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Hi, I'm Jamie Nolan, a clean 
energy communications consultant

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and this is Energy Empire. 
And today I'm coming to you with

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my first ever solo episode and 
I'm interviewing Rosie Jewel, 

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who is a graphic designer and 
visual artist who actually 

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designed our brand for Energy 
Empire. 

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So our very cool logo featuring 
the Statue of Liberty. 

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And she is Jigger and my former 
colleague from the US Department

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of Energy Loan Programs office, 
which is how we first met her. 

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And so today we're going to talk
about kind of Rosie's approach 

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to design, how she got into it, 
what the design process looked 

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like for Energy Empire and what 
our collaborative process was, 

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what we were going for. 
And you're going to see some 

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really cool behind the scenes 
footage of her design process. 

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And then we're also going to 
discuss clean energy 

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communications and branding and 
some of the issues kind of 

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facing our sector in those areas
and what she and I think might 

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make a difference and set us in 
a better direction. 

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So I hope you enjoy it and 
thanks for being here. 

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Hi, Rosie, welcome to Energy 
Empire. 

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Hi. 
Thank you so much for having me,

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I've been so excited about this.
Well, also, thank you for being 

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my first guest for my first solo
episode. 

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I'm really excited. 
It's just me and you. 

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OK, so we have to start with 
this. 

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Our listeners have feelings 
about our logo, specifically the

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fact that our power plug only 
has two prongs. 

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Like we did not know that we 
were going to offend so many 

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people. 
We've been getting called out of

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LinkedIn and some people are 
telling us it's not safe. 

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So this tiny detail got a really
outsized reaction, which tells 

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me branding matters more than 
people and energy sometimes 

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admit. 
So what was the story there with

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the two prongs? 
I don't know if there have been 

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more comments since I last 
caught up with the controversy, 

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but I mean, the honest answer is
just that it looks better. 

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I tried it both ways and I'm 
sorry, like call it artistic 

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license or whatever, but 
especially because this needs to

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function at such a small size. 
It's just clearer if it's two 

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prongs. 
To go even further into this 

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controversy, what we really 
should be asking is what is 

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attached to the end of the power
cable. 

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Because the Statue of Liberty is
like a lightning rod, right? 

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She's made of copper or she's 
coated in copper. 

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She gets hit by lightning 
something like 600 times a year,

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and it just courses, like, right
over her body and then goes 

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straight to the ground, which is
what keeps her safe. 

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But if she's standing out there 
in the rain with, like, a janky 

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appliance attached to this power
cable, that's not going to be so

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good. 
So I did a little drawing to 

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show you what the outcome of 
that might be. 

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And yeah, let's just say I don't
see how that could possibly be 

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controversial. 
Sure. 

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I mean to me it's the toaster or
something, right? 

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It's like they're meant to like 
represent a regular electrical 

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appliance. 
I think people were like well 

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for PV and and all of these like
random references for us about 

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electrical safety of course, 
like the grounding prong and the

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importance of it etcetera, 
etcetera. 

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I'm sure all of that is very 
important. 

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But most importantly, should we 
be worried about the electrical 

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safety of our brand? 
Are we at risk? 

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I think. 
We're fine. 

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I also, like, I come from the UK
where we have, I think they're 

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considered the safest plugs in 
the world. 

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So I just want to state for the 
record that I do care very 

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deeply about electrical safety. 
But yeah, we don't need to be 

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quite so literal with the Statue
of Liberty holding a plug. 

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Sure, it's all for fun and and 
it's it's art, but it's meant to

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be fun and light so I love it. 
I love it so much. 

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I'm so excited to dig into how 
it all came to be. 

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But for people who don't know 
you, how did you end up 

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designing the logo for an energy
podcast? 

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Give us the short version. 
Yeah. 

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So, well, you and I know each 
other because we both worked at 

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the Department of Energy in the 
loan programs office. 

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I was there from 2023 to early 
2025. 

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And we both worked kind of 
almost directly under Jigger in 

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the front office in the External
Affairs team. 

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And you were the media PR guru, 
obviously. 

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And I was one of the people who 
made stuff look pretty, I guess.

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Let's dig into that a little bit
more, our history and your 

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background. 
You're a designer from Dartmer. 

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Am I saying that right? 
Dartmer, England, Dartmoor So 

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much more elegant when you say 
with your English accent, we'll 

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let you do that from now on. 
And you ended up with the US 

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Department of Energy Loan 
Programs office, which I do not 

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think is an obvious career path.
So kind of how did that happen? 

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I don't want to give you like 
the extremely long version of 

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the story, but I grew up on 
Dartmoor, which is if you can 

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kind of picture a little bit 
like Scotland or a little bit 

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like the landscape in Lord of 
the Rings in New Zealand, like 

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these gorgeous rolling hills. 
It's very bleak and barren in a 

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way, and just very dramatic and 
beautiful. 

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I had a really, really strong 
attachment to that landscape as 

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a child, was in the middle of 
nowhere and I was like literally

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roaming the Moors on foot on 
horseback. 

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I grew up painting and Dartmoor 
was like an endless inspiration 

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to me. 
So just that is like some 

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context as to how I ended up 
here. 

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But it was definitely a 
securitus route. 

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So I studied French and Spanish 
literature and came out of 

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university thinking that I would
do something in kind of human 

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rights and I was really 
interested in women's rights. 

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I met my husband at university 
and we decided to move to LA 

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together because he was 
interested in becoming a 

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filmmaker. 
And I'm going to say as well, 

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I'm a pretty risk averse person,
which it's going to sound kind 

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of weird because this was one of
the like big risks that I took 

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in my life where we just decided
to move to LA sight unseen, trek

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across the country from his 
parents place in New York. 

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But when we got here, the first 
job that I had out of college 

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was actually with a nonprofit 
urban design firm. 

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It's a really cool organization 
called KDI. 

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And I was the development and 
communications person there. 

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So I did mostly a lot of grant 
writing and a lot of bid writing

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and they are based in Los 
Angeles and in Nairobi. 

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Basically their model is working
with underserved communities to 

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Co design public infrastructure 
that layers environmental, 

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economic and social benefits. 
And so because of the projects 

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that we were doing in Nairobi in
particular, flood risk is 

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something that comes up a lot 
that people have to deal with. 

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Like the poorest communities 
live in these informal 

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settlements alongside rivers, 
and they have to deal with the. 

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I mean, as we've just seen in 
the news with Nairobi, I think 

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several people have just died 
from the flooding there. 

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So KDI builds these public 
spaces with the community that 

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like layer flood protections and
green infrastructure, along with

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social and economic programming.
And so that was like my first 

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kind of exposure to the world of
climate change and climate 

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resilience. 
And coming out of that job, I 

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really realized this is the 
overarching problem. 

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And like the big challenge of 
our time is to deal with this, 

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this threat and this risk. 
So 2020 is when I left KDII 

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mentioned that I grew up 
painting and have been a sort of

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artist on the side all my life. 
But it was something that I had 

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very much been oppressing in my 
professional life and thinking 

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like, from a very young age, I 
decided, you know, this is not a

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sensible pathway to take. 
I should be academic. 

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I should pursue more stable 
vocations. 

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But I realized in 2020 that I 
really needed to scratch that 

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itch. 
So I had this opportunity come 

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up where a person that I had 
volunteered for suggested that I

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could come and work with him 
just as a contractor on kind of 

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communications consulting. 
And that gave me the opportunity

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to transition out of KDI and 
start building up a design 

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portfolio on the side. 
So I did that for a few years 

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and built up this design 
portfolio from scratch. 

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I taught myself design on 
LinkedIn and YouTube with all of

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the arrogance of somebody who 
just like doesn't know what they

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don't know. 
I was like, I can do this. 

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I'm an artistic person, right? 
And most of my clients in design

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were in the the, the climate 
advocacy space. 

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And so towards the end of, I 
think 2022, I was talking with a

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really good friend of mine and 
saying, I feel like I've spent 

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so long looking at the problem 
with climate. 

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And obviously it's really 
important, this role of 

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advocacy. 
But, you know, where are the 

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solutions? 
How can I, like, find out about 

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what we're actually doing to 
mitigate this issue? 

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And this person was Lucy. 
She was also at the loan 

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programs office. 
And she said, well, we're 

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looking for a designer, so why 
don't I put you in touch and see

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where that goes? 
And yeah, that's how it 

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happened. 
The rest is history. 

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I found myself in the team with 
with you and yeah. 

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Yeah, I think I interviewed you 
for that job. 

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I did. 
Yes. 

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A lot of us spoke with you and 
you were so clearly a good fit 

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with the really strong culture 
we had an LPO and Jigger very 

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much so of course believes in 
external affairs and the 

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importance of communications and
marketing and invested a lot 

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into growing our team so that we
had all the tools that we 

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needed, which I think we'll talk
more about the importance of 

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that type of work a little bit 
later. 

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But one thing from your story 
that really resonates with me is

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kind of the influence of like a,
the place that someone grows up,

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because I have a very similar 
story. 

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I I grew up in the Eastern Shore
of Maryland and in this region, 

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actually, I currently live in 
the DC area and grew up on the 

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Chesapeake Bay. 
And my dad was a boat mechanic 

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and electrician and he always 
worked in a boatyard. 

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And so we always owned one to 
three boats. 

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So we were out on the water a 
lot. 

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And so, yeah, just all my most 
vivid childhood memories 

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involved the Chesapeake Bay and 
kind of like the influence of 

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natural spaces on the values of 
a young person I think are 

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really important and kind of 
also led me to pursuing this as 

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a career. 
So it was fun to hear that about

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your background. 
When people think of DOE, I do 

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think that what comes to mind 
for them is scientists or like 

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policy specialists, but they may
not think about designers and 

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visual artists like yourself. 
And people like you play a 

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really important role in DO ES 
work. 

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So what was it like being a 
creative there? 

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It was great. 
Honestly, I think, yeah, that 

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might be like a strange thing to
hear and and goes against the 

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what most people would assume. 
But one of the things that I 

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love, like you said, Jigger was 
really overseeing the office at 

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a time of expansion. 
And the phrase that we all kept 

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saying to the point where I'm 
most tired of hearing it now is 

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that we were building the plane 
as we fly it and we were putting

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all the things together. 
So there was this amazing kind 

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of startup mentality almost. 
And I'm definitely a generalist.

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So I love working in a small 
team with other like smart 

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generalists. 
And I get a real kick out of 

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working with people who had like
total nerds about their 

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particular area of interest. 
So I got to interface with 

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people, you know, who were 
explaining like how loans are 

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structured to me and what is 
credit subsidy and got to like 

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understand about the, some of 
the technical aspects of the, 

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the projects that we're working 
with. 

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So I just found it a really 
dynamic and inspiring 

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environment. 
I definitely learned something 

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every day. 
Everyone really valued what I 

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did and what we had. 
Our other designer, Lee Farrell,

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who big shout out to Lee. 
I should say I have an anecdote 

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here. 
So I went to a wedding a couple 

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of years ago and I mentioned 
that I was a designer at LPO to 

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an energy journalist. 
And his eyes widened and he 

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went, did you do the posters? 
Like people love those posters. 

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And I had to tell him, no, that 
was the other designer, that was

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Lee. 
So he was incredible. 

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But I think people really did 
value what Lee and I were doing 

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and, and the, the importance of 
design and visual communication.

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Overall, the most fun thing is 
when someone comes to you with 

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this, a really important point 
that they're trying to make, but

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it's complicated and it's like 
there's layers to it, layers of 

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context and complexity. 
And you help them kind of strip 

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it down and figure out like, 
what is the point that we want 

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00:11:51,320 --> 00:11:52,520
to make it? 
What is the story that we're 

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00:11:52,520 --> 00:11:54,240
telling? 
And like how do we you know if 

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it's a chart, for example, on a 
lift off report, can we make the

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00:11:58,360 --> 00:12:02,120
heading of the chart tell you 
what the chart is explaining to 

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00:12:02,120 --> 00:12:03,720
you so that you don't have to do
the work? 

235
00:12:04,080 --> 00:12:07,480
What were some of your favorite 
and most impactful design 

236
00:12:07,480 --> 00:12:09,640
projects that you worked on over
the years of DUE? 

237
00:12:11,040 --> 00:12:12,880
It was. 
Definitely deploy. 

238
00:12:13,480 --> 00:12:17,000
So I had a hand in various other
bits and pieces and was kind of 

239
00:12:17,000 --> 00:12:20,240
a general graphic designer and 
you know, people would come to 

240
00:12:20,240 --> 00:12:24,840
me to do A1 pager or a deck, but
deploy was the definitely the 

241
00:12:24,840 --> 00:12:28,000
thing. 
So it started with Kyle, our 

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00:12:28,000 --> 00:12:30,720
boss, and the external affairs 
team saying we're gonna be 

243
00:12:30,720 --> 00:12:32,560
putting on this conference this 
year. 

244
00:12:32,800 --> 00:12:35,760
Maybe you wanna put together a 
couple of logo options to send 

245
00:12:35,760 --> 00:12:37,560
and you know, we'll see, see 
what you come up with. 

246
00:12:38,320 --> 00:12:41,760
I sent like 10 different ideas 
and started getting feedback 

247
00:12:41,760 --> 00:12:44,160
from this mysterious person 
called Susan Kish. 

248
00:12:44,800 --> 00:12:48,160
And then it just snowballed from
there into developing the entire

249
00:12:48,160 --> 00:12:50,640
brand identity for the 
conference, doing all of the 

250
00:12:50,800 --> 00:12:53,240
environmental graphics. 
I got to start working with 

251
00:12:53,240 --> 00:12:56,120
Jason Ramos, who is also still a
colleague. 

252
00:12:56,240 --> 00:12:59,200
He's the the chief architect at 
Constructive, which we'll we'll 

253
00:12:59,200 --> 00:13:01,360
talk about later. 
Yeah, doing the environmental 

254
00:13:01,360 --> 00:13:04,680
design, doing all the 
promotional design, doing the 

255
00:13:04,680 --> 00:13:07,320
decks, doing the social media 
graphics. 

256
00:13:07,840 --> 00:13:12,120
And I think by the 2nd year with
Deploy 24 where we went like 

257
00:13:12,120 --> 00:13:15,640
much bigger and much better. 
And we had the exchange and I 

258
00:13:15,640 --> 00:13:18,760
think we had three times the 
number of attendees that year, 

259
00:13:18,760 --> 00:13:23,320
which was just so exciting. 
And I really by that point was 

260
00:13:23,320 --> 00:13:26,320
kind of Co creative directing it
with with Jason, which was just 

261
00:13:26,320 --> 00:13:29,280
such an incredible opportunity 
and and such a blast. 

262
00:13:29,360 --> 00:13:32,600
And I mean, we got such great 
feedback for Deploy 24 

263
00:13:32,600 --> 00:13:36,600
especially, people told us that 
they got so much work done. 

264
00:13:36,600 --> 00:13:39,960
They had like 60 meetings that 
it really was like the front 

265
00:13:39,960 --> 00:13:41,680
porch of the Department of 
Energy. 

266
00:13:42,080 --> 00:13:47,520
And this moment where people 
could see the full continuum of 

267
00:13:47,520 --> 00:13:50,480
how like all these different 
offices fitted together to 

268
00:13:50,480 --> 00:13:53,960
support projects from R&D stage 
all the way to deployment and 

269
00:13:53,960 --> 00:13:56,520
they could meet all the people 
on the way that that would help 

270
00:13:56,520 --> 00:13:58,760
them get there. 
And of course, the programming 

271
00:13:58,760 --> 00:14:01,400
was amazing. 
There were like, I think 130 

272
00:14:01,400 --> 00:14:05,000
hours of programming over the 
two days, lots of like really 

273
00:14:05,000 --> 00:14:09,040
pragmatic conversations and 
yeah, it was just really special

274
00:14:09,040 --> 00:14:11,280
to help create the environment 
for that. 

275
00:14:11,280 --> 00:14:14,240
I think the the plenary stage in
particular, like I had such a 

276
00:14:14,240 --> 00:14:17,280
thrill watching people filter 
into that dark room. 

277
00:14:17,560 --> 00:14:20,320
I mean, you saw Jennifer 
Granholm presumably giving the 

278
00:14:20,360 --> 00:14:23,480
closing speech and, you know, 
not a dry eye in the room. 

279
00:14:23,480 --> 00:14:26,680
It was just so powerful. 
And to get to see that on a 

280
00:14:26,680 --> 00:14:29,960
stage that I had Co designed 
with Jason was unbelievable. 

281
00:14:31,160 --> 00:14:33,920
It was awesome. 
It was very specific moment in 

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00:14:33,920 --> 00:14:36,960
time and anybody who was there 
for those two years that we put 

283
00:14:36,960 --> 00:14:39,560
on that conference will know 
that it was something special. 

284
00:14:39,960 --> 00:14:42,760
And I love that. 
I mean real deal making was 

285
00:14:42,760 --> 00:14:46,320
happening in those two like 
projects got built because of 

286
00:14:46,320 --> 00:14:51,920
the connections that do we help 
to foster not just with with our

287
00:14:51,920 --> 00:14:55,040
offices but also among private 
sector partners. 

288
00:14:55,040 --> 00:14:57,960
So yeah, it was really special. 
It was, it was such an 

289
00:14:57,960 --> 00:15:02,920
incredible team to be a part of.
And I think one thing that is 

290
00:15:02,920 --> 00:15:06,280
evident of how how just just how
special it was, is that we have 

291
00:15:06,320 --> 00:15:09,880
all continued to try to work 
together as much as possible. 

292
00:15:11,600 --> 00:15:14,960
I have, I have a client that is 
a former colleague. 

293
00:15:14,960 --> 00:15:18,360
I have many, many colleagues 
that I work with across my 

294
00:15:18,360 --> 00:15:21,720
accounts as a consultant who are
former colleagues. 

295
00:15:21,720 --> 00:15:26,960
And I, you know, we all, I 
think, seek any opportunity to 

296
00:15:26,960 --> 00:15:31,560
work together because we built 
such tremendous trust amongst 

297
00:15:31,560 --> 00:15:36,720
ourselves during those years. 
And the culture was so special 

298
00:15:36,720 --> 00:15:40,040
and the teamwork was so special,
and everyone that came into the 

299
00:15:40,040 --> 00:15:43,160
organization was so talented. 
Yeah. 

300
00:15:43,200 --> 00:15:46,960
And I feel really lucky to have 
been a part of it. 100% I 

301
00:15:46,960 --> 00:15:50,520
actually remember you saying at 
one of our all hands meetings 

302
00:15:51,360 --> 00:15:54,760
that among the external affairs 
team that there was this like 

303
00:15:54,760 --> 00:15:57,720
really high level of emotional 
safety amongst us. 

304
00:15:58,040 --> 00:16:00,560
And I remember that was like the
exact phrase that you used. 

305
00:16:00,680 --> 00:16:03,800
It's something that we don't 
talk about enough with teamwork,

306
00:16:03,800 --> 00:16:04,840
right? 
And how we collaborate. 

307
00:16:04,840 --> 00:16:08,440
Like it has to start from this 
basis of comfort with each other

308
00:16:08,440 --> 00:16:11,000
and, and a sense of safety. 
And that like we can share 

309
00:16:11,000 --> 00:16:13,320
honestly with each other. 
And that, I think is like one of

310
00:16:13,320 --> 00:16:15,320
the reasons why we are as, as 
you say, forever. 

311
00:16:15,320 --> 00:16:18,200
Colleagues, we really are. 
So when it came time to build 

312
00:16:18,200 --> 00:16:21,160
the brand for Energy Empire, of 
course you were the first person

313
00:16:21,160 --> 00:16:23,280
who came to mind. 
You and I reconnected. 

314
00:16:23,680 --> 00:16:26,400
So when I first came to you with
the idea, first of all, the 

315
00:16:26,400 --> 00:16:30,200
podcast had a different name. 
It was not at FirstEnergy 

316
00:16:30,200 --> 00:16:31,760
Empire. 
We had a different name, but it 

317
00:16:31,760 --> 00:16:34,560
was too common. 
So we switched over to This is 

318
00:16:34,560 --> 00:16:36,840
our brand. 
When I first approached you 

319
00:16:36,840 --> 00:16:39,920
about it, what did you think I 
was trying to make this feel 

320
00:16:39,920 --> 00:16:42,960
like, with the understanding 
that you didn't immediately love

321
00:16:42,960 --> 00:16:45,720
it? 
I knew that you meant energy 

322
00:16:45,720 --> 00:16:47,760
empire in the sense of like a 
business empire. 

323
00:16:48,080 --> 00:16:52,360
And it was about something like 
a confident narrative, A 

324
00:16:52,360 --> 00:16:55,200
narrative that is optimistic 
that we're putting out, you 

325
00:16:55,200 --> 00:16:57,480
know, something that works 
against the doom and gloom. 

326
00:16:57,480 --> 00:16:59,720
And it's like we're going to 
build an energy empire that's 

327
00:16:59,720 --> 00:17:02,400
based on clean energy, that's 
going to change the world and 

328
00:17:02,400 --> 00:17:06,200
change the course of humanity. 
I got all that, but you have to 

329
00:17:06,200 --> 00:17:08,720
understand that. 
So I'm British American and I 

330
00:17:08,720 --> 00:17:11,240
have like 2 wolves inside of me.
There's an American wolf. 

331
00:17:11,240 --> 00:17:12,960
And that was the one that 
understood what you meant. 

332
00:17:13,560 --> 00:17:16,480
And it's like, whoa, let's go. 
And then there's the British 

333
00:17:16,480 --> 00:17:20,440
wolf that was like, should, 
should, should we be doing that?

334
00:17:20,440 --> 00:17:22,880
Like empires kind of a loaded 
word. 

335
00:17:22,880 --> 00:17:26,040
And and then Venezuela happened 
and then I felt like I had to 

336
00:17:26,040 --> 00:17:29,120
say something. 
But, you know, you guys know 

337
00:17:29,120 --> 00:17:32,280
what you're doing. 
You know your brand and yeah, 

338
00:17:32,280 --> 00:17:35,960
you, you were right. 
So like we can calm that British

339
00:17:35,960 --> 00:17:38,800
wolf down. 
The American wins for today. 

340
00:17:39,280 --> 00:17:41,360
And it's memorable. 
You know it. 

341
00:17:41,400 --> 00:17:44,560
The alliteration works. 
And I, yeah, I think like 

342
00:17:44,560 --> 00:17:47,680
everybody knows, knows the 
phrase energy empire now. 

343
00:17:47,720 --> 00:17:52,240
It's so hats off to you. 
Thank you. 

344
00:17:52,240 --> 00:17:55,360
I appreciate that. 
I know you briefly referenced 

345
00:17:55,360 --> 00:17:58,800
the LPO posters and of course 
the LPO kind of the visual 

346
00:17:58,800 --> 00:18:02,360
language of those posters was an
early reference point for us. 

347
00:18:02,680 --> 00:18:05,720
So what was it about that work 
that we wanted to carry into 

348
00:18:05,720 --> 00:18:08,040
this? 
And maybe for our listeners who 

349
00:18:08,280 --> 00:18:11,440
aren't familiar with that poster
series, can you just kind of 

350
00:18:11,440 --> 00:18:13,760
explain it a little bit? 
Yeah. 

351
00:18:13,760 --> 00:18:17,560
So I think there was an original
series of posters in maybe like 

352
00:18:17,720 --> 00:18:20,640
2009. 
Hopefully Lee isn't going to 

353
00:18:21,000 --> 00:18:24,000
message me after this and say 
actually it was 2011. 

354
00:18:24,000 --> 00:18:26,600
The LPO did this series of 
posters of different 

355
00:18:26,600 --> 00:18:30,000
technologies that that the 
office was funding projects in. 

356
00:18:30,000 --> 00:18:32,320
And then they were kind of 
resuscitated, I guess, when 

357
00:18:32,320 --> 00:18:36,240
Jigger arrived at the LPO and we
did this kind of second series. 

358
00:18:36,800 --> 00:18:39,080
So there was like a poster 
showing geothermal energy. 

359
00:18:39,080 --> 00:18:43,920
There was an EV1, there was like
a supply chains one, nuclear 

360
00:18:43,920 --> 00:18:49,520
one, and they were in the style 
of the like WPA screen printed 

361
00:18:49,520 --> 00:18:51,520
kind of like the national parks 
posters. 

362
00:18:51,520 --> 00:18:54,560
So like flat colors, very epic 
landscapes. 

363
00:18:54,840 --> 00:18:58,480
And you can see like energy 
workers often in the imagery, 

364
00:18:58,720 --> 00:19:01,560
they thread this needle between 
being really down to earth and 

365
00:19:01,560 --> 00:19:04,440
like really connecting with 
regular people, but also be 

366
00:19:04,440 --> 00:19:08,680
incredibly optimistic and they 
capture that forward-looking, 

367
00:19:08,720 --> 00:19:11,840
you know, very American mindset 
that we will recognize and love 

368
00:19:11,840 --> 00:19:15,800
from those vintage posters. 
So one of the ideas that we had 

369
00:19:15,800 --> 00:19:18,800
was to kind of do something 
similar, like a scene of some 

370
00:19:18,800 --> 00:19:22,760
kind where you could see energy 
workers or construction workers,

371
00:19:22,800 --> 00:19:26,480
you know, building some kind of 
industrial plant or doing some 

372
00:19:26,480 --> 00:19:29,120
kind of clean energy project or 
maybe climbing a transition 

373
00:19:29,120 --> 00:19:31,840
pole. 
But we ended up deciding that 

374
00:19:31,840 --> 00:19:35,320
obviously, because as I said 
earlier, this is an artwork that

375
00:19:35,320 --> 00:19:38,560
needs to work at small scales 
and it needs to be iconic and 

376
00:19:38,560 --> 00:19:41,760
memorable that doing a scene 
probably wasn't quite the right 

377
00:19:41,760 --> 00:19:44,520
direction. 
But we did keep the the visual 

378
00:19:44,520 --> 00:19:48,840
style of that, like screen 
printed solid colors and a kind 

379
00:19:48,840 --> 00:19:52,000
of vintage feel. 
Yes, as well as kind of the 

380
00:19:52,000 --> 00:19:55,600
color palette we really we yes, 
which was really important and I

381
00:19:55,600 --> 00:20:01,040
love how bright and kind of 
unexpected and anti B to B clean

382
00:20:01,040 --> 00:20:06,040
energy startup kind of feel, but
it has I love those posters so 

383
00:20:06,040 --> 00:20:07,920
much. 
They're so meaningful to me. 

384
00:20:07,920 --> 00:20:11,720
People still talk about them and
I know you were you told your 

385
00:20:11,720 --> 00:20:15,400
poster anecdote and I have to 
tell mine, which is I happen to 

386
00:20:15,400 --> 00:20:20,760
be in Ashland, VA one day for a 
random unrelated reason, but I. 

387
00:20:20,960 --> 00:20:25,280
Popped into Dominion Energy's Co
working like startup incubator 

388
00:20:25,280 --> 00:20:26,880
space that they have there in 
Ashland. 

389
00:20:27,200 --> 00:20:31,840
Just seeking a desk for the day.
And I walked in and I guess this

390
00:20:31,840 --> 00:20:34,720
isn't something that people do 
like they have startups that are

391
00:20:34,720 --> 00:20:36,880
like residents there. 
And I didn't realize that. 

392
00:20:36,880 --> 00:20:38,400
I thought it was just a Co 
working space. 

393
00:20:38,640 --> 00:20:41,560
But I walked in and kind of 
explained who I was and I was 

394
00:20:41,560 --> 00:20:44,320
like, can I just crowds here for
the day and like to use your 

395
00:20:44,320 --> 00:20:46,160
Wi-Fi? 
And they were very gracious and 

396
00:20:46,160 --> 00:20:49,560
they set me up with an office. 
I walk into the office and it's 

397
00:20:49,560 --> 00:20:51,720
just wrapped with the LPO 
posters. 

398
00:20:52,320 --> 00:20:57,080
And yes, and this was a couple 
of months after we had left 

399
00:20:57,480 --> 00:21:01,360
after the end of the Biden 
administration and so many of us

400
00:21:01,360 --> 00:21:04,520
had departed, including myself 
had left LPO at the end of the 

401
00:21:04,520 --> 00:21:06,920
administration. 
We had this very cohesive team 

402
00:21:06,920 --> 00:21:10,400
and we all felt very close. 
And there was very much so a 

403
00:21:10,400 --> 00:21:13,680
feeling that we were breaking up
the band and we weren't ready to

404
00:21:13,680 --> 00:21:16,040
go. 
Like it was a very sad moment 

405
00:21:16,040 --> 00:21:18,800
when we left the building, the 
Forest Hall building. 

406
00:21:19,280 --> 00:21:23,000
And so I was still very 
emotionally attached. 

407
00:21:23,000 --> 00:21:26,560
I still am emotionally attached 
to to LPO, but I was very 

408
00:21:26,560 --> 00:21:28,360
emotionally attached to the work
that we did. 

409
00:21:28,360 --> 00:21:31,400
So it just was very powerful for
me being completely out of 

410
00:21:31,400 --> 00:21:34,800
context in the most random place
and just walking into this 

411
00:21:34,800 --> 00:21:37,280
office and like seeing the 
posters, I was delighted. 

412
00:21:37,600 --> 00:21:40,000
I texted a few people. 
I don't know if I texted you, 

413
00:21:40,000 --> 00:21:42,880
but I definitely took photos and
sent them to multiple people 

414
00:21:42,880 --> 00:21:45,160
from our team. 
And that has happened in other 

415
00:21:45,160 --> 00:21:48,200
places too, that I have hopped 
on a Zoom call with someone I've

416
00:21:48,200 --> 00:21:51,400
never met before, and one of our
posters is framed behind them on

417
00:21:51,400 --> 00:21:52,920
the wall. 
Happens all the time. 

418
00:21:53,480 --> 00:21:55,800
Yeah, they're really cool. 
I'm going to send this to Lee 

419
00:21:55,800 --> 00:21:58,240
because I really, I hope he 
hears this like. 

420
00:21:58,840 --> 00:22:01,960
Yes, shout out to Lee Farrell, 
who I believe is still doing 

421
00:22:01,960 --> 00:22:05,200
some work for that office and we
like fully support him and not 

422
00:22:05,200 --> 00:22:06,360
and the folks that are still 
there. 

423
00:22:07,080 --> 00:22:10,440
So as we were designing the 
logo, one tension we kept coming

424
00:22:10,440 --> 00:22:13,960
back to was that I wanted 
something that was symbolic and 

425
00:22:13,960 --> 00:22:17,320
resonant, but not too literal or
too on the nose. 

426
00:22:17,920 --> 00:22:21,000
We also spent time trying to 
make this feel American and 

427
00:22:21,000 --> 00:22:26,480
powerful without tipping into it
being cheesy, cliche, or weird 

428
00:22:26,560 --> 00:22:30,040
empire slash Rome energy, which 
is actually a direction that we 

429
00:22:30,040 --> 00:22:33,200
went in at one point. 
So what kind of felt hardest to 

430
00:22:33,200 --> 00:22:35,560
solve there? 
It's a great question That kind 

431
00:22:35,560 --> 00:22:38,480
of goes back to your first 
question of what did I think 

432
00:22:38,480 --> 00:22:40,840
about the name? 
Like, I think the word Empire 

433
00:22:40,840 --> 00:22:43,880
was the sticking point, and it's
both the, like, the success of 

434
00:22:43,880 --> 00:22:46,480
the name, but also it was the 
thing that we had to work 

435
00:22:46,480 --> 00:22:49,720
hardest to get right visually. 
The reason why we mentioned Rome

436
00:22:49,720 --> 00:22:52,440
and, like, started throwing that
around as an idea was because I 

437
00:22:52,440 --> 00:22:55,240
think it was Simon, our 
producer, your producer, sorry, 

438
00:22:55,840 --> 00:22:58,400
who said, you know, maybe we 
could do something with Roman 

439
00:22:58,400 --> 00:23:01,440
architecture because there's all
this neoclassical architecture 

440
00:23:01,440 --> 00:23:04,720
in DC and it speaks to kind of 
the connection between 

441
00:23:04,720 --> 00:23:08,160
government and energy. 
And yeah, we threw a couple of 

442
00:23:08,160 --> 00:23:10,360
ideas around. 
There was like, a plinth with 

443
00:23:10,360 --> 00:23:13,520
the sun on top of it that didn't
have legs. 

444
00:23:13,600 --> 00:23:17,400
And I knew it didn't have legs, 
but one of my first questions 

445
00:23:17,400 --> 00:23:20,640
when we talked about the name 
was how comfortable are you with

446
00:23:20,920 --> 00:23:23,920
imagery that is American like? 
And I threw out the idea what if

447
00:23:23,920 --> 00:23:28,000
we did just spitballing like a 
flag with lightning bolts 

448
00:23:28,000 --> 00:23:30,840
instead of stars, which again 
was a terrible idea. 

449
00:23:30,840 --> 00:23:32,880
I don't know why I even threw it
out there because I'm very anti 

450
00:23:32,880 --> 00:23:34,920
lightning bolt. 
Are you very? 

451
00:23:35,200 --> 00:23:39,760
I didn't know that. 
I did the branding for Deploy 

452
00:23:39,760 --> 00:23:42,800
action and I had this whole 
thing with Ana, but I was like, 

453
00:23:42,800 --> 00:23:44,600
please don't make me put a 
lightning bolt in it. 

454
00:23:44,680 --> 00:23:46,280
Like there are lightning bolts 
everywhere. 

455
00:23:46,600 --> 00:23:48,120
It's time to put down the 
lightning bolt. 

456
00:23:48,360 --> 00:23:49,880
We can get into that later as 
well. 

457
00:23:49,880 --> 00:23:52,680
The like the imagery generally 
and clean energy. 

458
00:23:53,080 --> 00:23:55,600
I had a sleepless night where I 
was thinking about all these 

459
00:23:55,600 --> 00:23:57,560
different American symbols 
because you were keen. 

460
00:23:57,560 --> 00:23:59,560
You were like, yeah, let's make 
it patriotic. 

461
00:23:59,560 --> 00:24:03,560
We don't want this symbolism and
this imagery to be completely Co

462
00:24:03,560 --> 00:24:05,800
opted. 
And you know, we, it belongs to 

463
00:24:05,800 --> 00:24:08,640
us too, right? 
Like we're Americans and clean 

464
00:24:08,640 --> 00:24:10,680
energy, like these technologies 
come from America. 

465
00:24:11,120 --> 00:24:14,600
And so we wanted to signal that.
So I had this one sleepless 

466
00:24:14,600 --> 00:24:17,760
night where I was like making a 
list of all these different 

467
00:24:17,760 --> 00:24:22,160
symbols that we could draw on, 
like the American eagle, cowboy 

468
00:24:22,160 --> 00:24:26,800
hats, flags, stars and stripes. 
And each one I was just like, 

469
00:24:26,800 --> 00:24:28,400
Nope, Nope, that one's not going
to work. 

470
00:24:28,400 --> 00:24:30,720
Process of elimination. 
And then the Statue of Liberty 

471
00:24:30,720 --> 00:24:33,880
just popped into my head and it 
felt perfect. 

472
00:24:34,000 --> 00:24:39,400
Like it's the perfect symbol of 
America because it hasn't been 

473
00:24:39,400 --> 00:24:43,000
Co opted by left or right. 
It's still something that speaks

474
00:24:43,000 --> 00:24:46,000
to all of us universally. 
And it's something that speaks 

475
00:24:46,000 --> 00:24:49,000
to the like the highest ideals 
of America, right? 

476
00:24:49,000 --> 00:24:52,680
Like it's enlightenment. 
She's holding this torch is like

477
00:24:52,680 --> 00:24:56,560
a beacon of progress and light. 
It was the first thing that 

478
00:24:56,560 --> 00:25:00,040
people saw, you know, when they 
arrived at Ellis Island that 

479
00:25:00,040 --> 00:25:03,400
welcomed them into America. 
It just, yeah, that felt like 

480
00:25:03,400 --> 00:25:06,040
the best angle to go down was a 
no brainer. 

481
00:25:06,400 --> 00:25:10,400
And also, not to get super 
philosophical, but she's holding

482
00:25:10,400 --> 00:25:12,720
this torch, right? 
That's like light and heat. 

483
00:25:12,720 --> 00:25:17,280
It's a form of energy, and 
energy is the story of progress.

484
00:25:17,560 --> 00:25:19,800
And that's something that's all,
like, very intimately wrapped up

485
00:25:19,800 --> 00:25:22,960
with the story of America. 
So it just felt like the perfect

486
00:25:22,960 --> 00:25:26,160
kind of continuation of that. 
But the first idea was to have 

487
00:25:26,160 --> 00:25:29,160
her holding a lightning bolt. 
I'm nothing if not completely 

488
00:25:29,160 --> 00:25:32,280
inconsistent with my views 
because that was like kind of a 

489
00:25:32,920 --> 00:25:34,600
just an evolution of the torch, 
right? 

490
00:25:34,600 --> 00:25:37,440
Like she's just holding the 
symbol of energy more generally.

491
00:25:37,960 --> 00:25:41,000
But I raised that with you guys.
We had our first feedback call 

492
00:25:41,480 --> 00:25:45,040
and we felt like we hadn't 
really found anything to any 

493
00:25:45,040 --> 00:25:46,880
threads to pull on and we needed
to kind of go back to the 

494
00:25:46,880 --> 00:25:49,320
drawing board. 
And I was like, well, what about

495
00:25:49,320 --> 00:25:50,800
this one with the Statue of 
Liberty? 

496
00:25:51,600 --> 00:25:55,880
And you guys are like, yeah, we 
like it, but it's a bit earnest.

497
00:25:56,000 --> 00:25:59,720
It's a bit too serious. 
So then I was like, OK, what if 

498
00:25:59,720 --> 00:26:04,240
she's holding up a power cable? 
And Simon immediately went, I 

499
00:26:04,240 --> 00:26:05,360
like it. 
It's cheeky. 

500
00:26:06,800 --> 00:26:09,920
Yeah. 
I mean, I think for me, I what I

501
00:26:09,920 --> 00:26:13,280
liked about it, I do think that 
even from the first round, and I

502
00:26:13,280 --> 00:26:16,720
know that we're going to cut 
into this video like some of 

503
00:26:16,960 --> 00:26:21,840
your early design options. 
I think early on, I really loved

504
00:26:21,840 --> 00:26:26,600
how you had to look at it for a 
second to realize that it was 

505
00:26:26,600 --> 00:26:30,120
Lady Liberty because you just 
see like the very top of her 

506
00:26:30,120 --> 00:26:33,760
crown and her hand. 
But then it was so clearly 

507
00:26:33,760 --> 00:26:37,280
brilliant once we figured out 
like, oh, this is what we're 

508
00:26:37,280 --> 00:26:39,680
looking at here. 
And I think we maybe inched her 

509
00:26:39,680 --> 00:26:41,480
up a little bit. 
So you got a little bit more 

510
00:26:41,480 --> 00:26:43,360
crown. 
So it was like slightly more 

511
00:26:43,440 --> 00:26:47,640
clear what you were looking at. 
It's the perfect combination of 

512
00:26:48,120 --> 00:26:51,240
very American Ericana, very 
patriotic. 

513
00:26:51,480 --> 00:26:55,480
We weren't shy about the empire 
piece of our name. 

514
00:26:55,560 --> 00:26:57,920
Each word in that name is 
working very hard. 

515
00:26:58,320 --> 00:27:01,960
And I know we felt comfortable 
leaning into it because one of 

516
00:27:01,960 --> 00:27:05,840
the things that led Jigger and I
through our journey as we were 

517
00:27:05,960 --> 00:27:09,320
frankly working on this podcast 
for all of last year, trying to 

518
00:27:09,320 --> 00:27:13,320
figure out what it would be, is 
that the clean energy industry 

519
00:27:13,840 --> 00:27:19,320
continues to act like it is this
small sector without a lot of 

520
00:27:19,320 --> 00:27:22,000
power. 
And that we want to see clean 

521
00:27:22,000 --> 00:27:26,000
energy step into its power. 
And that when we think about 

522
00:27:26,040 --> 00:27:28,440
what we're building it, it truly
is an empire. 

523
00:27:28,440 --> 00:27:32,600
And we really are transitioning 
in changing the planet for the 

524
00:27:32,600 --> 00:27:34,720
better. 
I mean, combating the biggest 

525
00:27:34,760 --> 00:27:37,520
global challenge that is, is 
facing our generation and 

526
00:27:37,520 --> 00:27:42,080
climate change and also building
tremendous wealth on, you know, 

527
00:27:42,080 --> 00:27:45,360
doing something good that we 
need to do in order to protect 

528
00:27:45,920 --> 00:27:49,520
the future of this planet. 
So I think it's a powerful idea.

529
00:27:49,520 --> 00:27:53,480
And we wanted to lead with a 
powerful symbol, visual symbol. 

530
00:27:54,120 --> 00:27:57,400
So for people who aren't 
designers, kind of give us like 

531
00:27:57,400 --> 00:27:59,880
a brief overview of what your 
process looks like. 

532
00:28:00,920 --> 00:28:03,440
Yeah. 
Well, you mentioned that you had

533
00:28:03,440 --> 00:28:06,320
come to me originally with a 
different name earlier last 

534
00:28:06,320 --> 00:28:08,240
year. 
So I'd already had an 

535
00:28:08,240 --> 00:28:11,080
opportunity to like take on some
of the background and the 

536
00:28:11,080 --> 00:28:14,440
context with your thinking and 
let that bake on the back 

537
00:28:14,440 --> 00:28:16,480
burner. 
And then I think we had our 

538
00:28:16,480 --> 00:28:20,280
first call about energy empire 
right before the the Christmas 

539
00:28:20,280 --> 00:28:22,480
holiday. 
So again, it's like the more I 

540
00:28:22,480 --> 00:28:25,040
work as a designer, the more I 
realize that it's very much 

541
00:28:25,040 --> 00:28:27,800
about like the overall process. 
If you look at it, it's like 

542
00:28:28,280 --> 00:28:31,880
you're digging a flower bed and 
you, you know, like you're 

543
00:28:31,880 --> 00:28:34,200
adding stuff to the soil and 
you're getting it all ready. 

544
00:28:34,720 --> 00:28:35,840
And then you have to like walk 
away. 

545
00:28:35,840 --> 00:28:38,920
And then when you come back, a 
seed will have magically 

546
00:28:38,920 --> 00:28:40,920
appeared in the flower bed and 
it will start growing. 

547
00:28:40,920 --> 00:28:44,480
But you, you have to like, have 
the process of walking away and 

548
00:28:44,480 --> 00:28:47,480
letting it just bake and develop
like a Stew in the back of your 

549
00:28:47,480 --> 00:28:49,920
head. 
Because if you try and force it 

550
00:28:49,920 --> 00:28:53,160
and like push it forwards, you 
just, you start going around in 

551
00:28:53,160 --> 00:28:55,160
circles and you get frustrated 
with it. 

552
00:28:55,600 --> 00:28:58,640
So I came back to it like very 
fresh in January. 

553
00:28:59,200 --> 00:29:02,320
And as a first step, I with this
kind of like illustrative work, 

554
00:29:02,320 --> 00:29:05,120
I like to come to you with just 
pencil drawings. 

555
00:29:05,120 --> 00:29:07,920
Like keep it really sketchy. 
You have to kind of give a 

556
00:29:07,920 --> 00:29:11,400
client like one problem at a 
time to think about South. 

557
00:29:11,640 --> 00:29:13,960
Instead of showing you something
in full color that I've spent a 

558
00:29:13,960 --> 00:29:17,040
ton of time on that might not 
have legs, it's showing you 

559
00:29:17,040 --> 00:29:20,200
something kind of quick and 
dirty that encourages you to 

560
00:29:20,200 --> 00:29:22,080
like bring your imagination to 
it as well. 

561
00:29:22,120 --> 00:29:25,720
And I want you to focus on just 
like the idea to start with and 

562
00:29:25,720 --> 00:29:28,960
maybe the composition to some 
extent as well, but not talking 

563
00:29:28,960 --> 00:29:32,280
about color, not talking about 
fonts, just which is the idea 

564
00:29:32,280 --> 00:29:36,160
that we want to develop here. 
And then it's just iterations 

565
00:29:36,160 --> 00:29:38,520
from then on out, right? 
So we'll show you some of the 

566
00:29:39,000 --> 00:29:42,040
behind the scenes pictures, 
which I never thought would get 

567
00:29:42,120 --> 00:29:45,440
public viewing. 
So they're not great to look at,

568
00:29:45,440 --> 00:29:47,800
but that's not the point, right?
It's, it's about the idea 

569
00:29:47,800 --> 00:29:50,040
developing. 
So I started to introduce a bit 

570
00:29:50,040 --> 00:29:53,320
of color and just show you some 
like low res versions of what it

571
00:29:53,320 --> 00:29:54,680
could look like. 
And we played around with 

572
00:29:54,680 --> 00:29:57,840
different compositions. 
We tried showing more of Lady 

573
00:29:57,840 --> 00:29:59,680
Liberty. 
And there's one version in 

574
00:29:59,680 --> 00:30:01,960
particular where you see like 
almost all of her body. 

575
00:30:01,960 --> 00:30:05,600
I think that was just getting 
way too serious and like 

576
00:30:05,720 --> 00:30:08,880
detracting from the humor of the
option that we finally went 

577
00:30:08,880 --> 00:30:10,920
with. 
So it's just testing different 

578
00:30:10,920 --> 00:30:13,240
things. 
But a lot of the time I know in 

579
00:30:13,240 --> 00:30:15,960
in the back of my head which is 
the best idea and which is the 

580
00:30:15,960 --> 00:30:19,720
best direction. 
And you're showing other options

581
00:30:19,720 --> 00:30:23,560
almost to just convince the 
client that the, the, the right 

582
00:30:23,560 --> 00:30:25,240
way is the right way, if that 
makes sense. 

583
00:30:25,560 --> 00:30:28,360
And also to do with due 
diligence and like, make sure 

584
00:30:28,360 --> 00:30:29,640
you've turned all the stones 
over. 

585
00:30:29,640 --> 00:30:32,920
But half of the thing with being
a designer is the actual skills.

586
00:30:32,920 --> 00:30:34,400
And then half of it is the 
process. 

587
00:30:34,400 --> 00:30:37,440
And like refining your own 
process and making the right 

588
00:30:37,440 --> 00:30:41,600
judgment on when to put out 
another option or when to put 

589
00:30:41,600 --> 00:30:43,680
out your professional opinion 
that this is the way to go. 

590
00:30:44,200 --> 00:30:47,720
So always learning. 
Awesome. 

591
00:30:48,280 --> 00:30:52,200
So now it's out there and it's 
it's, I mean, I'm really 

592
00:30:52,200 --> 00:30:53,400
enjoying it. 
I love it. 

593
00:30:53,440 --> 00:30:55,640
I am. 
My favorite color is yellow. 

594
00:30:55,640 --> 00:31:00,320
So I'm very happy that my yeah, 
I got my yellow font, my yellow 

595
00:31:00,480 --> 00:31:02,480
name. 
But what's it like now? 

596
00:31:02,480 --> 00:31:05,520
Seeing people engaged with the 
brands and having opinions about

597
00:31:05,520 --> 00:31:09,240
it, including about the number 
of prongs on the plug, which was

598
00:31:09,720 --> 00:31:11,840
one of the first criticisms we 
got. 

599
00:31:12,640 --> 00:31:17,120
I know like, calm down guys. 
You know, it's great. 

600
00:31:17,120 --> 00:31:21,320
I mean, it's always scary. 
Like sharing ideas are scary and

601
00:31:21,320 --> 00:31:24,880
sharing finished work is scary, 
but it's just really exciting to

602
00:31:24,880 --> 00:31:28,960
see how much it does resonate. 
And I think it it has achieved, 

603
00:31:29,120 --> 00:31:33,000
you know, the the brief that you
just laid out about putting out 

604
00:31:33,000 --> 00:31:36,800
this positive story and helping 
clean energy step into its 

605
00:31:36,800 --> 00:31:40,440
power, but also it being a very 
human symbol and something that 

606
00:31:40,440 --> 00:31:42,960
we can all relate to as 
Americans in our own way. 

607
00:31:43,120 --> 00:31:46,040
So yeah, it's great. 
Well, one reason I wanted to 

608
00:31:46,040 --> 00:31:49,120
have you on is making this brand
made me think a lot about how 

609
00:31:49,120 --> 00:31:52,640
stale a lot of the visual and 
editorial language of energy can

610
00:31:52,640 --> 00:31:55,400
be. 
A lot of the brands can feel 

611
00:31:55,400 --> 00:31:58,680
visually interchangeable, so I 
was adamant that for our first 

612
00:31:58,680 --> 00:32:01,800
meeting I wanted this brands to 
clearly stand out, which I think

613
00:32:01,800 --> 00:32:04,040
we achieved. 
One thing I really cared about 

614
00:32:04,040 --> 00:32:07,400
was making the show feel legible
beyond energy insiders. 

615
00:32:07,800 --> 00:32:10,080
So how does visual identity help
with that? 

616
00:32:10,440 --> 00:32:15,160
Yeah, this is a a really great 
question and I think the entire 

617
00:32:15,160 --> 00:32:17,360
industry is doing a lot of soul 
searching around this. 

618
00:32:17,400 --> 00:32:20,160
We're aware that there's a 
problem, and I also think that 

619
00:32:20,160 --> 00:32:22,720
we are beating ourselves up 
maybe a little more than we need

620
00:32:22,720 --> 00:32:27,320
to because to some extent, I 
feel like there is a question of

621
00:32:27,320 --> 00:32:30,000
just timing, right? 
The history of science is like 

622
00:32:30,000 --> 00:32:33,000
full of examples of ideas that 
didn't take flight because it 

623
00:32:33,000 --> 00:32:34,320
just wasn't the right time for 
them. 

624
00:32:34,760 --> 00:32:38,000
And communications has a role to
play in making it the right 

625
00:32:38,000 --> 00:32:40,560
time. 
But there's also just to some 

626
00:32:40,560 --> 00:32:44,480
extent, we're now, you know, in 
this crazy, like as we speak and

627
00:32:44,480 --> 00:32:48,560
record this video, an absolutely
crazy geopolitical situation 

628
00:32:48,560 --> 00:32:51,520
where, as James was saying in 
your, I think most recent 

629
00:32:51,520 --> 00:32:54,640
episode, the clean energy has 
never looked so good. 

630
00:32:55,240 --> 00:32:58,760
And to some extent, like we're 
just now in this situation where

631
00:32:59,360 --> 00:33:03,520
the costs are down, the Security
benefits are obvious. 

632
00:33:03,520 --> 00:33:07,240
And it's like the moment that 
we've been waiting for, but I do

633
00:33:07,240 --> 00:33:11,040
think there are like sort of two
buckets of like issues with 

634
00:33:11,040 --> 00:33:12,800
communication that I see with 
clean energy wire. 

635
00:33:12,800 --> 00:33:15,800
It's like, on the one hand, it's
an incredibly complicated 

636
00:33:15,800 --> 00:33:17,720
sector. 
Like I feel like I've been in 

637
00:33:17,720 --> 00:33:21,600
the sector now for about 3 years
and I feel like I'm still 

638
00:33:21,600 --> 00:33:26,320
entering the learning what I 
don't know phase of energy and 

639
00:33:26,320 --> 00:33:28,840
how it all works. 
And, and then we add to that mix

640
00:33:28,840 --> 00:33:33,800
like all of these acronyms like 
SMRS and VPPS and PP as, and it 

641
00:33:33,800 --> 00:33:36,440
just, you know, washes over most
people and, and it's, it's 

642
00:33:36,440 --> 00:33:40,040
really hard to connect with. 
So I think we can work harder to

643
00:33:40,320 --> 00:33:42,200
just bring it back down to 
earth. 

644
00:33:42,320 --> 00:33:46,200
And I wanted to shout out what's
the T here, which is this new 

645
00:33:46,200 --> 00:33:49,400
series on LinkedIn by our ex 
colleague Zenab Mirza, who is 

646
00:33:49,400 --> 00:33:51,920
also LPO. 
And they're like a really good 

647
00:33:51,920 --> 00:33:54,480
example of how they'll talk 
about the like, lofty 

648
00:33:54,480 --> 00:33:58,000
complicated energy policy or 
whatever it is, but then they 

649
00:33:58,000 --> 00:34:00,800
tie it to what does it actually 
mean for everyday people? 

650
00:34:01,040 --> 00:34:03,200
And they use like pop culture 
references to make that 

651
00:34:03,200 --> 00:34:05,840
translation. 
So that's such a good example. 

652
00:34:06,440 --> 00:34:10,480
And then the second bucket is 
like the moralism and the doom 

653
00:34:10,480 --> 00:34:12,400
and gloom and like climate in 
general. 

654
00:34:12,400 --> 00:34:16,320
It's been this like issue of if 
you don't realize that this is a

655
00:34:16,320 --> 00:34:20,080
problem and see it the way I see
it, then you're a bad person. 

656
00:34:20,080 --> 00:34:23,440
Like, how can you not want to 
fight climate change? 

657
00:34:23,440 --> 00:34:25,760
And there's this, you know, if 
you've got a solar panel on your

658
00:34:25,760 --> 00:34:27,400
roof, it means you're a better 
person. 

659
00:34:27,880 --> 00:34:30,199
And you know, we call it a 
climate crisis. 

660
00:34:30,199 --> 00:34:32,840
And I think to some extent 
there's like an appropriate 

661
00:34:32,840 --> 00:34:36,600
level of urgency there. 
But it's also any psychologist 

662
00:34:36,600 --> 00:34:40,080
will tell you that operating 
from a place of fear and 

663
00:34:40,080 --> 00:34:43,000
negativity is like not a good 
spot to be making decisions in, 

664
00:34:43,000 --> 00:34:46,480
right? 
So moving away from that 

665
00:34:46,719 --> 00:34:49,639
baggage, I guess at this, 
especially at this moment now 

666
00:34:49,639 --> 00:34:52,360
that we're seeing that the moral
and the environmental reasons 

667
00:34:52,360 --> 00:34:54,719
for clean energy are obviously 
still important. 

668
00:34:54,719 --> 00:34:57,480
Like it's a no brainer. 
Of course we want sustainable 

669
00:34:57,480 --> 00:35:00,600
energy because the alternative 
is whatever the alternative is. 

670
00:35:01,000 --> 00:35:05,400
But the economic arguments now 
and the the energy security 

671
00:35:05,400 --> 00:35:08,480
arguments are so salient that I 
think that's what we really need

672
00:35:08,480 --> 00:35:10,880
to focus in on. 
This is kind of like a follow on

673
00:35:10,880 --> 00:35:13,520
to the same question, and I have
an answer here as well, but I'm 

674
00:35:13,520 --> 00:35:15,800
very curious to hear what you 
have to say. 

675
00:35:16,200 --> 00:35:19,040
If you were advising the biggest
clean energy companies, what 

676
00:35:19,040 --> 00:35:22,480
would you tell them to do or to 
stop doing immediately? 

677
00:35:23,480 --> 00:35:27,440
OK, I have two things. 
So one, we don't need to see any

678
00:35:27,440 --> 00:35:32,400
more like bland pictures of 
green woods and solar panels and

679
00:35:32,400 --> 00:35:36,720
wind farms and like, you know, 
beautiful pristine landscapes 

680
00:35:36,720 --> 00:35:39,080
that don't actually mean 
anything to the people looking 

681
00:35:39,080 --> 00:35:42,960
at them, right? 
Like if you are a utility or a 

682
00:35:43,000 --> 00:35:46,240
project developer like you, if 
you're a place based company, 

683
00:35:46,640 --> 00:35:50,320
then use imagery of that place. 
I think that's so powerful. 

684
00:35:50,320 --> 00:35:52,560
Like we were just talking about 
our own connection to the 

685
00:35:52,560 --> 00:35:56,000
landscape that we grew up in. 
And this is something that I've 

686
00:35:56,000 --> 00:35:58,320
been thinking about for a while 
and I've talked with Zenim about

687
00:35:58,320 --> 00:36:00,160
as well. 
But I read this book a few years

688
00:36:00,160 --> 00:36:03,360
ago called How to Be a 
Conservative by Roger Scruton, 

689
00:36:03,680 --> 00:36:06,400
because I wanted to like engage 
with, you know, a really good 

690
00:36:06,400 --> 00:36:09,360
argument for conservativism. 
And he has a whole chapter about

691
00:36:09,360 --> 00:36:13,480
environmentalism and this 
concept of oikophilia, which is 

692
00:36:13,480 --> 00:36:17,280
the the word oikophilia comes 
from oikos, which is Greek. 

693
00:36:17,680 --> 00:36:22,560
It's the root word of eco, like 
in economy or in ecology and 

694
00:36:22,560 --> 00:36:24,680
Philly, obviously his love of, 
so it means like love of the 

695
00:36:24,680 --> 00:36:27,200
home. 
And the point he makes is like 

696
00:36:28,040 --> 00:36:32,800
conservatives are wycophilists 
and he can't like understand why

697
00:36:32,800 --> 00:36:35,680
conservatives aren't the owners 
of environmentalism because they

698
00:36:35,680 --> 00:36:37,720
should be. 
Like there's a whole kind of 

699
00:36:37,720 --> 00:36:41,920
Nexus here of wanting to protect
the landscape that you grew up 

700
00:36:41,920 --> 00:36:45,200
in that's specific to you and 
your identity that I feel like 

701
00:36:45,200 --> 00:36:47,040
clean energy could really be 
tapping into. 

702
00:36:47,320 --> 00:36:50,760
It's like placemaking and place 
keeping and really drawing on 

703
00:36:50,760 --> 00:36:53,640
the narratives of that local 
people have about their 

704
00:36:53,640 --> 00:36:57,120
communities and, and why their 
landscapes are worth protecting.

705
00:36:57,240 --> 00:37:00,240
So like moving away from generic
imagery would be good. 

706
00:37:00,600 --> 00:37:03,160
And the other thing is just, and
this might be a bit of a hot 

707
00:37:03,160 --> 00:37:08,400
take, but I think net 0 is not 
the most inspiring phrase and we

708
00:37:08,400 --> 00:37:12,120
all know it. 
And I, I would love to see clean

709
00:37:12,120 --> 00:37:15,560
energy just like move away from 
the idea of net 0. 

710
00:37:15,760 --> 00:37:19,920
This is my American wolf beating
the the British wolf in me and 

711
00:37:19,920 --> 00:37:24,440
saying like net infinite clean 
energy is like the printing 

712
00:37:24,440 --> 00:37:26,240
press. 
It's like the steam engine. 

713
00:37:26,240 --> 00:37:30,800
Like this is a step change in 
how humans produce and power 

714
00:37:31,440 --> 00:37:34,720
like everything in our lives. 
And it's putting us onto a 

715
00:37:34,720 --> 00:37:37,800
trajectory where, like, there's 
this book Interstellar, that 

716
00:37:37,800 --> 00:37:41,200
says that clean energy is one of
these technologies that's going 

717
00:37:41,200 --> 00:37:43,240
to, like, get us to the next 
level where we become an 

718
00:37:43,240 --> 00:37:46,640
interstellar civilization. 
And that's such an exciting 

719
00:37:46,640 --> 00:37:48,200
narrative. 
And I feel like we could really 

720
00:37:48,280 --> 00:37:51,600
lean into that and take Khalif 
out of Elon's book as well. 

721
00:37:51,600 --> 00:37:54,800
And just, you know, he made 
electric cars look really sexy, 

722
00:37:55,360 --> 00:37:56,600
so we should be doing that as 
well. 

723
00:37:56,960 --> 00:38:01,120
Yeah, I love it. 
I mean, I'm with you and moving 

724
00:38:01,120 --> 00:38:04,720
away from centering everything 
around climate change and 

725
00:38:04,720 --> 00:38:07,920
instead focusing on the fact 
that these are superior 

726
00:38:07,920 --> 00:38:10,200
technologies in every way. 
Exactly. 

727
00:38:10,560 --> 00:38:15,280
Are and so we do not need 
climate as our backstop in order

728
00:38:15,280 --> 00:38:20,720
to compete. 
And and so I think that that's 

729
00:38:20,720 --> 00:38:23,480
something that in general our 
sector should move away from 

730
00:38:23,480 --> 00:38:27,720
because it can turn people away.
I mean, I think for me advising 

731
00:38:27,720 --> 00:38:31,440
clean energy companies, the 
number one issue that I see and 

732
00:38:31,440 --> 00:38:35,040
it's what you're you, you gave 
an artist answer and it was so 

733
00:38:35,040 --> 00:38:37,800
beautiful, Rosie. 
And I am going to give like a 

734
00:38:38,120 --> 00:38:42,240
consultants answer and like an 
executives answer, which is that

735
00:38:42,240 --> 00:38:45,680
I just think that companies 
dramatically under invest in 

736
00:38:45,680 --> 00:38:49,560
communications and marketing 
dramatically under invest. 

737
00:38:49,600 --> 00:38:52,880
We are just not spending enough 
or doing enough. 

738
00:38:52,920 --> 00:38:56,760
I can't even tell you how many 
companies I have engaged with 

739
00:38:56,760 --> 00:39:02,640
that have one mid level 
communicator with like 8 years 

740
00:39:02,640 --> 00:39:08,040
of experience doing 12 jobs. 
And there's no budget for visual

741
00:39:08,400 --> 00:39:10,480
anything with a related to 
visual identity. 

742
00:39:10,480 --> 00:39:15,080
So when you're talking about 
having photography, like any 

743
00:39:15,080 --> 00:39:18,520
type of visual assets associated
with the places where their 

744
00:39:18,520 --> 00:39:21,400
projects are actually built 
doesn't exist. 

745
00:39:22,000 --> 00:39:25,320
And they have one person that's 
doing all their social media, 

746
00:39:25,320 --> 00:39:29,760
their website, their branding, 
their media relations and all of

747
00:39:29,760 --> 00:39:32,520
marketing, all of the marketing 
functions as well, all of their 

748
00:39:32,520 --> 00:39:36,440
events, everything. 
And then wondering why no one 

749
00:39:36,440 --> 00:39:38,480
has ever heard of them. 
It's wild. 

750
00:39:38,520 --> 00:39:41,440
And I think that there's just a 
lack of understanding of the 

751
00:39:41,440 --> 00:39:44,800
role of communications, which I 
believe should be an executive 

752
00:39:44,800 --> 00:39:49,520
level function and a 
communications experts should be

753
00:39:49,520 --> 00:39:55,280
sitting in every boardroom and 
reporting directly to the CEO so

754
00:39:55,280 --> 00:39:59,720
that we can, you know, help to 
mitigate risk as well as help 

755
00:39:59,720 --> 00:40:02,880
companies to embrace every 
opportunity in front of them. 

756
00:40:03,520 --> 00:40:08,760
And so when we are relegated to 
a supportive function and 

757
00:40:08,760 --> 00:40:14,200
dramatically under invested in, 
we are not going to build power 

758
00:40:14,360 --> 00:40:18,240
as a sector and. 
You know who's doing a great job

759
00:40:18,240 --> 00:40:21,440
with us? 
Oil and gas, Oil and gas. 

760
00:40:21,520 --> 00:40:23,560
I wish I had the numbers, the 
tip of my fingers. 

761
00:40:23,560 --> 00:40:26,920
This is when I miss Jigger Shaw,
who his brain is an encyclopedia

762
00:40:27,160 --> 00:40:30,680
and he would be like, the oil 
and gas industry spends 50 times

763
00:40:30,680 --> 00:40:33,080
more than the clean energies. 
It's something like that, y'all.

764
00:40:33,760 --> 00:40:36,000
I'll look it up and share it 
later in the show notes or 

765
00:40:36,000 --> 00:40:38,320
something. 
But it's a chronic problem. 

766
00:40:38,680 --> 00:40:42,840
And to give a couple of 
examples, I've been very lucky 

767
00:40:42,840 --> 00:40:45,480
to be involved with some really 
powerful storytelling, 

768
00:40:46,040 --> 00:40:50,400
particularly at the time that I 
was at LPO and for the biggest 

769
00:40:50,600 --> 00:40:56,720
moments that we had as a brand. 
So, for example, Jigger appeared

770
00:40:56,720 --> 00:40:59,640
on the Ezra Klein Show with Rob 
Meyer. 

771
00:40:59,960 --> 00:41:02,960
We did one of Scott Galloway's 
podcasts. 

772
00:41:03,840 --> 00:41:08,080
I pitched the Ezra Klein Show 
for three years. 

773
00:41:09,640 --> 00:41:11,600
Wow. 
I reached out. 

774
00:41:11,600 --> 00:41:14,480
I was turned down. 
Ezra Klein turned me down on 

775
00:41:14,480 --> 00:41:16,640
multiple occasions with multiple
different ideas. 

776
00:41:16,640 --> 00:41:19,560
He shut the door in my face. 
I got very close multiple times.

777
00:41:20,160 --> 00:41:23,120
But meanwhile, I had fostered a 
really strong relationship with 

778
00:41:23,120 --> 00:41:25,400
Rob Meyer. 
So when he had the opportunity 

779
00:41:25,400 --> 00:41:30,360
to guest host that podcast, he 
reached out to to us, Scott 

780
00:41:30,360 --> 00:41:32,840
Galloway. 
That took more than a year. 

781
00:41:32,880 --> 00:41:36,560
It took repeated follow-ups. 
Mind you, the producer did not 

782
00:41:36,560 --> 00:41:41,520
acknowledge any of my outreach. 
It took multiple very, very well

783
00:41:41,520 --> 00:41:45,360
considered and thought through 
and deeply researched angles. 

784
00:41:45,840 --> 00:41:48,760
I believe it was actually my one
of my colleagues, Molly 

785
00:41:48,760 --> 00:41:53,040
Morrissey, who ended up actually
like nagging that first response

786
00:41:53,040 --> 00:41:55,400
from somebody there after I was 
like, I've already tried three 

787
00:41:55,400 --> 00:41:57,720
times. 
We need to try something new. 

788
00:41:57,720 --> 00:42:00,240
Maybe you send the e-mail, who 
knows, Maybe they're sick of 

789
00:42:00,240 --> 00:42:02,920
hearing from me. 
It takes a long time. 

790
00:42:03,120 --> 00:42:06,920
And so you have to have the team
that has the expertise that can 

791
00:42:06,920 --> 00:42:11,400
invest the amount of time that 
it takes to do that work and it 

792
00:42:11,400 --> 00:42:14,040
takes a lot. 
And it was, that was after 

793
00:42:14,080 --> 00:42:18,400
hundreds and hundreds of media 
hits in the trade media and 

794
00:42:18,400 --> 00:42:23,600
growing a media profile with 
four people working full time on

795
00:42:23,600 --> 00:42:27,680
media relations for years. 
And we had a $400 billion 

796
00:42:27,680 --> 00:42:29,160
budget. 
So you would think that it would

797
00:42:29,160 --> 00:42:31,640
be easy to get in those rooms, 
but it wasn't. 

798
00:42:31,960 --> 00:42:37,280
And that's what it takes. 
And so, you know, I think I have

799
00:42:37,760 --> 00:42:40,600
a lot of times when I talk to 
prospective clients, their 

800
00:42:40,600 --> 00:42:42,840
expectations are just very 
unrealistic. 

801
00:42:43,160 --> 00:42:46,760
Like, you know, I cannot come in
for 20 hours a month to support 

802
00:42:46,760 --> 00:42:50,200
you and, and land you something 
like that. 

803
00:42:50,200 --> 00:42:54,160
Like the it's, it's so much 
work, so much, you know, 

804
00:42:54,200 --> 00:42:58,240
thoughtful narrative building 
over such a long time. 

805
00:42:58,240 --> 00:43:00,480
And, you know, it's the same 
thing with visual identity. 

806
00:43:00,480 --> 00:43:02,960
It does take a lot of shoulder 
and a lot of commitment. 

807
00:43:03,280 --> 00:43:06,080
So I would just really like to 
see companies take it more 

808
00:43:06,080 --> 00:43:09,200
seriously and really, really 
invest and then see what comes 

809
00:43:09,200 --> 00:43:12,280
from that. 
Yeah 100% and and please stop 

810
00:43:12,280 --> 00:43:18,280
using AI to generate images of 
janky wind turbines with 2 1/2 

811
00:43:18,280 --> 00:43:20,960
blades. 
So every time you do that, an 

812
00:43:20,960 --> 00:43:25,000
Angel dies. 
Oh my God, I'm dying to see 

813
00:43:25,000 --> 00:43:26,320
that. 
If that is real, have. 

814
00:43:26,360 --> 00:43:28,480
You seen these? 
They're all over my LinkedIn. 

815
00:43:28,840 --> 00:43:32,000
Oh my God. 
OK, so now you're doing this 

816
00:43:32,000 --> 00:43:35,320
work at Constructive, which is 
specifically about building 

817
00:43:35,320 --> 00:43:38,400
alignment across the energy and 
climate space through strategic 

818
00:43:38,400 --> 00:43:42,080
convenings and network building.
So does that experience kind of 

819
00:43:42,080 --> 00:43:45,920
inform how you see this gap in 
comms and branding in our 

820
00:43:45,920 --> 00:43:47,240
sector? 
Yeah. 

821
00:43:47,240 --> 00:43:51,080
I mean, I see it all as it's all
on a continuum. 

822
00:43:51,080 --> 00:43:54,720
It's all like to the same end. 
So Constructive's mission is to 

823
00:43:54,720 --> 00:43:58,960
build alignment and to basically
create like infrastructure for 

824
00:43:58,960 --> 00:44:02,160
collaboration to happen between 
the public and private sector or

825
00:44:02,360 --> 00:44:04,960
kind of between government, 
industry and finance. 

826
00:44:04,960 --> 00:44:08,280
Like those are the big three and
all the other enabling actors as

827
00:44:08,280 --> 00:44:10,920
well. 
Like I mentioned earlier, we 

828
00:44:10,920 --> 00:44:14,120
were talking about psychological
safety and you know what, what 

829
00:44:14,120 --> 00:44:16,960
kind of mindset you need to be 
in to like work with somebody, 

830
00:44:16,960 --> 00:44:20,800
especially across the aisle or 
whatever, you know, whether 

831
00:44:20,800 --> 00:44:24,360
that's politically or because 
they are a buyer and you're a 

832
00:44:24,360 --> 00:44:26,400
seller and they have like the 
opposite mindset to you. 

833
00:44:26,560 --> 00:44:31,440
So to get there, you, you need 
people to be in a space of, of 

834
00:44:31,440 --> 00:44:35,320
comfort and curiosity. 
And I think from my perspective,

835
00:44:35,320 --> 00:44:39,000
and I know we, you have more of 
a media relations perspective 

836
00:44:39,000 --> 00:44:44,720
and I'm more of a like branding 
perspective, but I see my job as

837
00:44:44,720 --> 00:44:47,440
kind of getting people onto that
shared wavelength. 

838
00:44:48,080 --> 00:44:50,880
That's like a tunnel between 
where you are and where you want

839
00:44:50,880 --> 00:44:53,720
the people to be and where they 
are currently. 

840
00:44:54,080 --> 00:44:56,720
And you're not just like 
building the shortest tunnel. 

841
00:44:56,720 --> 00:44:58,680
That's the widest tunnel. 
And they can see like straight 

842
00:44:58,680 --> 00:45:01,960
where they're going so that they
get to the same place that you 

843
00:45:01,960 --> 00:45:04,640
are at. 
Like you want to build a tunnel 

844
00:45:04,760 --> 00:45:08,240
that is appealing. 
Like if you were out walking on 

845
00:45:08,240 --> 00:45:11,640
a trail and there's a fork in 
the trail, Like what makes you 

846
00:45:11,640 --> 00:45:14,600
choose one fork over another? 
It's not the one that's like the

847
00:45:14,600 --> 00:45:17,440
straightest and most 
straightforward and like you can

848
00:45:17,440 --> 00:45:20,720
see right through to the end. 
It's the trail that like goes 

849
00:45:20,720 --> 00:45:23,960
around a corner and there's like
dappled light and it looks 

850
00:45:23,960 --> 00:45:26,800
interesting and it looks like an
adventure and you want to follow

851
00:45:26,800 --> 00:45:31,200
the trail and see where it goes.
And so I really see my role at 

852
00:45:31,200 --> 00:45:35,040
constructive and our our role is
a very design forward nonprofit 

853
00:45:35,400 --> 00:45:39,320
as creating that pathway, like 
architects, literally to get 

854
00:45:39,320 --> 00:45:43,080
them to that spot where they can
then collaborate constructively 

855
00:45:43,560 --> 00:45:48,240
towards deploying clean energy. 
So we have a chief architect 

856
00:45:48,400 --> 00:45:52,080
who's the the four of us, we we 
will work together on deploy. 

857
00:45:52,080 --> 00:45:55,400
This is how it happened. 
So Susan Kish, Jonah Wagner, 

858
00:45:55,800 --> 00:45:59,280
Jason Ramos and I kind of talked
about spending this off and 

859
00:45:59,560 --> 00:46:02,440
making it an independent 
nonprofit after the change in 

860
00:46:02,440 --> 00:46:06,000
administration, obviously. 
And Jason and I really worked 

861
00:46:06,000 --> 00:46:08,960
together on creating these 
shared experiences. 

862
00:46:09,000 --> 00:46:12,000
When we say, like, architects of
collaboration, we don't mean, 

863
00:46:12,160 --> 00:46:14,680
you know, puppet masters pulling
marionettes and like, telling 

864
00:46:14,680 --> 00:46:16,040
people how they're going to work
together. 

865
00:46:16,040 --> 00:46:18,880
It's about getting them in a 
space and taking them on a 

866
00:46:18,880 --> 00:46:23,760
journey, telling them a story. 
It's all like blended together 

867
00:46:24,680 --> 00:46:28,000
to architect the experience. 
I hate using the word architect 

868
00:46:28,000 --> 00:46:28,560
as a verb. 
I. 

869
00:46:28,720 --> 00:46:31,400
Think it's beautiful that kind 
of the legacy of the deploy 

870
00:46:31,400 --> 00:46:34,520
conferences that we put together
that we discussed earlier were 

871
00:46:34,520 --> 00:46:37,560
just such a special moment, not 
just for our team, but also for 

872
00:46:37,560 --> 00:46:39,320
attendees and folks in the 
industry. 

873
00:46:39,480 --> 00:46:42,240
And you all have really carried 
the DNA of those conferences 

874
00:46:42,240 --> 00:46:45,360
forward into Constructive and in
the events that you're helping 

875
00:46:45,360 --> 00:46:49,480
to design now. 
So before we let you go, what 

876
00:46:49,480 --> 00:46:52,080
are you working on now? 
What's what's constructive got 

877
00:46:52,080 --> 00:46:55,560
coming up? 
We have DeVos states locked in, 

878
00:46:55,560 --> 00:46:58,920
so we're collaborating with the 
DER task force again to Co 

879
00:46:58,920 --> 00:47:02,280
produce DeVos this year, which 
as everyone knows is like the 

880
00:47:02,280 --> 00:47:06,280
most exciting energy event on 
the calendar, lots of hot takes 

881
00:47:06,280 --> 00:47:09,880
about distributed energy. 
So that's going to be September 

882
00:47:09,880 --> 00:47:13,600
17th to the 19th in New York 
City, again right before Climate

883
00:47:13,600 --> 00:47:16,360
Week. 
So make sure you sign up for 

884
00:47:16,360 --> 00:47:18,240
updates for that. 
And then we also have a couple 

885
00:47:18,240 --> 00:47:20,560
of things coming up in London 
that we, we haven't announced 

886
00:47:20,560 --> 00:47:25,200
yet, but we're going to be doing
a summit in May with the WRI 

887
00:47:25,200 --> 00:47:29,640
Polski Energy Center on meeting 
energy demand with, with clean 

888
00:47:29,640 --> 00:47:33,120
energy generation. 
And then we're also partnering 

889
00:47:33,120 --> 00:47:36,880
with Ember in June to do a 
summit on Electrotech, which is 

890
00:47:36,880 --> 00:47:39,600
super exciting. 
It's not just convenings and 

891
00:47:39,600 --> 00:47:44,040
like big large scale events. 
We're also developing dialogues 

892
00:47:44,040 --> 00:47:47,080
that kind of like continue the 
legacy of the deploy dialogues 

893
00:47:47,080 --> 00:47:48,800
and the lift off reports to some
extent. 

894
00:47:49,640 --> 00:47:52,200
So more to come on that. 
But we are, we have kind of 

895
00:47:52,800 --> 00:47:57,560
upcoming programs that do deeper
dives into specific technology 

896
00:47:57,560 --> 00:48:03,200
areas like clean firm power and 
how to scale up deployment of 

897
00:48:03,200 --> 00:48:07,560
those. 
That all sounds great otherwise.

898
00:48:07,560 --> 00:48:10,720
I know you're also a very 
prolific visual artist and I 

899
00:48:10,720 --> 00:48:13,640
love it when I see your art pop 
up in my LinkedIn feed. 

900
00:48:13,920 --> 00:48:16,120
But where can people find you 
and follow your work? 

901
00:48:17,480 --> 00:48:21,240
Well, I have a website you can 
check out. rosiejewel.com 

902
00:48:21,560 --> 00:48:25,720
definitely needs an update. 
I'm off of Instagram because I 

903
00:48:25,720 --> 00:48:29,920
just can't deal with the 
prospect of AI stealing all of 

904
00:48:29,920 --> 00:48:32,800
my artwork. 
And you can't turn it off in 

905
00:48:32,800 --> 00:48:35,000
this country. 
There's like no way to just opt 

906
00:48:35,000 --> 00:48:37,280
out. 
If I was in the UK, I'd be able 

907
00:48:37,280 --> 00:48:42,040
to, but fun times. 
And then Constructive's website 

908
00:48:42,040 --> 00:48:44,880
isconstructive.org, so you can 
find us there and sign up for 

909
00:48:44,880 --> 00:48:48,560
our newsletter to hear more 
about the events and convenience

910
00:48:48,560 --> 00:48:50,680
that we have coming up. 
Awesome. 

911
00:48:50,840 --> 00:48:53,280
Thank you Rosie so much for 
joining me. 

912
00:48:53,280 --> 00:48:56,520
It was so great to have you. 
And thank you for being here for

913
00:48:56,520 --> 00:48:59,840
my first solo episode. 
It was nice to have a friend on 

914
00:48:59,840 --> 00:49:02,840
the other side. 
Such a pleasure. 

915
00:49:02,840 --> 00:49:04,000
The pleasure was all mine, 
Jamie. 

916
00:49:04,040 --> 00:49:04,920
Thank you for having me.
