1 00:00:00,080 --> 00:00:03,280 Hello, this week going to my family being bloody self, which 2 00:00:03,280 --> 00:00:06,480 had expected me to curtail my podcasting duties for things 3 00:00:06,480 --> 00:00:11,280 like going on holiday, plus some general scheduling malarkey. 4 00:00:11,280 --> 00:00:13,800 I thought it would be a great opportunity to share a show 5 00:00:13,840 --> 00:00:17,200 originally only available to members of the coveted and 6 00:00:17,200 --> 00:00:20,760 highly elitist film club. That's the place where we scoff 7 00:00:20,760 --> 00:00:23,760 behind our fans at the Common Herd, the Goon Pod, Lump and 8 00:00:23,760 --> 00:00:25,640 proletariat. I don't mean it, folks. 9 00:00:25,680 --> 00:00:27,480 I'm working to bring them down from the inside. 10 00:00:27,560 --> 00:00:30,280 Anyway, I figured that as we'd covered the case of the 11 00:00:30,280 --> 00:00:33,160 Muckney's battle horn a couple of weeks ago and discussed Dick 12 00:00:33,160 --> 00:00:35,840 Emery's Goon credentials. And when I come to pen the 13 00:00:35,840 --> 00:00:39,160 definitive history of the Goon Show, which will be a huge Lewis 14 00:00:39,160 --> 00:00:43,080 and esque tome 18 years in the writing, Emery will be much more 15 00:00:43,080 --> 00:00:45,720 than a footnote in their story. He'll get half a page at least 16 00:00:46,600 --> 00:00:49,440 because we've done that, talked about Dick on that show. 17 00:00:49,440 --> 00:00:52,560 I thought it would be a great opportunity to release the show. 18 00:00:52,560 --> 00:00:55,840 I recorded with two chums, Jeremy Lim and Paul Litchfield 19 00:00:55,840 --> 00:01:00,800 off the Trap, where we talked about Dick's 1972 grime caper, 20 00:01:01,240 --> 00:01:05,080 Oh You Are Awful, in which a career conman pursues 4 women 21 00:01:05,360 --> 00:01:07,080 hoping to catch a glimpse of their bums. 22 00:01:08,240 --> 00:01:09,920 The 1970s. What were you like? 23 00:01:10,400 --> 00:01:13,240 I think it's fair to say that Paul and Jeremy were rather 24 00:01:13,240 --> 00:01:17,440 lukewarm towards the cinematic spectacle, but it was a highly 25 00:01:17,440 --> 00:01:20,800 enjoyable edition and I had huge fun recording it with them. 26 00:01:20,880 --> 00:01:23,440 And by the way, there are over 20 other films available if you 27 00:01:23,440 --> 00:01:27,160 subscribe to Goon Pod Film Club for a mere measly 1 English 28 00:01:27,160 --> 00:01:30,440 pound a month, so get on over. But before you do, sit back and 29 00:01:30,440 --> 00:01:33,200 enjoy the chat about a film starring a man once described by 30 00:01:33,200 --> 00:01:36,600 the Bristol Evening Post as a fugitive from the Goon Show. 31 00:01:36,960 --> 00:01:40,520 Lord Dick of Emory show in Oh you are awful. 32 00:01:41,160 --> 00:01:43,440 Oh, and I promise I won't enjoy a single moment of my holiday in 33 00:01:43,440 --> 00:01:44,040 the sun. Oh, excuse. 34 00:01:45,640 --> 00:01:47,320 Me mess. Oh hello, I wonder if you could 35 00:01:47,320 --> 00:01:48,920 help me. I'm looking for the Queen's 36 00:01:48,920 --> 00:01:51,120 picture collection. Oh, it's along there and it's 37 00:01:51,120 --> 00:01:52,840 marvelous. Oh, you're interested in 38 00:01:52,840 --> 00:01:53,360 painting? Are. 39 00:01:53,400 --> 00:01:55,000 You. Yes, my boyfriend paints in 40 00:01:55,000 --> 00:01:56,280 oils. Does he really? 41 00:01:56,920 --> 00:02:01,920 I expect he's done you dozens of times in all kinds of positions. 42 00:02:03,840 --> 00:02:07,680 Oh you are awful. But I like you. 43 00:02:23,640 --> 00:02:25,640 Hello and welcome to Goon Pod Film Club. 44 00:02:25,880 --> 00:02:29,320 This is the podcast in which we look at classic and not so 45 00:02:29,320 --> 00:02:33,720 classic British comedy films with the one hard fast rule that 46 00:02:33,720 --> 00:02:35,760 they mustn't feature a member of the Goons. 47 00:02:36,280 --> 00:02:39,800 Those films are reserved for the other podcast and this month I 48 00:02:39,800 --> 00:02:44,320 am joined by 2/3 of The Trap, it's Jeremy Lim and Paul 49 00:02:44,320 --> 00:02:46,480 Litchfield. Good evening. 50 00:02:46,640 --> 00:02:52,560 Good evening. I mean, Dick Emery is almost a 51 00:02:52,640 --> 00:02:55,120 member of the Goons, isn't he? I know he's not officially, but 52 00:02:55,200 --> 00:02:58,280 he was, he was definitely on the on the reserve bench, wasn't he? 53 00:02:58,520 --> 00:03:03,440 So Spike got ill, yeah, in in the early, early 53, I think. 54 00:03:03,880 --> 00:03:08,640 And Dick Emery deputized with Graham Stark on alternate weeks 55 00:03:08,640 --> 00:03:14,880 for about 10 weeks on the Goon Show Lizard Tony's and then he 56 00:03:14,880 --> 00:03:17,000 was in the case of the muck in his battle horn, of course, of 57 00:03:17,000 --> 00:03:20,720 course. And and he's done. 58 00:03:20,720 --> 00:03:25,520 The odd Seekin was ill with something golden late late 58 59 00:03:25,840 --> 00:03:27,240 and he stood in for Seekin but he didn't. 60 00:03:27,240 --> 00:03:30,480 He never quite worked on the Goon show from what I've from 61 00:03:30,480 --> 00:03:32,560 what I've heard. Where did he work, I wonder? 62 00:03:32,960 --> 00:03:36,480 Yeah, this is something. Are we safe in saying that 63 00:03:36,840 --> 00:03:40,240 there's a Dick Emery hole in our life that never needs to be 64 00:03:40,240 --> 00:03:44,720 filled? I actually think I actually. 65 00:03:44,720 --> 00:03:47,320 So in case listeners haven't seen the title of this month's 66 00:03:47,440 --> 00:03:52,040 show, we are talking about Dick's 1972 classic. 67 00:03:52,440 --> 00:03:54,720 Oh, you're awful. Yeah. 68 00:03:55,320 --> 00:03:58,400 Brave title in retrospect. Absolutely, yeah. 69 00:03:58,400 --> 00:04:00,480 It is a film that is actually reviewing itself. 70 00:04:03,120 --> 00:04:05,280 Yeah, but it's not. It's got absolutely nothing to 71 00:04:05,280 --> 00:04:06,800 do with the film technically has it. 72 00:04:06,960 --> 00:04:11,880 Quite right pre credit sequence. Pre credit sequence only and The 73 00:04:11,880 --> 00:04:15,120 thing is right. So you guys have been on goon 74 00:04:15,120 --> 00:04:17,320 pod a few times. Oh yeah. 75 00:04:17,640 --> 00:04:20,480 I think the last time you were on was the talk about was it 76 00:04:20,880 --> 00:04:22,079 Paul? I know you've been, you've done 77 00:04:22,079 --> 00:04:25,320 down to the best skills with John, but the two of you did. 78 00:04:25,520 --> 00:04:26,600 Where does it hurt? I think it. 79 00:04:26,600 --> 00:04:28,360 Was the last. Where does it hurt when that was 80 00:04:29,760 --> 00:04:32,640 hurt? That was 1972 as well I think. 81 00:04:32,640 --> 00:04:38,520 Seems now like a joyous run so suddenly up them compared to 82 00:04:38,520 --> 00:04:41,680 your mouth which is being naked and cold in the rain and the. 83 00:04:41,680 --> 00:04:46,080 Crags. Because I know films, some films 84 00:04:46,080 --> 00:04:49,600 try and be funny and and Mr. Mark, I can't even see where 85 00:04:49,600 --> 00:04:51,280 this is trying to be funny at any point. 86 00:04:51,960 --> 00:04:55,560 I I've actually written down the precise moment where I laughed, 87 00:04:55,600 --> 00:04:57,240 and it is once. Oh, he did. 88 00:04:57,600 --> 00:04:59,440 Yeah, once in the film I actually went. 89 00:05:00,360 --> 00:05:04,360 Yeah. Well, the last time I spoke to 90 00:05:04,360 --> 00:05:07,320 you, you wanted to do this. I wanted to do this. 91 00:05:07,480 --> 00:05:09,400 I I said, what do you want to talk about? 92 00:05:09,400 --> 00:05:11,600 And you said, what about? It might be you, Jeremy. 93 00:05:11,680 --> 00:05:13,280 It probably was. Yeah. 94 00:05:13,280 --> 00:05:15,200 Jeremy's stinking mitts all over it. 95 00:05:15,480 --> 00:05:18,120 It does, I'm afraid. But this is despite, this is 96 00:05:18,120 --> 00:05:20,960 despite the fact that. So you watched it preparing for 97 00:05:20,960 --> 00:05:22,240 this, of course, Yeah, of course. 98 00:05:22,560 --> 00:05:26,240 But you've also watched it in the last 12 months. 99 00:05:27,720 --> 00:05:33,000 Well weirdly, despite it not in my view being funny at all, it's 100 00:05:33,000 --> 00:05:36,680 actually it's actually a better film than some of the Tashree 101 00:05:36,680 --> 00:05:39,600 that's a sit through I I, I would contend. 102 00:05:40,040 --> 00:05:41,960 Yeah, no, I, I I think you're right. 103 00:05:42,520 --> 00:05:44,440 It's just not funny, is it? No. 104 00:05:45,160 --> 00:05:49,640 It's forgotten to be funny because of because it's a 105 00:05:49,640 --> 00:05:54,120 vehicle for him to just try out four tired old characters, but 106 00:05:54,160 --> 00:05:57,160 he's a guy who happens to be able to do them, so he's not 107 00:05:57,160 --> 00:05:58,800 Dick Emery. No, it doesn't make. 108 00:05:58,800 --> 00:06:02,520 Sense man who can do these characters so much so that he 109 00:06:02,520 --> 00:06:06,200 he'll really like when he's the roundy old woman kind of wants 110 00:06:06,200 --> 00:06:07,720 to sleep with the port. I know it's. 111 00:06:07,800 --> 00:06:08,920 That you? Yeah, you don't. 112 00:06:09,520 --> 00:06:11,680 How does that kick into your plans of escaping trying? 113 00:06:13,040 --> 00:06:15,600 To trying to avoid being killed. Stop trying to get off with 114 00:06:15,600 --> 00:06:18,680 someone you don't want to get off with. 115 00:06:19,000 --> 00:06:21,160 Exactly. Yeah, because also he's clearly 116 00:06:21,160 --> 00:06:23,480 a heterosexual and why is he getting dragged up going? 117 00:06:23,680 --> 00:06:26,120 I might just give a blowjob to this bloke now I'm on the run. 118 00:06:27,400 --> 00:06:30,520 What's going on? It's, it's, it's, it's the fatal 119 00:06:30,520 --> 00:06:32,520 flaw in this film, isn't it? Really, I wouldn't know. 120 00:06:32,520 --> 00:06:36,840 Yeah, but I wouldn't know how they came up with the concept of 121 00:06:36,840 --> 00:06:41,080 the the the plot because obviously, because The thing is, 122 00:06:41,080 --> 00:06:44,280 it was made. So he's because right. 71 Was it 123 00:06:44,280 --> 00:06:46,960 when the On the Buses film was? I think massive. 124 00:06:47,280 --> 00:06:52,360 Yeah, and that spawned all that spawned all the TV big screen 125 00:06:52,360 --> 00:06:53,800 spin offs. And then you had the nookie 126 00:06:53,800 --> 00:06:57,320 films around this time, as I call them, the purses and you 127 00:06:57,840 --> 00:07:00,120 and and whatnot. I thought I thought you meant, 128 00:07:00,120 --> 00:07:04,520 you know, the Roger de Corsi nookie Bear trilogy race having 129 00:07:04,520 --> 00:07:09,240 sex with Emu Emu Emu. With an emo emo emo. 130 00:07:09,800 --> 00:07:11,520 Having sex with a very young emo. 131 00:07:14,080 --> 00:07:15,840 He was a bit e-mail, wasn't he? It was. 132 00:07:17,640 --> 00:07:21,800 Miserable silent bug. So he had, I'm sure he had 133 00:07:21,800 --> 00:07:23,840 eyeshadow eye line around his eyes, didn't he? 134 00:07:24,200 --> 00:07:28,120 No, that's that's JD Vance. Oh sorry, easily muddled up. 135 00:07:28,560 --> 00:07:33,160 Yeah, but the point I was trying to make is to say what you like. 136 00:07:33,160 --> 00:07:34,840 And Jeremy, you've already said this, more or less. 137 00:07:35,360 --> 00:07:38,160 There's a bit more care and thought gone into this. 138 00:07:38,320 --> 00:07:41,520 I mean, it may not be funny and I and I actually laughed a few 139 00:07:41,520 --> 00:07:43,680 times, but did he? There's a bit more, I think. 140 00:07:43,680 --> 00:07:48,240 I think there's a bit more care and thought and effort gone into 141 00:07:48,240 --> 00:07:50,440 this. I don't I don't like the words 142 00:07:50,440 --> 00:07:51,960 care and efforts being used. So. 143 00:07:52,680 --> 00:07:54,400 It sort of makes sense as a plot. 144 00:07:54,400 --> 00:07:55,640 It's sort of makes. Sense. 145 00:07:55,800 --> 00:07:57,840 No it doesn't. No it doesn't though, does it? 146 00:07:58,080 --> 00:07:59,120 Oh, it doesn't. It doesn't make sense. 147 00:07:59,240 --> 00:08:01,040 You've changed your tune immediately. 148 00:08:02,080 --> 00:08:05,040 Well, he's what he's done. So he's got he's got his two 149 00:08:05,040 --> 00:08:08,040 writers from his TV show. Yeah, the two Johns right. 150 00:08:08,040 --> 00:08:12,000 He's and he's, he said, he's obviously said something like 151 00:08:12,840 --> 00:08:15,360 he's seen the success of On the Buses, he's seen the success of 152 00:08:15,360 --> 00:08:17,160 things like Percy. And he said, can we bring the 153 00:08:17,400 --> 00:08:20,760 two together? So we got a comedy with a bit of 154 00:08:21,320 --> 00:08:22,920 gratuitous nudity. Oh yeah. 155 00:08:23,400 --> 00:08:26,920 And it's, it's, it's completely devoid of boobies, which is an 156 00:08:26,960 --> 00:08:29,520 old thing for him. It's a film made then it's it's 157 00:08:29,520 --> 00:08:31,520 just all bare buttons. Lots of buttons. 158 00:08:31,680 --> 00:08:37,440 The only boobies you see is his and Ronald raises those horrible 159 00:08:37,440 --> 00:08:41,200 cold grey nipples. That's really grim. 160 00:08:41,520 --> 00:08:44,280 Well, maybe. Maybe Dick was a bum man, Who 161 00:08:44,280 --> 00:08:46,080 knows? Don't say all those words in 162 00:08:46,080 --> 00:08:49,360 that order. Or in any order please. 163 00:08:49,600 --> 00:08:52,800 Yeah, please. Maybe he was a bum man. 164 00:08:52,880 --> 00:08:55,280 Yeah. But look, I want to, I want to 165 00:08:55,520 --> 00:08:58,960 point out that you 2 watched this previously because you do 166 00:08:58,960 --> 00:09:02,320 the you'll be doing some film commentaries, haven't you? 167 00:09:02,320 --> 00:09:04,280 Well, kind of. We we all just go. 168 00:09:04,280 --> 00:09:07,120 What? Yeah, about an hour and a half. 169 00:09:07,120 --> 00:09:09,320 The problem is they always do them after we've done sketches 170 00:09:09,320 --> 00:09:11,080 and chat and I think then we're a bit tired. 171 00:09:11,520 --> 00:09:15,520 But also we we try and all watch a film that none of us have seen 172 00:09:15,520 --> 00:09:16,600 before. In, in. 173 00:09:16,800 --> 00:09:20,640 Yeah, in totality, certainly. So we're using them up, 174 00:09:20,800 --> 00:09:22,360 hopefully I. Know you're doing some 175 00:09:22,360 --> 00:09:25,400 recording, some new ones. You have mentioned to me that 176 00:09:25,400 --> 00:09:27,680 you're covering the adventures, yes. 177 00:09:27,680 --> 00:09:29,920 Films, no. I'm not sure if I can do any 178 00:09:29,920 --> 00:09:31,400 more. Yeah, we did one. 179 00:09:31,400 --> 00:09:32,680 And again, it's just one. It was. 180 00:09:33,360 --> 00:09:35,720 Just horrible. It's bleak and boring when it 181 00:09:35,720 --> 00:09:37,680 becomes boring, that's. Boring, I know. 182 00:09:37,920 --> 00:09:40,880 That's that's the worst thing. Right, you should do rent a 183 00:09:40,880 --> 00:09:42,640 Dick. Yes, we should. 184 00:09:43,040 --> 00:09:45,720 You're quite. Aware of that coming, yes, 185 00:09:45,800 --> 00:09:47,560 completely and I have seen it once, but. 186 00:09:48,120 --> 00:09:48,680 Weeks ago. Oh. 187 00:09:49,240 --> 00:09:52,000 OK, no, but when I was like when I was three or something. 188 00:09:53,200 --> 00:09:54,440 Sat down. You were three. 189 00:09:54,920 --> 00:09:58,360 Yeah. With Richard Beckinsale in 190 00:09:58,880 --> 00:10:01,440 Richard Breyer's, Yeah, he was babysitting and putting Yeah, 191 00:10:02,320 --> 00:10:04,200 Ronnie Fraser's in it. Why do you think he turned out 192 00:10:04,200 --> 00:10:04,840 the way he has? Why do you? 193 00:10:05,000 --> 00:10:08,280 Think the show the way he is. I do not like Ronnie Fraser at 194 00:10:08,280 --> 00:10:10,240 all, I'm afraid. No, we'll come to that. 195 00:10:10,320 --> 00:10:13,240 I've got Yeah, I've got I've. Got Yeah, I've got some serious 196 00:10:13,280 --> 00:10:20,720 misgivings. This film has a pedigree in 197 00:10:20,720 --> 00:10:22,840 terms of its production. Launder and Gilead. 198 00:10:23,480 --> 00:10:25,880 Yeah, and also Cliff Irwin, Director. 199 00:10:25,880 --> 00:10:27,800 Do you know Cliff Irwin? Is it? 200 00:10:28,920 --> 00:10:30,600 No, I didn't know that, No. No, I see. 201 00:10:30,600 --> 00:10:34,280 Bravo, Glen Owen. No, I don't think it's terrible. 202 00:10:35,160 --> 00:10:36,840 OK. But no. 203 00:10:36,920 --> 00:10:39,360 Remind me? He directed the wrong arm of the 204 00:10:39,360 --> 00:10:40,400 law. Oh, that's. 205 00:10:40,440 --> 00:10:43,320 Right, OK. Yeah, yeah, he directed a couple 206 00:10:43,320 --> 00:10:46,000 of those Mocha and Wise movies. Yeah, we'll forgive him for 207 00:10:46,000 --> 00:10:47,240 that. And he directed the first 208 00:10:47,240 --> 00:10:49,240 Steptoe film, which isn't good Lord. 209 00:10:49,600 --> 00:10:52,440 That's true, Ashley. So obviously, and I think maybe 210 00:10:52,440 --> 00:10:56,800 he genuinely owed someone money or something like this and John 211 00:10:56,800 --> 00:11:00,160 Warren, who who Co wrote this he he Co wrote two way stretch 212 00:11:00,360 --> 00:11:01,560 Jeremy. Oh well, there you go. 213 00:11:01,880 --> 00:11:04,360 Oh well, hang on now. It's got, I mean, it's got 214 00:11:04,360 --> 00:11:07,440 certain things in common with, with both those Cellars, prison 215 00:11:07,440 --> 00:11:10,240 commodities, isn't it? They're sort of disguises and 216 00:11:10,400 --> 00:11:12,560 the I'm. I'm not sure that's enough. 217 00:11:12,840 --> 00:11:16,040 I'm not sure that's enough. Hitler was a lovely painter. 218 00:11:16,480 --> 00:11:18,400 Exactly. Was he in this film or didn't 219 00:11:18,400 --> 00:11:18,840 spot? It is he. 220 00:11:19,080 --> 00:11:22,160 Is he in this is rubbing mitts all over it. 221 00:11:22,160 --> 00:11:24,160 No, I'm sure Dick Eberry's probably done Hitler. 222 00:11:24,160 --> 00:11:26,120 He's probably had a Hitler. God, Yeah, he probably gave 223 00:11:26,120 --> 00:11:27,200 Freddie Starr the idea. But. 224 00:11:27,640 --> 00:11:31,200 The the Is it Frank Londer and Sidney Gilead? 225 00:11:32,080 --> 00:11:34,800 Yes, I think so. They're executive producers and 226 00:11:34,840 --> 00:11:37,200 they, they, they wrote the lady vanishes. 227 00:11:37,640 --> 00:11:39,960 So how do they, how do they get from that to this? 228 00:11:40,280 --> 00:11:42,440 It's a strange, strange career projectory. 229 00:11:42,440 --> 00:11:45,080 Career projectory, project career projectory. 230 00:11:45,080 --> 00:11:47,280 That's the word. Yeah, they're not really. 231 00:11:47,280 --> 00:11:48,920 There are. They're just fannying about in 232 00:11:48,960 --> 00:11:55,440 pubs, occasionally going in, going keep up with good what and 233 00:11:55,440 --> 00:11:58,800 the crime element in this. I'm thinking this doesn't it, 234 00:11:58,800 --> 00:12:00,680 though? All films have to do this. 235 00:12:00,680 --> 00:12:02,440 There has to be some sort of mob. 236 00:12:03,240 --> 00:12:05,120 Yeah, because when you got around this time, you've got a 237 00:12:05,120 --> 00:12:07,880 villain and get Carter. Yeah, of course they make The 238 00:12:07,880 --> 00:12:10,240 Godfather or The Godfather's out the year this is out. 239 00:12:10,360 --> 00:12:13,440 Exactly. It's it's always contemporaneous 240 00:12:13,440 --> 00:12:16,400 with The Godfather. Yeah, so that so you've got this 241 00:12:16,400 --> 00:12:20,000 crime element where he's his life's in danger by getting 242 00:12:20,000 --> 00:12:22,120 mixed up with gangsters. But yet. 243 00:12:23,280 --> 00:12:26,400 He's constantly being saved which I never understand why 244 00:12:26,400 --> 00:12:29,880 they do that because they they're orders that begin to 245 00:12:29,880 --> 00:12:32,200 kill him. Well, well, I mean they. 246 00:12:32,200 --> 00:12:34,560 Spent the whole film saving him. No, the mafia. 247 00:12:34,560 --> 00:12:36,520 The mafia is saving because they want to find out the money. 248 00:12:36,520 --> 00:12:39,640 But Darren Nesbitt was to kill him for no very good reason. 249 00:12:39,760 --> 00:12:41,640 No, no, not at all. He wanted to kill. 250 00:12:41,640 --> 00:12:43,720 Darren Nesbitt. He wanted to kill Ronald Fraser, 251 00:12:43,720 --> 00:12:45,920 which he did, thank God, but he was. 252 00:12:45,920 --> 00:12:47,840 I think they want. To kill Emery, but that's 253 00:12:47,840 --> 00:12:50,040 confusing as well because it looks like Ronald Fraser's like 254 00:12:50,120 --> 00:12:53,200 luring Charlie into a trap but then gets killed himself. 255 00:12:53,320 --> 00:12:55,600 Let's go stand next to this rickety wall while I tell you. 256 00:12:56,040 --> 00:12:56,960 Yeah, because he. Looks pretty. 257 00:12:56,960 --> 00:12:59,080 Shitty. He's like let's talk here. 258 00:12:59,440 --> 00:13:01,360 Like he looks like he's complicit and then he ends up 259 00:13:01,400 --> 00:13:03,440 dead, giving 2 fingers of course. 260 00:13:03,680 --> 00:13:06,760 Of course for no, do you think? Again, no apparent reason. 261 00:13:07,280 --> 00:13:09,680 Do you think Ronnie Fraser only took this role so he could show 262 00:13:09,680 --> 00:13:10,920 off his fine physique? Oh. 263 00:13:12,040 --> 00:13:17,800 God. Libby, my darling, come to my 264 00:13:17,800 --> 00:13:19,840 bosom and drink deep. Put my lip. 265 00:13:21,840 --> 00:13:22,840 Down. Oh no, I didn't. 266 00:13:22,840 --> 00:13:25,440 Oh no, I've already had a couple of glasses of bubbly and if I 267 00:13:25,440 --> 00:13:27,240 started drinking your lips I'd go for sick. 268 00:13:27,240 --> 00:13:29,160 Oh. She'll have you on the mat in no 269 00:13:29,160 --> 00:13:30,840 time. Oh, I would. 270 00:13:31,440 --> 00:13:36,040 I would is that torso you see? Torso with all that right and on 271 00:13:36,080 --> 00:13:37,000 it. Looks more like a wall of A. 272 00:13:37,040 --> 00:13:39,680 Public loo than a body. Oh look at all them girls names 273 00:13:39,680 --> 00:13:41,760 on there. Lucky Devils. 274 00:13:41,920 --> 00:13:44,320 I've got a theory about Ronald Fraser in this film. 275 00:13:44,600 --> 00:13:46,440 Go on. Yeah, He's a, he's a little 276 00:13:46,440 --> 00:13:49,040 version of Leslie Phillips. Completely, yeah. 277 00:13:49,120 --> 00:13:51,720 But he but but Leslie Phillips is already a sort of ALDI 278 00:13:51,720 --> 00:13:56,320 version of Terry Thomas. He's like a, he's like a British 279 00:13:56,320 --> 00:13:57,840 Home Source version of David Niven. 280 00:13:59,800 --> 00:14:01,600 Do you know what I mean? It's just fractal. 281 00:14:01,600 --> 00:14:02,000 Almost. Yeah. 282 00:14:02,160 --> 00:14:04,280 And the whole film feels like falling over in Asda. 283 00:14:05,120 --> 00:14:07,920 Basically. Yeah, I just run on Frazer's 284 00:14:07,920 --> 00:14:08,840 face. It's horrible. 285 00:14:08,840 --> 00:14:12,560 He looks like a fire damaged Victorian doll or something. 286 00:14:12,720 --> 00:14:13,760 Then all the. So. 287 00:14:13,800 --> 00:14:14,880 Creepy. The. 288 00:14:15,040 --> 00:14:16,680 Pip, it's like a pip is still fat. 289 00:14:16,800 --> 00:14:19,160 But he's supposed to be irresistible to all these. 290 00:14:19,200 --> 00:14:19,880 Really. Yeah, he's supposed. 291 00:14:19,880 --> 00:14:23,000 To be posh, glamorous ladies. Every woman that they speak to 292 00:14:23,000 --> 00:14:24,680 is that. Oh, he was lovely. 293 00:14:24,760 --> 00:14:26,600 I'll tell you. I'll tell you who he hasn't had. 294 00:14:27,080 --> 00:14:29,160 Go on, Pat Coombs. No. 295 00:14:29,160 --> 00:14:30,600 No way. No way. 296 00:14:30,760 --> 00:14:31,840 No way. Would Patty see? 297 00:14:31,840 --> 00:14:33,640 No. But she was. 298 00:14:33,640 --> 00:14:38,720 Everywhere near Roddy's D But she's Oh no, she loves him. 299 00:14:38,720 --> 00:14:40,360 She loves her character. Adores. 300 00:14:40,360 --> 00:14:42,720 Him, but her character just changes in whatever seeds and 301 00:14:42,720 --> 00:14:46,240 sometimes she's angry, sometimes she's sad. 302 00:14:46,560 --> 00:14:48,480 One minute she's a moral compass, the next minute she's 303 00:14:48,680 --> 00:14:49,920 are the best friends in the business. 304 00:14:50,880 --> 00:14:52,880 Pick a tone. She literally finds it funny 305 00:14:52,880 --> 00:14:54,960 occasionally and then it's like crying in the next. 306 00:14:58,400 --> 00:15:00,680 I've never liked Pat Coombs. Oh my. 307 00:15:00,680 --> 00:15:02,280 What? Paul Patterson. 308 00:15:02,800 --> 00:15:04,520 No, listen. No, you listen good. 309 00:15:05,840 --> 00:15:07,800 I've only got 2 autographs in my life. 310 00:15:08,160 --> 00:15:11,520 Terry Rogan and Pat Coombs. Did you? 311 00:15:11,680 --> 00:15:13,040 So you actually met her to get her? 312 00:15:13,080 --> 00:15:14,880 No, no, no, no. Someone gave me an autograph 313 00:15:14,880 --> 00:15:18,040 because she, she happened to be speaking to someone, wrote a 314 00:15:18,040 --> 00:15:20,920 note to someone called Paul. So someone got it for me for my 315 00:15:20,920 --> 00:15:22,640 birthday. God it. 316 00:15:23,880 --> 00:15:26,800 Was a job service jobs. You know. 317 00:15:27,280 --> 00:15:28,920 Job Centre. Class she's she's actually 318 00:15:28,920 --> 00:15:32,600 thanking the fan for sending an SAE so she didn't have to fork 319 00:15:32,600 --> 00:15:36,880 out for postage and she goes not not a lot of people do that. 320 00:15:38,000 --> 00:15:39,920 Is that what she said? Yeah, that's what that's what 321 00:15:39,920 --> 00:15:42,120 she writes under her. But that's not her catch phrase. 322 00:15:42,480 --> 00:15:45,200 I know that's Silla's. Why is Pat? 323 00:15:45,240 --> 00:15:46,640 Why is Patty Coombs's? No, it's not. 324 00:15:46,640 --> 00:15:50,480 That's Michael Caine's. Oh yeah, no, it's not Marty 325 00:15:50,480 --> 00:15:52,800 Kane. It's the Kane. 326 00:15:53,360 --> 00:15:55,360 I don't think she has a cat phrase, does she Patty? 327 00:15:55,880 --> 00:15:56,760 See. She's too classy. 328 00:15:57,320 --> 00:16:00,400 Yeah, no catch phrases 00. Probably. 329 00:16:01,160 --> 00:16:03,120 Cat phrases. Oh, I'll do that too. 330 00:16:03,480 --> 00:16:04,520 Yeah. Yeah. 331 00:16:05,200 --> 00:16:06,520 How much is that? That's. 332 00:16:06,640 --> 00:16:09,120 A yeah, How fucking much? That's a cat phrase. 333 00:16:12,920 --> 00:16:14,560 Let me start talking about it, please. 334 00:16:14,800 --> 00:16:17,880 Yes, That's not talking about it. 335 00:16:18,240 --> 00:16:20,480 All right. OK, so what's the so the bit. 336 00:16:20,600 --> 00:16:23,520 So we have to have Mandy at the beginning outside Buckingham 337 00:16:23,520 --> 00:16:25,960 Palace. She's got a she's got a key 338 00:16:25,960 --> 00:16:28,080 impression. I say she is Dick, but that's 339 00:16:28,080 --> 00:16:28,600 Dick. That's. 340 00:16:28,640 --> 00:16:31,040 But that's Charlie. That's Charlie. 341 00:16:31,040 --> 00:16:34,520 That's the character of Charlie. Yeah, but where's he been, CC? 342 00:16:34,960 --> 00:16:37,280 Tulley. Charlie Tulley, The best way to 343 00:16:37,280 --> 00:16:40,720 get the impression of a key somehow is dressed as Mandy. 344 00:16:42,800 --> 00:16:45,760 So he's been wandering around, I presume, going, oh, you're awful 345 00:16:45,800 --> 00:16:47,160 and. It's really deep. 346 00:16:47,200 --> 00:16:48,680 Into traffic. Really obvious. 347 00:16:48,680 --> 00:16:53,640 That's 5:00 shadow and 5:00 shadow pushing pushing 60 if 348 00:16:53,640 --> 00:16:57,320 he's a day. Yeah, and invariably every time 349 00:16:57,400 --> 00:17:01,000 he has any sort of badonage. Oh, she's like she has any 350 00:17:01,000 --> 00:17:03,400 badonage when someone has to walk out of shot, either 351 00:17:03,400 --> 00:17:04,800 adjusting knickers or falling over. 352 00:17:05,359 --> 00:17:07,440 I because. That's the way Dick Henry leaves 353 00:17:07,480 --> 00:17:09,119 everyone of well, that's the trouble. 354 00:17:09,800 --> 00:17:11,280 Isn't it? But he can't do that. 355 00:17:11,280 --> 00:17:12,839 He can't do the come here the beckon to. 356 00:17:12,839 --> 00:17:16,560 The exactly to. The photographer, man, No, that 357 00:17:16,560 --> 00:17:19,040 wouldn't be, you know, wouldn't that's the that's the again, 358 00:17:19,119 --> 00:17:20,839 right. It's the fundamental flaw of 359 00:17:20,839 --> 00:17:22,359 it's. Fundamental flaw. 360 00:17:22,359 --> 00:17:25,319 Well, Dick Henry's got a thing about Americans for this in this 361 00:17:25,319 --> 00:17:27,280 film. Because Charlie or Charlie 362 00:17:27,280 --> 00:17:29,040 Tulley has, because he's always trying to. 363 00:17:30,000 --> 00:17:32,360 He's either hitting them or, yeah, swindling them. 364 00:17:32,920 --> 00:17:35,800 I suppose they're, you know, dumb Americans, I suppose. 365 00:17:36,320 --> 00:17:40,240 Yeah, gullible, dumb Americans. It's quite xenophobic, the film 366 00:17:40,240 --> 00:17:42,720 generally. There's a very yeah, Japanese 367 00:17:42,720 --> 00:17:45,760 tourists near the beginning. Shocking. 368 00:17:47,680 --> 00:17:50,160 Shocking. So yeah, we get, we get the 369 00:17:50,160 --> 00:17:52,280 credits. The credits are just the cameras 370 00:17:52,280 --> 00:17:54,760 locked in place and we're seeing cars driving past the palace. 371 00:17:55,000 --> 00:17:56,600 There should have been something, some comedy business 372 00:17:56,600 --> 00:17:58,040 going on. It was a waste. 373 00:17:58,240 --> 00:18:01,040 There's some funky music there. There's some very funky music, 374 00:18:01,040 --> 00:18:01,800 isn't it? Slightly. 375 00:18:01,920 --> 00:18:04,920 It's pub band music isn't. It it's a Cabeza who later at 376 00:18:04,920 --> 00:18:07,080 the theme to Poirot fairly. Is it? 377 00:18:07,080 --> 00:18:12,040 I think so. Chris Gunning is his name. 378 00:18:12,080 --> 00:18:12,680 Oh. My. 379 00:18:14,360 --> 00:18:15,680 God. Also, I think he wrote the Yeah, 380 00:18:15,920 --> 00:18:18,480 they think he wrote the martini sting for the martini. 381 00:18:18,480 --> 00:18:21,520 Others Anytime, any place, anywhere. 382 00:18:21,880 --> 00:18:23,840 That's Dick Emery. That's Dick Emery. 383 00:18:24,960 --> 00:18:26,520 Emery Place. Emery Time. 384 00:18:28,520 --> 00:18:29,720 Yeah. So he's got an impression of a 385 00:18:29,720 --> 00:18:32,520 key, which, OK, sure. What's that for? 386 00:18:32,520 --> 00:18:34,560 What's the key for I I don't know. 387 00:18:34,600 --> 00:18:37,320 Because that's no, no, no. Because he has the door open for 388 00:18:37,320 --> 00:18:38,200 him. Doesn't he buy that? 389 00:18:38,560 --> 00:18:40,200 Or does he? He does, yeah. 390 00:18:40,560 --> 00:18:42,080 The guard opens the door for him. 391 00:18:42,600 --> 00:18:44,480 Oh, I see. He's dressed as a like a 392 00:18:44,480 --> 00:18:46,280 Viscount. He's got this little goatee 393 00:18:46,280 --> 00:18:46,840 thing. And. 394 00:18:46,840 --> 00:18:47,600 Yeah. And what? 395 00:18:47,600 --> 00:18:50,920 So he looks exactly like the Viscount that works there 396 00:18:50,920 --> 00:18:53,280 because the guard immediately said, oh, hello, Sir. 397 00:18:53,440 --> 00:18:55,920 He knows who he is. Just because he's talking in a 398 00:18:55,920 --> 00:18:57,480 posh voice. Oh well, he obviously knows. 399 00:18:58,160 --> 00:19:00,080 Oh, he's a monocle. Why doesn't he go? 400 00:19:00,240 --> 00:19:06,200 Sorry, I don't know who you are. So this is the ruse is it's the 401 00:19:06,200 --> 00:19:09,440 beginning ruse. So that's that's sort of the 402 00:19:09,440 --> 00:19:13,120 point of the film is that he's supposed to be a gang, you know, 403 00:19:13,200 --> 00:19:15,600 criminal genius, isn't he? But it's basically everyone else 404 00:19:15,600 --> 00:19:20,000 is totally shit and thick, yes that he comes across because why 405 00:19:20,000 --> 00:19:21,360 would you go along with anything? 406 00:19:21,720 --> 00:19:24,000 It's roses, everyone. That's just fucking shit. 407 00:19:24,000 --> 00:19:25,200 It's in. It's in the script. 408 00:19:25,200 --> 00:19:27,560 It said the film wouldn't work otherwise. 409 00:19:27,960 --> 00:19:30,480 So Canon. If everyone in the film was like 410 00:19:30,960 --> 00:19:34,320 Frank Grimes and The Simpsons seeing through it all, then it'd 411 00:19:34,760 --> 00:19:38,240 be a very short film indeed. But they're, yeah, they're 412 00:19:38,280 --> 00:19:40,440 they're all, they're all unwitting dupes, aren't they? 413 00:19:40,520 --> 00:19:45,000 They are, yeah. Because CC Tulley, he, he's very 414 00:19:45,000 --> 00:19:47,040 much the shit. Fletch House Tulley. 415 00:19:47,040 --> 00:19:49,120 Yeah, he's Fletch. Basically. 416 00:19:49,920 --> 00:19:52,480 Yeah, he sort of is. I'm not the series of disguises 417 00:19:52,480 --> 00:19:56,080 lovable rogue he gets. He gets access to the side room. 418 00:19:56,800 --> 00:19:59,240 So it's the it's the Queen's Gallery art Gallery. 419 00:19:59,240 --> 00:20:01,320 Yes. That's attached to Buckingham 420 00:20:01,320 --> 00:20:02,600 Palace or something. Yes, and they're showing the 421 00:20:02,600 --> 00:20:05,600 Dutch collection. I drove past it in a taxi only 422 00:20:05,600 --> 00:20:06,920 yesterday. Oh, there you. 423 00:20:07,520 --> 00:20:09,080 Go. This is. 424 00:20:09,160 --> 00:20:10,320 What? You drove past this. 425 00:20:10,320 --> 00:20:13,600 Film, Yeah, Two of us is now, well, it's now called the Kings 426 00:20:13,600 --> 00:20:17,320 Gallery. You've driven past that. 427 00:20:17,320 --> 00:20:18,960 Have you ever been in? No, never been in. 428 00:20:19,240 --> 00:20:21,280 Yeah, I've been in. I've been in Waterloo station, 429 00:20:21,280 --> 00:20:23,520 we see a lot of that. I've been there. 430 00:20:23,520 --> 00:20:26,280 I've been there, yeah. See more than we bargained for, 431 00:20:27,280 --> 00:20:30,160 don't we just? But yeah, so he goes in and then 432 00:20:30,200 --> 00:20:33,760 puts a picture of the Queen down and his whole con is to con 2 433 00:20:33,760 --> 00:20:37,200 Italian men in just thinking. They're. 434 00:20:37,600 --> 00:20:39,560 Going to marry the. Son is going to marry Princess 435 00:20:39,560 --> 00:20:41,600 Anne. Yeah. 436 00:20:42,080 --> 00:20:47,760 But to do that, they need a deposit, half a million. 437 00:20:49,080 --> 00:20:50,960 Pounds to to buy Princess Anne's, actually. 438 00:20:51,080 --> 00:20:53,080 To buy Britain, it's a business where he has to do a telephone 439 00:20:53,080 --> 00:20:55,320 call, but I presume he pretends he's talking to the Queen. 440 00:20:55,720 --> 00:20:57,400 Yeah, and he's got the seven third wire. 441 00:20:57,400 --> 00:21:00,240 And then he show, he shows the seven third wire. 442 00:21:00,320 --> 00:21:02,160 But he doesn't even do a double take and hide it. 443 00:21:02,160 --> 00:21:03,400 He. Just he just literally holds it 444 00:21:03,480 --> 00:21:07,680 up to go look this isn't real. Well, maybe that's maybe that's 445 00:21:07,680 --> 00:21:09,880 the criminal mastermind. Just, you know, it's. 446 00:21:10,480 --> 00:21:12,840 Double black. Hiding in plain sight, yeah. 447 00:21:14,040 --> 00:21:17,320 I I read a few newspaper reviews from the time right about this 448 00:21:17,320 --> 00:21:21,520 film and you loved it. And the quite a few of them were 449 00:21:21,560 --> 00:21:24,640 were it was actually quite well received. 450 00:21:24,640 --> 00:21:27,400 Yeah, yeah, I'm going to come to one later. 451 00:21:27,400 --> 00:21:30,720 But there's this scene went down well with this particular 452 00:21:30,720 --> 00:21:33,360 reviewer. I'm going to use a derogatory 453 00:21:33,360 --> 00:21:36,480 word here, but I have to use it. But it's in the context of a 454 00:21:36,480 --> 00:21:42,600 1972 newspaper review. He talks about Charlie's schemes 455 00:21:43,200 --> 00:21:45,800 and he says he says the 1st is a brilliant stroke collecting a 456 00:21:45,800 --> 00:21:50,440 half million dowry from a gullible whop thinks his son is 457 00:21:50,440 --> 00:21:53,200 going to marry Prince's Anne. Is this is? 458 00:21:53,320 --> 00:21:54,880 This some of the Times of London. 459 00:21:56,920 --> 00:21:58,440 Actually, he's completely exchanging Mark. 460 00:21:58,560 --> 00:22:00,120 He's completely wrong. It's gullible. 461 00:22:00,120 --> 00:22:02,120 What's that? True. 462 00:22:02,240 --> 00:22:03,440 Yeah. I mean, come on. 463 00:22:03,920 --> 00:22:05,520 Idiot. So this is the. 464 00:22:05,560 --> 00:22:07,840 Young man who is going to marry our Princess Anne? 465 00:22:08,800 --> 00:22:12,160 May I express the great joy of the Ferrucci family at this 466 00:22:12,160 --> 00:22:16,080 tremendous honour. We are overwhelmed over our good 467 00:22:16,120 --> 00:22:18,400 fortune. Well, Signor, the Foreign Office 468 00:22:18,400 --> 00:22:21,880 feels the closer link with Italy is highly desirable in view of 469 00:22:21,880 --> 00:22:24,320 our impending entry into the Common Market. 470 00:22:24,680 --> 00:22:27,560 Isn't that serves the child? Oh absolutely, dear boy. 471 00:22:27,800 --> 00:22:31,720 Bearing in mind that the Greeks and the Germans are already 472 00:22:31,720 --> 00:22:33,640 pretty well represented in the royal family. 473 00:22:34,480 --> 00:22:38,280 There is a good boy you are going to play for Italy. 474 00:22:39,200 --> 00:22:43,160 Quite, which brings us to what one might call the transfer fee. 475 00:22:44,440 --> 00:22:46,160 Common. The marriage settlement. 476 00:22:46,680 --> 00:22:49,320 Oh, yes, yes. Seems a pity that solid 477 00:22:49,320 --> 00:22:53,080 financially enter into a matter of this nature, but in view of 478 00:22:53,080 --> 00:22:55,920 the difficulties of Her Majesty is having with her wage claim 479 00:22:55,920 --> 00:22:59,120 and the expense of a royal wedding, I can assure you the 480 00:22:59,120 --> 00:23:01,240 Archbishop of Canterbury does not come cheap. 481 00:23:02,520 --> 00:23:05,560 You will understand. Please say no more, I'm only too 482 00:23:05,640 --> 00:23:08,760 happy to oblige. The only the only time I've ever 483 00:23:08,760 --> 00:23:15,080 seen Princess Anne, I was wearing slippers because I'd 484 00:23:15,080 --> 00:23:16,640 locked myself. I'd through the door. 485 00:23:16,880 --> 00:23:18,480 No, I'd locked myself out of the house. 486 00:23:19,320 --> 00:23:21,400 He locked yourself out, and Princess Anne was in passing. 487 00:23:21,640 --> 00:23:25,840 No, one of my flatmates was. I had to go to their work, and 488 00:23:25,840 --> 00:23:28,000 then Princess Anne was visiting that day. 489 00:23:28,000 --> 00:23:30,880 I was like hanging around outside of his slippers. 490 00:23:31,440 --> 00:23:33,400 Mrs. Anne walks past he. Was new. 491 00:23:34,240 --> 00:23:35,520 Nice. Slippers. 492 00:23:35,760 --> 00:23:38,200 Not. Neff off. 493 00:23:38,600 --> 00:23:41,120 Neff off. I once got shoved off a dining 494 00:23:41,120 --> 00:23:43,040 car because she wanted to have some ketchery. 495 00:23:43,880 --> 00:23:44,800 Really. Yeah. 496 00:23:44,800 --> 00:23:47,920 I was on a some of those long distance poem things about to 497 00:23:47,920 --> 00:23:50,520 have like breakfast, and they went, oh, actually, can you all 498 00:23:50,520 --> 00:23:52,120 fuck off? And we're like, why? 499 00:23:52,120 --> 00:23:53,320 He said. Because Princess Anne's on board 500 00:23:53,320 --> 00:23:56,280 and she wants a breaky, so we all had to leave the carriage 501 00:23:56,280 --> 00:23:58,800 until she'd finished. You were riffraff. 502 00:23:59,320 --> 00:23:59,760 Yeah. Of course. 503 00:23:59,880 --> 00:24:02,040 Well, he still is. Still, the day I was born. 504 00:24:02,760 --> 00:24:05,440 What was that? The one thing, the one thing 505 00:24:05,440 --> 00:24:08,200 that happened on the day I was born, right, was that there was 506 00:24:08,200 --> 00:24:09,760 an attempted kidnapping of Princess Anne. 507 00:24:09,760 --> 00:24:11,520 Do you really? Oh, yes, I remember that. 508 00:24:11,640 --> 00:24:13,400 Yeah. Well, I don't remember it, but I 509 00:24:13,440 --> 00:24:16,320 remember it being on the Crown. She was hot stuff in her day, of 510 00:24:16,320 --> 00:24:17,600 course. She was quite. 511 00:24:17,720 --> 00:24:20,600 Tidy. It's like the. 1972 equivalent 512 00:24:20,600 --> 00:24:23,920 of Taylor Taylor Swift. Well, she wasn't really, was 513 00:24:23,920 --> 00:24:25,920 she? But she was a 70s equivalent of 514 00:24:25,920 --> 00:24:30,920 Dennis Taylor. But the kidnapper there would be 515 00:24:30,920 --> 00:24:32,320 kidnapper because it failed. It didn't. 516 00:24:32,320 --> 00:24:33,320 It didn't. He didn't pull it off. 517 00:24:33,320 --> 00:24:37,600 Oh, you can't pull them all over Anti His, his. 518 00:24:37,960 --> 00:24:40,560 His plan was that he was going to kidnap her and he was going 519 00:24:40,560 --> 00:24:42,200 to. He was going to get a private 520 00:24:42,200 --> 00:24:44,120 plane. Yeah, laid on. 521 00:24:44,600 --> 00:24:47,320 And he wanted £2,000,000 in ransom money. 522 00:24:47,560 --> 00:24:50,200 And the Queen has the Queen herself had to board the plane 523 00:24:50,200 --> 00:24:54,120 with the suitcase full of money? Was this criminal Donald Trump? 524 00:24:56,640 --> 00:24:58,560 That was his. That was his cunning plan. 525 00:24:58,560 --> 00:25:00,480 To be honest, all you got to do to get president is good. 526 00:25:00,480 --> 00:25:03,080 Do you want to see a horse? He's got there immediately. 527 00:25:03,800 --> 00:25:05,280 Well, that's what. That's the joke in the film, of 528 00:25:05,280 --> 00:25:06,840 course. Oh, that's a hilarious joke in 529 00:25:06,840 --> 00:25:08,040 the film. Well, what do I say to him? 530 00:25:08,040 --> 00:25:09,720 Don't I just talk about horses for two hours? 531 00:25:11,800 --> 00:25:13,720 Tyler, has there been anything in the film that you've laughed 532 00:25:13,720 --> 00:25:16,480 at yet? No, no, not yet. 533 00:25:16,840 --> 00:25:17,960 I'll let you know. I'll let you know. 534 00:25:17,960 --> 00:25:20,000 Please do, please do. Because you you just talk about 535 00:25:20,000 --> 00:25:22,400 the horses, though there's a bit in this where the door opens and 536 00:25:22,400 --> 00:25:25,560 you just see a corgi scamper in which is always, always 537 00:25:25,560 --> 00:25:28,000 shorthand for the queen in these sorts of screens there. 538 00:25:28,000 --> 00:25:29,600 And they both bow and then it cuts. 539 00:25:29,960 --> 00:25:31,360 So I'd imagine basically met the queen. 540 00:25:31,360 --> 00:25:32,800 She's going. Yeah, we're free. 541 00:25:32,840 --> 00:25:35,400 She's not planning on marrying. Yes, they have to have that 542 00:25:35,400 --> 00:25:37,760 conversation. Call it 6,000,000 and we'll 543 00:25:37,760 --> 00:25:39,600 talk. Yes, we've got a. 544 00:25:39,600 --> 00:25:41,560 Deal. You. 545 00:25:41,560 --> 00:25:45,720 Can have Eddie as well. No, Yeah, Edward, for half the 546 00:25:45,720 --> 00:25:49,120 price. And Andy for. 7D because that. 547 00:25:49,480 --> 00:25:52,800 Was currently back level. And Andrew, or Joffrey as we 548 00:25:52,800 --> 00:25:58,840 call him. We got we, we got Reggie. 549 00:25:59,320 --> 00:26:01,840 It is Reggie. Ronald Fraser is called Reggie, 550 00:26:01,840 --> 00:26:04,480 isn't it? And we see because they've got 551 00:26:04,480 --> 00:26:06,680 to establish his character. So we see them on the street. 552 00:26:06,680 --> 00:26:09,280 They've had, they've got this suitcase full of money, Yeah, 553 00:26:09,280 --> 00:26:12,320 and, or bombs, whatever it is. And he, he spots, he spots a 554 00:26:12,320 --> 00:26:14,000 couple of fabulous birds. He does. 555 00:26:14,640 --> 00:26:16,360 He looks at their bottoms and goes. 556 00:26:17,400 --> 00:26:19,320 And the camera zooms in, of course, just to. 557 00:26:19,320 --> 00:26:21,760 Of course, yeah. Just to, you know, just to 558 00:26:21,760 --> 00:26:24,720 verify what he's looking at. Yeah, yeah. 559 00:26:24,840 --> 00:26:28,440 So he's he's basically sex mad Pat Coombs. 560 00:26:28,440 --> 00:26:31,040 At first I thought Pat Coombs was Mrs. Dick Emery in this, but 561 00:26:31,040 --> 00:26:33,560 no, she's just, no, she's just a landlady and her husband's in 562 00:26:33,560 --> 00:26:35,080 chokey, isn't he? Yeah, she. 563 00:26:35,240 --> 00:26:37,880 She's like she sort of helps out the local crim's because she's a 564 00:26:37,880 --> 00:26:39,920 she mentioned she's a fence. She forges passports. 565 00:26:40,240 --> 00:26:42,120 I thought, I thought they missed a bit. 566 00:26:42,120 --> 00:26:43,520 He should have got out at the end. 567 00:26:43,840 --> 00:26:46,600 Her husband and then Arthur Mullard or someone. 568 00:26:46,600 --> 00:26:47,720 Yeah, exactly. Who? 569 00:26:47,720 --> 00:26:51,680 Just, yeah, who basically goes BIFF and then punches the film 570 00:26:51,680 --> 00:26:54,320 into another film or something. Yeah, yeah, yeah. 571 00:26:54,480 --> 00:26:58,160 Punches the credits. But no, no. 572 00:26:58,920 --> 00:27:00,920 We don't get that he's he's off screen. 573 00:27:00,920 --> 00:27:02,240 He's. An off screen character. 574 00:27:02,680 --> 00:27:05,920 It's our two crim's sort of celebrating their con but also 575 00:27:05,960 --> 00:27:08,200 establishing because they've ever had to take their shirt 576 00:27:08,200 --> 00:27:13,520 off, which is repulsive. That's Ronald Fraser is sex mad 577 00:27:13,960 --> 00:27:17,520 and collects trophies of every woman he sleeps with by having 578 00:27:17,520 --> 00:27:19,520 their name tattooed. And everyone. 579 00:27:19,560 --> 00:27:23,960 Has hearts on him and everyone thinks he's like pure love. 580 00:27:25,200 --> 00:27:27,440 Charlie described it as looking like a toilet wall. 581 00:27:27,680 --> 00:27:29,160 His chest, which I thought was quite. 582 00:27:29,320 --> 00:27:31,200 I think that was quite. I think I titted it that. 583 00:27:31,440 --> 00:27:34,560 Fair enough, I'll give you that. Like someone's pissed on a bag 584 00:27:34,600 --> 00:27:39,040 for life. So but they but Pat Coombs eyes 585 00:27:39,040 --> 00:27:41,360 him up when he's topless as. Well, she likes him. 586 00:27:41,360 --> 00:27:43,680 Yeah, she likes him. Like he's Ryan Gosling. 587 00:27:44,200 --> 00:27:50,000 Yeah, Reynolds. Anyway, they've got a plane to 588 00:27:50,000 --> 00:27:52,000 Switzerland to catch. And you think it's going, it's 589 00:27:52,000 --> 00:27:54,160 going fine. The plan's working well. 590 00:27:54,160 --> 00:27:58,440 Yeah, so far so good. And you got these angry Italians 591 00:27:58,440 --> 00:28:02,040 that the the angry Italians turn up at the airport and just 592 00:28:02,040 --> 00:28:05,160 somehow miss Charlie and Reggie, who also turn up at the airport. 593 00:28:05,160 --> 00:28:06,320 I thought there was going to be some. 594 00:28:06,760 --> 00:28:09,560 Yeah, They both turn up at the airport separately, pretend not 595 00:28:09,560 --> 00:28:11,320 to know each other. There's no reason for them to do 596 00:28:11,320 --> 00:28:13,440 that. Yes, it's, but they sort of bash 597 00:28:13,720 --> 00:28:15,600 bash into each other and say excuse me or something. 598 00:28:15,600 --> 00:28:17,400 Yeah, there's no reason at all for any of this. 599 00:28:18,280 --> 00:28:21,880 There you go. Yeah, as far as they know, no 600 00:28:21,880 --> 00:28:25,200 one's looking with them. Yeah, no one's looking with them 601 00:28:25,200 --> 00:28:26,920 at all. And do you remember the times 602 00:28:26,920 --> 00:28:29,920 when you could leave your luggage on a seat in an airport 603 00:28:29,920 --> 00:28:30,360 lounge? And. 604 00:28:30,760 --> 00:28:33,600 And attach a dog to it. And attach it off to it. 605 00:28:33,600 --> 00:28:36,600 You could set it on fire, you can write, you can write bomb on 606 00:28:36,600 --> 00:28:37,600 it. And everyone would laugh. 607 00:28:40,080 --> 00:28:44,080 But Charlie being like, he can't resist the perfect calm, can he? 608 00:28:44,360 --> 00:28:48,600 No. He sees 2 dumb Americans and 609 00:28:48,600 --> 00:28:52,440 there's a you know, dog and he somehow alludes that they can 610 00:28:52,440 --> 00:28:56,280 buy the dog off him. Which is a very stupid thing to 611 00:28:56,280 --> 00:29:00,040 do because as you know. Airports, quarantine issues, 612 00:29:00,040 --> 00:29:02,120 like yeah, yeah, yeah. It's a nightmare to get that dog 613 00:29:02,120 --> 00:29:04,000 to America. But also he's, he's not doing it 614 00:29:04,000 --> 00:29:08,080 in any hurry, surely he's just run, you know, just popped to 615 00:29:08,080 --> 00:29:09,200 get a pint. Exactly. 616 00:29:09,320 --> 00:29:13,080 Or he's like sat sit next to it. It's like just just a thing. 617 00:29:13,800 --> 00:29:15,040 Thank you. Nick I. 618 00:29:15,040 --> 00:29:16,880 Think you pillock? That's. 619 00:29:16,880 --> 00:29:18,720 A pillock. That's a pillock. 620 00:29:19,080 --> 00:29:21,200 So she said oh darling, I'd love one of them. 621 00:29:21,200 --> 00:29:23,640 And he keeps calling it a male name and then realizes it's a. 622 00:29:23,720 --> 00:29:24,480 Female. Yeah. 623 00:29:24,720 --> 00:29:26,760 But doesn't. But doesn't make a joke, just 624 00:29:26,760 --> 00:29:27,800 goes. Yeah. 625 00:29:28,680 --> 00:29:29,560 Husband got a car? Cool. 626 00:29:30,120 --> 00:29:31,840 Yeah, we could have said bitch and she would have gone. 627 00:29:31,840 --> 00:29:34,320 I beg your pardon? Near the dog. 628 00:29:35,040 --> 00:29:40,040 You know, yeah. Then one thing I noted the very, 629 00:29:40,040 --> 00:29:43,200 very poor people on tolerance in this when they're, when they're. 630 00:29:43,200 --> 00:29:45,520 Terrible. They don't make any sense at 631 00:29:45,520 --> 00:29:47,880 all. I know they try one occasionally 632 00:29:47,880 --> 00:29:49,800 because they think it's, you know, it's got a bit saucy so 633 00:29:49,800 --> 00:29:51,120 you need to make a double entendre. 634 00:29:51,120 --> 00:29:52,720 It's sort of half done and then abandoned. 635 00:29:53,200 --> 00:29:54,880 So. Give me an example, I can't 636 00:29:54,880 --> 00:29:57,360 bring one to mind. Well, the when she's having a 637 00:29:57,360 --> 00:30:00,800 bum taken photo of in the in the photo booth. 638 00:30:01,440 --> 00:30:03,640 Yeah. Passport photo. 639 00:30:04,040 --> 00:30:07,480 Oh well, we're going down under. Oh yeah. 640 00:30:08,120 --> 00:30:10,120 What? How does that explain anything? 641 00:30:10,360 --> 00:30:15,160 Yeah, we're going down a bum. Going down under a Australia's 642 00:30:15,160 --> 00:30:18,360 an Uranus, didn't you know? This plane's going to go up in 643 00:30:18,360 --> 00:30:20,440 the air, but immediately down a bum. 644 00:30:21,600 --> 00:30:24,320 Anyway, the airport scene. It reminded me slightly of 645 00:30:24,440 --> 00:30:25,720 Mission Impossible Dead Reckoning. 646 00:30:28,240 --> 00:30:30,440 Yeah, really. If, well, you know. 647 00:30:30,480 --> 00:30:32,880 If I haven't seen it so I'll take your word for that, but. 648 00:30:33,240 --> 00:30:38,200 If you imagine Dick Emery is Hayley Atwell and Tom Chris. 649 00:30:38,200 --> 00:30:41,400 Which you must do. Tom Chris is Ronald Fraser and 650 00:30:41,480 --> 00:30:43,240 it's plays out exactly the same beats. 651 00:30:43,800 --> 00:30:46,640 Yeah. But for all the beats. 652 00:30:47,320 --> 00:30:50,640 Well, they needed they needed some way of getting Charlie sent 653 00:30:50,640 --> 00:30:52,480 down for six months, Yes. Yeah. 654 00:30:52,760 --> 00:30:56,080 So he just gets caught and there's no like he just, he's 655 00:30:56,080 --> 00:30:58,520 on, he's on the steps. Someone pointed him, that's the 656 00:30:58,520 --> 00:30:59,840 man. And there's a policeman. 657 00:30:59,840 --> 00:31:03,480 He just sort of goes no. And that's that. 658 00:31:03,480 --> 00:31:05,880 Seemed dumb. Then he gets sentenced. 659 00:31:06,120 --> 00:31:09,000 There's a sort of weird courtroom scene where the judge 660 00:31:09,000 --> 00:31:11,120 has got a hat on and she's got a little dog next to her. 661 00:31:11,440 --> 00:31:13,720 Yeah, she looks like she's just come out of the office of the 662 00:31:13,720 --> 00:31:15,120 lady. Yeah. 663 00:31:15,200 --> 00:31:19,920 Or yeah, just like on the way to a hunt or something. 664 00:31:20,000 --> 00:31:22,840 Yeah, it's like, no, you where's, where's your wig, love? 665 00:31:24,760 --> 00:31:26,880 There's a lot he gets. Sentenced for six months. 666 00:31:28,080 --> 00:31:29,800 Yeah, there's a lot of this will do. 667 00:31:30,160 --> 00:31:31,920 And oh. So much this will do. 668 00:31:32,600 --> 00:31:34,440 The Norman Bird as the prison guard. 669 00:31:35,040 --> 00:31:36,760 That's his name, I. Couldn't remember his name. 670 00:31:36,760 --> 00:31:38,600 Norman. He always plays, he always plays 671 00:31:38,600 --> 00:31:40,120 the loser characters, doesn't he? 672 00:31:40,120 --> 00:31:41,440 Hapless isn't. He hapless. 673 00:31:41,440 --> 00:31:43,080 That's exactly it. Yeah, that's what I wrote. 674 00:31:43,120 --> 00:31:46,800 Hapless man. He's a sort of slightly less 675 00:31:46,960 --> 00:31:48,960 lowest status. David Lodge took character. 676 00:31:48,960 --> 00:31:49,680 Isn't he? There you go. 677 00:31:49,800 --> 00:31:53,120 Yeah, yeah. And he's also being conned as 678 00:31:53,120 --> 00:31:55,280 well. Yeah. 679 00:31:55,280 --> 00:31:56,840 Have you thought any? More about picking the crew for 680 00:31:56,840 --> 00:31:59,400 the boat. Boat, Yeah. 681 00:32:00,000 --> 00:32:01,920 We can't get to the island where Morgan buried the treasure 682 00:32:01,920 --> 00:32:04,680 without the boat, can we? Oh, that boat. 683 00:32:04,760 --> 00:32:06,720 Now don't you go running yourself about the minor 684 00:32:06,720 --> 00:32:08,400 details, old son. You leave all that to me. 685 00:32:08,400 --> 00:32:10,520 Yeah, but I can't stop thinking about it. 686 00:32:11,080 --> 00:32:14,240 Three and a half, £1,000,000 in golden jewels, give or take. 687 00:32:14,240 --> 00:32:15,200 100,000. Yeah. 688 00:32:15,200 --> 00:32:16,920 Do you want me splitting it down the middle? 689 00:32:16,920 --> 00:32:19,560 It can't be bad, eh? Keep your voice down. 690 00:32:19,840 --> 00:32:22,080 Do you reckon the we're. I think I'll have a bit of 691 00:32:22,120 --> 00:32:23,400 chicken for supper tonight. Yeah. 692 00:32:25,440 --> 00:32:31,560 Or jolly with chips. I mean, how well this is this is 693 00:32:31,560 --> 00:32:34,360 this is the where you genuinely would fall for this? 694 00:32:34,560 --> 00:32:37,240 There's a treasure map. Oh yeah. 695 00:32:38,200 --> 00:32:40,560 This is this is your man. Yeah, but this is your man. 696 00:32:40,880 --> 00:32:43,080 What's the name? John Warren, who Co wrote Two 697 00:32:43,080 --> 00:32:45,360 Way Stretch. Yeah, this is him basically 698 00:32:45,360 --> 00:32:49,160 recycling that that idea of the prison guard. 699 00:32:49,320 --> 00:32:53,520 Being enthralled to the. Yeah, being slavish towards the 700 00:32:54,000 --> 00:32:59,160 prisoner, yeah, but you know. Well, so you get that very brief 701 00:32:59,160 --> 00:33:02,120 bit of, oh, by the way, I talk, I say everything in my sleep, so 702 00:33:02,120 --> 00:33:04,080 don't tell me anything and I'll never mention this again. 703 00:33:04,080 --> 00:33:06,720 Oh. Yes, yeah, that that will never 704 00:33:06,720 --> 00:33:08,400 be referenced, so don't worry. Yeah. 705 00:33:09,120 --> 00:33:11,160 Until von Smallhausen. Oh, of course. 706 00:33:11,160 --> 00:33:13,600 It is, yes. Yes, yes, you sell me. 707 00:33:13,800 --> 00:33:16,240 That was written in capitals on my notes in brackets. 708 00:33:18,360 --> 00:33:20,160 John Louie Mancy. Yeah. 709 00:33:21,120 --> 00:33:25,120 Fantastic. Yeah, so basically he's, but 710 00:33:25,160 --> 00:33:26,800 he's getting special treatment, isn't he? 711 00:33:26,800 --> 00:33:28,840 Preferential treatment in prison because he's. 712 00:33:29,360 --> 00:33:31,920 That's great. Promising the warden that he'll 713 00:33:32,000 --> 00:33:35,760 give him first dibs on £3,000,000 worth of, I don't 714 00:33:35,760 --> 00:33:38,840 know, Aztec gold or something. Such tosh. 715 00:33:40,160 --> 00:33:41,480 It's. Yeah, the treasure of the Sierra 716 00:33:41,480 --> 00:33:42,960 Madre, whatever it is. Yeah. 717 00:33:43,000 --> 00:33:44,920 And he, he gets two extra packets of snow. 718 00:33:44,920 --> 00:33:46,400 It's a Kit Kat and a doppy, Chris. 719 00:33:48,280 --> 00:33:50,840 Oh, we forgot to mention though I've got to mention that the 720 00:33:50,840 --> 00:33:55,360 two, the two Italian blokes that that they've ripped off. 721 00:33:55,600 --> 00:33:59,520 Yeah, there's a quick scene in Rome where the the the dad is 722 00:33:59,520 --> 00:34:02,880 talking to a mafia Don. It's very, it's very godfather 723 00:34:02,880 --> 00:34:05,160 because they've got the children in the yeah. 724 00:34:05,520 --> 00:34:09,840 Don Luigi and says we we need to get revenge and Don Luigi says 725 00:34:09,840 --> 00:34:11,440 we will but let's get the money fast. 726 00:34:11,840 --> 00:34:13,120 They must have seen the Godfather. 727 00:34:13,120 --> 00:34:16,920 I mean, when did when did these? Was there time for them to have 728 00:34:16,920 --> 00:34:18,199 seen The Godfather? Well, there was the book. 729 00:34:18,199 --> 00:34:21,239 The book was out before the. Well, I guess it, but there's 730 00:34:21,239 --> 00:34:23,760 all the the maybe they just the music and everything. 731 00:34:24,560 --> 00:34:26,639 Yeah, that's what they did. They just watched the book. 732 00:34:26,639 --> 00:34:28,960 I was going to say the music, but maybe the music's quite sort 733 00:34:28,960 --> 00:34:31,360 of, you know, stock. Yeah, but you know. 734 00:34:31,639 --> 00:34:33,199 Stock Italian and more than four did. 735 00:34:33,320 --> 00:34:35,600 You say stock Aiken? Stock Yeah, stock Aiken and 736 00:34:35,600 --> 00:34:36,239 Waterman. Music. 737 00:34:36,280 --> 00:34:38,639 Yeah. Bringing the water board in, 738 00:34:38,679 --> 00:34:39,719 Yeah. Yeah. 739 00:34:40,480 --> 00:34:43,239 I mean, they did this much better in Cannibal Run 2 with 740 00:34:43,239 --> 00:34:45,080 Don. Don Cannibal Run Two. 741 00:34:45,880 --> 00:34:46,840 Yeah, of course they did. Yeah. 742 00:34:48,000 --> 00:34:49,960 Untouchable, that film. Anyway, moving on. 743 00:34:50,440 --> 00:34:53,159 But they're saying, they say to Donna, say they cannot kill him 744 00:34:53,440 --> 00:34:56,520 or kill them because because Reggie's still alive at this 745 00:34:56,520 --> 00:34:59,640 point, not for much longer. But we can't kill them until 746 00:34:59,640 --> 00:35:03,120 we've until we've got the money. Yeah, the the mafia, surely they 747 00:35:03,120 --> 00:35:05,880 could just torture him, Torture them. 748 00:35:06,160 --> 00:35:07,800 Yeah, surely. Kid, kid, kid, kid. 749 00:35:07,800 --> 00:35:10,200 Kidnap them. Which they, which they finally 750 00:35:10,200 --> 00:35:12,600 do at the end of the film, cut off bits of. 751 00:35:13,000 --> 00:35:17,040 Yeah, in front of them. She'd be up for that. 752 00:35:17,360 --> 00:35:19,160 Exactly. Cut off her penny. 753 00:35:19,160 --> 00:35:19,720 Yeah. Oh. 754 00:35:20,840 --> 00:35:21,800 Your. Worst. 755 00:35:22,280 --> 00:35:24,680 Yeah, your worst. I'm shit worse than you. 756 00:35:25,160 --> 00:35:28,800 Are we sure about this script? I'm riffing, don't stop me. 757 00:35:29,200 --> 00:35:31,040 That's why. That's why you book PC. 758 00:35:34,160 --> 00:35:36,800 Where in the world fucking PC? Well, let's get on with it. 759 00:35:37,840 --> 00:35:44,720 Up lunch, I'm on a roll. No, you fucking can. 760 00:35:48,200 --> 00:35:49,480 Terrified during the. Shoot. 761 00:35:51,560 --> 00:35:56,200 Basically they spent the whole film secretly protecting Dick 762 00:35:56,200 --> 00:36:01,680 Henry like Hong Kong Phooey's dog, and then finally they 763 00:36:01,680 --> 00:36:03,160 kidnapped him, which he could have done right at the 764 00:36:03,240 --> 00:36:04,800 beginning. There's a lot of things they 765 00:36:04,800 --> 00:36:07,040 could have done earlier. Oh, yeah, Yeah, yeah, yeah. 766 00:36:07,040 --> 00:36:08,680 I mean, they, they could not have made this film. 767 00:36:09,880 --> 00:36:11,840 Well, while Charlie's. So Charlie's in prison. 768 00:36:12,000 --> 00:36:13,720 Yeah. And he and he, he gets a visit 769 00:36:13,720 --> 00:36:16,320 from his supposed solicitor, but it's it's Ronald Fraser. 770 00:36:16,320 --> 00:36:18,280 Ronald Fraser. Last year of voices. 771 00:36:18,560 --> 00:36:20,080 Yeah. Oh, wonderful. 772 00:36:20,280 --> 00:36:23,040 He's Scottish, isn't he? I think he's really in real 773 00:36:23,040 --> 00:36:25,880 life, Yeah. Permanent moist, wet lips. 774 00:36:27,080 --> 00:36:28,600 Well, he's got no lips. He hasn't got lips. 775 00:36:28,600 --> 00:36:30,320 He's got. He's got a Muppet mouth. 776 00:36:30,320 --> 00:36:33,200 My. My my my sister used to say had 777 00:36:33,200 --> 00:36:36,080 a mouth like you'd put a little cut in some plasticine. 778 00:36:36,200 --> 00:36:39,600 Yes, yeah, right. I'll say this. 779 00:36:39,600 --> 00:36:43,800 He's got a lovely damp slit. Thank you for saying that. 780 00:36:44,320 --> 00:36:46,520 You're welcome. It's horrible. 781 00:36:46,640 --> 00:36:50,080 And then actually coaching up Emery later, he's got horrible 782 00:36:50,080 --> 00:36:52,720 cold dead shark eyes as. Well, I was going to say he's 783 00:36:52,720 --> 00:36:54,800 got thuggish. Thuggish. 784 00:36:55,080 --> 00:36:57,400 Like an Otter or or weasel or something. 785 00:36:57,480 --> 00:36:59,280 Yeah, he's black. Darting eyes. 786 00:36:59,440 --> 00:37:02,360 It's sort of natural voice. This is really like, yeah, do 787 00:37:02,400 --> 00:37:04,360 it, you fucking. It's horrible. 788 00:37:04,360 --> 00:37:08,800 He's got really horrible, nasty little clipped, evil little. 789 00:37:09,480 --> 00:37:13,760 There's something something, you know, Very, it's dodgy about the 790 00:37:13,760 --> 00:37:16,160 look of that Dick Emery. I appreciate what it is. 791 00:37:16,440 --> 00:37:20,680 I don't know. Well, he in place. 792 00:37:20,680 --> 00:37:22,520 If he'd lived a bit longer, he could have had he could have 793 00:37:22,520 --> 00:37:25,400 taken on those roles of like the gangland boss. 794 00:37:25,600 --> 00:37:28,000 That's true, he could have done. He would have been in that's a 795 00:37:28,000 --> 00:37:29,960 some wine. That's that's true. 796 00:37:30,440 --> 00:37:33,600 Having to dress up as a Mandy every episode. 797 00:37:34,040 --> 00:37:35,600 Some fucking inexplicable reasons. 798 00:37:35,640 --> 00:37:37,560 Compost trying to shag him, of course. 799 00:37:37,720 --> 00:37:40,280 Yeah. Not as Mandy, just him. 800 00:37:40,760 --> 00:37:43,480 Or is it Howard Howard and Howard Howard dumps Marina? 801 00:37:43,520 --> 00:37:45,400 Yeah, that that favorite is Mandy. 802 00:37:45,720 --> 00:37:48,320 Compo opens this matchbox and it's Dick Henry inside just as 803 00:37:48,360 --> 00:37:50,880 Mandy. Somehow I. 804 00:37:52,360 --> 00:37:55,640 Was I was thinking Dick Henry was sort of the BBC version of 805 00:37:55,640 --> 00:37:57,520 Benny Hill in a way. Yes, completely. 806 00:37:58,000 --> 00:38:01,920 Yeah, and as as Jeremy and I've spoken about at lengths on many 807 00:38:01,920 --> 00:38:06,400 of the podcasts, he his, his shows are so appalling. 808 00:38:06,720 --> 00:38:09,880 It's often a 9 minute sketch. That goes. 809 00:38:09,960 --> 00:38:13,440 Nowhere, couple of box spots and then a 12 minute sketch. 810 00:38:13,440 --> 00:38:15,960 And it's not, it's not. It's normally even doing lamp 811 00:38:15,960 --> 00:38:19,960 Wick who's so boring as a character that's God especially 812 00:38:20,000 --> 00:38:23,920 will a mate but without any. Yeah, Well, he plays that 813 00:38:23,920 --> 00:38:25,840 character. One of the characters he plays 814 00:38:25,840 --> 00:38:29,600 in Muckin, his battlehorn is is is that character basically. 815 00:38:29,720 --> 00:38:31,760 Right. So. 816 00:38:31,760 --> 00:38:34,000 Right. So Charlie's released and he 817 00:38:34,000 --> 00:38:37,120 says to he says to Norman Byrd, like, like he's been in there 818 00:38:37,120 --> 00:38:39,080 for six months. He's never asked him or never 819 00:38:39,080 --> 00:38:40,480 found out. Never did find out. 820 00:38:40,480 --> 00:38:42,080 What's your surname? Yeah. 821 00:38:42,440 --> 00:38:43,200 Yeah. Burke. 822 00:38:43,440 --> 00:38:46,080 Prison Officer Burke. Oh, my surname. 823 00:38:46,240 --> 00:38:48,880 It's hate this film. Oh, OK. 824 00:38:50,520 --> 00:38:52,160 Yeah. It doesn't even say anything. 825 00:38:52,160 --> 00:38:54,600 It just goes, yeah. Yeah, exactly. 826 00:38:54,600 --> 00:38:56,200 Yeah, it doesn't. It doesn't even go thoughts. 827 00:38:56,200 --> 00:38:59,160 So thanks for no nothing. Place hold the line. 828 00:38:59,320 --> 00:39:01,680 He should have just glanced straight into the camera. 829 00:39:02,040 --> 00:39:05,960 Yeah, punch the camera. But the camera, what are you 830 00:39:05,960 --> 00:39:07,600 watching this ship for? He should have done, but he 831 00:39:07,600 --> 00:39:10,080 didn't. Immediately meets Mr. Frazier. 832 00:39:11,000 --> 00:39:14,720 He got this really boring walk, big big floppy hat and dark 833 00:39:14,720 --> 00:39:16,320 glasses. Why is he dressed like? 834 00:39:16,800 --> 00:39:19,040 That leads into a building site for no apparent. 835 00:39:19,040 --> 00:39:21,520 Reason some horrible industrial waste building site. 836 00:39:22,760 --> 00:39:26,320 It's because he's being followed by the human Thunderbird puppet. 837 00:39:26,400 --> 00:39:29,160 Which is Darren Nesbitt, of course. 838 00:39:29,200 --> 00:39:30,240 Yeah. Who's Who's Sid? 839 00:39:30,240 --> 00:39:31,280 Sabbath? The Local. 840 00:39:32,160 --> 00:39:34,320 Sid Sabbath, the local Ned the world. 841 00:39:34,680 --> 00:39:37,400 Odd choice of surname. Sabbath 2. 842 00:39:37,560 --> 00:39:40,800 That's different connotations. It should be Sid Punch or 843 00:39:40,800 --> 00:39:46,720 something, yeah. Yeah, yeah, Sid Naughty. 844 00:39:46,840 --> 00:39:50,120 Sid Slugger. Yeah, they perfect, Sid Slugger. 845 00:39:50,600 --> 00:39:51,840 Yeah, Yeah. Perfect. 846 00:39:51,840 --> 00:39:52,960 Yeah. Sid. 847 00:39:52,960 --> 00:39:54,800 Sid was number 2 with the prisoner or something. 848 00:39:56,000 --> 00:40:00,400 So and he's he's after Ronald Fraser because he's had a had it 849 00:40:00,400 --> 00:40:02,440 away with his sister. He's had away with his sister. 850 00:40:02,480 --> 00:40:05,280 This is the subplot. Yes. 851 00:40:05,800 --> 00:40:07,920 Yeah. And and they've they've got all 852 00:40:07,920 --> 00:40:09,720 this time. They're walking through this 853 00:40:09,720 --> 00:40:14,920 building site and Reggie, all Reggie has to say the moment 854 00:40:14,920 --> 00:40:18,440 he's out of the prison, all he has to say to him that the 855 00:40:18,600 --> 00:40:20,200 account number's tattooed on their houses. 856 00:40:20,440 --> 00:40:22,440 Yes. Yeah, He does not. 857 00:40:22,480 --> 00:40:24,680 He does not. He doesn't get the chance, does 858 00:40:24,720 --> 00:40:25,680 he? He's almost. 859 00:40:25,720 --> 00:40:27,840 Yeah, he says on the back or something, which turns out to be 860 00:40:27,840 --> 00:40:31,320 on the back of the door, which I don't think that's you wouldn't 861 00:40:31,320 --> 00:40:33,960 start to send us like that on the back of the door. 862 00:40:33,960 --> 00:40:38,960 I've put some photos of these. In the bed I got up from this 863 00:40:38,960 --> 00:40:40,680 morning, yeah. What? 864 00:40:42,240 --> 00:40:44,400 So yeah, they, they, he basically gets killed. 865 00:40:45,840 --> 00:40:47,920 He he, he is trying to set up Charlie. 866 00:40:48,680 --> 00:40:49,960 No, it looks. Like he is. 867 00:40:50,080 --> 00:40:53,720 I think it's just very badly because first also how he. 868 00:40:53,800 --> 00:40:55,600 Looks so shifty. It looks like he's sort of 869 00:40:55,600 --> 00:40:59,440 waiting for it to happen, but. Obviously not, but how does the 870 00:40:59,440 --> 00:41:03,080 how does the how's the gangsters know to be in a digger somehow? 871 00:41:03,480 --> 00:41:05,920 Yeah, yeah. The key, the keys are left in 872 00:41:05,920 --> 00:41:08,560 the the ticket. So so once they come out the 873 00:41:08,560 --> 00:41:12,080 prison, we need 4000 men in every available vacation. 874 00:41:12,560 --> 00:41:14,800 Just to lurk around the. Corner just in case they go 875 00:41:14,920 --> 00:41:18,200 there but but these are these it's handy. 876 00:41:18,480 --> 00:41:22,160 These are Sabbath, Sabbath men and you've got you've got the 877 00:41:22,160 --> 00:41:25,160 London family, the chapter of the Mafia that's. 878 00:41:25,400 --> 00:41:27,560 True. Watching them, yeah. 879 00:41:28,160 --> 00:41:31,040 And since Sabbath does have a taste for the theatrical, as we 880 00:41:31,040 --> 00:41:31,480 find out. Oh. 881 00:41:31,720 --> 00:41:34,600 Yes, yeah, Afro he he's got on at the end of the. 882 00:41:34,600 --> 00:41:35,880 Film. Oh, that's, that's part of it, 883 00:41:35,880 --> 00:41:38,800 yeah. Yes, it looks very similar to 884 00:41:38,800 --> 00:41:43,040 the hair that Liz and Anthony had in Without a Clue. 885 00:41:43,920 --> 00:41:45,280 I think it's like the hair bare bunch. 886 00:41:45,280 --> 00:41:51,200 Either either it works, yeah. Anyway, so runner face is dead 887 00:41:51,200 --> 00:41:52,320 good. Good, yeah. 888 00:41:52,880 --> 00:41:55,400 Good. But OK, this is good. 889 00:41:55,400 --> 00:41:57,920 This is the major problem. This is the major problem I have 890 00:41:57,920 --> 00:42:00,280 with this film. But it's fundamental plot. 891 00:42:00,280 --> 00:42:00,760 Run. Run. 892 00:42:00,760 --> 00:42:02,680 A phrase is gone. Plot element. 893 00:42:03,520 --> 00:42:07,320 No, not, no, no. The fundamental plot element 894 00:42:07,520 --> 00:42:11,400 that I have a problem with is this whole notion of if you had 895 00:42:11,560 --> 00:42:15,280 a Swiss bank account and you wanted to make a note of the 896 00:42:15,280 --> 00:42:18,080 number so that your partner could access it. 897 00:42:18,080 --> 00:42:21,160 Yeah, there's easier ways. There are a. 898 00:42:21,160 --> 00:42:23,480 Multitude of different ways to do it, isn't it? 899 00:42:24,160 --> 00:42:26,440 I mean, you could fog up a window, write it there. 900 00:42:27,480 --> 00:42:28,840 You write it on a piece of paper, put it. 901 00:42:28,840 --> 00:42:31,640 I certainly wouldn't. I certainly wouldn't tattoo it 902 00:42:31,680 --> 00:42:35,640 on four random women's buttocks. No, not at all. 903 00:42:36,200 --> 00:42:38,040 And. And how much of an acquaintance 904 00:42:38,040 --> 00:42:40,840 do you need to have with these women for them to agree to 905 00:42:40,840 --> 00:42:42,360 allow? Well, it's Ronald Fraser. 906 00:42:42,360 --> 00:42:43,840 I mean it's. Ronald Fraser and as you know, 907 00:42:43,880 --> 00:42:47,920 every woman that Emery speaks to, they all think of it in a 908 00:42:47,920 --> 00:42:50,840 very high regard, yes. He's a catch. 909 00:42:51,280 --> 00:42:52,960 He's an absolute catch and a CAD. 910 00:42:53,560 --> 00:42:54,640 Yeah. Oh, he's having a CAD. 911 00:42:54,920 --> 00:42:58,560 Oh, he's a CAD, isn't he? But yeah, yeah, it's stupid, 912 00:42:58,560 --> 00:42:59,440 isn't it? That's that's, yeah. 913 00:42:59,440 --> 00:43:00,960 There you go. It's stupid. 914 00:43:01,080 --> 00:43:02,040 It's. Stupid. 915 00:43:02,360 --> 00:43:04,320 Even the way he tries to tell him it's convoluted when he 916 00:43:04,320 --> 00:43:05,840 talked about the photo on the back of the door. 917 00:43:05,840 --> 00:43:07,320 Why can't? Yeah, just say it. 918 00:43:07,320 --> 00:43:09,000 Just don't fucking say. Something. 919 00:43:09,040 --> 00:43:13,480 I'm the fucking just say things his character. 920 00:43:13,840 --> 00:43:15,840 It's not, which is really surprised me. 921 00:43:15,840 --> 00:43:18,800 It's not Randy and constantly looking at women going what at 922 00:43:18,800 --> 00:43:20,800 all. Well, Dick Emery's Dick. 923 00:43:20,880 --> 00:43:21,840 Yeah. No, he's not. 924 00:43:21,840 --> 00:43:23,760 He's. He's just a mean bastard. 925 00:43:23,760 --> 00:43:26,520 This thing is to dress up as women and be fucked by duckers. 926 00:43:26,720 --> 00:43:29,760 That's his thing. Also, as is about to happen, he 927 00:43:29,760 --> 00:43:31,520 dresses up obviously as hello, uncle talks. 928 00:43:31,520 --> 00:43:34,480 How are you? But then, yeah, immediately cuts 929 00:43:34,480 --> 00:43:35,520 it down. No, I'm not. 930 00:43:35,600 --> 00:43:38,680 I'm not really like that. Oh, hang on, hang on, you missed 931 00:43:38,680 --> 00:43:39,000 a bit. Did. 932 00:43:39,200 --> 00:43:40,400 I oh the missed a bit. Oh, the grieving. 933 00:43:40,520 --> 00:43:42,160 Was good. Let's keep missing a bit. 934 00:43:43,360 --> 00:43:44,440 She was just missed the rest of it. 935 00:43:44,640 --> 00:43:47,000 No, but you've got Neil's dad from the Young Ones as the 936 00:43:47,000 --> 00:43:48,800 funeral girl of course of. Course. 937 00:43:48,800 --> 00:43:51,000 Yeah, yeah. Well, that's an electric 938 00:43:51,000 --> 00:43:53,920 sequence, isn't it? And Charlie's dressed up. 939 00:43:53,920 --> 00:43:55,640 Is this well to do? Is it Lady is? 940 00:43:55,640 --> 00:43:58,160 That a regular recovery character or is it just part? 941 00:43:58,160 --> 00:44:01,800 Of no, no, This is a brand brand new for brand new for the fans. 942 00:44:01,800 --> 00:44:03,640 Because it's so well developed as a character. 943 00:44:03,640 --> 00:44:06,840 So brilliantly developed. He's like a dodgery. 944 00:44:06,880 --> 00:44:09,720 I'm the mother of the distinct and I would really like to take 945 00:44:09,720 --> 00:44:11,200 my son's body with me. Call. 946 00:44:11,200 --> 00:44:13,080 Yourself, dear lady, let me assure you. 947 00:44:13,480 --> 00:44:15,320 That when you. Place him in the hands of M 948 00:44:15,400 --> 00:44:18,280 Sinfield, Limited. Nothing is of too much trouble. 949 00:44:18,560 --> 00:44:21,480 He will receive every possible care and attention before he 950 00:44:21,480 --> 00:44:25,000 ascends to his heavenly reward. I'm so pleased. 951 00:44:25,400 --> 00:44:27,600 That means he's been well looked after during the past week. 952 00:44:28,200 --> 00:44:31,320 Phil, I don't quite understand. Well, you've had him here since 953 00:44:31,320 --> 00:44:33,000 last Monday. That's what they told me down at 954 00:44:33,000 --> 00:44:35,400 the public Mortuary. What are you? 955 00:44:35,400 --> 00:44:37,920 Referring to that lousy council job we got Lombard with. 956 00:44:38,320 --> 00:44:39,840 But it's taken you long enough to turn up. 957 00:44:39,840 --> 00:44:42,840 I must say I have a good mind to charge you rent for him. 958 00:44:43,240 --> 00:44:45,280 What do you think this is, a left luggage office? 959 00:44:45,640 --> 00:44:47,560 Oh, will you see? I was scuba diving in the 960 00:44:47,560 --> 00:44:49,440 Bahamas when the tragic news came through. 961 00:44:49,440 --> 00:44:51,040 It'd been a wonderful season for scuba. 962 00:44:52,640 --> 00:44:54,880 That actor, Brian Alton, you know who plays the funeral 963 00:44:54,880 --> 00:44:55,360 director? Yeah. 964 00:44:55,360 --> 00:44:57,520 What have we seen him every? Apart from the young ones. 965 00:44:58,000 --> 00:45:02,560 Every role he's ever taken on, he's required at some point to 966 00:45:02,560 --> 00:45:05,000 look startled. Because yeah, he's, he's, he 967 00:45:05,000 --> 00:45:06,480 must. He's didn't carry on films. 968 00:45:06,920 --> 00:45:08,520 He's in, he's in. I'm a right Jack. 969 00:45:08,520 --> 00:45:12,080 I think he's in, he's in, he's in every black and white British 970 00:45:12,080 --> 00:45:14,960 comedy film from 1954. Is he about? 971 00:45:15,040 --> 00:45:18,480 I just, I just assumed that John Lamezzi was busy that day. 972 00:45:19,080 --> 00:45:21,120 Yes, that would have been him, wouldn't it? 973 00:45:21,400 --> 00:45:22,360 Is it? It would have been. 974 00:45:22,360 --> 00:45:25,400 Was he the was he the boss of the the shop where? 975 00:45:26,200 --> 00:45:28,120 Carry on camping? Where? 976 00:45:28,120 --> 00:45:32,800 Oh, he might read me on this gentleman kept touching things. 977 00:45:32,800 --> 00:45:34,480 Yeah. Yeah, he might be. 978 00:45:34,480 --> 00:45:36,040 He might be I. Think he might be that? 979 00:45:36,480 --> 00:45:38,800 Yeah, he probably is. Oh, now you're talking about, 980 00:45:39,000 --> 00:45:41,120 you're talking about a much better British comedy film. 981 00:45:41,440 --> 00:45:43,960 Now we're going to get. I just got one thing to say to 982 00:45:43,960 --> 00:45:45,880 you, a pound. Thank you. 983 00:45:46,200 --> 00:45:46,880 Thank you. Yes. 984 00:45:47,240 --> 00:45:49,600 Thank you. Oh, that, that. 985 00:45:49,960 --> 00:45:53,200 That'll go a long way. That'll get through the next few 986 00:45:53,200 --> 00:45:57,280 scenes. OK, so, yeah, so he goes to the 987 00:45:57,280 --> 00:45:58,680 but anyway, so he's beat. So. 988 00:45:58,680 --> 00:46:00,720 Oh, bloody old Reggie's been cremated. 989 00:46:00,720 --> 00:46:01,960 That's torn it. Yeah. 990 00:46:01,960 --> 00:46:03,960 So there's no way now he can find out the information. 991 00:46:05,440 --> 00:46:07,960 And he then he he has he has all these epiphanies, doesn't he, 992 00:46:08,400 --> 00:46:12,480 Charlie and he he visits, he visits Reggie's local tattooist. 993 00:46:12,800 --> 00:46:15,400 Yeah, that's yeah. Like to do some gay banter, but 994 00:46:15,400 --> 00:46:16,720 it doesn't go anywhere. It's not funny. 995 00:46:17,200 --> 00:46:19,160 No. Well, why doesn't he dress up? 996 00:46:19,160 --> 00:46:22,760 Because Clarence is his gay character in the TV series, so 997 00:46:22,760 --> 00:46:24,800 he does all he does all the other characters. 998 00:46:25,040 --> 00:46:26,640 Yeah, but that's it. That's all he does. 999 00:46:26,640 --> 00:46:28,720 Why doesn't he have a sequence where he's dressed up as that 1000 00:46:28,720 --> 00:46:30,360 character? Because he didn't doing the full 1001 00:46:30,360 --> 00:46:33,800 because because I think he's secretly, well, not secretly, I 1002 00:46:33,800 --> 00:46:35,680 think he probably didn't want to be associated with that 1003 00:46:35,680 --> 00:46:38,680 character in a real do you know what I mean beyond just a a 1004 00:46:38,960 --> 00:46:41,640 brief lewd gag. Really. 1005 00:46:41,680 --> 00:46:43,960 I don't think he even thought. That do you know what I. 1006 00:46:43,960 --> 00:46:45,600 Just no. I just think they went 1007 00:46:46,000 --> 00:46:47,240 afterwards. Oh yeah, we could have done 1008 00:46:47,240 --> 00:46:47,760 that. Oh well. 1009 00:46:48,520 --> 00:46:49,800 It's. Probably. 1010 00:46:49,840 --> 00:46:52,840 More likely, by the way, by the way, the tattooist, I recognise 1011 00:46:52,840 --> 00:46:54,760 him, so he looked about and he was in El Dorado. 1012 00:46:55,720 --> 00:46:58,840 Brilliant. But we have to put we he, this 1013 00:46:58,840 --> 00:47:01,160 tattooist gives him the information that Reggie had been 1014 00:47:01,160 --> 00:47:03,200 in four times with four different birds. 1015 00:47:03,200 --> 00:47:04,280 Yeah. And. 1016 00:47:05,120 --> 00:47:07,600 And the name, name of the bank and account numbers tattooed 1017 00:47:07,600 --> 00:47:09,120 across them. Yeah, yeah. 1018 00:47:09,720 --> 00:47:12,600 And there's an attempt at a joke where he says to the gentleman 1019 00:47:12,600 --> 00:47:15,560 who is tattooing, oh, I've written mother with two TS. 1020 00:47:16,320 --> 00:47:17,840 And then he goes, oh, I'll do a butterfly. 1021 00:47:17,840 --> 00:47:19,360 Yeah, yeah. Yeah, OK. 1022 00:47:20,320 --> 00:47:22,520 Yeah, well, I quite like him. His character actually. 1023 00:47:22,640 --> 00:47:24,360 His tattoo is. Tattoo is. 1024 00:47:24,480 --> 00:47:26,160 Yeah, yeah, compared to everyone. 1025 00:47:26,160 --> 00:47:27,920 Else do you? I love him this. 1026 00:47:29,600 --> 00:47:30,800 Is your favorite character, Isn't. 1027 00:47:30,880 --> 00:47:33,320 It so far I think he is. Yeah, that's fair enough. 1028 00:47:33,320 --> 00:47:34,560 There's nothing wrong with that proposal. 1029 00:47:36,200 --> 00:47:36,760 Next. Next. 1030 00:47:36,760 --> 00:47:39,360 You see, You see Charlie back at the flat with Pat. 1031 00:47:39,400 --> 00:47:41,480 Yeah. And Pat's. 1032 00:47:42,120 --> 00:47:46,480 Pat's vacillating between being enraged and distressed, 1033 00:47:46,480 --> 00:47:50,960 grieving, upset and grieving. And he says about the the the 1034 00:47:50,960 --> 00:47:54,000 urn with with Reggie's ashes. And I knocked him over 1035 00:47:54,000 --> 00:47:55,000 yesterday. He's in the Hoover. 1036 00:47:55,000 --> 00:47:56,960 Oh yeah. That's. 1037 00:47:57,320 --> 00:47:59,040 That's all right. Actually, no, you're right. 1038 00:47:59,040 --> 00:48:00,640 A joke? Yeah. 1039 00:48:00,720 --> 00:48:02,080 Gallows humour. It's got dark. 1040 00:48:02,760 --> 00:48:05,840 Yeah. And yeah, and he finds, he finds 1041 00:48:05,840 --> 00:48:09,360 pinned to the back of the bog door the photograph with the 1042 00:48:09,960 --> 00:48:13,360 names, names and numbers of the forecasts on Reggie's arm 1043 00:48:14,240 --> 00:48:17,400 anyway. And then Waterloo, Waterloo 1044 00:48:17,400 --> 00:48:18,280 station. Now. 1045 00:48:18,280 --> 00:48:22,360 Now he has to find the four ladies, the first one. 1046 00:48:22,440 --> 00:48:24,880 I mean, is this how they this isn't how they used to do 1047 00:48:24,880 --> 00:48:28,680 announcements, is it? I don't know, but because I I. 1048 00:48:28,880 --> 00:48:31,280 I really hope it was. I use Waterloo a lot. 1049 00:48:31,520 --> 00:48:35,000 Whenever I go fast, I look for that little capsule in the sky 1050 00:48:35,000 --> 00:48:36,800 that she was giving the announcement from I. 1051 00:48:38,200 --> 00:48:40,160 Don't think I mean. Did it really exist? 1052 00:48:40,680 --> 00:48:43,040 I really hope it did, but I'm not sure it does. 1053 00:48:44,560 --> 00:48:46,040 No, but. The boots. 1054 00:48:46,040 --> 00:48:47,680 She's there. Boots on platform 12 that's 1055 00:48:47,680 --> 00:48:49,320 still there. Oh yeah, that's still there. 1056 00:48:49,400 --> 00:48:51,800 Yeah. Although the Drum restaurant 1057 00:48:51,800 --> 00:48:53,840 seems to have gone by the way, I. 1058 00:48:55,000 --> 00:48:56,920 Know you told me to wait outside though last week. 1059 00:48:57,120 --> 00:48:58,800 The Drum Restaurant. Yeah. 1060 00:48:58,840 --> 00:49:00,520 You know where Michael Shravall Martin is? 1061 00:49:00,840 --> 00:49:03,360 Yeah. What other, what other shops did 1062 00:49:03,360 --> 00:49:05,120 you had? Did you get in railway stations 1063 00:49:05,120 --> 00:49:07,560 that you don't see anymore? Like was it the John Menzies? 1064 00:49:07,560 --> 00:49:09,160 You would have had a Wendy, probably. 1065 00:49:09,320 --> 00:49:12,160 Or golden egg. Yeah, Rumblows. 1066 00:49:12,760 --> 00:49:15,160 Probably Rumblows, yeah. Rumblows you buy a washing 1067 00:49:15,160 --> 00:49:19,000 machine on the way over. Dave Hill's ice cream on the way 1068 00:49:19,000 --> 00:49:24,440 out. Bee jam, bee jams yeah, yeah, 1069 00:49:25,200 --> 00:49:28,080 but she yeah, so she she's she's this kind of common. 1070 00:49:28,080 --> 00:49:32,560 I hate to use the word common young lady who does a posh voice 1071 00:49:32,560 --> 00:49:35,080 when she gives the train announcements she does so she's 1072 00:49:35,080 --> 00:49:37,520 trying to give train announcements whilst talking to 1073 00:49:38,320 --> 00:49:41,120 Charlie who's previously rung her up pretending to be. 1074 00:49:41,280 --> 00:49:43,080 But it's got his false teeth in, so it's his. 1075 00:49:43,080 --> 00:49:44,280 False. He goes false teeth in, Yeah. 1076 00:49:44,280 --> 00:49:47,640 False teeth character. Yeah, Mr. Teeth. 1077 00:49:47,640 --> 00:49:51,040 And he's like, I'm, I'm here to speak to you about someone's 1078 00:49:51,080 --> 00:49:53,240 win. Yeah, who are you? 1079 00:49:53,480 --> 00:49:54,720 I'm Mr. Teeth. What alone? 1080 00:49:56,760 --> 00:50:00,720 Mr. Incisor, Tooth man. You have to talk. 1081 00:50:00,720 --> 00:50:03,200 You have to talk to me over a loud 10 I that's the only way 1082 00:50:03,200 --> 00:50:05,320 I'm going to. Talk to you you mentioned the 1083 00:50:05,320 --> 00:50:07,600 Waterloo and I don't tell you what I look like, where I'll 1084 00:50:07,600 --> 00:50:12,960 work and what I'll do I'll see you later and he he mentions 1085 00:50:12,960 --> 00:50:15,520 Reggie and she starts crying as she's announcing the train 1086 00:50:15,520 --> 00:50:16,800 delay. That's the only thing that. 1087 00:50:16,840 --> 00:50:18,960 She oh, is it? See, they do. 1088 00:50:18,960 --> 00:50:21,680 Care tell you that the thing that's true, that and then she 1089 00:50:21,680 --> 00:50:24,880 goes see, they do care. I thought that's the only bit I 1090 00:50:24,880 --> 00:50:27,000 laughed at the whole film. I laughed her nothing do with 1091 00:50:27,080 --> 00:50:30,920 fucking Emory. I laughed at the bit after 30 1092 00:50:30,920 --> 00:50:33,400 seconds later when she when she announces over the turn away. 1093 00:50:33,880 --> 00:50:37,160 You want me to show you my bum? No, she also doesn't think about 1094 00:50:37,160 --> 00:50:40,520 a boy but she does it like giving no shits because she's 1095 00:50:40,520 --> 00:50:42,160 angry. She turns on time and goes. 1096 00:50:42,320 --> 00:50:43,800 Oh yeah, there's some missing kid or something. 1097 00:50:44,360 --> 00:50:46,160 Oh, that's right, yeah. That's the only funny thing. 1098 00:50:46,160 --> 00:50:48,960 The film is No2 Lives no. You're quite right, I must have 1099 00:50:49,080 --> 00:50:53,400 been in a foul mood when I watched it for some for some 1100 00:50:53,400 --> 00:50:55,360 reason I don't know what. Well, we'd had a few drinks, you 1101 00:50:55,360 --> 00:50:57,120 see. I'd never. 1102 00:50:57,280 --> 00:51:01,760 I can do if we hadn't had a few. Drinks the 10:15 non-stop to 1103 00:51:01,760 --> 00:51:04,200 Portsmouth. Will depart on Platform 14. 1104 00:51:06,120 --> 00:51:10,440 A certain tattoo mark if I know if I could just give you the 1105 00:51:10,440 --> 00:51:12,560 peek you. Want me to show you? 1106 00:51:16,640 --> 00:51:19,200 Also, she's got a very short shift because she he rings her 1107 00:51:19,200 --> 00:51:20,360 up when she's on her way to work. 1108 00:51:20,680 --> 00:51:22,240 Yeah. And she's announcing trains at 1109 00:51:22,240 --> 00:51:24,200 10:15. And then suddenly she's relieved 1110 00:51:24,200 --> 00:51:25,760 immediately by the. Yeah. 1111 00:51:26,040 --> 00:51:28,320 Sorry, haven't I true? That's true. 1112 00:51:29,040 --> 00:51:31,480 An hour? Probably had to work for 53 1113 00:51:31,480 --> 00:51:35,480 minutes. So she basically goes how did 1114 00:51:35,480 --> 00:51:37,400 you know he had a detector in the bone? 1115 00:51:37,400 --> 00:51:41,440 Because get in a plastic booth and just show your bum. 1116 00:51:41,600 --> 00:51:43,640 I know I've never met you before, but get your bum out and 1117 00:51:43,640 --> 00:51:44,560 we'll take. Get your bum out. 1118 00:51:44,840 --> 00:51:46,760 Yeah. And where all the public could 1119 00:51:46,760 --> 00:51:48,160 just look through because that will. 1120 00:51:48,200 --> 00:51:49,720 Happen. And she goes, all right, I 1121 00:51:49,720 --> 00:51:51,960 suppose I should. So this she does. 1122 00:51:52,120 --> 00:51:56,160 And this is presumably this is the only because, because Sam 1123 00:51:56,160 --> 00:51:58,560 Sabbath, what's his name? Stan, Sid Sabbath. 1124 00:51:58,640 --> 00:52:01,640 It's it's. Only after Ronald Fraser because 1125 00:52:01,640 --> 00:52:03,240 of. Yeah, he's got no bones with 1126 00:52:03,240 --> 00:52:06,320 Charlie. Until he see he happens to open 1127 00:52:06,320 --> 00:52:09,280 the fucking curtain. Yeah, he he just independently 1128 00:52:09,280 --> 00:52:11,760 happens to be there. What's what's what's the chances 1129 00:52:11,760 --> 00:52:13,280 eh? I know, thinking I should 1130 00:52:13,280 --> 00:52:15,160 probably get a passport photo done. 1131 00:52:15,800 --> 00:52:18,200 And because. No me, my sister goes there 1132 00:52:18,200 --> 00:52:21,040 whether there are so. So right now I'm going to kill. 1133 00:52:21,040 --> 00:52:22,480 You because I'm going to. Kill you I'm. 1134 00:52:22,800 --> 00:52:25,080 Going to kill you because my sister's got their ass out. 1135 00:52:25,360 --> 00:52:28,280 Yeah, even though it could be nothing to do with Dick Emery. 1136 00:52:28,520 --> 00:52:34,880 Yeah. What he sees is his sister, but 1137 00:52:34,880 --> 00:52:38,120 also also it's it's Dick Henry disguised as Mr. Teeth. 1138 00:52:38,120 --> 00:52:39,320 So how does he know? How does he know? 1139 00:52:39,320 --> 00:52:40,800 How do you know it's anything? I know. 1140 00:52:40,840 --> 00:52:42,720 He could have just legs. Yeah. 1141 00:52:43,240 --> 00:52:44,120 And we could have got away with it. 1142 00:52:44,520 --> 00:52:46,720 Oh, the train. Told her to do it or something 1143 00:52:46,720 --> 00:52:47,320 and. Run off. 1144 00:52:48,680 --> 00:52:51,400 The thing is, we're about to get into a sequence of very badly 1145 00:52:51,400 --> 00:52:55,200 murky day for night filming. You can't see what the Hell's 1146 00:52:55,200 --> 00:52:55,720 going on. I know. 1147 00:52:57,960 --> 00:52:59,960 They get they're going to he's going to become one of the main 1148 00:53:00,040 --> 00:53:02,280 supports of a new fly over. Yeah, there. 1149 00:53:02,440 --> 00:53:05,000 There was attempt at a joke, but they don't bother. 1150 00:53:06,400 --> 00:53:07,880 I didn't make a note of that. Yeah. 1151 00:53:09,120 --> 00:53:11,680 And he's he's going to be knocked off and put into the 1152 00:53:11,760 --> 00:53:15,960 into the foundations by Sid Sabbath's men, lads. 1153 00:53:16,640 --> 00:53:19,880 But then the Italians save him. Yes. 1154 00:53:19,880 --> 00:53:21,400 With a with a with a swinging hook. 1155 00:53:21,400 --> 00:53:22,000 It's really. Difficult. 1156 00:53:22,000 --> 00:53:24,040 It's pretty difficult to see what's going on. 1157 00:53:24,440 --> 00:53:27,440 But yeah. From what happens later, that's 1158 00:53:27,520 --> 00:53:29,600 what I gather as well. And there's a bit where just 1159 00:53:29,600 --> 00:53:32,120 Henry just pleads This is certainly depressing and 1160 00:53:32,120 --> 00:53:35,160 miserable and just, oh, God. Now do you? 1161 00:53:35,160 --> 00:53:36,640 Do you? Do you ever cheer when you're 1162 00:53:36,640 --> 00:53:40,000 watching a film when the characters give the the film's 1163 00:53:40,000 --> 00:53:45,000 title in the dialogues? Yeah. 1164 00:53:45,680 --> 00:53:49,160 Yeah, Star Wars. Yeah, or I mean, the worst one 1165 00:53:49,160 --> 00:53:51,800 is, is you guys are all on some sort of Star Trek. 1166 00:53:52,800 --> 00:53:55,360 Yeah, that's terrible in fast, in Fast Contact. 1167 00:53:56,840 --> 00:54:00,520 Was upon this time in the West. In this in this film. 1168 00:54:01,400 --> 00:54:08,000 Carry on, Henry. Oh, how Stella got her groove 1169 00:54:08,080 --> 00:54:11,160 back. Sorry. 1170 00:54:12,800 --> 00:54:15,120 In this film, it's got because so. 1171 00:54:15,320 --> 00:54:17,120 So it's got. Obviously the film's title was 1172 00:54:17,120 --> 00:54:19,280 right at the beginning. Mandy says, oh, you are awful. 1173 00:54:19,280 --> 00:54:21,680 Yeah. We at this point in the film 1174 00:54:21,680 --> 00:54:26,040 that we're up to now. Sid Sabbath, furious. 1175 00:54:26,040 --> 00:54:28,640 Yeah, very angry. Just says, just says get Charlie 1176 00:54:28,640 --> 00:54:29,200 Tully. Oh. 1177 00:54:29,480 --> 00:54:32,560 That's true, yeah. And that's the American title of 1178 00:54:32,560 --> 00:54:34,040 the film. Oh, is. 1179 00:54:34,880 --> 00:54:37,320 It yeah, it's called. They thought, oh, you're awful. 1180 00:54:37,920 --> 00:54:39,640 Probably confuse Americans, so they called it. 1181 00:54:39,640 --> 00:54:41,360 Get Charlie Tully. Get Charlie Tully. 1182 00:54:41,360 --> 00:54:43,520 It's just suppose he's got echoes of Get Carter. 1183 00:54:43,520 --> 00:54:46,800 I suppose it has. Also Tully, by the way, I found 1184 00:54:46,800 --> 00:54:49,960 out when I was vaguely Wikipedia surfing. 1185 00:54:50,840 --> 00:54:53,000 So you know, Dick Henry was married about 6 times. 1186 00:54:53,640 --> 00:54:56,800 Yeah, one of his previous wives maiden names was Tully. 1187 00:54:56,840 --> 00:54:59,480 So I don't know if it's, I don't know if that's a tribute or. 1188 00:55:00,160 --> 00:55:03,520 Susan Tully from yes, of course. House Tully from Game of 1189 00:55:03,520 --> 00:55:03,960 Thrones? Yes. 1190 00:55:04,160 --> 00:55:06,520 Yeah, you know, it's Caitlin Tully. 1191 00:55:06,920 --> 00:55:07,960 Yeah. Ned. 1192 00:55:08,000 --> 00:55:08,600 Stark's. Widow. 1193 00:55:08,600 --> 00:55:10,640 Ned Stark's widow, Yeah. That's what it was. 1194 00:55:10,920 --> 00:55:14,240 No so so if Dick Henry played his cards right, he could have 1195 00:55:14,240 --> 00:55:16,160 been thrown out of the Sky Palace. 1196 00:55:16,720 --> 00:55:20,480 Whatever. It's fucking God I'd love to 1197 00:55:20,480 --> 00:55:25,320 have seen. Dick Henry in Game of Thrones, 1198 00:55:25,320 --> 00:55:27,040 basically. Yeah, Basically, yeah, yeah. 1199 00:55:27,480 --> 00:55:29,680 That's that's what we're doing. Which he which he wouldn't have 1200 00:55:29,680 --> 00:55:31,000 done because he was dead so. Yeah, fine. 1201 00:55:32,440 --> 00:55:34,840 Ronnie Ronnie Fraser would have been good in Game of Thrones, 1202 00:55:34,840 --> 00:55:36,600 because lots. Of Oh yeah, it's. 1203 00:55:37,200 --> 00:55:39,480 Only in the time Swank about it's just been punty by. 1204 00:55:39,560 --> 00:55:43,160 A dragon. And killed at the Red Wedding. 1205 00:55:43,160 --> 00:55:44,680 Hopefully. Good luck. 1206 00:55:46,440 --> 00:55:50,000 That would be great. We're in danger of casting Carry 1207 00:55:50,000 --> 00:55:52,480 on Game of Thrones any second. Now we're not, we're not doing 1208 00:55:52,520 --> 00:55:54,120 it. No, we're not already thinking 1209 00:55:54,160 --> 00:55:55,080 about it. So stop. 1210 00:55:55,360 --> 00:55:57,000 Stop, stop, stop. Stop it. 1211 00:55:57,040 --> 00:56:01,800 Now, back to the film. We've got a fake milkman with 1212 00:56:01,800 --> 00:56:03,000 exploding milk. Don't. 1213 00:56:03,120 --> 00:56:05,320 Forget there's a very good piss off from the paperboy. 1214 00:56:05,320 --> 00:56:07,280 What's? Wrong with the letterbox. 1215 00:56:08,840 --> 00:56:12,880 That is my favorite bit of the film because one of the one of 1216 00:56:13,000 --> 00:56:17,160 the things in a relentless troll through the detritus of 70s 1217 00:56:17,200 --> 00:56:21,080 British comedy films, there's almost always a piss off from 1218 00:56:21,080 --> 00:56:22,640 someone. Yeah, someone, yeah. 1219 00:56:22,640 --> 00:56:25,040 Yeah, there was a there was a black Rolls Royce. 1220 00:56:25,040 --> 00:56:28,160 There's always depressing breakfast scene, there's always 1221 00:56:28,160 --> 00:56:30,600 someone going piss off. I hope at one point they're 1222 00:56:30,600 --> 00:56:32,760 allowed to on the. Yeah, but also, I hope at one 1223 00:56:32,760 --> 00:56:34,840 point there's going to be a film you see where the queen will say 1224 00:56:34,880 --> 00:56:36,800 it, you know? Piss off. 1225 00:56:37,560 --> 00:56:41,200 Yeah, yeah, something like that. Yeah, the paperboy does what 1226 00:56:41,200 --> 00:56:44,640 every paperboy does, just throws the paper on the steps and for 1227 00:56:44,640 --> 00:56:47,120 some reason outcomes Charlie goes, you could have put it into 1228 00:56:47,120 --> 00:56:49,560 a letterbox. So everybody goes piss off. 1229 00:56:50,520 --> 00:56:53,080 And I like to think he was really aiming that at Dick Henry 1230 00:56:53,080 --> 00:56:56,280 and not the character. To this day, there's there's a 1231 00:56:56,280 --> 00:57:00,680 65 year old man living somewhere who is still living off, who 1232 00:57:00,680 --> 00:57:04,120 still talks about I, I was, you know, I was just pissed off. 1233 00:57:04,160 --> 00:57:06,480 I told Dick, if I don't know Dick Henry to piss off. 1234 00:57:06,480 --> 00:57:08,520 No, now he's like that. And of course I was. 1235 00:57:08,760 --> 00:57:11,760 The one who said piss off. The Master Emery. 1236 00:57:12,000 --> 00:57:14,160 Well, in the film. No, no. 1237 00:57:17,000 --> 00:57:18,880 Probably, yeah. Yeah. 1238 00:57:18,960 --> 00:57:21,680 So that's so that happens. But you're right, we get the 1239 00:57:21,680 --> 00:57:23,120 exploding milk buffle. Why? 1240 00:57:24,080 --> 00:57:28,120 Convoluted way of doing it? Sabbath, Just get your men in. 1241 00:57:28,120 --> 00:57:32,520 Just smack down the door and just go up the little cock. 1242 00:57:34,280 --> 00:57:38,880 No, we need to pay for very convoluted, but not that. 1243 00:57:38,880 --> 00:57:41,720 You see, she will not. She'll take them on. 1244 00:57:41,720 --> 00:57:43,320 She'll be like rat. You shits. 1245 00:57:44,400 --> 00:57:47,200 But then weirdly after that, when they get involved with the 1246 00:57:47,200 --> 00:57:50,480 next two bottoms, the sort of the gangster plot gets slightly 1247 00:57:50,480 --> 00:57:51,600 forgotten. They sort of. 1248 00:57:51,600 --> 00:57:54,120 Completely. Well, the next, the next bit, 1249 00:57:54,120 --> 00:57:56,640 the next woman go because by the way, he's saved by the Italians 1250 00:57:56,640 --> 00:57:58,440 again, isn't he? Oh yeah, yeah, because they put 1251 00:57:58,440 --> 00:58:00,320 the milk bottle back in the milk float. 1252 00:58:00,320 --> 00:58:02,520 And then you you see an explosion, but you don't see it. 1253 00:58:02,640 --> 00:58:05,040 No, of course you don't. Yeah, it's quite, it's quite an 1254 00:58:05,040 --> 00:58:06,760 effective explosion off screen, yeah. 1255 00:58:07,280 --> 00:58:09,440 You get and you get some loads of yoghurt on his face, of 1256 00:58:09,440 --> 00:58:12,000 course. Comedy yoghurt, Yeah, but the 1257 00:58:12,000 --> 00:58:15,080 next scene where he goes to the society wedding of the. 1258 00:58:15,240 --> 00:58:20,400 Of fuck this is so cheaply filmed it's like a tent. 1259 00:58:20,440 --> 00:58:22,440 He's he's ruined a woman's. Life. 1260 00:58:22,440 --> 00:58:23,480 He's basically. Yes, really. 1261 00:58:23,920 --> 00:58:25,120 Yeah. He's probably caused deep 1262 00:58:25,120 --> 00:58:27,840 psychological damage, but it's OK because she's Lady 1263 00:58:27,840 --> 00:58:29,400 Poshington. Rah rah. 1264 00:58:29,560 --> 00:58:31,040 So smite. Yeah, Smite he. 1265 00:58:31,560 --> 00:58:33,920 Cuts a hole in the back of the dress but he also I I'm sure he 1266 00:58:33,920 --> 00:58:36,040 mentions knickers so he actually cuts her knickers off. 1267 00:58:36,040 --> 00:58:39,440 He takes her knickers off. Also, she thinks it's her 1268 00:58:40,080 --> 00:58:41,200 husband doing it. She's. 1269 00:58:41,200 --> 00:58:44,800 Oh, later. Well, yeah, later, yeah. 1270 00:58:45,240 --> 00:58:48,680 Yeah, later on, later on, please cut up all my clothes. 1271 00:58:48,680 --> 00:58:50,720 Later on have two extra hands and cut off my. 1272 00:58:51,160 --> 00:58:58,080 The back of my dress. Honestly, this tattoo on the bum 1273 00:58:58,080 --> 00:59:00,080 thing I mean. If we, if we, if we. 1274 00:59:00,120 --> 00:59:04,760 Turned gently towards the the magic of Ned Sherry and you 1275 00:59:04,760 --> 00:59:09,440 watch up the front a far better plot about the Nazi Allied war 1276 00:59:09,440 --> 00:59:13,800 plans tattooed on Frankie Howard's arse. 1277 00:59:14,920 --> 00:59:17,400 Not better. There's something in the air 1278 00:59:17,400 --> 00:59:22,200 about tattoos on private parts. Is this the fiddler as well? 1279 00:59:22,200 --> 00:59:24,520 And was it carry on something? The Fiddler. 1280 00:59:24,800 --> 00:59:26,960 Yes, Fiddler, yeah. That's a birth. 1281 00:59:26,960 --> 00:59:30,040 He's a birth mark, but that's on his cock. 1282 00:59:30,600 --> 00:59:34,600 Yeah, yeah. Did Frankie only agree to up the 1283 00:59:34,600 --> 00:59:36,480 front so that he could get his bum out? 1284 00:59:36,600 --> 00:59:38,560 Well, yeah, but not I don't think he would like to do it 1285 00:59:38,560 --> 00:59:40,520 that on film. That was his little little 1286 00:59:40,520 --> 00:59:42,640 sneaky. Way of I I saw his bum alive I. 1287 00:59:43,320 --> 00:59:44,920 Saw, Yeah. Oh, were you there at the Oxford 1288 00:59:44,920 --> 00:59:47,200 thing? Yeah, I saw his lithe, wrinkly 1289 00:59:47,480 --> 00:59:52,280 sagal. That lithe as an LITHE or Liv. 1290 00:59:53,120 --> 00:59:55,720 Neither really, but but it was there it. 1291 00:59:57,400 --> 00:59:58,880 Was Stephanie. Stephanie right in front of me. 1292 00:59:59,600 --> 01:00:02,520 Liver spots, dear listeners, Liver spots in his eyes. 1293 01:00:04,320 --> 01:00:08,400 I was in my slippers as well. Because you were with Prince 1294 01:00:08,480 --> 01:00:11,400 Azam, she took you to the show look like. 1295 01:00:11,600 --> 01:00:14,280 This look at this. Bottom This bottom looks like a 1296 01:00:14,320 --> 01:00:19,560 horse, a nest one. Honestly, if you want to see 1297 01:00:19,560 --> 01:00:25,320 tattoos on Obama as a major plot line, do seek out Frankie 1298 01:00:25,320 --> 01:00:27,080 Fallon. It's quite a funny film. 1299 01:00:27,400 --> 01:00:29,640 No, it's. Is it a genre of its own now? 1300 01:00:29,640 --> 01:00:30,720 Because there's more than one film. 1301 01:00:30,720 --> 01:00:32,360 There's three at least we can think of. 1302 01:00:32,360 --> 01:00:34,240 Yeah, there's Pompeii up Trustee. 1303 01:00:34,240 --> 01:00:37,040 Better not. No, no, you mean tattoos? 1304 01:00:37,040 --> 01:00:41,200 Films where film tattoos or marks on Yes it has mysterious 1305 01:00:41,200 --> 01:00:43,560 it's started some sixty 70s trope, isn't it? 1306 01:00:43,560 --> 01:00:46,480 Because actually Person and the statue are quite similar. 1307 01:00:46,480 --> 01:00:49,560 Pretty much the same, yeah. But anyway, you know. 1308 01:00:50,040 --> 01:00:53,480 But in, up, in, up the front, Bill Fraser does say, Frankie 1309 01:00:53,480 --> 01:00:55,960 Howard, as far as you're concerned, the sun shines out on 1310 01:00:55,960 --> 01:00:57,680 my ass. And then Frankie turns to the 1311 01:00:57,680 --> 01:00:59,240 camera and goes, what a short summer. 1312 01:01:00,360 --> 01:01:02,840 And that's a joke. Don't talk about funny films. 1313 01:01:02,920 --> 01:01:03,320 Over. Sorry. 1314 01:01:03,360 --> 01:01:03,920 All right. Yeah. 1315 01:01:07,160 --> 01:01:10,840 Don't talk about funny film so he ruins he ruins a woman's 1316 01:01:11,080 --> 01:01:13,200 wedding in life there's. A possible there's a vicar there 1317 01:01:13,280 --> 01:01:15,840 just to go oh at the pear button? 1318 01:01:16,400 --> 01:01:18,040 Yeah, which? Which he could have done as 1319 01:01:18,040 --> 01:01:19,480 well. He could have put some teeth in 1320 01:01:19,480 --> 01:01:24,160 and gone. And then we have the only 1321 01:01:24,160 --> 01:01:26,680 actress in this film who actually in real life has an 1322 01:01:26,680 --> 01:01:28,720 actual wing of a museum dedicated to it. 1323 01:01:28,720 --> 01:01:29,960 Is she? Yeah. 1324 01:01:30,200 --> 01:01:31,760 Yeah. The Paki Combs. 1325 01:01:32,480 --> 01:01:33,480 No, I know I. Know. 1326 01:01:36,640 --> 01:01:38,040 No, it's. Not no. 1327 01:01:38,280 --> 01:01:41,840 You're thinking of someone else. Got a ridiculous idea? 1328 01:01:42,400 --> 01:01:45,240 Lisa Goddard is a there's a, there's a some, there's a 1329 01:01:45,240 --> 01:01:47,520 there's a museum somewhere in Norfolk or somewhere where 1330 01:01:47,520 --> 01:01:50,520 there's A at least part of a room that's dedicated to her, 1331 01:01:50,520 --> 01:01:52,200 really. Elijah got that bum. 1332 01:01:52,200 --> 01:01:54,560 Wing. Because she was, she was married 1333 01:01:54,560 --> 01:01:57,160 to Colin Baker. Maybe at the time, I'm not sure. 1334 01:01:57,880 --> 01:02:00,080 Yeah, definitely, definitely at some point during the 70s. 1335 01:02:00,400 --> 01:02:02,880 Why does this secrets go up as a fucking long? 1336 01:02:02,960 --> 01:02:05,360 Because lamp wick's in it and everyone loves lamp Wick who 1337 01:02:05,360 --> 01:02:07,480 walks up and down table at the table and it's. 1338 01:02:08,240 --> 01:02:10,800 And again, why? If you're in disguise, why be 1339 01:02:10,800 --> 01:02:12,760 shitted like? Yeah, exactly. 1340 01:02:12,760 --> 01:02:15,360 Why risk getting tired? If the thing you want to do is 1341 01:02:15,360 --> 01:02:16,600 get you? Why do that? 1342 01:02:16,680 --> 01:02:18,240 Why are you shaking on the ladder? 1343 01:02:18,840 --> 01:02:21,520 And I think you're by yourself as well as you've done no one 1344 01:02:21,640 --> 01:02:23,800 fucking looking at you. I I'm saying character. 1345 01:02:25,640 --> 01:02:27,640 Calm down. I listen to your commentary 1346 01:02:27,640 --> 01:02:30,480 about this. Oh yeah, And I'm sure you said 1347 01:02:30,480 --> 01:02:32,240 you made the very one of you made the very good was probably 1348 01:02:32,240 --> 01:02:38,360 Dan made the very good point that wise he's why is he dressed 1349 01:02:38,360 --> 01:02:39,760 taking the trouble to dress up as lamp. 1350 01:02:39,760 --> 01:02:43,600 We can get a job there because he basically at night, yeah, 1351 01:02:43,600 --> 01:02:46,400 puts a ladder outside up so we can look through a window from 1352 01:02:46,400 --> 01:02:47,880 the outside. He couldn't have done that. 1353 01:02:47,920 --> 01:02:49,720 Yeah, yeah, yeah. But then he can't do that 1354 01:02:49,720 --> 01:02:52,200 because he's in character, so he has to shake the camera and go. 1355 01:02:54,120 --> 01:02:56,640 Just in case the badger's looking and might give them away 1356 01:02:56,640 --> 01:03:00,320 or something. Anyway, yeah, I, I spent about 1357 01:03:00,320 --> 01:03:04,720 15 minutes trying to find the name for that, that exercise 1358 01:03:04,720 --> 01:03:05,840 thing. Belt thing. 1359 01:03:06,080 --> 01:03:08,320 Oh yes, the belt. Uses is. 1360 01:03:08,560 --> 01:03:10,880 Do you think that is Lisa or is it a body devil because you 1361 01:03:10,880 --> 01:03:13,120 don't see her? Face I don't think Goddard, I 1362 01:03:13,120 --> 01:03:15,120 think that would have been in the contract. 1363 01:03:15,320 --> 01:03:17,160 Beneath her not get. To see my positive world. 1364 01:03:17,160 --> 01:03:21,480 But literally, what are those things called though? 1365 01:03:21,480 --> 01:03:23,880 Those those bum belts? Bum belts. 1366 01:03:24,680 --> 01:03:26,720 Maybe that's in the museum, who knows? 1367 01:03:27,000 --> 01:03:29,240 Yeah, the the very one. Well, could you? 1368 01:03:29,360 --> 01:03:30,960 Do you should go dirty Bum Bell Museum? 1369 01:03:31,360 --> 01:03:33,280 What else would you put in Eliza Goddard Museum? 1370 01:03:33,880 --> 01:03:37,120 Well, Colin. Baker all all her blankie blank 1371 01:03:37,120 --> 01:03:40,360 work. Wasn't she married to Alvin 1372 01:03:40,360 --> 01:03:41,320 Stardust as well? Oh. 1373 01:03:41,840 --> 01:03:45,200 What put him in there? But he's let's. 1374 01:03:45,680 --> 01:03:47,880 Not mention him. He's all right. 1375 01:03:47,920 --> 01:03:50,600 You think you're he all right? I think he's all right. 1376 01:03:51,280 --> 01:03:55,560 I think so, yeah. There's a, there's a recurring 1377 01:03:55,560 --> 01:03:56,600 gag. It's not really a gag. 1378 01:03:56,600 --> 01:03:59,080 It's just a a recurring thing. It's not a recurring where he 1379 01:03:59,080 --> 01:04:02,440 keeps he Dick Emery, Charlie Tulley keeps burning his hands 1380 01:04:02,440 --> 01:04:06,200 in the sense of rope burn would burn from ladders, but that 1381 01:04:06,320 --> 01:04:07,760 never pays off. No, no it does. 1382 01:04:08,120 --> 01:04:12,960 He never talks in his sleep. Again, he never puts his hand in 1383 01:04:12,960 --> 01:04:14,200 like a bucket and it's like that. 1384 01:04:14,200 --> 01:04:16,440 All that ridiculous amount of steam comes off and he sort of 1385 01:04:16,480 --> 01:04:17,880 looks like I'm. Like. 1386 01:04:18,360 --> 01:04:21,960 Yeah, none of that. Anyway, we get William Franklin 1387 01:04:21,960 --> 01:04:23,480 as the. Oh yes. 1388 01:04:23,480 --> 01:04:25,560 The the young he's described as young, which is. 1389 01:04:25,960 --> 01:04:29,320 Which is hilarious, yeah. But anyway, he's doing. 1390 01:04:29,480 --> 01:04:32,120 He looks like someone planned down Roald Dahl. 1391 01:04:35,680 --> 01:04:38,040 And he's doing a dodgy American accent which foxed us when we 1392 01:04:38,040 --> 01:04:39,400 watched it on the commentary. I remember I. 1393 01:04:39,680 --> 01:04:41,120 Remember thinking what really did? 1394 01:04:41,520 --> 01:04:45,360 We just thought he was shit, which to be fair given the rest 1395 01:04:45,360 --> 01:04:48,520 of the film was a fair guess, but he is. 1396 01:04:49,600 --> 01:04:51,880 But also why is he? Because he's he's doing the same 1397 01:04:52,080 --> 01:04:53,720 dodge, he's. Doing he's doing the treasure 1398 01:04:53,720 --> 01:04:55,520 map Kong but. Why is it? 1399 01:04:55,720 --> 01:04:58,560 Why is it like a script? He's a grifter, isn't he? 1400 01:04:58,600 --> 01:05:00,040 Yeah. No, no, Jeremy's absolutely 1401 01:05:00,040 --> 01:05:01,800 right because I wrote that down. Is he repeating it? 1402 01:05:01,800 --> 01:05:04,120 But beat him like that's the only way it can be said. 1403 01:05:04,240 --> 01:05:07,640 Yeah, so, so, so much so that Lambert could sort of like chime 1404 01:05:07,640 --> 01:05:07,880 in. Oh. 1405 01:05:07,920 --> 01:05:09,720 Come on. And then and then RIP a chicken 1406 01:05:09,720 --> 01:05:14,400 in half in anger so so that the audience can associate it with 1407 01:05:15,400 --> 01:05:17,120 because the audience is. The audience is stupid. 1408 01:05:17,960 --> 01:05:21,880 But he could have just gone back on or stopped anything. 1409 01:05:23,720 --> 01:05:25,920 Oh, who knows why anyone's doing anything at this point. 1410 01:05:27,840 --> 01:05:31,360 I'm so sorry, Arnold. Now you were telling me about 1411 01:05:31,360 --> 01:05:34,720 Captain Morgan's treasure. Surely my husband didn't believe 1412 01:05:34,720 --> 01:05:37,520 in its existence. No, not at first like my pappy, 1413 01:05:37,520 --> 01:05:39,480 but I think it was the map that finally convinced them. 1414 01:05:39,800 --> 01:05:41,960 The man. Showing the exact location of 1415 01:05:41,960 --> 01:05:44,080 the island. But how do they know it was 1416 01:05:44,080 --> 01:05:46,040 genuine? That's the very question I asked 1417 01:05:46,040 --> 01:05:48,400 myself. Well, my pappy submitted it to 1418 01:05:48,400 --> 01:05:51,360 the National Physical Laboratory and they gave it the carbon test 1419 01:05:51,880 --> 01:05:55,840 1665. Within a year or two, they found 1420 01:05:55,840 --> 01:05:59,200 that the ink was 40% oak gal on parchment from the Capretto 1421 01:05:59,200 --> 01:06:01,280 Goat. Exactly what you'd expect, of 1422 01:06:01,280 --> 01:06:03,640 course. Well, let's not kid ourselves 1423 01:06:03,640 --> 01:06:05,400 with three and a half million pounds of steak. 1424 01:06:05,960 --> 01:06:08,520 Give or take 100,000. Give or take 100,000, you got to 1425 01:06:08,520 --> 01:06:12,400 investigate every little thing. By the way, Liza got us. 1426 01:06:12,520 --> 01:06:14,320 It's very dodgy what happens to her. 1427 01:06:14,920 --> 01:06:17,840 Oh God, yeah, extremely dog. Well, it's bloody Charlie's plan 1428 01:06:17,840 --> 01:06:18,840 as well. It's horrible. 1429 01:06:19,000 --> 01:06:21,480 It's horrible. Yeah, because he's not got the 1430 01:06:21,480 --> 01:06:23,200 picture of a bum because it was vibrating. 1431 01:06:23,680 --> 01:06:27,080 And so was he therefore. Yeah, I think there's only he, 1432 01:06:27,120 --> 01:06:30,960 he, he he sort of reveals himself to the to the guy, 1433 01:06:30,960 --> 01:06:33,280 doesn't he, That he knows a con artist when he sees one, then 1434 01:06:33,280 --> 01:06:36,680 reveals that he's the great CC. The other comments are oh, 1435 01:06:36,680 --> 01:06:39,120 you're in, I'll be blood, stories about you, etcetera. 1436 01:06:39,280 --> 01:06:43,600 Yeah, trying to sell a dog. Yeah, therefore getting caught 1437 01:06:43,600 --> 01:06:45,400 after one. Second, I mean Princess Anne. 1438 01:06:47,280 --> 01:06:49,400 Yeah. So they planned, so he goes, I'm 1439 01:06:49,400 --> 01:06:51,280 not going to dub you and you carry on with the con if you 1440 01:06:51,280 --> 01:06:54,000 help me. And this is my amazing because 1441 01:06:54,080 --> 01:06:56,800 remember, Kelly is the master con. 1442 01:06:56,800 --> 01:06:59,400 Yeah, he's he's. And his plan is get a pissed and 1443 01:06:59,400 --> 01:07:00,760 sexually assault her. Yeah. 1444 01:07:00,840 --> 01:07:03,560 Yes, because you're the you know who man. 1445 01:07:04,200 --> 01:07:06,120 I think you're the perfect person to do it. 1446 01:07:07,160 --> 01:07:09,080 Oh yeah. Why'd they get in the wardrobe? 1447 01:07:09,080 --> 01:07:10,200 Why are they getting the? Wardrobe. 1448 01:07:10,200 --> 01:07:11,520 Why in the wardrobe? We can't have sex in the 1449 01:07:11,520 --> 01:07:15,040 wardrobe adequately so we don't get to see her bum, do we? 1450 01:07:15,120 --> 01:07:15,960 Absolutely. That's OK. 1451 01:07:15,960 --> 01:07:17,320 That and you don't. Oh, Dick. 1452 01:07:18,600 --> 01:07:20,000 Henry does. Yeah, exactly. 1453 01:07:20,200 --> 01:07:23,520 Rare moment, lack of prurience. And also, she just basically 1454 01:07:23,520 --> 01:07:24,960 goes, here's your photo of my bum. 1455 01:07:24,960 --> 01:07:26,160 I hope you like it. Yeah. 1456 01:07:26,200 --> 01:07:29,440 So you could have just asked her just can I take a picture of 1457 01:07:29,440 --> 01:07:30,600 your bum's really going. Yeah, Yeah. 1458 01:07:30,640 --> 01:07:31,240 All right. If you want. 1459 01:07:32,160 --> 01:07:34,440 But she sobers up the next morning, realises what's 1460 01:07:34,440 --> 01:07:36,400 happened. She's again, she's, she's going 1461 01:07:36,400 --> 01:07:37,840 to be damaged by that. Yeah, of course. 1462 01:07:38,160 --> 01:07:38,960 Yeah, probably. Yeah. 1463 01:07:39,280 --> 01:07:41,040 So there's. One of wedding's ruined. 1464 01:07:41,360 --> 01:07:44,680 Yeah. And Sid, Saba's sister, he's put 1465 01:07:44,680 --> 01:07:46,200 her into a convent, isn't he? Yeah, because. 1466 01:07:46,200 --> 01:07:49,080 That's true, of course. Her life's ruined a litany of 1467 01:07:49,080 --> 01:07:50,360 broken women. Exactly. 1468 01:07:51,080 --> 01:07:52,800 The detritus that he leaves behind, yeah. 1469 01:07:53,480 --> 01:07:55,640 Unbelievable. Does he care a jot? 1470 01:07:55,640 --> 01:07:56,840 No. Of course he doesn't. 1471 01:07:57,240 --> 01:08:00,080 There's one more tattoo. I know this is so. 1472 01:08:00,720 --> 01:08:03,200 So tedious, this whole. Let's make this sequence even 1473 01:08:03,200 --> 01:08:07,240 longer and Pat Coon's husband, who's we find out he's a master 1474 01:08:07,240 --> 01:08:09,480 forger. Of course he is, and he's come 1475 01:08:09,480 --> 01:08:11,160 up with the documentation that I. 1476 01:08:11,240 --> 01:08:13,960 Forgot you got involved. Charlie needs. 1477 01:08:14,240 --> 01:08:16,439 Yeah, to go to the police training school because a 1478 01:08:16,560 --> 01:08:18,520 mysterious woman called Jane. That's what he knows. 1479 01:08:18,520 --> 01:08:19,880 Jane. Jane. 1480 01:08:20,000 --> 01:08:21,080 And he's. Mandy done it. 1481 01:08:21,080 --> 01:08:23,040 He has to do Mandy, doesn't he? That's the best. 1482 01:08:23,040 --> 01:08:24,080 And he done it, right? Yeah, He. 1483 01:08:24,399 --> 01:08:28,640 Looks so unwell in this whole sequence, I really worry if I 1484 01:08:28,640 --> 01:08:30,840 didn't know that's another 12 years I would have. 1485 01:08:30,840 --> 01:08:33,479 Been looking like sellers pre post heart attacks. 1486 01:08:33,560 --> 01:08:34,600 That's. Really great. 1487 01:08:35,319 --> 01:08:37,720 Well, they're looking like sellers as Fume and Chew. 1488 01:08:37,720 --> 01:08:41,040 Also when he yes, but when he goes into the Academy he's got 1489 01:08:41,160 --> 01:08:43,920 when he first turns up, he's got a proper pair of false booby 1490 01:08:43,920 --> 01:08:47,399 doos on, and then he spends the rest of the time with just two 1491 01:08:47,399 --> 01:08:50,680 socks. Yes, and there's a really long 1492 01:08:50,680 --> 01:08:53,840 frilly, elaborate night dress and again he's like shaved 2 1493 01:08:53,840 --> 01:08:55,479 days ago something. He's got blue chin. 1494 01:08:55,479 --> 01:08:57,920 God. Yeah, anyway. 1495 01:08:58,120 --> 01:09:01,840 Hasn't shaved his arms either. And and yeah, every other girl 1496 01:09:01,840 --> 01:09:04,479 in the dormitory is called Jane. Yeah, it's a really tedious 1497 01:09:04,479 --> 01:09:06,200 scene. So long, he says. 1498 01:09:06,319 --> 01:09:08,279 How do I get to see their bums? I know. 1499 01:09:08,720 --> 01:09:11,080 Why is it so hot? Did did I miss something Because 1500 01:09:11,080 --> 01:09:12,040 it's. Yeah, he turned all the 1501 01:09:12,040 --> 01:09:13,960 radiators up. Oh, cranks the heaters. 1502 01:09:14,680 --> 01:09:16,279 But they have to reveal their bums. 1503 01:09:16,600 --> 01:09:18,720 Of course, what's easy, I've got to get my bum out. 1504 01:09:19,000 --> 01:09:22,319 But what happens is he checks 3 bums and doesn't find the 1505 01:09:22,319 --> 01:09:24,520 information and goes Oh well I'll stop now. 1506 01:09:25,600 --> 01:09:28,520 So he does. I write, yeah, I write in block, 1507 01:09:28,600 --> 01:09:31,040 block capitals. He can't find the right arse. 1508 01:09:32,080 --> 01:09:33,520 He just checked. He just checks 3. 1509 01:09:34,319 --> 01:09:35,920 And. Just goes, oh that'll do. 1510 01:09:36,920 --> 01:09:39,720 I'll probably find it tomorrow. For the next sequence. 1511 01:09:40,160 --> 01:09:42,880 Yeah. And this next sequence is 1512 01:09:42,880 --> 01:09:44,840 straight out of Benny Hill's It. Really is. 1513 01:09:45,000 --> 01:09:47,520 Pretty much is, yeah. Also, it looks like it's going 1514 01:09:47,520 --> 01:09:49,240 to be Monty Python as well. How do you defend yourself 1515 01:09:49,240 --> 01:09:50,080 against a banana? Yes. 1516 01:09:50,240 --> 01:09:51,399 Oh. Yeah, of. 1517 01:09:53,240 --> 01:09:54,520 Course gym class. Yeah. 1518 01:09:55,000 --> 01:09:59,360 And he he vaults Mandy vaults the what is it horse? 1519 01:09:59,440 --> 01:10:01,640 Yeah, No, it is it is called the vault. 1520 01:10:01,640 --> 01:10:03,680 Yeah. Bruises his plums also, but he's 1521 01:10:03,840 --> 01:10:06,600 he's dressed up as Mandy. But at no point we'll do the 1522 01:10:06,720 --> 01:10:09,160 Mandy stuff. It's just then don't do it if 1523 01:10:09,160 --> 01:10:10,840 that's all you do is that I like. 1524 01:10:10,880 --> 01:10:13,480 But you, you know, then then you got to do it. 1525 01:10:13,520 --> 01:10:17,680 It doesn't. So you go, it doesn't work. 1526 01:10:18,320 --> 01:10:19,560 Did it? Did it take you out the film? 1527 01:10:19,560 --> 01:10:21,920 The fact that he's not true to the character, but. 1528 01:10:23,880 --> 01:10:27,200 I really had I think. I would rather I would rather do 1529 01:10:27,200 --> 01:10:31,480 your taxes. Watch this fucking film again. 1530 01:10:31,480 --> 01:10:35,120 There's. Probably a lot more hot twists 1531 01:10:35,160 --> 01:10:39,360 than that. But it turns out if we find out 1532 01:10:39,360 --> 01:10:42,440 because we get another, we get some more gratuitous shots of. 1533 01:10:42,800 --> 01:10:46,560 Bums. Ample bums the teacher, The gym 1534 01:10:46,560 --> 01:10:47,880 teacher is Jane. Yeah, it is. 1535 01:10:48,160 --> 01:10:49,760 And she does. She does some rat gales. 1536 01:10:49,760 --> 01:10:52,280 Let's do some this. And he gets beaten up a bit, but 1537 01:10:52,280 --> 01:10:54,280 it's not funny. No, it's not funny. 1538 01:10:54,320 --> 01:10:55,520 I mean, it's not. Remotely funny. 1539 01:10:55,720 --> 01:10:58,240 Also, why does he have to go collapse onto her bum? 1540 01:10:58,240 --> 01:11:00,320 Can't he? Because we, yeah, you can see 1541 01:11:00,360 --> 01:11:02,280 it. You can see it when she goes up 1542 01:11:02,280 --> 01:11:03,520 the road. Yeah, exactly. 1543 01:11:03,760 --> 01:11:05,760 But no. No, he needs to fight her and 1544 01:11:05,760 --> 01:11:08,360 then collapse on her bum. We can bring her a bum. 1545 01:11:08,960 --> 01:11:11,120 He's about 65. His eyesight isn't that. 1546 01:11:11,120 --> 01:11:14,280 That's, that's very true, yeah. Notice how I'm locking on with 1547 01:11:14,360 --> 01:11:17,720 my feet while my hands reach up for another pull? 1548 01:11:18,600 --> 01:11:22,240 Naughty old Reggie, he was having it off with Teacher. 1549 01:11:22,480 --> 01:11:25,120 He should have got tracing paper out maybe, or like, you know, 1550 01:11:25,120 --> 01:11:28,520 did a charcoal edging, edging and trash rubbing, grass 1551 01:11:28,520 --> 01:11:30,120 rubbing. And that was rubbing. 1552 01:11:31,720 --> 01:11:34,000 Yeah, that was rubbing, which would have been funnier. 1553 01:11:34,400 --> 01:11:36,520 And somebody doesn't notice that as well. 1554 01:11:38,240 --> 01:11:39,520 Anyway, we're we're near the end. 1555 01:11:39,880 --> 01:11:42,720 Nearly done it, nearly done it. So he's got everything he needs. 1556 01:11:43,040 --> 01:11:45,000 He's got everything he needs. Bank of Zurich and he's got the 1557 01:11:45,000 --> 01:11:46,440 code. Amazing. 1558 01:11:47,040 --> 01:11:48,720 And Pat Coobs is what he was thinking about. 1559 01:11:48,720 --> 01:11:50,560 Poor those poor girls. And he doesn't give a shit. 1560 01:11:50,640 --> 01:11:52,400 He's just though he's he's on his way to Zurich. 1561 01:11:52,400 --> 01:11:56,800 What's his 500,000 does? He what's his passing? 1562 01:11:56,800 --> 01:11:58,840 Repost to Pat Coobs, is he? Just like you. 1563 01:12:00,480 --> 01:12:02,640 Essentially, yeah, it. Is Yeah, basically is It's 1564 01:12:02,640 --> 01:12:05,120 something like Terrell. No, he's dressed as her, isn't 1565 01:12:05,120 --> 01:12:06,560 he? Don't make another series of 1566 01:12:06,560 --> 01:12:10,080 Don't drink the water. No, he's dressed up as that one 1567 01:12:10,080 --> 01:12:10,800 that. Hetty. 1568 01:12:11,720 --> 01:12:14,480 Yeah, Hetty. He's dressed up as Hetty and he 1569 01:12:14,480 --> 01:12:15,080 goes Terry. Yeah. 1570 01:12:15,080 --> 01:12:17,440 And that's it. Yeah, so he's in character, so 1571 01:12:17,440 --> 01:12:19,240 he can't. Again in character. 1572 01:12:19,880 --> 01:12:22,760 Ish. But hasn't even, hasn't even 1573 01:12:22,760 --> 01:12:25,600 left the house, is in the taxi. Takes the wig off. 1574 01:12:25,600 --> 01:12:28,120 Takes the wig off immediately. Yeah, immediately. 1575 01:12:28,640 --> 01:12:30,360 Yeah. What? 1576 01:12:34,200 --> 01:12:37,480 Now does does Sabbath watch him leaving as Hetty? 1577 01:12:37,560 --> 01:12:39,320 Does he know? One of his one of his goons. 1578 01:12:39,680 --> 01:12:41,360 Goons. The Italians do. 1579 01:12:42,200 --> 01:12:43,840 Because. It's something that's ever 1580 01:12:43,840 --> 01:12:46,000 faithful protectors. So that's how they're suddenly 1581 01:12:46,000 --> 01:12:49,200 all in women's clothing because that's, again, I yeah, wasn't 1582 01:12:49,200 --> 01:12:51,120 concentrating and they're all in drag. 1583 01:12:51,120 --> 01:12:53,000 No, no. But you're right because at one 1584 01:12:53,000 --> 01:12:56,720 point when he's at the train station, he says to the Porter, 1585 01:12:56,720 --> 01:12:59,400 I need to be in a women's only. Go and hear that. 1586 01:12:59,800 --> 01:13:02,200 No. But they just naturally go, 1587 01:13:02,200 --> 01:13:06,280 well, take a wig off. Yeah, that's all just as old 1588 01:13:06,280 --> 01:13:09,920 lady. Probably our best bet now is all 1589 01:13:09,920 --> 01:13:12,960 to get dressed up as women. And immediately know what 1590 01:13:12,960 --> 01:13:15,560 trainees are, even though we have no safe information to that 1591 01:13:15,560 --> 01:13:18,000 point. I'll have the hair bear bunch 1592 01:13:18,000 --> 01:13:19,840 wig please. They've managed here, they've 1593 01:13:19,840 --> 01:13:21,720 managed to get fitted out as women in. 1594 01:13:22,520 --> 01:13:24,800 Yeah, in like 4 minutes since he bought the ticket. 1595 01:13:25,240 --> 01:13:28,480 Yeah, brilliant. So they go to Switzerland or the 1596 01:13:28,480 --> 01:13:31,200 South Bank centre. Yeah, but first of all, he does 1597 01:13:31,560 --> 01:13:33,040 say I'd like to suck off a Porter. 1598 01:13:33,640 --> 01:13:36,040 Always. Remember that he wants to do 1599 01:13:36,040 --> 01:13:38,960 that because he when the Porter goes, oh, it runs away. 1600 01:13:39,000 --> 01:13:40,960 He goes damn. And you're like, what do you 1601 01:13:41,560 --> 01:13:43,400 mean? You've forgotten you're not 1602 01:13:43,400 --> 01:13:46,520 doing your sketch show, Dick. Running away with money to 1603 01:13:46,560 --> 01:13:48,760 another country, not tossing off men. 1604 01:13:52,680 --> 01:13:55,240 Jesus. So anyway, yeah, he gets they 1605 01:13:55,240 --> 01:13:57,560 all go ha ha ha. We're also on the train. 1606 01:13:57,680 --> 01:13:59,920 They go, they go through a tunnel and of course all the 1607 01:13:59,920 --> 01:14:01,200 lights when. We go through a tunnel, we're 1608 01:14:01,200 --> 01:14:03,560 going to throw you out and that's where you can move toss 1609 01:14:03,600 --> 01:14:06,000 you out and tos you out. They don't they even say toss 1610 01:14:06,080 --> 01:14:08,520 you out. No, because they could have done 1611 01:14:08,520 --> 01:14:09,400 that. They should have done joke, they 1612 01:14:09,520 --> 01:14:11,120 should have done. We're going to toss you off when 1613 01:14:11,120 --> 01:14:17,280 he could have come, you know. But Italians turn up dressed as 1614 01:14:17,280 --> 01:14:20,360 nuns, as nuns join them in the compartment, even though there's 1615 01:14:20,360 --> 01:14:21,640 no. Room because Catholic. 1616 01:14:22,280 --> 01:14:26,200 Because it's Catholic now, Yeah. And I've seen this in other 1617 01:14:26,200 --> 01:14:28,240 films where it goes through a tunnel, it's all dark. 1618 01:14:28,240 --> 01:14:29,520 And then. Yeah. 1619 01:14:29,520 --> 01:14:31,960 And then someone's missing. And you hear, you hear. 1620 01:14:33,280 --> 01:14:35,600 Yeah, yeah, yeah. Yeah, this trains famously 1621 01:14:35,600 --> 01:14:42,800 didn't have lights in the 1970s. No, no, yes. 1622 01:14:42,880 --> 01:14:44,640 But then they used glow worms, didn't they? 1623 01:14:48,120 --> 01:14:51,160 So yeah, it comes out the tunnel and it's just, it's just hit. 1624 01:14:51,440 --> 01:14:54,880 Emery's by himself. They've all gone happy days. 1625 01:14:54,920 --> 01:14:58,960 They've been killed by the nuns who walk away like we've saved 1626 01:14:58,960 --> 01:15:01,440 this a lady. Don't you see a bit, don't you 1627 01:15:01,560 --> 01:15:04,720 see a bit of Darren Nesbitt's? Costume Darren Nesbitt's wig. 1628 01:15:04,720 --> 01:15:05,480 Just the wig. Wig. 1629 01:15:06,560 --> 01:15:10,640 Somehow that's managed to to be sort of catch in the window. 1630 01:15:10,640 --> 01:15:11,960 Exactly. Yeah. 1631 01:15:13,120 --> 01:15:15,080 Because that's for stupid people who don't work out that he's 1632 01:15:15,080 --> 01:15:16,880 been thrown out, I suppose. Yes. 1633 01:15:17,720 --> 01:15:20,840 So Charlie gets the juror, gets the suitcase, gets the suitcase, 1634 01:15:20,840 --> 01:15:22,520 and then he and that's when the family grabs. 1635 01:15:22,520 --> 01:15:25,520 South Bank Centre, Yeah. Yeah, yeah, yeah. 1636 01:15:25,520 --> 01:15:27,760 And that's where they go. We should probably get him now, 1637 01:15:27,760 --> 01:15:28,680 I think. Yes. 1638 01:15:29,880 --> 01:15:31,960 Yeah, We hang on. We didn't need to go to London 1639 01:15:31,960 --> 01:15:34,360 at all, didn't we? We could have saved ourselves a 1640 01:15:34,360 --> 01:15:36,960 lot of trouble. And they trip, they hit him, and 1641 01:15:36,960 --> 01:15:39,440 then he falls, falls conveniently into a crate marked 1642 01:15:39,440 --> 01:15:42,200 Rome. Mafia as well isn't. 1643 01:15:42,200 --> 01:15:44,000 It. Yeah, yeah, the Mafia. 1644 01:15:44,000 --> 01:15:46,280 Rome. This is to be delivered to the 1645 01:15:46,280 --> 01:15:48,400 Mafia in Rome. Yes, exactly. 1646 01:15:49,840 --> 01:15:52,640 Take this to the criminal organization, the Mafia in Rome. 1647 01:15:53,560 --> 01:15:55,800 Yeah. And then the next week, again, 1648 01:15:55,800 --> 01:15:57,880 just bleeding and it's really miserable. 1649 01:15:57,880 --> 01:15:59,480 Is that please don't care. We are but. 1650 01:16:01,400 --> 01:16:03,320 Then thing is, I'm a criminal genius. 1651 01:16:03,640 --> 01:16:05,080 Yeah. And I can, I can. 1652 01:16:05,080 --> 01:16:07,520 Make you a meme. And he's like, oh, you see the 1653 01:16:07,520 --> 01:16:10,520 my characters then? Yeah, you see the my characters, 1654 01:16:10,640 --> 01:16:14,680 they'll work in Rome. I guess it probably would. 1655 01:16:15,760 --> 01:16:20,760 Actually, well, the the British. Berlusconi TV show type. 1656 01:16:21,160 --> 01:16:24,600 Yeah. Yeah, yeah, they probably loved 1657 01:16:24,600 --> 01:16:27,120 Dick Henry. Yeah, that absolutely. 1658 01:16:27,160 --> 01:16:30,320 Well, they loved the the Spanish, loved the Portuguese, 1659 01:16:30,320 --> 01:16:31,920 loved Georgia Mildred, you know that. 1660 01:16:31,920 --> 01:16:34,440 I didn't know that. Yeah, absolutely, absolutely 1661 01:16:34,440 --> 01:16:36,480 loved it. I know it was huge. 1662 01:16:36,800 --> 01:16:38,520 Benny obviously was huge in Europe. 1663 01:16:38,520 --> 01:16:40,280 As we know, the French love Benny. 1664 01:16:40,440 --> 01:16:41,560 And Japan. And America? 1665 01:16:41,800 --> 01:16:44,520 Yeah, cool America. Yeah, Jordan, anyway, Yeah. 1666 01:16:44,520 --> 01:16:50,000 So basically he persuades Don Luigi, don't kill me, employ me, 1667 01:16:50,000 --> 01:16:52,880 I can make you a lot of money. And we cut to a new. 1668 01:16:52,880 --> 01:16:55,080 Brand new. Amazing character. 1669 01:16:56,480 --> 01:16:58,440 He's Cardinal. Yes. 1670 01:16:58,720 --> 01:17:02,600 Reverend Father, we sure were lucky meeting up with you like 1671 01:17:02,600 --> 01:17:05,960 this, otherwise we might never have known that they're 1672 01:17:05,960 --> 01:17:07,200 rebuilding. Saint Peter's. 1673 01:17:07,920 --> 01:17:12,480 Yes, and it is only because of the rebuilding that we are able 1674 01:17:12,480 --> 01:17:15,640 even to contemplate parting with the Sistina Chapel. 1675 01:17:16,520 --> 01:17:18,280 Well, Reverend Father, all I can say. 1676 01:17:18,280 --> 01:17:20,640 Is we'd give it a good. Home standing right beside 1677 01:17:20,640 --> 01:17:25,120 London Bridge in Arizona, USA. Oh yes, but you do understand 1678 01:17:25,120 --> 01:17:28,560 that the transaction that cannot be completed, but until we 1679 01:17:28,560 --> 01:17:38,480 receive a sign from above. It is agreed. 1680 01:17:39,680 --> 01:17:42,720 Congratulations, congratulations. 1681 01:17:44,640 --> 01:17:47,440 Now, I believe the figure invention was somewhere in the 1682 01:17:47,440 --> 01:17:51,160 region of $20 million. What's your what's your 1683 01:17:51,160 --> 01:17:52,560 character? I've got a slightly Italian 1684 01:17:52,560 --> 01:17:53,480 accent. Brilliant. 1685 01:17:53,480 --> 01:17:55,280 We'll go with that. And what and what is it he's 1686 01:17:55,280 --> 01:17:57,240 selling? The Sistine, the Vatican 1687 01:17:57,360 --> 01:18:00,240 flogging the Vatican to the American, the Americans and. 1688 01:18:00,480 --> 01:18:03,200 And in front. Of you, if we have a sign so 1689 01:18:03,200 --> 01:18:07,680 that the Pope waves it, yeah. Does that mean, does that mean 1690 01:18:07,760 --> 01:18:08,960 he knew the Pope was going to do that? 1691 01:18:08,960 --> 01:18:11,200 Is that what the Pope does? Well, does that mean the Pope's 1692 01:18:11,200 --> 01:18:12,560 complicit in this? That's not the. 1693 01:18:12,560 --> 01:18:13,720 Mafia. Interesting. 1694 01:18:14,280 --> 01:18:15,760 And then the film immediately ends. 1695 01:18:16,160 --> 01:18:17,720 The Pope's giving his blessing, I think. 1696 01:18:17,920 --> 01:18:21,760 Yeah, I love with the crime. There's no one else in the 1697 01:18:21,760 --> 01:18:23,200 squares. The Pope literally just go on 1698 01:18:23,200 --> 01:18:24,720 the balcony. Oh, no one's blessed today. 1699 01:18:24,720 --> 01:18:25,760 Oh, hang on. There's Dick Emery. 1700 01:18:25,760 --> 01:18:26,920 All right. There you go, Dick. 1701 01:18:27,200 --> 01:18:29,840 There you go. And then immediately, it's like 1702 01:18:29,880 --> 01:18:32,160 Finn. Quick, Finn. 1703 01:18:32,640 --> 01:18:35,680 Quickly finish. And it's a very unconvincing 1704 01:18:35,680 --> 01:18:38,360 backdrop as well, because they obviously haven't gone anywhere 1705 01:18:38,360 --> 01:18:40,680 except the South Bank Centre for Switzerland, of course. 1706 01:18:41,680 --> 01:18:43,240 My question. Is do you do you do? 1707 01:18:43,240 --> 01:18:45,600 You think that Charlie will be happy in Rome? 1708 01:18:46,040 --> 01:18:48,440 Do you think he'll? Be a fish out of any happier? 1709 01:18:48,480 --> 01:18:49,880 Yeah. Is he going to be a fish out of 1710 01:18:49,880 --> 01:18:51,160 water? Is he going to have a happy 1711 01:18:51,160 --> 01:18:52,160 life? I don't. 1712 01:18:52,720 --> 01:18:55,080 Think he will. I think I think the main point 1713 01:18:55,080 --> 01:19:00,400 is that we don't care. He's probably got a gun trained 1714 01:19:00,400 --> 01:19:05,720 on his head from a distance the entire time, you know, But by 1715 01:19:05,720 --> 01:19:08,080 the the Don Luigi's men, you know. 1716 01:19:08,480 --> 01:19:14,040 Wow, you played by my rules. So no, no, it wasn't. 1717 01:19:14,040 --> 01:19:18,040 No, it wasn't. Are we going to say No, it 1718 01:19:18,040 --> 01:19:22,640 wasn't? The Observer said that it was 1719 01:19:22,640 --> 01:19:25,080 the best British comedy film in many years. 1720 01:19:25,600 --> 01:19:26,920 Now, who do you think wrote that? 1721 01:19:27,800 --> 01:19:29,480 It wasn't a nobody, it was a somebody. 1722 01:19:29,480 --> 01:19:32,560 Harry Novan. Harry McGuigan. 1723 01:19:33,560 --> 01:19:34,960 No. Harry Evans. 1724 01:19:35,600 --> 01:19:38,720 No George Malley. No. 1725 01:19:39,000 --> 01:19:43,080 No, not George. Malley, he's like, he's 1726 01:19:43,080 --> 01:19:45,640 horrible. The lovely baba's on view. 1727 01:19:45,640 --> 01:19:47,600 Five stars. No, not George Malley. 1728 01:19:47,600 --> 01:19:52,640 He's he used to be on woken all the time, festooned in silk and 1729 01:19:52,640 --> 01:19:57,800 he'd always be singing. Songs like. 1730 01:19:59,840 --> 01:20:03,400 It's just, it's just beaming his fork around the stage, sweating. 1731 01:20:03,920 --> 01:20:06,680 Andre. Andre Mele was in the radio 1732 01:20:06,760 --> 01:20:08,000 series. Yeah. 1733 01:20:08,240 --> 01:20:09,440 And Roger Mele. Yeah. 1734 01:20:11,200 --> 01:20:11,880 All right. What? 1735 01:20:11,960 --> 01:20:12,560 What? What? 1736 01:20:12,640 --> 01:20:18,880 What did the colossal prick say? He said, He said, I won't read 1737 01:20:18,880 --> 01:20:20,760 it all. He said It's he said. 1738 01:20:20,760 --> 01:20:24,760 Instead of instead of throwing together the usual limp, 1739 01:20:24,800 --> 01:20:28,040 arbitrary framework, they've constructed a really tight plot. 1740 01:20:28,280 --> 01:20:29,920 The jokes of running gags are very funny. 1741 01:20:30,160 --> 01:20:32,240 And if something of Joe Orton's black humor. 1742 01:20:32,280 --> 01:20:33,920 Oh, come on. I wish I had a cup of tea to 1743 01:20:34,000 --> 01:20:35,120 spit out while you're doing this. 1744 01:20:36,120 --> 01:20:37,600 My next George Miley. What do you do? 1745 01:20:37,600 --> 01:20:38,680 Jazz. Oh, I see. 1746 01:20:39,040 --> 01:20:44,320 Yeah, my only regret is that a newly and enviably slim Ronald 1747 01:20:44,320 --> 01:20:47,680 Fraser, excellent as Emery's lecherous partner, was killed 1748 01:20:47,680 --> 01:20:48,840 off too early. It's. 1749 01:20:49,800 --> 01:20:53,200 Like that's taking the piss. So. 1750 01:20:54,920 --> 01:20:58,680 He's perfect over Ronald Fraser. Yeah, someone has to. 1751 01:20:58,680 --> 01:20:59,760 Oh, it's every. Everyone. 1752 01:20:59,800 --> 01:21:05,320 George Malley George Malley George Malley No business during 1753 01:21:05,320 --> 01:21:07,920 reviews No. George Smelly. 1754 01:21:08,200 --> 01:21:09,080 Yeah, thank. You. 1755 01:21:09,480 --> 01:21:13,640 So I could do that. Ford Mellie that that would cut 1756 01:21:13,640 --> 01:21:15,400 him to the quick it. Really would. 1757 01:21:16,520 --> 01:21:20,840 I saw him once, actually, he was doing a talk in a He's wearing 1758 01:21:20,840 --> 01:21:23,200 slippers. Probably it was a very, very 1759 01:21:23,200 --> 01:21:24,040 small. Room. 1760 01:21:24,040 --> 01:21:27,040 He was doing the magic slipper. This small room and he was doing 1761 01:21:27,040 --> 01:21:29,600 a talk on Mob Mart and they started telling filthy jokes, 1762 01:21:29,840 --> 01:21:32,520 started telling filthy jokes and they were like children of seven 1763 01:21:32,520 --> 01:21:35,200 in there. It was really small, but 1764 01:21:35,240 --> 01:21:38,000 everyone was really awkward. In the awkward. 1765 01:21:38,040 --> 01:21:39,280 Balloon humour. And he didn't. 1766 01:21:39,320 --> 01:21:41,920 Care at all he was. Just continuing with all this. 1767 01:21:42,040 --> 01:21:45,880 Auto clitoris on a zip. As long as I asked for 12/12 1768 01:21:45,880 --> 01:21:47,040 inch penis. That one. 1769 01:21:47,520 --> 01:21:49,000 Oh, God, no. Yeah. 1770 01:21:49,120 --> 01:21:53,720 Exactly. Thank you, George, By the way, 1771 01:21:53,720 --> 01:21:55,280 watch you. Oh, you are awful. 1772 01:21:55,280 --> 01:22:02,720 Thanks. Now I interviewed Nick Emery, 1773 01:22:02,720 --> 01:22:07,640 whose Dick's son and he told me that his dad was upset that this 1774 01:22:07,640 --> 01:22:12,360 film flighted America when he insulted them. 1775 01:22:12,680 --> 01:22:16,360 Yes son are going wrong again is what he said. 1776 01:22:19,240 --> 01:22:22,640 As I said earlier, think of him as the BBC version of Benny Hill 1777 01:22:22,640 --> 01:22:26,320 and Benny Hill never really had his own starring feature film, 1778 01:22:26,320 --> 01:22:29,120 did he? He was in Guest and Italian Job 1779 01:22:29,120 --> 01:22:30,880 and Chitty Chitty Bang Bang. Was he? 1780 01:22:31,040 --> 01:22:33,320 Yeah. But yes, he never had his own 1781 01:22:33,320 --> 01:22:36,640 vehicle, which seems weird in retrospect because he seems 1782 01:22:36,640 --> 01:22:38,640 stranger than him, bigger than anyone in a way. 1783 01:22:38,680 --> 01:22:41,000 I mean, Bernie Breslow's in Crow, for fuck's sake. 1784 01:22:42,080 --> 01:22:43,640 But it doesn't style Bernie Breslow. 1785 01:22:43,640 --> 01:22:46,000 That does it. Well, no, no. 1786 01:22:46,560 --> 01:22:48,120 He's not. His name's not above the title. 1787 01:22:48,520 --> 01:22:50,680 He's a cyclops. He's a cyclops and he won nine 1788 01:22:50,680 --> 01:22:53,560 Oscars for it. Has Bernie Breslow ever starred 1789 01:22:53,560 --> 01:22:56,120 in a film, Crow? No, there he is. 1790 01:22:57,000 --> 01:22:59,680 What about I only asked I only is that. 1791 01:22:59,680 --> 01:23:00,720 Film. Is there a film of that? 1792 01:23:00,880 --> 01:23:03,000 There's a film called. I know there's a song of that I. 1793 01:23:03,360 --> 01:23:04,400 Didn't know there's a film. Is he? 1794 01:23:04,400 --> 01:23:06,640 Is he top billing? He must be. 1795 01:23:06,640 --> 01:23:08,720 Surely must be, because that's his catch. 1796 01:23:08,920 --> 01:23:09,960 There you go, He. Probably is. 1797 01:23:09,960 --> 01:23:11,160 He's probably halfway down the cast. 1798 01:23:11,280 --> 01:23:14,640 Bloody hell. Another British comedy film with 1799 01:23:14,640 --> 01:23:16,160 a with a catch phrase is for a title. 1800 01:23:16,400 --> 01:23:17,200 Yeah. Thank God. 1801 01:23:17,280 --> 01:23:18,360 Yeah. You're being served movie. 1802 01:23:18,360 --> 01:23:21,280 I'm surprised I didn't call it I'm free or No, I would have 1803 01:23:21,280 --> 01:23:22,840 been you. You've all done very well. 1804 01:23:23,600 --> 01:23:26,320 Oh yes. Great Grangers on a train. 1805 01:23:27,240 --> 01:23:34,640 Yeah, crumbs and list. Yeah, crumbs and pest. 1806 01:23:34,640 --> 01:23:37,040 Yeah. Greasy Spooner. 1807 01:23:41,040 --> 01:23:45,920 Arthur English is English. No sex please, we're Arthur 1808 01:23:45,920 --> 01:23:49,720 English. Yeah, constant fucking please. 1809 01:23:49,720 --> 01:23:50,400 We're. Arthur English. 1810 01:23:50,480 --> 01:23:53,120 We're all Arthur English. We're all Edwards Arthur English 1811 01:23:53,120 --> 01:23:54,960 in the film. It's like being John Arkwich, 1812 01:23:54,960 --> 01:23:57,840 but Arthur English. Yeah, being Arthur English. 1813 01:23:59,960 --> 01:24:01,960 Terrifying idea. It's a horrible thought. 1814 01:24:03,320 --> 01:24:05,560 Now he's got a mouth. You talk about Ronnie Fraser's 1815 01:24:05,560 --> 01:24:07,440 mouth. Arthur Rinks has got like a 1816 01:24:07,440 --> 01:24:09,040 duck's mouth, isn't? It I don't think you could ever. 1817 01:24:09,040 --> 01:24:11,800 Probably close his mouth. It looks like a Simpsons 1818 01:24:11,840 --> 01:24:13,560 animated mouth. Yes. 1819 01:24:13,680 --> 01:24:18,440 Yeah, sorry. The ghost of Arthur English 1820 01:24:18,440 --> 01:24:22,400 would besmirching you were parents. 1821 01:24:23,800 --> 01:24:29,360 Oh dare you. Anyway, Anyway, so so if people 1822 01:24:29,400 --> 01:24:33,200 want to listen to to you 2 where can they go? 1823 01:24:33,640 --> 01:24:35,440 What should they do? Well, we. 1824 01:24:35,480 --> 01:24:40,840 We got we got a Patreon page under the name of Potom, which 1825 01:24:40,840 --> 01:24:44,840 is our sketch and commentary format. 1826 01:24:45,640 --> 01:24:48,240 Yeah. So every every every two weeks I 1827 01:24:48,240 --> 01:24:51,040 think we do a new one. It's either a commentary or us 1828 01:24:51,040 --> 01:24:54,040 talking balls and. And some sketches and. 1829 01:24:54,040 --> 01:24:56,400 Some sketches as well. And Sketch, We're doing that for 1830 01:24:56,400 --> 01:24:59,400 a while now. Yes, but I was going to say is 1831 01:24:59,520 --> 01:25:01,080 because we were talking about, you were talking about the 1832 01:25:01,080 --> 01:25:03,480 interminable sketches that Dick Emery used to do. 1833 01:25:03,800 --> 01:25:05,600 Sometimes our sketches do run into. 1834 01:25:05,840 --> 01:25:07,520 The they do. Double digits but. 1835 01:25:07,600 --> 01:25:08,960 They do. But they're. 1836 01:25:08,960 --> 01:25:10,800 Brilliant. But they're full of conceit. 1837 01:25:12,280 --> 01:25:13,720 Thank you so much. Oh, thanks. 1838 01:25:13,760 --> 01:25:16,240 I think it's again, well, my pleasure. 1839 01:25:16,760 --> 01:25:19,360 I think this is the third time the three of us have because we 1840 01:25:19,360 --> 01:25:22,320 did Fu Manchu, we did of. Course happy, happy days. 1841 01:25:23,400 --> 01:25:25,440 We've we've talked about 3 dreadful films. 1842 01:25:26,400 --> 01:25:28,520 Are there are there any good films still to be? 1843 01:25:29,840 --> 01:25:31,640 Chosen. Or sellers films? 1844 01:25:31,640 --> 01:25:33,080 You mean or? Well, any films. 1845 01:25:34,000 --> 01:25:36,280 Well, there's plenty of decent British comedy films. 1846 01:25:36,280 --> 01:25:37,800 Oh. Yeah, that's true. 1847 01:25:37,800 --> 01:25:38,720 That is true. It's in a way. 1848 01:25:39,080 --> 01:25:42,400 So you end up just saying how good they are rather than. 1849 01:25:42,920 --> 01:25:47,440 Yeah, yes, yes, you want to. I mean, The thing is your, your 1850 01:25:47,440 --> 01:25:48,840 what? Your for your commentaries. 1851 01:25:50,040 --> 01:25:52,560 Every single film you've watched, pretty much you've 1852 01:25:52,800 --> 01:25:55,000 disliked or at least panned well. 1853 01:25:55,120 --> 01:25:57,400 That's that's why we didn't go. You've got, you've got. 1854 01:25:57,400 --> 01:25:59,880 There's the odd decent British comedy film from the 70s, like 1855 01:25:59,880 --> 01:26:01,480 the Porridge Film. But the. 1856 01:26:01,840 --> 01:26:03,960 Thing is, I think we probably have all seen that and like 1857 01:26:03,960 --> 01:26:06,920 Rising Damp as well, which is an OK film, you know? 1858 01:26:07,360 --> 01:26:11,200 The idea is we we haven't seen it and it's sort of funnier when 1859 01:26:11,200 --> 01:26:13,640 we, I think it's always slightly funnier when you hate something 1860 01:26:13,640 --> 01:26:16,160 anyway. If you just listen to endless 1861 01:26:16,160 --> 01:26:19,040 gushing, it's like, OK. We'll say if you really, because 1862 01:26:19,080 --> 01:26:21,640 a lot of especially I think it was Percy, but a lot of it would 1863 01:26:21,640 --> 01:26:23,360 just go what the why is he doing that? 1864 01:26:24,080 --> 01:26:26,320 What the hell is going? On inspiration. 1865 01:26:26,680 --> 01:26:28,720 Yeah. And just yeah, not following the 1866 01:26:28,720 --> 01:26:31,160 weird twist of the plot. Whereas if you know what's going 1867 01:26:31,160 --> 01:26:33,200 to happen. Yeah, you're anticipating your 1868 01:26:33,200 --> 01:26:35,320 favorite bit and then isn't this brilliant? 1869 01:26:36,040 --> 01:26:39,880 Yeah, Yes, I suppose it has. Its has its place, but not for 1870 01:26:39,920 --> 01:26:40,720 us. Not for us. 1871 01:26:40,720 --> 01:26:44,120 No, no, I hate him. Nope. 1872 01:26:45,080 --> 01:26:51,480 Us they film commentaries if I do, if I if I listened occasion 1873 01:26:51,480 --> 01:26:54,800 to a film commentary on DVD or whatever, It's the ones where 1874 01:26:56,600 --> 01:26:58,960 the ones I dislike the most are when they get the like the Carry 1875 01:26:58,960 --> 01:27:00,440 on. Have you seen those DVDs or the 1876 01:27:00,440 --> 01:27:05,240 Carry On films where you've got people like Jim Dale and and 1877 01:27:05,360 --> 01:27:06,120 and? What's the name? 1878 01:27:07,040 --> 01:27:10,080 Dillis, Leigh. Married to married to Kenneth 1879 01:27:10,080 --> 01:27:11,560 Moore, what's the name? Angela Douglas. 1880 01:27:11,560 --> 01:27:15,480 And people like that doing commentaries and and they've got 1881 01:27:16,080 --> 01:27:19,920 that comedy historian Robert Ross with him as well, right. 1882 01:27:19,920 --> 01:27:22,960 Just to keep it on track. But what happens is all they do 1883 01:27:22,960 --> 01:27:24,920 is he'll say, do you remember doing this scene? 1884 01:27:24,920 --> 01:27:27,160 I don't remember doing that. No, no, they never remember 1885 01:27:27,160 --> 01:27:29,640 anything. And and and they end up just 1886 01:27:29,640 --> 01:27:32,280 watching the film and going, oh, that's funny, that's funny. 1887 01:27:32,320 --> 01:27:34,520 You know, that's all it is. And then you did never really 1888 01:27:34,520 --> 01:27:35,560 great. You, yes. 1889 01:27:36,720 --> 01:27:38,360 Yeah. But the pay was terrible. 1890 01:27:38,360 --> 01:27:40,080 Wasn't it all terrible? Yeah, yeah. 1891 01:27:40,400 --> 01:27:45,400 Yeah, yes, it was very cold when we filmed that. 1892 01:27:45,560 --> 01:27:48,440 Whereas what you'd want is Ken. You want Ken in his pomp? 1893 01:27:48,640 --> 01:27:50,800 Yeah, doing the commentaries, hanging it off that. 1894 01:27:51,240 --> 01:27:54,280 Would have been great. It was just it was too, too 1895 01:27:54,280 --> 01:27:55,760 early, wasn't it? He could have done a laserdisc 1896 01:27:55,760 --> 01:28:00,560 commentary for Crow. What's Bernie? 1897 01:28:00,680 --> 01:28:04,440 Now, oh, absolute disgrace. Look at him with his one eye. 1898 01:28:04,440 --> 01:28:12,400 Oh Crowl, One eye and A10 ear. That's what you should do. 1899 01:28:12,400 --> 01:28:17,160 You should do film commentaries. Williams, Williams, Someone 1900 01:28:17,160 --> 01:28:19,880 should do it. But yeah, so it was a bit more 1901 01:28:19,880 --> 01:28:21,240 energy. Brilliant. 1902 01:28:21,600 --> 01:28:23,520 Yeah, we'll definitely meet up again at some point and that 1903 01:28:23,520 --> 01:28:25,120 would be brilliant. It's always, it's always good 1904 01:28:25,120 --> 01:28:26,600 fun to do this. It's really good fun. 1905 01:28:26,600 --> 01:28:27,320 Yeah. I really love it. 1906 01:28:27,960 --> 01:28:29,400 Cheers, guys. Speak to you soon. 1907 01:28:29,800 --> 01:28:30,440 See you later. Bye. 1908 01:28:30,680 --> 01:28:31,840 Bye. Bye. 1909 01:29:15,960 --> 01:29:16,080 None.