31 00:01:56,800 --> 00:01:59,840 public sense that didn't perform as well as I thought it would. 32 00:02:00,840 --> 00:02:03,200 I feel like that's just because we were obsessed with it 33 00:02:03,200 --> 00:02:05,360 instantly. So should everyone help? 34 00:02:05,360 --> 00:02:07,520 It's. It's scratched some part of our. 35 00:02:07,520 --> 00:02:10,160 Brain, we are right? Well, yeah, we. 36 00:02:10,400 --> 00:02:11,160 Yeah. Why? 37 00:02:11,160 --> 00:02:13,120 As no one agrees. And I'll take this opportunity 38 00:02:13,120 --> 00:02:15,040 to say we've been listening to this album non-stop in 39 00:02:15,040 --> 00:02:18,360 preparation for this. So so you're welcome Amela for 40 00:02:18,360 --> 00:02:20,680 the stream. Yeah, they were not under the 41 00:02:20,680 --> 00:02:24,240 couch, they were under. The couch we must surely be 42 00:02:24,360 --> 00:02:29,040 what, 5? Percent of strangers yes, no, 43 00:02:29,080 --> 00:02:33,480 it's it's really surprised me how I don't see under what no 44 00:02:33,480 --> 00:02:37,960 use it as underperformed because I really did think this whole 45 00:02:37,960 --> 00:02:41,880 album would blow up. But then when I remember back to 46 00:02:41,880 --> 00:02:45,560 like Planet her release, it wasn't that big of a debut. 47 00:02:47,440 --> 00:02:52,400 I think she is like a grower. I also feel like Planet her got 48 00:02:52,400 --> 00:02:54,840 a lot of singles and a lot of performances. 49 00:02:55,120 --> 00:02:58,640 Scarlett got a lot of performances that like really 50 00:02:58,640 --> 00:03:02,320 got people's attention and it was really contested pop culture 51 00:03:02,320 --> 00:03:04,760 wise. Like Oh my God what is she doing 52 00:03:04,760 --> 00:03:11,560 with this new era? It was bold of her to just do 53 00:03:11,600 --> 00:03:13,680 jealous type pre release right? Yes. 54 00:03:14,280 --> 00:03:15,800 Or did gorgeous come out weak of? 55 00:03:15,800 --> 00:03:18,280 Gorgeous came out. No. 56 00:03:18,360 --> 00:03:19,480 Was it day of? Yeah. 57 00:03:20,400 --> 00:03:24,480 It's like the primer single, but then I mean nowadays singles 58 00:03:24,560 --> 00:03:26,880 because it was like the whole like late single, primer single, 59 00:03:26,880 --> 00:03:28,680 second single doesn't really matter anymore. 60 00:03:28,680 --> 00:03:31,240 I think because of the streaming era it. 61 00:03:31,360 --> 00:03:35,480 Is just weird though, because I feel like jealous type did get 62 00:03:35,480 --> 00:03:39,680 me so hyped for this album yeah and then it kind of just came 63 00:03:40,000 --> 00:03:45,000 yeah and then it was here yeah. And it sure is here yeah like I, 64 00:03:45,000 --> 00:03:48,000 I really enjoy it. I can see myself like, you know, 65 00:03:48,000 --> 00:03:50,560 saving a few of the songs yes yes. 66 00:03:50,960 --> 00:03:54,200 I can even see myself listening to this project as a whole yeah 67 00:03:54,200 --> 00:03:58,440 'cause you know, I'm an album listener too, my dear, but I 68 00:03:58,440 --> 00:04:01,200 just. I'm a bit gagged by it's. 69 00:04:01,400 --> 00:04:04,200 I don't even want to say underperformance, but mine. 70 00:04:04,280 --> 00:04:07,800 Neither, but like it's it is just like this should be bigger 71 00:04:08,080 --> 00:04:11,080 and I can't even like quite figure out why it's not. 72 00:04:12,760 --> 00:04:17,600 Obviously the state of music at the moment is a bit weird so 73 00:04:17,600 --> 00:04:22,760 that we'll play into it. But yeah, I mean, speaking on 74 00:04:22,760 --> 00:04:25,760 the state of music, it's just, it is, it's so weird. 75 00:04:27,000 --> 00:04:32,320 Top song in the world is a cartoon movie K pop song. 76 00:04:32,760 --> 00:04:37,000 And then we have a lot of like adult contemporary topping the 77 00:04:37,000 --> 00:04:40,640 charts. And yeah, I don't get it. 78 00:04:40,920 --> 00:04:43,080 I don't get it. Yeah, I. 79 00:04:43,400 --> 00:04:46,600 Think even maybe Carter's biggest hit this era is an adult 80 00:04:46,600 --> 00:04:49,680 contemporary like. I mean we've talked in other 81 00:04:49,680 --> 00:04:52,800 episodes about like the industry at the moment, trying to find 82 00:04:52,840 --> 00:04:55,920 the sound cause in the early twenty 20s. 83 00:04:56,600 --> 00:05:02,480 Shout out to our girl Dash Cat. She really found the sound and 84 00:05:02,480 --> 00:05:08,200 honestly, especially how into it I was with Jealous Type. 85 00:05:08,320 --> 00:05:11,720 I expected her to kind of like swing big, knock this out of the 86 00:05:11,720 --> 00:05:15,560 park, redefine music for the next 5 years again, 'cause Post 87 00:05:15,560 --> 00:05:21,080 Say so every other song was like the Say so Renaissance, like 88 00:05:21,280 --> 00:05:24,080 trying to reheat those nachos and it didn't really work until 89 00:05:24,080 --> 00:05:27,680 espresso. Yeah, yeah, 'cause espresso is 90 00:05:27,680 --> 00:05:32,240 the Say So daughter. Oh, yes, yeah, I don't. 91 00:05:32,360 --> 00:05:36,680 Yeah, I think it's just people aren't paying attention anymore. 92 00:05:36,720 --> 00:05:41,920 Well, the general public because yeah, I don't think she's done 93 00:05:41,920 --> 00:05:43,760 anything wrong. You know, she's definitely been 94 00:05:43,760 --> 00:05:46,240 promoting. There's lots of visuals. 95 00:05:48,200 --> 00:05:50,520 I yeah, I can't even be like, she should have done this or 96 00:05:50,520 --> 00:05:53,760 that and maybe would have done this or that. 97 00:05:54,560 --> 00:05:56,200 Yeah. I mean, speaking on visuals, the 98 00:05:56,200 --> 00:06:00,560 multiple variants of the album, 'cause we did not know. 99 00:06:00,920 --> 00:06:02,440 I did not understand that was happening. 100 00:06:02,560 --> 00:06:05,520 No, I when she first announced it, I was like, this is the 101 00:06:05,520 --> 00:06:07,000 album art. And she's like, no, it's not 102 00:06:07,000 --> 00:06:07,760 and. Then she kept. 103 00:06:08,160 --> 00:06:11,160 She did the pillow cover art and she's like, this isn't it 104 00:06:11,160 --> 00:06:14,360 either? See, like if she had done that 105 00:06:14,960 --> 00:06:21,640 and then with every album art released a song, perhaps like, I 106 00:06:21,640 --> 00:06:25,280 would have been like more. Oh, OK, then you know we're 107 00:06:25,280 --> 00:06:27,920 working. Towards it, I feel like the. 108 00:06:27,920 --> 00:06:31,800 Communication in this wasn't, I don't want to say it in every 109 00:06:31,800 --> 00:06:36,280 direction because obviously it very much had a direction, but I 110 00:06:36,280 --> 00:06:39,800 feel like the train was for sure on track. 111 00:06:40,160 --> 00:06:43,920 I was just at the stop and I saw the train get there and I was 112 00:06:43,920 --> 00:06:49,080 like, there goes the train. Yeah, it. 113 00:06:49,080 --> 00:06:50,920 Didn't make me want to get up and get on the train. 114 00:06:51,360 --> 00:06:56,720 No, did get to a point where I was just like okay, like you get 115 00:06:56,720 --> 00:06:59,440 like you are so excited and then it's constant like no, this 116 00:06:59,440 --> 00:07:00,640 isn't it. No, this isn't it. 117 00:07:00,640 --> 00:07:04,120 That's not right. And it was kind of like, OK. 118 00:07:04,120 --> 00:07:08,520 And then the cover did come, and it did cause a bit of a stir. 119 00:07:08,680 --> 00:07:11,280 I feel like it only caused the stir because she kept being 120 00:07:11,280 --> 00:07:12,280 like, this isn't the cover views. 121 00:07:12,280 --> 00:07:15,440 And then we got to it and then people were disappointed. 122 00:07:15,440 --> 00:07:17,160 Yeah, yeah. Which I don't think is 123 00:07:17,160 --> 00:07:18,120 completely fair. I. 124 00:07:18,360 --> 00:07:21,560 I get it. I I definitely get it now after 125 00:07:21,560 --> 00:07:26,520 the stranger music video. I just didn't hear like with a, 126 00:07:26,520 --> 00:07:28,160 you know, we. Can't talk if it's a bit of 127 00:07:28,160 --> 00:07:31,880 worse. Whether it was good or bad, I 128 00:07:31,880 --> 00:07:35,520 don't have an answer for. I was just like OK, but I felt 129 00:07:35,520 --> 00:07:40,320 like a lot of the excitement had been taken away at the like. 130 00:07:40,360 --> 00:07:42,800 I think for me the standard had been built so high. 131 00:07:42,800 --> 00:07:45,800 Like I'm not saying it's a bad cover up, but it's like because 132 00:07:45,800 --> 00:07:51,040 that standard was so high, I was just like, OK, it is what it is. 133 00:07:53,920 --> 00:07:56,800 But yeah, I mean, we should we just get into the track list? 134 00:07:56,800 --> 00:08:01,320 I guess so. Yes, we opened the album with 135 00:08:01,400 --> 00:08:05,840 cards. Player cards, yeah. 136 00:08:07,800 --> 00:08:11,120 I'm gonna say this throughout pretty much almost every song 137 00:08:11,120 --> 00:08:14,360 and the whole album as a whole, the production's amazing. 138 00:08:15,080 --> 00:08:16,840 Yeah. How much did Jack Antonoff 139 00:08:16,840 --> 00:08:19,520 produce? I forgot to check that. 140 00:08:20,000 --> 00:08:21,560 I. For a minute I was like, oh, 141 00:08:21,640 --> 00:08:23,280 Jack, I just did the whole album. 142 00:08:23,280 --> 00:08:25,200 But I don't think you did the whole album. 143 00:08:25,520 --> 00:08:29,160 Yeah, but. It was also just as a a Little 144 00:08:29,560 --> 00:08:33,159 Asterix reference, though Doja Cat wrote every song on this 145 00:08:33,159 --> 00:08:36,240 album. Yes, by herself and it's myself. 146 00:08:36,880 --> 00:08:38,159 Yeah. Yeah, yeah. 147 00:08:38,240 --> 00:08:41,960 Every single song, it's just, yeah, Amela as the writer, yeah. 148 00:08:42,240 --> 00:08:45,600 And she did not advertise that at all. 149 00:08:45,600 --> 00:08:47,760 No. Which is such a flick. 150 00:08:47,920 --> 00:08:50,120 Yes, and it's some of the best program I've ever seen. 151 00:08:50,480 --> 00:08:54,840 Yeah. Like, Oh my God, no, but yet I'm 152 00:08:54,840 --> 00:08:57,200 Prince album. Well, we you get what this album 153 00:08:57,200 --> 00:09:00,720 is about love, you know, finding her, falling into it. 154 00:09:01,680 --> 00:09:04,160 Yeah, production is so like atmospheric and vibe. 155 00:09:06,160 --> 00:09:10,520 See, I upon hearing cards for the first time because we we did 156 00:09:10,520 --> 00:09:16,040 listen to it as it dropped together, I was worried that 157 00:09:16,240 --> 00:09:20,440 each song was just going to be like a reheated nachos carbon 158 00:09:20,440 --> 00:09:25,480 copy of like a production style of a song from the 80s. 159 00:09:25,680 --> 00:09:28,760 Just. Because like, it did sound so 160 00:09:28,760 --> 00:09:31,960 familiar, but listening to the whole project, I've kind of like 161 00:09:32,400 --> 00:09:34,400 come back to cards and like, you know what? 162 00:09:34,400 --> 00:09:36,080 It's not actually a copy of anything. 163 00:09:36,080 --> 00:09:39,280 It's just that every single production choice on this entire 164 00:09:39,280 --> 00:09:43,240 album sounds so familiar, but I can't quite place any single 165 00:09:43,240 --> 00:09:45,240 thing to be like, oh, that's just like this. 166 00:09:45,560 --> 00:09:50,360 Yeah, like they were very. Researched into what songs they 167 00:09:50,360 --> 00:09:54,360 were like taking inspiration from or they just like have a 168 00:09:54,360 --> 00:09:58,160 really breadth knowledge of like 80s production style. 169 00:09:58,200 --> 00:10:02,800 I think they I think they do and it kind of shows in like, I mean 170 00:10:03,080 --> 00:10:05,600 like the the lyric, right? And the production. 171 00:10:05,640 --> 00:10:08,520 It's insane on that one. But when you first listen to 172 00:10:08,520 --> 00:10:13,720 Cards, I was a little bit like, OK, like I said, it's bit of a 173 00:10:13,720 --> 00:10:18,560 grower because yeah, I'm playing your album after listening to 174 00:10:18,560 --> 00:10:20,640 Jealous type, I'm playing the album with Cards. 175 00:10:20,640 --> 00:10:23,120 It was kind of like, OK, but let's jump in. 176 00:10:23,120 --> 00:10:24,160 So I'll say, oh, there's more to come. 177 00:10:25,160 --> 00:10:26,800 Yeah. We didn't go into jealous type, 178 00:10:26,800 --> 00:10:28,520 which. Amazing. 179 00:10:29,560 --> 00:10:34,360 Yeah, literally, I think, I think it's the biggest pop song 180 00:10:34,360 --> 00:10:36,400 on the album. It's anthemic. 181 00:10:36,400 --> 00:10:38,120 It's got vocals, it's got pop hooks. 182 00:10:38,120 --> 00:10:39,920 It's a bit silly. It's a bit fun. 183 00:10:41,520 --> 00:10:46,960 I love a jealousy anthem. No, I love this song. 184 00:10:46,960 --> 00:10:48,520 I don't have much else to say on that. 185 00:10:49,200 --> 00:10:55,960 Yes, I mean, yeah, again, it's just such like a contemporary 186 00:10:56,480 --> 00:11:01,000 take on, again, those classic 80s production sounds. 187 00:11:02,560 --> 00:11:04,560 Yeah, I I can't fault it anywhere. 188 00:11:04,560 --> 00:11:07,360 No, neither. It's love it, love it. 189 00:11:08,200 --> 00:11:12,960 We've been going to our men. Now I will say this now I'm a 190 00:11:12,960 --> 00:11:17,320 production first listener. Like you know how this 191 00:11:17,320 --> 00:11:19,640 production looks. I'm production first listener. 192 00:11:19,640 --> 00:11:22,680 So when I do have to like analyse lyrics, I tend to have 193 00:11:22,680 --> 00:11:26,320 to like pull them up. I struggle to like listen to 194 00:11:26,400 --> 00:11:30,720 when people are like speaking. And this song right on this is 195 00:11:30,720 --> 00:11:33,680 crazy. They just crazy in the sense 196 00:11:33,680 --> 00:11:38,080 it's so clever. Yeah, it's the the song itself 197 00:11:38,080 --> 00:11:41,600 is something Knight Rider, Knight Rider show movie. 198 00:11:41,760 --> 00:11:43,200 I don't. Write it as ATV show. 199 00:11:43,280 --> 00:11:46,440 Yeah, that. So there was that. 200 00:11:46,440 --> 00:11:51,800 She references Keira Knightley. You know, I that is the one 201 00:11:51,800 --> 00:11:54,840 thing I will say about the songwriting on this song in 202 00:11:54,840 --> 00:11:57,480 particular. I actually wasn't obsessed with 203 00:11:57,480 --> 00:11:59,520 it. I think it's just in the wrap, 204 00:12:00,440 --> 00:12:05,760 and I think that kind of emboldens my opinion on it. 205 00:12:05,840 --> 00:12:09,600 And the fact that Keira Knightley is not a hot topic. 206 00:12:10,000 --> 00:12:15,680 No, she's not of the 80s, no. So using her name is kind of 207 00:12:15,680 --> 00:12:19,080 just like, well, it rhymes. I think it's because it's funny. 208 00:12:19,080 --> 00:12:21,440 Or is it funny? Or is it out of place? 209 00:12:21,440 --> 00:12:25,360 Which makes Keira Knightley like, and then another look when 210 00:12:25,360 --> 00:12:29,280 you're finished with your goons is join me in church like, well, 211 00:12:30,520 --> 00:12:37,400 I I just love how witty it is. Is it witty or is it is it a 212 00:12:37,560 --> 00:12:41,200 developed sense of like random haha millennial humor a little 213 00:12:41,200 --> 00:12:43,240 bit makes it a bit cringed out I. 214 00:12:43,240 --> 00:12:45,560 Think it's like brain rot and I love brain rot. 215 00:12:47,440 --> 00:12:49,880 I don't know. I'm not obsessed, I think, 216 00:12:50,480 --> 00:12:55,880 especially when rap to me has such like a strong basis and 217 00:12:55,880 --> 00:13:01,800 like poetry and being so clever. And I've seen Doja be so clever 218 00:13:01,800 --> 00:13:06,320 with her writing before. Again, using this like random 219 00:13:06,320 --> 00:13:09,040 brain rock. Keira Knightley ain't that 220 00:13:09,040 --> 00:13:11,080 funny. I think that's Doja Cat's 221 00:13:11,080 --> 00:13:14,440 personality, especially on the song, which is just kind of 222 00:13:14,440 --> 00:13:16,400 like. Yeah, and she's allowed to have 223 00:13:16,400 --> 00:13:19,560 her. Yeah, she is. 224 00:13:20,840 --> 00:13:25,040 Yeah, I think it would give it tiring if it was like constant 225 00:13:25,200 --> 00:13:28,480 like poetic writing and I think it is. 226 00:13:28,480 --> 00:13:30,640 It doesn't. Have to be poetic, I'm saying, 227 00:13:30,640 --> 00:13:33,480 in the sense of like, you know, the words meaning something. 228 00:13:33,480 --> 00:13:38,160 And I think particularly in this one, the rap and the song, it's 229 00:13:38,200 --> 00:13:40,240 just like, it just doesn't mean anything. 230 00:13:40,240 --> 00:13:44,880 And I get that's part of it. Yeah, apparently samples RuPaul 231 00:13:44,880 --> 00:13:47,480 laugh the song. I still don't hear it. 232 00:13:47,480 --> 00:13:49,560 I hear it, but I couldn't really see it. 233 00:13:49,560 --> 00:13:50,880 I don't. Think it's RuPaul's Laugh I. 234 00:13:50,880 --> 00:13:54,080 Couldn't see a credit for it so I was like maybe it's Doji I. 235 00:13:54,920 --> 00:13:57,440 Don't think it's RuPaul's laugh. It was my first listen. 236 00:13:57,440 --> 00:14:00,600 I was like, this is RuPaul funny and but no I. 237 00:14:00,840 --> 00:14:02,720 Do Well, that's what everyone on Twitter was saying as well, 238 00:14:02,720 --> 00:14:04,520 Yeah. I don't see like a credit or 239 00:14:04,520 --> 00:14:07,920 anything so I. To be fair, I think that would 240 00:14:07,920 --> 00:14:11,880 be like a perfect Twitter troll thing to do would to be hear the 241 00:14:11,920 --> 00:14:15,240 snip of the song, place RuPaul's laugh at it. 242 00:14:15,280 --> 00:14:19,120 Yeah, So that every time when the song actually came out, you 243 00:14:19,120 --> 00:14:22,200 would still hear RuPaul's laugh. Yeah, because I just didn't hear 244 00:14:22,200 --> 00:14:24,480 it at all. I no, it was like literally the 245 00:14:24,480 --> 00:14:28,280 first thing I heard. No, I love the song. 246 00:14:28,920 --> 00:14:33,160 Yeah, it's a good song. Yeah, a different vibe to the 247 00:14:33,200 --> 00:14:36,880 others so far. Like differently a gear shift. 248 00:14:36,880 --> 00:14:40,320 Yeah, again, I watched the Night Rider TV show. 249 00:14:40,880 --> 00:14:42,880 Made me feel a bit retro. I like that, yes. 250 00:14:43,400 --> 00:14:49,480 I have no idea I just saw like a like the cover out the car. 251 00:14:50,320 --> 00:14:57,000 Yeah. So listen Time, I'm not that 252 00:14:57,000 --> 00:15:00,480 much older than by the way, but listen Time. 253 00:15:00,680 --> 00:15:05,160 Knight Rider was a talking car. I think Herbie fully loaded, but 254 00:15:05,160 --> 00:15:06,360 of the 80s. Oh my God. 255 00:15:06,360 --> 00:15:08,520 OK, are. You old enough for Herbie fully 256 00:15:08,520 --> 00:15:09,280 loaded. No. 257 00:15:09,280 --> 00:15:12,880 Oh my gosh. Brum no. 258 00:15:12,920 --> 00:15:18,160 Oh my God, what's an inanimate object that talks? 259 00:15:18,200 --> 00:15:21,200 Like cars? Yeah, like cars, I guess. 260 00:15:21,600 --> 00:15:24,600 But like, yeah, it's like a a computer in a car. 261 00:15:24,880 --> 00:15:27,320 Oh, OK. You know, he's the police 262 00:15:27,320 --> 00:15:28,000 detective. OK. 263 00:15:29,960 --> 00:15:32,040 Yeah. Yeah, Knight Rider. 264 00:15:33,000 --> 00:15:35,440 Knight Rider, Knight Rider. We've been going to couples 265 00:15:35,440 --> 00:15:40,880 therapy. It's a good song, beautifully 266 00:15:40,880 --> 00:15:45,240 written by the production. It's not my cup of tea. 267 00:15:46,080 --> 00:15:50,720 Yeah, it's certainly, you start to see that like 80s and 90s R&B 268 00:15:50,720 --> 00:15:53,440 influence coming this one. Yeah, definitely. 269 00:15:53,480 --> 00:15:56,280 Throughout all the slower songs on this record you can tell she 270 00:15:56,280 --> 00:16:01,040 really heavily like reference Boys to Men and like you know, 271 00:16:01,120 --> 00:16:05,560 the other R&B artists of the 80s and 90s, which really gives like 272 00:16:05,560 --> 00:16:10,040 an authentic interpretation to this 80s choice. 273 00:16:10,040 --> 00:16:12,440 Yeah, yeah, yeah, no, yeah, definitely. 274 00:16:12,440 --> 00:16:14,400 Like a lot of variation within it. 275 00:16:14,400 --> 00:16:17,680 We're not just getting like zip pop or shit like that. 276 00:16:18,800 --> 00:16:21,720 But yeah, like it's when I say it's not my cup of tea, I'm not 277 00:16:21,720 --> 00:16:23,000 saying it's a bad song or anything. 278 00:16:23,000 --> 00:16:25,240 I just don't see myself playing this one. 279 00:16:26,320 --> 00:16:30,960 Yeah. Do you see this being making 280 00:16:30,960 --> 00:16:33,680 love music? I don't know I was just like but 281 00:16:33,680 --> 00:16:36,760 weird to go to have sex and put a song called couples therapy on 282 00:16:37,320 --> 00:16:39,120 but I feel like it would be a good song to have sex too. 283 00:16:39,760 --> 00:16:43,320 Yeah, there was like a note I did write about this whole 284 00:16:43,320 --> 00:16:46,000 album, and it's kind of my problem with albums that are 285 00:16:46,000 --> 00:16:47,800 just kind of like this is about love. 286 00:16:47,800 --> 00:16:49,840 They get a little bit repetitive. 287 00:16:51,160 --> 00:16:53,600 Yeah. I think she does quite well on 288 00:16:53,600 --> 00:16:58,200 this record, just like she explores a lot of avenues 289 00:16:58,480 --> 00:17:02,120 surrounding love. But I do find that it tends to 290 00:17:02,120 --> 00:17:05,200 get a bit like repetitive like you you start to. 291 00:17:05,400 --> 00:17:09,960 Yeah, but but like, message of this album is almost between the 292 00:17:09,960 --> 00:17:14,839 lines. We're like, you know, every song 293 00:17:14,839 --> 00:17:18,560 is kind of a love song. You can tell she was getting 294 00:17:18,560 --> 00:17:20,640 dead down fiercely. By Joseph Quinn. 295 00:17:22,119 --> 00:17:24,240 Yes, that little British man, the God. 296 00:17:25,680 --> 00:17:30,120 Yeah, but it's like, you know, talking about the frustrations 297 00:17:30,120 --> 00:17:35,480 of being in a relationship and love and sort of the message of 298 00:17:35,480 --> 00:17:38,360 the album is kind of like, that's what life is to be loved. 299 00:17:38,640 --> 00:17:40,680 The trials and tribulations of love. 300 00:17:40,960 --> 00:17:42,840 Like we're positive to love free. 301 00:17:42,840 --> 00:17:43,480 Love free. Love. 302 00:17:43,480 --> 00:17:50,160 But yeah, I would say the song is like the first like point of 303 00:17:50,160 --> 00:17:55,120 the album where I'm like, OK, OK, we didn't go into gorgeous. 304 00:17:57,000 --> 00:17:59,640 It's catchy. I like it. 305 00:17:59,680 --> 00:18:03,960 I really like the writing. I have written down paying 306 00:18:03,960 --> 00:18:06,600 homage to attention with the first opener, Look at me, Yeah, 307 00:18:06,600 --> 00:18:10,480 Look at Me, in which both songs that she's discussing her 308 00:18:10,480 --> 00:18:16,600 appearance. It is it is quite similar in 309 00:18:16,600 --> 00:18:18,880 terms of the songwriting between both songs. 310 00:18:20,600 --> 00:18:23,360 That was kind of one thing I noticed. 311 00:18:23,360 --> 00:18:28,520 Other than that, yeah, it is just like a I'm beautiful, but 312 00:18:28,520 --> 00:18:32,680 like, it's so hard to be a woman in public media. 313 00:18:32,800 --> 00:18:37,000 Yeah, Yeah, I like the song. Yeah. 314 00:18:37,120 --> 00:18:41,400 And yeah, hats on so many notes in like a really interwoven, 315 00:18:41,560 --> 00:18:44,160 clever way, which is why I like this one so much. 316 00:18:44,720 --> 00:18:49,640 And again, earworm, Yeah. Yeah, no, I I did find myself 317 00:18:49,640 --> 00:18:52,080 humming this one a lot, and it does have. 318 00:18:52,200 --> 00:18:57,200 You tap in your foot. And then it does have the love 319 00:18:57,200 --> 00:19:00,520 aspect when she's talking about like cosmetic surgery and saying 320 00:19:00,520 --> 00:19:03,320 like, my man loves me both ways. So it doesn't like, shut the 321 00:19:03,320 --> 00:19:05,800 fuck up. Like, yeah, no, I I did like 322 00:19:05,800 --> 00:19:08,720 this one. And also like to, in a song, 323 00:19:08,720 --> 00:19:11,720 calling yourself gorgeous, openly admit to succumbing to 324 00:19:11,720 --> 00:19:14,800 the pressures of society, judging your body and being 325 00:19:14,840 --> 00:19:17,680 like, yeah, I did get surgery because people are telling me my 326 00:19:17,680 --> 00:19:20,480 body looked weird and that's why I got surgery. 327 00:19:20,480 --> 00:19:24,600 And you know, it doesn't matter. And also being like I look like 328 00:19:24,600 --> 00:19:29,600 my family and not trying to flex, like still being like I 329 00:19:29,600 --> 00:19:31,480 didn't change everybody so ridiculously. 330 00:19:31,480 --> 00:19:33,360 Where? I'm unrecognizable and I still 331 00:19:33,360 --> 00:19:36,360 like, love the way that I look because I still look like my 332 00:19:36,360 --> 00:19:39,840 family. Yeah, it is a really good 333 00:19:39,880 --> 00:19:43,320 riddance. Yeah, and also to shout out that 334 00:19:43,520 --> 00:19:47,120 firstly, the entire concept of the music video being like those 335 00:19:47,120 --> 00:19:52,040 80s infomercials commercials, like so good, yes, so good. 336 00:19:52,160 --> 00:19:55,560 And then also featuring her mum, Gorgeous. 337 00:19:55,560 --> 00:19:58,600 No, literally gorgeous. Yeah, that the song is 338 00:19:58,600 --> 00:20:02,240 definitely growing on me. But then we go into Stranger. 339 00:20:03,600 --> 00:20:07,960 I think Stranger for me is her Best Song Ever. 340 00:20:08,640 --> 00:20:13,280 Like, I Whoa, that's crazy. I absolutely love the song. 341 00:20:13,720 --> 00:20:16,400 A reminder of a song from the Pretenders. 342 00:20:16,520 --> 00:20:19,560 Do you know them? I can pretend. 343 00:20:21,160 --> 00:20:25,560 It's I kind of like I listened to them a lot as a kid and it 344 00:20:25,560 --> 00:20:27,640 was like Facebook sounds like this is like a pretend a song. 345 00:20:29,240 --> 00:20:31,880 It's like so beautiful. It's for so much like 346 00:20:31,920 --> 00:20:33,360 unconditional love. Yeah. 347 00:20:34,240 --> 00:20:39,000 Just being weird together with a partner like Oh my God I I love 348 00:20:39,000 --> 00:20:41,840 it so. Much and also it links in I 349 00:20:41,840 --> 00:20:45,520 think a couple songs before the song or it might be after song. 350 00:20:45,720 --> 00:20:49,880 It's hard to tell because I was listening to the oven, but there 351 00:20:49,880 --> 00:20:54,920 was this motif of like her calling someone hey stranger. 352 00:20:55,000 --> 00:20:59,480 Or a stranger. And also her being seen in 353 00:20:59,480 --> 00:21:03,080 between the last time of this one was Joseph Quinn who is made 354 00:21:03,080 --> 00:21:08,360 famous by Stranger Things and. Like, and then there's a mention 355 00:21:08,360 --> 00:21:12,600 of what's that line? I mean like a queer. 356 00:21:13,080 --> 00:21:17,240 And obviously it could be a reference to Queer Eye or it 357 00:21:17,240 --> 00:21:20,160 could be like I saw I, I don't know if it was like a note or 358 00:21:20,160 --> 00:21:23,600 something. I saw where it's like queer love 359 00:21:23,840 --> 00:21:30,520 is so unconditional and there tends to be like just no faults 360 00:21:30,520 --> 00:21:32,360 or anything. And I think you're kind of 361 00:21:32,360 --> 00:21:34,920 looking in there and like using it as like, really beautiful, 362 00:21:36,680 --> 00:21:37,920 you know? This is my favorite song on the 363 00:21:37,920 --> 00:21:39,760 album. I love this one so much. 364 00:21:41,680 --> 00:21:46,960 The music video is insane. I I think for sure one of her 365 00:21:46,960 --> 00:21:48,120 best music videos. That's just. 366 00:21:48,760 --> 00:21:52,680 The Best Song Ever from here. I love it so much and just. 367 00:21:52,960 --> 00:21:57,600 Firstly, as someone whose drag name is Maria Richmond and I 368 00:21:57,600 --> 00:22:03,400 love, I love wedding dresses, I love bridal like look after look 369 00:22:03,600 --> 00:22:08,440 gorgeous, like visually, that entire music video stunning. 370 00:22:08,960 --> 00:22:14,400 Like I I can't say that I would have wanted this to be the lead 371 00:22:14,400 --> 00:22:18,960 single because I do like Jealous type, but this song in the music 372 00:22:18,960 --> 00:22:21,960 video as a whole as the lead single could have been. 373 00:22:22,600 --> 00:22:27,160 Like groundbreaking again. I it's almost weird that she did 374 00:22:27,320 --> 00:22:32,200 the album covers reverse and then released this music video 375 00:22:32,200 --> 00:22:36,560 last when she could have announced or done this music 376 00:22:36,560 --> 00:22:40,320 video first because it starts with like the visual of the 377 00:22:40,320 --> 00:22:44,000 album cover, like her hanging in a parachute with a wedding dress 378 00:22:44,000 --> 00:22:47,040 on. And I feel like that would have 379 00:22:47,040 --> 00:22:50,920 like, I don't know if it would have drawn more people in, but I 380 00:22:50,920 --> 00:22:55,040 feel like it would have like connected more to the story of. 381 00:22:55,320 --> 00:22:58,040 Yeah. The world she's trying to 382 00:22:58,040 --> 00:23:00,480 create, yeah. Yeah, I don't. 383 00:23:00,480 --> 00:23:01,960 I I don't. But it might be that we just 384 00:23:01,960 --> 00:23:03,800 love the song. Yeah, Yeah. 385 00:23:04,400 --> 00:23:08,200 From here on out, that is where my notes start getting just a 386 00:23:08,200 --> 00:23:12,040 bit repetitive. Like our next song is all mine 387 00:23:12,520 --> 00:23:17,000 and I kind of just have, Yeah, vibey atmospheric production. 388 00:23:19,600 --> 00:23:21,360 Yeah. For me, this is kind of where it 389 00:23:21,360 --> 00:23:22,920 does get a little bit repetitive. 390 00:23:23,400 --> 00:23:25,800 Like I can't, I don't know if I can remember a lot of these 391 00:23:25,800 --> 00:23:29,440 songs. Yeah. 392 00:23:29,440 --> 00:23:31,840 I honestly don't have much to say on All Mine. 393 00:23:34,560 --> 00:23:37,880 Yeah. You know, I mean, I like it. 394 00:23:38,520 --> 00:23:40,520 Yeah, there's. Not much to sounds nice. 395 00:23:40,760 --> 00:23:43,760 Yeah, yeah, like, like I said, it's like the second-half of the 396 00:23:43,760 --> 00:23:45,640 album. It's kind of just like it. 397 00:23:45,880 --> 00:23:49,280 It's, it's kind of like a chill listening experience where it's, 398 00:23:49,320 --> 00:23:54,280 it's almost background music. Yeah, you can definitely tell. 399 00:23:54,280 --> 00:23:58,800 Like it's a, it's a shift in inspiration for sure. 400 00:23:58,800 --> 00:24:05,040 I'm getting like the Mary Jane's like, you know, girl groupie 401 00:24:05,040 --> 00:24:08,520 more like slower R&B reference again. 402 00:24:08,520 --> 00:24:11,200 But like, yeah, it's definitely a shift. 403 00:24:11,200 --> 00:24:15,880 Yeah, I think also just coming off of Stranger, yeah, it was 404 00:24:15,880 --> 00:24:19,160 going to be hard to have like a song that I I. 405 00:24:19,160 --> 00:24:21,760 Almost would have loved Stranger to be the last song, but I do 406 00:24:21,760 --> 00:24:22,840 love the last song. We'll get there. 407 00:24:22,840 --> 00:24:25,280 We'll get. There, we didn't go on to take 408 00:24:25,280 --> 00:24:27,520 me dancing with Scissor Mother Scissor. 409 00:24:27,560 --> 00:24:31,360 Yeah, I like this one. It's it's a. 410 00:24:32,320 --> 00:24:36,120 Fun song. I will say this song is the one 411 00:24:36,120 --> 00:24:39,800 that made me realize the repetitive nature of the 412 00:24:39,800 --> 00:24:43,080 structure of these songs, and I feel like that could be due to 413 00:24:43,400 --> 00:24:48,240 Dojo being the lead writer on all the songs, but it's almost 414 00:24:48,600 --> 00:24:51,000 in every other song. But this one pretty much has 415 00:24:51,000 --> 00:24:54,920 been Dojo singing. And then she gets the second 416 00:24:54,920 --> 00:24:58,880 verse and then she raps a little bit and she's back bridge chorus 417 00:24:58,880 --> 00:25:01,040 done. Yeah, it was very formulaic, 418 00:25:01,040 --> 00:25:05,840 which to recruit I didn't really notice until this song where 419 00:25:05,840 --> 00:25:08,280 because she has a feature, it's like shaken up a bit. 420 00:25:08,760 --> 00:25:13,680 And it's because Scissor does the hook and then also does like 421 00:25:13,760 --> 00:25:15,720 a little melodic singing. Rap. 422 00:25:15,840 --> 00:25:19,480 But yeah, yeah, I I kind of noticed her like almost straight 423 00:25:19,480 --> 00:25:21,200 away. It was to a point where I was 424 00:25:21,200 --> 00:25:23,440 like predictable, where I was like, she's going to sing the 425 00:25:23,440 --> 00:25:29,800 first verse and the second verse kind of like, okay, yeah, I do 426 00:25:29,800 --> 00:25:33,760 like the song. Yeah, it's. 427 00:25:34,280 --> 00:25:37,920 Yeah, but again, it only really hit for me when she changed it, 428 00:25:37,920 --> 00:25:41,400 that I was like, oh, all the other songs were the same, and 429 00:25:41,400 --> 00:25:42,680 now we're getting something different. 430 00:25:42,880 --> 00:25:45,000 So it was kind of like optimistic for the rest of the 431 00:25:45,000 --> 00:25:50,600 album. Again, she hailed Scissor as the 432 00:25:50,600 --> 00:25:53,080 siren of the century. Do we agree? 433 00:25:54,600 --> 00:25:57,640 What is a siren, you know? Yeah, I mean. 434 00:26:02,160 --> 00:26:03,600 Don't make that detective highlight. 435 00:26:03,880 --> 00:26:10,080 This is World Cup of me, siren. No, Well, with me in terms of 436 00:26:10,080 --> 00:26:15,320 like siren music, like my examples I would use are like 437 00:26:15,320 --> 00:26:18,920 people like Caroline Politik and Earth either where it's like 438 00:26:18,920 --> 00:26:25,000 actual wailing sort of stuff. So yeah, to me it is. 439 00:26:25,640 --> 00:26:28,920 To me it is like, yeah, like whittling. 440 00:26:29,280 --> 00:26:31,000 I don't know. I feel that's not what I should 441 00:26:31,000 --> 00:26:36,440 be using. Like when you think of a siren, 442 00:26:36,440 --> 00:26:39,040 it's not a kind of doing. Not to make this a tech talk or 443 00:26:39,040 --> 00:26:40,520 a short. Or anything maybe? 444 00:26:41,520 --> 00:26:46,600 Okay, look, I'll be honest, the the idea of a siren is again, 445 00:26:46,600 --> 00:26:49,640 there's that melodic like wailing aspect to it. 446 00:26:49,960 --> 00:26:54,200 But like they persuade sailors to come to their doom. 447 00:26:54,880 --> 00:26:56,680 Scissor can't even make me listen to her music. 448 00:26:56,680 --> 00:27:00,680 No, I'm like, I no, she's great artist. 449 00:27:00,840 --> 00:27:02,480 Every song in here, I'm like, that's good. 450 00:27:02,480 --> 00:27:04,560 Yeah, no, I agree. That's how I feel like I. 451 00:27:04,560 --> 00:27:06,960 Don't tune into scissor. Siren's not the right word, I 452 00:27:06,960 --> 00:27:09,160 feel, though she's. Insanely talented. 453 00:27:09,160 --> 00:27:11,720 Yeah, but not a siren. No. 454 00:27:16,000 --> 00:27:24,600 We gone to Lipstein. Yeah, I think it's not even what 455 00:27:24,600 --> 00:27:27,680 is it about this part of the album, because I feel like the 456 00:27:27,680 --> 00:27:32,640 method and the methodical nature of the structure has changed at 457 00:27:32,640 --> 00:27:40,360 this point and but I'm less able to distinguish these songs in 458 00:27:40,400 --> 00:27:42,520 all those songs at the start where they had the same 459 00:27:42,520 --> 00:27:43,960 structure. It's like what I said before, 460 00:27:43,960 --> 00:27:46,800 well, for me anyway. With albums that tend to just be 461 00:27:46,800 --> 00:27:51,960 about love, it's like you can only do so much 'cause I think 462 00:27:51,960 --> 00:27:56,680 this album's 15 songs it. Feels like 12. 463 00:27:57,720 --> 00:28:01,200 I feel like it goes by so fast. It's like only like 40 something 464 00:28:01,200 --> 00:28:02,320 minutes. Yeah. 465 00:28:02,320 --> 00:28:05,280 But no, because when I was like trying to do notes for the 466 00:28:05,280 --> 00:28:07,040 second-half, I was like, how long is that one? 467 00:28:07,040 --> 00:28:10,040 OK, 15 songs. That is kind of a lot of songs. 468 00:28:11,160 --> 00:28:14,600 But I think it is just like she's hit all the points of the 469 00:28:14,600 --> 00:28:18,840 first half and then we kind of we kind of start repeating a 470 00:28:18,840 --> 00:28:20,240 little bit. This is a bit like the 471 00:28:20,240 --> 00:28:21,960 second-half is a bit more like lighthearted. 472 00:28:22,800 --> 00:28:25,080 And there are some like, fun pop songs on this. 473 00:28:27,000 --> 00:28:30,640 But yeah, for me, it was just kind of hard to stay trimmed in. 474 00:28:32,480 --> 00:28:34,160 Like I can't even remember lip staying. 475 00:28:34,760 --> 00:28:40,000 Yeah, it's, it's hard because it's almost as though there's 476 00:28:40,000 --> 00:28:46,760 like 80s frequency attunement they've been locked into and 477 00:28:46,760 --> 00:28:51,080 we've been trained to like perceive it as like lo fi tune 478 00:28:51,080 --> 00:28:51,960 out. Yeah. 479 00:28:52,360 --> 00:28:55,080 So it's like our brains just tune out. 480 00:28:55,160 --> 00:28:57,800 Yeah, like, yeah, like it's not bad. 481 00:28:58,120 --> 00:29:00,200 But also like I said, and it's kind of just like background 482 00:29:00,200 --> 00:29:02,000 music. Well, the second-half anyway. 483 00:29:03,640 --> 00:29:05,920 Like there are differently, like I said, the pop songs and like 484 00:29:06,360 --> 00:29:10,520 they like pull you back in like silly, fun, absolutely love. 485 00:29:10,800 --> 00:29:13,560 Love. Her delivery of the summer I 486 00:29:13,560 --> 00:29:15,800 didn't like. It's so witty, it's so fun. 487 00:29:15,800 --> 00:29:19,320 It's upbeat, the song, Yeah, pull me back in. 488 00:29:19,320 --> 00:29:22,320 And I was like, oh, OK, wait, let me like turn back in. 489 00:29:23,600 --> 00:29:25,480 No, I love silly fun. Silly fun. 490 00:29:25,640 --> 00:29:28,440 Such a good song. Yes, such a good song banger. 491 00:29:28,720 --> 00:29:33,240 Yeah, this again. Not not to like distinguish 492 00:29:34,040 --> 00:29:37,280 between the songs or anything, but this one really like joked 493 00:29:37,280 --> 00:29:38,680 you back in. It's like, oh, make sure you 494 00:29:38,680 --> 00:29:42,080 listen again. Yes, yes, I love silly fun. 495 00:29:42,080 --> 00:29:46,640 And then we go to Access service and I'm tuned out again. 496 00:29:49,000 --> 00:29:50,800 I don't. Know if I'm tuned out like I 497 00:29:50,840 --> 00:29:53,480 like, like I enjoyed all these songs. 498 00:29:53,480 --> 00:29:55,840 Yeah, when I was saying tuned out, there is not one song on 499 00:29:55,840 --> 00:30:02,880 this album that I dislike. But then there are songs where 500 00:30:02,880 --> 00:30:04,640 it's like a midpoint and I'm just like. 501 00:30:06,480 --> 00:30:12,520 Yeah, I think especially by this point, yeah, it's not that I 502 00:30:12,520 --> 00:30:18,440 might just be the Grinch so many, but like, I'm not a person 503 00:30:18,440 --> 00:30:23,480 who entertains romantics or gestures like that. 504 00:30:26,920 --> 00:30:29,800 I I'd gotten by this point that I was like, OK, so it's about 505 00:30:29,800 --> 00:30:32,240 Joseph Quinn. Like, you know, they've been 506 00:30:32,240 --> 00:30:33,480 seen together, blah, blah, whatever. 507 00:30:33,640 --> 00:30:37,240 And I got to this point, I was like, how much do you like him? 508 00:30:38,080 --> 00:30:42,600 Like honestly, songs like Are We for Real? 509 00:30:43,040 --> 00:30:46,080 Like even me being in my first relationship and I was like, 510 00:30:46,080 --> 00:30:51,800 this album sounds for me. Like it was literally like I was 511 00:30:51,800 --> 00:30:54,360 sat there just going like, does the key to affect me? 512 00:30:54,440 --> 00:30:57,240 I'm your girlfriend? I was like, are you, What are we 513 00:30:57,240 --> 00:31:02,320 doing here? Yeah, yeah, I. 514 00:31:03,200 --> 00:31:06,960 Like I I get that the romanticism makes it more 515 00:31:07,040 --> 00:31:12,000 juvenile or whatever, yes. It's not. 516 00:31:12,040 --> 00:31:14,400 For me. Yeah, like I said before, it's 517 00:31:14,400 --> 00:31:19,160 just kind of like we keep saying the same stuff over and over. 518 00:31:19,400 --> 00:31:22,880 Yeah, like Make It Up, which is the next song I can't even 519 00:31:22,880 --> 00:31:26,520 remember. Like I I'd have no memory of 520 00:31:26,520 --> 00:31:28,720 that song. I'm sure it was great. 521 00:31:29,440 --> 00:31:33,520 She was the atmospheric and song, well, wooden, and she 522 00:31:33,520 --> 00:31:35,360 delivered. It well if we Make Love, would I 523 00:31:35,360 --> 00:31:40,520 make it up to you? Yeah, I do really like. 524 00:31:40,520 --> 00:31:41,920 This was a really repent of a song. 525 00:31:42,160 --> 00:31:46,160 I do remember writing that down. Yeah, moving on to one more 526 00:31:46,160 --> 00:31:51,480 time, which I really liked. Fun production, Yeah. 527 00:31:52,040 --> 00:31:53,680 Fun writing. Like it's. 528 00:31:54,800 --> 00:31:59,080 Yeah, yeah. I, I honestly feel like yeah, 529 00:31:59,080 --> 00:32:01,320 one more time, then happy, then come back. 530 00:32:03,720 --> 00:32:05,760 This is kind of Yeah. We're not so the same. 531 00:32:07,440 --> 00:32:08,840 It's not Yeah, like I said, it's not bad. 532 00:32:09,800 --> 00:32:12,040 It's just a little bit repetitive. 533 00:32:12,320 --> 00:32:15,480 Yeah, we're, we're not going to go through and like try to force 534 00:32:15,800 --> 00:32:17,600 commentary on each individual song here. 535 00:32:18,080 --> 00:32:20,080 Yeah, I I do really like the last song. 536 00:32:21,680 --> 00:32:23,320 I don't want to. It doesn't even. 537 00:32:23,320 --> 00:32:25,400 Like a little bit like of a sweatshop. 538 00:32:26,080 --> 00:32:30,160 And maybe that's 'cause there's so much that I was OK, So I 539 00:32:30,160 --> 00:32:33,920 appreciate that. But yeah. 540 00:32:35,280 --> 00:32:38,880 Yeah, I think it was. It was honestly multiple times 541 00:32:38,880 --> 00:32:43,840 where again, listening to the album repeat, I'd be like, Oh 542 00:32:43,920 --> 00:32:45,800 yeah, what's the song? And then I'd look kind of like, 543 00:32:45,840 --> 00:32:48,920 oh, that's cards. We're back to the South, right? 544 00:32:49,000 --> 00:32:51,560 Right. No, it did take me a few times 545 00:32:51,840 --> 00:32:57,320 to kind of remember the stars. Like I honestly like the 546 00:32:57,320 --> 00:32:59,240 second-half of the album. I don't think I could 547 00:32:59,240 --> 00:33:07,360 distinguish songs apart from my silly fun One More Time, but 548 00:33:07,360 --> 00:33:11,200 yes, I. Mean, yeah, if nothing else, I 549 00:33:11,200 --> 00:33:17,200 think these songs are going to be, I don't want to even say 550 00:33:17,240 --> 00:33:19,280 fodder because that's a bit rude. 551 00:33:19,800 --> 00:33:24,200 They're going to be good sprinkled out in a tour. 552 00:33:25,040 --> 00:33:27,400 I'm just glad she has more songs to perform. 553 00:33:28,320 --> 00:33:30,840 And you know what? They'll be sprinkled out 554 00:33:30,840 --> 00:33:32,640 through. She'll be doing her hits as 555 00:33:32,640 --> 00:33:35,000 well. I'm sure it'll be great. 556 00:33:35,520 --> 00:33:37,960 I would like to see her kind of told about every song. 557 00:33:39,200 --> 00:33:41,920 Yeah, she. I feel like the promo leading up 558 00:33:41,920 --> 00:33:44,160 to this album was practically nonexistent. 559 00:33:44,480 --> 00:33:47,680 It's almost as though her team was like, ah, Taylor Swift's 560 00:33:47,680 --> 00:33:50,400 releasing the week after we're giving up. 561 00:33:50,840 --> 00:33:54,360 Yes, because a lot of these things, she's an interviewer. 562 00:33:54,360 --> 00:33:58,080 Saying hello, she didn't go on like any of the late night. 563 00:33:58,080 --> 00:34:00,240 We feel the late nights having a bit of a bit. 564 00:34:00,240 --> 00:34:04,280 Of a weird She's doing it now. Yeah, right. 565 00:34:04,280 --> 00:34:07,360 Before Taylor Swift comes in, tsunamis everything away. 566 00:34:08,920 --> 00:34:11,480 But like, everything I've seen is just the same. 567 00:34:11,480 --> 00:34:13,320 This album's about love and falling in love. 568 00:34:13,920 --> 00:34:20,280 And it's like, OK, like, I, I don't know, I like, I guess 569 00:34:20,280 --> 00:34:23,520 that's fine, that like, I want more. 570 00:34:25,040 --> 00:34:28,480 It's fine, good enough like. It's also really, I don't want 571 00:34:28,480 --> 00:34:34,360 to say the production, like, carries a lot of it, but I 572 00:34:34,400 --> 00:34:39,400 almost want to say I would have rather her waited until she had 573 00:34:39,400 --> 00:34:41,719 more interesting topics to sing about. 574 00:34:41,719 --> 00:34:43,199 Yes. Like, don't get me wrong, this 575 00:34:43,199 --> 00:34:47,239 album can mostly be about love. Yeah, but you know, some of the 576 00:34:47,239 --> 00:34:50,360 songs I'm like that would have been so more impactful if it had 577 00:34:50,360 --> 00:34:51,840 been about something other than love. 578 00:34:52,239 --> 00:34:55,120 Yes, amongst all the love. Songs, yes well, 'cause I just 579 00:34:55,120 --> 00:34:59,600 felt like the first half like does the topic so well and then 580 00:34:59,600 --> 00:35:04,480 we yeah, it just gets about repeated a bit boring, which is 581 00:35:04,480 --> 00:35:10,840 a shame 'cause like I kind of hold Doja Cat's ability like 582 00:35:10,840 --> 00:35:13,680 when people was from out like the next Lady Gaga or who holds 583 00:35:13,680 --> 00:35:16,040 a candle Lady Gaga. I would say Doja Cat. 584 00:35:16,640 --> 00:35:18,760 Gaga. Well, I think it's just like 585 00:35:18,760 --> 00:35:22,080 when you think of what makes Lady Gaga so successful, it's 586 00:35:22,080 --> 00:35:25,560 how theatrical she is and how she's able to deliver a concept 587 00:35:25,560 --> 00:35:28,640 visually and musically and theatrically, yes. 588 00:35:29,320 --> 00:35:31,680 And I think sense of grandeur and performance. 589 00:35:31,880 --> 00:35:35,920 Yeah, and I feel like Doja Cat's kind of the only one at the 590 00:35:35,920 --> 00:35:39,160 moment that's doing. It's it's so funny because I was 591 00:35:39,160 --> 00:35:43,480 just, you know, scrolling TikTok the other day and I was watching 592 00:35:43,640 --> 00:35:46,000 just, you know, popcorn performances like my and I took 593 00:35:46,200 --> 00:35:51,480 feeders and the only like there's only a few people in 594 00:35:51,480 --> 00:35:54,520 this in industry at the moment that are keeping up with their 595 00:35:54,520 --> 00:35:57,920 dancers. And I would say that Beyoncé is 596 00:35:57,920 --> 00:36:01,480 always 100% there. Lady Gaga is always 100% there. 597 00:36:02,160 --> 00:36:07,160 Tate McRae, She's there, yeah. She's she's dancing for sure. 598 00:36:07,560 --> 00:36:09,800 Tate McRae and Beyoncé. No then. 599 00:36:10,440 --> 00:36:12,560 Well. Let's be real, Tate Mcrae's 600 00:36:12,560 --> 00:36:17,720 dances aren't do Beyoncé's dances but the other is not 601 00:36:17,720 --> 00:36:19,480 doing what type of guy's doing. That's whatever. 602 00:36:19,480 --> 00:36:20,680 But. She's keeping up. 603 00:36:21,760 --> 00:36:23,800 She's keeping up. And then the only other person I 604 00:36:23,800 --> 00:36:25,480 can really think of is Dosha Cat. 605 00:36:26,160 --> 00:36:32,000 She like can dance dances 'cause I think Chapel also hits that 606 00:36:32,000 --> 00:36:35,960 like theatricality, grandeur, like production side of it. 607 00:36:36,360 --> 00:36:39,000 But I think yeah, people and. She's like a performer, but it's 608 00:36:39,000 --> 00:36:42,520 not the same. Like, she's not, you know, I 609 00:36:42,520 --> 00:36:47,600 won't be doing any whatever choreo she's performing right 610 00:36:47,600 --> 00:36:51,280 now in 10 years. Like I can still do the fucking 611 00:36:51,280 --> 00:36:52,520 Judas. Yeah. 612 00:36:53,200 --> 00:36:56,080 Well, I just think people overlook what makes Lady Gaga so 613 00:36:56,080 --> 00:36:57,840 successful. And they were just like, dumb it 614 00:36:57,840 --> 00:36:59,440 down to she's a pop star. Yeah. 615 00:36:59,840 --> 00:37:02,000 And she's so much more to than that. 616 00:37:02,000 --> 00:37:06,520 And there's so much more detail to why she makes it successful 617 00:37:06,520 --> 00:37:07,840 because everyone wants to be a pop star. 618 00:37:07,840 --> 00:37:12,080 But it's like, do you know actually how to like how to do 619 00:37:12,080 --> 00:37:12,760 that? Yeah. 620 00:37:13,600 --> 00:37:15,440 And they just kind. Of if you want to be the very 621 00:37:15,440 --> 00:37:17,680 best, you've got to catch more, yeah, you've got to have the 622 00:37:17,680 --> 00:37:19,600 Pokémon germs, you've got to click the badges, you've got to 623 00:37:19,600 --> 00:37:23,560 go beat the Elite 4. There's just so much to it and I 624 00:37:23,560 --> 00:37:26,560 feel like the only person who comes close there at the moment 625 00:37:26,560 --> 00:37:29,120 is Doshi Cat. Yeah, I think particularly when 626 00:37:29,120 --> 00:37:33,960 it comes to like writing, producing and vocally as well. 627 00:37:34,640 --> 00:37:36,800 Piece of love to my sister McRae but Don't Care. 628 00:37:36,920 --> 00:37:39,480 Could be the next big one. Yes. 629 00:37:39,480 --> 00:37:44,000 Well, I think the when people are trying to label the next big 630 00:37:44,000 --> 00:37:49,240 pop star or the next Lady Gaga, they forget that it's taken her 631 00:37:50,160 --> 00:37:53,800 like 10 to 15 years to kind of be recognised. 632 00:37:53,840 --> 00:37:57,720 Yeah, it's always like so quick to be like debut album. 633 00:37:57,720 --> 00:37:59,680 Oh, this kind of hits the notes of The Fame. 634 00:37:59,680 --> 00:38:03,600 She's the next Gaga. And it it just wasn't like that. 635 00:38:04,480 --> 00:38:06,600 You know. Like, as much as the fame as a 636 00:38:06,600 --> 00:38:09,720 really excellent album even. There's just so much fame. 637 00:38:09,720 --> 00:38:12,640 Monster Born This Way. Yeah, She still wasn't 638 00:38:13,280 --> 00:38:15,320 solidified. Born This Way. 639 00:38:15,520 --> 00:38:18,520 And then R Pop came along and the normies left. 640 00:38:18,520 --> 00:38:20,680 Yeah, and they've only just come back. 641 00:38:20,720 --> 00:38:23,880 Yes, literally, like literally just yeah. 642 00:38:24,920 --> 00:38:29,760 But that's why like with Dozier Cat, even though she might have 643 00:38:29,920 --> 00:38:36,080 not fully made a a pop Bible or whatever, like super successful 644 00:38:36,080 --> 00:38:40,080 album of this one. I yeah, I, I think she's got 2 645 00:38:40,080 --> 00:38:41,400 in her catalog. Yeah. 646 00:38:42,040 --> 00:38:46,880 It's just, it's not like. I can appreciate the concepts 647 00:38:47,040 --> 00:38:51,360 that she wanted to do and she has executed it quite well. 648 00:38:51,360 --> 00:38:55,200 Yeah, but I think that goes back to what we were talking about 649 00:38:55,200 --> 00:38:59,640 before where, you know, she's or the industry's trying to find a 650 00:38:59,640 --> 00:39:01,920 unique sound or the direction of the next sound. 651 00:39:02,320 --> 00:39:07,320 And she's swung really big and it's like, it's just not what 652 00:39:07,320 --> 00:39:12,120 people wanted to hear right now. I think there's also she's kind 653 00:39:12,120 --> 00:39:17,280 of rediscovering A fanbase because obviously I I mean, I 654 00:39:17,280 --> 00:39:21,680 would still consider her a rap girl, but she was in that John, 655 00:39:21,680 --> 00:39:27,080 not John, right, But that like that fanbase, you know, we have 656 00:39:27,080 --> 00:39:28,640 the bars, we have Cardi B stands. 657 00:39:28,800 --> 00:39:33,840 It was like that world, and I think she's not like that. 658 00:39:36,720 --> 00:39:41,240 Maybe she's not like that. I I just don't think she's doing 659 00:39:41,400 --> 00:39:43,760 pure rap music. No, totally. 660 00:39:44,440 --> 00:39:48,200 And you can see it here that she's, and I think she's seen it 661 00:39:48,200 --> 00:39:50,360 in interviews. She's a rapper who makes pop 662 00:39:50,400 --> 00:39:51,280 music. Yeah. 663 00:39:51,520 --> 00:39:54,560 Like she uses rapping as a tool in her arsenal. 664 00:39:54,560 --> 00:39:56,520 Yeah. And that's 'cause she has the 665 00:39:56,520 --> 00:39:58,400 ability to do it. Like I think it's. 666 00:39:58,400 --> 00:40:01,080 And the same way that Beyoncé does, Yeah, I think Beyoncé's a 667 00:40:01,080 --> 00:40:02,160 rapper. That is pop music. 668 00:40:02,160 --> 00:40:06,200 Yeah, I like, I think it's this like tricky, like like 669 00:40:06,200 --> 00:40:08,440 switchover that she's experiencing at the moment where 670 00:40:08,440 --> 00:40:14,520 it's like rap fans aren't really into her and then pure pop fans 671 00:40:14,560 --> 00:40:16,840 are like just discovering her sort of thing. 672 00:40:17,160 --> 00:40:20,880 Yeah, I feel like it's so weird because I feel like the Pop fans 673 00:40:20,880 --> 00:40:26,880 were tuned in for Planet her, especially after popping Yeah 674 00:40:27,400 --> 00:40:31,120 and pace in love to my sister. Respect your decisions, 675 00:40:31,120 --> 00:40:34,720 whatever, but she really did wipe the slave with. 676 00:40:34,840 --> 00:40:40,240 Scarlett she she does have a habit of also being like, I hate 677 00:40:40,240 --> 00:40:44,880 you guys like so. You say that but she is so 678 00:40:44,880 --> 00:40:47,880 interactive. Are you guys on lies? 679 00:40:47,960 --> 00:40:51,520 I never had a problem with her explicitly being like. 680 00:40:51,520 --> 00:40:52,760 Showing feet in racial chat rooms. 681 00:40:56,800 --> 00:41:01,080 I I never had a problem with her, kind of like telling her 682 00:41:01,080 --> 00:41:03,200 fans like shut the fuck up sort of thing. 683 00:41:04,280 --> 00:41:08,120 But unfortunately, that does leave a bad taste in people's 684 00:41:08,120 --> 00:41:11,360 mouth. It's it's so weird because at a 685 00:41:11,360 --> 00:41:16,120 certain point as a pop star, you do have to feed the lions in the 686 00:41:16,120 --> 00:41:18,440 cage. And when I remember there's you 687 00:41:18,440 --> 00:41:23,320 have to look at these ridiculously over invested 688 00:41:23,320 --> 00:41:29,160 people who are your fan base. And I think she did actually 689 00:41:29,800 --> 00:41:32,000 nail her on the head when she was like, you guys don't even 690 00:41:32,000 --> 00:41:34,280 know me, Like you only think you know me. 691 00:41:34,680 --> 00:41:37,120 You think you love me. You've actually got no I fucking 692 00:41:37,120 --> 00:41:42,960 idea. And I think that concept kind of 693 00:41:43,280 --> 00:41:46,000 detached her from her own fanbase in a way that was like, 694 00:41:46,440 --> 00:41:50,640 you guys wouldn't even fucking care if like, yeah, I didn't do 695 00:41:50,640 --> 00:41:54,280 this anymore. You just go on and like find the 696 00:41:54,280 --> 00:41:56,440 next person. Well, that's like Dosa care is 697 00:41:56,440 --> 00:41:58,280 in. I don't know if it's a fortunate 698 00:41:58,280 --> 00:42:02,680 situation, but she's in this situation of having going from a 699 00:42:02,680 --> 00:42:06,760 really small dedicated fanbase within like the social media era 700 00:42:07,080 --> 00:42:09,600 to, yeah, a big commercial fanbase. 701 00:42:11,920 --> 00:42:16,360 And I think it's, I've seen a lot of artists talk about it 702 00:42:16,360 --> 00:42:19,600 like they have started really small and they always tend to 703 00:42:19,600 --> 00:42:21,760 miss it. Even Lady Gaga has said, like I 704 00:42:21,760 --> 00:42:26,960 do kind of miss when I had a small intimate fan base because 705 00:42:26,960 --> 00:42:29,800 it just feels a bit normal. And you, you get that sort of 706 00:42:29,800 --> 00:42:32,360 gratification of like I, my music's been appreciated, my 707 00:42:32,360 --> 00:42:34,920 art's been appreciated. And it's not this huge global 708 00:42:34,920 --> 00:42:38,240 scale. And I think Doja doesn't like 709 00:42:38,400 --> 00:42:43,480 the huge global scale of it. Recently there's I don't want to 710 00:42:43,480 --> 00:42:46,720 say it's a phenomenon, but there was this one big Twitch streamer 711 00:42:47,160 --> 00:42:54,400 who went like fully new Twitch account, no, like video 712 00:42:55,360 --> 00:42:59,120 completely separate from their own algorithm like started from 713 00:42:59,120 --> 00:43:02,080 fresh just to be like, what would it be like to be a small 714 00:43:02,080 --> 00:43:05,120 streamer again? And they were fully like, this 715 00:43:05,120 --> 00:43:07,160 is impossible. Like I don't understand how 716 00:43:07,160 --> 00:43:10,480 people do this. Like I did not have a single 717 00:43:10,480 --> 00:43:17,560 viewer for the three hours. And I feel like there's almost 718 00:43:17,560 --> 00:43:20,480 this like philosophical conversation to be had. 719 00:43:20,480 --> 00:43:26,360 That's like if Lady Gaga or Doge Cat or someone super big like 720 00:43:26,640 --> 00:43:32,200 change themselves enough to be unrecognisable and then start it 721 00:43:32,200 --> 00:43:38,600 again, would they be able to like start fresh and then from 722 00:43:38,600 --> 00:43:41,800 their own talent do it again? And I feel like that's always 723 00:43:41,800 --> 00:43:47,200 the philosophical question when you're a big pop star is did I 724 00:43:47,200 --> 00:43:51,400 just get lucky? Did someone pull the strings and 725 00:43:51,400 --> 00:43:54,320 now I'm a big pop star, or am I here of my own validity, my own 726 00:43:54,320 --> 00:43:57,600 critter? And I feel like that's like the 727 00:43:57,600 --> 00:44:03,840 imposter syndrome talking. And I feel like that is kind of 728 00:44:04,480 --> 00:44:07,640 what they don't actually want to be a small artist. 729 00:44:07,840 --> 00:44:10,960 They want to feel appreciated in a way that's not like 730 00:44:11,760 --> 00:44:16,560 detachable, like, you know, being a fucking drag queen who 731 00:44:16,560 --> 00:44:19,960 performs for a Max of 100 people in a bar. 732 00:44:20,240 --> 00:44:22,120 People come up to me afterwards, like, you were so good. 733 00:44:22,120 --> 00:44:25,960 They always feel good. But like, I can understand the 734 00:44:25,960 --> 00:44:31,760 like thousands of fans all screaming at it starts to feel 735 00:44:31,760 --> 00:44:34,960 like noise because it's like an echo chamber. 736 00:44:37,200 --> 00:44:38,840 But it would be interesting to see. 737 00:44:39,640 --> 00:44:43,160 Don't you get like, like and and then like? 738 00:44:43,200 --> 00:44:45,120 Didn't the weekend do something similar? 739 00:44:45,840 --> 00:44:48,360 You see he's. Going by his real name, I don't 740 00:44:48,360 --> 00:44:52,040 know what he's doing there. But it is like I, I don't know 741 00:44:52,040 --> 00:44:57,800 if he's like changing the weekend to yeah, Abel, or if 742 00:44:58,160 --> 00:45:00,120 he's like completely starting again. 743 00:45:01,120 --> 00:45:04,600 Yeah, I, I don't know where that's going at the moment, but 744 00:45:04,600 --> 00:45:06,200 I, yeah, I do agree with you like. 745 00:45:06,800 --> 00:45:10,600 But also, I think that there's a chance that if Beyoncé started 746 00:45:10,600 --> 00:45:14,680 fresh, like no algorithm, no connections, nothing, she might 747 00:45:14,680 --> 00:45:16,480 not make it. And I think she's the most 748 00:45:16,480 --> 00:45:18,800 talented puncher in the world. I. 749 00:45:18,840 --> 00:45:21,960 Think there is a degree of luck to it, but unfortunately. 750 00:45:23,000 --> 00:45:24,920 I do think there's just pure luck. 751 00:45:25,200 --> 00:45:27,720 Yeah, in the same way that I think this is a really good 752 00:45:27,720 --> 00:45:30,640 album, there's no reason it should have, you know, not done 753 00:45:30,640 --> 00:45:34,520 commercially well. And it's just like I'm lucky. 754 00:45:34,840 --> 00:45:40,200 Yeah, yeah, like, I, I mean, as someone who was doing music and 755 00:45:40,200 --> 00:45:43,440 like definitely looked into like how to like get big. 756 00:45:43,440 --> 00:45:46,880 I guess it just comes down to lacking connections. 757 00:45:48,640 --> 00:45:51,280 And I think for a lot of artists, especially big artists 758 00:45:51,280 --> 00:45:56,760 that have experienced the lows and then the highs, it's, it's 759 00:45:56,760 --> 00:46:01,920 almost like a humbling feeling to like have to accept the fact 760 00:46:01,920 --> 00:46:04,920 that it was just luck. Like you want to so badly be 761 00:46:04,920 --> 00:46:07,680 like, I got here on my hard work, my talent and stuff like 762 00:46:07,680 --> 00:46:09,600 that. And it's not disregarding any of 763 00:46:09,600 --> 00:46:14,640 that, unfortunately. It is just kind of like you, you 764 00:46:14,640 --> 00:46:17,040 found the connections and luck was played. 765 00:46:17,040 --> 00:46:20,000 And I think that's why some like artists struggle when they then 766 00:46:20,000 --> 00:46:23,720 go low like with sales or whatever, because they're like, 767 00:46:23,720 --> 00:46:27,400 well, I work harder on this one. I put more effort into this one. 768 00:46:27,400 --> 00:46:29,560 Why is this one not doing it? And you know it's. 769 00:46:30,520 --> 00:46:34,560 Just, I mean, I think that also speaks to like the necessity of 770 00:46:34,640 --> 00:46:41,200 artistic integrity where I hope this doesn't affect her creative 771 00:46:41,200 --> 00:46:45,520 process or anything at all. I hope she just goes well, at 772 00:46:45,520 --> 00:46:47,280 least I was proud of her and I can. 773 00:46:47,680 --> 00:46:51,120 And I think she will because I think she experienced this sort 774 00:46:51,120 --> 00:46:55,000 of low in terms of commercial success with Scarlett didn't. 775 00:46:57,520 --> 00:47:00,800 I feel like that this. I kind of only had one hurt in 776 00:47:00,800 --> 00:47:03,400 the album itself didn't perform super well. 777 00:47:05,560 --> 00:47:07,320 That's so I I feel like. In a society. 778 00:47:07,880 --> 00:47:13,080 Yeah, I like, I think she's not upset or anything. 779 00:47:13,080 --> 00:47:15,880 I mean we've seen on their Twitter who who joking around 780 00:47:15,880 --> 00:47:18,680 about it. But yeah, I think it's a good 781 00:47:18,680 --> 00:47:25,880 album, maybe a great album, not an excellent album. 782 00:47:26,400 --> 00:47:31,120 Yeah, I just realised we haven't rated an album in so. 783 00:47:31,120 --> 00:47:34,240 Long Well, we, we, we were on and off for a bit. 784 00:47:34,240 --> 00:47:38,360 We were there for a second, so apologies for missing the other 785 00:47:38,360 --> 00:47:41,920 week. So what should we rate this 786 00:47:41,920 --> 00:47:44,080 album? I can't remember that. 787 00:47:44,080 --> 00:47:48,120 Oh, I I know what mine is. Employed. 788 00:47:48,760 --> 00:47:51,080 That's four stars, isn't it? Employees. 789 00:47:51,080 --> 00:47:57,040 Four stars. Wait no, is it promoted 4 stars? 790 00:47:57,440 --> 00:47:59,560 Promote it's five stars. Right. 791 00:48:00,000 --> 00:48:03,080 Yes, I think. And then I think they're. 792 00:48:03,200 --> 00:48:06,280 Yeah, No, because three stars is casual, two stars is staff 793 00:48:06,280 --> 00:48:10,400 meeting, one stars. Adam Blue, what do we call that? 794 00:48:10,400 --> 00:48:11,920 OK, Yeah. Fired. 795 00:48:12,160 --> 00:48:13,440 Maybe that was just. Fine. 796 00:48:13,480 --> 00:48:17,480 Oh God, I kind of remember Cat. Yeah. 797 00:48:19,320 --> 00:48:22,680 It's weird because I don't want to be any less locked into Doja 798 00:48:22,680 --> 00:48:26,280 Cat. No, I think she's a phenomenal 799 00:48:26,280 --> 00:48:29,440 artist and I think I'll be just excited for the next album. 800 00:48:29,440 --> 00:48:36,400 So it's definitely not below 3. But also this hasn't like waned 801 00:48:36,400 --> 00:48:39,440 any of my interest in any of her future products either. 802 00:48:41,840 --> 00:48:44,320 I feel like I'll be exactly as excited for the next one as I 803 00:48:44,320 --> 00:48:46,520 was. For the no yeah, same that yeah, 804 00:48:46,520 --> 00:48:49,080 I'm pretty confident with four stars employed. 805 00:48:51,040 --> 00:48:55,480 I'm turned in, you know, I value her. 806 00:48:57,360 --> 00:48:58,200 I value what? She brings. 807 00:48:58,200 --> 00:49:00,600 You're so welcome. So values you. 808 00:49:00,800 --> 00:49:05,600 I employed you, Yeah. No, I I think a good four stars 809 00:49:05,680 --> 00:49:07,560 for her is what I'm going to give. 810 00:49:11,680 --> 00:49:20,040 I'm just like I, I almost want to say 3 casual contract only 811 00:49:20,040 --> 00:49:22,520 because I'm not going to be any more turned into those again. 812 00:49:22,520 --> 00:49:26,960 I'm not going to be any less again. 813 00:49:26,960 --> 00:49:29,920 The like in and out of consciousness. 814 00:49:29,920 --> 00:49:34,760 Even listening to this album, I don't want to be like 4. 815 00:49:35,760 --> 00:49:37,800 You can get a casual contract for this one. 816 00:49:38,480 --> 00:49:41,800 Like you haven't lost any favour, you haven't gained any. 817 00:49:41,920 --> 00:49:46,840 Yeah, I think the stranger alone has bumped it up. 818 00:49:46,880 --> 00:49:49,160 It's like I say, it's my favorite song by her. 819 00:49:49,160 --> 00:49:51,400 Yeah, I. Would I give it a 3.5? 820 00:49:51,600 --> 00:49:53,440 Yeah, somewhere between casual contract. 821 00:49:53,640 --> 00:49:55,160 Yeah, part time. Yeah, part time. 822 00:49:55,280 --> 00:49:58,000 She's like your favorite casual. She's Oh my God. 823 00:49:58,120 --> 00:50:00,840 Doja let's. Call 9:00 and and she's there. 824 00:50:00,840 --> 00:50:03,760 I'm like thank. God, yes, Yeah. 825 00:50:04,800 --> 00:50:06,600 Well, that's the end of the episode. 826 00:50:06,680 --> 00:50:11,880 Oh my God, Oh my gosh. Yeah, we will see you next time 827 00:50:12,120 --> 00:50:15,440 with a very special, special episode. 828 00:50:15,440 --> 00:50:19,160 Yes. Yes, and reminder that if you're 829 00:50:19,160 --> 00:50:22,360 listening to this podcast right now and you want to see my 830 00:50:22,480 --> 00:50:24,680 gorgeous, gorgeous return to the visual. 831 00:50:24,760 --> 00:50:26,120 Video drag. Yes, yes. 832 00:50:26,160 --> 00:50:30,080 Talk about the numbers. Look like you look different. 833 00:50:30,480 --> 00:50:32,320 OK, that's OK. Yeah, podcast. 834 00:50:32,400 --> 00:50:35,280 The podcast is a bit like is she a burn Victor? 835 00:50:38,120 --> 00:50:40,280 Thank you so much for tuning in to Jobless Behaviour. 836 00:50:40,280 --> 00:50:42,320 Want to keep up to date with everything going on at the 837 00:50:42,320 --> 00:50:44,000 office? Follow us on Instagram and 838 00:50:44,000 --> 00:50:47,040 TikTok at Jobless Behaviour PC. And make sure to share this 839 00:50:47,120 --> 00:50:49,640 podcast with your friends and leave us away and with you.