1 00:00:07,270 --> 00:00:10,270 You wouldn't expect that to come from the John Mayer plug in 2 00:00:10,270 --> 00:00:11,630 Paul. Mute dotted delay. 3 00:00:11,990 --> 00:00:13,830 It sounds beautiful. I love it because it's like that 4 00:00:13,830 --> 00:00:16,350 edge of breakup. Hey, I'm gonna. 5 00:00:18,910 --> 00:00:21,390 I love that sound so much. I said we should make a jam 6 00:00:21,390 --> 00:00:24,240 track with that. Maybe it'll happen. 7 00:00:24,400 --> 00:00:28,160 Every Friday we put out a new jam track for you guys to jam 8 00:00:28,160 --> 00:00:30,200 over for free. No covercharge.com. 9 00:00:30,240 --> 00:00:32,040 The dream delay put the dream delay on. 10 00:00:32,040 --> 00:00:36,320 Use code No cover charge for a 30% discount on any Neural DSP 11 00:00:36,320 --> 00:00:38,160 plug in. Thanks to them for sponsoring 12 00:00:38,160 --> 00:00:40,720 the show and we have a very special show. 13 00:00:40,720 --> 00:00:44,400 In fact, this is actually a long time coming because we got to 14 00:00:44,400 --> 00:00:47,520 the bottom of each other's guitar tendencies and as a 15 00:00:47,520 --> 00:00:49,440 result, learn more about ourselves. 16 00:00:49,440 --> 00:00:51,400 Well. What's funny is when you jam 17 00:00:51,400 --> 00:00:54,760 with someone so many times, you start to feel these little 18 00:00:54,760 --> 00:00:57,200 intricacies and you kind of know where they're going. 19 00:00:57,200 --> 00:00:58,920 It's almost like talking. It's like when you're in the 20 00:00:58,920 --> 00:01:00,640 band with someone, you're like, oh, I know where they're going 21 00:01:00,640 --> 00:01:01,840 to go because they always do that. 22 00:01:02,040 --> 00:01:04,560 We started to get that with each other since we've been ripping 23 00:01:04,560 --> 00:01:07,000 it up for now, like seven months, dude. 24 00:01:07,120 --> 00:01:10,120 I haven't figured out what the best title for this episode is 25 00:01:10,120 --> 00:01:14,400 yet, but showing each other our licks was one of them I had. 26 00:01:14,680 --> 00:01:16,720 Or stealing my Bros lick. Oh no. 27 00:01:16,720 --> 00:01:20,600 So whatever it ends up being, I hope you guys enjoy the No Cover 28 00:01:20,600 --> 00:01:22,000 Charge podcast. Enjoy. 29 00:01:22,200 --> 00:01:25,200 Oh my God dude my flies open dog. 30 00:01:26,640 --> 00:01:28,040 You would never saw it, but it's open. 31 00:01:28,200 --> 00:01:31,960 Welcome to the YouTube game. I've had to delete an entire 32 00:01:32,880 --> 00:01:34,680 segment. It was just so egregious. 33 00:01:34,880 --> 00:01:37,560 It was, so I didn't. Care at all, but it was just 34 00:01:37,560 --> 00:01:40,080 like you can see the direct shapes. 35 00:01:41,360 --> 00:01:43,400 I saw a guy posted a video yesterday, he was talking about 36 00:01:43,400 --> 00:01:45,360 his band and it was like this and he was wearing sweatpants 37 00:01:45,360 --> 00:01:48,200 and he's like, I just want to talk to you guys about mental 38 00:01:48,200 --> 00:01:51,240 health and blah blah blah. And did his little sackage. 39 00:01:51,400 --> 00:01:56,160 It was, it was so bad that literally I was like, and I was 40 00:01:56,160 --> 00:01:58,000 like, I flipped off it really quick. 41 00:01:58,000 --> 00:01:59,320 Yeah, yeah. You got to be careful when 42 00:01:59,320 --> 00:02:03,200 you're filming guitar videos. That can be a career ender. 43 00:02:03,200 --> 00:02:05,840 You know, you get the wrong day. It's a little cold. 44 00:02:06,120 --> 00:02:09,800 Well, like I said with the Pete Thorne one, I was wearing the 45 00:02:09,800 --> 00:02:12,120 jacket and I was getting like this and also the jacket slid 46 00:02:12,120 --> 00:02:12,720 over. Oh yeah. 47 00:02:12,720 --> 00:02:14,600 We got a nip slip on Pete Thorne episode. 48 00:02:14,600 --> 00:02:16,280 Nip slip. I'm sure you've seen that by 49 00:02:16,280 --> 00:02:25,840 now. By the way, I mentioned here at 50 00:02:25,840 --> 00:02:30,160 the top, you can access No Cover Charge podcast episodes before 51 00:02:30,160 --> 00:02:33,520 they come out on social media. YouTube, Spotify, Yeah, Apple 52 00:02:33,520 --> 00:02:34,960 Podcasts. You can find them in the No 53 00:02:34,960 --> 00:02:38,080 Cover Charge app for free. All you do is sign up and days 54 00:02:38,080 --> 00:02:43,680 in advance of Monday's drops. Zero ads, unfiltered rockin NCC 55 00:02:44,120 --> 00:02:46,160 episodes for you. Yeah, and there's a whole bunch 56 00:02:46,160 --> 00:02:50,080 of other stuff in the NCC app that you can peruse, such as a 57 00:02:50,080 --> 00:02:53,960 giveaway that we are running. We'll be revealing the winner on 58 00:02:53,960 --> 00:02:56,480 this episode later, so stay tuned for that. 59 00:02:56,480 --> 00:02:58,840 Dude, don't be one of those people that's going to Fast 60 00:02:58,840 --> 00:03:00,000 forward to the end of this video. 61 00:03:00,320 --> 00:03:02,280 We got some super fun stuff that we're going to be. 62 00:03:02,280 --> 00:03:04,920 Doing we're going to know because YouTube shows where 63 00:03:04,920 --> 00:03:08,600 people Click to in the little the heat map of watchability. 64 00:03:08,600 --> 00:03:11,000 We're going to Liam Neeson them and I will find you I. 65 00:03:11,200 --> 00:03:13,520 Will find you, and I'll know that you didn't see what we're 66 00:03:13,520 --> 00:03:15,960 about to do. What is the concept of today? 67 00:03:16,080 --> 00:03:19,480 Obviously we've been jamming together now for this whole pod 68 00:03:19,720 --> 00:03:22,800 series, the NCC Inception. So for us to show each other 69 00:03:22,800 --> 00:03:25,760 licks, I feel like it's natural because I instinctively already 70 00:03:25,760 --> 00:03:28,400 take stuff that you do like I told you about the one thing 71 00:03:28,400 --> 00:03:31,440 where that just sounds horrible out of. 72 00:03:31,440 --> 00:03:34,120 Touch the worst sounding thing that I do and made it beautiful. 73 00:03:34,120 --> 00:03:38,720 It sounds like a really bad horn lookout, man, but you know, when 74 00:03:38,720 --> 00:03:40,720 we're playing, give me an A minor, Here's the Larson. 75 00:03:49,600 --> 00:03:55,800 I stole that from you, dude. It's so ugly. 76 00:03:55,800 --> 00:04:02,640 It's beautiful. I guess you do that all over the 77 00:04:02,640 --> 00:04:03,840 neck too. That's a cool part. 78 00:04:04,040 --> 00:04:05,960 I feel like when you're with your buddies and you guys would 79 00:04:05,960 --> 00:04:08,760 playing licks back and forth, all of a sudden it just opens 80 00:04:08,760 --> 00:04:10,640 more doors where you're like, oh, what if I play it there? 81 00:04:10,640 --> 00:04:12,000 Oh, it sounds totally different here. 82 00:04:12,000 --> 00:04:15,880 I want to start with asking you to show me something. 83 00:04:15,880 --> 00:04:19,760 What is that double bend? It's a joint shifting is what 84 00:04:19,760 --> 00:04:22,000 I've heard it referred to as Steve Vibe. 85 00:04:22,000 --> 00:04:22,920 OK. You're talking about that. 86 00:04:23,040 --> 00:04:25,000 It's one finger bend. Yes, yes. 87 00:04:25,160 --> 00:04:28,680 But you do 2 strings. Yes, so that one I actually 88 00:04:28,680 --> 00:04:30,960 learned that from. There's a Telecaster player 89 00:04:30,960 --> 00:04:33,160 named Jerry Donohue. OK, Jerry, have you heard of 90 00:04:33,160 --> 00:04:35,560 that dude? So if you if you're not familiar 91 00:04:35,560 --> 00:04:38,920 with this guy, Jerry Donohue, he's he's like, First off, he's 92 00:04:38,920 --> 00:04:41,400 the nicest human alive. I swear to you. 93 00:04:41,920 --> 00:04:44,640 I used to watch he had like the hot licks videos ripping on a 94 00:04:44,640 --> 00:04:46,600 telecaster. But the way that he plays, you 95 00:04:46,600 --> 00:04:48,760 listen to it and it's this insane telly and he's just 96 00:04:48,760 --> 00:04:50,960 standing up there and he looks like a car mechanic. 97 00:04:50,960 --> 00:04:53,360 You know, he's just jamming. But it's funny part enough. 98 00:04:53,360 --> 00:04:54,640 I remember I saw him at the NAMM show. 99 00:04:54,640 --> 00:04:56,240 This was years ago. And I was like, whoa, there he 100 00:04:56,240 --> 00:04:57,160 was. And he was playing. 101 00:04:57,400 --> 00:05:00,200 He does all this cool behind the neck and or behind the nut 102 00:05:00,200 --> 00:05:02,640 stuff, you know, But then the next morning I was like, man, I 103 00:05:02,640 --> 00:05:04,200 was talking to my friend. I was like, I can't believe I 104 00:05:04,360 --> 00:05:06,560 met Jerry Donahue. And then we go to the Denny's by 105 00:05:06,560 --> 00:05:09,800 NAMM and he's in there alone and he's eating eggs and drinking 106 00:05:09,800 --> 00:05:11,840 coffee and he goes, Hey, I was like, what the. 107 00:05:12,720 --> 00:05:15,320 Jerry Donahue's a man of the. People OK, here's the lick 108 00:05:15,320 --> 00:05:18,360 though, and it's the coolest like lick to show your friends 109 00:05:18,600 --> 00:05:20,920 or just bop this out and people are going to go like the dog 110 00:05:20,920 --> 00:05:29,640 thing where they're like, huh, come on dude, one more time for 111 00:05:29,640 --> 00:05:37,240 fun. What? 112 00:05:37,280 --> 00:05:39,120 That's a big dog. OK, check this out dude. 113 00:05:39,240 --> 00:05:41,640 So this is a really weird 1 to get under your fingers. 114 00:05:41,880 --> 00:05:44,720 This almost reminds me of, and I'm not going off on a tangent, 115 00:05:44,720 --> 00:05:46,600 but hit hit me. You know the Hendrix leg. 116 00:05:50,480 --> 00:05:54,400 It's this R of doing a bend. In this case, we're bending down 117 00:05:54,400 --> 00:05:57,640 on the G string and you're going to go on the 9th fret, right? 118 00:05:58,160 --> 00:06:01,840 And what you're doing is you're bending the 9th fret down to hit 119 00:06:01,840 --> 00:06:06,400 the the 11. So right as you bend that down, 120 00:06:06,720 --> 00:06:10,560 you squeeze the B string under that index finger, right? 121 00:06:11,000 --> 00:06:16,360 And then when you release the bend of the G, you're hitting 122 00:06:16,360 --> 00:06:19,320 the on the on the B string this 9th fret. 123 00:06:19,320 --> 00:06:22,360 And as you release it, that naturally is going to bend up to 124 00:06:22,360 --> 00:06:29,240 hit. So it starts there and so 125 00:06:29,240 --> 00:06:36,000 slowly. Oh yeah, isn't that better slow, 126 00:06:36,000 --> 00:06:37,960 man? And if you like reverb it like 127 00:06:37,960 --> 00:06:39,960 I'm being a dummy now, but like. Verb it up. 128 00:06:40,080 --> 00:06:48,920 Dude hit an A again sounds almost like a slide or a steal, 129 00:06:48,920 --> 00:06:50,800 right? So check it out, try it out 130 00:06:50,800 --> 00:06:54,320 brother. 9th fret and this is it'll hurt your finger for a 131 00:06:54,320 --> 00:06:55,760 second. So be ready to kind of have like 132 00:06:55,760 --> 00:07:04,880 a little owl. Just let it down normal. 133 00:07:05,000 --> 00:07:07,720 OK, don't even it down so I don't bend it back up. 134 00:07:07,720 --> 00:07:09,680 Yeah, you don't even bend it back up, so it's almost like 135 00:07:09,680 --> 00:07:13,080 this bend and then the release. Is that beautiful? 136 00:07:13,400 --> 00:07:20,920 I see. Almost don't don't block that E 137 00:07:20,960 --> 00:07:27,560 So you want to keep that G ring. So there as as you release, you 138 00:07:27,560 --> 00:07:31,680 hit that B string with a pick and then it'll blend together. 139 00:07:36,360 --> 00:07:37,560 Yeah, you got it. There it is. 140 00:07:37,560 --> 00:07:39,880 And then slight bend, slight bend. 141 00:07:39,880 --> 00:07:42,480 And then you want and then and then if you just want to add a 142 00:07:42,480 --> 00:07:44,560 little bit of extra. I need an escape. 143 00:07:44,560 --> 00:07:47,360 Bro I love you. You put a little bit of vibrato. 144 00:07:47,560 --> 00:07:52,320 Right. OK, OK, OK. 145 00:07:52,440 --> 00:07:53,800 My fingers already started and burned. 146 00:07:57,320 --> 00:08:01,720 Yeah, that's it bro, man, if you want to try it a little easier, 147 00:08:01,720 --> 00:08:04,720 let's try it in, try it in the key of E So like go up to like 148 00:08:04,720 --> 00:08:08,000 your just your E pentatonic boxes up here 12th fret, right? 149 00:08:08,320 --> 00:08:11,200 And if you want to visualize this any, anywhere you are on 150 00:08:11,200 --> 00:08:13,320 the neck on the G and the B string, right? 151 00:08:13,560 --> 00:08:17,400 You just are trying to go to basically the fifth in a root. 152 00:08:17,400 --> 00:08:20,840 So if we're an E, we're going to bend on the 16th fret of the G 153 00:08:22,040 --> 00:08:26,480 and do that same practice, right? 154 00:08:26,960 --> 00:08:31,720 Try that. There it is dude. 155 00:08:32,520 --> 00:08:34,200 So now you. Much easier up there. 156 00:08:34,240 --> 00:08:36,200 You try it, I'm going to play a chord on you. 157 00:08:40,440 --> 00:08:43,039 Yeah dude. So I made this little like and 158 00:08:43,039 --> 00:08:44,440 it takes a while to get this one. 159 00:08:44,440 --> 00:08:47,200 I made this little latude. So if you almost do like, you 160 00:08:47,200 --> 00:08:48,880 know, like over a 12 bar Blues, you can go like. 161 00:08:59,400 --> 00:09:10,320 Go to a beat to the E and what's great about this is it sounds 162 00:09:10,320 --> 00:09:12,520 country, but now it hit a big old. 163 00:09:22,000 --> 00:09:25,760 It has that vibe, right? Very versatile and putting it 164 00:09:25,760 --> 00:09:28,160 into context. That's the next phase, yes. 165 00:09:28,160 --> 00:09:33,200 So if you're jamming on it, do you find that an intro phrase? 166 00:09:33,200 --> 00:09:36,760 It's A tag, It's something because it seems like a feature 167 00:09:37,040 --> 00:09:39,800 almost, where it's like an exclamation on a phrase. 168 00:09:39,800 --> 00:09:41,240 Or do you like the start phrases? 169 00:09:41,240 --> 00:09:42,360 How would you use it? I would. 170 00:09:42,800 --> 00:09:44,400 Everywhere I've, you know, it's a great question. 171 00:09:44,400 --> 00:09:47,360 Everywhere I've used that it's almost at the end of a phrase or 172 00:09:47,360 --> 00:09:48,920 it's even at the end of like a solo. 173 00:09:48,920 --> 00:09:51,320 You can even do it trick wise like at the end of a song if the 174 00:09:51,320 --> 00:09:59,600 song was literally going. I'll do it at the end of a solo 175 00:09:59,600 --> 00:10:00,640 or I'll do it at the end of a phrase. 176 00:10:00,640 --> 00:10:03,160 Let's say I'm playing our super stock Blues thing and I go just 177 00:10:03,160 --> 00:10:12,160 hit an E for me, it's cool. And let me tell you, don't get 178 00:10:12,160 --> 00:10:15,720 discouraged with any of that because this finger basically, 179 00:10:15,720 --> 00:10:18,800 I'm pretty sure I could hit a nail through it because it hurts 180 00:10:18,800 --> 00:10:20,160 right? It's tough. 181 00:10:20,280 --> 00:10:21,520 Let. Me see if I can put it in. 182 00:10:28,760 --> 00:10:30,440 Now you just showed me something. 183 00:10:30,440 --> 00:10:33,160 I just hit it in the a different place than you said. 184 00:10:33,920 --> 00:10:36,160 I just had a Is that called a brain blast? 185 00:10:36,160 --> 00:10:38,160 What you just did just opened up a whole. 186 00:10:38,280 --> 00:10:40,560 This is why this is amazing. It just opened up a whole new 187 00:10:40,560 --> 00:10:43,120 door for me because you did it and it was AD. 188 00:10:43,160 --> 00:10:45,840 Yeah, but I played an E, right? So do that again. 189 00:10:52,440 --> 00:11:02,280 Now hit an E for me. I like that. 190 00:11:02,800 --> 00:11:05,000 Well, now I'm thinking in my head because, you know. 191 00:11:05,160 --> 00:11:07,560 What other like targets could you do with that? 192 00:11:07,720 --> 00:11:09,400 You could probably do so many bro. 193 00:11:09,400 --> 00:11:11,360 Check this one out now hold up, I'm being weird. 194 00:11:11,360 --> 00:11:21,960 Hit an E for me. You do minor. 195 00:11:22,440 --> 00:11:25,840 Oh yeah. OK, so this is kind of cool. 196 00:11:26,840 --> 00:11:35,280 What if you go go east? Look at that. 197 00:11:35,280 --> 00:11:37,520 You're barely even moving it. It's like voice leading. 198 00:11:38,280 --> 00:11:39,760 Voice leading. Weird Ben. 199 00:11:39,760 --> 00:11:41,520 You know that Tim and Eric went into the universe. 200 00:11:43,200 --> 00:11:45,320 This is why this is so cool. So you can do that. 201 00:11:45,320 --> 00:11:48,320 Now I'm seeing now, gosh, man, now I'm going to be doing this 202 00:11:48,320 --> 00:11:49,840 all over the place. Back in the shed now. 203 00:11:50,400 --> 00:11:53,160 Hey give me an hour, I got to go see you later. 204 00:11:53,280 --> 00:11:54,760 All right. Well, with that energy, we 205 00:11:54,760 --> 00:11:56,120 should move on to another one, is there? 206 00:11:56,120 --> 00:11:57,160 Something I could steal from you? 207 00:11:57,240 --> 00:12:00,040 Well, I had something that I would like to see how you 208 00:12:00,040 --> 00:12:03,560 interpret it because some of these are are pick based, but 209 00:12:03,600 --> 00:12:05,560 you can you can adapt it which is cool. 210 00:12:05,560 --> 00:12:09,040 So for like a turn around lick which is just a diminished 211 00:12:09,040 --> 00:12:14,360 sound. Oh. 212 00:12:16,240 --> 00:12:19,120 Oh, that's cool. So you're doing a play it again. 213 00:12:19,680 --> 00:12:24,800 Show me and the people. Just go down minor thirds. 214 00:12:24,800 --> 00:12:29,000 But this is the thing that I like to do is just cut out the B 215 00:12:29,000 --> 00:12:36,800 string OK? Wish between it like that like 216 00:12:36,800 --> 00:12:38,800 that right it's. The same shape every time. 217 00:12:41,160 --> 00:12:49,000 I see. OK, hold on. 218 00:12:49,000 --> 00:12:53,000 That's it. Hit an E for me. 219 00:12:53,000 --> 00:13:01,680 What are you playing? Come on, bro. 220 00:13:01,720 --> 00:13:05,560 I love that dude. Oh, I got it. 221 00:13:05,600 --> 00:13:06,920 Because you know what's funny with the? 222 00:13:06,920 --> 00:13:11,200 Bluesy is cool like I I do it in a like a metal context. 223 00:13:13,960 --> 00:13:15,520 Well, you got that little picky that. 224 00:13:16,560 --> 00:13:19,440 That's why it's so cool for to translate into yours, because it 225 00:13:19,440 --> 00:13:22,880 sounds like I don't know, you need to put that in the grab 226 00:13:22,880 --> 00:13:25,280 bag. Dude, you just gave me an 227 00:13:25,320 --> 00:13:27,640 absolute grab bag. What I always do and what I 228 00:13:27,640 --> 00:13:30,720 suggested to all of you that are watching and do this now, I just 229 00:13:30,720 --> 00:13:32,680 sit with it and I just kind of like, it's like food. 230 00:13:32,680 --> 00:13:33,960 I chew on it in my mouth for a bit. 231 00:13:33,960 --> 00:13:35,920 You know what I mean? It's like, what are we chewing 232 00:13:35,920 --> 00:13:36,760 on? Is that a carrot? 233 00:13:36,760 --> 00:13:42,320 Hidden ink? Wow. 234 00:13:42,480 --> 00:13:44,960 Oh, I dig that. Dude that's a that's a great one 235 00:13:44,960 --> 00:13:48,280 just to throw in for if you're feeling like you're always 236 00:13:48,280 --> 00:13:55,920 ending in. That's awesome. 237 00:13:55,920 --> 00:13:57,920 You know who that reminds me of a lot too is like Greg, Greg 238 00:13:57,920 --> 00:13:59,560 cock. Oh, right, shout out to Greg. 239 00:13:59,640 --> 00:14:02,840 He would do this stuff and what and you know, I I just like love 240 00:14:02,840 --> 00:14:05,040 the way he plays. Obviously we we both do, but 241 00:14:05,040 --> 00:14:07,520 he'll do these weird diminished things and I feel like he does 242 00:14:07,520 --> 00:14:10,080 stuff like. That he definitely pulls from. 243 00:14:10,640 --> 00:14:14,400 It's always 1/2 step away where the coolest notes are and 244 00:14:14,400 --> 00:14:18,800 hitting them on purpose is what Greg can do just at will in any 245 00:14:18,800 --> 00:14:22,200 tonality. And this is like a little taste, 246 00:14:22,200 --> 00:14:26,000 a dip into the cock pool. Yet again, give me an hour with 247 00:14:26,000 --> 00:14:26,880 this. I can't wait. 248 00:14:27,080 --> 00:14:29,400 Well, here's the thing too. Someone told me this, and this 249 00:14:29,400 --> 00:14:31,440 is not trying to stray off from what we're doing, but it goes 250 00:14:31,440 --> 00:14:34,320 alongside it. They said, Jared, you never 251 00:14:34,320 --> 00:14:36,960 really play out. And I was like, well, what 252 00:14:37,120 --> 00:14:40,120 define playing out? Like does that mean like playing 253 00:14:40,120 --> 00:14:43,480 the wrong notes almost or like, you know, something super 254 00:14:43,480 --> 00:14:46,000 altered? And I can't remember who told 255 00:14:46,000 --> 00:14:49,760 me, whoever it was, shout out, show yourselves, but play an E, 256 00:14:49,760 --> 00:14:52,560 right? So you just go 1/2 step above 257 00:14:52,760 --> 00:15:05,160 what you're doing, right? So all I'm doing right there is 258 00:15:05,160 --> 00:15:07,920 I was playing F pentatonic, but sliding in and out. 259 00:15:08,000 --> 00:15:09,560 That's cool. It almost gives you that kind of 260 00:15:09,560 --> 00:15:12,200 vibe too. Which is essentially the 261 00:15:12,200 --> 00:15:14,440 diminished notes are the notes in between the good ones, so. 262 00:15:15,080 --> 00:15:20,800 There we go. That's really cool. 263 00:15:20,800 --> 00:15:22,440 Now I'm going to have to really work that. 264 00:15:24,800 --> 00:15:26,640 I like it for the ergonomics of it too. 265 00:15:26,640 --> 00:15:28,040 It's just always right under your finger. 266 00:15:28,040 --> 00:15:29,760 You can do this in, you know, G minor. 267 00:15:33,280 --> 00:15:35,120 It's so cool. What's cool about it too is 268 00:15:35,120 --> 00:15:37,200 sometimes you see things differently and I'm sitting here 269 00:15:37,200 --> 00:15:39,040 in East and I'm going, wait a minute, if I play that 270 00:15:39,040 --> 00:15:43,560 diminished, I have my flat 3, flat 5, and then I think my 271 00:15:43,560 --> 00:15:45,200 Dorian. No, you know what I mean? 272 00:15:45,200 --> 00:15:52,440 I think that's sick. It's very cool. 273 00:15:55,280 --> 00:15:56,840 It's very cool. I'm going to steal that one. 274 00:15:56,840 --> 00:15:59,520 Thank you bro. Now I need you to show me 275 00:16:00,080 --> 00:16:03,920 something that you can learn verbatim in the No Cover Charge 276 00:16:03,920 --> 00:16:07,000 app in the courses section. It's in the JJN. 277 00:16:07,160 --> 00:16:10,120 OK, well, well, it's got I have to show you the lick. 278 00:16:10,400 --> 00:16:12,040 We're going to do like a sampler of it. 279 00:16:12,080 --> 00:16:14,600 OK, I'm going to do a sampler. So there's this thing I always 280 00:16:14,600 --> 00:16:16,840 do. It's this really wild. 281 00:16:17,000 --> 00:16:18,760 I love that you're here. Give me an E. 282 00:16:18,760 --> 00:16:27,600 Yeah, I like it. So what's happening here? 283 00:16:27,600 --> 00:16:30,760 How can you give it to me in in a bite sized piece? 284 00:16:30,760 --> 00:16:34,000 Toured with Richie Cotson and he would do these crazy flurries of 285 00:16:34,000 --> 00:16:35,440 notes and I'm like, how is he doing that? 286 00:16:35,720 --> 00:16:37,040 So I just started developing this thing. 287 00:16:37,280 --> 00:16:39,800 Check it out. So we are in I'm I'm just going 288 00:16:39,800 --> 00:16:44,000 to say it's E minor pentatonic right up here. 5th, 7th yeah all 289 00:16:44,000 --> 00:16:46,440 that right. So it's this kind of pull off 290 00:16:46,560 --> 00:16:49,280 flurry with a bar. So check it out if I play it so 291 00:16:49,320 --> 00:16:56,920 slow. Let me see if I can get that. 292 00:16:59,920 --> 00:17:01,200 Oh, this is what I need you to do. 293 00:17:01,200 --> 00:17:04,880 That's the money is use your third finger and bar across the 294 00:17:04,880 --> 00:17:13,760 seven K and then oh, close. So real slow. 295 00:17:23,240 --> 00:17:25,079 Yeah, so Yep. So. 296 00:17:32,600 --> 00:17:33,920 Oh God. Check this out. 297 00:17:33,920 --> 00:17:36,160 If you want to even break down a little further, you could always 298 00:17:36,160 --> 00:17:46,880 start it with. Try that SO 7 and then do the 299 00:17:46,880 --> 00:17:52,640 bar cross. OK, there we go. 300 00:17:55,040 --> 00:17:58,040 That's how I would start. And you can just start right 301 00:17:58,040 --> 00:18:02,640 there and go. That's what. 302 00:18:05,840 --> 00:18:08,040 That's it. And are you hammering this or 303 00:18:08,040 --> 00:18:10,040 picking it? Picking. 304 00:18:11,120 --> 00:18:14,880 It yeah. So if you see my and this is all 305 00:18:14,880 --> 00:18:17,560 on the NCC app, if you really wanted to, you got it. 306 00:18:18,080 --> 00:18:19,480 I got there for a second dude, I. 307 00:18:19,640 --> 00:18:20,920 I decided to stop. Wait a minute. 308 00:18:20,920 --> 00:18:22,800 He got it. No, it's all on the app. 309 00:18:22,800 --> 00:18:26,600 So go on the app and you can you know, we, we, we really broke it 310 00:18:26,600 --> 00:18:28,040 down. But yes, that's it's that. 311 00:18:42,280 --> 00:18:51,080 What you can do, go on the app and go to this lesson. 312 00:18:51,080 --> 00:18:53,280 He's hitting a knee. Listen, this is where this lick 313 00:18:53,280 --> 00:18:53,960 went. So here we go. 314 00:19:09,720 --> 00:19:12,480 With me, the sky is the limit, so when I find a little thing 315 00:19:12,480 --> 00:19:15,200 that I like, I try and figure out where I can do it 316 00:19:15,200 --> 00:19:16,600 everywhere. And a lot of people will see 317 00:19:16,600 --> 00:19:19,640 that lick and they'll go, how the hell is he doing that 318 00:19:19,640 --> 00:19:21,880 without a pic, right? It's a lot easier than you'd 319 00:19:21,880 --> 00:19:23,560 think. So get on the app and I'll show 320 00:19:23,560 --> 00:19:25,320 you the rest of that one. Well, now I have to show you 321 00:19:25,320 --> 00:19:26,480 this. Oh, here we go. 322 00:19:26,480 --> 00:19:28,600 We've had a lot of Satriani on the. 323 00:19:28,640 --> 00:19:30,760 Dude, I'm Satch. I went home last night. 324 00:19:30,760 --> 00:19:32,640 I was jamming Satch Dude A. Lick here. 325 00:19:32,640 --> 00:19:36,240 That is formative to me because I actually ended up writing my 326 00:19:36,240 --> 00:19:38,760 own piece of music using this technique, right? 327 00:19:38,920 --> 00:19:40,160 I think you'll be able to get this. 328 00:19:40,240 --> 00:19:43,400 It seems flashy. Oh no, he dropped the pick and 329 00:19:43,400 --> 00:19:45,520 I'm like, oh, we're tapping. Yeah, we're tapping. 330 00:19:45,520 --> 00:19:47,000 Let's see. But it's not the traditional 331 00:19:47,000 --> 00:19:48,840 tapping. So we got AB power chord, then 332 00:19:50,320 --> 00:19:54,120 we're going to hand her a 12th fret of the B&D strings. 333 00:19:54,520 --> 00:19:55,720 Yes. Oh, wow. 334 00:19:55,720 --> 00:20:02,400 So the motion is. And speed up. 335 00:20:02,960 --> 00:20:05,400 I can get that you. Can get that easily and you just 336 00:20:05,400 --> 00:20:15,880 kind of synchronize them too, but. 337 00:20:15,960 --> 00:20:18,080 Bro, that's like a liquid. You're Bo and you're like, hey, 338 00:20:18,080 --> 00:20:19,920 my friend plays guitar and all of a sudden he comes out, you're 339 00:20:19,920 --> 00:20:22,360 like smoke and like in front of a huge mountain, you're like, 340 00:20:22,560 --> 00:20:25,280 let's go. OK, so it's all about boom. 341 00:20:28,760 --> 00:20:32,360 It's all that rhythm. I need a metronome, so this 342 00:20:32,360 --> 00:20:33,560 would be a good one. Sitting in the metronome, 343 00:20:33,680 --> 00:20:39,200 definitely. I'm sorry A. 344 00:20:39,400 --> 00:20:45,600 Major So you move your index finger up. 345 00:20:46,120 --> 00:20:47,760 And there you go. Is that what you did? 346 00:20:47,800 --> 00:20:55,280 Yeah, that's the major third. Oh, you slick son of a gun dude. 347 00:20:55,480 --> 00:20:58,040 Make a little adjustment I. Didn't even notice that. 348 00:21:00,000 --> 00:21:01,040 Oh, I'm going to have to work on that. 349 00:21:01,040 --> 00:21:05,400 It's going to be 3:00 AM and I'm going to text Tyler and I'll be 350 00:21:05,800 --> 00:21:07,000 naked with a guitar. Just be like. 351 00:21:07,000 --> 00:21:14,920 Dude, look at this. I've never tapped like that. 352 00:21:14,920 --> 00:21:25,600 There you go. Do you hold the neck? 353 00:21:26,040 --> 00:21:28,120 It's your thumb, it's much more bouncy. 354 00:21:31,120 --> 00:21:35,040 That's so sick. I think this made like an Eddie 355 00:21:35,080 --> 00:21:38,040 vibe too, right? It's like Eddie or it's like 356 00:21:38,240 --> 00:21:40,560 Stanley Jordan I saw do this kind of thing. 357 00:21:40,560 --> 00:21:43,960 It's like a chord etude. Sach has those things like. 358 00:21:44,360 --> 00:21:48,360 Yeah, that's sick. Wow. 359 00:21:49,240 --> 00:21:52,880 But hit these voices are really easy to make major or minor and 360 00:21:52,880 --> 00:21:55,040 you can just any chord progression. 361 00:21:55,040 --> 00:22:11,800 So the song that I made with it. I love the pop because it keeps 362 00:22:11,800 --> 00:22:14,120 showing me really cool stuff that I would never have done. 363 00:22:14,120 --> 00:22:17,960 You know what I mean? Like with these licks, really 364 00:22:17,960 --> 00:22:19,720 cool. All right, stealing that moving 365 00:22:19,720 --> 00:22:22,760 forward, what is a riff that you took and it became like part of 366 00:22:22,760 --> 00:22:24,800 your style? Learned harmonic minor, the 367 00:22:24,800 --> 00:22:26,240 sound of it. OK. 368 00:22:26,360 --> 00:22:29,400 Which was a Metallica song. OK, so you're just you got to 369 00:22:29,400 --> 00:22:31,560 learn this lick. Everyone has to know this one. 370 00:22:31,720 --> 00:22:33,440 It's wherever I may roam. You know that song? 371 00:22:33,440 --> 00:22:39,960 Dude, of course and. It has a. 372 00:22:40,040 --> 00:22:42,680 It has a pipe in there. There's a pipe that Lars hits. 373 00:22:43,000 --> 00:22:57,640 Conch Oh, it's so sick. You heard it. 374 00:22:57,640 --> 00:22:59,360 Hey, whenever I do it, whenever I do it, I. 375 00:22:59,360 --> 00:23:02,600 Know that one already, do you? But when I hear it I think I'm 376 00:23:02,600 --> 00:23:15,680 like in like James Bondy. Mamonic minor is so spicy dude. 377 00:23:15,840 --> 00:23:19,240 Oh yeah, that was the sound that I heard because it's in the 378 00:23:19,240 --> 00:23:24,480 context. So sick. 379 00:23:24,480 --> 00:23:27,560 Little licks like that as far as your ear when you figure things 380 00:23:27,560 --> 00:23:29,960 out that are just not in the traditional wheelhouse of the. 381 00:23:29,960 --> 00:23:33,720 Music that you're listening to, I think that that opens your ear 382 00:23:33,720 --> 00:23:35,800 to say, you know, like, you know, that scary moment when you 383 00:23:35,800 --> 00:23:39,120 go, oh, no modes or wait, harmonic minor. 384 00:23:39,240 --> 00:23:42,800 That's really heavy words. But then when you're like, dude, 385 00:23:42,800 --> 00:23:45,720 Metallica, wherever I may room, then you go, oh, that sound. 386 00:23:45,880 --> 00:23:47,720 Yeah, I know that sound. It's a great way to learn. 387 00:23:48,000 --> 00:23:50,280 It's sort of how I still look at guitars. 388 00:23:50,600 --> 00:23:52,520 Oh, Lydia. Oh, that's the Satriani sound. 389 00:23:52,640 --> 00:23:55,240 I would. Love and and hopefully it'll I'm 390 00:23:55,240 --> 00:23:59,080 putting I'm putting some energy out there in the NCC universe 391 00:23:59,360 --> 00:24:04,800 that we could chat with Hammett. I I met Hammett last year and he 392 00:24:04,800 --> 00:24:06,520 actually recognized me. He's like, dude, you're the no 393 00:24:06,520 --> 00:24:09,040 pick guy, Jared, right? She plays the no pick guy and 394 00:24:09,040 --> 00:24:10,800 I'm like, dude, Kurt, come on man. 395 00:24:10,800 --> 00:24:11,600 It's a. Great moniker. 396 00:24:12,080 --> 00:24:16,080 But I would love to have him on here or obviously James, but to 397 00:24:16,080 --> 00:24:18,720 talk about how they wrote some of those rifts because I would 398 00:24:18,720 --> 00:24:21,160 love to just know like, dude, where were you guys hearing that 399 00:24:21,160 --> 00:24:22,640 sound? You know what I mean? 400 00:24:22,640 --> 00:24:25,400 Or like, how did that originate? Because it's not like something 401 00:24:25,400 --> 00:24:28,960 that's so normal for even rock, but when you hear it, you go, 402 00:24:28,960 --> 00:24:31,280 dude, it's iconic black. Albums are my favorite Metallica 403 00:24:31,280 --> 00:24:32,720 album. It's not what it's worth. 404 00:24:33,200 --> 00:24:36,440 It's gnarly. It can easily be changed based 405 00:24:36,440 --> 00:24:40,040 on my mood or time of my life, but Black Album, overall, it 406 00:24:40,040 --> 00:24:43,160 shaped me the most as a player, I think, when I got my hands on 407 00:24:43,160 --> 00:24:44,960 it. So that's a riff that you have 408 00:24:44,960 --> 00:24:48,560 something like that that's more simple that people probably even 409 00:24:48,560 --> 00:24:50,880 be able to figure out just by you've shown it to them once. 410 00:24:50,880 --> 00:24:52,960 Oh my gosh. Well, the biggest one, and I've 411 00:24:52,960 --> 00:24:55,320 been known because I play it on stage all the time, is 412 00:24:55,320 --> 00:24:59,280 Mississippi Queen. It's like, how do you get it to 413 00:24:59,320 --> 00:25:05,720 scream? So with that riff, it's epic. 414 00:25:05,720 --> 00:25:08,040 But it's the way he started to play the chords after. 415 00:25:08,280 --> 00:25:11,880 So when I was a kid, maybe like you and a lot of people 416 00:25:11,880 --> 00:25:14,240 watching, when you think of just power chords, you're like, Oh 417 00:25:14,240 --> 00:25:21,320 yeah, power chords are cool. I go right, the two notes, right 418 00:25:21,480 --> 00:25:24,520 root in the 5th. But then I realized, like my 419 00:25:24,520 --> 00:25:27,120 man, Leslie Diesel power chords, dude. 420 00:25:27,120 --> 00:25:35,680 So instead of playing those two notes, it would be, Oh yeah, it 421 00:25:35,680 --> 00:25:38,720 reminds me of like Deep Purple. It reminds me of having an organ 422 00:25:38,720 --> 00:25:44,040 under that lower fit. Let's say you're like, oh, I 423 00:25:44,040 --> 00:25:45,800 don't like metal. It's not metal. 424 00:25:46,280 --> 00:25:47,320 It's not like that kind of heavy. 425 00:25:47,320 --> 00:25:51,920 Don't you like fun though? Dude now when I play a 426 00:25:51,920 --> 00:25:53,720 progression bro, I'll literally sit there and go. 427 00:25:58,040 --> 00:26:00,840 I'm writing like when I'm, I'm writing songs now, I'll sit 428 00:26:00,840 --> 00:26:02,880 there. Let's say I'm playing AD to AC 429 00:26:04,000 --> 00:26:06,200 to AA, right? I'll literally go. 430 00:26:10,360 --> 00:26:14,000 Yeah, even the A up here. Just because I love that that 431 00:26:14,040 --> 00:26:15,680 tone. How would you even say it bro? 432 00:26:15,680 --> 00:26:19,240 Like that tonality the. Voicing of it rubs your ear a 433 00:26:19,240 --> 00:26:21,600 certain way, especially on the lower frets. 434 00:26:21,840 --> 00:26:25,160 You can concentrate more of that 4th if you want to based on 435 00:26:25,160 --> 00:26:27,080 where you pick it. So this would be like a straight 436 00:26:27,080 --> 00:26:30,200 sound. Got that? 437 00:26:30,240 --> 00:26:32,280 Birth, but you can kind of focus on the. 438 00:26:33,240 --> 00:26:35,080 Right, you can hit the board more right you. 439 00:26:35,480 --> 00:26:37,200 Can barely have that in. There. 440 00:26:37,240 --> 00:26:41,040 Oh God. Oh yeah. 441 00:26:41,240 --> 00:26:44,040 And what's cool too is. And for me, you know, like when 442 00:26:44,040 --> 00:26:47,280 we're jamming or when it's just you on stage and you're playing 443 00:26:47,280 --> 00:26:53,040 in a band, sometimes if you were to go, like, let's say that's 444 00:26:53,040 --> 00:26:55,760 the riff as Bonehead as it is, OK, that's cool with drums and 445 00:26:55,760 --> 00:27:00,960 bass. But if you go, it just almost 446 00:27:00,960 --> 00:27:03,720 feels like there's just more. It's almost like an extra guitar 447 00:27:03,720 --> 00:27:05,200 behind you, a little bit like a layer. 448 00:27:05,320 --> 00:27:09,680 If you can afford to put them into every power cord, that's 449 00:27:09,680 --> 00:27:11,840 what's usually appropriate. That's why I started to do a 450 00:27:11,840 --> 00:27:15,040 thing too, where if I play single note riffs, sometimes 451 00:27:15,040 --> 00:27:16,600 man, I'll just sneak it. Let's say I'm going. 452 00:27:19,080 --> 00:27:26,120 I'll go. So I'm just hitting the 2 and 453 00:27:26,120 --> 00:27:27,760 I'm not doing it. So you hear it. 454 00:27:27,760 --> 00:27:29,800 It's more like you feel it and I just love that. 455 00:27:29,800 --> 00:27:34,200 It's like a analog guitar effect with your fingers that's sort of 456 00:27:34,200 --> 00:27:36,440 creating this fuzzy octave underneath. 457 00:27:36,600 --> 00:27:38,720 You know, you know those those players that could play like, 458 00:27:38,720 --> 00:27:43,720 you know, all the really this is like my the Jared Bonehead wave 459 00:27:43,840 --> 00:27:52,760 playing that because you go. Cool. 460 00:27:53,000 --> 00:27:56,280 You know, so like I guess the doubling of that kind of 5th in 461 00:27:56,280 --> 00:27:58,800 that power chord for me. Mississippi Queen. 462 00:27:58,800 --> 00:28:02,560 Between the licks, the riffs, the guitar tones that inspire 463 00:28:02,560 --> 00:28:08,800 us, there's just a few that are timeless and also that can elude 464 00:28:08,800 --> 00:28:11,960 US1 for me that I've just never quite nailed down. 465 00:28:11,960 --> 00:28:15,600 I've learned it like 68 times in my life and then I just forget 466 00:28:15,600 --> 00:28:17,200 it a little bit and then I'm like, which one? 467 00:28:17,360 --> 00:28:19,920 It's it's more of a technique thing that the riff itself. 468 00:28:19,920 --> 00:28:23,800 Putting your fingers is simple, but it's the technique and it's 469 00:28:23,800 --> 00:28:25,560 Achilles last stand Led Zeppelin. 470 00:28:25,680 --> 00:28:28,120 I never even learned that because that song always freaked 471 00:28:28,120 --> 00:28:29,720 me. Out when the heavy riff comes in 472 00:28:29,720 --> 00:28:33,760 with the drums, it's a simple minor triads here. 473 00:28:36,480 --> 00:28:40,640 This is the tough part. I can't even do it. 474 00:28:40,640 --> 00:28:49,320 Slow look, that's the move. So very slowly. 475 00:28:56,080 --> 00:28:58,280 Man. And for me as a pickless player, 476 00:28:58,280 --> 00:29:03,040 if I was like, I'd have to like really work that. 477 00:29:03,400 --> 00:29:05,640 It's but the rhythm of it, whether or not you're going to 478 00:29:06,000 --> 00:29:07,520 try and do the. Try and do the thing. 479 00:29:07,600 --> 00:29:13,280 The the rhythm of it that that that rhythm has always sort of 480 00:29:13,280 --> 00:29:16,000 eluded me, and it's because I don't practice it enough. 481 00:29:16,440 --> 00:29:20,520 Now I'm sitting here, it's that is so difficult. 482 00:29:25,960 --> 00:29:28,600 OK, it's not right, and if it's not right, it's terrible. 483 00:29:28,600 --> 00:29:31,640 Here's the thing, and I'm a firm believer on this and comment 484 00:29:31,640 --> 00:29:34,600 below if you agree with me. I feel like there's a lot of 485 00:29:34,600 --> 00:29:38,040 players that we love and it's not just the old school guys. 486 00:29:38,680 --> 00:29:41,880 All of these players, they have their own internal rhythm and 487 00:29:41,880 --> 00:29:43,400 their own internal pocket, right? 488 00:29:43,720 --> 00:29:46,880 So maybe for Jimmy that felt normal. 489 00:29:47,040 --> 00:29:50,960 Well, you know, he's just doing the like, he's not even thinking 490 00:29:50,960 --> 00:29:53,240 about it like a difficult thing. Because there's other songs, 491 00:29:53,240 --> 00:29:55,920 like you said, where it's like if you don't nail it, you don't 492 00:29:55,920 --> 00:29:58,080 nail it. So like even think about like, I 493 00:29:58,080 --> 00:30:00,960 don't know, think about ZZ Top or any of those kind of songs 494 00:30:01,280 --> 00:30:04,440 when you hear it and that song is particularly tough, you go, 495 00:30:04,440 --> 00:30:06,600 Oh my gosh, it doesn't seem that hard. 496 00:30:06,600 --> 00:30:08,640 But then you're like, man, the rhythm is perfectly in the 497 00:30:08,640 --> 00:30:10,280 pocket. And if you don't nail the 498 00:30:10,280 --> 00:30:12,960 rhythmic part of it, you kind of missed the boat. 499 00:30:13,000 --> 00:30:15,440 Well, it's like when I learned LaGrange the first time and I 500 00:30:15,440 --> 00:30:20,360 was learning it like, yeah, but it's actually. 501 00:30:23,720 --> 00:30:28,160 Yes. Dude, this band, I was like, 502 00:30:28,160 --> 00:30:35,120 wait, you have to do that. So but then it's like I can't 503 00:30:35,480 --> 00:30:39,160 hear it. Even like like a song like it's 504 00:30:39,160 --> 00:30:42,320 like a classic staple jam song, funk 49. 505 00:30:42,440 --> 00:30:51,960 But it has that you know that it's like you have to find a I 506 00:30:51,960 --> 00:30:53,000 don't even know if you can use that. 507 00:30:53,600 --> 00:30:54,920 Yeah, I think we can. That's. 508 00:30:55,000 --> 00:30:58,520 Fine also, you just blur a little bit of it out, but you 509 00:30:58,520 --> 00:31:01,640 have to find this like looseness in perfection. 510 00:31:01,840 --> 00:31:04,720 In a lot of players that we love, like Joe Sach and all the 511 00:31:04,720 --> 00:31:07,880 people, there's a perfection and it's real high order. 512 00:31:08,040 --> 00:31:10,360 But with a lot of stuff, it's like you have to find the 513 00:31:10,360 --> 00:31:13,920 balance of perfection, but playing the part as it's like 514 00:31:14,200 --> 00:31:16,840 made to be felt. Some of the music was also 515 00:31:16,840 --> 00:31:21,360 composed with that level of perfection being the standard, 516 00:31:21,720 --> 00:31:24,760 which we've come into 2026 and there's people who can do 517 00:31:24,760 --> 00:31:27,960 incredible stuff that we never could imagine being done on the 518 00:31:27,960 --> 00:31:29,880 guitar. But at the time of the 519 00:31:29,880 --> 00:31:33,120 recording, why we love it so much is like everyone agreed, 520 00:31:33,320 --> 00:31:35,640 yeah, this is the best. And it's not technically 521 00:31:35,800 --> 00:31:40,080 perfect, but it's so serving of the sound of what we love. 522 00:31:40,160 --> 00:31:44,000 And you said it best because now in 2026, obviously there's a lot 523 00:31:44,000 --> 00:31:46,600 of people that are watching this that are, are thinking, oh, you 524 00:31:46,600 --> 00:31:48,200 guys are talking about all the old guys or whatever. 525 00:31:48,400 --> 00:31:51,040 Sure. And it's it's just a snapshot at 526 00:31:51,040 --> 00:31:52,320 that time. Well that was fun. 527 00:31:54,160 --> 00:31:57,480 Want to give away a guitar? This Blue Dano has taken on a 528 00:31:57,480 --> 00:31:59,720 life of its own over the past. Let me grab the Dano. 529 00:32:00,120 --> 00:32:02,320 Get the Dano dude. Oh, you got the goldies on the 530 00:32:02,320 --> 00:32:04,000 Dano. Oh yeah, you haven't even seen 531 00:32:04,000 --> 00:32:04,880 it yet. Yeah, boy. 532 00:32:04,920 --> 00:32:08,240 Oh, look at those. Gold, gold, gold, gold. 533 00:32:08,640 --> 00:32:11,400 Gold. Dude, you know, we're really 534 00:32:11,400 --> 00:32:13,480 making it big on the NCC when we're going. 535 00:32:14,320 --> 00:32:16,800 I won't play them too much, don't worry, I won't tarnish. 536 00:32:16,880 --> 00:32:19,240 Don't let me touch that thing because someone will be like, 537 00:32:19,240 --> 00:32:20,640 dude, I thought you had gold strings on here. 538 00:32:20,640 --> 00:32:23,080 They'd be all nasty. Let me tune this baby, because 539 00:32:23,080 --> 00:32:25,280 she was. She was chilling the lucky 540 00:32:25,280 --> 00:32:26,440 winner. Let's talk about this. 541 00:32:26,440 --> 00:32:28,680 Is going to happen monthly on the NCC. 542 00:32:28,680 --> 00:32:32,440 We're going to have a giveaway where you go into the Backstage, 543 00:32:32,440 --> 00:32:35,040 which is the free forum on NCC app. 544 00:32:35,560 --> 00:32:36,880 Check out the link in the description. 545 00:32:36,880 --> 00:32:39,800 No covercharge.com, but go to the Backstage. 546 00:32:39,880 --> 00:32:43,360 We'll have a post pinned each giveaway time. 547 00:32:43,360 --> 00:32:47,000 And yeah, it's pretty simple. You just got to engage in the 548 00:32:47,040 --> 00:32:49,240 app and hang out with us. Do whatever the post says. 549 00:32:49,240 --> 00:32:51,160 In this case it was write a guitar. 550 00:32:51,200 --> 00:32:53,160 Write a guitar poem. It's something simple. 551 00:32:53,240 --> 00:32:55,360 I think this is so cool because somebody's going to get this 552 00:32:55,360 --> 00:32:56,360 guitar. I know it's going to bring 553 00:32:56,360 --> 00:32:58,400 someone so much joy. So I said to Tyler, I said, you 554 00:32:58,400 --> 00:33:01,280 got a point doing these monthly because not only does it bring 555 00:33:01,280 --> 00:33:05,280 us more together as a community in the NCC app, because I want 556 00:33:05,280 --> 00:33:08,080 that to feel like honestly, like a safe space for us guitar 557 00:33:08,080 --> 00:33:11,240 players to talk about everything, whether it's tone or 558 00:33:11,240 --> 00:33:13,000 who's using this or what do you think of that? 559 00:33:13,000 --> 00:33:14,920 People have been sharing their insights and opinions. 560 00:33:14,920 --> 00:33:18,320 It's so great. So Tyler had the blue Dano and 561 00:33:18,320 --> 00:33:20,400 then your boy over here got a little sad. 562 00:33:20,400 --> 00:33:21,880 I was like, well, I want to give something away. 563 00:33:22,080 --> 00:33:25,480 So every month we're going to be giving some super cool stuff 564 00:33:25,480 --> 00:33:26,760 away. Jared's going to go into his 565 00:33:26,760 --> 00:33:28,680 little stash and see what we can find. 566 00:33:28,680 --> 00:33:30,720 Yeah, that'll be the next month's giveaway. 567 00:33:30,720 --> 00:33:33,640 So TuneIn at the top of each month for a giveaway, reveal the 568 00:33:33,640 --> 00:33:35,640 winner at some point during that month. 569 00:33:35,720 --> 00:33:38,920 Yes, that's today. Today is the day. 570 00:33:39,080 --> 00:33:40,360 Let's. See what she sounds like. 571 00:33:45,960 --> 00:33:47,920 Honestly, that guitar too is going to bring someone a lot of 572 00:33:47,920 --> 00:33:49,840 love because it's a triple pickup guitar. 573 00:33:50,120 --> 00:33:51,280 Is that a five way switch? Right. 574 00:33:51,280 --> 00:33:53,400 Five way Switcher. That thing's deadly. 575 00:33:53,400 --> 00:33:55,280 So what do you think? Should we read some poems and 576 00:33:55,280 --> 00:33:57,640 see what? Just for context, man, how many 577 00:33:57,640 --> 00:33:59,040 people? Because this isn't like this 578 00:33:59,040 --> 00:34:01,560 giveaway where you go, oh, it's a giveaway and you're never 579 00:34:01,560 --> 00:34:04,480 going to hear about it or or, you know, it's like purchase 20 580 00:34:04,480 --> 00:34:06,720 tickets for 80 entries. No, this isn't one of those 581 00:34:06,720 --> 00:34:08,000 things. We're not ever going to do this. 582 00:34:08,000 --> 00:34:09,960 We're. Just two dudes giving stuff away 583 00:34:10,239 --> 00:34:12,560 on the Internet. We're literally 2 dudes that 584 00:34:12,560 --> 00:34:14,280 love guitar that are wanting to give you stuff. 585 00:34:14,400 --> 00:34:18,080 All right, so I'm going to the NCC app here, I'm going to the 586 00:34:18,080 --> 00:34:20,679 backstage and I'm going to the pin post. 587 00:34:20,679 --> 00:34:24,120 It's just there you are, man. Oh, there I am, baby. 588 00:34:24,120 --> 00:34:27,760 As you can see here, we have hundreds of comments. 589 00:34:27,840 --> 00:34:30,760 You had thousands of people sign up for the app, so thank you for 590 00:34:30,760 --> 00:34:31,719 that. Thank you guys. 591 00:34:31,719 --> 00:34:36,760 Man, and we hope to continue to serve you Friday's backing 592 00:34:36,760 --> 00:34:40,320 tracks for free. Friday free backing tracks. 593 00:34:40,320 --> 00:34:42,840 Baby, as you can see, tracks. And guess who uses them? 594 00:34:43,120 --> 00:34:44,639 I do. I was at home the other day 595 00:34:44,639 --> 00:34:45,880 jamming them. Right here for free. 596 00:34:46,440 --> 00:34:49,440 And anyway, back to the backstage, let's check out the 597 00:34:49,440 --> 00:34:52,159 guitar giveaway. All right, you read 1, then I 598 00:34:52,159 --> 00:34:54,719 want to read. One, I mean, here's here's the 599 00:34:54,800 --> 00:34:56,679 context. We have read all these, Jared 600 00:34:56,679 --> 00:34:57,800 and I've been. Yeah, we've been. 601 00:34:57,840 --> 00:34:59,800 Favorites, we've been sharing them back and forth. 602 00:34:59,800 --> 00:35:02,840 So if you do post them backstage, just know that we're 603 00:35:02,840 --> 00:35:04,440 active on there and we're watching this. 604 00:35:04,640 --> 00:35:07,800 I probably open the NCC at probably 10 times a day, just 605 00:35:07,800 --> 00:35:10,320 when I'm like, you know, checking my socials or, you 606 00:35:10,320 --> 00:35:12,200 know, messages. I'll go there now and I'll see 607 00:35:12,200 --> 00:35:15,080 what everyone's saying. Jared and Tyler no cover charge 608 00:35:15,080 --> 00:35:17,160 makes me smile. I noodle all day. 609 00:35:18,800 --> 00:35:24,600 It's a haiku from Lumpy. Lumpy, I'm going to say not bad 610 00:35:24,600 --> 00:35:25,600 lumpy. Not bad dude. 611 00:35:26,360 --> 00:35:27,800 We'll keep it going. Give it another one. 612 00:35:27,800 --> 00:35:30,040 This one seems like it was What's that song? 613 00:35:30,320 --> 00:35:33,520 My sex is on fire. Your sex is. 614 00:35:33,800 --> 00:35:35,560 On. Kings Of Leon, Yeah, I was doing 615 00:35:35,760 --> 00:35:37,120 this. Girl's on fire. 616 00:35:37,800 --> 00:35:39,360 That's Katy Perry or something, I don't know. 617 00:35:39,800 --> 00:35:41,520 I think this is a Kings Of Leon style. 618 00:35:41,760 --> 00:35:46,400 My guitar is on fire when I play with desire. 619 00:35:47,280 --> 00:35:51,560 You can't get no higher. So play with desire. 620 00:35:53,920 --> 00:35:55,760 That's cool. That's from Brownell. 621 00:35:56,160 --> 00:35:59,080 Brownell, yeah. OK, Lightning Boy says. 622 00:35:59,400 --> 00:36:01,640 No matter what's going on in my life, when I pick you up, 623 00:36:02,120 --> 00:36:04,680 there's no strife. Nothing has changed the world I 624 00:36:04,680 --> 00:36:10,120 see like the six string monsters on NCC who wrote that beautiful 625 00:36:10,120 --> 00:36:13,160 lightning boy. Lightning boy do you got a JJN 626 00:36:13,360 --> 00:36:15,000 nod of the hat right there, bro. Oh. 627 00:36:15,000 --> 00:36:19,600 Here's a nice 1-6 steel strings under the fingers as they dance 628 00:36:19,600 --> 00:36:23,240 along the fret board, making music as the sounds linger, 629 00:36:23,720 --> 00:36:27,880 waiting for the right chord. Mysterious. 630 00:36:29,360 --> 00:36:32,000 Maybe I feel like we need to have backing music underneath 631 00:36:32,080 --> 00:36:32,600 these. Can you? 632 00:36:32,680 --> 00:36:33,920 Do hey, can you do that one more time? 633 00:36:33,920 --> 00:36:40,240 Let's do it again. 6 steel strings under the fingers as 634 00:36:40,240 --> 00:36:44,440 they dance along the fret board, making music as the sounds 635 00:36:44,440 --> 00:36:47,720 linger, waiting for the right chord. 636 00:36:49,520 --> 00:36:54,400 By D Ray RVA All right, let's keep going. 637 00:36:54,440 --> 00:36:57,000 Some of these are really creative and I can tell people 638 00:36:57,000 --> 00:36:59,640 put a lot of thought into them. We'll do this long one. 639 00:37:00,360 --> 00:37:01,920 Come up with a nice etude for me. 640 00:37:01,920 --> 00:37:04,040 OK, Drench it in reverb, will you? 641 00:37:04,440 --> 00:37:06,000 I want to feel like I'm in a cathedral. 642 00:37:06,080 --> 00:37:07,800 There is a cathedral setting on. Is there hold? 643 00:37:07,800 --> 00:37:09,480 On let me put, let me put the cathedral. 644 00:37:09,720 --> 00:37:10,760 Oh, the church. Setting. 645 00:37:10,760 --> 00:37:12,680 Yeah, the church there you. Go, hey, you're like, can you 646 00:37:12,680 --> 00:37:14,400 spice it up with reverb and make it pretty? 647 00:37:14,480 --> 00:37:15,920 You ready? Let's see what it does. 648 00:37:18,440 --> 00:37:22,440 Dear Tyler Dear Jared, the stewards of Tone. 649 00:37:23,400 --> 00:37:25,800 Two men who cannot leave 1 guitar alone. 650 00:37:27,240 --> 00:37:30,080 Tyler hordes weird gear like a dragon hordes gold. 651 00:37:31,200 --> 00:37:34,880 Jared plays pickless thumb, calloused and bold. 652 00:37:36,400 --> 00:37:40,120 You've built a podcast we all can love, where every guest's 653 00:37:40,120 --> 00:37:45,120 playing fits hand in glove and every burst is holy, every 654 00:37:45,120 --> 00:37:49,120 clowns a clone and somehow every jam is right in the zone. 655 00:37:50,840 --> 00:37:55,040 Now with Dan Electro, Tyler's own no less, a lipstick beauty 656 00:37:55,560 --> 00:38:01,680 plucked from the mess collection so rare a creeper guard space. 657 00:38:01,680 --> 00:38:04,640 Maybe he won't even miss it. Ate more in its place. 658 00:38:06,200 --> 00:38:08,800 I'll love it, I promise. I'll treat it just right. 659 00:38:09,400 --> 00:38:12,800 I'll play it pickless, Jared sloppily but with might. 660 00:38:13,920 --> 00:38:15,520 I'll RIP the Friday backing tracks. 661 00:38:15,520 --> 00:38:18,440 I'll jam till I'm hoarse. I'll tag you on a cover. 662 00:38:19,600 --> 00:38:23,400 You'll regret it of course, so toss it my way fellas. 663 00:38:23,400 --> 00:38:26,600 I'll give it a home. No cover, no charge, no shame. 664 00:38:26,920 --> 00:38:31,640 Just my aggressively mid tone. One more guitar Pilgrim thumb 665 00:38:31,640 --> 00:38:35,320 cocked amp on stun. Hoping the next Dan Elektra 666 00:38:35,320 --> 00:38:41,400 winner is this one. Who wrote that? 667 00:38:42,160 --> 00:38:44,360 Mountain guitar and I think that's the winner. 668 00:38:44,360 --> 00:38:47,960 Congratulations Mountain Guitar, that was awesome. 669 00:38:48,040 --> 00:38:51,160 That was exactly what we asked for. 670 00:38:51,320 --> 00:38:53,760 That was awesome, man. No, honestly, the amount of 671 00:38:53,760 --> 00:38:56,280 thought you put into that. Felt like I was reading A 672 00:38:56,280 --> 00:38:58,960 Christmas Carol or something. Just something that I've known 673 00:38:58,960 --> 00:39:01,920 for years of my life and nostalgic bliss. 674 00:39:01,920 --> 00:39:03,320 Thank you. Thank you Mountain guitar. 675 00:39:03,320 --> 00:39:04,480 I'm going to get in touch with you. 676 00:39:04,480 --> 00:39:09,320 We are on the NCC app there. Get your contact info and ship 677 00:39:09,320 --> 00:39:12,520 you this Dan Electro guitar with gold strings on on it. 678 00:39:12,840 --> 00:39:15,360 Now listen, Mountain Guitar, you rule. 679 00:39:15,560 --> 00:39:18,280 Thank you for being part of the community, but everyone else, do 680 00:39:18,280 --> 00:39:21,960 not be discouraged because every single month we're going to give 681 00:39:21,960 --> 00:39:23,440 a bunch of stuff away. Yeah, seriously. 682 00:39:23,600 --> 00:39:25,200 And it's not all about the giveaways. 683 00:39:25,200 --> 00:39:28,560 It's just something we think is cool to give back to you guys 684 00:39:28,560 --> 00:39:31,840 because you've helped us build this cool platform and 685 00:39:32,080 --> 00:39:33,840 community. We just want to share it with 686 00:39:33,840 --> 00:39:35,880 you guys. OK, if if you want I. 687 00:39:36,280 --> 00:39:38,360 Listen, hey man, you just got endorsed by Marshall, didn't 688 00:39:38,360 --> 00:39:39,600 you? Is that foreshadowing? 689 00:39:40,720 --> 00:39:43,040 Hey Jared, what about all those Gibson guitars you got you? 690 00:39:43,200 --> 00:39:44,720 Got some Gibsons right Foreshadowing. 691 00:39:44,840 --> 00:39:46,680 Listen, back up. No, all of a sudden I show up 692 00:39:46,680 --> 00:39:48,120 and I have like a Fisher Price guitar. 693 00:39:48,360 --> 00:39:50,240 I'm like, yeah, this is one of my collections. 694 00:39:50,240 --> 00:39:51,640 Favorites. You guys want it? 695 00:39:53,000 --> 00:39:54,840 Oh man, no. This is going to be so much fun. 696 00:39:54,840 --> 00:39:58,400 And we're so happy you all are here because get buckle up, 697 00:39:58,400 --> 00:39:59,160 we're just starting.