1 00:00:00,040 --> 00:00:02,800 Dude, when are we starting the only fans NCC dog you know? 2 00:00:02,800 --> 00:00:06,000 We got something similar coming, the only shred app. 3 00:00:06,200 --> 00:00:08,840 It's only shred. We'll just call it the NCC app I 4 00:00:08,840 --> 00:00:10,360 guess. All right, let's roll with that. 5 00:00:10,600 --> 00:00:13,480 We've combined Guitar Super System and the No Cover Charge 6 00:00:13,480 --> 00:00:18,280 podcast into one fateful, glorious community that you can 7 00:00:18,280 --> 00:00:20,440 download for free No Cover Charge. 8 00:00:20,440 --> 00:00:23,320 We're going all the way, baby. We want you guys to have this 9 00:00:23,320 --> 00:00:27,080 community with us for everything we love about guitar, about 10 00:00:27,080 --> 00:00:29,040 music. We're talking lessons. 11 00:00:29,040 --> 00:00:30,520 We're talking gear. Giveaways. 12 00:00:30,520 --> 00:00:31,800 Giveaways, big time. Yeah. 13 00:00:31,840 --> 00:00:34,760 You want some free stuff? The concept of this episode is 14 00:00:34,760 --> 00:00:37,560 the backing track episode. There will be free backing 15 00:00:37,560 --> 00:00:41,120 tracks anybody can access. Just sign up for the app for 16 00:00:41,120 --> 00:00:43,640 free. I can't emphasize free no cover 17 00:00:43,640 --> 00:00:47,120 charge free free podcast is a no cover charge app. 18 00:00:47,120 --> 00:00:49,760 Guitar fans only, guitar only shred. 19 00:00:49,960 --> 00:00:52,800 We tried all those different copyrights and they were all got 20 00:00:52,800 --> 00:00:55,840 denied so. We just went back to no cover 21 00:00:55,840 --> 00:00:57,400 charge. Yeah, let's just roll with the 22 00:00:57,400 --> 00:00:59,960 NCC app the. Pod is going to remain the same. 23 00:01:00,480 --> 00:01:01,680 They're going to still have interviews. 24 00:01:01,800 --> 00:01:03,840 It's like Zeppelin. Did the pod remains the same, 25 00:01:03,840 --> 00:01:06,520 the song remains the same, people, Everything you love is 26 00:01:06,520 --> 00:01:08,520 still here. We're just elevating it. 27 00:01:08,520 --> 00:01:10,360 We're adding on. Wherever you want to 28 00:01:10,360 --> 00:01:13,800 nocovercharge.com. Join me, would you? 29 00:01:13,840 --> 00:01:16,800 Let's have some fun you. Going to make a profile dude. 30 00:01:16,800 --> 00:01:19,040 Yeah, dude, I'm literally going to come on here right now and 31 00:01:19,320 --> 00:01:21,720 and be like, hey man, I'm Jared. I'm from Wisconsin. 32 00:01:21,760 --> 00:01:23,600 I like. Here's my rig. 33 00:01:23,720 --> 00:01:27,680 So backing tracks is a lost art. I think, you know, sometimes you 34 00:01:27,680 --> 00:01:31,240 find the backing track from 2012, it's still the best one. 35 00:01:31,520 --> 00:01:34,800 We need great backing tracks in our community. 36 00:01:34,800 --> 00:01:37,640 There's never enough of them. So that's what this episode is 37 00:01:37,640 --> 00:01:40,240 about. And we are going to create these 38 00:01:40,240 --> 00:01:43,280 backing tracks using Neural DSP plug insurance who are 39 00:01:43,280 --> 00:01:45,120 sponsoring this episode. Thank you to them. 40 00:01:45,120 --> 00:01:50,700 Use no cover charge to get a 30% discount on any Neural DSP plug 41 00:01:50,700 --> 00:01:52,200 in. Neural rules. 42 00:01:52,200 --> 00:01:55,040 We're going to be making our own backing tracks in this episode, 43 00:01:55,040 --> 00:01:57,000 which we've already filmed. Spoiler alert. 44 00:01:57,000 --> 00:01:59,200 So this is a backing track that I've already made. 45 00:01:59,200 --> 00:02:00,320 Let me know what you think of this. 46 00:02:00,320 --> 00:02:02,640 I created it with the Tom Morello plug in OK. 47 00:02:02,640 --> 00:02:05,120 Let me hear it. You want me to just jam on it? 48 00:02:05,280 --> 00:02:07,000 Sure, I guess I don't know what's happening. 49 00:02:45,280 --> 00:02:54,000 The pocket that's so awesome. You like that? 50 00:02:54,000 --> 00:02:57,520 When a backing track is inspiring, it pushes me to a new 51 00:02:57,520 --> 00:02:59,960 level and also it gets me excited because it actually 52 00:02:59,960 --> 00:03:01,240 feels like I'm playing real music. 53 00:03:01,240 --> 00:03:03,680 Sometimes with backing tracks, click it and it's MIDI. 54 00:03:03,720 --> 00:03:07,160 There's no groove. It's like there's nothing there 55 00:03:07,160 --> 00:03:09,480 to really latch onto. But with this, right away I was 56 00:03:09,480 --> 00:03:12,160 like, oh, like I didn't even know what was going to come and 57 00:03:12,160 --> 00:03:14,520 the changes, but I just kept feeling it. 58 00:03:14,520 --> 00:03:16,520 And I was like, oh, oh, wait, it's going to the major. 59 00:03:16,560 --> 00:03:18,760 Another good thing about these backing tracks, when you do go 60 00:03:18,760 --> 00:03:21,680 to play over them, they're all over 10 minutes long, so you 61 00:03:21,680 --> 00:03:24,360 just go off into the ether and enjoy yourself. 62 00:03:24,400 --> 00:03:27,200 Without further ado, with the power of editing, we're going to 63 00:03:27,200 --> 00:03:30,440 go back in time and create all these backing tracks. 64 00:03:30,440 --> 00:03:33,520 No covercharge.com/tracks to jam along. 65 00:03:33,680 --> 00:03:37,360 Get the app. So let me just do that nice and 66 00:03:37,360 --> 00:03:40,320 gentle. So Oh my God. 67 00:03:41,040 --> 00:03:44,760 See hey, anyone watching getting Jared? 68 00:03:45,640 --> 00:03:47,640 It's like a bull in a China shop around here. 69 00:03:47,640 --> 00:03:50,400 I'm looking out for the camera and then my liquid death is 70 00:03:50,400 --> 00:03:52,880 about to spill on this. I got the bullet today. 71 00:03:52,960 --> 00:03:56,400 Come on dude, let's. Oh, I got a tone going, bro, A 72 00:03:56,400 --> 00:04:16,320 tone going. Sounds pretty cool, now I'm 73 00:04:16,320 --> 00:04:24,320 getting all warmed up. Sounds great. 74 00:04:24,320 --> 00:04:27,080 How much is this Cortana? New. 75 00:04:27,600 --> 00:04:29,000 Yeah, this was a student guitar, right? 76 00:04:29,000 --> 00:04:30,640 Yeah. I think I probably paid more for 77 00:04:30,640 --> 00:04:33,400 it now than it was somebody paid in 1983. 78 00:04:33,480 --> 00:04:34,720 Well, it's cool 'cause it's got the telly. 79 00:04:34,720 --> 00:04:36,440 Neck. I know I've never seen anything 80 00:04:36,440 --> 00:04:38,040 like it. That weird little star there on 81 00:04:38,040 --> 00:04:38,960 the top. Thicker. 82 00:04:39,120 --> 00:04:42,440 It's a thick boy. We have a drum set up here, the 83 00:04:42,440 --> 00:04:44,160 Butch Vig drums. Love it. 84 00:04:50,240 --> 00:04:52,720 That's a good groove, right? Let's start, dude, I think just 85 00:04:52,720 --> 00:04:54,720 loop it like a million times for us, bro. 86 00:04:54,720 --> 00:05:03,360 Should we drop to you dude? Can you turn turn you up a 87 00:05:03,360 --> 00:05:17,500 little bit? I think space is the key. 88 00:05:17,500 --> 00:05:19,780 So there's there's pockets of jam like what was like. 89 00:05:34,400 --> 00:05:45,320 Now send the D maybe like a give me your pick really quick. 90 00:05:45,880 --> 00:05:48,200 This is you never saw this but which is? 91 00:05:48,240 --> 00:05:55,080 Happening more and more. Maybe that's like our rhythm 92 00:05:55,080 --> 00:05:57,240 under sugar. Yeah, there you go. 93 00:05:57,240 --> 00:05:58,520 Take that thing. Ah, it burns. 94 00:05:58,680 --> 00:06:00,200 It burns. You want to play something on 95 00:06:00,200 --> 00:06:01,960 the top of that? We could do like four of those. 96 00:06:14,920 --> 00:06:26,040 To the D maybe? Harmony. 97 00:06:26,440 --> 00:06:32,960 I like that. Do that again. 98 00:06:32,960 --> 00:06:43,280 One more round of those. Dude, what's cool about that? 99 00:06:43,280 --> 00:06:48,920 We're in that major thing. And then you can kind of mess 100 00:06:48,920 --> 00:06:49,720 around with that. What? 101 00:06:49,720 --> 00:06:50,840 What? How would you call that? 102 00:06:50,960 --> 00:06:52,640 Well, it's major to minor, just major to. 103 00:06:52,640 --> 00:06:59,680 Minor. Yeah, we should totally have 104 00:06:59,680 --> 00:07:01,600 something like that. I mean, that's that can be the 105 00:07:01,600 --> 00:07:05,040 verse and then maybe the chorus goes to something just straight 106 00:07:05,040 --> 00:07:13,280 up, you know, easy. I love that. 107 00:07:39,600 --> 00:07:42,880 So much fun making tracks with your buddy because when you 108 00:07:42,880 --> 00:07:44,680 bounce things off each other I feel like. 109 00:07:45,000 --> 00:07:47,800 It streamlines it all. Yeah, because you ever get that 110 00:07:47,800 --> 00:07:49,880 where you're like, you're like lost in your own echo chamber 111 00:07:49,880 --> 00:07:51,040 and you're like, no, do it like this. 112 00:07:51,040 --> 00:07:52,480 And then someone else plays something, you go, wait a 113 00:07:52,480 --> 00:07:54,080 minute. That actually makes my part 114 00:07:54,080 --> 00:07:55,600 sound better. Do you want to play a bass? 115 00:07:55,760 --> 00:07:58,000 Do you have a bass? Oh yeah, you got a bass in your 116 00:07:58,000 --> 00:08:01,520 bathroom? In the bathroom? 117 00:08:01,520 --> 00:08:03,560 I was like, yeah, there's like 3 bases in the bathroom. 118 00:08:05,480 --> 00:08:07,760 There's a bass in the bathroom. Hey, man, how about that bass 119 00:08:07,760 --> 00:08:09,920 that's in your bathroom? Listen, we love bass players, 120 00:08:09,920 --> 00:08:12,240 and we've been actually talking to some bass players trying to 121 00:08:12,240 --> 00:08:14,200 get some some bass love on the pod. 122 00:08:14,200 --> 00:08:17,080 Yeah, we better take the basses out of the bathroom now when 123 00:08:17,080 --> 00:08:18,200 they come over. That's true. 124 00:08:18,360 --> 00:08:21,400 See. Dude it was already in drop D 125 00:08:21,400 --> 00:08:24,680 you. Know what I'm up to? 126 00:08:24,680 --> 00:08:43,120 Did you 2. 3. Yeah, give me one more. 127 00:08:44,440 --> 00:08:48,560 I'm just getting sick. Watch this slide. 128 00:08:50,720 --> 00:09:10,720 That's the P bass, man. Now, what could be really cool 129 00:09:10,720 --> 00:09:12,560 on this chorus and take it to another level? 130 00:09:13,040 --> 00:09:16,760 Could you play like some open like like cleaner chords, like 131 00:09:16,760 --> 00:09:20,160 oh, by the way, with these jam tracks, please, when you get on 132 00:09:20,160 --> 00:09:22,800 the app, send us, show us what you're doing on these and also 133 00:09:22,800 --> 00:09:24,040 on social media, whatever, tag us. 134 00:09:24,040 --> 00:09:26,960 I want to hear you guys jam over this stuff because to me that's 135 00:09:26,960 --> 00:09:29,040 the best part is we make them and then you take them. 136 00:09:37,080 --> 00:09:40,960 Only the vibe. It's actually funny because it's 137 00:09:41,360 --> 00:09:56,240 on its own. Way like surf. 138 00:09:56,480 --> 00:10:00,280 Yeah, it's kind of, I'm thinking of it barely there too. 139 00:10:00,280 --> 00:10:02,400 Yes, this. I could sit here for days, 140 00:10:02,400 --> 00:10:07,400 reflecting on days gone by. Reflecting on days gone. 141 00:10:07,400 --> 00:10:09,080 Paths. I just want to try something 142 00:10:09,080 --> 00:10:12,320 like a supplemental guitar part on the verses, and it's just 143 00:10:12,320 --> 00:10:15,280 going to be something that could kind of be really gnarly. 144 00:10:15,280 --> 00:10:24,520 Oh my God, yeah, just do that. What about this one? 145 00:10:28,040 --> 00:11:29,200 That's cleaner. The. 146 00:11:45,040 --> 00:11:47,320 So that's good. Should we move on? 147 00:11:47,680 --> 00:11:49,480 I think so. New tempo, new guitars. 148 00:11:49,640 --> 00:11:52,560 Because I feel like in order to break the cycle, we got to just 149 00:11:52,560 --> 00:11:54,880 go away from what we just did. So if I play the Rick Graham 150 00:11:54,880 --> 00:11:56,960 signature model, does that mean I'll be able to play as fast as 151 00:11:56,960 --> 00:11:58,320 Rick? That's what he billed it as. 152 00:11:58,480 --> 00:12:00,320 Yeah, that's what I saw in an ad. 153 00:12:00,400 --> 00:12:01,960 I mean, I feel like all of ours are going to have a bit of a 154 00:12:01,960 --> 00:12:03,920 rocker. Dude let's do it like a high 155 00:12:03,920 --> 00:12:06,400 tempo track though. What's the difference between a 156 00:12:06,400 --> 00:12:08,040 silver snark and a regular snark? 157 00:12:08,160 --> 00:12:10,160 Silver gets it in tune 1 cent better. 158 00:12:11,480 --> 00:12:14,080 Dude, I ain't going to lie, this ain't no I'm not trying to yell 159 00:12:14,080 --> 00:12:16,480 at Snark or any of these headstock companies, but one 160 00:12:16,480 --> 00:12:19,240 time I bought a Snark and I swear that they didn't too. 161 00:12:19,240 --> 00:12:20,720 But it's actually working against you. 162 00:12:20,840 --> 00:12:21,760 Is that true? Yeah. 163 00:12:21,760 --> 00:12:25,440 And then every snark, snark, snark or come clean. 164 00:12:25,440 --> 00:12:27,520 Snark. Come clean snark. 165 00:12:27,520 --> 00:12:31,080 No, Dan Electro are the ones who make snarks, and Dan Electro's 166 00:12:31,080 --> 00:12:31,880 awesome. Steve. 167 00:12:31,880 --> 00:12:34,280 I love Steve. We're just kidding, snark. 168 00:12:34,440 --> 00:12:36,880 No snarks. We just like saying snark snark. 169 00:12:36,880 --> 00:12:38,840 Hey, I was getting a little snarky, so here's the riff. 170 00:12:38,840 --> 00:12:41,120 Here's my riff. Oh, that's nice. 171 00:12:41,200 --> 00:12:49,640 Yeah. All right, let's just see what 172 00:12:49,640 --> 00:12:51,800 what comes out of you. Let's see what comes out of you, 173 00:12:51,800 --> 00:12:52,200 boy. My. 174 00:12:52,200 --> 00:12:54,160 Favorite producer prompt? Let's see what comes out. 175 00:13:07,560 --> 00:13:10,520 Don't forget this, because it took me a long time to figure 176 00:13:10,520 --> 00:13:12,080 this out. When you're jamming riffs, if 177 00:13:12,080 --> 00:13:14,320 something sounds lazy, it's probably because you're just 178 00:13:14,320 --> 00:13:15,920 dragging a little bit. I love to drag. 179 00:13:16,160 --> 00:13:18,720 Like my favorite players drag and they play and they'd. 180 00:13:20,960 --> 00:13:27,800 Yeah, but sometimes with a riff you need to be warm too, beyond 181 00:13:27,800 --> 00:13:30,040 that beat. Beyond the Beat because it's for 182 00:13:30,040 --> 00:13:33,000 a backing track, so we want to provide the most neutral 183 00:13:33,000 --> 00:13:35,360 palette. Yeah, the most blank canvas 184 00:13:35,360 --> 00:13:36,960 possibly. Do you like some weird stuff? 185 00:13:40,920 --> 00:13:44,160 Dude? This is a car, you motherfucker. 186 00:13:44,480 --> 00:13:46,280 I'm thinking about those Phrygian. 187 00:14:00,840 --> 00:14:05,680 You're a fucking genius dude. Can I play something kind of OK? 188 00:14:05,680 --> 00:14:07,440 This is weird. Can I this? 189 00:14:07,440 --> 00:14:08,800 Can I do? Can I do 1? 190 00:14:09,040 --> 00:14:11,440 This is so weird. Can you make it almost sound 191 00:14:11,440 --> 00:14:13,440 like a sitar? I need a sitar sound. 192 00:14:13,480 --> 00:14:17,040 Sitar. You guys, I am not on drugs. 193 00:14:17,040 --> 00:14:19,440 Plenty. He kind of a, you know. 194 00:14:20,240 --> 00:14:22,520 Plenty sitar. Some sort of worldly type of 195 00:14:22,520 --> 00:14:23,920 man. Should we send him Adm? 196 00:14:23,920 --> 00:14:26,240 Hey plenty, Got any world tones brush? 197 00:14:26,360 --> 00:14:28,440 Plenty. Watch all the sudden it says 198 00:14:28,440 --> 00:14:30,480 world tone and it's exactly what we need. 199 00:14:34,960 --> 00:14:43,920 Twang Knight octave lead sounds. Like a weird acid trip. 200 00:14:43,920 --> 00:14:49,680 James Bond. Use that sound. 201 00:14:50,640 --> 00:14:53,360 What were you playing exactly? E. 202 00:14:53,520 --> 00:14:56,840 Yep. C to B. 203 00:14:58,120 --> 00:15:00,960 That was the sound, right? OK, Jared, what are you doing? 204 00:15:00,960 --> 00:15:02,760 I'm trying to summon R2D2. Yeah. 205 00:15:21,530 --> 00:15:24,640 Yeah. Now this is weird, I know, but 206 00:15:24,640 --> 00:15:26,840 it's kind of like Halloween vibes now, just underneath. 207 00:15:26,840 --> 00:15:28,520 Like a little bit of like, hey, how you doing? 208 00:15:28,520 --> 00:15:29,720 You know what I mean? Hey, how you doing? 209 00:15:29,720 --> 00:15:30,440 How? Many frets. 210 00:15:30,440 --> 00:15:32,040 Is this guitar dude? 24. 211 00:15:32,040 --> 00:15:34,680 Get the bass tone as disgusting as possible. 212 00:15:34,920 --> 00:15:37,160 Like fucking. Disgust. 213 00:15:37,920 --> 00:15:40,040 Dark glass is good, dude. The bass player shut up. 214 00:15:40,040 --> 00:15:42,040 Brian Weaver, We got him playing dark glass. 215 00:15:42,320 --> 00:15:44,600 I jammed with Rex Brown from Pantera. 216 00:15:44,760 --> 00:15:46,560 Right. Oh, watch your feet name 217 00:15:46,560 --> 00:15:48,760 dropping. And he had a dark glass pedal 218 00:15:49,120 --> 00:15:50,960 and I remember. Yeah, dude. 219 00:16:12,710 --> 00:16:26,790 I'm in on the hell yeah. 220 00:16:27,350 --> 00:16:30,190 That's it, dude. That's that's catchy. 221 00:16:30,190 --> 00:16:32,910 I know. Why do you want to add any part 222 00:16:32,910 --> 00:16:35,550 on top of that of what I was doing there? 223 00:16:36,040 --> 00:16:37,120 Or do you just want to leave it raw? 224 00:16:37,240 --> 00:16:40,040 I think we leave that one raw because at the end of this video 225 00:16:40,040 --> 00:16:44,760 we should have our own little shreds over our like, of course 226 00:16:44,760 --> 00:16:48,080 that's going to happen. Maybe I'll build them in as we 227 00:16:48,080 --> 00:17:53,560 go through these. Music. 228 00:18:08,720 --> 00:18:12,880 Let's go something chill. We need to do a chill zone dude. 229 00:18:21,000 --> 00:18:23,480 I like that. And it ends with that, Yeah. 230 00:18:28,400 --> 00:18:32,040 Maybe just like, let hang on that last one, hang on the last 231 00:18:32,040 --> 00:18:37,320 one, stay, stay on that left. And. 232 00:18:43,840 --> 00:18:57,600 Then go back and back, yeah. And that's the repeater. 233 00:18:58,040 --> 00:19:00,720 And then you do that descending thing to like tag it. 234 00:19:02,920 --> 00:19:05,040 So we'll do this a few times, maybe 4 times through that whole 235 00:19:05,040 --> 00:19:08,960 thing, then check this out then, then I'll go. 236 00:19:08,960 --> 00:19:21,400 Boom boom boom. Jam, now you can even do that 237 00:19:21,400 --> 00:19:23,160 gravity tank. Put a little bit of vibrato on 238 00:19:23,160 --> 00:19:29,120 it. Come on, baby. 239 00:19:34,640 --> 00:19:40,440 A little stutter. And then and it's cold. 240 00:19:40,640 --> 00:19:48,360 It's a good one. What's the drum group? 241 00:20:29,160 --> 00:20:31,120 Music and then in the high intensity. 242 00:20:31,880 --> 00:20:35,000 Perfect, babe. And also maybe one cool thing 243 00:20:35,000 --> 00:20:39,360 could be if you just want to go like you like over the top of 244 00:20:39,360 --> 00:20:42,000 that. Oh, that's nice. 245 00:20:44,600 --> 00:20:51,360 Hey, look at my faces. Yeah, dude. 246 00:20:54,440 --> 00:20:56,880 So what was the chords? So basically, if you want to be 247 00:20:57,280 --> 00:20:58,760 really, really rocking, you do like A. 248 00:21:00,360 --> 00:21:03,840 Well, it's kind of like AB with an A with an A in the bass. 249 00:21:04,000 --> 00:21:14,200 OK, so I'll play. It's all about that little Ruby 250 00:21:14,200 --> 00:21:17,800 with that a. Add some. 251 00:21:20,560 --> 00:21:23,600 Oh I like adding that like. A little little fragile. 252 00:21:24,720 --> 00:21:27,120 Like a little eggshell. I just just like a little 253 00:21:27,120 --> 00:21:28,800 fragile small. Shell. 254 00:21:32,440 --> 00:21:37,400 That's cool. What are you doing is that? 255 00:21:37,720 --> 00:21:43,000 Seconds. Play the game bro. 256 00:21:45,520 --> 00:21:48,520 Who are you? Who sent you here? 257 00:21:52,080 --> 00:21:54,000 I love it. I was going to say, if you want 258 00:21:54,000 --> 00:22:01,080 to, you go Blade. Do do, do, do do do do do do. 259 00:22:01,200 --> 00:22:09,960 Do you know what I'm saying? Like kind of follow the then I 260 00:22:09,960 --> 00:22:14,080 get a little melody on top. Or you just keep it Blade. 261 00:22:14,080 --> 00:22:16,120 That's what I'll do. Good. 262 00:22:16,480 --> 00:22:17,600 Got it. Try this. 263 00:22:29,040 --> 00:22:32,880 Gorgeous. That's like raindrops falling on 264 00:22:32,880 --> 00:22:36,680 a. On on this part, you want to 265 00:22:36,680 --> 00:22:39,120 overdub that you said. Yeah, I just on the EI love this 266 00:22:39,120 --> 00:22:46,400 part you made dude, this one beautiful. 267 00:22:46,520 --> 00:22:47,560 And then I'm thinking like just like. 268 00:22:52,760 --> 00:22:54,680 Something like that. That works. 269 00:22:55,080 --> 00:22:58,720 We should add cords underneath. Literally just some big open up. 270 00:22:58,720 --> 00:23:00,480 Maybe the hi hat hit a few splices. 271 00:23:03,760 --> 00:23:05,440 Keep everything rolling though, you know what I mean? 272 00:23:07,960 --> 00:24:04,720 Hi hat wide open. The. 273 00:24:33,440 --> 00:25:03,520 The. Music. 274 00:25:14,520 --> 00:25:17,520 What about something that's with that high hat but it's 275 00:25:17,520 --> 00:25:50,680 harmonized like? I got it all right, so check 276 00:25:50,680 --> 00:26:01,240 this out 1234. I'll be cleaner. 277 00:26:16,320 --> 00:26:18,320 Yeah, that's cool. Hey, could you change my tone a 278 00:26:18,320 --> 00:26:22,960 little bit from Yeah, maybe just like a little cleaner, not like 279 00:26:23,120 --> 00:26:25,000 crazy clean, but just like dirty clean. 280 00:26:35,640 --> 00:26:37,680 You'll be kind of cool on this. What if? 281 00:26:37,760 --> 00:26:40,880 What if like the next section was more like bass influence 282 00:26:40,880 --> 00:26:43,000 with just those chords? Like like you were going like a 283 00:26:46,600 --> 00:26:47,600 just keep it open. How? 284 00:26:47,600 --> 00:26:57,640 About you do that and I'll go. Just let this ride out a little 285 00:26:57,640 --> 00:27:02,840 bit. You want to go to E minor. 286 00:27:03,200 --> 00:27:09,440 Sure. F and back down to the. 287 00:27:10,280 --> 00:27:12,440 Let's make it modal. So let's make this like a 288 00:27:12,440 --> 00:27:25,880 Lydian, OK? And then to the F, so I could 289 00:27:25,880 --> 00:27:28,400 introduce that sharp 4 right here. 290 00:27:28,400 --> 00:28:00,360 And then to the F then yeah. Now we need a bass, and that'll 291 00:28:00,360 --> 00:28:01,440 be this track. Cool. 292 00:28:01,440 --> 00:28:03,960 Can I hear it really quick while we're while I'm basing out? 293 00:28:40,380 --> 00:29:36,680 Music. The. 294 00:30:18,240 --> 00:30:45,160 The. The. 295 00:30:49,520 --> 00:30:51,560 So now all these backing tracks are completed. 296 00:30:51,640 --> 00:30:55,200 You saw a handful that we created here live for you, but 297 00:30:55,200 --> 00:30:57,880 you can bet we are creating many offline. 298 00:30:57,880 --> 00:31:01,560 And I think it's a lot of fun. And please comment as well what 299 00:31:01,560 --> 00:31:04,560 styles you guys want us to tackle because we're just having 300 00:31:04,560 --> 00:31:06,360 fun. We're just doing what's coming 301 00:31:06,360 --> 00:31:09,320 to us really naturally. And I feel like the Sky's the 302 00:31:09,320 --> 00:31:10,920 limit. So like, comment what you want 303 00:31:10,920 --> 00:31:13,320 to hear because we'll just make some super fun stuff. 304 00:31:13,320 --> 00:31:14,960 We could do some heavy bluesy stuff. 305 00:31:15,200 --> 00:31:16,680 We should dip our toe into everything. 306 00:31:16,720 --> 00:31:20,880 It'll all be organized in the backing track section of the 307 00:31:20,960 --> 00:31:23,520 app, which you can find linked below. 308 00:31:23,680 --> 00:31:25,840 We haven't done some huge public release. 309 00:31:25,840 --> 00:31:30,200 We probably will roll it out slowly, but I mean, we're just 310 00:31:30,200 --> 00:31:33,680 trying to share what we love and, you know, keep supporting 311 00:31:33,680 --> 00:31:36,040 ourselves in the process to continue doing this. 312 00:31:36,040 --> 00:31:38,920 So we appreciate you coming along for the journey. 313 00:31:38,920 --> 00:31:43,000 Download these backing tracks, jam with them for free and enjoy 314 00:31:43,000 --> 00:31:46,240 what's to come from the NCC. I'm excited dude.