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Hey everyone and welcome to Mini
Scroll, the daily Internet 

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culture podcast bring you the 
biggest stories from social 

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media, the creator economy and 
the digital space every Monday 

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through Thursday and sometimes 
Fridays. 

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My name is Annabelle and I'm 
your Wednesday Mini Tech Scroll 

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host and also the deputy editor 
of the Australian youth digital 

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media brand Centennial World. 
Welcome back to Mini Tech Scroll

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for another week. 
I don't have much to say at the 

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top of this week's episode apart
from the fact that this week we 

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have a close friend newsletter 
going out. 

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We publish this newsletter once 
a month and it's basically like 

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a content club. 
Lauren explained it on Mini 

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Scroll yesterday. 
But basically we just have a 

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TikTok, an article or any piece 
of content that we put forward 

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to you guys and we share our 
analysis on in the newsletter. 

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And if you guys comment your 
thoughts or send us Adm or 

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whatever, we'll also include 
your thoughts. 

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So I will link the TikTok we're 
discussing this week in the 

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description as well as inside it
at the end of the episode. 

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If you guys have any opinions 
that you want to share other 

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than that, Please remember to 
rate, review, and subscribe. 

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I know we'd literally ask you 
guys every week, but we really 

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appreciate it when you do. 
So my first story for today is 

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that eBay has officially 
acquired Depop. 

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This story actually broke last 
week, but it was after I 

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recorded mini text scroll, so 
obviously I couldn't include it.

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I'm sure we all know what Depop 
is, but it is definitely one of 

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the most popular secondhand 
clothing resale apps, and it's 

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especially popular among Gen. 
ZI spend so much of my life just

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window shopping on the platform.
Like for real. 

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I just love it. 
Even though Deep Up really only 

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gained mainstream cultural 
appeal maybe in the past five to

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seven years. 
I would say it has been around 

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since 2011, and it was founded 
by Simon Beckman and Maria Raga.

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At the time that it was 
launched, there really weren't 

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that many platforms that were 
bringing together buyers and 

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sellers like the way Depop has. 
What really made Depop unique 

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was that it leaned into a social
fast ethos and community, which 

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definitely helped it grow a 
significant user base, including

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some of our favorite Fashion It 
girls. 

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I feel like every fashion 
influencer also has a Depop 

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account where they sell clothes.
So it's clear that Depop's 

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popularity only grew over the 
years, which eventually led to 

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Etsy acquiring the platform in 
2021. 

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According to reports at the 
time, Etsy had bought Depop for 

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a total sum of 1.6 billion USD. 
And if we think back to 2021, 

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this was really the peak of 
COVID, the peak of lockdown. 

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So really everyone was online 
shopping and selling, whether 

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they were trying to sell as like
a side hustle or they were just 

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cleaning out their wardrobe. 
Etsy's acquisition of Depop was 

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described as a way for Etsy to 
access data and understand the 

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purchasing habits of younger 
users. 

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According to stats that were 
floating around at the time, 

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around 90% of Depop's millions 
of active users were under 26 at

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the time, so that made them a 
Gen. 

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Z Etsy, by contrast, had a bit 
of an older average user, with 

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the seller's median age 
estimated to be around 39 in 

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2021. 
So that was millennials, older 

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millennials. 
So while Etsy could learn about 

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Gen. 
Z through Depop, Depop could 

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learn from Etsy as well, as they
were set to scale, as Raga told 

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the Financial Times in 2021 
quote. 

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Many of the challenges that we 
are going to go through as a 

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business are things that Etsy 
has gone through before. 

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Etsy has made massive 
improvements in terms of search 

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and discovery and this is 
something that we can definitely

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learn from. 
And under Etsy, Depop did do 

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quite well. 
I mean, we're all still using 

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the platform and it did operate 
as a standalone brand 

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independent from Etsy, and it 
also initially retained its 

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existing offices and leadership 
and management team. 

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But after five years, Depop has 
been acquired once again and 

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this time by eBay. 
So eBay has agreed to buy Depop 

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from Etsy for about 1.2 billion 
USD in cash, which is a $400 

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million loss for Etsy. 
And this loss may be partly due 

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to the growing popularity of 
other fashion resale platforms 

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like Vinted and Threder. 
According to the BBC quote, the 

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mass appeal of Vinted has had an
impact on Depop's value. 

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As Vinted made investments into 
global markets and improved its 

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tech platform, more sellers 
gravitated towards it. 

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And that was commentary from 
retail analyst Catherine 

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Shuttleworth. 
Having said that, though, 

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there's clearly still value in 
Depop, and ebay's decision to 

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acquire Depop was similar to 
that of Etsy. 

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As the statement reads from the 
brand's quote, the addition of 

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Depop will accelerate ebay's C 
to C strategy by deepening its 

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reach with younger fashion 
forward consumers and expanding 

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its presence in one of the most 
dynamic areas of resale. 

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As part of eBay, Depop will 
benefit from ebay's global scale

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and suite of capabilities, 
including its financial 

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services, shipping solutions, 
and trusted experiences. 

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That being said, I can 
definitely see how the 

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acquisition of Depop tracks for 
eBay because the company has 

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really been working hard to 
position itself as a place for 

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youth audiences to go and 
purchase items from. 

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Like when we think of last 
year's Met Gala, for example, 

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Emma Chamberlain and Chapel Roan
were just some of the 

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celebrities that were wearing 
items credited or sourced from 

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eBay, and those are major Gen. 
Z IT girls slash celebrities. 

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This whole idea of eBay 
repositioning itself as a youth 

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brand was covered recently, and 
the police don't make me focus 

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Substack as the author Georgia 
wrote quote a few months ago, I 

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was talking about why eBay would
want to or should acquire Depop,

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expanding its US footprint, 
obviously, but also tapping into

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a younger resale customer base 
at a moment when eBay is trying 

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to reposition itself. 
But I'm sure the bigger win is 

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access to Depop's customer 
behavior and cultural data, 

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especially as eBay tries to 
carve out a lead in the emerging

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US live stream commerce market. 
So yeah, I just thought that was

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a really good point, especially 
with the live stream angle 

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because that is obviously 
catering towards younger users. 

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But All in all, it does really 
just seem like the resale market

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is consistently gaining 
popularity and the space is 

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continuously innovating and 
perhaps becoming overcrowded, 

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but I'm not that mad about it. 
Speaking of collaborations 

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though, that brings us to our 
next story and I need to cover 

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everything that's going on with 
Sub Stack and Polymarket. 

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This has caused so much 
conversation on my social media 

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over the past few days, but 
basically Sub Stack has come 

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under fire after collaborating 
with the platform. 

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And if you've never heard of 
Polymarket, that is fair. 

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Let me explain. 
The platform is basically 

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described as quote a global 
cryptocurrency prediction 

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market. 
So when you go to the platform, 

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you have to connect a wallet and
then you can basically make bets

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on the outcome of mostly current
events. 

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So when I had a look at the site
while I was researching for this

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episode, it included topics like
the situation in Iran as well as

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any potential US Supreme Court 
decisions that were coming down 

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the pipeline. 
So it is kind of a form of 

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gambling where you are betting 
on the outcome of specific 

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events and making predictions. 
And if it sounds weird that Sub 

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Stack is collaborating with this
platform, don't worry, you are 

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not alone. 
The companies announced that 

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they would be collaborating last
week. 

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And as the post on X Read quote,
we are excited to announce our 

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exclusive partnership with Sub 
Stack. 

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Starting today, Sub Stack 
authors can natively integrate 

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data from the world's largest 
prediction market. 

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Journalism is better when it's 
backed by live markets, so this 

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post definitely alluded to how 
the companies will be working 

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together, but Sub Stack has 
offered more information on how 

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the collaboration will look in 
practice. 

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According to the Sub Stack 
support website, writers can 

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quote integrate market 
prediction data by embedding 

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Poly market events on notes or 
articles, and readers will 

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essentially be able to see real 
time changes in the widget. 

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So I would say that the response
to this collab has been pretty 

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overwhelmingly negative. 
I thought I would read some of 

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the responses under the tweet to
just give you a bit of a 

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picture. 
As one user wrote quote, this is

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unethical and disgusting. 
Polymarket is an illegal 

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gambling platform that allows 
insider trading on genocide, 

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wars, pandemics, and violence. 
It is the dark web of modern 

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tech run amok. 
And as another user wrote, 

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quote, nothing says editorial 
integrity like letting the 

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betting odds write the 
headlines, which is honestly 

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true. 
Anyway, I thought Kate Lindsay's

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commentary on this partnership 
for the embedded newsletter was 

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really interesting. 
She spoke about how much of 

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digital media these days is 
about really doing anything for 

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money and just staying alive. 
And that was pulling mostly from

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her career so far and anecdotal 
experience. 

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So with that context, she is, 
quote, familiar with doing 

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anything you need for a company 
to succeed. 

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But she did have a particular 
issue with the way Holly Market 

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shared the announcement, 
particular the line quote, 

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journalism is bettled when it's 
backed by live markets, which is

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quite a statement to make. 
As she wrote, quote, it's a 

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statement from a company trying 
to appeal to a moment of genuine

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crisis by retroactively claiming
to have a relationship with it. 

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I'm supposed to believe that a 
sub stacker embedding the odds 

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for will Jesus return in 2026 
into their post will somehow be 

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the turning point for media 
after a 30 year decline. 

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And that is very true. 
And I have seen many people 

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share similar gripes with the 
partnership, noting how it just 

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seems at odds with the purpose 
of Sub Stack, or at least the 

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perceived purpose of Sub Stack, 
which was democratizing writing 

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and publishing. 
It has really become a place for

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riders to share their 
experiences, their truth. 

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But with this partnership, it's 
kind of encouraging riders to 

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lean into market positioning 
instead of analysis. 

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And I thought how Jay Mandel 
wrote this for the Marketing 

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Accountability Council on Sub 
Stack really hit the nail on the

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head. 
As he wrote quote, embedding 

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tradable odds into conversations
about politics, AI, or economic 

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instability feels like 
monetizing the anxiety economy 

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rather than calming it. 
And that isn't even to mention 

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the gambling aspect, which has 
become increasingly influential 

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in Internet culture over the 
past few years, especially with 

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streaming platforms like Kik, 
for example. 

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And to make matters worse with 
this partnership, this isn't 

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even the first time that Sub 
Stack has been criticized for 

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who it supports or who it aligns
itself with. 

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Let's say a couple of years ago,
Sub Stack came under fire for 

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the platform's response to Nazi 
content that was circulating. 

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Hundreds of Sub Stack authors 
went on to ask the platform why 

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it was platforming and 
monetizing, quote UN quote, 

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Nazis. 
Sub Stacks Co founder Hamish 

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McKenzie did go on to explain 
the platform's position in a 

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note as he wrote quote. 
I just want to make it clear 

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that we don't like Nazis either.
We wish no one held those views,

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but some people do hold those 
and other extreme views. 

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Given that we don't think that 
censorship, including through 

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demonetizing platforms, makes 
the problem go away. 

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In fact, it makes it worse. 
This whole exchange and response

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did end with a lot of writers 
choosing to leave the platform. 

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And I do wonder, since Substack 
has recently gained all this 

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cultural capital in the last 
year or so, I don't even know if

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all of these new users would be 
aware of everything that went 

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down here. 
So I am definitely interested to

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see how current users of Sub 
Stack will react to this new 

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collab, especially at a time 
where Sub Stack has been 

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marketed as a social media 
platform that differentiates 

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itself from the rest because 
it's maybe more quote UN quote 

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authentic or values driven or 
just more meaningful. 

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But yes, if you guys have any 
strong opinions about this 

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partnership, I'm definitely 
curious to hear what you guys 

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think. 
That brings us to our next story

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for today. 
And unfortunately, it is AI 

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related. 
I really thought we could get 

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through one week without 
mentioning anything about AI, 

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but unfortunately that is not 
the case because I wanted to 

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talk about this Gucci campaign 
that is making the rounds 

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online. 
So the fashion house has started

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posting content promoting its 
Primavera fashion show coming up

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on February 27th. 
And it is quite a big deal 

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because it is Demner's first 
fashion show for the house as 

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the creator director of Gucci. 
And for context, he was formerly

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the creative director of 
Balenciaga. 

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Anyway, that's just a bit of 
context, but some of the 

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pictures that were posted 
included labels that said, quote

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UN quote, created by AI. 
And I thought I would explain 

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some of these images to you. 
So the first included an older 

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woman in what seemed to be a 
train carriage, restaurant type 

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thing. 
I don't really know. 

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And she had all of these men 
looking at her as she was 

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standing in the middle of the 
aisle in in the tables. 

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Another one was an older car 
that was kind of glowing in a 

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Navy background. 
It was pretty plain. 

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And the last one that I thought 
was worth describing for our 

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audio listeners was an image 
that had two people sitting on 

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the hood of a car with a neon 
Gucci sign in the background. 

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This one might have been the 
most egregious because I had so 

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many users commenting that it 
looked like GTA. 

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As you probably would have 
guessed, though, many social 

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media users were not happy with 
Gucci using AI to generate these

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campaign images. 
I saw so many comments along the

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lines of quote UN quote, who 
approved this or quote UN quote,

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This is how you ruin a brand. 
Now, we often talk about AI use 

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and entertainment, beauty 
fashion here on Mini Tech. 

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In fact, I think the last time 
we spoke about it was probably 

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like 2 two weeks ago when I was 
talking about that Ariana Grande

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Vogue Japan cover. 
But a lot of the conversations 

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we have about it are how the 
industry reacts to AI usage, as 

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well as how this kind of 
technology is taking away 

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opportunities for creatives. 
And of course, that is likely 

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true in this case as well. 
But I think the case of Gucci is

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especially interesting because 
it feeds into a different 

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discussion that has been going 
super viral lately, thanks to 

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Eugene Healy. 
He was actually also a guest on 

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Touch Grass last week. 
So I definitely recommend you 

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guys to check out that episode. 
But Lauren also spoke a little 

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bit about this topic there 
because he's making this whole 

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content series about how luxury 
is quote, UN quote, dead, and 

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how the idea of luxury has kind 
of moved beyond material goods 

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to more behavioural practices 
like being chronically offline 

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or going analogue. 
Because it really is a privilege

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to be able to do that. 
And part of the reason that he 

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believes that luxury has quote 
UN quote, died is because of how

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the Internet has made everything
super accessible. 

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We can pretty much search up 
anything we want to see and the 

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results will pop up. 
We see influences doing their 

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Ootds with luxury goods every 
second scroll basically. 

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So it's just really not as 
inaccessible as it used to. 

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And I was talking about this 
with Lauren, and I think you can

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kind of make a similar claim 
about how luxury is changing 

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here. 
When we see luxury slash 

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designer fashion houses using AI
in a campaign, it kind of 

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suggests that luxury has 
arguably become less about taste

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or bespoke or handcrafted 
designs and exclusivity. 

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That just isn't what AI is made 
for or represents. 

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Instead, we kind of have these 
luxury brands leaning into 

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futurism and tech to signal that
they are still trendsetting and 

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ahead of the masses. 
Continuing with Gucci as an 

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example, earlier this month it 
was reported that Gucci was the 

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first luxury house to launch a 
sponsored AI lens on Snapchat. 

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And last week, Gucci posted 
videos of a mannequin that 

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repeatedly attempts and then 
fails to plug in a charging 

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cable into the wall. 
And other videos showed this 

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mannequin keying a car and 
repeatedly knocking on a door. 

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And what this means is 
definitely up for 

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interpretation, but it feels 
like it could be some kind of 

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commentary on automation or 
being a fashion house in an AI 

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driven world. 
But either way, it is kind of 

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leaning into tech in one way or 
another. 

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So if we see users understanding
and experience of luxury 

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becoming more behavioural, 
perhaps the brand's approach to 

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luxury is also changing by 
leaning into tech and that whole

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futurist aesthetic. 
I'm definitely curious to hear 

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what you guys think about all 
this though. 

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That brings us to our last story
for today and it is a quick one,

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but I did just want to mention a
platform update that is just 

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rolled out on Australian 
Spotify. 

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So prompted playlists are being 
introduced to premium listeners 

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in Australia as well as the UK, 
Ireland and Sweden. 

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And this feature basically 
allows a user to type in a 

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prompt and then Spotify will 
create a personalized playlist 

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for you. 
And this will draw on your 

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listening history as well as 
what might be popular in music 

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at any given time. 
It is currently in beta and it 

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is being rolled out as I've 
already mentioned and it is only

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available in English currently. 
I thought this was because we 

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have seen over the years how 
much Spotify leans into 

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personalized playlists and how 
users engage with it. 

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One of the most obvious examples
of this is probably Dayless, and

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these obviously often come with 
kind of insane playlist titles. 

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And for years there's been 
discourse online whether Spotify

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makes these titles crazy on 
purpose so that users share 

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them, or if it's just what kind 
of auto populates. 

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Either way though, day lists 
have definitely become one of 

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the most culturally relevant 
features offered by Spotify. 

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Now I want to look at what my 
day list is right now. 

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You guys are going to get 
insight into my music taste, 

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which is actually funny because 
you guys are often commenting 

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about what artists I like and I 
I see it and I appreciate it. 

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My day list, if anyone was 
wondering is currently Club 

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Classics Strut Wednesday 
morning. 

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So clearly that is a lot of 
brat. 

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And also we have some Beyoncé, 
Pink, Panthers, Adela, Addison 

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Ray, you guys get the vibe. 
I think you guys know by this 

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point. 
Anyway, back to prompted 

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playlist. 
They've also been billed as a 

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way for users to better 
understand the algorithm when it

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comes to music discovery on 
Spotify. 

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Over the past few years, we've 
definitely seen music discovery 

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on the streaming platform be led
by AI, especially with features 

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like AI DJ. 
And that is probably something 

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that will continue moving 
forward, especially as Spotify 

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really leans into other facets 
of audio, whether that be audio 

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books and podcasting. 
Well, I guess brings us to the 

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end of Mini Tech Scroll for 
today. 

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I really hope you guys enjoyed. 
Lauren will speak to you guys 

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00:18:55,400 --> 00:18:58,440
for a regular mini scroll 
tomorrow, but also a new episode

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00:18:58,440 --> 00:19:01,120
of Touch Graph went live this 
morning so you guys should 

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00:19:01,120 --> 00:19:04,320
definitely check that out. 
And also don't forget to leave a

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comment about the close friends 
TikTok. 

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I really feel like I'm just 
asking you guys to do a lot, but

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we really appreciate it Anyway. 
Thanks for listening. 

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Bye. 
Has anyone else noticed this 

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specific brand of creator where 
you can't really tell who 

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they're making videos for but it
kind of feels like they're 

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trying to sell you something? 
I called them billboard creators

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and I'm curious why these 
accounts exist and why they're 

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so extremely popular. 
I think Dixie is sort of the 

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00:19:28,480 --> 00:19:31,440
first modern variant of the 
Billboard creator because she 

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was thrust into a really unique 
situation, having to find a 

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talent after she was already 
massively famous, but ultimately

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00:19:38,080 --> 00:19:40,640
it seemed like the public was 
not willing to forgive her for 

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experimenting, so her team 
retreated back into the very 

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profitable realm of advertising.
Since then, Dixie has posted 

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basically nothing except her 
ads, but millions of people 

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still watch them, which makes me
think her main appeal has less 

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00:19:53,320 --> 00:19:56,160
to do with the content she's 
creating and more to do with the

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00:19:56,160 --> 00:19:59,880
sensational level of fame. 
She for some reason, Haley 

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00:19:59,880 --> 00:20:02,440
Kalil, also known as Haley 
Bailey, is kind of another 

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00:20:02,440 --> 00:20:05,120
blueprint for this. 
She aggressively follows trends 

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00:20:05,120 --> 00:20:07,160
and is an expert on making you 
think. 

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00:20:07,160 --> 00:20:10,120
She thinks what you think. 
And she's had huge success by 

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00:20:10,120 --> 00:20:13,000
capitalizing on the offense or 
people that the masses are 

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00:20:13,000 --> 00:20:15,360
paying attention to. 
This is danger as a sort of pop 

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00:20:15,360 --> 00:20:17,960
culture fairy, like you know 
something has entered the mass 

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00:20:17,960 --> 00:20:20,640
cultural consciousness once 
Haley Bailey makes a video about

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00:20:20,640 --> 00:20:22,520
it. 
Most often, her videos are skits

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00:20:22,520 --> 00:20:25,720
recreating viral moments or 
typical videos regarding the 

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00:20:25,760 --> 00:20:28,640
predominant opinions you'd find 
on any viral post comment 

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00:20:28,640 --> 00:20:30,520
section. 
Nick Lunk and her boyfriend Sam 

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00:20:30,520 --> 00:20:33,960
Guys are proud examples of this.
They do trend videos, they 

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00:20:33,960 --> 00:20:37,080
hardly ever speak to the camera,
and they always look extremely 

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00:20:37,080 --> 00:20:40,560
beautiful and put together 
Despite having 45,000,000 

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00:20:40,560 --> 00:20:42,720
followers. 
It's difficult to discern what 

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00:20:42,720 --> 00:20:46,640
type of person Brooke is on 
TikTok other than relatable. 

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00:20:46,640 --> 00:20:49,600
In fact, it seems like being 
relatable is the core objective 

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00:20:49,640 --> 00:20:52,600
of all non sponsored content. 
Building a fan base off of 

385
00:20:52,600 --> 00:20:55,120
impersonal content that 
encourages your audience to 

386
00:20:55,120 --> 00:20:58,200
project onto it makes it 
extremely easy for brands to 

387
00:20:58,200 --> 00:21:00,280
slot in and use you as a 
billboard. 

388
00:21:00,280 --> 00:21:03,440
They can borrow your followers 
because those followers have no 

389
00:21:03,440 --> 00:21:06,080
consistent expectations of value
communication. 

390
00:21:06,120 --> 00:21:08,760
The sensation of it all, the 
fame that these smiling, 

391
00:21:08,760 --> 00:21:11,600
friendly people hold, is what 
keeps the audience interested in

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00:21:11,600 --> 00:21:12,960
them. 
But when you really think about 

393
00:21:12,960 --> 00:21:15,240
it, these billboard creators 
aren't selling their own 

394
00:21:15,400 --> 00:21:18,360
personal brands to connect with 
sponsors, they're actually 

395
00:21:18,360 --> 00:21:21,760
selling you their followers. 
It's extremely similar to how 

396
00:21:21,760 --> 00:21:25,240
social media companies started 
selling their users attention to

397
00:21:25,280 --> 00:21:27,440
the highest bidder. 
Billboard creators grow their 

398
00:21:27,440 --> 00:21:30,840
following for the same reason 
that social media platforms grow

399
00:21:30,840 --> 00:21:34,080
their user base, because more 
followers equals more dollars. 

400
00:21:34,120 --> 00:21:37,120
Centennial World Podcast Network
operates on Gadigal land. 

401
00:21:37,400 --> 00:21:40,400
We would like to acknowledge the
Gadigal of the Eora Nation, the 

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00:21:40,400 --> 00:21:43,560
traditional custodians of this 
land, and pay our respects to 

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00:21:43,560 --> 00:21:45,360
elders both past and present.
