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None. 
The. 

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Hello and welcome to Goon Pod, 
coming to you this week live 

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from a well appointed ski lodge 
in the Italian Alps where my 

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guest and I are drinking cognac 
and contemplating forming a 

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conga line. 
And they're both in sensible 

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knitwear. 
Isn't that right, Gary? 

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Very much so, yes. 
And oh, who is this? 

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Who's just booked head? 
And this is handsome American. 

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This is Robert Wagner. 
Hey. 

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Who's that over there? 
Enjoying a joke with Capucine. 

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It's it's one and only Colin 
Gordon. 

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The Dorset tones you can hear 
belong to my guest this week. 

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Gary. 
Roger. 

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Hello, Gary. 
Hello, how are you doing? 

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And thank you for inviting me 
back. 

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I'm glad to say that I do have 
an actual working microphone 

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this time, which is quite often 
useful when you're recording 

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podcasts. 
I had a hell of a job trying to 

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because because last time you 
were here because Gary was on 

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last year talking about the the 
Clueso films in general terms 

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and obviously I invited you on 
today to talk specifically about

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the Pink Panther, the first one 
because it is 60 years this 

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month December 2023 in in 
December 1963 the Pink Panther 

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was released. 
But yeah last time you were on 

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that you're you're the 
technology was was letting you 

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down slightly so. 
What happened was I was actually

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speaking to you from Scotland 
last time. 

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Oh yeah, and that in itself 
shouldn't make a difference. 

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But I was not speaking to you 
from my regular board and I had 

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to make urgent provision for a 
microphone and I chose one on 

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the strength of the fine reviews
on Amazon which turned out to be

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less inaccurate. 
But thankfully I am now reunited

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with my lovely blue Yeti and yes
all all as well. 

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We don't we don't need 
microphones here do we? 

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Because we're, as you said we're
in this lovely ski lodge and 

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this is, this is the home of 
fielding isn't it. 

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And so your your voice carries 
and carries and carries and out 

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there, I think I can see, Is it 
Lauren Hardy trying to move an 

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organ over a rather wonky bridge
and being chased by a gorilla? 

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Yes, Yes it is. 
Is it Robert Wagner in a gorilla

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suit? 
No. 

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OK, so no. 
Have we actually now got a 

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definitive link between Lauren 
Hardy and the Pink Panther? 

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Are we actually saying that 
that's that's Canon? 

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Yes. 
Right. 

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OK. 
Yeah, we'll go with that. 

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I'm, I'm sure, I'm sure I 
mentioned that last time I was 

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on. 
About Spike Milligan using that 

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clip and there's a lot about the
the added caption live from 

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Oslo, which said nine year old 
mean to hysteric. 

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So we're going to talk about 
gorilla suits a bit later, I 

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think. 
Yes, yes. 

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So yeah, you're you're you're 
very fond of the franchise, 

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aren't you? 
The the Pink Panther franchise, 

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the series of films with, let's 
face it, with Sellers as clue. 

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So. 
Indeed. 

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I mean we have actually we we 
did watch. 

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I was a year ago. 
We watched Inspector Closer with

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Alan Arkin. 
Yeah, we did. 

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And it was an interesting, it 
was an interesting film. 

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And then he brought his own 
style to it. 

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But I think also, I mean that 
film. 

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No, not that Peter Sellers nor 
Blake Edwards was involved in 

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that film. 
Am I right? 

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No, and I I prefer my Alan 
Arkin, late 60s Alan Arkin 

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menacing Audrey Hepburn, then 
being a bumbling French 

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detective, to be honest. 
Fun Funny, you mentioned Audrey 

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Hepburn because I think her name
is going to come up in this 

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conversation. 
Everything's linked. 

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Everything is, isn't it? 
Really. 

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It really is. 
I mean, this is, I know that 

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this is something that you and I
and Tilt, of course, I've talked

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about on the Sitcom Club before,
but the supposed sitcom universe

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where basically everything is 
just an expansion of everything 

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else. 
And we've probably advanced this

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absurd notion that when 
television started in Britain, 

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it should have been an 
established protocol that every 

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piece of OK, I'll give, we'll 
give Shakespeare, you know, a 

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pass on this. 
But any kind of new drama or 

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comedy, all of it, has to be in 
some way linked to the previous 

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one, so that you have this 
enormous, basically vast, 

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stellar St. 
Of fictitious characters running

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all the way through every single
piece of British drama and 

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comedy. 
You mentioned the sitcom club 

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there, so that is that, along 
with Jaffa Cakes for Prouster 

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the the two central planks of 
your podcasting empire, shall we

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say both, which both of which 
have been on hiatus for quite 

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some time for a number of 
reasons. 

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Yes, indeed. 
Yeah, we are. 

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We are hopeful, but we we can't 
guarantee, but we are hopeful 

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that we might be able to release
some sort of Christmassy treat 

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before the end of the year. 
But in the meantime, all of the 

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previous episodes are available,
of course, at secondclub.com. 

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Yeah. 
And thank you for giving me the 

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chance to crowbar that in there.
And the the the possible 

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Christmas treat. 
It's possibly about a hitherto 

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to us anyway unknown sitcom from
the 1970s, right? 

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Well now this is the thing, 
because you actually put me on 

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to this because I'm trying to 
remember what I was doing. 

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I think it was. 
I was probably faffing about oh 

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I know what it was. 
Yeah. 

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So. 
Oh, right. 

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OK, how much of this can I say 
out loud? 

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OK, so my my sort of my, my real
life work so to speak. 

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Is that ITV? 
And I was doing some ITV bits 

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and pieces. 
What do you think? 

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I think it might have been 
involving the FA Cup or 

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something like that and I 
suddenly get an urgent message 

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from Tyler saying there's a 
sitcom with Ken Jones and R for 

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low together. 
Can you get this thing? 

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And yeah, we we we investigated 
it and yes, it turns out that a 

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few of them have managed to to 
survive. 

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So yeah, we we will we will come
back to that. 

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Hopefully that'll be before the 
end of the year. 

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But yes, I'm looking forward to 
that way. 

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I know we watched the the first 
one of those just recently, and 

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it's good silly fun by the the 
same writer as NEAREST and 

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Dearest John Stevenson. 
Yeah, and what else? 

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He wrote. 
Coronation Street. 

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Not all of it. 
Did a number of episodes. 

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Yeah. 
OK, Well, hopefully, hopefully, 

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as I say that, that will be 
coming up sometime in the 

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future. 
So let's talk about the Pink 

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Panther. 
We must find that woman. 

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What was that? 
What you say? 

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We don't have much of A 
description. 

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About 5 foot 7 black hair, 
wearing a light beige coat and 

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the fools that that fence 
escape. 

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He might have talked. 
We will catch him. 

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We must. 
We must find that woman. 

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She is our first positive link 
with the Phantom. 

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This film in particular, what 
does it mean to you? 

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So I suppose like most youths I 
got into pink panthering via the

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cartoons and my era was very 
much the all new banned for show

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featuring crazy like screen. 
And of course gradually through 

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repeats and what have you, 
you're introduced to the the 

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others in the series, 
particularly the fact that the 

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inspector clues or cartoons. 
He has a sidekick who sounds 

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very much like he's voiced by 
John Blue Fall although I don't 

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think he is. 
He never actually appears in the

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films. 
And then of course, I think, I 

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think maybe the first one I ever
saw was Strikes Again. 

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I think it would have been a 
television screening of that 

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sometime around about early 80s.
And for a while that was how I 

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just saw the Pink Panther films.
It is Peter Sellers as Inspector

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Clouseau and there's Cato 
running around and there's 

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Herbert Long with his dangerous 
cigar lighter and so on and so 

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on. 
And gradually what if actually, 

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what if the one of our reference
guides? 

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Because of course, you know 
these days it's all about the 

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Internet, isn't it? 
It's all about the tik toks. 

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But when you and I were growing 
up, you had books on a shelf 

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that were written by people like
Leslie Halliwell, and you 

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consulted them if you wanted to 
find out about past films of a 

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series. 
And that's when I discovered, of

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course, about the fact that 
David Nevin had been in the 

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original Pink Panther and this 
was intended as a vehicle for 

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himself. 
And I don't actually think I saw

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this film until the year 2000, 
surprisingly enough, because for

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whatever reason, my viewing of 
the Pink Panther films was 

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somewhat sporadic. 
So I never saw Revenge of the 

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Pink Panther until I think 1992.
I saw the Alan Arkin one, 

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strange enough, I think I saw 
that before then I think that 

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was sitting on the video shop 
and I was intrigued to find out 

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what it looked like. 
And I'm pretty sure I actually 

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actually. 
I know I certainly saw the trail

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of the big pan for many years 
before I ever saw the actual pig

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pan for So what? 
About shot in the dark, maybe 

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you see. 
That shot in the dark? 

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I don't think I saw that for the
first time till maybe about 10 

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years ago. 
Strangely enough that wouldn't 

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always eluded me for whatever 
reason. 

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You know what it's like with 
like certain films or shows 

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where you always just realize 
that you've just missed them in 

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the schedule they were just on 
the other day or something like 

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that. 
And before you know obviously we

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had catch up and so on. 
So it was one of those things 

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where it was like always, all 
next time, Next time it's on, 

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I'll get to see it. 
But I got Trail, the Pink 

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Panther, the video shop, I think
sometime around about 9192. 

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And of course, Trail has quite a
lot of clips of the Pink Panther

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in it. 
So that would have been the 

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first time that I'd seen that 
footage. 

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And then the first time I 
actually saw the film was a 

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television, airing in 2000. 
Was was that the IT the 

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notorious ITV airing? 
Yes. 

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I mean, I don't know that it has
a lot of notoriety outside of 

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our conversations. 
Yeah, but for anybody who 

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didn't, and he was discussing 
this previously, it got an 

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airing at early peak time 
Saturday tea time in August of 

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2000, and was intended to then 
kick off a pink pan for season 

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with the rest of the films in 
that same slot. 

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But that season didn't get any 
further, at least in that slot. 

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00:11:46,520 --> 00:11:50,640
It then moved to early afternoon
and we were chatting off early 

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00:11:50,640 --> 00:11:53,800
all day about it. 
May well be the people who were 

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planning those schedules at the 
time were sort of thinking, 

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00:11:56,840 --> 00:11:59,000
well, obviously you've got to 
start with the first one, 

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whereas the audience is 
expecting to see broad it's 

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00:12:04,360 --> 00:12:07,080
better clues. 
Oh and Cato and Dreyfus and so 

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00:12:07,080 --> 00:12:10,240
on and so on. 
And I suspect to be honest, I 

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00:12:10,240 --> 00:12:13,640
think it would have been exactly
the same if they had started the

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00:12:13,640 --> 00:12:16,520
season with a shot in the dark. 
I mean, even though you've got 

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00:12:16,520 --> 00:12:18,520
by that point, yes, you've got 
Dreyfus and so on. 

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00:12:19,040 --> 00:12:24,280
I think that for most people the
return strikes again on revenge 

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00:12:24,280 --> 00:12:28,800
are considered the epitome of 
Clueso. 

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00:12:28,920 --> 00:12:33,160
But there there were generally 
speaking what people identify 

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00:12:33,160 --> 00:12:34,800
with when they think of that 
character. 

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00:12:35,640 --> 00:12:41,400
And as we'll discuss that, this 
film is somewhat uneven and 

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00:12:41,720 --> 00:12:48,600
there is a sort of a back and 
forth between Sellers and Nevin 

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00:12:48,800 --> 00:12:52,200
as to who this film is for in a 
way. 

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00:12:53,400 --> 00:12:58,280
Well, yeah. 
So the the film was conceived as

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00:12:58,800 --> 00:13:01,400
a as a comedy. 
Well, like a gentle comedy. 

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00:13:01,560 --> 00:13:05,240
Not a gentle comedy, but one of 
those glitzy international romps

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00:13:05,240 --> 00:13:10,640
that was so beloved of film 
makers in the early 60s about 

215
00:13:10,640 --> 00:13:15,520
this charming jewel thief. 
So Charles Litton AKA The 

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00:13:15,520 --> 00:13:19,440
Phantom and I I gather that 
Niven saw this or hoped that 

217
00:13:19,440 --> 00:13:25,320
this would be the first of a 
series of of films about the 

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00:13:25,360 --> 00:13:28,800
antics of Sir Charles Litton 
because he was casting around 

219
00:13:28,800 --> 00:13:30,640
for projects to work on around 
this time wasn't it? 

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00:13:31,240 --> 00:13:36,080
And and the character of Clusey 
was very much secondary and and 

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00:13:36,080 --> 00:13:39,360
Peter Ustinov was famously 
originally cast as Clue so. 

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00:13:39,720 --> 00:13:42,680
I didn't actually realize until 
I was researching for the 

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00:13:42,680 --> 00:13:45,120
podcast today the used to not, 
apparently. 

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00:13:45,200 --> 00:13:49,320
This is, according to Blake 
Edwards, an interview he had 

225
00:13:49,320 --> 00:13:51,680
pulled out of the film of One 
Week to Go. 

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00:13:52,080 --> 00:13:56,000
Yeah, something like that. 
Yes, and so they were in a quite

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00:13:56,000 --> 00:13:59,360
a desperate state to try and 
find a replacement. 

228
00:14:00,000 --> 00:14:02,280
See and. 
These days you'd be held, held 

229
00:14:02,280 --> 00:14:05,360
to a contractually to God that 
you'd be financially. 

230
00:14:05,360 --> 00:14:08,760
It would be very, very difficult
to extricate yourself from well,

231
00:14:08,760 --> 00:14:09,800
I feel. 
Yeah, yeah, I think they 

232
00:14:09,800 --> 00:14:12,480
actually said that they did 
pursue legal action against just

233
00:14:12,480 --> 00:14:14,200
enough as a result of ruling 
out. 

234
00:14:14,640 --> 00:14:17,280
And he wasn't the first person 
of course, as we'll come to, to 

235
00:14:17,600 --> 00:14:19,600
have left the project. 
Oh yeah. 

236
00:14:20,440 --> 00:14:23,360
Yeah, so he he went off and 
filmed very good film. 

237
00:14:23,520 --> 00:14:28,040
Top Carpi, which was directed by
Jules Dessen. 

238
00:14:28,160 --> 00:14:30,240
Have you seen Top? 
Probably I seen this last time. 

239
00:14:30,240 --> 00:14:31,680
Have you seen Top Carpi? 
Have we watched? 

240
00:14:31,840 --> 00:14:34,400
Happy N No, no, I have no we 
have not. 

241
00:14:35,200 --> 00:14:38,800
On the list, It's really good. 
It's based on an Eric Ambler. 

242
00:14:38,800 --> 00:14:41,680
I love Eric Ambler, the novelist
based on one of his novels. 

243
00:14:42,600 --> 00:14:46,960
And apparently Sellers had been 
offered the role that used to 

244
00:14:46,960 --> 00:14:51,000
have took up. 
So essentially they swap rolls, 

245
00:14:51,000 --> 00:14:54,320
I guess. 
Ceramics handmade by the 

246
00:14:54,320 --> 00:14:58,440
descendants of ancient heroes 
here, Reverend. 

247
00:15:00,000 --> 00:15:01,800
My name is Simpsons, Arthur 
Simpson. 

248
00:15:01,800 --> 00:15:05,040
I'm Church of India myself. 
It's a very religious place. 

249
00:15:05,640 --> 00:15:08,280
Do you know that Saint Paul 
passed through here on his way 

250
00:15:08,280 --> 00:15:09,800
to Samarth race? 
I do. 

251
00:15:11,640 --> 00:15:13,680
Will you be surprised to know 
the amount of people that don't 

252
00:15:14,640 --> 00:15:19,680
Bishop? 
The whole idea of the Pink 

253
00:15:19,680 --> 00:15:27,280
Panther came about because Blake
Edwards was talking to a writer 

254
00:15:27,360 --> 00:15:31,720
that he had used before, a 
writer called Maurice or Maurice

255
00:15:31,920 --> 00:15:34,880
Richland. 
And he he approached him with 

256
00:15:34,880 --> 00:15:39,480
the with a pitch for a film. 
And it was basically a French 

257
00:15:39,720 --> 00:15:44,120
police inspector is on the trail
of a notorious jewel thief. 

258
00:15:44,720 --> 00:15:47,280
And the twist is that the 
inspector's wife is having an 

259
00:15:47,280 --> 00:15:51,480
affair with the thief. 
And that was the that was the 

260
00:15:51,480 --> 00:15:53,320
pitch, and Blake Edwards ran 
with it. 

261
00:15:53,960 --> 00:15:57,720
We may as well actually just 
just touching on straight away 

262
00:15:57,720 --> 00:16:01,840
because I I asked yourself last 
night about this and then we 

263
00:16:01,840 --> 00:16:04,040
said no hope, no save save it 
for the recording. 

264
00:16:04,040 --> 00:16:05,800
Yes. 
Yeah always we'll discuss 

265
00:16:05,800 --> 00:16:12,400
everything before and so OK let 
let let's let's take opposing 

266
00:16:12,400 --> 00:16:14,560
views on this for the sake of 
argument. 

267
00:16:14,640 --> 00:16:18,760
OK, let's let's let's suggest 
that this is Sky News and 

268
00:16:18,760 --> 00:16:21,920
today's hot topic during Kate 
Barley's show. 

269
00:16:22,280 --> 00:16:30,280
Is this, Did Clouseau and 
Simone, did they actually have a

270
00:16:30,280 --> 00:16:34,840
loving relationship at first 
before her head was turned by 

271
00:16:34,840 --> 00:16:39,440
the world of Eve's and Laurent? 
Or was Simone always in a 

272
00:16:39,440 --> 00:16:43,480
relationship with Sir Charles 
and was using Clouseau from day 

273
00:16:43,480 --> 00:16:45,520
one? 
You can take whatever side of 

274
00:16:45,520 --> 00:16:48,560
the argument you want and I'll 
I'll provide the. 

275
00:16:49,160 --> 00:16:51,120
That's a point. 
So how long? 

276
00:16:51,520 --> 00:16:54,440
In the film Clueso says that 
he's been on the trail of the 

277
00:16:54,440 --> 00:16:56,760
Phantom for? 
I think it's. 

278
00:16:56,760 --> 00:16:59,560
I didn't jot it down between 10 
and 15 years, something like 

279
00:16:59,560 --> 00:17:04,560
that, I think. 
And I think he's only been 

280
00:17:04,560 --> 00:17:07,359
married to Simone less than that
period. 

281
00:17:07,359 --> 00:17:14,440
So I I contend that Simone 
married Clueso specifically to 

282
00:17:14,440 --> 00:17:16,960
aid the Phantom. 
In other words, she would be 

283
00:17:16,960 --> 00:17:20,079
able to provide the Phantom with
inside information, and so he'd 

284
00:17:20,079 --> 00:17:23,400
be one step ahead of the police 
investigations. 

285
00:17:23,800 --> 00:17:27,680
That's my contention. 
OK, for the sake of argument, 

286
00:17:27,680 --> 00:17:30,800
I'm going to say I would like to
think and I'm I'm more sort of, 

287
00:17:30,800 --> 00:17:35,920
this is a sympathy for Clueso. 
I'd like to think that there was

288
00:17:35,920 --> 00:17:42,640
something there to begin with 
before because I mean, OK, if 

289
00:17:43,080 --> 00:17:46,080
given that Clueso has been 
chasing the Phantom for so long,

290
00:17:46,760 --> 00:17:50,080
then he's bound to have 
mentioned it early on in their 

291
00:17:50,080 --> 00:17:54,120
relationship. 
And the more he said about the 

292
00:17:54,120 --> 00:17:58,240
phantom, perhaps that's when she
started getting interested and 

293
00:17:58,240 --> 00:18:03,440
perhaps has then sort of 
considered, OK, well, you know 

294
00:18:03,440 --> 00:18:07,360
this phantom is is Oh yeah. 
Because obviously he suspects, 

295
00:18:08,000 --> 00:18:13,200
you know, before the the big pan
for itself is his latest target 

296
00:18:13,200 --> 00:18:17,840
that he suspects it is Charles. 
So she will have seen Sir 

297
00:18:17,840 --> 00:18:21,840
Charles as an important person, 
a businessman, so on and so on 

298
00:18:21,840 --> 00:18:26,280
in the media and thought, yeah, 
that that lifestyle looks 

299
00:18:26,280 --> 00:18:32,120
interesting compared to the 
lifestyle of a police officer's 

300
00:18:32,240 --> 00:18:34,440
wife, so. 
But yet, technically, then, she 

301
00:18:34,440 --> 00:18:38,240
has she has unmasked Sir Charles
as the phantom before her 

302
00:18:38,240 --> 00:18:39,800
husband has. 
That's his job. 

303
00:18:40,400 --> 00:18:42,880
Well. 
I mean, we know that. 

304
00:18:44,000 --> 00:18:46,040
So Charles and someone are 
already in the relationship at 

305
00:18:46,040 --> 00:18:49,720
the beginning of this film, so 
maybe it's a Charles himself who

306
00:18:49,720 --> 00:18:54,680
has unmasked himself to someone 
rather than rather than clues. 

307
00:18:54,680 --> 00:18:56,000
Or perhaps. 
And the rest. 

308
00:18:56,960 --> 00:19:03,800
Well, indeed, yes. 
But I mean, because, yeah, first

309
00:19:03,800 --> 00:19:10,880
glance you're sort of thinking, 
OK, yeah, how Clueso and Simone,

310
00:19:10,880 --> 00:19:15,080
that they just their roles are 
not the same and you think, 

311
00:19:15,080 --> 00:19:17,680
yeah, how, how could this have 
come about? 

312
00:19:17,680 --> 00:19:23,960
But it could be. 
True love, but again she's an 

313
00:19:24,000 --> 00:19:30,440
elegant, self assured woman of 
the world and it's again, it's 

314
00:19:30,440 --> 00:19:33,040
it's like the question, how did 
Sellers, sorry, had a clue. 

315
00:19:33,040 --> 00:19:38,400
So get to the position he is in 
this French, in the settee, no. 

316
00:19:39,200 --> 00:19:42,160
Yes, because I I'm I'm going to 
suggest that this is a Peter 

317
00:19:42,160 --> 00:19:49,240
Principle in play and that 
Clueso is strange thing is OK 

318
00:19:49,240 --> 00:19:55,760
Clueso is buffoonish and he's 
obviously accident prone but 

319
00:19:55,760 --> 00:20:02,240
don't think Clueso stupid Clueso
sometimes in his calculations 

320
00:20:02,240 --> 00:20:04,440
and what have you. 
I'm I'm going to be on just this

321
00:20:04,440 --> 00:20:07,040
one single film and think of the
series as a whole. 

322
00:20:08,360 --> 00:20:10,480
Sometimes he's an he's he's 
right. 

323
00:20:10,480 --> 00:20:12,920
Sometimes he is correct in his 
calculations. 

324
00:20:12,960 --> 00:20:20,800
He's not very good at being able
to act upon his suspicions, but 

325
00:20:21,080 --> 00:20:24,120
he must surely have. 
OK, I guess it's ridiculous 

326
00:20:24,120 --> 00:20:27,400
saying this when you then think 
of the scene with himself and 

327
00:20:27,400 --> 00:20:31,520
John Blue Fall as the lookout at
the beginning of the town and 

328
00:20:31,520 --> 00:20:34,640
you think how an Earth could 
could get this, How does this 

329
00:20:34,680 --> 00:20:38,440
guy actually manage to, you 
know, find his way to the office

330
00:20:38,680 --> 00:20:44,320
correctly every morning? 
But I think, I think there was a

331
00:20:44,320 --> 00:20:54,200
combination of he does have a 
good brain for detective work to

332
00:20:54,200 --> 00:20:56,640
an extent. 
I think he's also good, good 

333
00:20:56,640 --> 00:21:00,520
people around him. 
And also he is quite often lucky

334
00:21:00,520 --> 00:21:02,880
that he finds himself at the 
right place at the right time. 

335
00:21:04,160 --> 00:21:07,560
And I could see that happening 
because, I mean, everybody knows

336
00:21:07,640 --> 00:21:10,320
people like that, probably in 
their own workplace. 

337
00:21:10,880 --> 00:21:13,680
You see people and you think 
that bloody hell that they get 

338
00:21:13,680 --> 00:21:14,600
promoted. 
Oh, absolutely. 

339
00:21:15,760 --> 00:21:19,280
Level. 
And OK, I'm I'm one of them. 

340
00:21:19,720 --> 00:21:21,240
Right, OK. 
OK, hang on, hang on. 

341
00:21:21,640 --> 00:21:26,600
OK I'm going to be going to be 
circumspect about what I'm 

342
00:21:26,600 --> 00:21:30,600
describing here but this is this
is a place I used to work at 

343
00:21:30,600 --> 00:21:33,400
many, many years ago like sort 
of 20 plus years ago. 

344
00:21:34,360 --> 00:21:41,120
One of the managers there was 
receiving an award for I don't 

345
00:21:41,120 --> 00:21:43,720
know whatever it was employee of
the month whatever it was but 

346
00:21:43,720 --> 00:21:46,320
some some it was, some do that 
were staging. 

347
00:21:47,480 --> 00:21:50,520
And up he goes and he gets his 
little plaque and what have you 

348
00:21:50,520 --> 00:21:55,000
and shakes the chief executives 
and and there's a woman there 

349
00:21:55,000 --> 00:21:57,720
that I didn't recognize because 
we're all standing at the bar 

350
00:21:57,720 --> 00:22:04,000
myself and all these coworkers 
and she's saying how the how the

351
00:22:04,000 --> 00:22:07,400
hell he got that I will never 
know if honestly. 

352
00:22:07,400 --> 00:22:10,000
Right if he if he is your 
manager then God help a lot of 

353
00:22:10,000 --> 00:22:12,640
you. 
That was his wife. 

354
00:22:17,760 --> 00:22:23,160
And honestly, I mean, and she 
wasn't wrong because if you ever

355
00:22:23,160 --> 00:22:25,480
said anything to him, if you 
said you've got some sort of 

356
00:22:25,480 --> 00:22:29,280
issue and you, you explain what 
the problem was, his face would 

357
00:22:29,280 --> 00:22:32,760
just freeze. 
Like he was like the equivalent 

358
00:22:32,760 --> 00:22:34,280
of like the blue screen on 
windows. 

359
00:22:34,280 --> 00:22:38,000
You could see that, like the 
cogs trying to turn over and in 

360
00:22:38,000 --> 00:22:41,960
his mind. 
But somehow he was above far, 

361
00:22:41,960 --> 00:22:46,760
far more on the face of it, far 
far more capable people. 

362
00:22:46,760 --> 00:22:48,880
And he obviously said the right 
things. 

363
00:22:49,440 --> 00:22:51,560
He never struck me out. 
There was a particularly good 

364
00:22:51,560 --> 00:22:55,160
networker. 
So how he done it, I don't know.

365
00:22:55,160 --> 00:22:58,680
But yeah, so I can only assume 
that the same as well. 

366
00:23:00,040 --> 00:23:02,680
Yes, yeah. 
But there's sometimes Gary, It's

367
00:23:02,720 --> 00:23:05,400
something as simple as I used to
work for a very small company 

368
00:23:05,400 --> 00:23:09,880
many, many, many years ago, 
where someone completely 

369
00:23:10,040 --> 00:23:14,520
incompetent in terms of doing 
the actual job achieved a level 

370
00:23:14,520 --> 00:23:19,560
of promotion simply because he 
provided our boss with a steady 

371
00:23:19,560 --> 00:23:30,080
stream of pornography. 
So back in the days when you had

372
00:23:30,080 --> 00:23:34,680
to work for it, you know? 
It's interesting. 

373
00:23:34,680 --> 00:23:39,120
Just talking about you, you said
Cluso is not stupid, or at least

374
00:23:39,120 --> 00:23:42,080
he I I think it's quite 
interesting watching this film 

375
00:23:42,080 --> 00:23:45,000
again for the purposes of this, 
because you're watching it. 

376
00:23:45,880 --> 00:23:48,760
I'm watching it with more of a 
critical eye, you know? 

377
00:23:50,520 --> 00:23:57,720
And it's interesting how Cluso 
frequently acknowledges when 

378
00:23:57,720 --> 00:24:00,840
something simple that he 
attempts to do goes awry. 

379
00:24:01,840 --> 00:24:02,440
There's. 
One. 

380
00:24:02,440 --> 00:24:07,080
There's one in particular where 
he is in the bedroom and he 

381
00:24:07,400 --> 00:24:13,720
attempts to place his gloves and
his hat on the hangar and both 

382
00:24:13,720 --> 00:24:17,040
just immediately dropped to the 
floor and it just holds up his 

383
00:24:17,040 --> 00:24:18,400
hands. 
Yeah. 

384
00:24:18,880 --> 00:24:20,000
It doesn't have. 
To say a word. 

385
00:24:20,240 --> 00:24:22,000
And he's not. 
He's not. 

386
00:24:22,000 --> 00:24:23,400
Oblivious to his failings. 
Is he? 

387
00:24:23,400 --> 00:24:29,080
Let's put it down, yes, yes. 
And I like it's interesting as 

388
00:24:29,080 --> 00:24:30,760
well. 
So we're going to go backwards 

389
00:24:30,760 --> 00:24:33,960
forge with this conversation. 
I know, but you said before that

390
00:24:34,200 --> 00:24:37,040
Sellers was the replacement for 
Houston off at very short 

391
00:24:37,040 --> 00:24:40,760
notice. 
And I gather, depending on you 

392
00:24:40,760 --> 00:24:45,560
know what you've read, who you 
believe he Sellers arrived in 

393
00:24:45,560 --> 00:24:49,760
Rome on the Friday to begin 
filming on the Monday in in 

394
00:24:49,760 --> 00:24:53,800
November 62, and he meets Blake 
Edwards. 

395
00:24:53,800 --> 00:24:56,680
Blake Edwards really only knew 
him from seeing. 

396
00:24:56,680 --> 00:25:01,360
I'm all right, Jack. 
Prior to this and in the car 

397
00:25:01,360 --> 00:25:05,880
journey from the airport to the 
hotel, the the two of them were 

398
00:25:05,880 --> 00:25:08,120
talking about the character of 
Clouseau as it had been sketched

399
00:25:08,120 --> 00:25:10,440
out for Houston off and the 
Houston off. 

400
00:25:10,480 --> 00:25:15,600
Clouseau was to be quite 
composed, quite straight, quite 

401
00:25:16,400 --> 00:25:20,240
by the book, and Sellers was 
firm that he wants to make the 

402
00:25:20,240 --> 00:25:23,920
role his own. 
So both men, you mentioned 

403
00:25:23,920 --> 00:25:26,640
Lauren Hardy, Both men loved 
Lauren Hardy, that they loved 

404
00:25:26,640 --> 00:25:30,480
the great silent comics, and in 
that during the course of that 

405
00:25:30,840 --> 00:25:34,840
car journey between the two of 
them, they they they sort of 

406
00:25:34,840 --> 00:25:38,320
shaped the character of Clueso. 
The basic details if you like. 

407
00:25:38,640 --> 00:25:44,800
So he's a well-intentioned yet 
idiotic accident prone character

408
00:25:46,200 --> 00:25:48,840
who is aware of his own failings
but never gives up despite 

409
00:25:48,840 --> 00:25:51,080
everything. 
Conspiring. 

410
00:25:51,080 --> 00:25:53,840
Against them. 
And he always tries to maintain 

411
00:25:53,840 --> 00:25:55,680
his dignity. 
Yes. 

412
00:25:55,680 --> 00:26:00,280
Above all else, yes. 
And and also in this film, this 

413
00:26:00,280 --> 00:26:03,240
first film we never see because 
he he's only got a wife in this 

414
00:26:03,240 --> 00:26:05,480
film. 
In subsequent films, he's a 

415
00:26:05,480 --> 00:26:08,520
bachelor. 
He's very, what's the word, 

416
00:26:08,520 --> 00:26:14,240
Axorious. 
He's very devoted, overly 

417
00:26:14,240 --> 00:26:15,880
devoted to his wife. 
Although I think he's just 

418
00:26:15,880 --> 00:26:17,240
trying to get his end away, 
really, isn't he? 

419
00:26:17,600 --> 00:26:21,200
He's basic. 
Uh huh. 

420
00:26:22,600 --> 00:26:24,080
Why aren't you in bed, my 
darling? 

421
00:26:26,040 --> 00:26:27,120
I was. 
I mean. 

422
00:26:27,320 --> 00:26:30,080
I mean, I'm just. 
I'm just going to, dear. 

423
00:26:35,480 --> 00:26:38,680
My study varies. 
Yes, The Porter just brought it 

424
00:26:38,680 --> 00:26:42,480
in. 
I sent it to the. 

425
00:26:42,480 --> 00:26:44,920
Village to be repaired. 
I just hope they know how to fix

426
00:26:44,920 --> 00:26:46,200
plastic. 
I hope so too. 

427
00:26:48,360 --> 00:26:51,800
So far so good. 
We shall see. 

428
00:26:57,760 --> 00:26:58,440
Better. 
Than ever. 

429
00:27:00,480 --> 00:27:02,360
Yeah. 
I doubt if we should need it 

430
00:27:02,360 --> 00:27:04,520
tonight, my love. 
I'm sure we won't die. 

431
00:27:07,760 --> 00:27:08,120
Yeah. 
No. 

432
00:27:08,120 --> 00:27:08,400
He. 
He. 

433
00:27:08,400 --> 00:27:12,440
Really does come across as 
genuinely in love with someone. 

434
00:27:13,080 --> 00:27:15,160
Yeah. 
And that that makes a little 

435
00:27:15,160 --> 00:27:18,160
more tragic. 
Yeah, because you. 

436
00:27:18,160 --> 00:27:23,120
Can see that he's being played 
and I suspect anybody else 

437
00:27:23,120 --> 00:27:26,600
observing their relationship for
any length of time, even if they

438
00:27:26,600 --> 00:27:28,520
don't know anything about Sir 
Charles being in the picture, 

439
00:27:28,760 --> 00:27:32,520
they can see that it's generally
one way traffic. 

440
00:27:33,240 --> 00:27:36,080
You know, he will give a lot. 
She will give a little back, 

441
00:27:36,480 --> 00:27:42,360
which seems to be just enough to
to satisfy him and to to keep 

442
00:27:42,360 --> 00:27:45,080
him, you know, away from 
suspicion or whatever. 

443
00:27:45,080 --> 00:27:46,960
Like I said, actually there are 
a couple of times in the film, 

444
00:27:46,960 --> 00:27:50,920
but he does, he says at one 
point we mustn't have any 

445
00:27:50,920 --> 00:27:56,520
secrets between US. 
And he spots little things like 

446
00:27:56,520 --> 00:27:59,000
on not little things at all, but
like the shattered vase of 

447
00:27:59,000 --> 00:28:03,640
flowers and so on. 
And even then there's a little 

448
00:28:03,640 --> 00:28:06,960
flicker there is if he's sort of
thinking, OK, is there something

449
00:28:06,960 --> 00:28:08,880
going on here? 
But that doesn't last very long 

450
00:28:08,880 --> 00:28:10,680
that doesn't doesn't stay with 
him. 

451
00:28:10,680 --> 00:28:13,160
He doesn't become more and more 
suspicious. 

452
00:28:13,400 --> 00:28:17,520
He's he's almost like he's 
constantly on his guard every 

453
00:28:17,520 --> 00:28:20,880
once in a while. 
But then she only has to say the

454
00:28:20,880 --> 00:28:24,800
slightest little thing and he's 
reassured again and as far as 

455
00:28:24,800 --> 00:28:26,960
he's concerned all is OK. 
There's the, there's. 

456
00:28:26,960 --> 00:28:30,480
The scene where he sees the wet 
footprints, yes. 

457
00:28:30,480 --> 00:28:32,880
Trailing along the. 
Floor towards the bed. 

458
00:28:34,080 --> 00:28:36,920
Yes. 
And he's for the longest time 

459
00:28:36,920 --> 00:28:38,440
he's trying to work out what 
this could mean. 

460
00:28:38,440 --> 00:28:41,440
And then Simone just pulls him 
into the bed and all is 

461
00:28:41,440 --> 00:28:43,000
forgotten. 
Yes. 

462
00:28:43,040 --> 00:28:46,000
Pretty much. 
It is. 

463
00:28:46,080 --> 00:28:49,560
I mean, a lot of this film is is
set in the Clueso bedroom or the

464
00:28:49,680 --> 00:28:51,880
the hotel bedroom that the 
Cluesos are staying in. 

465
00:28:52,280 --> 00:28:54,080
And it's a classic bedroom fast,
isn't it? 

466
00:28:54,720 --> 00:28:56,880
Well, now this. 
This this is the the one of the 

467
00:28:56,880 --> 00:29:01,200
things that struck me about the 
film and how sort of uneven it 

468
00:29:01,200 --> 00:29:03,960
is because in a way it sort of 
feels like 2 films. 

469
00:29:03,960 --> 00:29:07,120
I don't just mean that the the 
the two and a throw in between 

470
00:29:07,120 --> 00:29:10,520
is Sir Charles or Clueso. 
Which one of them is actually 

471
00:29:10,560 --> 00:29:12,400
like the the the big star of 
this film? 

472
00:29:13,360 --> 00:29:16,640
But you see that like the the 
first thing that actually struck

473
00:29:16,640 --> 00:29:18,360
me just watching it back the 
other day. 

474
00:29:18,560 --> 00:29:22,840
The opening titles don't include
Clueso, which is understandable 

475
00:29:22,920 --> 00:29:26,400
because like you say, he wasn't 
intended to be the principal 

476
00:29:26,400 --> 00:29:29,800
character. 
The next thing I noticed, apart 

477
00:29:29,800 --> 00:29:33,320
from the fact of how colorful 
the film is, because it really 

478
00:29:33,320 --> 00:29:37,680
does, it makes good use of the 
the outdoors and the 

479
00:29:37,680 --> 00:29:39,480
surroundings and everything. 
It looks so warm. 

480
00:29:39,480 --> 00:29:42,360
It looks so inviting. 
Oh, well, yeah. 

481
00:29:42,360 --> 00:29:44,680
I'm sorry to interrupt, but in 
the 1st 10 minutes of the film, 

482
00:29:45,040 --> 00:29:47,840
we see four different locations 
and they are on location. 

483
00:29:47,840 --> 00:29:51,640
We well, sorry, right at the 
beginning we see the the Sultan 

484
00:29:51,640 --> 00:29:56,800
of Lugash, don't we? 
But then we see Rome, including 

485
00:29:56,800 --> 00:29:59,920
apartments which were situated 
directly across the road from 

486
00:29:59,920 --> 00:30:04,440
the Colosseum, Hollywood and 
Cortina. 

487
00:30:05,040 --> 00:30:06,280
Yes. 
That's all in. 

488
00:30:06,280 --> 00:30:10,360
The 1st 10 minutes, yes. 
And then you go from that and 

489
00:30:10,360 --> 00:30:13,520
it's a really busy opening as 
well as a lot going on in those 

490
00:30:13,520 --> 00:30:15,840
first few minutes, a lot of 
characters going on. 

491
00:30:16,040 --> 00:30:19,840
And there's also a couple of, 
they don't, they're not red 

492
00:30:19,840 --> 00:30:22,040
headings as such, but a couple 
of things that sort of throw you

493
00:30:22,040 --> 00:30:24,200
the wrong way. 
The two heavies that are chasing

494
00:30:24,200 --> 00:30:28,240
after Robert Wagner's character,
for example, you might think, 

495
00:30:28,240 --> 00:30:29,400
OK, or we're going to see them 
again. 

496
00:30:29,400 --> 00:30:33,680
I mean, if I do things like that
where you're sort of, you're 

497
00:30:33,680 --> 00:30:37,440
just sort of finding your way in
the opening of the film, you're 

498
00:30:37,440 --> 00:30:40,320
sort of thinking, OK, by who's 
who here, what's what's, what's 

499
00:30:40,360 --> 00:30:41,800
actually, yeah. 
What's? 

500
00:30:41,800 --> 00:30:43,600
Our what's our focus point? 
I expected. 

501
00:30:43,600 --> 00:30:46,600
More definitely from the Robert 
Wagner character. 

502
00:30:46,600 --> 00:30:50,520
In terms of his back story to 
come into this, it doesn't 

503
00:30:50,520 --> 00:30:53,240
really. 
All it is that he owes some 

504
00:30:54,320 --> 00:30:57,960
goons in Hollywood. 40,000. 
Dollars. 

505
00:30:58,520 --> 00:31:01,360
Yeah. 
He's been lying to his 

506
00:31:01,360 --> 00:31:07,120
benefactor, His uncle, Yeah, Sir
Charles, that he's studious at 

507
00:31:07,280 --> 00:31:09,960
college and looking to join the 
Peace Corps. 

508
00:31:10,800 --> 00:31:14,200
But he's just been out and about
having a a grand old time of it,

509
00:31:14,200 --> 00:31:17,280
hasn't he really he hasn't done.
He's, he's, he's, he's a he's. 

510
00:31:18,200 --> 00:31:21,560
An early American prototype for 
Leslie Phillips and Casanova, 

511
00:31:21,560 --> 00:31:25,520
73. 
You better explain. 

512
00:31:25,760 --> 00:31:29,240
Explain that. 
So for for those who've never 

513
00:31:29,240 --> 00:31:33,800
seen Casanova 73, written by 
Gordon and Simpson is basically 

514
00:31:33,800 --> 00:31:37,880
Leslie Phillips trying to get 
his oats week in, week out. 

515
00:31:38,160 --> 00:31:42,280
And this show began at 8:00 in 
the evening and was rapidly 

516
00:31:42,280 --> 00:31:45,960
elbowed to post Watershed 
because it really was just 

517
00:31:45,960 --> 00:31:48,480
Leslie Phillips trying to get 
his leg over with a very. 

518
00:31:48,480 --> 00:31:50,280
Suggestive opening credit 
sequence. 

519
00:31:50,400 --> 00:31:51,680
Oh. 
God, yes. 

520
00:31:52,040 --> 00:31:55,640
Yes. 
And which we won't dwell on, but

521
00:31:55,800 --> 00:31:58,680
no, wasn't it? 
Wasn't it responsible for 

522
00:31:59,480 --> 00:32:01,200
Mastermind? 
Yes. 

523
00:32:01,200 --> 00:32:04,200
Because they needed something to
go into that 8:00 slot and 

524
00:32:04,200 --> 00:32:07,280
mastermind it was. 
And of course that then became, 

525
00:32:08,160 --> 00:32:09,440
I mean still going today, of 
course. 

526
00:32:09,480 --> 00:32:12,760
But yeah, that that, that 
promotion to that slot is what 

527
00:32:12,760 --> 00:32:14,040
established mastermind from then
on. 

528
00:32:15,120 --> 00:32:19,760
Should we just talk a little bit
about the principal actors in 

529
00:32:19,760 --> 00:32:20,800
this? 
Yes. 

530
00:32:20,800 --> 00:32:22,320
Like to do. 
I always like to do this, you 

531
00:32:22,800 --> 00:32:26,240
know, I like to say, you know 
what have we seen them in before

532
00:32:26,240 --> 00:32:30,440
and that sort of thing now? 
Let me just quickly throw in one

533
00:32:30,440 --> 00:32:35,680
name right the outset, which the
name popped up on the screen and

534
00:32:35,680 --> 00:32:38,400
I thought, I know that name but 
I cannot place him. 

535
00:32:38,840 --> 00:32:43,440
The associate producer of the 
film was Dick Crockett, and I 

536
00:32:43,440 --> 00:32:47,120
think he might also have been 
stuntman for this film as well 

537
00:32:47,120 --> 00:32:54,120
as yes, he was the President in 
Strikes Again the the. 

538
00:32:54,520 --> 00:32:56,840
The sort of Jimmy Sorry, Gerald 
Ford. 

539
00:32:56,840 --> 00:32:58,360
Gerald Ford. 
Yeah, Avatar. 

540
00:32:58,680 --> 00:33:00,000
Yeah, yeah. 
Really. 

541
00:33:00,440 --> 00:33:01,200
Yes. 
And you? 

542
00:33:01,520 --> 00:33:03,400
As soon as I saw his name, I 
thought, I've seen that name 

543
00:33:03,400 --> 00:33:07,080
somewhere before. 
And yeah, yeah, because. 

544
00:33:07,320 --> 00:33:10,960
The scenes in this in The Pink 
Panther, during the fancy dress 

545
00:33:11,200 --> 00:33:15,080
party, you've obviously got 
Clouseau in the suit of armour, 

546
00:33:15,080 --> 00:33:18,680
and sometimes the visor is up, 
sometimes it's down, and often 

547
00:33:18,680 --> 00:33:21,400
when it's down, the character of
Clouseau falls over. 

548
00:33:22,160 --> 00:33:26,120
Yes, that's Dick Crockett in 
that it's not sellers, I I do. 

549
00:33:26,120 --> 00:33:29,080
Like the fact that the clues So 
again look at this goes back to 

550
00:33:29,080 --> 00:33:36,760
him not having an excess of 
common sense, that of all the 

551
00:33:36,760 --> 00:33:39,800
different costumes that he could
have chosen for this rather 

552
00:33:39,800 --> 00:33:43,760
important task, he has chosen 
the least mobile of all. 

553
00:33:46,640 --> 00:33:49,720
You're not going to outrun 
somebody, are you in a do we 

554
00:33:49,760 --> 00:33:51,920
think? 
Do we think that he went to the 

555
00:33:53,240 --> 00:33:58,080
the dress shop of Augusta's 
Balls, regardless of whether he 

556
00:33:58,080 --> 00:33:59,600
was Graham Stark or Harvey 
Carman? 

557
00:34:00,000 --> 00:34:02,600
And just the thing for you, 
Inspector. 

558
00:34:04,040 --> 00:34:07,400
Does or did August balls have a 
branch in Rome? 

559
00:34:11,120 --> 00:34:12,920
I'm I'm sure, I'm sure something
could be arranged. 

560
00:34:14,239 --> 00:34:16,760
I mean he because he, I think he
is actually his own, his only 

561
00:34:16,760 --> 00:34:21,719
customers, you know? 
Yeah, OK. 

562
00:34:21,800 --> 00:34:23,800
But yes, so that's interesting. 
Dick Crockett. 

563
00:34:23,920 --> 00:34:28,639
Yeah, I can picture him now in 
Strikes Again, Which is. 

564
00:34:28,639 --> 00:34:30,280
Is that your favorite? 
Isn't that your? 

565
00:34:30,360 --> 00:34:32,080
Is that your favorite? 
My. 

566
00:34:32,080 --> 00:34:35,320
Favorite of all is return 
because I think that it's got, 

567
00:34:35,400 --> 00:34:41,159
it's just got the perfect 
balance of the the clues or by 

568
00:34:41,159 --> 00:34:44,320
that time the clues or is sort 
of what you've come to expect 

569
00:34:44,639 --> 00:34:48,719
from the characters is the 
character is fully rounded and 

570
00:34:48,719 --> 00:34:51,000
he's in I suppose what you call 
his final form. 

571
00:34:51,679 --> 00:34:55,520
Also I really like the the 
subplot with Christopher Plummer

572
00:34:56,360 --> 00:34:58,600
running for that film as well. 
Yeah, it's interesting. 

573
00:34:58,600 --> 00:35:02,000
That never didn't return to 
place. 

574
00:35:02,000 --> 00:35:03,240
Charles. 
It's Christopher Plummer. 

575
00:35:03,680 --> 00:35:10,960
Yet Nevin returns after Sellers 
is dead, Betrayal and yes. 

576
00:35:11,120 --> 00:35:14,200
He is in course as well, yes, as
is, as is Capucine. 

577
00:35:15,400 --> 00:35:19,280
But I don't think, I don't think
never would have been right for 

578
00:35:19,280 --> 00:35:23,680
the role as portrayed in return,
because he's much more physical.

579
00:35:23,680 --> 00:35:28,360
He's why he sees, you know, he 
seems to have gone backwards in 

580
00:35:28,360 --> 00:35:30,480
age. 
He's a slightly younger man, 

581
00:35:30,720 --> 00:35:34,400
true. 
And there's a lot of action 

582
00:35:34,520 --> 00:35:36,440
going on. 
I don't know that never would 

583
00:35:36,440 --> 00:35:37,880
have been ideal for that. 
Probably not. 

584
00:35:38,240 --> 00:35:40,320
No. 
Just on Capucine. 

585
00:35:42,120 --> 00:35:43,680
Real name? 
Oh God. 

586
00:35:43,680 --> 00:35:47,280
I'm going to take a run at this.
Jermaine Helaine Irene 

587
00:35:47,720 --> 00:35:54,240
Lefebrevre. 
He was famous as a model, but 

588
00:35:54,240 --> 00:35:59,160
she made, she did quite a few 
films and her squeeze at the 

589
00:35:59,160 --> 00:36:03,640
time of this film for one of a 
better word was Charles Feldman.

590
00:36:05,600 --> 00:36:08,480
And he also happened to be Blake
Edwards agent. 

591
00:36:09,800 --> 00:36:14,640
And she and she came into 
because I think Eva Kardner was 

592
00:36:14,640 --> 00:36:17,640
meant to be Madame Clouseau, 
wasn't she? 

593
00:36:17,920 --> 00:36:19,360
Yes. 
But she had she. 

594
00:36:19,360 --> 00:36:22,560
Had some unrealistic demands, 
yes. 

595
00:36:22,680 --> 00:36:27,080
And I think that I think she, I 
think she ended up leaving maybe

596
00:36:27,080 --> 00:36:31,800
about sort of three weeks into 
the initial stages for the 

597
00:36:31,800 --> 00:36:34,680
production and there was about a
week after that I think the use 

598
00:36:34,680 --> 00:36:38,680
not left but kept the cap. 
You seen interesting because she

599
00:36:38,680 --> 00:36:42,040
had a long relationship with the
actor William Holden in in the 

600
00:36:42,040 --> 00:36:43,400
60s. 
She was very close friends with 

601
00:36:43,400 --> 00:36:47,680
Audrey Hepburn and Audrey 
Hepburn had been considered for 

602
00:36:47,680 --> 00:36:50,240
the role of the Princess isn't 
she? 

603
00:36:50,960 --> 00:36:53,440
And you I think you said because
we touched on this last night. 

604
00:36:53,440 --> 00:36:56,560
I think you said or Tilt said 
that would have made sense and I

605
00:36:56,560 --> 00:37:02,040
disagree because right at the 
beginning of the film when we 

606
00:37:02,040 --> 00:37:05,600
see the young Princess and the 
pre credits sequence in Lucash 

607
00:37:06,480 --> 00:37:11,040
clearly played by a young 
actress who is, you know, of 

608
00:37:11,040 --> 00:37:13,480
Asian descent, no getting around
it. 

609
00:37:14,160 --> 00:37:18,440
Whereas Claudia Cardinali who we
see you know in the rest of the 

610
00:37:18,440 --> 00:37:21,640
film as the actual grown up 
Princess Princess Darla, isn't 

611
00:37:21,640 --> 00:37:24,800
it. 
Well, at the very best you could

612
00:37:24,800 --> 00:37:28,280
say she's got swarthy looks, 
swarthy Mediterranean looks, 

613
00:37:29,720 --> 00:37:33,200
She's basically changed race as 
she's grown up. 

614
00:37:34,080 --> 00:37:35,120
I mean it. 
Had it? 

615
00:37:35,320 --> 00:37:39,640
Had it been Audrey Hepburn? 
I mean, OK, it certainly wasn't 

616
00:37:39,640 --> 00:37:44,040
uncommon for people to be 
playing characters of different 

617
00:37:44,280 --> 00:37:49,800
ethnicities to themselves. 
So yeah, well, Sellers himself, 

618
00:37:49,880 --> 00:37:52,120
of course. 
So, yeah. 

619
00:37:53,000 --> 00:37:56,960
But I think that Claudia 
cardinality is ideal for that 

620
00:37:56,960 --> 00:37:58,840
role. 
To be honest, I think that she 

621
00:37:58,920 --> 00:38:03,240
thinks she comes across quite 
natural in the role, whereas I 

622
00:38:03,240 --> 00:38:06,800
think the Audrey Hepburn might 
have been a bit sort of film 

623
00:38:06,800 --> 00:38:08,600
star. 
Does that make sense? 

624
00:38:08,840 --> 00:38:10,800
The way I'm saying that it's 
like, oh bloody hell is Audrey 

625
00:38:10,800 --> 00:38:12,640
Hepburn and the whole thing 
you're looking at and you're 

626
00:38:12,640 --> 00:38:14,160
thinking it's Audrey Hepburn, 
yes. 

627
00:38:14,160 --> 00:38:20,400
Whereas the role of the Princess
is to be somewhat understated 

628
00:38:20,880 --> 00:38:26,440
and she's also extremely 
cautious about such AL's and the

629
00:38:26,440 --> 00:38:29,960
other people around her. 
Because as we discover on the 

630
00:38:29,960 --> 00:38:32,840
subplot, it's not just the fact 
that she's got this very 

631
00:38:32,840 --> 00:38:39,400
valuable diamond, but also there
was a political slanter as well.

632
00:38:39,400 --> 00:38:42,360
It is disputed. 
I will have this conversation 

633
00:38:42,360 --> 00:38:45,160
when the top story in news today
is about the elegant marbles. 

634
00:38:45,720 --> 00:38:46,840
Oh God, yeah. 
Yeah. 

635
00:38:48,320 --> 00:38:50,880
She She's portrayed as very. 
Vulnerable, but at the same time

636
00:38:50,880 --> 00:38:55,280
very strong willed and very self
confident with her with a she's 

637
00:38:55,280 --> 00:39:01,520
got agency in this film and and 
what I couldn't get my head 

638
00:39:01,520 --> 00:39:06,920
around was that because it was a
marvellous job they did, she was

639
00:39:06,920 --> 00:39:09,480
overdubbed for the whole film, 
yes. 

640
00:39:10,400 --> 00:39:12,600
I didn't know whether she wasn't
that she couldn't speak English 

641
00:39:12,600 --> 00:39:15,320
properly or she had such a heavy
accent that they needed to 

642
00:39:15,320 --> 00:39:19,400
overdub her for the whole film. 
I'm not quite sure I was. 

643
00:39:19,440 --> 00:39:22,240
Three years old when I rode my 
first elephant. 

644
00:39:23,680 --> 00:39:34,200
I was 6 when I went on my first 
Safari Frazari Wild Animal Hunt,

645
00:39:35,400 --> 00:39:38,440
and I was 10 when I begged my 
first tiger. 

646
00:39:39,040 --> 00:39:42,400
But I never forget my lovely 
Little Pony. 

647
00:39:42,400 --> 00:39:47,680
When did you beg him? 
Oh, you're making fun again. 

648
00:39:48,600 --> 00:39:52,440
You really don't like animals, 
don't trust a man who doesn't 

649
00:39:52,440 --> 00:39:58,360
care about animals, and don't 
trust an animal who doesn't care

650
00:39:58,360 --> 00:40:02,720
about people. 
Why? 

651
00:40:02,800 --> 00:40:05,760
You don't like people? 
I like people. 

652
00:40:06,840 --> 00:40:14,360
Oh, that's supposed to be me who
doesn't like people, right? 

653
00:40:15,160 --> 00:40:17,400
If you say so. 
No, I should just. 

654
00:40:17,400 --> 00:40:18,800
Point out of the way, Yeah, 
best. 

655
00:40:18,800 --> 00:40:22,960
The best instance of somebody 
being dubbed for a film? 

656
00:40:24,160 --> 00:40:27,960
Howdy Hernia and Carry on 
Emmanuel Dumped by Kenneth 

657
00:40:27,960 --> 00:40:33,720
Connor as an Australian. 
What? 

658
00:40:33,720 --> 00:40:34,320
What? 
What was? 

659
00:40:34,320 --> 00:40:36,640
Sorry, What? 
What? 

660
00:40:37,160 --> 00:40:39,320
So there was there. 
Was a bodybuilder called Howdy 

661
00:40:39,320 --> 00:40:40,320
Hernia? 
Yes. 

662
00:40:41,080 --> 00:40:46,280
And the the guy, the bodybuilder
himself playing the role was 

663
00:40:46,360 --> 00:40:50,560
thought to have quite a sort of 
weak voice, not with a strongman

664
00:40:50,560 --> 00:40:52,280
voice. 
So he's dubbed by Kenneth 

665
00:40:52,280 --> 00:40:53,960
Connor, who then plays him as an
Australian. 

666
00:40:54,800 --> 00:40:55,920
But. 
Kenneth Connor's in the film as 

667
00:40:55,920 --> 00:40:58,840
well as Yes he is, but. 
He's not playing an Australian, 

668
00:40:58,840 --> 00:41:05,240
so he's he's able to. 
And you're going to see the 

669
00:41:05,320 --> 00:41:07,880
actor who plays Harry Hernia in 
another film. 

670
00:41:08,160 --> 00:41:11,840
At some point when he get round 
to disgusting, come play with 

671
00:41:11,840 --> 00:41:12,240
me. 
Oh. 

672
00:41:12,760 --> 00:41:15,560
Dear God, yeah, OK. 
Which? 

673
00:41:15,560 --> 00:41:17,080
Which? 
Which you really should not have

674
00:41:17,080 --> 00:41:18,880
agreed to. 
Well, I want to. 

675
00:41:18,920 --> 00:41:21,880
I want to see it for the reasons
that you you've you've really 

676
00:41:21,880 --> 00:41:24,840
built it up over the years that 
we've talked about. 

677
00:41:25,160 --> 00:41:26,960
Come play with me, I think. 
I think. 

678
00:41:26,960 --> 00:41:31,040
In all honesty, I think it's 
this is this is off topic, but 

679
00:41:31,040 --> 00:41:34,200
the I think I think it has 
developed Mystique all of its 

680
00:41:34,200 --> 00:41:36,320
own. 
But yeah, we'll save that for 

681
00:41:36,320 --> 00:41:37,680
the cast, yeah. 
Cool. 

682
00:41:37,920 --> 00:41:41,960
OK, now can't be seen. 
She's got really good comedy 

683
00:41:41,960 --> 00:41:45,760
chops in this good good timing. 
She she works very well. 

684
00:41:45,760 --> 00:41:49,520
She plays off sellers very well.
The bit with the hat, when the 

685
00:41:49,560 --> 00:41:53,680
hat drops in her face, caught in
the hairpin, she's you know 

686
00:41:53,680 --> 00:41:59,600
she's not afraid to to do 
comedy, which a lot of models 

687
00:41:59,600 --> 00:42:03,640
turned actresses would possibly 
feel a bit awkward or 

688
00:42:04,320 --> 00:42:07,080
disinclined to do to do the 
comedy. 

689
00:42:07,520 --> 00:42:10,240
I would have said, but I think I
thought she was very good. 

690
00:42:10,880 --> 00:42:12,440
She was in lots of French, 
French movies. 

691
00:42:12,440 --> 00:42:15,680
She was in What's New Pussycat, 
of course, which Sellers was in.

692
00:42:16,400 --> 00:42:19,360
And she also yeah, she was in 
Trail and Curse of the Pink 

693
00:42:19,360 --> 00:42:22,800
Panther. 
She was in an episode of Heart 

694
00:42:22,800 --> 00:42:28,040
to Heart alongside Robert Wagner
and she was she, she was to have

695
00:42:28,040 --> 00:42:30,880
been cast in the Sellers film 
Waltz of the Tory Doors, but 

696
00:42:30,880 --> 00:42:33,720
this fell through. 
And David Niven. 

697
00:42:34,520 --> 00:42:36,880
David Niven, David Niven. 
What do you think of David Niven

698
00:42:36,880 --> 00:42:40,000
generally? 
Well, I mean David is not 

699
00:42:40,000 --> 00:42:42,520
somebody that I've actually seen
a lot of fun screen. 

700
00:42:42,520 --> 00:42:47,320
I've not seen a lot of his work.
But of course I was familiar 

701
00:42:47,320 --> 00:42:51,360
with him growing up and I think 
I was probably more aware of 

702
00:42:51,360 --> 00:42:57,160
just this general sort of 
persona and being the the the 

703
00:42:57,160 --> 00:43:03,600
typical as portrayed English 
gentleman and he's somebody that

704
00:43:03,600 --> 00:43:07,000
I'm interested to see and more 
films I'm interested. 

705
00:43:07,000 --> 00:43:10,640
I would like to see him in 
Raffles of 19, maybe 939 of him 

706
00:43:10,640 --> 00:43:13,040
that was be interested to see 
him in that. 

707
00:43:13,040 --> 00:43:14,840
And there's also one that we've 
spoken about as well. 

708
00:43:15,280 --> 00:43:17,800
There is a bank robbery film. 
I think it's called as a 

709
00:43:17,800 --> 00:43:20,240
Nightingale and Barkley Square 
and Nightingale. 

710
00:43:20,240 --> 00:43:22,160
Saying about the square. 
Yeah, Yes. 

711
00:43:22,160 --> 00:43:22,720
Yeah. 
I'm. 

712
00:43:22,720 --> 00:43:26,880
Interested to see that as well 
and I've not really heard him 

713
00:43:26,880 --> 00:43:30,480
being spoken about in a great 
deal in terms of acting range. 

714
00:43:31,000 --> 00:43:36,400
I think that he's more somebody 
who is very dependable on screen

715
00:43:37,320 --> 00:43:43,840
and was a big name for the fact 
that he personified a particular

716
00:43:43,840 --> 00:43:47,000
type of gentleman. 
And of course he's he's ideal in

717
00:43:47,000 --> 00:43:50,200
this. 
I think that perhaps the scenes 

718
00:43:50,200 --> 00:43:56,400
where he is attempting to seduce
the Princess, perhaps he the age

719
00:43:56,400 --> 00:43:59,120
gap is a bit too much. 
Yeah, for sort of modern 

720
00:43:59,120 --> 00:44:04,360
audiences. 
But then the Princess herself 

721
00:44:04,800 --> 00:44:09,680
actually refers to that in the 
conversation about the the 

722
00:44:09,680 --> 00:44:12,760
dining table, the fact that he's
a middle-aged man going from one

723
00:44:12,760 --> 00:44:15,000
conquest to another. 
Mm hmm. 

724
00:44:16,560 --> 00:44:20,000
He tends to always play the same
sort of character, doesn't he? 

725
00:44:20,640 --> 00:44:24,120
Really? 
I'm very fond of him in, Well, 

726
00:44:24,120 --> 00:44:25,280
I'm very fond of the film in 
general. 

727
00:44:26,600 --> 00:44:30,120
A Matter of Life and Death, The 
Power and Press Burger film. 

728
00:44:30,760 --> 00:44:33,360
Yes, again he was. 
Lead. 

729
00:44:33,760 --> 00:44:36,600
Was he the lead character in 
Casino Royale? 

730
00:44:36,640 --> 00:44:41,080
Lead actor in Casino Royale? 
He was in Murder by Death with 

731
00:44:41,080 --> 00:44:44,440
Sellers as well, of course. 
And yeah, great raconteur. 

732
00:44:44,440 --> 00:44:46,760
And he was just never off 
Parkinson, was he? 

733
00:44:46,760 --> 00:44:52,960
He was always on Parkinson. 
And his character in this Sir 

734
00:44:52,960 --> 00:44:58,920
Charles, the relationship that 
he has with the Princess is 

735
00:44:58,920 --> 00:45:05,440
never made clear. 
Is he is he purely just trying 

736
00:45:05,440 --> 00:45:06,920
to? 
Does he do you think he has any 

737
00:45:06,920 --> 00:45:10,480
romantic interest in her at all?
Or is he purely just trying to 

738
00:45:10,480 --> 00:45:14,640
get the goods in terms of where 
the the diamond is? 

739
00:45:15,880 --> 00:45:17,920
Through getting a drunk. 
And whatnot I I. 

740
00:45:18,040 --> 00:45:25,720
I think romantically, no. 
But in terms of trying to have 

741
00:45:25,720 --> 00:45:29,560
his either way, so to speak, 
certainly yeah. 

742
00:45:29,560 --> 00:45:35,400
And if that then by extension, 
then leads him closer to the 

743
00:45:35,400 --> 00:45:38,120
diamond, then all the better. 
Yeah, I'm. 

744
00:45:39,880 --> 00:45:42,640
Going to talk more about the 
cast of course, but just we 

745
00:45:42,640 --> 00:45:44,400
might as well talk about this 
bit now, but. 

746
00:45:45,680 --> 00:45:50,520
So in this film. 
I would say 60% of Clueso in 

747
00:45:50,520 --> 00:45:54,120
this film. 
He's desperate to have adult 

748
00:45:54,120 --> 00:45:57,200
hugs with his wife. 
Yes, she didn't want to be. 

749
00:45:58,160 --> 00:46:02,320
And his poor thwarted libido. 
He's a bit like, he reminds me a

750
00:46:02,320 --> 00:46:07,280
bit of Pepe Le Pew in this 
There's there's. 

751
00:46:07,320 --> 00:46:13,720
One there's one scene that do 
you know what this The sense is 

752
00:46:13,960 --> 00:46:19,720
strange because as I was 
watching it, I thought, did I 

753
00:46:19,720 --> 00:46:24,040
actually hear that or am I just 
sort of wishing that I'd heard 

754
00:46:24,040 --> 00:46:28,960
it because it's such a good gag?
And then when I was going 

755
00:46:28,960 --> 00:46:33,880
through some newspaper cuttings 
for reviews of the film from the

756
00:46:33,880 --> 00:46:38,040
time itself, I was so pleased to
actually see one reviewer 

757
00:46:38,040 --> 00:46:41,280
specifically mentioned this. 
So I knew that I hadn't imagined

758
00:46:41,280 --> 00:46:45,080
it at all. 
The point where someone says, I 

759
00:46:45,080 --> 00:46:47,800
think at best just have a 
sleeping pill and you better 

760
00:46:47,800 --> 00:46:51,720
have one yourself. 
And he walks into the bathroom 

761
00:46:52,880 --> 00:46:58,280
and then drops the sleeping 
pills and you don't see it. 

762
00:46:59,200 --> 00:47:03,400
And then later on, a few seconds
later he's trampling over them 

763
00:47:03,400 --> 00:47:05,320
again and again you don't see 
it. 

764
00:47:05,320 --> 00:47:08,000
And I'm, I'm sort of thinking 
did I actually, did I hear that 

765
00:47:08,160 --> 00:47:10,320
was that. 
Yeah. 

766
00:47:10,320 --> 00:47:15,040
And that that's just a such a a 
such a lovely idea for a guy 

767
00:47:15,040 --> 00:47:18,080
because it's it's a it's it's a 
sight gag that isn't a sight 

768
00:47:18,080 --> 00:47:18,840
gag. 
And. 

769
00:47:19,160 --> 00:47:22,600
And also key to it as well. 
I mean, so much of the comedy 

770
00:47:22,600 --> 00:47:27,360
with Cleo so happens off camera.
And in that instance, you don't 

771
00:47:27,360 --> 00:47:28,800
hear him. 
You hear the sound of the 

772
00:47:28,800 --> 00:47:31,240
sleeping pills dropping on the 
floor in the bathroom. 

773
00:47:31,560 --> 00:47:35,400
You don't hear Sellers going oh 
shit or something or whatever 

774
00:47:35,840 --> 00:47:38,000
and you don't. 
He walks out perfectly. 

775
00:47:38,000 --> 00:47:39,920
Passive face, passive 
expression. 

776
00:47:40,480 --> 00:47:43,120
You know he's he's used to the 
sort of thing happening in his 

777
00:47:43,120 --> 00:47:50,120
life and and Blake Edwards was 
you know made a point of filming

778
00:47:50,120 --> 00:47:53,280
as I say lots lots of the comedy
occurring off camera. 

779
00:47:53,840 --> 00:48:00,520
He was influenced by Ernst Lubic
the German film director of 

780
00:48:01,880 --> 00:48:05,280
Heaven Can Wait and we saw it 
recently didn't we? 

781
00:48:05,280 --> 00:48:09,000
To be or not to be. 
So basically the actors move 

782
00:48:09,000 --> 00:48:10,480
more than the camera. 
I think I'll. 

783
00:48:10,560 --> 00:48:14,920
Just take a sleeping pill. 
What am I doing? 

784
00:48:14,920 --> 00:48:17,960
I'll give it for you. 
And why don't you take one 

785
00:48:17,960 --> 00:48:20,680
yourself? 
I You need the rest, you know? 

786
00:48:23,200 --> 00:48:24,560
Yes. 
I think perhaps I will do. 

787
00:48:51,700 --> 00:48:52,380
Yeah. 
My daddy. 

788
00:48:57,690 --> 00:48:59,930
Thank you, my Angel. 
Thank you, my Angel. 

789
00:49:06,200 --> 00:49:09,880
You've got Sir Charles. 
What we would say today, you 

790
00:49:09,880 --> 00:49:13,680
know, the problematic scenes 
potentially with Sir Charles and

791
00:49:13,680 --> 00:49:18,320
the much, much younger Princess 
and putting pressure on her to a

792
00:49:18,320 --> 00:49:22,560
degree, getting a drunk and all 
that sort of thing you've got. 

793
00:49:23,520 --> 00:49:27,520
Robert Wagner's. 
Character George forced trying 

794
00:49:27,520 --> 00:49:31,400
to force himself pretty much on 
Madame Clouseau and and the 

795
00:49:31,400 --> 00:49:36,560
Princess I think at one point 
and and close to himself of 

796
00:49:36,560 --> 00:49:38,880
course who's just, you know who 
only wants us a bit of loving 

797
00:49:39,040 --> 00:49:42,920
really it's all he wants. 
And Roger Lewis, in his book on 

798
00:49:42,920 --> 00:49:50,800
Sellers, he said the joke of the
Pink Panther is that it is a sex

799
00:49:50,800 --> 00:49:55,800
comedy in which the characters 
don't get to have any Claudia 

800
00:49:55,800 --> 00:49:59,040
Cardinali's horish Princess. 
That's a bit strong. 

801
00:50:00,160 --> 00:50:02,960
Oh, come on, Roger. 
Claudia Cartadelli's horish 

802
00:50:03,040 --> 00:50:07,560
Princess gets drunk on champagne
and passes out on Niven's. 

803
00:50:07,560 --> 00:50:11,040
Sir Charles Capucine fans off 
Robert Wagner. 

804
00:50:11,600 --> 00:50:14,520
Niven is always called away or 
otherwise distracted. 

805
00:50:14,520 --> 00:50:18,360
If Capucine comes close, nobody 
succeeds in getting their rocks 

806
00:50:18,360 --> 00:50:20,240
off. 
Nobody manages to keep 

807
00:50:20,240 --> 00:50:22,720
possession of the Rock, the Pink
Panther jewel itself. 

808
00:50:24,760 --> 00:50:26,920
Hang on, what was he actually? 
I mean, he surely wasn't 

809
00:50:26,920 --> 00:50:32,280
expecting full on Confessions of
a Window Cleaner in 1963, was 

810
00:50:32,280 --> 00:50:39,600
he? 
I mean if if the had actually 

811
00:50:39,600 --> 00:50:47,120
been, a scene involving 2 or 
more of those characters would 

812
00:50:47,120 --> 00:50:49,840
have got past the sensor. 
Probably not. 

813
00:50:49,840 --> 00:50:56,560
Maybe, maybe, maybe Billy copies
Circulating Scandinavia, right? 

814
00:50:56,960 --> 00:50:59,400
OK. 
We haven't. 

815
00:50:59,400 --> 00:51:02,400
Mentioned them really, have we, 
And I think we need to the 

816
00:51:02,400 --> 00:51:06,360
wonderful, peerless Colin 
Gordon, yes. 

817
00:51:06,520 --> 00:51:12,480
Yes, indeed. 
And of course the role of sort 

818
00:51:12,480 --> 00:51:15,400
of clues was psychic to an 
extent. 

819
00:51:16,040 --> 00:51:19,720
That goes Graham Stark in Shot 
in the Dark. 

820
00:51:19,720 --> 00:51:23,440
Yeah. 
And then, of course you have oh,

821
00:51:23,440 --> 00:51:28,160
remind me of his name. 
A man from The Turn and strikes 

822
00:51:28,160 --> 00:51:29,720
again. 
And revenge. 

823
00:51:30,840 --> 00:51:32,160
Andre. 
Andre. 

824
00:51:33,000 --> 00:51:36,000
Oh. 
Andre Moran, yes. 

825
00:51:36,360 --> 00:51:40,240
But for this film, we have Colin
Gordon as the Lords of London 

826
00:51:41,200 --> 00:51:42,880
representative. 
Yep. 

827
00:51:43,200 --> 00:51:48,720
And he's just, he's one of those
actors who was just in 

828
00:51:48,800 --> 00:51:52,400
everything, another one of those
faces that he just like, you 

829
00:51:52,400 --> 00:51:54,440
know, the people, all the people
were spoken about before, like 

830
00:51:54,440 --> 00:51:57,160
Frank Forte and so on. 
If it's a British film of a 

831
00:51:57,160 --> 00:51:59,440
certain era, Colin Gordon is 
going to be in it. 

832
00:52:00,000 --> 00:52:04,040
And the first time I would have 
ever seen Colin Gordon was in 

833
00:52:04,040 --> 00:52:07,400
Step 2. 
And son, when he's playing the 

834
00:52:07,600 --> 00:52:11,480
representative of the DHSS and 
slowly getting plastered. 

835
00:52:12,080 --> 00:52:16,920
And we saw him in a very 
different role of drama 

836
00:52:17,800 --> 00:52:23,760
involving two bank robbers. 
Oh, Strongroom. 

837
00:52:24,840 --> 00:52:28,800
Darren Nesbitt, yeah. 
Yes. 

838
00:52:29,120 --> 00:52:33,160
Yes, he's playing against well, 
I always think of Colin Gordon, 

839
00:52:33,160 --> 00:52:37,080
he's he, you know he's a sitcom 
stalwart and he tends to play 

840
00:52:37,680 --> 00:52:42,120
minor member, minor members of 
sort of middle management or 

841
00:52:42,840 --> 00:52:45,720
officialdom. 
Whereas in that he's a, he's a 

842
00:52:45,720 --> 00:52:49,520
bank manager, sure, but he's 
he's also, he shows a very sort 

843
00:52:49,520 --> 00:52:51,000
of human caring side, doesn't 
he? 

844
00:52:51,000 --> 00:52:55,040
Because, well, I won't ruin it, 
but yeah, yeah. 

845
00:52:55,360 --> 00:52:57,080
And of course we've been 
watching him recently, very 

846
00:52:57,080 --> 00:53:00,680
recently in the complete and 
utter history of Britain. 

847
00:53:01,080 --> 00:53:04,040
It's really. 
Nice, actually, that he is in 

848
00:53:04,040 --> 00:53:07,560
the publicity material I've 
seen, yeah, on the show, which 

849
00:53:07,560 --> 00:53:11,760
was recovered and restored by 
the wonderful people with ITV 

850
00:53:13,760 --> 00:53:16,120
and for the public. 
Are you contractually? 

851
00:53:16,120 --> 00:53:21,120
Obliged to say I am not but. 
No, they do a fabulous job and 

852
00:53:21,320 --> 00:53:30,320
I'm so pleased to see the show 
return and and be celebrated as 

853
00:53:30,320 --> 00:53:31,120
a result. 
Yeah. 

854
00:53:31,520 --> 00:53:35,680
And when the initial publicity, 
Mazito came out for it and you 

855
00:53:35,680 --> 00:53:41,400
can see it on on on the 
streaming service, he is, he's 

856
00:53:41,400 --> 00:53:43,160
right there. 
He's front and center along with

857
00:53:43,280 --> 00:53:49,920
Palin and Jones and he's up. 
He's ideal in that role. 

858
00:53:50,120 --> 00:53:53,320
He is. 
He's perfect as the the guy 

859
00:53:53,320 --> 00:53:55,280
holding it all together. 
Yeah. 

860
00:53:55,800 --> 00:53:59,560
He, of course, was #2 in The 
Prisoner famously, yes. 

861
00:54:01,920 --> 00:54:04,760
And I thought it was very clever
last night. 

862
00:54:04,760 --> 00:54:07,480
Gary, when we're talking about 
this, I said, do you know, do 

863
00:54:07,480 --> 00:54:10,600
you know, Gary? 
There's two number twos in the 

864
00:54:10,600 --> 00:54:14,360
Pink Panther, and you spent the 
longest time. 

865
00:54:15,640 --> 00:54:19,320
I'm thinking OK, I don't 
remember seeing Leo McCann was 

866
00:54:19,320 --> 00:54:21,240
Patrick. 
Patrick Cargo wasn't in it. 

867
00:54:21,920 --> 00:54:23,760
Watched that. 
No. 

868
00:54:23,760 --> 00:54:25,920
I definitely didn't see down. 
There's but no. 

869
00:54:25,920 --> 00:54:27,760
No way. 
So no. 

870
00:54:27,760 --> 00:54:29,240
And you you you had me 
flummoxed. 

871
00:54:29,320 --> 00:54:30,040
Oh, yeah. 
So I. 

872
00:54:30,040 --> 00:54:33,120
Said Well, OK, well, if you if 
you've seen the Austin Powers 

873
00:54:33,120 --> 00:54:38,360
films, which thankfully I've 
only seen once, and not all of 

874
00:54:38,360 --> 00:54:43,600
them either, you have a 
character who's like Doctor 

875
00:54:43,600 --> 00:54:52,360
Evil's henchman, just known as 
#2, played by Robert Wagner. 

876
00:54:52,920 --> 00:54:56,840
Hey, hey, who? 
He's 93 and still working, I 

877
00:54:56,840 --> 00:54:58,400
believe. 
Well, we've. 

878
00:54:58,640 --> 00:54:59,880
Been watching recently, haven't 
we? 

879
00:54:59,880 --> 00:55:02,440
Encoded we have the. 
Wonderful. 

880
00:55:02,760 --> 00:55:10,040
What's a 1772 BBC 72 series? 
Yeah, I mean, he's he's very 

881
00:55:10,040 --> 00:55:12,840
much just one of the cast 
though, isn't he? 

882
00:55:12,840 --> 00:55:15,560
He's not, he's not a lead in 
that necessarily. 

883
00:55:15,560 --> 00:55:21,080
He's actually got, I think. 
He's got the the, the headline 

884
00:55:21,400 --> 00:55:25,040
credit on most of the the 
episodes, but he yeah, he's sort

885
00:55:25,040 --> 00:55:28,280
of apart apart from one episode 
of the scene so far where he is 

886
00:55:28,280 --> 00:55:31,080
the focal point. 
He's he's sort of like appearing

887
00:55:31,200 --> 00:55:36,080
spearingly, yeah. 
Do we think, Do you think if if 

888
00:55:36,080 --> 00:55:38,640
Robert Wagner had been taken out
of this film, if his character 

889
00:55:38,640 --> 00:55:42,640
wasn't in this film, would it 
have affected it in any way, Do 

890
00:55:42,680 --> 00:55:43,800
you think? 
I don't. 

891
00:55:43,800 --> 00:55:45,120
Really think so. 
I mean we did. 

892
00:55:45,200 --> 00:55:48,600
We chatted about this briefly 
and I was sort of hypothesized 

893
00:55:48,600 --> 00:55:51,040
without any evidence to back 
this up. 

894
00:55:51,080 --> 00:55:55,160
But I was thinking perhaps this 
was to maybe attract American 

895
00:55:55,160 --> 00:55:58,920
audiences having good looking 
young man in the cast. 

896
00:55:59,040 --> 00:56:02,720
Yeah, but I don't really think 
it's Cancer is adding a great 

897
00:56:02,720 --> 00:56:07,440
deal to the text. 
I was thinking actually that 

898
00:56:08,080 --> 00:56:12,080
because one of the things that I
can pick up on it at first, but 

899
00:56:12,080 --> 00:56:16,200
as was then seeing the film play
out again, you've got obviously 

900
00:56:16,200 --> 00:56:19,880
the the long scene with Charles 
and the and the Princess after 

901
00:56:19,880 --> 00:56:23,240
the dinner party. 
Then you've got him discovering 

902
00:56:23,240 --> 00:56:25,160
his nephew is there for the 
first time. 

903
00:56:25,160 --> 00:56:29,040
Then there's a scene with them 
skiing and it's a scene with 

904
00:56:29,040 --> 00:56:32,120
them at the train station. 
All of this is going on a 

905
00:56:32,120 --> 00:56:34,000
folklore is on the screen. 
Yeah. 

906
00:56:34,440 --> 00:56:39,320
And I can't really think of 
anything that's absolutely 

907
00:56:39,320 --> 00:56:42,840
pivotal to the plot that needs 
his nephew there. 

908
00:56:44,560 --> 00:56:47,880
OK, Aside from one, obviously, 
the two guerrillas. 

909
00:56:48,200 --> 00:56:48,760
Yeah. 
But. 

910
00:56:49,440 --> 00:56:51,120
They could have had. 
We've seen in one of those 

911
00:56:51,160 --> 00:56:53,720
guerrillas, yes, indeed. 
I don't think, yeah, I don't 

912
00:56:53,720 --> 00:56:57,120
think that he was essential to. 
Do you know what It's just it's 

913
00:56:57,120 --> 00:57:00,840
kind of time absurd. 
He's the kind of character who 

914
00:57:00,840 --> 00:57:07,280
would have been if this was a 
film based on a novel. 

915
00:57:08,200 --> 00:57:10,480
He's the kind of character that 
would have been the novel. 

916
00:57:10,560 --> 00:57:12,120
And then by the time it's. 
Got to the big. 

917
00:57:12,120 --> 00:57:13,960
Screen His character has been 
dropped. 

918
00:57:14,920 --> 00:57:16,160
Absolutely. 
Because yeah, there's. 

919
00:57:16,160 --> 00:57:17,680
Just there's just not enough 
time. 

920
00:57:18,200 --> 00:57:22,040
And as it is, I think the film 
itself is a little bit longer 

921
00:57:22,040 --> 00:57:25,560
than it needs to be it. 
Is it? 

922
00:57:25,560 --> 00:57:29,440
Is it is all that you've got? 
All of these scenic views, all 

923
00:57:29,440 --> 00:57:32,560
this location work and so on, 
and you've got long, long 

924
00:57:32,560 --> 00:57:34,240
stretches. 
The filmed are just taking 

925
00:57:34,240 --> 00:57:36,280
place. 
Includes his bedroom, yeah. 

926
00:57:37,120 --> 00:57:38,880
And suddenly. 
Because what one of the one of 

927
00:57:38,880 --> 00:57:41,560
the reviewers of the time 
actually described as a Rick's 

928
00:57:41,560 --> 00:57:48,160
like, farce, And I mean it's 
not, it's not inconceivable 

929
00:57:48,160 --> 00:57:51,640
actually that you could have 
done this on the stage because 

930
00:57:51,640 --> 00:57:53,880
I'm all right in thinking that a
shot in the dark, I think 

931
00:57:53,880 --> 00:57:55,560
originally was. 
Yeah, it was. 

932
00:57:55,560 --> 00:57:59,680
There was a French play not 
called Shot in the Dark called 

933
00:57:59,680 --> 00:58:02,920
something else and the Clueso 
was nothing to do with it And 

934
00:58:03,240 --> 00:58:06,520
because of the success of 
because they realized very early

935
00:58:06,520 --> 00:58:11,280
on that I mean in this film 
Sellers went into it as a 

936
00:58:11,280 --> 00:58:15,160
supporting actor and emerged as 
the star really and and the the 

937
00:58:15,160 --> 00:58:17,440
standout. 
And so they realized very early 

938
00:58:17,440 --> 00:58:19,920
on that they needed to make to 
capitalize on this and make 

939
00:58:19,920 --> 00:58:23,840
another film. 
And so I think Blake Edwards had

940
00:58:23,840 --> 00:58:28,720
the had the rights to this play 
and he just repurposed it to be 

941
00:58:28,720 --> 00:58:35,160
a Clueso vehicle, essentially. 
Clue so in the pink. 

942
00:58:35,160 --> 00:58:37,840
Panther. 
He's almost fully formed in 

943
00:58:37,840 --> 00:58:40,720
terms of how we come to know 
him, isn't he? 

944
00:58:40,720 --> 00:58:46,840
In terms of the look, but the 
the accent isn't quite there. 

945
00:58:46,840 --> 00:58:49,280
It's it's it's more of a 
straightforward French accent 

946
00:58:49,280 --> 00:58:52,640
that he uses and it's halfway 
through the filming of Shot the 

947
00:58:52,640 --> 00:58:56,480
dot, which by the way is my 
favorite of the of these films. 

948
00:58:56,480 --> 00:58:58,280
In fact, it's my favorite 
Sellers film of all time. 

949
00:58:58,840 --> 00:59:02,280
OK. 
Halfway through, Sellers decided

950
00:59:02,280 --> 00:59:07,600
to alter the voice. 
And so that's why in Shot the 

951
00:59:07,600 --> 00:59:11,000
dark, sometimes in parts, you 
know, he's got a fairly 

952
00:59:11,000 --> 00:59:13,800
straightforward, conventional 
French accent. 

953
00:59:14,120 --> 00:59:16,680
And then there's other scenes 
where he refers to, for example,

954
00:59:17,000 --> 00:59:22,760
a myth, you know? 
But yeah, going back to that 

955
00:59:22,760 --> 00:59:25,440
saying Clouseau being almost 
fully formed, yeah, he springs 

956
00:59:25,440 --> 00:59:31,160
onto the screen almost as we 
would come to know him in later 

957
00:59:31,160 --> 00:59:32,840
films. 
And it reminded me a little bit 

958
00:59:32,840 --> 00:59:39,000
of Colombo, because Colombo is 
first with Peter Falk. 

959
00:59:39,200 --> 00:59:44,000
It is first seen in the 1968 TV 
movie called Prescription 

960
00:59:44,000 --> 00:59:50,720
Murder. 
And although he's slightly 

961
00:59:50,720 --> 00:59:55,120
smarter and he doesn't, I don't 
think he's got the the, the 

962
00:59:55,160 --> 00:59:59,720
Chevy Mac at that point. 
And his hair is a bit shorter 

963
00:59:59,720 --> 01:00:02,600
and a bit neater, but he's more 
or less, and he's maybe 

964
01:00:02,600 --> 01:00:06,640
slightly, maybe a little bit 
more gruff, but more. 

965
01:00:06,640 --> 01:00:10,400
Or less. 
He's the Colombo that, you know,

966
01:00:10,680 --> 01:00:14,320
we come to know and love in the 
70s and to a slightly lesser 

967
01:00:14,320 --> 01:00:18,920
degree in the 90s. 
So it's quite amazing that there

968
01:00:18,920 --> 01:00:22,640
wasn't, you know, that that that
that there wasn't a huge amount 

969
01:00:22,640 --> 01:00:25,760
of OK, so I suppose clue. 
So in the later films becomes 

970
01:00:25,760 --> 01:00:29,360
more cartoonish, doesn't he? 
Let's face it, yeah, I suppose 

971
01:00:29,520 --> 01:00:32,880
like a couple of things. 
Actually that struck me about 

972
01:00:33,560 --> 01:00:37,200
the sadly portrayal of Clueso. 
I think that the I thought that 

973
01:00:37,200 --> 01:00:44,160
the scene where you had Clueso 
and Colin Gordon as the as 

974
01:00:44,920 --> 01:00:46,320
Tucker. 
Kind of. 

975
01:00:46,320 --> 01:00:48,440
Tucker, Tucker. 
Clueso. 

976
01:00:48,440 --> 01:00:52,360
And Tucker visit the Princess 
ahead of the big party. 

977
01:00:53,440 --> 01:00:56,400
And that little scene with the 
three of them that strikes me as

978
01:00:56,400 --> 01:01:00,720
probably the most clueso, as in 
later clueso, yes. 

979
01:01:01,360 --> 01:01:04,040
Of. 
The whole film, yes, because 

980
01:01:04,040 --> 01:01:08,120
we've finally gotten away from 
his wife for two minutes, and 

981
01:01:08,120 --> 01:01:12,680
here he is with a sensible 
sidekick as well. 

982
01:01:13,360 --> 01:01:16,280
And that struck me as something 
that just would not at all have 

983
01:01:16,280 --> 01:01:20,080
been out of place in any of the 
later films, Your Highness. 

984
01:01:20,640 --> 01:01:23,720
Please excuse his interruption. 
I have news of great importance.

985
01:01:23,800 --> 01:01:25,880
This is Mr. Tucker of Lloyd's of
London. 

986
01:01:26,400 --> 01:01:30,880
And we have met before. 
I've met her to you now. 

987
01:01:31,120 --> 01:01:32,680
Yes, I know. 
But we are meeting her again 

988
01:01:32,680 --> 01:01:35,600
now. 
What is this news, Your 

989
01:01:35,600 --> 01:01:38,600
Highness, I have discovered the 
identity of the Phantom. 

990
01:01:38,640 --> 01:01:41,280
You don't say. 
I do say because you're not 

991
01:01:41,280 --> 01:01:42,560
positive. 
I am positive. 

992
01:01:42,800 --> 01:01:44,760
He is, I believe, at this very 
moment here in Rome. 

993
01:01:44,920 --> 01:01:46,040
Really. 
Yes. 

994
01:01:47,000 --> 01:01:49,120
Have you seen or heard from Sir 
Charles Litton? 

995
01:01:49,400 --> 01:01:51,320
Not since I left Cortina. 
Why? 

996
01:01:52,240 --> 01:01:54,920
Sir Charles and the Phantom are 
one and the same. 

997
01:01:55,480 --> 01:01:57,320
You're not serious. 
I am serious. 

998
01:01:57,920 --> 01:02:00,120
I can understand how difficult 
it is for Your Highness to 

999
01:02:00,880 --> 01:02:03,640
accept the facts. 
Sir Charles is a very persuasive

1000
01:02:03,640 --> 01:02:06,720
and attractive man. 
He is also Sir Charles. 

1001
01:02:06,720 --> 01:02:09,040
Listen. 
A man of considerable influence 

1002
01:02:09,040 --> 01:02:11,160
and reputation. 
She's got quite a point there, 

1003
01:02:11,160 --> 01:02:13,000
You know. 
He is a fraud. 

1004
01:02:13,000 --> 01:02:16,840
And I shall prove it, you know. 
That he's going to trip over 

1005
01:02:16,840 --> 01:02:21,600
that step, but he keeps it going
for so long. 

1006
01:02:22,800 --> 01:02:24,920
Eventually you started out 
yourself and you think, well, 

1007
01:02:24,920 --> 01:02:26,920
maybe he isn't actually. 
Of course he does. 

1008
01:02:27,040 --> 01:02:28,480
Yeah. 
But also he's not going to face 

1009
01:02:28,480 --> 01:02:30,520
first. 
It's just a subtle it's just 

1010
01:02:30,920 --> 01:02:33,560
it's very, you know, carefully 
done. 

1011
01:02:34,640 --> 01:02:38,000
Something that struck me and I 
hadn't really picked up this 

1012
01:02:38,000 --> 01:02:40,560
before. 
His first scene gets a laugh as 

1013
01:02:40,560 --> 01:02:43,200
very first scene is that scene 
from saying we must find that 

1014
01:02:43,200 --> 01:02:47,320
woman on the globe. 
Yeah, yes, and. 

1015
01:02:48,200 --> 01:02:50,280
That's, I mean that that's such 
a good way of just getting the 

1016
01:02:50,280 --> 01:02:53,760
character over with the audience
immediately, very first time 

1017
01:02:53,760 --> 01:02:55,920
have appeared on the screen. 
You've got a huge belly, laugh 

1018
01:02:56,320 --> 01:02:58,760
the audience. 
Knows from the outset that this 

1019
01:02:58,760 --> 01:03:04,440
is this is who we're dealing 
with in this clue, so is quite 

1020
01:03:04,440 --> 01:03:08,000
gracefully clumsy. 
I I couldn't think of a better 

1021
01:03:08,000 --> 01:03:11,800
way of putting it. 
And he noticed he walks almost 

1022
01:03:11,800 --> 01:03:16,760
like a pigeon when he's when 
he's in and out of bed, you 

1023
01:03:16,760 --> 01:03:20,800
know, walking Hasting into the 
bathroom for the sleeping pills 

1024
01:03:20,800 --> 01:03:23,520
or whatever he's got. 
Oh, he's got a very distinctive 

1025
01:03:23,520 --> 01:03:27,200
little sort of waddle almost. 
It's it's, it's it's lovely. 

1026
01:03:30,400 --> 01:03:36,200
I just, I just want to mention 
an actor here called Michael 

1027
01:03:36,200 --> 01:03:38,960
Trumpshaw. 
You know about Michael. 

1028
01:03:38,960 --> 01:03:41,320
Trumpshaw. 
He's he's somebody. 

1029
01:03:41,360 --> 01:03:42,600
He's quite recognizable, isn't 
he? 

1030
01:03:43,080 --> 01:03:46,600
He's got the. 
The very large moustache, yes. 

1031
01:03:47,760 --> 01:03:50,200
And he plays a minor character 
in this he's he's one of because

1032
01:03:50,200 --> 01:03:55,560
you, you have Brenda Debanzi as 
Angela Danning, the Brenda 

1033
01:03:55,560 --> 01:04:01,560
Debanzi we've seen in films like
you and I have watched Hobson's 

1034
01:04:01,560 --> 01:04:04,960
choice. 
She's been the man in you too 

1035
01:04:04,960 --> 01:04:07,680
much with Bernard Miles as a 
husband. 

1036
01:04:09,040 --> 01:04:11,560
One of those faces that you 
would see in a lot of British 

1037
01:04:11,560 --> 01:04:15,320
films around this time. 
And she plays this, this 

1038
01:04:15,400 --> 01:04:20,280
socialite who's always throwing 
these extravagant parties. 

1039
01:04:21,240 --> 01:04:27,400
And among her sort of what would
you call it, her entourage you 

1040
01:04:27,400 --> 01:04:31,120
like is this character called 
Felix Towns. 

1041
01:04:31,720 --> 01:04:33,720
And he doesn't really have 
anything to do with the film. 

1042
01:04:34,080 --> 01:04:36,320
But what I thought was 
interesting, what I picked up 

1043
01:04:36,320 --> 01:04:41,200
on, because I wasn't really 
aware of the character of the 

1044
01:04:41,200 --> 01:04:44,000
actor, but I noticed his name of
the credits, Michael Trumpshaw. 

1045
01:04:44,000 --> 01:04:45,160
And I thought, I wonder if it 
is. 

1046
01:04:45,520 --> 01:04:48,960
I wonder if that's the same guy.
And I looked it up and yes, it 

1047
01:04:48,960 --> 01:04:55,960
was because Trumpshaw had been 
very, very close friends with 

1048
01:04:55,960 --> 01:05:02,200
David Niven in real life. 
He'd served with him at Malta 

1049
01:05:02,240 --> 01:05:05,960
and and Dover. 
In their early days he'd been 

1050
01:05:06,040 --> 01:05:08,560
he'd been David Niven's best man
twice. 

1051
01:05:09,640 --> 01:05:14,200
And Niven constantly refers to 
Trubshaw in The Moon's A 

1052
01:05:14,200 --> 01:05:17,360
Balloon. 
And I just want to read you this

1053
01:05:18,400 --> 01:05:22,560
because Niven describes first 
encountering Michael Trubshaw 

1054
01:05:22,560 --> 01:05:24,680
while they were both stationed 
in Malta. 

1055
01:05:25,440 --> 01:05:29,600
I guess it must have been in 
the, I'm not sure, late 20s, 

1056
01:05:29,600 --> 01:05:33,520
early 30s maybe. 
And he writes, he says suddenly 

1057
01:05:33,520 --> 01:05:35,880
an air splitting belch. 
Rent the air. 

1058
01:05:36,800 --> 01:05:39,560
This is Niven, yeah. 
I spun around and perceived a 

1059
01:05:39,560 --> 01:05:43,400
truly amazing sight. 
Trump's raw was approaching 6 

1060
01:05:43,400 --> 01:05:47,360
foot six with legs that seemed 
to start at the navel encased in

1061
01:05:47,360 --> 01:05:51,960
drain pipe tight white flannels.
He sported a blue blazer with so

1062
01:05:51,960 --> 01:05:54,880
many brass buttons on it that 
he's shown like a gypsy caravan 

1063
01:05:54,880 --> 01:05:57,240
on Derby day. 
On his. 

1064
01:05:57,440 --> 01:06:00,040
On his head, a Panama hat with 
MCC ribbon. 

1065
01:06:00,120 --> 01:06:03,320
Of course, on his face the 
biggest pistache had ever seen. 

1066
01:06:03,760 --> 01:06:06,560
A really huge growth which one 
could see from the back on a 

1067
01:06:06,560 --> 01:06:12,600
clear day. 
Part of it was trained to branch

1068
01:06:12,600 --> 01:06:14,560
off and join the hair above. 
As it is. 

1069
01:06:15,120 --> 01:06:19,440
It was in fact not so much a 
moustache as an almost total 

1070
01:06:19,480 --> 01:06:22,560
pursuit. 
Immersion, OK? 

1071
01:06:24,000 --> 01:06:25,840
Now. 
So as I say the two of them had 

1072
01:06:25,840 --> 01:06:30,360
been very good friends and and I
knew this fact that because it 

1073
01:06:30,400 --> 01:06:32,360
it it, it occurs in a matter of 
life and death. 

1074
01:06:32,360 --> 01:06:39,360
For example David Nevin always 
tried to include his friend's 

1075
01:06:39,360 --> 01:06:46,800
name in every film he made. 
OK, so in the matter of life and

1076
01:06:46,800 --> 01:06:51,600
death, Robert Coote's character 
is named Bob Trubshaw flying off

1077
01:06:51,640 --> 01:06:52,240
the. 
Trubshaw. 

1078
01:06:52,240 --> 01:06:55,000
Oh, I'm so sorry. 
You can't wait here any longer. 

1079
01:06:55,040 --> 01:06:56,920
You must be mistaken about your 
captain. 

1080
01:06:57,160 --> 01:06:58,720
Well, if anyone's mistaken, it's
not me. 

1081
01:06:58,800 --> 01:07:02,040
Mistakes don't happen here. 
But this is the aircrew section,

1082
01:07:02,040 --> 01:07:03,560
isn't it? 
You should know. 

1083
01:07:04,360 --> 01:07:05,640
Peter couldn't have got away 
with it. 

1084
01:07:09,240 --> 01:07:11,080
Besides, you checked his invoice
for me, didn't you? 

1085
01:07:11,160 --> 01:07:13,680
Yes, it was against the 
regulations. 

1086
01:07:14,320 --> 01:07:15,560
Regulations are made to be 
broken. 

1087
01:07:16,840 --> 01:07:18,200
He was due here half now after 
me. 

1088
01:07:18,280 --> 01:07:20,000
This is his section and he 
hasn't reported. 

1089
01:07:20,360 --> 01:07:23,200
So he's either a WOL or there's 
been a mistake. 

1090
01:07:23,360 --> 01:07:25,800
There hasn't been a mistake here
for 1000 years. 

1091
01:07:26,320 --> 01:07:30,640
Oh, so there have been mistakes.
A girl that was here before me, 

1092
01:07:30,640 --> 01:07:33,840
she was here 640 years. 
Holy smoke, she said. 

1093
01:07:33,840 --> 01:07:36,440
When the records don't balance, 
all the alarm bells start 

1094
01:07:36,440 --> 01:07:39,160
ringing in the records office. 
I bet they do. 

1095
01:07:39,440 --> 01:07:42,640
Proper flap, eh? 
Yes, during the. 

1096
01:07:42,640 --> 01:07:47,520
Filming of Wuthering Heights. 
David Niven was in that and he 

1097
01:07:47,520 --> 01:07:54,080
tried to convince the director 
William Wyler he, he tried to 

1098
01:07:54,080 --> 01:07:56,880
let him drop the name of 
Trumpshaw into a line of 

1099
01:07:56,880 --> 01:08:00,880
dialogue Wuthering Heights and 
and William Wyler refused. 

1100
01:08:01,320 --> 01:08:06,120
So never got around it by having
a prop man add Trumpshaw's name 

1101
01:08:06,120 --> 01:08:08,800
to a tombstone that we see in 
the graveyard. 

1102
01:08:09,880 --> 01:08:13,240
OK, so he was, he was, you know,
he was his his way of sort of 

1103
01:08:13,240 --> 01:08:16,040
honoring his friend by including
Trumpshaw's name in as many 

1104
01:08:16,040 --> 01:08:21,160
films as he could. 
And then and then I mean up to 

1105
01:08:21,160 --> 01:08:22,640
this point Trumpshaw wasn't an 
actor. 

1106
01:08:22,640 --> 01:08:26,240
He'd been running a pub and then
he kind of just got into acting 

1107
01:08:26,240 --> 01:08:31,640
and fell into acting and he was 
in films like, not huge roles 

1108
01:08:31,640 --> 01:08:34,000
but Hard Days Night, The 
Sandwich Man with Michael 

1109
01:08:34,000 --> 01:08:38,240
Benteen, of course. 
Magic Christian Sellers 

1110
01:08:38,399 --> 01:08:41,560
Bedazzled guns and Never own, 
which Nevin also was in. 

1111
01:08:43,439 --> 01:08:45,200
He was. 
He was in a film called 

1112
01:08:45,200 --> 01:08:55,120
Operation Snatch, which sounds 
like sounds like something you'd

1113
01:08:55,120 --> 01:08:56,319
watch. 
Yeah, I was. 

1114
01:08:56,640 --> 01:08:58,439
Going to say it, if you hadn't 
said it, I was going to say it. 

1115
01:08:58,800 --> 01:09:00,279
It's probably on, probably on 
Amazon Prime. 

1116
01:09:01,479 --> 01:09:05,800
But but apparently him and 
Niven's relationship called and 

1117
01:09:05,800 --> 01:09:10,120
and Trumpshaw insinuated in an 
interview that Niven sort of 

1118
01:09:10,120 --> 01:09:13,479
resented the fact that he'd 
followed him into acting. 

1119
01:09:14,479 --> 01:09:15,800
That makes sense. 
So anyway. 

1120
01:09:16,000 --> 01:09:19,960
Anyway, a big diversion there, 
but I just wanted to mention it 

1121
01:09:19,960 --> 01:09:22,439
because I was very interested in
the Niven Trumpshaw 

1122
01:09:22,439 --> 01:09:27,520
relationship. 
Quick deviation. 

1123
01:09:27,720 --> 01:09:32,800
Yeah, I do like going for 
newspaper archives. 

1124
01:09:33,000 --> 01:09:35,439
That's a big hobby of mine. 
Yeah. 

1125
01:09:36,279 --> 01:09:39,279
And so many of them online these
days because, you know, there's 

1126
01:09:39,279 --> 01:09:41,439
just over the last few years 
putting explosion in the number 

1127
01:09:41,439 --> 01:09:45,040
of digitized newspaper archives 
that you can browse for. 

1128
01:09:45,040 --> 01:09:48,200
Previously, you had to actually 
go to the library, you know, the

1129
01:09:48,200 --> 01:09:52,880
microfilm and what have you. 
So I was interested to know what

1130
01:09:52,880 --> 01:10:00,280
the earliest usage of the phrase
the Pink Panther was, and I 

1131
01:10:00,480 --> 01:10:04,080
ended up doing a couple of 
little alleyways. 

1132
01:10:04,320 --> 01:10:07,840
Well, one of them actually was 
was relatively recent, the fact 

1133
01:10:07,840 --> 01:10:13,680
that there is apparently a new 
leopard subspecies in South 

1134
01:10:13,760 --> 01:10:16,280
Africa which was photographed 
at. 

1135
01:10:16,280 --> 01:10:20,200
I think it's pronounced the 
Madiqui Game Reserve in April 

1136
01:10:20,200 --> 01:10:24,840
2012, and it's been given this 
name, the Pink Panther, and it's

1137
01:10:24,840 --> 01:10:28,400
described as a pink hued male 
leopard. 

1138
01:10:29,280 --> 01:10:31,920
And it's not particularly pink 
when you see a photograph of it,

1139
01:10:32,200 --> 01:10:35,680
but so there we are. 
So there is actually a creature 

1140
01:10:35,680 --> 01:10:37,520
out there called the Pink 
Panther, for one thing. 

1141
01:10:38,560 --> 01:10:43,440
The earliest entry that actually
found for just the phrase itself

1142
01:10:43,440 --> 01:10:50,760
was 19 O 7, and usually in the 
early part of the 20th century 

1143
01:10:50,760 --> 01:10:54,160
it was being used in a whimsical
manner in the same way you would

1144
01:10:54,160 --> 01:10:58,360
say, you know, you know, you've 
seen, like, you know, pigs will 

1145
01:10:58,360 --> 01:11:01,560
fly, that kind of thing. 
And you just see used in poems 

1146
01:11:01,560 --> 01:11:08,400
and cartoons and so on. 
And then I saw an advert in a 

1147
01:11:08,400 --> 01:11:12,400
newspaper from New York, the 
Dunkirk Evening Observer, from 

1148
01:11:12,400 --> 01:11:19,360
July 1936, that was advertising 
a nightclub, which was called 

1149
01:11:19,360 --> 01:11:23,240
Johnny Hamernik's. 
And from the description that 

1150
01:11:23,240 --> 01:11:25,600
sounds like the kind of place 
that Stan Nolley would have 

1151
01:11:25,600 --> 01:11:31,320
found themselves in in Blotto, 
for example, And they mention 

1152
01:11:31,320 --> 01:11:35,360
the Friday special at the bar is
the Pink Panther. 

1153
01:11:37,040 --> 01:11:41,960
Now this then led me to 
research, OK, what actually is a

1154
01:11:41,960 --> 01:11:45,600
Pink Panther? 
And apparently this is according

1155
01:11:45,600 --> 01:11:50,240
to a website, allrecipes.com. 
Pink Panther is a nice drink to 

1156
01:11:50,240 --> 01:11:54,360
have around the pool on hot 
summer days, and it can solve 

1157
01:11:54,560 --> 01:12:01,800
crushed dice, One fluid ounce of
Amaretto liquor, one fluid ounce

1158
01:12:01,800 --> 01:12:06,520
of vodka, 8 fluid ounces of 
pineapple juice, a teaspoon of 

1159
01:12:06,520 --> 01:12:13,200
grenadine syrup, freshly sliced 
pineapple, and one maraschino 

1160
01:12:13,200 --> 01:12:17,160
cherry, and actually gives you 
directions as to how to assemble

1161
01:12:17,160 --> 01:12:19,240
this in the glass. 
So not. 

1162
01:12:19,360 --> 01:12:22,080
Not as nice as an Esther Ranson.
Well, and that. 

1163
01:12:22,200 --> 01:12:24,480
You know what, when I was 
reading this earlier on straight

1164
01:12:24,480 --> 01:12:28,640
away I was just all my head was 
pair, no, ozo, marmalade and 

1165
01:12:28,640 --> 01:12:30,800
salt. 
And I'm thinking which one is 

1166
01:12:30,800 --> 01:12:33,280
going to be better? 
So at some point we'll have to 

1167
01:12:33,280 --> 01:12:36,000
do a taste test and see which 
one it wins. 

1168
01:12:37,240 --> 01:12:40,800
And then this is the one that 
really struck me. 

1169
01:12:40,800 --> 01:12:46,400
And I thought, wow. 
In the Detroit Free Press, 

1170
01:12:46,400 --> 01:12:52,480
December 1946, there is a 
columnist who's talking about 

1171
01:12:52,960 --> 01:12:59,440
having phoned in an old jacket. 
He's found a business card for a

1172
01:12:59,600 --> 01:13:03,400
chap called Little Joe. 
It says call Little Joe for 

1173
01:13:03,400 --> 01:13:06,880
prompt service. 
Little Joe apparently was a 

1174
01:13:06,880 --> 01:13:11,440
bootlegger and this business 
card was from the days of 

1175
01:13:11,440 --> 01:13:16,640
Prohibition and it was basically
all sort of liquor delivery 

1176
01:13:16,640 --> 01:13:18,600
service. 
You just ring this number and 

1177
01:13:18,600 --> 01:13:22,480
then somebody will come to 
deliver your requested item. 

1178
01:13:22,760 --> 01:13:25,960
And he had a little price list 
on the card of all the bits and 

1179
01:13:25,960 --> 01:13:28,240
pieces that you could you could 
get. 

1180
01:13:30,080 --> 01:13:35,040
But the thing that really 
astonished me was there was this

1181
01:13:35,040 --> 01:13:38,440
phrase pink pan for being used 
in a completely different 

1182
01:13:38,440 --> 01:13:41,160
context. 
The article said. 

1183
01:13:41,720 --> 01:13:46,760
The patrons of Little Joe would 
study the list, hoping to select

1184
01:13:46,760 --> 01:13:50,160
some portion Little Joe had 
whipped up in his bathtub that 

1185
01:13:50,160 --> 01:13:54,960
wouldn't bring on Pink Panthers.
And here it was being used in 

1186
01:13:54,960 --> 01:13:56,640
the way that we would now say 
Pink Elephant. 

1187
01:13:57,280 --> 01:13:58,000
Right. 
Yeah. 

1188
01:13:58,520 --> 01:14:01,400
And I've never. 
I've never heard this before and

1189
01:14:02,000 --> 01:14:04,720
yeah, that was that was quite a 
standing. 

1190
01:14:04,720 --> 01:14:09,800
So I'd be interested to know 
what, if any of those was the 

1191
01:14:10,840 --> 01:14:15,480
that the the trigger for 
actually titling the diamond on 

1192
01:14:15,480 --> 01:14:17,840
the film The Pink Panther. 
But it would be fascinating to 

1193
01:14:17,840 --> 01:14:21,920
know, yeah, either of the the 
writers had ever encountered 

1194
01:14:21,920 --> 01:14:27,400
those. 
Before, quite possibly just on 

1195
01:14:27,400 --> 01:14:29,520
the Pink Panther, The Pink 
Panther theme. 

1196
01:14:29,520 --> 01:14:33,720
The music, of course is, I'm 
going to say it, iconic. 

1197
01:14:33,720 --> 01:14:36,160
I hate to say iconic, but what 
are the word is there? 

1198
01:14:38,360 --> 01:14:40,840
I mean, I'm sick of it. 
I've heard it so many times. 

1199
01:14:41,880 --> 01:14:45,720
You know, I used to love the 
pink pattern theme, but it's 

1200
01:14:45,720 --> 01:14:47,600
become dulled by repetition I 
suppose. 

1201
01:14:48,280 --> 01:14:51,480
But the music in this film is is
generally lovely. 

1202
01:14:51,480 --> 01:14:56,640
And particularly we've got 
halfway through the film, this 

1203
01:14:56,640 --> 01:15:01,920
scene set around a fireplace in 
a ski lodge and you've got the 

1204
01:15:01,920 --> 01:15:06,960
actress Fran Jeffries breaking 
the 4th wall and singing, yes, 

1205
01:15:08,200 --> 01:15:13,480
singing a song, Meg, Leo, SAS 
Das Sarah or something like 

1206
01:15:13,480 --> 01:15:14,240
that. 
Not quite sure. 

1207
01:15:15,840 --> 01:15:18,360
And wouldn't Gary, I mean, 
obviously, you know, I preferred

1208
01:15:18,400 --> 01:15:20,600
touched on this right at the 
outset top of the show, but 

1209
01:15:20,600 --> 01:15:23,800
wouldn't you love to be in that 
locale? 

1210
01:15:24,320 --> 01:15:27,320
Yes. 
I I really, I really like that. 

1211
01:15:27,320 --> 01:15:29,880
I mean, I know that some people 
might Sort of look at that. 

1212
01:15:29,880 --> 01:15:32,000
I think all that doesn't need to
be there that's slowing the plot

1213
01:15:32,000 --> 01:15:34,360
down, whatever. 
I really like that little 

1214
01:15:34,360 --> 01:15:38,640
intermission and the fact that 
it's not just because obviously 

1215
01:15:38,640 --> 01:15:42,240
a lot of different films, some 
of the later Lone Hardy films 

1216
01:15:42,280 --> 01:15:45,320
for example, quite often have 
musical numbers in them that 

1217
01:15:45,320 --> 01:15:50,840
don't really serve any purpose 
in terms of the plot per SE. 

1218
01:15:51,200 --> 01:15:57,600
But this initially it's it 
starts off where you think OK, 

1219
01:15:57,800 --> 01:16:01,080
not musical interlude, and then 
as a camera pants over see 

1220
01:16:01,080 --> 01:16:05,680
Clueso in animated conversation 
with Tucker. 

1221
01:16:06,080 --> 01:16:08,240
And only only Clueso was 
animated. 

1222
01:16:08,240 --> 01:16:11,240
Tucker was quite impassive. 
But yeah, whatever it is that 

1223
01:16:11,240 --> 01:16:13,520
Clueso was saying he's. 
Pissed off about something, 

1224
01:16:13,600 --> 01:16:14,320
isn't he? 
Yeah, he's. 

1225
01:16:14,320 --> 01:16:17,360
Really he's he's trying to sort 
of expound his theory about 

1226
01:16:17,360 --> 01:16:20,360
something and then just finds 
himself being wrapped up all of 

1227
01:16:20,360 --> 01:16:22,320
a sudden in this huge conga 
like. 

1228
01:16:24,320 --> 01:16:27,120
At the best bit of that, right 
at the end when the music ends, 

1229
01:16:28,000 --> 01:16:31,920
Sellers decides just to inject 
this little bit of this like a 

1230
01:16:31,920 --> 01:16:35,560
little instinctive shoulder 
twitch thing, doesn't he? 

1231
01:16:35,560 --> 01:16:41,960
Right at the at the closure of 
the song and he looks absolutely

1232
01:16:41,960 --> 01:16:43,880
delighted. 
He's beaming, isn't he? 

1233
01:16:44,920 --> 01:16:46,080
Which is thought. 
That was lovely. 

1234
01:16:48,640 --> 01:16:50,160
OK. 
We haven't really. 

1235
01:16:50,440 --> 01:16:53,600
I think the third act is the 
best. 

1236
01:16:53,600 --> 01:16:56,120
I actually think that we got the
fancy dress bowl which 

1237
01:16:56,120 --> 01:16:59,280
culminates in the the car chase 
and then the trial. 

1238
01:17:01,280 --> 01:17:05,360
And I do think that this is the 
best part of the film, strongest

1239
01:17:05,360 --> 01:17:07,800
part. 
The police dressed 2 policemen 

1240
01:17:07,800 --> 01:17:09,920
dressed as a zebra. 
I'll have your stripes. 

1241
01:17:13,120 --> 01:17:15,320
Anything suspicious? 
No, no, no. 

1242
01:17:15,320 --> 01:17:19,120
Nothing to worry about. 
My men are ever mingling here, 

1243
01:17:19,120 --> 01:17:21,160
mingling there, watching all the
time, watching. 

1244
01:17:28,360 --> 01:17:29,160
Dare you drink? 
What's? 

1245
01:17:29,200 --> 01:17:32,520
On duty who is inside there? 
Sergeant Wilder, Sergeant. 

1246
01:17:33,240 --> 01:17:35,320
And you will be heavy like this 
and I'll have your stripes and 

1247
01:17:35,800 --> 01:17:37,440
get out of here and stop 
mingling again. 

1248
01:17:42,280 --> 01:17:46,080
That's funny that. 
Zebra and the stripes, they're 

1249
01:17:46,080 --> 01:17:47,120
good. 
Yeah, they're good. 

1250
01:17:49,400 --> 01:17:52,760
Well, I think I'll handle even 
the the. 

1251
01:17:52,880 --> 01:17:57,640
The two men in gorilla suits 
doing a duck suit routine was 

1252
01:17:57,640 --> 01:18:00,440
very well done, and I'm not sure
that's Robert Wagner in that 

1253
01:18:00,800 --> 01:18:02,280
gorilla suit. 
I don't think he's got the 

1254
01:18:02,280 --> 01:18:06,760
comedy timing. 
No, I I, I Presumably it 

1255
01:18:06,760 --> 01:18:07,960
wouldn't have been either. 
No. 

1256
01:18:07,960 --> 01:18:09,280
It might be N never. 
No. 

1257
01:18:11,320 --> 01:18:14,400
And it's a bit of a weird, you 
know, the British ambassador who

1258
01:18:14,400 --> 01:18:17,200
was also wearing a gorilla suit 
or no, he was wearing a gorilla 

1259
01:18:17,200 --> 01:18:21,600
suit originally and then David 
Nevin knocked him out, I think. 

1260
01:18:21,600 --> 01:18:23,960
And. 
Right, OK now I've actually I 

1261
01:18:23,960 --> 01:18:28,360
did make a note of this because 
I thought this was 11 area where

1262
01:18:28,360 --> 01:18:32,480
Sir Charles as his nephew 
discovers when he finds his case

1263
01:18:32,480 --> 01:18:35,480
and then finds the false bottom 
in it and he's got like all of 

1264
01:18:35,480 --> 01:18:38,440
his tools and so on. 
He's very precise about his work

1265
01:18:39,160 --> 01:18:43,200
but he's attending what he knows
is a fancy dress do and he 

1266
01:18:43,200 --> 01:18:47,280
attends it as a thief with the 
whole like, you know he's got 

1267
01:18:47,280 --> 01:18:49,760
like the eye mask on and what 
have you. 

1268
01:18:49,760 --> 01:18:53,240
And I'm thinking about any other
costume would have probably, you

1269
01:18:53,240 --> 01:18:57,080
know, been been a better 
disguise. 

1270
01:18:57,840 --> 01:19:00,920
That's like a big bag with swag 
on it as well. 

1271
01:19:01,440 --> 01:19:03,400
That's like one of. 
Those, you know, those Nazis 

1272
01:19:03,400 --> 01:19:06,640
that bug it off to Argentina 
after the war. 

1273
01:19:06,640 --> 01:19:10,480
That's like them turning up to a
change, a dress party in 1971 

1274
01:19:10,480 --> 01:19:16,160
dressed as Hitler. 
You know, they're obviously 

1275
01:19:16,160 --> 01:19:18,240
thinking nobody's going to 
suspect me. 

1276
01:19:20,920 --> 01:19:23,240
I think so, Ted. 
Where's the last place you'd 

1277
01:19:23,280 --> 01:19:31,560
think I'd put them? 
I was just also, I know why they

1278
01:19:31,560 --> 01:19:35,400
did it, but you've got two men 
in gorilla suits trying to open 

1279
01:19:35,400 --> 01:19:38,080
a safe, yes? 
Why do they just? 

1280
01:19:38,080 --> 01:19:40,040
Take the heads off. 
Why do they? 

1281
01:19:41,000 --> 01:19:44,680
Why do they have the heads on? 
I don't know why, because it's 

1282
01:19:44,680 --> 01:19:47,000
not Robert Wagner and probably 
not David Niven in there doing 

1283
01:19:47,000 --> 01:19:50,720
that comedy business. 
But still, maybe. 

1284
01:19:50,800 --> 01:19:53,600
Maybe. 
Maybe they they both suspect 

1285
01:19:53,600 --> 01:19:56,360
that the other gorilla is 
undercover clues. 

1286
01:19:56,360 --> 01:19:58,360
Oh. 
And they don't want to reveal. 

1287
01:19:58,360 --> 01:20:00,640
Themselves or a real gorilla? 
Oh, could be it could. 

1288
01:20:00,640 --> 01:20:05,040
Be Yeah, yeah. 
I love the the car chase with 

1289
01:20:05,040 --> 01:20:07,880
the old man in the square. 
No. 

1290
01:20:07,880 --> 01:20:08,680
OK, I've. 
Got. 

1291
01:20:08,680 --> 01:20:12,200
I've got a silly theory about 
this which I cannot prove, but 

1292
01:20:12,560 --> 01:20:15,080
if anybody can prove this, I 
think it would be yourself. 

1293
01:20:16,280 --> 01:20:19,360
OK? 
Because you remember the tale 

1294
01:20:19,360 --> 01:20:22,760
about when Strangelove came out,
Yeah? 

1295
01:20:23,440 --> 01:20:26,920
And the intended ending? 
Yeah, Strangelove. 

1296
01:20:27,000 --> 01:20:29,920
Yeah, and how? 
Sellers then sort of in 

1297
01:20:29,920 --> 01:20:34,080
desperation, phoned Milligan and
said, what do I do? 

1298
01:20:34,080 --> 01:20:36,680
How do we end this film? 
And was Milligan suggested Fiona

1299
01:20:36,680 --> 01:20:38,360
Lennon. 
We'll meet again. 

1300
01:20:38,360 --> 01:20:42,560
Yes. 
This whole scene with the car 

1301
01:20:42,560 --> 01:20:46,960
chase, it really strikes me as 
this is pure Spike Mulligan. 

1302
01:20:47,120 --> 01:20:50,520
And I do wonder, OK, I know that
it must have obviously have been

1303
01:20:50,520 --> 01:20:55,080
in the the text initially, but 
there's just something about 

1304
01:20:55,080 --> 01:20:58,360
this where I can, I can sense 
that Mulligan's has played some 

1305
01:20:58,360 --> 01:21:00,920
sort of small part in suggesting
little details. 

1306
01:21:01,480 --> 01:21:04,600
It might not even be like the 
the the entire scene, but things

1307
01:21:04,600 --> 01:21:10,440
like, for example, the the 
conversation between Clouseau 

1308
01:21:10,440 --> 01:21:14,960
and Tucker with the guy standing
between them and then Zebra 

1309
01:21:14,960 --> 01:21:18,160
running down the road, It just 
say feels so. 

1310
01:21:18,920 --> 01:21:23,960
Yeah, absolutely. 
And also, I mean it's it's 

1311
01:21:23,960 --> 01:21:25,240
great. 
Obviously it would have been 

1312
01:21:25,240 --> 01:21:30,080
expensive to film an actual car 
crash, but again the car crash 

1313
01:21:30,080 --> 01:21:33,920
happens off camera and we just 
see the the result of it. 

1314
01:21:34,520 --> 01:21:37,000
And the old man has just taken 
it all in the stride, isn't he? 

1315
01:21:38,160 --> 01:21:41,480
You know he's not. 
It's just another evening for 

1316
01:21:41,480 --> 01:21:45,880
him. 
The the, the ending. 

1317
01:21:46,680 --> 01:21:49,640
We've talked about this in the 
previous podcast, not connected 

1318
01:21:49,640 --> 01:21:52,800
to Goon Pop, but where, you know
in there was a time in films 

1319
01:21:52,800 --> 01:21:55,960
where the the villains could not
profit at the end. 

1320
01:21:55,960 --> 01:21:58,240
Yes. 
And they're kind of doing. 

1321
01:21:58,240 --> 01:21:58,800
This. 
Don't they? 

1322
01:21:59,440 --> 01:22:00,960
OK, now I. 
Did wonder about this? 

1323
01:22:00,960 --> 01:22:05,000
Because I was thinking, OK, is 
this actually breaking the the 

1324
01:22:05,000 --> 01:22:07,280
rule? 
I mean, the the things that were

1325
01:22:07,280 --> 01:22:09,920
popping into my head were like 
the last scene. 

1326
01:22:09,920 --> 01:22:11,480
I know this is a terrible 
spoiler. 

1327
01:22:11,480 --> 01:22:14,800
If you've never seen OK, you've 
never seen The League of 

1328
01:22:14,800 --> 01:22:17,480
Gentlemen. 
I mean, brilliant films in 

1329
01:22:17,480 --> 01:22:18,960
Richard Attenborough. 
You've never seen that. 

1330
01:22:18,960 --> 01:22:21,480
Please just skip with your 
permission, Tyler, because it's 

1331
01:22:21,480 --> 01:22:23,640
your cast. 
I'm going to suggest people to 

1332
01:22:23,640 --> 01:22:26,080
skip forward maybe 10 seconds or
so. 

1333
01:22:26,080 --> 01:22:27,240
Yeah, No. 
OK, right. 

1334
01:22:27,440 --> 01:22:30,640
The last scene in The League of 
Gentlemen is just underlining. 

1335
01:22:30,640 --> 01:22:33,360
Crime does not pay. 
Yes, right, That that. 

1336
01:22:33,360 --> 01:22:34,600
That's why it's there. 
Yeah. 

1337
01:22:36,000 --> 01:22:42,200
And then I got to thinking, 
technically, if you want to be 

1338
01:22:42,200 --> 01:22:47,400
really precise about it, suppose
Charles and Simone and his 

1339
01:22:47,400 --> 01:22:51,680
nephew and so on, They haven't. 
In this specific instance, apart

1340
01:22:51,680 --> 01:22:56,080
from kidnapping the dog. 
He hasn't actually committed a 

1341
01:22:56,080 --> 01:22:58,240
crime, has he? 
No. 

1342
01:22:58,920 --> 01:23:02,200
Because he was, obviously. 
Intended to but I mean that that

1343
01:23:02,200 --> 01:23:05,280
in itself and the intention to 
steal the diamond should have 

1344
01:23:05,280 --> 01:23:09,120
been enough to to get him in you
know in chains. 

1345
01:23:09,120 --> 01:23:12,400
But nonetheless you could sort 
of say he's not like he's he's 

1346
01:23:12,400 --> 01:23:15,720
then legging it with the the 
diamond. 

1347
01:23:15,720 --> 01:23:19,960
And also the Princess of course 
for her own reasons is also in 

1348
01:23:19,960 --> 01:23:25,360
her own way guilty as well. 
So yeah, yeah, it it it it it's,

1349
01:23:25,360 --> 01:23:29,360
it's sad the the conclusion and 
it would have, it would have 

1350
01:23:29,360 --> 01:23:32,320
actually been if if things had 
worked out differently and this 

1351
01:23:32,320 --> 01:23:35,040
had been the first in a series 
of films about Sir Charles 

1352
01:23:35,040 --> 01:23:38,760
starring David Niven, then it 
would have been quite a tragic 

1353
01:23:38,760 --> 01:23:44,440
ending for Clueso, even with the
little point in there. 

1354
01:23:44,440 --> 01:23:46,400
But all the realized in a few 
months and they'll get out. 

1355
01:23:46,400 --> 01:23:48,600
Yeah, but but then. 
But then. 

1356
01:23:48,600 --> 01:23:51,800
He's But Clueso is a national 
hero. 

1357
01:23:53,600 --> 01:23:56,720
He's got women throwing 
themselves at him as he's being 

1358
01:23:57,240 --> 01:24:02,520
LED into the police car. 
Yeah, he's kind of, he's for the

1359
01:24:02,520 --> 01:24:04,960
first time. 
He's a winner almost, yes. 

1360
01:24:05,640 --> 01:24:07,560
And he can't quite get his head 
around that. 

1361
01:24:07,560 --> 01:24:10,200
So could could this have? 
Actually, St. clues on a 

1362
01:24:10,200 --> 01:24:13,800
completely different direction. 
When he got out eventually, 

1363
01:24:15,040 --> 01:24:18,960
could he have fought himself? 
Maybe I've been wrong on this 

1364
01:24:18,960 --> 01:24:23,560
whole, you know, police slash 
felon maybe ever been the wrong 

1365
01:24:23,560 --> 01:24:26,800
side of this all this time. 
Maybe I should try and become 

1366
01:24:27,160 --> 01:24:31,920
the next Charles. 
I don't necessarily think that 

1367
01:24:31,920 --> 01:24:37,880
that he would have had it in him
as a professional jewel fief 

1368
01:24:37,880 --> 01:24:39,240
safecracker. 
Whatever it is. 

1369
01:24:39,240 --> 01:24:43,200
I think that he probably because
he's not the most practical of 

1370
01:24:43,200 --> 01:24:44,480
people. 
Well, no he. 

1371
01:24:44,480 --> 01:24:47,880
Would he Would have been the one
who would have employed John 

1372
01:24:47,880 --> 01:24:50,280
Bluthor to be looking up. 
Yeah. 

1373
01:24:50,760 --> 01:24:53,720
Although, yeah, although, hang 
on, John Bluth's character 

1374
01:24:53,720 --> 01:24:56,120
wasn't actually blind, was he? 
No, he wasn't. 

1375
01:24:56,120 --> 01:25:04,960
No, no, indeed, a couple of 
little lines that that stood 

1376
01:25:04,960 --> 01:25:07,320
out. 
One was, I just love that little

1377
01:25:07,320 --> 01:25:11,560
scene where he's like he's 
racing off to Castro Charles and

1378
01:25:11,560 --> 01:25:13,760
he's got the gun in his hand. 
These shows I've really gotten 

1379
01:25:13,760 --> 01:25:20,440
this time again that that's 
that's that's just a lovely 

1380
01:25:20,440 --> 01:25:24,800
little floodish where he's 
suddenly, you know he's alive. 

1381
01:25:24,920 --> 01:25:27,040
He's just like, ah, right, this 
is my life's work. 

1382
01:25:27,040 --> 01:25:31,600
I'm actually going to get my 
last that recording lane. 

1383
01:25:31,600 --> 01:25:34,840
He's got to use about three or 
four times as hell in here. 

1384
01:25:35,080 --> 01:25:36,400
Oh yeah, we. 
Know where that's from? 

1385
01:25:37,720 --> 01:25:40,400
No, I'll get no, because you 
know, of course, I'm not a good 

1386
01:25:40,400 --> 01:25:42,080
show aficionado. 
So is this. 

1387
01:25:42,080 --> 01:25:43,840
This is a good reference. 
It must be Helen. 

1388
01:25:43,840 --> 01:25:47,360
There or variations of that line
he uses in this in this film. 

1389
01:25:47,360 --> 01:25:50,040
And that's a blood knock line 
from the from the right. 

1390
01:25:50,040 --> 01:25:52,000
Hello. 
My darling. 

1391
01:25:52,000 --> 01:25:57,240
Hello, my darling. 
Why did you draw the cousin just

1392
01:25:57,240 --> 01:25:59,200
to keep me? 
Warm. 

1393
01:25:59,720 --> 01:26:01,840
Warm is one thing. 
There must be hell in there. 

1394
01:26:01,840 --> 01:26:05,040
No, it's wonderful. 
And the what the? 

1395
01:26:05,040 --> 01:26:08,040
World was, well, this. 
There's almost certainly no 

1396
01:26:08,040 --> 01:26:11,240
connection at all with this. 
But what I heard, I couldn't 

1397
01:26:11,240 --> 01:26:17,600
help but thinking, is this 
possibly a nod to this when he's

1398
01:26:17,600 --> 01:26:21,480
at the party and in the chaos 
when the lights are out? 

1399
01:26:22,240 --> 01:26:25,200
The woman with a snake. 
She says to take your filthy 

1400
01:26:25,200 --> 01:26:28,280
hands off my ASP. 
That got me. 

1401
01:26:28,280 --> 01:26:30,680
Thinking about the piece of cook
routine, which also Kenneth 

1402
01:26:30,680 --> 01:26:34,080
Williams did as well. 
Yes, You know, yeah, yeah, I've 

1403
01:26:34,080 --> 01:26:38,080
got an Aspen here and I don't 
know is it is that it's just 

1404
01:26:38,080 --> 01:26:40,520
this is just nonsense? 
Is that just something pops into

1405
01:26:40,520 --> 01:26:44,480
my head at random or is that 
something that the sellers 

1406
01:26:44,480 --> 01:26:45,520
heard? 
I mean, I'm probably going to 

1407
01:26:45,520 --> 01:26:46,760
find out now. 
Probably somebody's going to 

1408
01:26:46,760 --> 01:26:51,440
point out that that sketch 
actually came after the pink it.

1409
01:26:51,440 --> 01:26:54,680
It just, it struck me as as 
maybe that was just a little nod

1410
01:26:55,280 --> 01:26:59,600
because yeah, well, OK. 
Let me ask you this, I said. 

1411
01:26:59,600 --> 01:27:02,920
The villains kind of win, but 
it's it's a kind of a Gray area.

1412
01:27:03,800 --> 01:27:05,480
Who were we rooting for in this 
film? 

1413
01:27:05,880 --> 01:27:07,920
Is it who we meant to be rooting
for? 

1414
01:27:07,920 --> 01:27:09,400
Is it? 
Is it the thief and the 

1415
01:27:09,400 --> 01:27:11,880
philanderer? 
Charles Layton? 

1416
01:27:11,880 --> 01:27:17,920
Is it the adulterous Simone 
Clouseau? 

1417
01:27:18,680 --> 01:27:21,600
Is it? 
Is it the fraudulent, womanizing

1418
01:27:21,600 --> 01:27:26,560
George Lytton? 
Is it the the entitled Princess 

1419
01:27:27,240 --> 01:27:30,040
who, by the way, wants to stop 
the diamond, the Pink Panther 

1420
01:27:30,040 --> 01:27:33,480
diamond, being returned, 
rightfully returned to her 

1421
01:27:33,480 --> 01:27:39,840
people in lugash? 
Are we meant to root for any of 

1422
01:27:39,840 --> 01:27:42,040
those characters? 
Or are we meant to root for 

1423
01:27:42,040 --> 01:27:43,840
Clue? 
So I I'm not quite sure. 

1424
01:27:46,280 --> 01:27:49,400
It's it's a It's a tricky 1 
because I mean I think certainly

1425
01:27:49,400 --> 01:27:53,520
CLUES was the only one who comes
out of this with any integrity 

1426
01:27:53,760 --> 01:27:56,200
of all those. 
Characters. 

1427
01:27:57,560 --> 01:28:02,600
And yet you're probably sort of 
thinking, in a way, is Sir 

1428
01:28:02,600 --> 01:28:06,480
Charles going to pull it off? 
Was he actually going to, you 

1429
01:28:06,800 --> 01:28:11,840
know, get a ski lift with the 
The diamond intact and go on to 

1430
01:28:11,840 --> 01:28:17,480
his next escapade? 
So yeah, it's a tricky one. 

1431
01:28:17,520 --> 01:28:21,680
I mean, I'm a big fan of, like, 
heist films and so on. 

1432
01:28:22,880 --> 01:28:26,040
And there were you. 
You remember that a few years 

1433
01:28:26,040 --> 01:28:30,040
ago, There were at least three 
that I know of, possibly more 

1434
01:28:30,840 --> 01:28:32,960
dramatization to the Hatton 
Garden heist. 

1435
01:28:33,000 --> 01:28:38,240
Oh, yeah. 
And one of the one I really like

1436
01:28:38,240 --> 01:28:40,840
was the television dramatization
with Kenneth Kranum. 

1437
01:28:41,000 --> 01:28:44,040
But there's also another one 
with Michael Caine as well. 

1438
01:28:44,320 --> 01:28:45,600
Yeah, yeah. 
And. 

1439
01:28:45,760 --> 01:28:49,040
I saw a review of that one, 
which was suggesting that they 

1440
01:28:49,040 --> 01:28:53,520
didn't focus enough on the 
victims in that case, because it

1441
01:28:53,520 --> 01:28:57,240
was all just about the hijinks 
of this, you know, group of, you

1442
01:28:57,280 --> 01:29:02,960
know, would be villains. 
And I don't know, maybe it's 

1443
01:29:02,960 --> 01:29:07,560
just me, but when you get caught
up in that kind of plot, you you

1444
01:29:07,560 --> 01:29:11,240
saw thinking to yourself, you 
know, can they do it? 

1445
01:29:11,320 --> 01:29:12,760
Can they actually, can they pull
it off? 

1446
01:29:13,240 --> 01:29:14,600
I don't. 
I don't think that most people 

1447
01:29:14,600 --> 01:29:16,960
are looking at that kind of film
and thinking, got a hope that 

1448
01:29:16,960 --> 01:29:20,120
police hurry up and turn up, You
know, true. 

1449
01:29:20,760 --> 01:29:22,880
No, you do. 
You do want them to succeed, 

1450
01:29:22,880 --> 01:29:23,720
don't you? 
Yeah. 

1451
01:29:23,760 --> 01:29:27,560
Yeah. 
So yeah, it's a tricky one. 

1452
01:29:27,560 --> 01:29:32,720
And yeah, the I suppose the 
point I'm trying. 

1453
01:29:32,720 --> 01:29:36,840
To make is that I say who we 
rooting for clues. 

1454
01:29:36,840 --> 01:29:39,800
So is the standout character the
others? 

1455
01:29:39,800 --> 01:29:43,200
With the possible exception of 
Simone, Clouseau or Capucine, 

1456
01:29:44,160 --> 01:29:48,600
the others are fairly vanilla. 
Aren't they really? 

1457
01:29:50,000 --> 01:29:51,640
David Nivens? 
No great shakes. 

1458
01:29:51,680 --> 01:29:54,160
His character is just fairly 
bland. 

1459
01:29:55,240 --> 01:29:59,720
Robert Wagner's just annoying. 
And to a degree, so is the 

1460
01:29:59,720 --> 01:30:01,240
Princess. 
I would. 

1461
01:30:01,240 --> 01:30:02,280
I would. 
Have been interested. 

1462
01:30:02,280 --> 01:30:06,440
I mean OK the the the film is as
was I'm saying before it felt a 

1463
01:30:06,440 --> 01:30:08,160
little bit too long. 
So I don't think there would 

1464
01:30:08,160 --> 01:30:10,280
have been any additional space 
for this. 

1465
01:30:10,280 --> 01:30:14,160
But I would have been interested
actually in some sort of spin 

1466
01:30:14,160 --> 01:30:18,640
off that actually told Sir 
Charles tale about how he he got

1467
01:30:18,640 --> 01:30:21,920
into this at first because he 
from what we understand he has 

1468
01:30:21,920 --> 01:30:26,040
got this respectable veneer and 
it's that's that's a common 

1469
01:30:26,040 --> 01:30:31,520
enough text and common enough 
plot and many texts about the 

1470
01:30:31,520 --> 01:30:33,960
the respectable businessman you 
know who this person is. 

1471
01:30:33,960 --> 01:30:35,800
You know you know who you're 
talking about you can't just go 

1472
01:30:35,800 --> 01:30:37,600
pointing the finger at them you 
know. 

1473
01:30:38,600 --> 01:30:42,520
And so yeah I'm interested to 
know did he become was he always

1474
01:30:42,520 --> 01:30:46,520
a straight businessman who then 
gone to trouble and then started

1475
01:30:47,280 --> 01:30:49,600
the sideline or was it the old 
way around. 

1476
01:30:49,600 --> 01:30:54,840
He always needs a sort of a 
respectable occupation to be 

1477
01:30:54,840 --> 01:30:56,600
able to because he can't 
introduce himself. 

1478
01:30:56,600 --> 01:30:59,840
As you know I'm safe cracker. 
And the reason I'm here is 

1479
01:30:59,840 --> 01:31:03,640
because I've got an eye on what 
you've got in your sick 

1480
01:31:03,680 --> 01:31:05,040
upstairs. 
He's clearly he's. 

1481
01:31:05,040 --> 01:31:07,320
Clearly got a lot of money 
because he's got you look at the

1482
01:31:07,320 --> 01:31:09,720
drinks cabinet that he had in 
his hotel room, which was the 

1483
01:31:09,720 --> 01:31:13,360
size of a studio flat in London,
I mean. 

1484
01:31:13,400 --> 01:31:17,360
This was the 60s after all, and 
everybody on on an end film and 

1485
01:31:17,360 --> 01:31:20,520
on television in the 60s and 70s
drank to excess and had 

1486
01:31:20,520 --> 01:31:24,440
ridiculously large bars. 
I mean, Christ, Teddy Medford 

1487
01:31:24,440 --> 01:31:26,800
even had a whole bloody cocktail
cabinet. 

1488
01:31:27,280 --> 01:31:29,640
He kind of been on Charles 
money, surely? 

1489
01:31:29,640 --> 01:31:31,400
I think, Sir. 
Charles doesn't need the money 

1490
01:31:31,440 --> 01:31:32,960
at all. 
I think he's just in it for the 

1491
01:31:32,960 --> 01:31:36,160
thrill of it. 
I think that's all it is, a 

1492
01:31:36,760 --> 01:31:38,640
couple of last. 
Little tangents for myself, 

1493
01:31:38,640 --> 01:31:41,640
sure. 
One thing that was a little bit 

1494
01:31:41,640 --> 01:31:44,440
surprised about because I didn't
think that this was going to tie

1495
01:31:44,440 --> 01:31:48,520
into the the timeline, but when 
I was looking on the newspaper 

1496
01:31:48,520 --> 01:31:51,520
articles about the Pink Panther 
getting it's released, I think 

1497
01:31:51,520 --> 01:31:54,920
it was in January 64, it got its
British premier release. 

1498
01:31:55,800 --> 01:31:59,800
And quite quickly on the heels 
of that in February 64, where 

1499
01:31:59,800 --> 01:32:04,000
all the stories about Peter 
Sellers and Brett Eklund, and 

1500
01:32:04,680 --> 01:32:08,360
I'm sure you you've touched on 
that in the cast previously. 

1501
01:32:08,960 --> 01:32:15,640
But one thing that was 
intriguing was the case of Mr. 

1502
01:32:15,640 --> 01:32:18,840
Sven Eklund, Brett Eklund's 
father. 

1503
01:32:19,000 --> 01:32:25,440
Oh yes, and the case of when did
he see the Pink Panther? 

1504
01:32:27,160 --> 01:32:30,720
Because in the course of all 
these articles about the fact 

1505
01:32:30,720 --> 01:32:33,080
that, you know, sellers and 
eckland were going to marry 

1506
01:32:33,080 --> 01:32:37,040
within the space of three weeks 
or so, there were quotations 

1507
01:32:37,080 --> 01:32:40,640
from Brett Eklund's parents. 
And one of them particular was 

1508
01:32:40,640 --> 01:32:45,200
in the Western Delhi Press on 
the 12th of February 1964 when 

1509
01:32:45,200 --> 01:32:53,160
Sven Eklund said I have never 
seen Peter Sellers in films and 

1510
01:32:53,160 --> 01:32:59,760
yet the Daily Herald for the 
12th of February 1964 has Mr. 

1511
01:32:59,760 --> 01:33:04,120
Sven Eklund quoted as saying. 
Having seen Peter Sellers in the

1512
01:33:04,120 --> 01:33:07,040
Pink Panther, he seems a very 
pleasant sort of man. 

1513
01:33:08,080 --> 01:33:13,680
Now are we to just from this 
that Sven got a phone call from 

1514
01:33:13,960 --> 01:33:18,600
Western Daily Press and said 
Peter Sellers No no can't can't 

1515
01:33:18,600 --> 01:33:20,640
can't place them don't forget 
we've ever seen them Then 

1516
01:33:20,640 --> 01:33:24,040
consults the the newspaper 
listings spots of the Pink 

1517
01:33:24,040 --> 01:33:26,160
Panther is in. 
Because I'm sure one of these 

1518
01:33:26,160 --> 01:33:28,800
articles actually said that he 
lived on a street with a cinema.

1519
01:33:29,280 --> 01:33:33,040
So just then goes straight to 
the goes to the first screening 

1520
01:33:33,280 --> 01:33:36,440
of the Pink Panther, gets back 
just in time for a phone call 

1521
01:33:36,440 --> 01:33:39,800
from the Daily Herald and said, 
yeah, I'm glad, glad you called 

1522
01:33:40,160 --> 01:33:42,560
because yeah, I've actually just
been watching them. 

1523
01:33:42,960 --> 01:33:49,320
And yeah, Buffy chap. 
The other thing I really liked 

1524
01:33:49,320 --> 01:33:54,000
was a review in the Liverpool 
Daily Post. 

1525
01:33:54,000 --> 01:33:56,480
I'm not sure if it was exclusive
to that publication or it was a 

1526
01:33:56,480 --> 01:34:00,440
syndicated column, but sort of 
you're called John Chettlefield 

1527
01:34:01,320 --> 01:34:06,040
and about Clouseau, he wrote. 
A funny, pathetic character 

1528
01:34:06,040 --> 01:34:10,600
emerges as genuine as chaplains,
which I really liked. 

1529
01:34:10,600 --> 01:34:16,200
Yeah. 
And for that to be identified 

1530
01:34:17,200 --> 01:34:22,240
right off from the first film is
I guess that that's that puts 

1531
01:34:22,240 --> 01:34:27,360
the full stop on the fact that 
it was still being billed and 

1532
01:34:27,360 --> 01:34:31,640
it's more of obviously still is 
as David Kniffin and Peter 

1533
01:34:31,640 --> 01:34:34,640
Sellers. 
But there's no question that you

1534
01:34:34,640 --> 01:34:40,280
know just from first viewing 
alone that Clouseau is the 

1535
01:34:40,280 --> 01:34:42,840
standard character of this. 
Yeah. 

1536
01:34:42,840 --> 01:34:45,600
And. 
And I think it's still a pretty 

1537
01:34:45,600 --> 01:34:49,600
decent film. 
And Sellers is brilliant in 

1538
01:34:49,600 --> 01:34:51,400
every scene that he's in. 
Yes. 

1539
01:34:52,440 --> 01:34:55,920
And yeah, there's some long 
years, there's some fairly 

1540
01:34:56,360 --> 01:34:59,080
strung out bits that we could do
without and we could have 

1541
01:34:59,680 --> 01:35:02,280
certainly done without Robert 
Wagner, I think. 

1542
01:35:02,280 --> 01:35:08,320
But I would, I would, I would 
suggest that this film is one of

1543
01:35:08,320 --> 01:35:11,920
those films that's probably 
caused a lot of disappointment 

1544
01:35:11,920 --> 01:35:14,880
over the years to people you 
know renting it out on video 

1545
01:35:15,640 --> 01:35:19,560
things like that thinking that 
it's the knock about slapstick, 

1546
01:35:20,520 --> 01:35:24,280
Clouseau, Pink Panther films 
that we get in the 70s. 

1547
01:35:25,000 --> 01:35:28,960
I need to find that it's no, 
it's a it's a fairly 

1548
01:35:28,960 --> 01:35:34,160
straightforward international 
romp with some glitzy locations 

1549
01:35:34,160 --> 01:35:39,760
and some beautiful women and you
know, big name star in the in 

1550
01:35:39,760 --> 01:35:45,200
the official starring role But 
with the Cluso character in it 

1551
01:35:45,200 --> 01:35:51,080
for maybe, I don't know, half 
the film is he, maybe 2/3 of the

1552
01:35:51,080 --> 01:35:55,360
film we see Clueso something 
like that and he's certainly not

1553
01:35:55,360 --> 01:35:57,560
the Clueso. 
I mean in many ways he is, but 

1554
01:35:57,560 --> 01:36:00,520
he's he's not as, as I said 
before he's certainly not as 

1555
01:36:00,520 --> 01:36:05,880
cartoonish as he is to become. 
And the film itself is not as 

1556
01:36:05,880 --> 01:36:09,360
cut because you look at strikes 
again for God's sake. 

1557
01:36:09,560 --> 01:36:14,320
That whole film is basically it 
builds into a cartoonish 

1558
01:36:14,560 --> 01:36:18,240
crescendo and it's amazing. 
That Dreyfus actually returns. 

1559
01:36:19,400 --> 01:36:23,400
To the. 
Police Department as a result of

1560
01:36:24,560 --> 01:36:27,560
you could, you could draw a line
between return and revenge. 

1561
01:36:28,080 --> 01:36:30,960
I think you can get away with 
that but it strikes again. 

1562
01:36:30,960 --> 01:36:32,880
This was some more more 
difficult to. 

1563
01:36:33,520 --> 01:36:36,560
Square. 
I would, I would say if you if 

1564
01:36:36,560 --> 01:36:42,440
you were planning on watching 
like the whole clues or box set,

1565
01:36:42,920 --> 01:36:45,520
I wouldn't skip this. 
I would, I mean certainly set 

1566
01:36:45,520 --> 01:36:51,560
your expectations for 1960s. 
Think of a. 

1567
01:36:51,560 --> 01:36:56,160
Lucrade production, you know it 
like the sedan or the persuaders

1568
01:36:56,160 --> 01:36:58,360
or something like that. 
It's going to be, you know, 

1569
01:36:58,360 --> 01:37:00,720
exotic locations and very 
colorful and so on. 

1570
01:37:01,000 --> 01:37:03,120
Think of that. 
But I certainly I wouldn't, I 

1571
01:37:03,120 --> 01:37:06,440
wouldn't skip, I wouldn't go 
straight to the 70s because it 

1572
01:37:06,440 --> 01:37:14,800
is really fascinating to see the
development of Closer And yes, 

1573
01:37:15,440 --> 01:37:20,680
the other thing as well as it 
is, is or just how fully formed 

1574
01:37:21,280 --> 01:37:25,160
Almost Closer was by Shot in the
Dark. 

1575
01:37:25,200 --> 01:37:28,000
Because then you've got 
everybody else around them, 

1576
01:37:28,000 --> 01:37:32,320
you've got all the the regular 
supporting players in that film.

1577
01:37:33,440 --> 01:37:39,760
And OK, the last thing that's 
popping into my head is how many

1578
01:37:39,760 --> 01:37:42,040
Pink Panther films actually 
involve the Pink Panther 

1579
01:37:42,760 --> 01:37:44,960
diamond. 
Two. 

1580
01:37:45,000 --> 01:37:46,680
I don't have an answer to this. 
I'm going to have to think of 

1581
01:37:46,680 --> 01:37:47,160
this. 
Two. 

1582
01:37:47,200 --> 01:37:49,400
OK, Shot in the Dark doesn't. 
No return. 

1583
01:37:49,400 --> 01:37:51,360
Does Tries again. 
Doesn't revenge. 

1584
01:37:51,360 --> 01:37:54,000
Doesn't not including trailer 
cars. 

1585
01:37:54,080 --> 01:37:55,520
So it is. 
It's two, isn't it? 

1586
01:37:55,600 --> 01:37:57,160
Yes. 
Yeah, there we go. 

1587
01:37:58,680 --> 01:38:00,440
By the time. 
OK, return to the Pink Panther 

1588
01:38:00,440 --> 01:38:03,320
addresses it. 
You know, the Pink Panther 

1589
01:38:03,320 --> 01:38:07,000
Diamond is of course involved in
the plot, but after that, it's 

1590
01:38:07,000 --> 01:38:10,280
just the Pink Panther is just 
shorthand first clue. 

1591
01:38:10,280 --> 01:38:11,640
So it's another clue. 
So film. 

1592
01:38:11,840 --> 01:38:12,760
Here's here's a. 
Theory. 

1593
01:38:12,760 --> 01:38:15,960
OK, I don't think that 
Christopher Plummer as Charles 

1594
01:38:15,960 --> 01:38:17,920
Litton. 
I don't think he's a real so 

1595
01:38:17,920 --> 01:38:21,160
Charles Litton. 
I think he's another jewel thief

1596
01:38:21,280 --> 01:38:23,480
going by the name So Charles 
Litton. 

1597
01:38:24,080 --> 01:38:25,960
Ah. 
Trading on his notoriety? 

1598
01:38:25,960 --> 01:38:28,920
Yeah, exactly. 
Yes, because Charles is all 

1599
01:38:28,920 --> 01:38:31,480
retired or is in jail or 
whatever, and then he's 

1600
01:38:31,480 --> 01:38:36,720
appropriated his image and it's 
a case of identity theft or he's

1601
01:38:36,720 --> 01:38:38,160
got. 
He's got the real Sir Charles 

1602
01:38:38,160 --> 01:38:40,720
locked up in a cellar. 
Possibly so. 

1603
01:38:43,120 --> 01:38:44,840
Don't know why. 
He would do that, but anyway, 

1604
01:38:46,440 --> 01:38:47,040
right? 
And. 

1605
01:38:47,080 --> 01:38:50,400
Quick trivia question for you. 
What is Dave Lodge's character 

1606
01:38:50,400 --> 01:38:55,160
name in return? 
He's only referred to by 

1607
01:38:55,160 --> 01:38:58,280
surname, isn't he? 
I think so, yes. 

1608
01:38:58,680 --> 01:38:59,720
Well, you don't know either 
well. 

1609
01:39:00,360 --> 01:39:02,680
No, I'm looking out. 
There, because I'm stay on IMDb.

1610
01:39:02,680 --> 01:39:03,280
Go on. 
What's the name? 

1611
01:39:03,920 --> 01:39:05,600
His name is Mac. 
Oh. 

1612
01:39:06,280 --> 01:39:07,000
Yes. 
Well, they. 

1613
01:39:07,000 --> 01:39:08,960
Should have given them the same 
name as he's got in Coco Show 

1614
01:39:08,960 --> 01:39:12,560
Heroes, or the continuity would 
have been a bit off. 

1615
01:39:12,560 --> 01:39:15,160
I'd have liked in. 
Return of the Pink Panther, if 

1616
01:39:15,640 --> 01:39:17,480
at some point he flexes his 
muscle. 

1617
01:39:20,400 --> 01:39:22,760
Yeah, it's clue, says, dicking 
about with the telephone or 

1618
01:39:22,760 --> 01:39:23,920
something. 
You should. 

1619
01:39:24,000 --> 01:39:26,000
Should Dave Lodge have been 
allowed to break the 4th ball 

1620
01:39:27,680 --> 01:39:35,520
and deliver his famous line? 
There we go. 

1621
01:39:35,840 --> 01:39:41,360
So happy 60th birthday, The Pink
Panther. 

1622
01:39:41,360 --> 01:39:45,880
I don't know whether ITV will be
marking the occasion by ringing 

1623
01:39:45,880 --> 01:39:48,120
it again. 
And I. 

1624
01:39:48,120 --> 01:39:50,520
Don't believe there are any 
plans to do so well, You you've 

1625
01:39:50,520 --> 01:39:51,680
got a. 
Bit of influence, Gary. 

1626
01:39:51,680 --> 01:39:53,280
Surely you could. 
I have. 

1627
01:39:53,320 --> 01:39:58,600
No influence. 
I have awareness of what may be 

1628
01:39:58,600 --> 01:40:01,960
on ever so slightly ahead of the
Radio Times, but no. 

1629
01:40:02,880 --> 01:40:05,640
I can't just yeah, I can. 
Unfortunately I cannot actually 

1630
01:40:05,640 --> 01:40:09,240
stage close of season on ITV 
one. 

1631
01:40:10,320 --> 01:40:11,160
Whatever. 
Fancy it. 

1632
01:40:11,360 --> 01:40:11,920
But. 
But. 

1633
01:40:11,920 --> 01:40:15,040
Right after we stop recording, 
I'm going to be pressing you for

1634
01:40:15,040 --> 01:40:17,840
all the Goss about Nigel in the 
jungle, of course, because you 

1635
01:40:17,840 --> 01:40:19,040
know everything. 
Oh, why? 

1636
01:40:19,080 --> 01:40:20,680
Yes, absolutely. 
All the dirt, yeah. 

1637
01:40:21,040 --> 01:40:24,600
Yeah, yeah. 
Gary, listen, I'm going to send 

1638
01:40:24,600 --> 01:40:26,200
such a. 
Dated reference By the time this

1639
01:40:26,200 --> 01:40:28,200
this drops true, it'll be. 
Out by then Bernie. 

1640
01:40:30,160 --> 01:40:34,080
So hopefully, as as as you refer
to rather the top of the show. 

1641
01:40:34,080 --> 01:40:37,720
Hopefully there'll be a pre 
Christmas or a Christmas sitcom.

1642
01:40:37,720 --> 01:40:39,240
Club fingers. 
Crossed. 

1643
01:40:39,240 --> 01:40:41,120
I actually had to remember that 
you might be on it yourself. 

1644
01:40:41,120 --> 01:40:45,920
I'd. 
Be very pleased to add my 2 

1645
01:40:45,920 --> 01:40:49,160
Penneth. 
All depends on logistics of 

1646
01:40:49,160 --> 01:40:50,480
course, doesn't it really? 
Yes. 

1647
01:40:51,200 --> 01:40:56,680
So we will see and this podcast 
will be taking a break in 

1648
01:40:56,680 --> 01:40:58,640
January for maybe a couple of 
months. 

1649
01:40:58,640 --> 01:41:02,480
And after that I'd love to get 
you back at some point, maybe 

1650
01:41:02,480 --> 01:41:04,840
next year or some. 
Well, no, you are going to come 

1651
01:41:04,840 --> 01:41:08,080
back next year because at some 
point we're going to talk about 

1652
01:41:09,760 --> 01:41:12,280
the man, about the house movie, 
aren't we? 

1653
01:41:12,320 --> 01:41:13,720
Yes. 
Yes indeed. 

1654
01:41:13,720 --> 01:41:16,160
And the reason? 
We will be talking about that on

1655
01:41:16,160 --> 01:41:20,840
Goon Pod is because of course 
Spike has a memorable camp 

1656
01:41:20,880 --> 01:41:22,800
cameo. 
Indeed so. 

1657
01:41:23,480 --> 01:41:27,440
But you and I are both huge fans
of of the, the television show, 

1658
01:41:27,440 --> 01:41:30,000
aren't we? 
So, yeah, lots to talk about 

1659
01:41:30,000 --> 01:41:31,800
there. 
So look forward to that. 

1660
01:41:32,440 --> 01:41:37,880
So Gary, thank you so much and 
and I'll, I'll, I'll normally 

1661
01:41:37,880 --> 01:41:40,400
say to guess, I'll talk to you 
again in the future. 

1662
01:41:40,400 --> 01:41:42,440
I will talk to you again 
tomorrow, I think. 

1663
01:41:42,440 --> 01:41:44,640
Yes, indeed. 
Yes, indeed. 

1664
01:41:44,640 --> 01:41:45,640
Cheers mate. 
Thanks very much. 

1665
01:41:45,640 --> 01:41:47,080
Cheers then. 
Bye. 

1666
01:41:47,120 --> 01:41:47,200
Bye.
