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00:00:00,320 --> 00:00:03,360
And then I was just thinking 
about how many amazing players 

2
00:00:03,360 --> 00:00:04,880
we've had on and how lucky are 
we. 

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00:00:04,880 --> 00:00:07,200
Did. 
We're extremely lucky We are 

4
00:00:07,200 --> 00:00:12,560
here with our third visit to Joe
Bonamassa's home, second home of

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00:00:12,560 --> 00:00:14,840
his. 
We're going to Nerdville in 

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Nashville. 
Nerdville. 

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00:00:16,239 --> 00:00:18,440
Nash. 
Does he call it Nerdville E? 

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00:00:18,440 --> 00:00:20,520
What does he call it? 
Or does he say Gotham? 

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00:00:21,160 --> 00:00:22,440
Hey, we'll go there too, I'm 
sure. 

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00:00:22,440 --> 00:00:25,880
Oh yeah, yeah, the trifecta. 
The first one that I went to was

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the one here in Nashville. 
Joe is like he's like our our 

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Tri Potter. 
The Tri Potter. 

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00:00:31,480 --> 00:00:34,320
That's exactly right. 
Joe is becoming a regular here 

14
00:00:34,320 --> 00:00:37,360
on the show, and we can't be 
more thankful for spending some 

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00:00:37,360 --> 00:00:40,760
time with him. 
So what I think we can also 

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00:00:40,760 --> 00:00:43,880
recognize about the show is how 
good it sounds. 

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00:00:44,200 --> 00:00:47,320
Oh my goodness. 
Listen, this show, First off, 

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00:00:47,600 --> 00:00:51,800
every week, it's like Tyler is 
like a mad scientist just 

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00:00:52,040 --> 00:00:54,000
tweaking. 
It's almost like us with our 

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00:00:54,000 --> 00:00:56,760
tones, right? 
He's POD tone tweaking. 

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00:00:56,760 --> 00:00:58,440
And yeah, it's dude. 
It sounds so. 

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00:00:58,440 --> 00:01:00,440
Good. 
Most of the reason it sounds so 

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00:01:00,440 --> 00:01:04,480
good is through meticulous and 
massive amounts of failure 

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00:01:06,240 --> 00:01:09,880
figuring out what not to do. 
But we also have some really 

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great gear that we use to record
the guitars in particular, Yes, 

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which are Roswell Pro Audio. 
Bam. 

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00:01:15,840 --> 00:01:19,040
Like that Joe episode when we 
were at his house in California,

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we miked up Gary Moore amps for 
the first time. 

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00:01:21,760 --> 00:01:24,520
That they've been miked up 
probably since Gary played them.

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00:01:24,600 --> 00:01:27,240
Or with Roswell's. 
Yeah, the Roswell Pro Audio 

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microphones, the cab mics in 
particular, what we use, you can

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00:01:30,080 --> 00:01:33,840
see the colored mics all 
sprinkled around the NCC studio 

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00:01:33,840 --> 00:01:34,760
here. 
Thank you to them. 

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They're sponsoring this video 
and we're going to bring a 

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couple mics over to Nerdville. 
Won't you come along OK? 

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00:01:42,680 --> 00:01:48,520
Which 1646566? 
Yes, all a little bit different.

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00:01:49,720 --> 00:01:53,960
And then I got a small box 50s. 
OK, which are? 

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00:01:54,480 --> 00:02:00,000
Flexi and the UDL 34 is not 6L. 
Six I'll just try I'm. 

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00:02:00,800 --> 00:02:05,120
Just going to try. 
Dude, just give it a try, dude. 

40
00:02:05,680 --> 00:02:06,800
Motherfucker. 
There is a difference. 

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00:02:07,000 --> 00:02:08,919
This fucking guy I I made. 
Him. 

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00:02:09,759 --> 00:02:11,720
He is he is he goes. 
Just try. 

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00:02:11,720 --> 00:02:12,960
Is he? 
Giving you a little taste. 

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00:02:12,960 --> 00:02:14,560
He goes first. 
Taste is for us. 

45
00:02:15,480 --> 00:02:17,320
Yeah, exactly the difference 
between. 

46
00:02:17,720 --> 00:02:22,200
That's clean. 
The reissues and the the old 

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00:02:22,240 --> 00:02:24,080
ones, the original ones. 
Put your head between your 

48
00:02:24,080 --> 00:02:24,920
knees, man. 
They're they're. 

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00:02:25,200 --> 00:02:25,800
They're tired. 
You're. 

50
00:02:25,960 --> 00:02:29,080
Going to make a purchase dude. 
Dude. 

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00:02:34,800 --> 00:02:39,280
I like it that sounds I I've 
played some Dumble Dumble 

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00:02:39,280 --> 00:02:43,800
Tweedle DS and they're they were
good but very dainty. 

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00:02:43,800 --> 00:02:57,000
This one, it's not as much gain.
25 watts Greenbacks got a long 

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00:02:57,000 --> 00:02:57,800
enough. 
Cable. 

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00:02:57,880 --> 00:03:01,160
Bro yeah, I got just 40 feet. 
I'll turn the air conditioning 

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00:03:01,160 --> 00:03:02,600
off. 
I was going to say we should 

57
00:03:02,600 --> 00:03:04,280
smoke a cigar, but it might be 
too windy. 

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00:03:04,320 --> 00:03:06,240
There's a cigar. 
There's a cigar bar that's. 

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00:03:06,560 --> 00:03:08,280
We might just need to. 
Run around the corner. 

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00:03:08,280 --> 00:03:09,160
We might need to go there. 
Yeah. 

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00:03:10,560 --> 00:03:12,520
Anyways, back. 
On yeah, yeah, I mean like the 

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the the the biggest, the biggest
thing with with with all of this

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is, is how I mean it's like is 
it does it work for you? 

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00:03:18,800 --> 00:03:22,960
You know, and, and like a 57 Les
Paul, you know, we're fortunate 

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00:03:22,960 --> 00:03:26,320
enough to have been around it 
our whole lives and people have 

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00:03:26,320 --> 00:03:28,960
been very generous with us as 
far as like, I'm here, try this,

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00:03:29,240 --> 00:03:32,360
play this for take this for a 
week or whatever you get to, you

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00:03:32,360 --> 00:03:34,280
know, use these as daily 
drivers. 

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00:03:34,280 --> 00:03:38,240
And and then then formulated, 
you know, an educated opinion 

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00:03:39,560 --> 00:03:42,120
and an informed opinion about 
what you prefer. 

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00:03:42,120 --> 00:03:45,160
You know, skinny frets, small, 
you know, big, small frets, big 

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00:03:45,160 --> 00:03:48,040
frets, you know, neck angles. 
You can you start seeing the 

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00:03:48,040 --> 00:03:50,440
differences in the pitches. 
And you know, some people make 

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00:03:50,440 --> 00:03:53,480
blanket statements about, well, 
I don't like 57 actually. 

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00:03:53,480 --> 00:03:55,280
What 50 sevens have you played? 
Why? 

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00:03:55,280 --> 00:03:59,200
I played a Murphy lab at, at 
Guitar Center. 

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00:03:59,200 --> 00:04:02,120
I'm like, well, well, then you 
haven't played because not all 

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00:04:02,120 --> 00:04:05,840
50 sevens are created equal. 
The the early ones are different

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00:04:05,840 --> 00:04:09,720
than the than the later ones. 
And then the, the 50 eights are 

80
00:04:09,720 --> 00:04:12,120
different, you know, and, and 
it's like, you know, if you're 

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00:04:12,120 --> 00:04:14,960
talking about Les Paul, like a 
lot of 50 sevens, there's 

82
00:04:15,360 --> 00:04:18,240
chances are you can get an all 
mahogany 1. 

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00:04:19,279 --> 00:04:22,720
There's so many different, you 
know, different things that you,

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00:04:22,840 --> 00:04:26,120
it's hard to make blanket 
statements, you know, even in, 

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00:04:26,160 --> 00:04:28,800
even in terms of, of, of Fender 
guitars. 

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00:04:28,800 --> 00:04:32,640
I mean, it's the same thing. 
It's like early 57, late 57. 

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00:04:32,640 --> 00:04:34,880
It's like, you know, but if 
you're lucky enough to have 

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00:04:34,880 --> 00:04:37,160
access to it or yeah, have 
played it. 

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00:04:37,160 --> 00:04:40,480
So we've arrived at Nerdville E 
I've seen the signs now. 

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00:04:40,480 --> 00:04:42,120
We were trying to remember what 
you called. 

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00:04:42,120 --> 00:04:43,600
Next, call it East. 
Yeah, it's east. 

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00:04:43,600 --> 00:04:46,720
Yeah, I should have named the 
New York 1 Nerdville East, but 

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00:04:47,000 --> 00:04:51,040
but but this predated New York 
by four years. 

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00:04:51,040 --> 00:04:52,800
And technically, we're east of 
Nerdville. 

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00:04:53,760 --> 00:04:55,520
We're east of the original 
location. 

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00:04:55,520 --> 00:04:59,240
This is Nerdville East, so we've
Nerdville Gotham is the one in 

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00:04:59,240 --> 00:05:00,720
new. 
York Nerdville Gotham is in New 

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00:05:00,720 --> 00:05:02,280
York. 
We've checked two of three 

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00:05:02,280 --> 00:05:04,160
Nerdville locations off our 
list. 

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00:05:04,160 --> 00:05:07,760
Jared for the No Cover Charge 
podcast and you actually went to

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00:05:07,760 --> 00:05:10,760
our little studio space, so. 
Joe's just waiting for me to 

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00:05:10,760 --> 00:05:13,360
text him when we're in New York 
or he's there and be like, Joe, 

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00:05:13,360 --> 00:05:15,320
can we come to the? 
Last stop is Gotham so. 

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Very few people have seen all 
three locations. 

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00:05:17,920 --> 00:05:20,200
It's a very exclusive list, like
a stamp card. 

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00:05:20,200 --> 00:05:23,960
Like, like New York is very 
understated, you know, compared 

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00:05:23,960 --> 00:05:27,040
to what we're, you know, what's 
what's happening here. 

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00:05:27,040 --> 00:05:30,480
It's it's, you know, this is, 
you have to understand like, you

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know, this place, like my home 
in LA is, it's 2500 square feet.

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00:05:35,000 --> 00:05:39,000
So it's a big bigger space, but 
it doesn't feel that big because

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00:05:39,000 --> 00:05:42,320
of all the signs and amps. 
And, but you have to remember 

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00:05:43,000 --> 00:05:46,640
our logistical hub for touring 
is Nashville. 

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So all the stuff I find on the 
road ends up here at some point.

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And then, you know, we have the 
processing plant that out, you 

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00:05:55,160 --> 00:05:58,160
know, that we used to be down at
soundtrack and now it's, you 

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00:05:58,160 --> 00:06:00,720
know, and there's, and there's a
storage locker full of extra 

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00:06:00,720 --> 00:06:02,040
stuff. 
But you know. 

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00:06:02,040 --> 00:06:05,000
Well, the premise we came up 
with today was to crack some 

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00:06:05,000 --> 00:06:08,600
cases, see what's inside, dude, 
I think we had we can start with

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00:06:08,600 --> 00:06:10,640
this like it's already out of 
the case, but. 

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00:06:10,880 --> 00:06:14,480
Is this the cleanest 59? 
This is the cleanest I've ever 

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00:06:14,480 --> 00:06:16,480
seen. 
And I just got it and I bought 

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00:06:16,480 --> 00:06:17,800
it from the son of the original 
owner. 

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00:06:17,800 --> 00:06:21,680
I do think people hear with 
their eyes. 

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00:06:22,040 --> 00:06:25,760
That's a huge thing. 
I think that that is the biggest

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00:06:25,760 --> 00:06:27,840
thing bro. 
They hear with their eyes and I 

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00:06:27,840 --> 00:06:29,840
and I I. 
I do the exact same thing. 

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00:06:29,840 --> 00:06:36,560
I have an original tube screamer
TS8O8 and the reissues are just 

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00:06:36,560 --> 00:06:38,880
as good but I hear with my 
fucking. 

130
00:06:38,880 --> 00:06:41,480
Wait a minute man, it doesn't 
have enough scuffs on it. 

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00:06:41,840 --> 00:06:44,160
And, and I got it. 
I like, I look down at the IT 

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00:06:44,560 --> 00:06:47,160
gives me the warm and fuzz. 
It's like, you know, like the 

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00:06:47,160 --> 00:06:49,440
difference. 
I mean, this guitar is a 59 now 

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00:06:49,440 --> 00:06:52,640
the difference, but this is the 
serial number reads mid 59. 

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00:06:53,080 --> 00:06:54,440
So that's right in the sweet 
spot. 

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00:06:54,520 --> 00:06:58,560
And some of these would have 
double whites so that, you know,

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00:06:58,560 --> 00:07:02,320
as far as the, the, the, the, 
the cork sniffers like me, all 

138
00:07:02,320 --> 00:07:04,120
of mid 59. 
That's what you want. 

139
00:07:04,520 --> 00:07:06,040
And my blonde one's the same 
thing. 

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00:07:06,040 --> 00:07:08,680
So it's like, it's like you get 
the thick top and you know, 

141
00:07:08,680 --> 00:07:10,800
it's, it's the, the neck and 
everything. 

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00:07:11,680 --> 00:07:15,280
But you know, I also have an 
early 1960 that's identical to 

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00:07:15,280 --> 00:07:17,840
this. 
Yeah, one says in 1961, says 

144
00:07:17,840 --> 00:07:20,400
1959. 
And and the price difference is 

145
00:07:20,400 --> 00:07:22,480
crazy because people they want 
the 59. 

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00:07:22,720 --> 00:07:27,040
Have you ever been blindfolded 
and, you know, looked away and 

147
00:07:27,240 --> 00:07:29,560
done that kind of test with any 
of your guitars like that, where

148
00:07:29,560 --> 00:07:31,280
they're so close? 
And do you think you could feel 

149
00:07:31,280 --> 00:07:33,920
a difference? 
I can definitely tell the 

150
00:07:33,920 --> 00:07:38,800
difference between a a late 60 
Les Paul and A and a 59 and 58. 

151
00:07:39,080 --> 00:07:43,360
I mean the the the next, it 
feels way different blindfolded 

152
00:07:43,640 --> 00:07:46,680
can definitely tell that. 
But as far as you know, 

153
00:07:47,040 --> 00:07:50,400
sometimes even like a like the 
biggest neck that I have on a 

154
00:07:50,400 --> 00:07:56,000
Les Paul, a vintage Les Paul is 
my double O 1960, the Royal 

155
00:07:56,000 --> 00:07:57,440
Albert one. 
Yeah, it's the biggest, biggest 

156
00:07:57,440 --> 00:07:59,400
neck, even bigger than the 58, 
so. 

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00:08:00,120 --> 00:08:03,400
I think also a lot of people now
when we hear about like whether 

158
00:08:03,400 --> 00:08:06,400
it's Gibson custom or whatever 
and it's like, oh, I like a 57 

159
00:08:06,400 --> 00:08:09,240
profile. 
It's like I've played 57 Les 

160
00:08:09,240 --> 00:08:11,680
Pauls. 
Even some of your stuff where 

161
00:08:11,680 --> 00:08:14,360
you go, well, this oh, it is 
getting windy, dude. 

162
00:08:14,360 --> 00:08:16,360
And. 
Like my cushions may blow off 

163
00:08:17,240 --> 00:08:18,560
so. 
Amazing. 

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00:08:18,760 --> 00:08:20,400
This is great, man. 
Yeah. 

165
00:08:20,520 --> 00:08:22,160
How long did this take? 
Five months. 

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00:08:23,000 --> 00:08:26,320
It's supposed to take two weeks.
Joe, you know, like whether you 

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00:08:26,320 --> 00:08:28,720
like it or not, you're like the 
triple factor. 

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00:08:28,720 --> 00:08:31,720
This podcast every time I bring 
hope you're OK. 

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00:08:31,720 --> 00:08:34,840
With it, I'm happy to be an 
honorary member of the team. 

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00:08:34,840 --> 00:08:36,919
You literally are. 
That you already have a pretty 

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00:08:37,000 --> 00:08:39,840
solid platform I would say, but 
if you ever need to get the word

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00:08:39,840 --> 00:08:42,360
out about something, apparently 
this is the place to do it. 

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00:08:42,679 --> 00:08:44,520
Hey, Joe, you did OK, man. 
You're all right. 

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00:08:44,600 --> 00:08:48,640
I just, I say kids don't do what
I do because I got because I got

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00:08:48,640 --> 00:08:51,600
to unwind this shit at some. 
Yeah, well, not today. 

176
00:08:51,800 --> 00:08:54,480
Oh, no, we're not getting into 
licensing issues. 

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00:08:55,440 --> 00:09:02,280
It it weren't one of the more 
famous 60 burst time, I'll let 

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00:09:02,320 --> 00:09:04,800
you guys stop. 
Yeah, you know. 

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00:09:31,480 --> 00:09:34,640
OK, that right there, dude. 
Oh, good. 

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00:09:34,800 --> 00:09:36,760
Oh, that's good. 
I'll tell you the the the 

181
00:09:36,760 --> 00:09:40,520
shorter neck tendon on the 60 
burst, the later 60 ones, it 

182
00:09:40,520 --> 00:09:42,320
does something. 
They they, they have a, they 

183
00:09:42,320 --> 00:09:44,720
have a thing. 
That that treble pickup as well.

184
00:09:44,720 --> 00:09:46,000
I don't know if it's a little 
more bitey. 

185
00:09:46,000 --> 00:09:47,200
They bite. 
Got a little bite? 

186
00:09:48,000 --> 00:09:50,920
The front pickups are, the front
pickups are, are they, they're 

187
00:09:51,000 --> 00:09:52,680
more hollow, kind of like 
Stratty 

188
00:10:07,840 --> 00:10:11,840
and then here we'll take that. 
Well, they they say that those 

189
00:10:11,840 --> 00:10:15,280
33 fives burst killers. 
Let's see here. 

190
00:10:15,440 --> 00:10:31,480
Hold on there, we. 
Go. 

191
00:10:31,640 --> 00:10:34,480
It's like you put on a clown, 
but dude, that's some 

192
00:10:34,480 --> 00:10:37,160
transparent. 
That's a great way to say it. 

193
00:10:37,440 --> 00:10:39,160
It's more transparent. 
Seriously, it sounds like you 

194
00:10:39,320 --> 00:10:41,880
just popped on a pedal and made 
everything about that better. 

195
00:10:43,160 --> 00:10:45,600
And there and there you have it.
My best sound in Les Paul is 

196
00:10:45,600 --> 00:10:47,240
that I play on stage every 
single night. 

197
00:10:47,240 --> 00:10:50,160
Is my 3:35 nice? 
Dude, what's the neck pickup on 

198
00:10:50,160 --> 00:10:50,600
that thing? 
I. 

199
00:10:51,840 --> 00:10:52,760
Don't even. 
I don't know. 

200
00:10:53,240 --> 00:11:11,240
I don't even know. 
I like the neck pickup on this 

201
00:11:11,240 --> 00:11:12,720
better, but we're splitting 
hairs, you know. 

202
00:11:14,960 --> 00:11:31,320
But but the lead is better. 
Bro. 

203
00:11:31,760 --> 00:11:34,240
That's the sound, that's the 
shit, that's the sound. 

204
00:11:34,400 --> 00:11:39,080
But you know, I mean the amp is 
a a a big factor, the Tweedle 

205
00:11:39,080 --> 00:11:41,440
Dee which. 
I think sounds incredible. 

206
00:11:41,440 --> 00:11:45,040
I, I will say that, that, and I 
told this to, to Matt and Drew 

207
00:11:45,760 --> 00:11:48,880
when I, when I got one because I
got put on a list and they're 

208
00:11:48,880 --> 00:11:50,600
like, hey, there's only 10 of 
them so far. 

209
00:11:50,920 --> 00:11:52,800
You want me like, yeah, I'll 
take 1. 

210
00:11:52,800 --> 00:11:57,680
And I like what they're doing to
preserve Alexander's name and 

211
00:11:58,160 --> 00:12:02,400
they're pretty reasonably priced
about the about as much as a 

212
00:12:02,680 --> 00:12:05,080
tweed Deluxe, right? 
You know, which is that's what 

213
00:12:05,640 --> 00:12:08,760
really what it is. 
But it's new. 

214
00:12:08,920 --> 00:12:11,720
Yeah. 
And I when I plugged that in and

215
00:12:11,880 --> 00:12:15,160
I said, guys, that is the most 
impressive new amp I've heard 

216
00:12:15,960 --> 00:12:18,760
barn on in that thing rips. 
And I mean, we're talking about 

217
00:12:18,880 --> 00:12:21,880
two knobs. 
It's got 2 knobs, 2 knobs, 

218
00:12:21,880 --> 00:12:23,840
volume and tone turn up to 3 or 
4. 

219
00:12:23,840 --> 00:12:25,320
And it sounds. 
Big, big. 

220
00:12:38,480 --> 00:12:43,000
So, but yeah, there's a, there's
your burst market, there's your 

221
00:12:43,000 --> 00:12:45,600
burst market. 
Hey Ted, your your guitar sounds

222
00:12:45,600 --> 00:12:48,000
pretty good bro. 
Nice one, Ted, I was. 

223
00:12:48,000 --> 00:12:50,320
Going to say we should smoke a 
cigar but it might be too windy.

224
00:12:50,320 --> 00:12:52,320
There's a cigar. 
There's a cigar bar that's. 

225
00:12:52,560 --> 00:12:54,080
We might just need to. 
Go around the corner. 

226
00:12:54,240 --> 00:12:58,560
We might need to go there, yeah.
Yeah, yeah, I mean, like the 

227
00:12:58,600 --> 00:13:01,440
the, the, the biggest, the 
biggest thing with with, with 

228
00:13:01,440 --> 00:13:04,520
all of this is, is how I mean, 
it's like, is it, does it work 

229
00:13:04,520 --> 00:13:07,040
for you? 
You know, and, and like a 57 Les

230
00:13:07,040 --> 00:13:10,520
Paul, you know, we're fortunate 
enough to have been around it 

231
00:13:10,840 --> 00:13:13,680
our whole lives and people have 
been very generous with us as 

232
00:13:13,680 --> 00:13:16,880
far as like, I'm here, try this,
play this for take this for a 

233
00:13:16,880 --> 00:13:19,680
week or whatever you get to, you
know, use these as daily 

234
00:13:19,680 --> 00:13:22,040
drivers. 
And, and then then formulated, 

235
00:13:22,520 --> 00:13:27,080
you know, an educated opinion 
and an informed opinion about 

236
00:13:27,080 --> 00:13:29,640
what you prefer. 
You know, skinny frets, small, 

237
00:13:29,720 --> 00:13:33,000
you know, big, small frets, big 
frets, you know, neck angles. 

238
00:13:33,000 --> 00:13:35,280
You can you start seeing the 
differences in the pitches. 

239
00:13:35,280 --> 00:13:38,000
And you know, some people make 
blanket statements about, well, 

240
00:13:38,000 --> 00:13:40,800
I don't like 57 actually. 
Well, what 57's have you played?

241
00:13:41,160 --> 00:13:45,200
Well, I played a Murphy lab at, 
at Guitar Center. 

242
00:13:45,200 --> 00:13:48,160
I'm like, well, well, then you 
haven't played because not all 

243
00:13:48,160 --> 00:13:51,360
57's are created equal. 
The, the early ones are 

244
00:13:51,360 --> 00:13:53,280
different than the, than the 
later ones. 

245
00:13:54,600 --> 00:13:57,280
And then the, the 50 eights are 
different, you know, and, and 

246
00:13:57,280 --> 00:13:59,360
it's like, you know, if you're 
talking about Les ball, like a 

247
00:13:59,520 --> 00:14:03,440
lot of 50 sevens, there's 
chances are you can get an all 

248
00:14:03,440 --> 00:14:07,000
mahogany one. 
There's so many different, you 

249
00:14:07,000 --> 00:14:10,040
know, different things that you,
it's hard to make blanket 

250
00:14:10,040 --> 00:14:14,480
statements, you know, even in, 
even in terms of, of, of Fender 

251
00:14:14,480 --> 00:14:15,720
guitars. 
I mean, it's the same thing. 

252
00:14:15,720 --> 00:14:19,680
It's like early 57, late 57. 
It's like, you know, but if 

253
00:14:19,680 --> 00:14:23,040
you're lucky enough to have 
access to it or have played it, 

254
00:14:23,120 --> 00:14:27,840
yeah, this is a 59 what they 
call.net 335. 

255
00:14:28,400 --> 00:14:31,800
And I got this recently, 
literally 2 days ago in Durham, 

256
00:14:31,800 --> 00:14:36,480
NC and you know, like really 
like how do you find it? 

257
00:14:36,480 --> 00:14:38,960
It's like, well, they find me. 
They just this is an e-mail 

258
00:14:38,960 --> 00:14:42,480
through the the website going, 
hey, you know, it was a store 

259
00:14:44,000 --> 00:14:49,560
called Sound Pure in Durham, NC 
and they can sign this in from 

260
00:14:49,880 --> 00:14:52,240
Charles Miller, which is Ted's, 
Ted's son. 

261
00:14:52,760 --> 00:14:56,520
And you know, it's they knew, 
you know, they saw I was coming 

262
00:14:56,520 --> 00:14:59,960
to the D pack. 
Here comes, here comes Shamu the

263
00:14:59,960 --> 00:15:01,640
guitar. 
We're going to want to see this,

264
00:15:01,640 --> 00:15:03,240
Mr. Shamu. 
Here comes the circus. 

265
00:15:03,360 --> 00:15:04,960
Here comes the here comes the 
checkbook. 

266
00:15:05,360 --> 00:15:07,880
Yeah. 
And, and I went and looked at it

267
00:15:07,880 --> 00:15:09,440
and I was like, yeah, I made 
them an offer. 

268
00:15:09,440 --> 00:15:10,680
And they were, they were cool 
with that. 

269
00:15:10,680 --> 00:15:14,520
And it's, you know, I'm I'm kind
of vacillating. 

270
00:15:14,520 --> 00:15:18,160
I'm like like my collecting is 
slowed down significantly. 

271
00:15:18,520 --> 00:15:20,960
AI just that, you know, 
saturation point. 

272
00:15:21,360 --> 00:15:24,480
So, I mean, a guitar like this 
is, is kind of, it's 

273
00:15:24,760 --> 00:15:28,560
conflicting, you know? 
Yeah, dude, you know, five years

274
00:15:28,560 --> 00:15:30,800
ago I'd be like, oh man, let's 
just throw it in the pile of 

275
00:15:30,800 --> 00:15:33,480
other, you know, most of my 
stuff is meant like this stuff. 

276
00:15:34,480 --> 00:15:38,040
But I'm like, it's a lot of 
money to spend on a, on a guitar

277
00:15:39,040 --> 00:15:41,600
that, you know, probably will 
never see the road. 

278
00:15:41,840 --> 00:15:44,080
It's just, it's just too 
preserved, you know? 

279
00:15:44,080 --> 00:15:46,960
My ego isn't, you know, big 
enough to where I'm going to 

280
00:15:46,960 --> 00:15:48,680
like, I'm just going to beat it 
up, you know? 

281
00:15:48,680 --> 00:15:50,800
Well, like I was saying to you, 
it's so clean. 

282
00:15:51,280 --> 00:15:53,760
It's so clean that do you really
want to do that? 

283
00:15:54,200 --> 00:15:56,760
Yeah, I mean, this nickel is 
like untouched. 

284
00:15:57,280 --> 00:15:58,800
So I. 
Can see your fingerprint on. 

285
00:15:58,800 --> 00:15:59,560
It. 
Yeah, exactly. 

286
00:15:59,560 --> 00:16:03,120
It's crazy. 
And so there's that and there's 

287
00:16:03,120 --> 00:16:06,120
this one is this one's pretty 
cool and it's preserved. 

288
00:16:06,200 --> 00:16:08,920
And then I just got this one 
this this one came out of 

289
00:16:09,080 --> 00:16:13,160
Portland. 
And I have a little collection, 

290
00:16:14,480 --> 00:16:16,520
probably half a dozen of these 
things with names in the 

291
00:16:16,520 --> 00:16:19,080
fingerboards. 
And this would have been a 

292
00:16:19,080 --> 00:16:25,320
custom order. 
And Carl Rolla, and he just 

293
00:16:25,520 --> 00:16:27,520
recently passed away. 
And there's a picture of him 

294
00:16:27,520 --> 00:16:32,040
with this like a cowboy hat and 
a gun. 

295
00:16:32,240 --> 00:16:34,760
He's got like, like a whole, he 
had a whole like he was, he was 

296
00:16:34,760 --> 00:16:39,920
a Roy Rogers thing. 
But I mean, this is a 1966. 

297
00:16:39,920 --> 00:16:41,000
It looks like it was made 
yesterday. 

298
00:16:41,760 --> 00:16:45,200
And and, you know, I mean, it's 
to me, these are not for 

299
00:16:45,200 --> 00:16:51,600
everyone because it's it's folk 
art, you know, but it also is, 

300
00:16:51,720 --> 00:16:55,880
you know, you know, Gibson like 
today will make would have made 

301
00:16:55,880 --> 00:16:59,520
you would would make you 
anything if you just waited, you

302
00:16:59,520 --> 00:17:02,520
know, like, you know, it's like,
Hey, I want to put my name in 

303
00:17:02,520 --> 00:17:04,440
the Fingerboard. 
Carl Rola. 

304
00:17:05,119 --> 00:17:08,400
And they did. 
And he waited, and he got it. 

305
00:17:08,560 --> 00:17:11,800
Do you get disoriented when you 
play fret boards with, you know,

306
00:17:12,079 --> 00:17:15,440
non traditional fret markers? 
Yeah, it's a little weird at 

307
00:17:15,440 --> 00:17:17,440
first. 
Messes me up a little bit. 

308
00:17:17,720 --> 00:17:20,280
It's a little weird. 
They look cool in photographs. 

309
00:17:20,280 --> 00:17:23,720
I have AI have AJ 200, Yeah, 
that has a guy's name in it. 

310
00:17:24,200 --> 00:17:30,000
And and I also have a Birdland 
that has the same thing, 59 

311
00:17:30,000 --> 00:17:32,400
Birdland, but you know, on the 
on the signature models. 

312
00:17:32,680 --> 00:17:37,120
Yeah, they said they, they 
purposely put the E in Joe in 

313
00:17:37,120 --> 00:17:39,480
the 12th fret and the A in 
Bonamassa on the 5th fret. 

314
00:17:39,480 --> 00:17:42,600
I'm just, I doubt that. 
What I don't think? 

315
00:17:42,840 --> 00:17:45,560
That's, that's what Gembar said.
I was so pissed. 

316
00:17:46,360 --> 00:17:48,720
I was so pissed that this thing 
never found a forever home. 

317
00:17:49,880 --> 00:17:51,600
And I was like, how clean this 
thing is? 

318
00:17:52,520 --> 00:17:56,160
It's like clean and straight. 
Nobody wanted to keep it. 

319
00:17:56,800 --> 00:17:57,400
Why? 
I don't know. 

320
00:17:57,880 --> 00:17:59,640
I mean, it's just, it's fucking 
awesome. 

321
00:17:59,920 --> 00:18:01,400
I love it's got a great weight 
dude. 

322
00:18:01,400 --> 00:18:05,160
Good weight. 
When did you get this guitar 

323
00:18:05,160 --> 00:18:10,240
originally? 
I bought that 2011. 

324
00:18:10,240 --> 00:18:12,000
You got to give it the smell. 
I'm sorry. 

325
00:18:12,200 --> 00:18:14,000
It's like it's like I'm a 
grandma, you know? 

326
00:18:14,000 --> 00:18:16,040
And they like have to like pinch
the kids cheek. 

327
00:18:16,400 --> 00:18:19,520
I'm like I started to smell it 
and I can't help my impulse. 

328
00:18:19,520 --> 00:18:22,880
Yeah, I bought that originally 
from Gary Dick at Gary's Classic

329
00:18:22,880 --> 00:18:25,840
Guitars in Cincinnati. 
Yeah, yeah, yeah. 

330
00:18:25,840 --> 00:18:28,360
And it came from Cincinnati. 
The guitar was originally from 

331
00:18:28,360 --> 00:18:31,200
Cincinnati and that's why I 
named it Johnny Fear. 

332
00:18:32,040 --> 00:18:33,960
Gorgeous. 
That was back when this this 

333
00:18:33,960 --> 00:18:37,880
stuff was fun. 
What do you mean by that? 

334
00:18:38,080 --> 00:18:40,400
The prices back when this stuff 
was fun. 

335
00:18:40,720 --> 00:18:44,280
A guitar like this now is 
probably north of $350,000. 

336
00:18:47,280 --> 00:18:49,680
Wow. 
Back when this was fun, more 

337
00:18:49,680 --> 00:18:51,880
fun. 
This was about 120. 

338
00:18:52,320 --> 00:18:53,880
OK, which is still a lot of 
money. 

339
00:18:54,000 --> 00:18:58,200
I remember when these were 
15,000. 

340
00:18:58,520 --> 00:19:03,000
Now they're 75 or 80. 
It's, you know, I mean, yeah, 

341
00:19:03,000 --> 00:19:05,720
that means there's a demand, 
there's a good demand. 

342
00:19:05,920 --> 00:19:10,600
So the prices go up. 
But but yeah, I mean, like a lot

343
00:19:10,600 --> 00:19:14,120
of my collection, if you see 
like yellow tags, I bought those

344
00:19:14,120 --> 00:19:16,520
back back in the day when the 
stuff was fun. 

345
00:19:17,160 --> 00:19:21,120
So it's like, you know, I tell 
people it's like, oh, I paid X 

346
00:19:21,120 --> 00:19:23,280
amount of dollars for that. 
And they're like, how did you 

347
00:19:23,280 --> 00:19:27,000
get all the good deals? 
I'm like, I go, this is this 

348
00:19:27,000 --> 00:19:32,000
goes back to 2008 nine. 
Yeah, the financial crash of O8,

349
00:19:32,760 --> 00:19:37,040
these things were super 
expensive in like O six O 7 and 

350
00:19:37,040 --> 00:19:40,720
then AI mean it was a free fall,
you know, and they're almost as 

351
00:19:40,720 --> 00:19:43,560
expensive as they are now. 
And then and then everybody just

352
00:19:43,560 --> 00:19:46,760
collected went OK, we're done. 
And they dumped out of this 

353
00:19:46,760 --> 00:19:49,000
asset class that they thought 
they were accumulating. 

354
00:19:49,000 --> 00:19:52,400
And then it then it became not 
fun for the people who spent way

355
00:19:52,400 --> 00:19:55,800
too much money on them, but but 
fun for, you know, people like 

356
00:19:55,800 --> 00:19:57,240
me that were just getting into 
it. 

357
00:19:57,280 --> 00:19:59,760
And I still have issues. 
I still have issues with with 

358
00:20:00,080 --> 00:20:02,920
values because people ask me all
the time, like, what do you, 

359
00:20:02,920 --> 00:20:04,200
what do you, how much is that 
worth on like? 

360
00:20:04,200 --> 00:20:07,080
And I and I always default to, 
you know? 

361
00:20:08,640 --> 00:20:11,720
My barometer of 10 years ago, 
you know, if you can get the, 

362
00:20:11,800 --> 00:20:14,840
the, the kind of, the kind of 
numbers that, that people are 

363
00:20:14,840 --> 00:20:18,320
talking about, mazel tov. 
Good for you. 

364
00:20:18,480 --> 00:20:21,400
I was lucky, you know, because a
lot of my burst acquisition 

365
00:20:21,400 --> 00:20:25,000
happened back in the day. 
Now, I, I, I sold this guitar 

366
00:20:25,120 --> 00:20:28,280
probably in 2017 and then, and 
then it kept coming back and 

367
00:20:28,280 --> 00:20:30,640
back and back and I got pissed 
off and I bought it, bought it 

368
00:20:30,640 --> 00:20:33,320
back last year for more than I 
originally paid for it. 

369
00:20:33,320 --> 00:20:36,800
But with the trade, I got back 
into it for actually less than 

370
00:20:36,800 --> 00:20:39,960
what I paid for it in 2000. 
Well, is that it was actually a 

371
00:20:39,960 --> 00:20:42,280
sweet story you're telling. 
You were kind of describing this

372
00:20:42,280 --> 00:20:45,800
guitar like a lost kid or lost 
animal like that you needed to 

373
00:20:45,800 --> 00:20:47,760
help. 
Yeah, and it's like, it's like, 

374
00:20:47,800 --> 00:20:53,040
you know, I mean, it's like OO7 
it's O 7589 That's, that's, 

375
00:20:53,040 --> 00:20:56,120
that's the serial number. 
And it's like, you know, I 

376
00:20:56,120 --> 00:20:59,000
thought when I got rid of it, it
found its forever home. 

377
00:20:59,400 --> 00:21:03,320
And then it turned out its 
forever home was with me and, 

378
00:21:03,320 --> 00:21:05,920
and that's it. 
And it's like, this is the one, 

379
00:21:06,440 --> 00:21:09,520
you know, I, you know, right now
we're in the middle of a tour. 

380
00:21:09,800 --> 00:21:12,000
We just played last night in God
knows where. 

381
00:21:12,000 --> 00:21:14,480
Greenville, SC. 
And Joe's running on like no 

382
00:21:14,480 --> 00:21:15,280
sleep. 
And he came to hang. 

383
00:21:15,280 --> 00:21:18,760
Out, yeah, exactly. 
Each year the both touring rigs 

384
00:21:18,760 --> 00:21:20,800
are out. 
So all the Les Paul's are, you 

385
00:21:20,800 --> 00:21:23,920
know, the Nashville ones that 
are here, they're they're all 

386
00:21:23,920 --> 00:21:25,440
committed. 
So this but this is the one I 

387
00:21:25,440 --> 00:21:26,480
keep at home. 
Yeah. 

388
00:21:26,600 --> 00:21:30,800
Case of emergency case. 
There's there's no guitar 

389
00:21:30,800 --> 00:21:34,160
players left in Nashville and 
the widdly widdlys are are 

390
00:21:34,160 --> 00:21:38,360
required at on some session and 
I happen to be here and when 

391
00:21:38,480 --> 00:21:41,280
every other guitar player in 
Nashville has suddenly 

392
00:21:41,280 --> 00:21:43,160
disappeared. 
And it's just Joe. 

393
00:21:43,400 --> 00:21:46,760
We need the widleys. 
In the Johnny fever, he's like I

394
00:21:46,760 --> 00:21:48,920
have risen the. 
Bat and I get a call from the 

395
00:21:48,920 --> 00:21:52,120
mayor and going listen, the city
we're we're we're really in a 

396
00:21:52,120 --> 00:21:53,800
desperate hour. 
We don't know if if the city 

397
00:21:53,800 --> 00:21:56,960
will survive. 
We really need 16 bars of Willy 

398
00:21:56,960 --> 00:21:59,680
Willy. 
We need 16 bars of disgusting. 

399
00:21:59,680 --> 00:22:02,680
Willy Willy country fried 
Miranda Lambert saw you know 

400
00:22:02,920 --> 00:22:03,760
what I. 
Mean you're our only. 

401
00:22:03,760 --> 00:22:04,800
Help. 
I'm there. 

402
00:22:05,120 --> 00:22:07,880
Brad Paisley, They're all gone. 
It's only you. 

403
00:22:08,000 --> 00:22:08,880
Yeah. 
What about Brent? 

404
00:22:09,000 --> 00:22:11,720
No, Gone. 
I'm gone. 

405
00:22:12,760 --> 00:22:13,680
You're our. 
Only help. 

406
00:22:14,360 --> 00:22:18,440
It's it's, it's, it's, it's, 
it's either me or Armageddon and

407
00:22:18,520 --> 00:22:21,800
I'll bring Johnny Fever and and,
and God save us. 

408
00:22:21,840 --> 00:22:26,920
All didn't Clapton like wasn't 
like the Blues Breaker 60 a 60. 

409
00:22:26,920 --> 00:22:29,320
Well, the rumor, I mean, nobody 
really knows where it is or 

410
00:22:29,400 --> 00:22:31,160
there's that rumor that I knew 
where it was. 

411
00:22:31,600 --> 00:22:36,080
I've never seen it right. 
Like the one the classic Blues 

412
00:22:36,080 --> 00:22:40,280
breaker Les Paul to to my eyes 
looks, but they're all blurry 

413
00:22:40,280 --> 00:22:43,800
pictures. 
You know, I mean that looks that

414
00:22:43,800 --> 00:22:49,560
fade looks 59 ish. 
Definitely the cream guitar is a

415
00:22:49,560 --> 00:22:53,360
60, right? 
And that was the one he got from

416
00:22:53,360 --> 00:22:56,800
Andy Sommers, which that was one
of these because you could see 

417
00:22:56,800 --> 00:23:00,520
if you could see pictures of it,
it had the pickup covers of pop 

418
00:23:01,640 --> 00:23:05,120
and had to reflect their knobs 
and it still look very cherry. 

419
00:23:05,920 --> 00:23:10,320
You know, this is this is what 
they call a a tomato soup or or 

420
00:23:10,360 --> 00:23:14,800
in some circles, a clown burst. 
I don't like the clown burst 

421
00:23:14,800 --> 00:23:15,200
thing. 
I don't. 

422
00:23:15,240 --> 00:23:17,680
I don't get it. 
It's, you know, like we pay a 

423
00:23:17,680 --> 00:23:19,240
lot of money for sunburst Les 
Pauls. 

424
00:23:19,440 --> 00:23:22,480
You want a sunburst Les Paul? 
That's a that's. 

425
00:23:22,480 --> 00:23:24,920
Striking. 
Because what you know, what what

426
00:23:24,920 --> 00:23:27,640
was happening is the aniline 
dyes that they were using in 

427
00:23:27,640 --> 00:23:32,040
5859, if they're sticking in the
window, the music store, it 

428
00:23:32,120 --> 00:23:36,320
would fade and it would, and it 
would just look natural and you 

429
00:23:36,320 --> 00:23:38,840
know, the stage lights would 
fade them and stuff like that. 

430
00:23:38,840 --> 00:23:42,560
So by the end of 60, they, they 
changed the die so they didn't 

431
00:23:42,600 --> 00:23:44,800
fade like you can, you can stick
this thing out in the sun and 

432
00:23:44,800 --> 00:23:48,280
around the back will fade right?
But but but the top. 

433
00:23:48,280 --> 00:23:51,960
One dude, do you really think I 
just asking for my own personal 

434
00:23:51,960 --> 00:23:53,880
knowledge? 
Do you think popping covers off 

435
00:23:53,880 --> 00:23:57,080
is really something that's worth
exploring ever? 

436
00:23:58,000 --> 00:24:02,200
You know, I, there's a, you get 
a little bit more output, a 

437
00:24:02,200 --> 00:24:05,920
little bit. 
It's an aesthetic thing. 

438
00:24:05,920 --> 00:24:08,480
You know, people you don't have 
to get double double whites or 

439
00:24:08,480 --> 00:24:11,880
zebras. 
You know my my thing is is if 

440
00:24:11,880 --> 00:24:16,320
covers are popped I usually 
leave them but I'm not going to 

441
00:24:16,520 --> 00:24:18,000
pop these. 
No. 

442
00:24:18,080 --> 00:24:20,400
You know what I mean? 
It's even if you know, even if 

443
00:24:20,400 --> 00:24:21,760
it's like these are double 
blacks. 

444
00:24:23,120 --> 00:24:25,480
Did you just say you were 
already you already saw it? 

445
00:24:25,600 --> 00:24:27,640
Yeah, you could. 
You could if you just look 

446
00:24:27,640 --> 00:24:30,240
around the screw here. 
You can see a little. 

447
00:24:30,240 --> 00:24:31,520
You can see the colour of the 
bottom. 

448
00:24:31,520 --> 00:24:34,960
So if you see white, it's double
whites, you know, or zebra. 

449
00:24:35,040 --> 00:24:39,400
It's like you're some 330 fives.
You know, in this in this era 

450
00:24:39,400 --> 00:24:41,920
right here have double whites, 
but you're not going to pop the 

451
00:24:41,920 --> 00:24:43,240
covers on a mint guitar. 
It just. 

452
00:24:43,240 --> 00:24:45,640
Doesn't, no. 
Why, you know, Gary Moore pop 

453
00:24:45,640 --> 00:24:48,200
covers. 
He he you know, I think Greenie 

454
00:24:48,200 --> 00:24:51,640
was the only guitar he didn't, 
you know, because it's 335. 

455
00:24:51,640 --> 00:24:56,280
He had a 64335 popped, you know,
The strike was popped, you know,

456
00:24:56,320 --> 00:24:59,000
but it just depends. 
The first time I ever saw that 

457
00:24:59,000 --> 00:25:02,480
was Jimmy Page, like Royal 
Albert Hall, early Led Zeppelin,

458
00:25:02,480 --> 00:25:05,600
when that DVD came out, how the 
West was won and he had a popped

459
00:25:05,960 --> 00:25:08,960
bridge pickup on his. 
I guess it was the number one. 

460
00:25:08,960 --> 00:25:11,080
And I remember I was like, what 
the fuck is it? 

461
00:25:11,080 --> 00:25:14,480
It looks cool, but you know it's
yet again. 

462
00:25:14,720 --> 00:25:17,640
Sometimes if you, if you pop 
them, they start, they start 

463
00:25:17,640 --> 00:25:19,760
feeding back and squealing. 
I've had that happen. 

464
00:25:21,160 --> 00:25:23,480
And then if you put cover on, 
it's like, I don't know why. 

465
00:25:23,520 --> 00:25:26,440
Dude, have you ever had to 
actually like, put a little wax 

466
00:25:26,440 --> 00:25:28,960
on any of these pickups? 
I've never had a wax upon 

467
00:25:28,960 --> 00:25:32,080
anything that's good. 
Some of them squeal. 

468
00:25:32,080 --> 00:25:36,440
Yeah, Martino squeals. 
It's super high gain or super 

469
00:25:36,440 --> 00:25:39,120
high volume. 
I've I've seen them where the 

470
00:25:39,120 --> 00:25:42,560
guitar, you know, like the 
normally this reads less than 

471
00:25:42,560 --> 00:25:45,960
that, but that was kind of 
random. 

472
00:25:46,440 --> 00:25:47,920
They weren't measuring, you 
know. 

473
00:25:48,240 --> 00:25:53,080
But I've also seen a 10 point 
something in the front on a 59 

474
00:25:53,240 --> 00:25:56,600
and an 8.2 in the back. 
It just depends. 

475
00:25:56,600 --> 00:26:00,800
So do you have a ongoing mental 
catalog of what's at each 

476
00:26:00,800 --> 00:26:02,720
Nerdville location? 
I do, you do. 

477
00:26:03,200 --> 00:26:07,400
Yeah, I, I kind of do. 
We had an incident a couple of 

478
00:26:07,400 --> 00:26:09,440
months ago. 
We just those we're still 

479
00:26:09,440 --> 00:26:12,720
waiting on deck furniture. 
That's why my deck is a vacant. 

480
00:26:13,560 --> 00:26:15,640
Looks amazing though. 
Well, yeah, it came out great. 

481
00:26:16,040 --> 00:26:18,040
Brand new deck. 
The first attempt at the deck 

482
00:26:18,040 --> 00:26:21,560
furniture was an epic bail 
because I ordered all this. 

483
00:26:21,720 --> 00:26:25,120
Table up here. 
This stuff, big umbrella and 

484
00:26:25,120 --> 00:26:27,000
they go to deliver it and 
they're like, we can't get it up

485
00:26:27,000 --> 00:26:29,280
the stairs, we'd have to crane 
it over. 

486
00:26:29,640 --> 00:26:31,000
You actually said that when we 
were walking. 

487
00:26:31,000 --> 00:26:33,360
I said, how did you? 
Get all this stuff up here. 

488
00:26:33,400 --> 00:26:35,880
Dude, imagine having a crane in 
You're here forever. 

489
00:26:35,880 --> 00:26:39,200
Now like unless you get a crane.
Well, I mean the elevator. 

490
00:26:39,200 --> 00:26:40,680
I have an elevator. 
Oh, you have an elevator? 

491
00:26:40,920 --> 00:26:43,040
Oh, that's great. 
Yeah, but most of it came up. 

492
00:26:43,080 --> 00:26:44,680
That'll help. 
What was the mishap? 

493
00:26:44,680 --> 00:26:46,600
Yeah, the, well, the mishap, 
it's not a mishap, it's a 

494
00:26:46,680 --> 00:26:49,320
Cadillac. 
Problem was this is when you 

495
00:26:49,320 --> 00:26:51,800
know you need to stop acquiring 
things. 

496
00:26:52,480 --> 00:26:57,240
I the the deck project was like 
all of the everything, all the 

497
00:26:57,240 --> 00:27:00,160
furniture was pushed all the way
to one side. 

498
00:27:00,160 --> 00:27:03,080
There was, there was for three 
months, there was tarps over 

499
00:27:03,080 --> 00:27:06,600
everything. 
And I came back here and I put 

500
00:27:06,600 --> 00:27:10,320
everything kind of back and 
redid some displays and went in 

501
00:27:10,320 --> 00:27:13,720
the, the guitar closet and in 
the other room. 

502
00:27:14,200 --> 00:27:21,560
And I pulled out not one, not 2,
not 3, but four strats from 1955

503
00:27:21,560 --> 00:27:23,640
to 1958. 
Cool. 

504
00:27:23,840 --> 00:27:32,080
That didn't realize I had owned 
and I was like, yeah, there's 

505
00:27:32,480 --> 00:27:34,920
that's a problem. 
That's it's not that didn't make

506
00:27:34,920 --> 00:27:36,320
you feel great. 
That didn't. 

507
00:27:36,440 --> 00:27:39,440
Well, it made me feel great 
because I I just acquired 4. 

508
00:27:39,440 --> 00:27:41,560
Yeah. 
Yeah, actually you won four 

509
00:27:41,560 --> 00:27:44,320
strats from yourself. 
To be honest with you, it's 

510
00:27:44,320 --> 00:27:46,640
like, you're like when you have 
no recollection where this stuff

511
00:27:46,640 --> 00:27:48,840
comes from. 
That's, that's the time you got 

512
00:27:48,840 --> 00:27:49,800
to stop. 
It's it's just. 

513
00:27:49,800 --> 00:27:51,400
Enough. 
But you bought them all. 

514
00:27:51,560 --> 00:27:52,720
I did. 
So you just. 

515
00:27:52,920 --> 00:27:56,240
Yeah, because I'll sometimes 
find gear if it's sent to me, 

516
00:27:56,240 --> 00:27:58,240
for example, for demonstration 
purposes. 

517
00:27:58,560 --> 00:28:01,320
But you going to buy the stuff 
and then forgetting that you 

518
00:28:01,320 --> 00:28:04,280
have it is another level of. 
Some of these things go back 20,

519
00:28:04,280 --> 00:28:07,840
you know, is, is is is, you 
know, two days to 20 years. 

520
00:28:07,840 --> 00:28:11,160
But also, dude, let's not forget
that in the midst of all this 

521
00:28:11,160 --> 00:28:14,760
cool stuff and these different 
locations with stuff, you are 

522
00:28:14,760 --> 00:28:16,000
working. 
I work. 

523
00:28:16,880 --> 00:28:19,200
You're on tour. 
It's cool to come back to, but 

524
00:28:19,280 --> 00:28:21,880
it's it's it's like your 
mindset, it's like it's not 

525
00:28:21,880 --> 00:28:23,760
you're just sitting around going
Oh yeah, there's that and 

526
00:28:23,760 --> 00:28:25,560
there's that. 
It's like you're coming in at 

527
00:28:25,560 --> 00:28:29,720
all times of the year, 
potentially only at a certain 

528
00:28:30,000 --> 00:28:33,160
week here, a week there. 
It's not like you can literally 

529
00:28:33,160 --> 00:28:34,920
sit there and go Oh yeah, I got,
you know what I mean? 

530
00:28:34,920 --> 00:28:37,680
Depending on when you're. 
Watching this video, Joe is 

531
00:28:37,680 --> 00:28:40,280
probably on tour right now. 
We go on tour, I mean, when 

532
00:28:40,280 --> 00:28:45,080
there was stuff to buy and and 
and it was fun and I would come 

533
00:28:45,080 --> 00:28:48,280
back with crates full of stuff. 
Dude, what was your favorite 

534
00:28:48,280 --> 00:28:49,880
buy? 
What was your favorite thing 

535
00:28:49,880 --> 00:28:52,440
that you found where you just 
your eyes lit up and you just 

536
00:28:52,440 --> 00:28:59,840
went holy shit. 
Well, the the my favorite 

537
00:28:59,840 --> 00:29:02,400
purchase was the one that meant 
the most to me and the guitar is

538
00:29:02,400 --> 00:29:06,320
not here. 
He was at the Ryman is is the 

539
00:29:06,360 --> 00:29:08,760
the Howard Reed Strat. 
That was the one that meant the 

540
00:29:08,760 --> 00:29:12,960
most because I was, I dreamed I 
had the guitar on my wall. 

541
00:29:13,840 --> 00:29:17,480
And when I was in like like 10 
years old, like some people had 

542
00:29:17,480 --> 00:29:20,160
Farrah Fawcett, I had I had the 
Howard Reeds draft. 

543
00:29:20,640 --> 00:29:23,720
That explains everything. 
And, and then I got an 

544
00:29:23,720 --> 00:29:26,920
opportunity to buy it from Bill 
Blackburn through Grunes in 

545
00:29:26,920 --> 00:29:28,800
2011. 
And coincidentally, I picked it 

546
00:29:28,800 --> 00:29:32,520
up this day at the day that I, I
played the Ryman for the first 

547
00:29:32,520 --> 00:29:35,400
time. 
So, and then I, you know, the 

548
00:29:35,400 --> 00:29:37,440
guitars in the case and I can't 
even believe I'm in the same 

549
00:29:37,440 --> 00:29:39,800
room with this thing. 
And there was some fans upstairs

550
00:29:39,800 --> 00:29:41,760
at the green Grunes. 
And I was like, just give me a 

551
00:29:41,760 --> 00:29:44,840
second, you know, And I picked 
it, picked up the Strat, and I 

552
00:29:44,840 --> 00:29:47,840
figured I said, you have a 
reasonable expectation of what 

553
00:29:47,840 --> 00:29:51,320
the Strat weighs 10 lbs what, 
heavier than this? 

554
00:29:51,480 --> 00:29:53,600
Holy cow. 
Hold up though, did you play it 

555
00:29:53,600 --> 00:29:54,680
that night? 
Yeah, I did. 

556
00:29:54,800 --> 00:29:57,640
OK. 
That story is like legendary. 

557
00:29:57,880 --> 00:30:02,240
Yeah, I mean, I played it that 
night and then it's the first 

558
00:30:02,240 --> 00:30:06,640
black Strat ever made. 
And and it was at the IT was at 

559
00:30:06,640 --> 00:30:08,640
the Rock and Roll Hall of Fame 
for 17 years. 

560
00:30:08,960 --> 00:30:12,880
I loaned it to the Ryman for 
their, their, their Rotunda. 

561
00:30:13,240 --> 00:30:16,000
And every time we play the 
Ryman, I get it out and I and I 

562
00:30:16,040 --> 00:30:18,480
and I put a little sign on the 
on the on the stand. 

563
00:30:18,480 --> 00:30:23,160
I owe you 155 blackstrat. 
And then that was so that that 

564
00:30:23,280 --> 00:30:25,400
really meant the way I mean, 
like, you know, I mean, I've, 

565
00:30:25,560 --> 00:30:29,640
I've pulled some crazy stuff out
of out of that, you know, you 

566
00:30:29,640 --> 00:30:31,560
know, the, the, the Marshall 
stack. 

567
00:30:31,640 --> 00:30:33,800
I remember that story. 
The Marshall, well, the, the one

568
00:30:33,800 --> 00:30:37,720
in the, in the, as you come into
this place, I, I remember 

569
00:30:37,720 --> 00:30:40,040
getting in Springfield, Mass, 
you know, and it was like a 

570
00:30:40,040 --> 00:30:41,840
winter's day. 
And then here we have it stacked

571
00:30:41,840 --> 00:30:44,400
outside the Symphony hall. 
It still happens. 

572
00:30:44,400 --> 00:30:46,800
It just doesn't happen as much. 
And it doesn't have to because 

573
00:30:46,800 --> 00:30:49,360
it's like, why would I want? 
Yeah, you're good. 

574
00:30:49,560 --> 00:30:52,360
I'm good, you know. 
But also, dude, I can say this 

575
00:30:52,360 --> 00:30:54,680
personally how gracious you are 
with all of this gear. 

576
00:30:54,840 --> 00:30:58,120
There's been many times more 
than I can count of you going, 

577
00:30:58,120 --> 00:31:00,080
Oh yeah, just take it, Take it 
and try it. 

578
00:31:00,360 --> 00:31:01,840
See what it's all about. 
Like you were saying, getting 

579
00:31:01,840 --> 00:31:04,200
them into hands. 
And I remember, you know, I was 

580
00:31:04,200 --> 00:31:07,440
here once and he had that 64 ES 
335. 

581
00:31:07,840 --> 00:31:09,480
And I was like, man, this is 
cool. 

582
00:31:09,480 --> 00:31:10,800
And you're like, take it for a 
while. 

583
00:31:10,960 --> 00:31:13,360
Yeah, just take it. 
It's like it's one thing to have

584
00:31:13,360 --> 00:31:15,760
all this stuff, but it's also 
another thing to share it as 

585
00:31:15,760 --> 00:31:19,920
well as let it be used as 
intended and take it on tour. 

586
00:31:19,920 --> 00:31:22,000
Not not that I keep looking at 
that thing. 

587
00:31:22,200 --> 00:31:23,480
It just looks like a brand new 
guitar. 

588
00:31:23,600 --> 00:31:27,520
Yeah, it's, yeah, you know, I 
mean, but you know, you can use 

589
00:31:27,520 --> 00:31:30,080
these in the studio and not, you
know, I mean, they should be 

590
00:31:30,080 --> 00:31:34,800
used, you know, and you know, 
one of the things about that 

591
00:31:34,800 --> 00:31:39,600
I've I've always found with with
guitar collecting versus playing

592
00:31:40,080 --> 00:31:44,160
is sometimes the mint stuff 
isn't the best playing. 

593
00:31:44,960 --> 00:31:46,360
Can I grab that guitar over 
there? 

594
00:31:46,400 --> 00:31:48,160
Can you talk about the what the 
lefty is? 

595
00:31:48,320 --> 00:31:49,840
Yeah, go. 
Dude, come on. 

596
00:31:50,240 --> 00:31:54,440
He wore it out, bro. 
He wore this guitar. 

597
00:31:54,440 --> 00:31:57,080
It looks like it was in a fire 
drag through mud. 

598
00:31:57,440 --> 00:32:00,840
I mean, I've never seen look at 
the knobs on the pickguard like.

599
00:32:01,560 --> 00:32:04,520
Oh yeah, it's it's one of the 
worst worn out things I've ever 

600
00:32:04,520 --> 00:32:07,920
seen. 
That thing mess me up. 

601
00:32:07,960 --> 00:32:10,920
And by and by the way, this 
there's for the for the for your

602
00:32:10,920 --> 00:32:13,240
video, there's there's tons 
there's I'll, I'll send you a 

603
00:32:13,240 --> 00:32:16,600
link of, of Lefty playing this 
with The Rolling Stones. 

604
00:32:16,960 --> 00:32:21,880
No way. 
So was that his only guitar, you

605
00:32:21,880 --> 00:32:26,880
think? 
Yeah, I mean, I have pictures of

606
00:32:26,880 --> 00:32:32,200
Lefty playing this guitar when 
it was meant, and it's charcoal 

607
00:32:32,200 --> 00:32:34,400
frost. 
That's the color, yeah. 

608
00:32:35,160 --> 00:32:37,600
And you're now, if you're saying
yourself, Joe, what's up with 

609
00:32:37,600 --> 00:32:40,000
the horn? 
Somebody cut the horn. 

610
00:32:40,000 --> 00:32:42,080
Somebody cut the horn. 
Well, why is there paint in the 

611
00:32:42,080 --> 00:32:46,320
horn? 
And Lefty had played this guitar

612
00:32:46,320 --> 00:32:52,800
just like this upside down. 
Well, he's a lefty for years. 

613
00:32:53,240 --> 00:32:56,280
I mean, for up until he passed 
away in the 90s. 

614
00:32:56,400 --> 00:32:58,640
Be a be an offender, you know, 
connoisseur. 

615
00:32:58,640 --> 00:33:00,360
I'm like, OK, well, that's, 
that's cool. 

616
00:33:00,360 --> 00:33:07,120
And it's a 1966 bound neck 
charcoal frost strap, which just

617
00:33:07,120 --> 00:33:11,200
as a guitar is rare, tell bound 
neck strap in charcoal frost, 

618
00:33:11,200 --> 00:33:16,160
which is not typical color. 
So OK, I never seen a horn like 

619
00:33:16,160 --> 00:33:20,640
this either. 
I said, well, it's this guitar. 

620
00:33:21,160 --> 00:33:26,000
There's the pictures of lefty 
playing on records and never say

621
00:33:26,000 --> 00:33:31,600
never, never say you got the 
only one of anything because in 

622
00:33:31,600 --> 00:33:39,960
the last week a second 66 Strat 
built for the NAMM show as a 

623
00:33:39,960 --> 00:33:44,160
lefty. 
But righty has the same cutaway,

624
00:33:44,240 --> 00:33:46,360
same dimension, same year, same 
cutaway. 

625
00:33:47,160 --> 00:33:54,640
And it's not a coincidence. 
Lefty and whoever in San Jose 

626
00:33:55,720 --> 00:33:58,080
didn't get together and go, hey,
did you did? 

627
00:33:58,120 --> 00:34:01,160
How did you cut your Strat? 
Nope. 

628
00:34:01,360 --> 00:34:05,720
And so, so and the pickguards 
are cut identical, the horns 

629
00:34:05,720 --> 00:34:08,480
identical. 
Something weird was happening in

630
00:34:08,480 --> 00:34:12,719
66 and this was one of those 
things. 

631
00:34:12,719 --> 00:34:17,199
But it just he it looks like 
it's been in a fire, but it but 

632
00:34:17,199 --> 00:34:24,280
it's not it's it's just it's 
this is years of checkerboard 

633
00:34:24,280 --> 00:34:27,960
lounge. 
Dude, the stories, literally the

634
00:34:27,960 --> 00:34:30,520
stories that thing could tell. 
My friend Toronto Cannon is a 

635
00:34:30,639 --> 00:34:32,320
wonderful Blues guitar player 
and singer. 

636
00:34:33,719 --> 00:34:37,560
Hit me to this because do you 
want Lefty Dizzy's 66 Strand? 

637
00:34:37,560 --> 00:34:41,199
I'm like, yes I do. 
What was the Fender Custom shop 

638
00:34:41,360 --> 00:34:42,840
like? 
When did that come into 

639
00:34:43,000 --> 00:34:45,760
formation? 
Because like how would a he get 

640
00:34:45,760 --> 00:34:49,199
a custom Fender job like this? 
Well, Fender was doing like some

641
00:34:49,920 --> 00:34:53,920
the Custom Shop. 
Mike Stevens started out in 

642
00:34:53,920 --> 00:34:57,880
1989. 
So this was always just like a. 

643
00:34:58,120 --> 00:35:01,120
But again, with just like the 
Gibson's we were talking about 

644
00:35:01,120 --> 00:35:03,600
earlier, if you, you know, if 
you ordered it and waited. 

645
00:35:03,600 --> 00:35:04,920
And waited. 
You know. 

646
00:35:06,480 --> 00:35:07,760
They just make whatever you want
though. 

647
00:35:08,400 --> 00:35:10,200
Or they make a run of something 
you know. 

648
00:35:10,360 --> 00:35:11,880
Dude that thing sounds cool 
though. 

649
00:35:11,880 --> 00:35:18,280
It's got a vibe. 
And by the way, a big props to 

650
00:35:18,400 --> 00:35:22,360
Nick at Joe Glazier's shop. 
He had to. 

651
00:35:22,400 --> 00:35:25,960
I'm sure he had to do so. 
Who had his work cut out for 

652
00:35:25,960 --> 00:35:27,360
him? 
He had a project. 

653
00:35:27,360 --> 00:35:29,720
Dude, he secretly hates you 
because you bring him these sick

654
00:35:29,720 --> 00:35:31,600
guitars and you go. 
Can you make this thing play 

655
00:35:31,600 --> 00:35:32,880
again? 
Well, you know, you know, 

656
00:35:32,880 --> 00:35:35,960
Charlie and I like a lot of 
those things that we buy 

657
00:35:35,960 --> 00:35:39,920
together, this being one of 
them. 

658
00:35:40,720 --> 00:35:42,920
Go to glazier for frets and 
stuff like that. 

659
00:35:43,400 --> 00:35:47,000
And and I and I always tell 
Nick, I said, you know, Nick, 

660
00:35:47,000 --> 00:35:49,400
I'm next time I come in. 
And I finally did. 

661
00:35:49,400 --> 00:35:51,680
I said, you know, I collect mint
guitars. 

662
00:35:52,480 --> 00:35:54,400
I swear, I swear to God. 
I swear I haven't. 

663
00:35:54,960 --> 00:35:57,040
And, you know, you just never 
see them because they don't need

664
00:35:57,040 --> 00:36:00,800
work because they're mint. 
But he he loves these kind of 

665
00:36:00,800 --> 00:36:03,680
things because it's it's you 
know, I mean, it's history, but 

666
00:36:03,680 --> 00:36:06,520
it's also when I got it, I mean,
the frets were worn through 

667
00:36:06,920 --> 00:36:08,480
through through the fret into 
the neck. 

668
00:36:09,000 --> 00:36:10,320
Couldn't get a chord out of it 
right. 

669
00:36:10,840 --> 00:36:12,200
But now guess what? 
It's playing, dude. 

670
00:36:21,460 --> 00:36:22,420
So it sounds. 
Good. 

671
00:36:23,100 --> 00:36:24,620
Joe takes that guitar. 
He's like, hey Nick, can you put

672
00:36:24,620 --> 00:36:26,860
some tires on it for me? 
And then he sees it and it's 

673
00:36:26,860 --> 00:36:30,380
just thrashed. 
It's just it's, you know, but he

674
00:36:30,380 --> 00:36:34,220
played it. 
He wore out the contours on the 

675
00:36:34,220 --> 00:36:37,280
other side of the body. 
He played it so much. 

676
00:36:37,320 --> 00:36:40,080
This this is worn. 
Is that the most worn Strat 

677
00:36:40,080 --> 00:36:41,760
you've ever seen? 
It's the most worn, yeah. 

678
00:36:42,160 --> 00:36:45,360
And it's also got like that 
indentation out of the back. 

679
00:36:46,400 --> 00:36:47,080
Got this. 
I don't know. 

680
00:36:47,080 --> 00:36:49,120
Carved out? 
Like what is he doing with that?

681
00:36:49,120 --> 00:36:50,400
Was that like maybe he had a 
buckle? 

682
00:36:50,400 --> 00:36:51,920
Or maybe he had to. 
Be a buckle. 

683
00:36:52,240 --> 00:36:54,800
I mean dude, the same guy played
that thing for decades. 

684
00:36:54,960 --> 00:36:57,360
Decade. 
Wore it the same way, I bet you 

685
00:36:57,360 --> 00:36:59,280
know. 
Yeah, and and you know like in 

686
00:36:59,280 --> 00:37:02,560
towards the end half the binding
was broken off on the on the 

687
00:37:02,760 --> 00:37:05,320
well for him it was the base 
side, but the treble side. 

688
00:37:06,280 --> 00:37:07,440
I didn't care if he's playing it
any. 

689
00:37:07,920 --> 00:37:10,240
It looks like it's got a Mustang
tuner for any year or something.

690
00:37:10,240 --> 00:37:12,120
Oh yeah, and it's. 
It's got like last tuner. 

691
00:37:12,240 --> 00:37:15,560
It's just like I want to work. 
Yeah, but think about it, man. 

692
00:37:15,560 --> 00:37:17,840
The dude was just playing and 
he's like, I got to keep my 

693
00:37:17,840 --> 00:37:19,400
guitar up. 
That's what I want my guitar to 

694
00:37:19,400 --> 00:37:20,920
look like by the time I'm done 
with it. 

695
00:37:21,040 --> 00:37:24,440
It's funny, you know, like we 
talk about like, you know, we 

696
00:37:24,440 --> 00:37:27,800
live in the age of, of aging, 
you know, artificially. 

697
00:37:28,400 --> 00:37:32,360
And it's, you know, I mean, like
people like me go crazy for 

698
00:37:32,360 --> 00:37:34,680
stuff like that because it's 
preserve. 

699
00:37:35,040 --> 00:37:36,480
Yeah. 
But then there's people that pay

700
00:37:36,480 --> 00:37:39,240
a lot of money to get some of 
the stuff that looks like that 

701
00:37:40,240 --> 00:37:42,160
beat up to look like this. 
Yep. 

702
00:37:42,200 --> 00:37:46,360
And well, obviously two 
different brands, but but it's 

703
00:37:46,360 --> 00:37:48,880
amazing what happens with with 
with new guitars. 

704
00:37:48,880 --> 00:37:52,120
We actually play some effing 
gigs. 

705
00:37:52,800 --> 00:37:54,520
You actually use them, you start
to go wow, use. 

706
00:37:54,680 --> 00:37:57,880
Them what a concept. 
Hey, why does your guitar have 

707
00:37:57,880 --> 00:37:59,680
like checking on it, man, how 
did you do that? 

708
00:38:00,040 --> 00:38:01,960
Oh well, it's been. 
I've had it for a couple of 

709
00:38:01,960 --> 00:38:03,560
weeks. 
I mean a few decades. 

710
00:38:03,600 --> 00:38:06,760
Three months in, a trailer 
through every climate in Europe.

711
00:38:06,800 --> 00:38:09,200
I actually brought this to 
several different windows and 

712
00:38:09,200 --> 00:38:11,000
left it for days on end to get 
this. 

713
00:38:11,920 --> 00:38:13,760
You know, it's funny that people
don't realize this either. 

714
00:38:13,760 --> 00:38:16,240
A lot of times when a guitar is 
played like that, it's it's 

715
00:38:16,240 --> 00:38:18,680
going to be aged though, to the 
point where maybe some things 

716
00:38:18,680 --> 00:38:19,760
are actually kind of wrong with 
it. 

717
00:38:20,160 --> 00:38:21,800
You're like, oh man, this 
doesn't feel right. 

718
00:38:21,800 --> 00:38:24,960
And it's like, well, yeah, 
somebody played this juice. 

719
00:38:24,960 --> 00:38:27,240
In the pickup slot. 
Somebody played the shit out of 

720
00:38:27,240 --> 00:38:28,720
it. 
Let me check on my cushions. 

721
00:38:28,760 --> 00:38:30,280
Oh yeah dude, that cushion just 
rolled. 

722
00:38:31,440 --> 00:38:33,720
Are they making a break for the 
the ledge? 

723
00:38:34,440 --> 00:38:35,680
Joe, can I hit a note on this 
thing? 

724
00:38:36,240 --> 00:38:38,720
Yeah, yeah, they're fine. 
I'll sort. 

725
00:38:38,720 --> 00:38:39,800
Them out bro. 
Look at the. 

726
00:38:40,480 --> 00:38:44,760
Oh, it's, it's, it's completely 
crazy, but it does sound good 

727
00:38:44,800 --> 00:38:47,240
though. 
It sounds fucking cool. 

728
00:38:58,360 --> 00:39:04,600
What you got there? 
This is 1 owner 1964 Sonic Blue 

729
00:39:04,600 --> 00:39:07,240
strap and it's Sonic over 
Daphne. 

730
00:39:07,280 --> 00:39:10,160
Some of them are Sonic over 
White and this is Sonic over 

731
00:39:10,160 --> 00:39:13,400
Daphne. 
Dude, custom color strats are 

732
00:39:14,000 --> 00:39:17,240
tend to be a dicey, you know, 
game. 

733
00:39:17,880 --> 00:39:21,160
It gets a little bit like. 
Is it real or real? 

734
00:39:21,240 --> 00:39:24,160
Yeah, this, this is a real 1. 
Where'd that one come? 

735
00:39:24,160 --> 00:39:26,040
Do you remember? 
This came out of North Carolina.

736
00:39:26,440 --> 00:39:27,640
Wow. 
Another. 1 Sea foam When did 

737
00:39:27,640 --> 00:39:31,080
that start that color? 
Foam green would be much more 

738
00:39:31,080 --> 00:39:32,200
green than this. 
Yeah, that's. 

739
00:39:32,360 --> 00:39:36,680
What I thought about the same 
time, you know, custom color. 

740
00:39:36,800 --> 00:39:38,640
Lake class and blue is another 
one. 

741
00:39:38,640 --> 00:39:42,080
Candy Apple. 
Candy Apple, Shoreline. 

742
00:39:42,080 --> 00:39:45,800
Then you have Inca silver. 
There's, you know, there's a 

743
00:39:46,120 --> 00:39:48,800
teal green. 
What a time to be alive and pick

744
00:39:48,800 --> 00:39:49,800
out a guitar man. 
But the. 

745
00:39:49,920 --> 00:39:53,160
The custom colors were not 
popular as far as I understand. 

746
00:39:53,640 --> 00:39:55,320
Is that right? 
And then they kind of like 

747
00:39:55,320 --> 00:39:58,080
weren't sought after. 
And now obviously, they're the 

748
00:39:58,080 --> 00:40:00,160
most sought after. 
They're always more money. 

749
00:40:00,640 --> 00:40:03,880
Even at point of purchase, 
they're always more money. 

750
00:40:05,000 --> 00:40:08,640
Especially if you $10.00 for 
extra $10.00 for gold parts, you

751
00:40:08,640 --> 00:40:10,920
know and. 
Extra 10 bucks. 

752
00:40:10,920 --> 00:40:12,520
Which would have been a wise 
investment on. 

753
00:40:12,520 --> 00:40:15,040
Most a very wise investment. 10 
bucks. 

754
00:40:15,040 --> 00:40:19,480
And they had a custom color 
chart if I want a Sonic blue and

755
00:40:19,480 --> 00:40:23,360
they're all do Co colors. 
So it it it they'd match cars. 

756
00:40:23,640 --> 00:40:26,000
Exactly. 
So that there was, there was 

757
00:40:26,400 --> 00:40:28,840
Fords that were painted this 
color, you know, but if you, you

758
00:40:28,840 --> 00:40:32,080
ordered it and you waited, you, 
you got, you got your Strat or, 

759
00:40:32,120 --> 00:40:33,920
you know, some music stores 
would stock them. 

760
00:40:34,600 --> 00:40:38,120
It's like, oh, I, I want to, you
know, blue or gold or, you know,

761
00:40:38,120 --> 00:40:40,200
burgundy mist or something like 
that. 

762
00:40:40,200 --> 00:40:42,440
And it's, you know. 
What's the rarest color that 

763
00:40:42,640 --> 00:40:45,240
ever came charcoal. 
Well. 

764
00:40:45,720 --> 00:40:50,160
Well, you said this is 2 colors.
This is this is Sonic over 

765
00:40:50,160 --> 00:40:51,880
Daphne. 
So the the the the the. 

766
00:40:52,280 --> 00:40:54,000
Bottom code is. 
The bottom code is. 

767
00:40:54,000 --> 00:40:56,200
Daphne, which is not a normal 
thing, right? 

768
00:40:56,200 --> 00:40:57,760
Not a normal thing. 
OK, so I would say. 

769
00:40:57,760 --> 00:41:00,440
That might be the rare. 
Of of of Sonic blue strats. 

770
00:41:00,440 --> 00:41:02,000
This is the rare of the two, 
yeah. 

771
00:41:02,200 --> 00:41:05,840
Sure. 
Add a dollar, you know. 

772
00:41:07,520 --> 00:41:09,320
If it's your favorite color, add
10. 

773
00:41:09,560 --> 00:41:12,920
The rarest color is shell pink. 
Really. 

774
00:41:13,280 --> 00:41:17,600
It's only a couple of known 
proven shell pink Fender 

775
00:41:17,600 --> 00:41:19,800
guitars, not even Strat. 
Do you have any or no? 

776
00:41:20,120 --> 00:41:22,600
They didn't make enough of them 
compared to the other colors. 

777
00:41:22,600 --> 00:41:26,800
They made very few. 
Yeah, that would be and and and 

778
00:41:26,880 --> 00:41:30,520
sometimes shell pink is 
difficult to you know, it's 

779
00:41:30,520 --> 00:41:36,360
like, is it just faded Fiesta? 
But you know, you could if you 

780
00:41:36,360 --> 00:41:39,160
look at a real shell pink 
guitar, you'll see difference. 

781
00:41:39,160 --> 00:41:42,080
It's it's like, it's like if 
somebody added like, you know, 

782
00:41:42,200 --> 00:41:46,160
you know, just just one of 
those, you know, creamers to, to

783
00:41:46,160 --> 00:41:48,640
to tea it just. 
It just hits it a little. 

784
00:41:48,840 --> 00:41:50,320
It just hits it a little bit 
little. 

785
00:41:50,320 --> 00:41:51,720
Heart in the espresso. 
Yeah. 

786
00:41:52,320 --> 00:41:54,200
What year was that one again? 
This is 64. 

787
00:41:54,280 --> 00:41:56,520
That's cool, looks like somebody
maybe had their name on it or? 

788
00:41:56,520 --> 00:41:57,360
Something they did. 
Yeah. 

789
00:41:58,320 --> 00:42:01,080
And it's long gone, which is sad
because they put these little 

790
00:42:01,080 --> 00:42:02,680
mailbox letters on. 
It's cool as shit. 

791
00:42:02,680 --> 00:42:05,280
And then there's some people the
first thing to do is pop them 

792
00:42:05,280 --> 00:42:07,880
off. 
You're like, why it doesn't, you

793
00:42:07,880 --> 00:42:12,320
know, like, like, like for the, 
the the Picard on Ted Miller is 

794
00:42:12,560 --> 00:42:14,320
polarizing. 
It's like, well, some people 

795
00:42:14,320 --> 00:42:18,880
like the some people like the 
paint it on name. 

796
00:42:19,080 --> 00:42:21,960
Some people don't. 
It's like, well, it's there, I'm

797
00:42:21,960 --> 00:42:23,480
not going to take it off. 
Yeah, that's it. 

798
00:42:23,720 --> 00:42:25,000
It's part of the history, part 
of the history. 

799
00:42:25,000 --> 00:42:28,160
Of the guitar, I'm trying to 
think of the green black Strat 

800
00:42:28,160 --> 00:42:29,680
that you have. 
That's sort of. 

801
00:42:29,680 --> 00:42:32,280
Oh, the green sunburst. 
Yeah, that that's my favorite 

802
00:42:32,280 --> 00:42:34,440
guitar I think that you own. 
That I've seen you play come 

803
00:42:34,440 --> 00:42:35,680
from norms. 
Yeah. 

804
00:42:36,840 --> 00:42:37,600
What year is that? 
Guitar. 

805
00:42:37,600 --> 00:42:39,480
That's a 64 as well. 
OK, I was thinking. 

806
00:42:39,480 --> 00:42:41,920
About, but it's not factory. 
It was an old reference. 

807
00:42:41,920 --> 00:42:44,920
Yeah, yeah, it's actually over 
the the the green sunburst is 

808
00:42:44,920 --> 00:42:47,480
over the original sunburst I. 
Figured oh wow, that's cool. 

809
00:42:47,760 --> 00:42:51,520
And, you know, some people would
be like would have painstakingly

810
00:42:51,520 --> 00:42:53,360
taken that. 
I mean, you just ruin it. 

811
00:42:53,400 --> 00:42:57,120
You know, it's like, but I'm 
starting to see knockoffs of 

812
00:42:57,120 --> 00:42:59,800
that, people copying the. 
It's seriously, I wanted the 

813
00:42:59,800 --> 00:43:02,320
moment I saw it, I was like, is 
that new or is it old? 

814
00:43:02,600 --> 00:43:05,480
I thought it was new because the
color and it's like found out is

815
00:43:05,480 --> 00:43:07,800
old. 
And. 64 is that your favorite 

816
00:43:07,800 --> 00:43:12,040
Strat year if you had this pick?
Favorite Rosewood year is a 63. 

817
00:43:12,320 --> 00:43:17,440
OK. 
Favorite year overall is a 55. 

818
00:43:17,680 --> 00:43:21,800
My favorite neck, you know, but 
I'm also lucky enough to own 

819
00:43:22,360 --> 00:43:27,760
every single year so I I could 
spend time with them, you know? 

820
00:43:28,040 --> 00:43:31,280
It blows my mind how much I ask 
you about like Gibson stuff, but

821
00:43:31,440 --> 00:43:33,160
I remember when you told me 
you're like, well dude, I know 

822
00:43:33,160 --> 00:43:34,600
the Fender stuff better and I 
know the. 

823
00:43:34,960 --> 00:43:37,320
Fenders stuff better. 
OK, so you had to rank your 

824
00:43:37,320 --> 00:43:43,080
knowledge fenders at the top? 
My bullshit meters is I, I, you 

825
00:43:43,080 --> 00:43:46,320
hand me a bad custom color, I 
just hand it right back to you. 

826
00:43:46,320 --> 00:43:49,200
I could see it. 
I don't I don't I don't need a 

827
00:43:49,200 --> 00:43:51,440
digital forensics. 
I don't need experts. 

828
00:43:51,440 --> 00:43:54,800
I'd just be like, I have my eyes
go to the flaws and I'm like, 

829
00:43:55,400 --> 00:44:00,080
thanks. 
You know, I, I'm not I I've had 

830
00:44:00,080 --> 00:44:02,240
really good luck with with 
guitar collecting. 

831
00:44:02,680 --> 00:44:05,560
I, you know, obviously I have 
all the books like everybody 

832
00:44:05,560 --> 00:44:08,200
else. 
I do not. 

833
00:44:08,200 --> 00:44:09,880
This one's my personal favorite,
right? 

834
00:44:09,920 --> 00:44:11,120
Yeah. 
No, the book. 

835
00:44:11,160 --> 00:44:13,440
I just I just played on his his 
new. 

836
00:44:13,480 --> 00:44:14,880
Album you did. 
That's cool. 

837
00:44:15,120 --> 00:44:17,320
I love what we always, we always
pick up something off Joe's 

838
00:44:17,320 --> 00:44:18,600
coffee table and he's like, 
well, it's. 

839
00:44:18,600 --> 00:44:20,840
Like when he had the when he had
the Tommy Boland and I was like,

840
00:44:21,080 --> 00:44:23,040
you mean this guitar? 
That's cool. 

841
00:44:23,320 --> 00:44:25,480
Yeah, Harry's a friend. 
That's awesome. 

842
00:44:25,480 --> 00:44:27,280
There's a Dumble book also in 
case. 

843
00:44:27,760 --> 00:44:30,840
The Dumble book, which was 
disavowed by Dumble. 

844
00:44:31,080 --> 00:44:32,680
Really. 
It's actually collectible and an

845
00:44:32,680 --> 00:44:36,400
expensive book. 
It's part and parcel to the 

846
00:44:36,400 --> 00:44:38,200
same. 
Careful with that thing. 

847
00:44:38,200 --> 00:44:41,320
It's it's it's part and parcel 
of the same thing that goes 

848
00:44:41,320 --> 00:44:43,240
along with the hype of the amps 
I see. 

849
00:44:43,280 --> 00:44:45,440
Joe, I'm not going to lie, this 
might be a good one for me and a

850
00:44:45,440 --> 00:44:47,320
lot of the viewers. 
How your guitar works. 

851
00:44:48,080 --> 00:44:50,720
Yeah, this is kind of my this is
more my pace. 

852
00:44:50,800 --> 00:44:51,480
It's. 
Not bad. 

853
00:44:51,520 --> 00:44:53,800
All of this, all of the 
memorabilia stuff, that's that's

854
00:44:53,800 --> 00:44:56,720
me cleaning out all. 
Going to shops. 

855
00:44:56,720 --> 00:44:59,200
Yeah, all music stores, which 
are long, long gone. 

856
00:44:59,560 --> 00:45:03,840
It's it's it's, you know, like 
how much for this book? 

857
00:45:04,040 --> 00:45:05,280
Oh, just 20 bucks. 
OK. 

858
00:45:05,360 --> 00:45:07,480
Yeah, yeah, yeah, totally, dude.
You know what's great, though? 

859
00:45:07,480 --> 00:45:12,080
And like, all bullshit aside, 
it's here to be enjoyed. 

860
00:45:12,360 --> 00:45:14,480
Like how much of that shit got 
thrown away? 

861
00:45:15,280 --> 00:45:16,240
A lot of it. 
Yeah. 

862
00:45:16,240 --> 00:45:19,360
How much of that stuff, well you
never see again just because it 

863
00:45:19,360 --> 00:45:22,520
was like, Oh yeah, we're we 
don't need any of the files that

864
00:45:22,520 --> 00:45:24,560
shops going out of business 
throw it all away. 

865
00:45:25,080 --> 00:45:27,120
They throw it all away. 
I mean, even Gibson would throw 

866
00:45:27,120 --> 00:45:29,280
stuff away. 
They'd, you know, if you if you 

867
00:45:29,280 --> 00:45:32,240
sent this guitar in for warranty
work in the 70's, the first 

868
00:45:32,240 --> 00:45:33,960
thing they would do is strip all
the parts off it. 

869
00:45:34,440 --> 00:45:36,840
Yeah, PAF and. 
Guitar after. 

870
00:45:36,960 --> 00:45:39,680
And then they would, they would 
upgrade it for free. 

871
00:45:39,800 --> 00:45:42,520
Everybody wanted a super Strat 
and they wanted more gain. 

872
00:45:42,560 --> 00:45:47,120
And now everybody wants PAFS 
and, and they're reverse 

873
00:45:47,120 --> 00:45:49,320
engineering these and. 
Transparent OverDrive. 

874
00:45:49,720 --> 00:45:52,800
Transparent OverDrive. 
I don't even know what a 

875
00:45:52,800 --> 00:45:56,160
transparent OverDrive is. 
Why I do that's that is some 

876
00:45:56,160 --> 00:45:58,560
bullshit. 
Let me explain it to you 

877
00:45:58,560 --> 00:46:01,600
exactly. 
It's it's in a pedal and it 

878
00:46:01,600 --> 00:46:04,720
takes your fingers and it just 
magically enhances. 

879
00:46:04,720 --> 00:46:08,760
That dude, that dude Josh Scott 
right from JHSI think I saw him 

880
00:46:08,760 --> 00:46:11,440
in a shirt that said it. 
Like for a joke I just said 

881
00:46:11,440 --> 00:46:13,880
transparent OverDrive. 
It's AI mean you need marketing 

882
00:46:13,880 --> 00:46:16,480
to sell things. 
It exists in the Guitar World, 

883
00:46:16,480 --> 00:46:19,560
it exists everywhere. 
Transparent OverDrive. 

884
00:46:20,080 --> 00:46:21,680
You don't know what it means, 
but. 

885
00:46:22,120 --> 00:46:23,920
You feel it bro? 
I actually, you know what I 

886
00:46:23,920 --> 00:46:26,160
think it means. 
It means it doesn't color the 

887
00:46:26,160 --> 00:46:28,520
sound of your amp. 
I think generally that's what it

888
00:46:28,520 --> 00:46:30,360
means. 
So a Tube Screamer, you can feel

889
00:46:30,360 --> 00:46:34,360
a little bit of that mid range 
Tube Screamer juice, whereas A 

890
00:46:34,360 --> 00:46:38,200
clon, you might just feel like 
your amps are a little louder 

891
00:46:38,560 --> 00:46:41,520
and there's a bit of stain that 
you can get out of it. 

892
00:46:41,520 --> 00:46:42,960
But it's generally the sound of 
the amp. 

893
00:46:42,960 --> 00:46:45,400
That's what they say Transparent
OverDrive supposed to do. 

894
00:46:45,400 --> 00:46:46,560
Just give. 
Me A turn the amp up. 

895
00:46:47,000 --> 00:46:48,840
Yeah, exactly. 
Somebody said to me the other 

896
00:46:48,840 --> 00:46:51,880
day, they're like, Jared, how 
can I get this amp to just break

897
00:46:51,880 --> 00:46:53,600
up up a little bit more? 
And I said turn the fucking 

898
00:46:53,600 --> 00:46:55,280
thing up. 
Just turn it up. 

899
00:46:55,280 --> 00:46:57,440
You don't need a pedal, you just
turn it up. 

900
00:46:57,440 --> 00:46:59,560
All I need a pedal that I always
leave on. 

901
00:46:59,960 --> 00:47:02,440
No, just take it and just put it
a little bit. 

902
00:47:02,440 --> 00:47:04,320
More Well, guess what, Jared? 
You're going to get. 

903
00:47:04,320 --> 00:47:05,760
People are going to be so pissed
at you. 

904
00:47:05,840 --> 00:47:09,280
Like, I can't turn it up, man. 
I'm not in a dude. 

905
00:47:09,280 --> 00:47:11,200
Jared's not in the Royal 
alcohol, man. 

906
00:47:11,200 --> 00:47:13,480
Yeah, Jared said. 
Well, I mean, I mean, it's, 

907
00:47:13,640 --> 00:47:17,960
it's, we're really in, we're 
really in the dark ages of 

908
00:47:18,920 --> 00:47:22,480
guitar volumes. 
It's just just in the dark ages,

909
00:47:22,480 --> 00:47:28,720
it's, it's it, you can't take 
something that was designed to 

910
00:47:28,720 --> 00:47:34,120
be offensive and scare parental 
figures and tame it down to 

911
00:47:34,120 --> 00:47:36,360
where it's got to be dangerous 
at some point. 

912
00:47:36,920 --> 00:47:43,440
It's got guitar is by nature 
loud and, and a weapon and it 

913
00:47:43,440 --> 00:47:47,640
has to, it just has to be. 
Now, do you have to play at 

914
00:47:47,640 --> 00:47:50,200
extreme levels? 
No, but without moving air, 

915
00:47:50,200 --> 00:47:53,880
It's, it's, it's, it's pretty 
tough to to get that big thick 

916
00:47:54,000 --> 00:47:55,520
sound. 
Well, here's here's my thing 

917
00:47:55,520 --> 00:47:59,240
that I'll just say about that. 
When you do what you just said 

918
00:47:59,240 --> 00:48:01,520
and you have everything solo, I 
don't care. 

919
00:48:01,520 --> 00:48:04,320
What if you're into old gear, 
new gear, whatever it is, But 

920
00:48:04,320 --> 00:48:07,520
the actual tones, the overtones 
that happen, the things that 

921
00:48:07,520 --> 00:48:11,680
happen when a guitar is in a 
marriage with an amplifier and 

922
00:48:11,680 --> 00:48:14,400
it's at a certain volume, those 
are things that can't be 

923
00:48:14,400 --> 00:48:16,960
replicated. 
There's certain overtones or 

924
00:48:16,960 --> 00:48:21,000
there's inconsistencies with 
where things will lie. 

925
00:48:21,000 --> 00:48:24,760
And why is this note sustaining 
like crazy or why is this, you 

926
00:48:24,760 --> 00:48:26,760
know, the attack completely 
different? 

927
00:48:27,040 --> 00:48:30,560
It's because of that sheer Sonic
force that's happening. 

928
00:48:31,000 --> 00:48:34,960
I'm not a scientist, but I know 
that when I turn an amp up and I

929
00:48:34,960 --> 00:48:37,920
have a guitar in front of it, 
it's going to react a lot 

930
00:48:37,920 --> 00:48:41,360
different than when I'm sitting 
in front of the computer or with

931
00:48:41,360 --> 00:48:43,760
a plug in saying we'll just turn
it down, it'll be the same. 

932
00:48:44,000 --> 00:48:47,240
It's not, because The thing is, 
even when you turn the amp up 

933
00:48:47,240 --> 00:48:50,880
doesn't mean the guitar has to 
be all the way up, because you 

934
00:48:50,880 --> 00:48:56,040
can get some really amazing, 
very articulate fat sounds by 

935
00:48:56,040 --> 00:48:59,560
rolling down the volume of the 
guitar with the amp crane. 

936
00:48:59,640 --> 00:49:02,120
But you need the amp volume to 
access that. 

937
00:49:02,160 --> 00:49:06,120
You need the headroom because if
you turn it so low, there's 

938
00:49:06,160 --> 00:49:09,240
there's, there's no headroom and
you just be like, well, it's 

939
00:49:09,320 --> 00:49:12,240
either off or on. 
And then when you get a real 

940
00:49:12,240 --> 00:49:14,040
drummer. 
That's what I think is the best 

941
00:49:14,040 --> 00:49:15,680
about guitar. 
Like you said, that offensive 

942
00:49:15,680 --> 00:49:17,800
nature that it can be, but it's 
so pleasing. 

943
00:49:18,040 --> 00:49:20,720
And when you get in that, when 
you get it in that thing with a 

944
00:49:20,720 --> 00:49:23,520
drummer and a bass and you're 
starting to compete and 

945
00:49:23,520 --> 00:49:26,320
everything's kind of fighting 
for frequencies and it's 

946
00:49:26,320 --> 00:49:29,440
fighting for that noise. 
It's gorgeous. 

947
00:49:29,440 --> 00:49:33,800
Yeah, and, and, and you have to,
you have to risk being offensive

948
00:49:34,080 --> 00:49:35,720
to someone. 
Yeah, you didn't. 

949
00:49:35,720 --> 00:49:39,160
Nobody makes it to the top by 
not offending everyone or 

950
00:49:39,160 --> 00:49:40,920
anyone. 
It's just you're always going to

951
00:49:40,920 --> 00:49:43,600
make somebody pissed off. 
Actually, most people might 

952
00:49:43,600 --> 00:49:46,480
actually be pissed off, whether 
or not the majority express it. 

953
00:49:46,480 --> 00:49:49,320
You're going to piss people off 
with your success or your rise 

954
00:49:49,320 --> 00:49:53,120
to Tone Kingdom, you know. 
I always promised you guys one 

955
00:49:53,120 --> 00:49:54,880
click bait. 
I'm going to give it to you now,

956
00:49:55,600 --> 00:49:57,200
OK? 
321. 

957
00:50:00,520 --> 00:50:05,920
Imagine someone like Edward Van 
Halen appearing on the scene and

958
00:50:06,840 --> 00:50:12,680
instead of a 68 plexi with a lay
down transformer, a univox, an 

959
00:50:12,680 --> 00:50:18,160
MXR phase 45, a basket weave 
cabinet with some altex half 

960
00:50:18,160 --> 00:50:23,240
altex half selections and A and 
A and a boogie bodies Strat 

961
00:50:23,880 --> 00:50:28,440
thing that he wired himself. 
Imagine if the same any van 

962
00:50:28,440 --> 00:50:32,560
shows up with a Neural and a 
Sir. 

963
00:50:35,520 --> 00:50:39,880
Is it as cool now? 
Now, I'm not knocking John, Sir,

964
00:50:39,880 --> 00:50:43,200
I'm not knocking Neural. 
Oh no, I'm both quality, 

965
00:50:43,560 --> 00:50:46,840
wonderful. 
John's great great amp builder. 

966
00:50:46,840 --> 00:50:48,840
Great guitar builder. 
Neural sponsors this show 

967
00:50:48,840 --> 00:50:52,880
occasionally. 
Great invention, yes, But I 

968
00:50:52,880 --> 00:50:55,360
mean, I've just posed it. 
I posed the question. 

969
00:50:55,800 --> 00:50:57,880
Objectively not as cool I would 
say. 

970
00:50:58,000 --> 00:51:02,760
All things being equal, same 
playing, same songs. 

971
00:51:04,320 --> 00:51:08,040
But when we talked about when we
sat down, people hear with their

972
00:51:08,040 --> 00:51:11,920
eyes. 
Yeah, it's it's the whole thing.

973
00:51:12,040 --> 00:51:16,800
Do you think that there's 
anything disingenuous or 

974
00:51:16,800 --> 00:51:20,880
materialistic or like fake about
that, that you have to be 

975
00:51:20,880 --> 00:51:23,840
surrounded by things to convey 
the feeling to people? 

976
00:51:24,040 --> 00:51:25,720
Because I totally agree with 
you. 

977
00:51:26,120 --> 00:51:30,280
Do you think that people would 
be like, I don't even notice 

978
00:51:30,280 --> 00:51:32,080
that there's no speaker on the 
stage? 

979
00:51:32,440 --> 00:51:35,840
And then to me, I'm like, well, 
but you don't feel the 

980
00:51:35,840 --> 00:51:38,760
difference because I've seen 
players performing with the 

981
00:51:38,760 --> 00:51:42,840
digital in that stage feel. 
And then I've seen players like 

982
00:51:42,840 --> 00:51:46,280
you. 
And that sort of difference in 

983
00:51:46,280 --> 00:51:50,280
the dynamic level is apparent 
even to my girlfriend, who's not

984
00:51:50,280 --> 00:51:54,320
a musician whatsoever. 
She was talking about your show 

985
00:51:54,320 --> 00:51:57,240
in particular where she was 
like, wow, that sounded and I 

986
00:51:57,240 --> 00:51:59,000
won't, you know, say who these 
artists are. 

987
00:51:59,000 --> 00:52:03,160
It was great performances 
regardless, but seeing a digital

988
00:52:03,560 --> 00:52:08,320
performance like digital guitar,
amps, etcetera, modelers, it 

989
00:52:08,320 --> 00:52:11,160
sounded so perfect and there 
were dynamics within the 

990
00:52:11,160 --> 00:52:14,440
performance, but there were no 
physical dynamics as an 

991
00:52:14,440 --> 00:52:17,640
audience, right? 
So that's the the biggest 

992
00:52:17,640 --> 00:52:22,400
difference that I feel and it's 
very apparent to musicians or 

993
00:52:22,400 --> 00:52:25,680
non musicians. 
It's I'll tell you what, I'm in 

994
00:52:25,680 --> 00:52:29,440
this of a generation where I was
the last to, to know the 

995
00:52:29,440 --> 00:52:33,120
difference to, to, to, to, to 
have experienced the difference.

996
00:52:33,680 --> 00:52:41,920
Like I remember seeing, you 
know, Chris Kane in the early 

997
00:52:41,920 --> 00:52:46,480
90s when he first came out and 
he had that 335 and a fucking 

998
00:52:46,480 --> 00:52:52,360
mess of Boogie Mark one in a the
dinosaur barbecue and just 

999
00:52:52,360 --> 00:52:55,960
ripping your face off and you're
like, that's life changing. 

1000
00:52:56,720 --> 00:52:59,760
That that's a binary experience.
That's life, life changing. 

1001
00:52:59,800 --> 00:53:00,920
Yeah. 
Danny Gatton. 

1002
00:53:01,280 --> 00:53:05,000
He had a Super Reverb of 
Vibrilux that beat up 53 free 

1003
00:53:05,000 --> 00:53:06,960
telly. 
And he had one of those Chandler

1004
00:53:06,960 --> 00:53:09,800
digital stereo echoes or a Boss 
echo when he did the, you know, 

1005
00:53:12,640 --> 00:53:17,360
you know, see, when he did the 
when he did train, train and it 

1006
00:53:17,360 --> 00:53:21,200
was so loud. 
Life, life changing. 

1007
00:53:22,040 --> 00:53:26,400
You know, it says to see Eric 
Johnson back in the day with the

1008
00:53:26,400 --> 00:53:31,840
rig life changing. 
That's what plants the seed for 

1009
00:53:32,080 --> 00:53:36,440
all forever. 
And and it's not that what is 

1010
00:53:36,440 --> 00:53:39,520
happening now with digital and 
no amps and no speakers on 

1011
00:53:39,520 --> 00:53:41,280
stage. 
It's not wrong. 

1012
00:53:41,720 --> 00:53:45,320
I get why they do it. 
You know, all you have to do is 

1013
00:53:45,320 --> 00:53:50,840
is I'll show you an invoice for 
SES, which is special event 

1014
00:53:50,840 --> 00:53:55,840
services and SES provides me 
with the sets, which is the 

1015
00:53:55,840 --> 00:53:59,600
special event trucking trucking.
So, so all I have to do is show 

1016
00:53:59,600 --> 00:54:03,480
you one week's invoice on three 
semi trucks and and you'll, 

1017
00:54:03,520 --> 00:54:05,400
you'll, you'll go. 
A digital baby you'll. 

1018
00:54:05,720 --> 00:54:07,840
Neural. 
You'll get the neural. 

1019
00:54:07,960 --> 00:54:10,440
Quick, yeah, yeah, well, I 
absolutely that's. 

1020
00:54:10,920 --> 00:54:14,680
So part of it, so and, and then,
you know, to the power of, you 

1021
00:54:14,680 --> 00:54:16,960
know, I, you know, actually I 
have 10 trucks. 

1022
00:54:17,760 --> 00:54:22,240
And anyway, I get why they do 
it. 

1023
00:54:22,240 --> 00:54:27,720
Yes, I also get why my opinions 
are the way they are is because 

1024
00:54:27,800 --> 00:54:30,560
I was there. 
I saw Marquis Ramon at a little 

1025
00:54:30,560 --> 00:54:34,280
club in Munich in New York and 
he had plexis and he had 50 Watt

1026
00:54:34,280 --> 00:54:36,640
Marshalls. 
And I was just, you know, it was

1027
00:54:36,640 --> 00:54:40,880
maybe 150 people there and he 
had to like just punk rock. 

1028
00:54:40,880 --> 00:54:45,520
But, but like, like the tone 
Marshall tone that you wanted, 

1029
00:54:45,520 --> 00:54:49,160
but they were coming out of 
actual amps and it was like, 

1030
00:54:49,160 --> 00:54:52,680
that's what they used, you know,
and, and it was like, that's, 

1031
00:54:52,960 --> 00:54:56,320
those are the kind of things 
that are instilled in memory 

1032
00:54:56,600 --> 00:55:00,760
that you never, you never forget
that, you know, a whole pile of 

1033
00:55:00,760 --> 00:55:03,840
Fender ants all linked together 
and it's, you know, Ronnie Earle

1034
00:55:04,040 --> 00:55:08,160
just crushing it, you know, with
two supers and and and and and a

1035
00:55:08,320 --> 00:55:12,920
beat up 57 Strat, you know, like
that's, that's, that's why all 

1036
00:55:12,920 --> 00:55:15,720
of this exists here. 
Like you said, Joe, the the 

1037
00:55:15,720 --> 00:55:20,680
easiest way to put it as if like
if you have to fight about it or

1038
00:55:20,680 --> 00:55:24,320
you try and fight someone to 
tell them why digital is better 

1039
00:55:24,320 --> 00:55:27,200
or why this is better. 
I just don't think it's a real 

1040
00:55:27,200 --> 00:55:30,080
valid argument. 
It's just like, what do you like

1041
00:55:30,600 --> 00:55:33,200
do you? 
And and for me personally, the 

1042
00:55:33,200 --> 00:55:38,160
music that I love and the music 
that I worship, it was created. 

1043
00:55:38,160 --> 00:55:40,200
It's just like the tools that 
you use, right? 

1044
00:55:40,680 --> 00:55:43,840
If you want to Marshall or you 
want to Les Paul or these 

1045
00:55:43,840 --> 00:55:47,240
things, it's like, I'm going to 
go straight to the source. 

1046
00:55:47,240 --> 00:55:50,720
I think that you can cut out all
of this weird thing where it's 

1047
00:55:50,720 --> 00:55:54,240
like, well, I can get that with 
this and it's like, OK, if that 

1048
00:55:54,240 --> 00:55:58,080
makes you happy and that serves 
the purpose for you, then you 

1049
00:55:58,080 --> 00:56:00,720
should do that. 
For me, there's something about 

1050
00:56:00,720 --> 00:56:03,560
having weight to the notes, and 
when you have that volume and 

1051
00:56:03,560 --> 00:56:06,280
you have that thing with the 
guitar, it's the symbiotic 

1052
00:56:06,280 --> 00:56:09,720
relationship that makes me feel 
like I'm closer to the music 

1053
00:56:09,720 --> 00:56:12,360
that I love and I'm closer to 
the reason why I do it. 

1054
00:56:12,800 --> 00:56:14,160
That doesn't come down to a 
dollar. 

1055
00:56:14,160 --> 00:56:17,440
That doesn't come down to, well,
this guitar is from this year or

1056
00:56:17,440 --> 00:56:20,520
whatever. 
No, that's just the love of the 

1057
00:56:20,520 --> 00:56:22,640
music. 
And I, when Joe picks up a 

1058
00:56:22,640 --> 00:56:25,440
guitar and plays, I don't think 
to myself, Oh my gosh, look, 

1059
00:56:25,440 --> 00:56:27,800
he's playing that guitar with 
that. 

1060
00:56:27,960 --> 00:56:31,200
I think to myself, no, that 
gives me the same feeling. 

1061
00:56:31,200 --> 00:56:32,880
Just like you said when you saw 
it in a club. 

1062
00:56:33,160 --> 00:56:37,080
It's like there's something so 
spiritual and so magnetic with 

1063
00:56:37,080 --> 00:56:39,320
that. 
That's why all this exists. 

1064
00:56:39,840 --> 00:56:42,720
About all you know, and it's 
like I've had people, companies 

1065
00:56:42,720 --> 00:56:44,280
come to me. 
It's like, you know, we can, we 

1066
00:56:44,320 --> 00:56:47,640
can clone your dumbbells and put
them in a digital format and, 

1067
00:56:47,880 --> 00:56:50,000
and, and you know, you can leave
them at home. 

1068
00:56:50,000 --> 00:56:51,080
I said, then I'll just sell 
them. 

1069
00:56:51,520 --> 00:56:57,320
I go, I the, the reason why I 
have them is to use them out in 

1070
00:56:57,320 --> 00:57:00,480
the wild. 
And I, I, I'm not looking to 

1071
00:57:00,480 --> 00:57:02,480
obfuscate. 
I'm not looking to leave 

1072
00:57:02,480 --> 00:57:04,840
anything at home. 
It's like it matter of fact, I'm

1073
00:57:05,120 --> 00:57:08,680
really in a stage of my life 
where it's user lose it. 

1074
00:57:09,360 --> 00:57:12,920
It's like if I am not using it, 
it's not, it's not part of the 

1075
00:57:13,400 --> 00:57:15,760
toolkit or something. 
Get rid of it. 

1076
00:57:16,160 --> 00:57:19,400
Let somebody else have it 
because because it's I'm not 

1077
00:57:19,400 --> 00:57:21,960
going to. 
I'm not going to, you know, it's

1078
00:57:21,960 --> 00:57:26,160
like I'm conflicted by the 3:35.
It's like, I'm like, yeah, it's 

1079
00:57:26,160 --> 00:57:29,360
great that I own it, but it's 
going to have to get some studio

1080
00:57:29,360 --> 00:57:31,040
time or else I'm going to get 
rid of it. 

1081
00:57:31,400 --> 00:57:35,280
It's use it or lose this, this 
notion of of saving it for a 

1082
00:57:35,280 --> 00:57:36,960
rainy day. 
Well, guess what, It's raining. 

1083
00:57:37,520 --> 00:57:38,960
It's literally it's about day 
out. 

1084
00:57:39,200 --> 00:57:41,680
It's like, oh dude, we better 
not turn that all the way up or,

1085
00:57:41,680 --> 00:57:44,080
you know, really. 
I got to save this for, you 

1086
00:57:44,080 --> 00:57:45,360
know, something else down the 
line. 

1087
00:57:45,360 --> 00:57:48,840
It's almost like classic cars in
a sense too, where it's 

1088
00:57:48,840 --> 00:57:51,080
beautiful to look at. 
It's like it's really cool. 

1089
00:57:51,080 --> 00:57:54,080
But the fact is too, if you're 
not driving them and you're not 

1090
00:57:54,080 --> 00:57:57,320
really using them and they're 
just kind of being put away, 

1091
00:57:57,320 --> 00:58:00,160
it's like put away for what is. 
There, one more guitar you want 

1092
00:58:00,160 --> 00:58:02,560
to crack out. 
You'll never lose it. 

1093
00:58:03,480 --> 00:58:05,120
Even if you don't use it, you'll
never lose. 

1094
00:58:05,120 --> 00:58:08,440
It well I wanted a guitar that 
I'm normally not associated with

1095
00:58:08,840 --> 00:58:14,040
Gretsch. 
I love Gretsch guitars and I 

1096
00:58:14,040 --> 00:58:17,200
like the 50s ones. 
Well of course King Cork sniffer

1097
00:58:17,200 --> 00:58:21,440
but the 50s ones tend the 
Gretches have binding issues, 

1098
00:58:22,520 --> 00:58:26,520
especially early 60s ones 
country jets the. 6120. 

1099
00:58:26,520 --> 00:58:30,960
One Tennesseans and all that 
stuff, the 50s ones tend not to 

1100
00:58:30,960 --> 00:58:32,880
have the binding issues, which 
is which is good. 

1101
00:58:32,880 --> 00:58:34,640
And they have these little G 
brand ones. 

1102
00:58:35,080 --> 00:58:39,880
So this is a 56 and it's a 6120 
Chet Atkins. 

1103
00:58:40,240 --> 00:58:44,040
And, and they're just, they're 
just cool, you know? 

1104
00:59:00,840 --> 00:59:04,320
Bro think about back in the day 
though when someone did that, 

1105
00:59:04,600 --> 00:59:08,480
threw a nasty ass tube amp and 
they went oh and Hall you went 

1106
00:59:08,920 --> 00:59:10,840
what? 
I've never heard that. 

1107
00:59:11,000 --> 00:59:14,280
Dude that is the coolest. 
I, I, I use Gretsch guitars in 

1108
00:59:14,280 --> 00:59:18,480
the studio a lot when I'm 
producing records and I find 

1109
00:59:18,480 --> 00:59:21,080
myself a lot of times playing 
rhythm on, on the record. 

1110
00:59:21,720 --> 00:59:27,400
And, and they're great for 
rhythm guitars because they're, 

1111
00:59:27,480 --> 00:59:32,680
they're, they, they bark, you 
know, but, but they, but they 

1112
00:59:32,680 --> 00:59:36,560
have the dearmonds or the filter
trons, depending on like what 

1113
00:59:36,560 --> 00:59:41,600
year they tend to have a cool. 
They sit in the track really 

1114
00:59:41,600 --> 00:59:43,360
well. 
They're a little bit brighter 

1115
00:59:43,360 --> 00:59:46,560
than a humbucker, but not as 
bright as a as a single coil. 

1116
00:59:47,840 --> 00:59:49,760
And they just, they have a, they
have a thing. 

1117
00:59:50,040 --> 00:59:53,120
It's filter trons. 
These are D armands and then the

1118
00:59:53,240 --> 00:59:57,080
the the the next era of of like 
the the the classic Brian Setzer

1119
00:59:57,480 --> 00:59:59,680
6120. 
Those are those are filter. 

1120
00:59:59,680 --> 01:00:02,560
Trons, dude, it's got like a 
bark of AP 90, but it's a little

1121
01:00:02,560 --> 01:00:06,640
bit more humbucker like it's got
like a little bit more of a it's

1122
01:00:06,640 --> 01:00:11,400
not so squishy and. 
Then the like the the bar cool. 

1123
01:00:11,640 --> 01:00:14,200
These are fixed arm Bigsby's 
which are not a lot of fun but. 

1124
01:00:14,400 --> 01:00:17,000
That bar looks like archaic 
dude, like right here. 

1125
01:00:20,840 --> 01:00:23,640
This era 6120 see how the the 
bars fixed arm. 

1126
01:00:23,880 --> 01:00:25,480
Yes, you can't move it. 
You can't move. 

1127
01:00:25,480 --> 01:00:28,160
It down so you could like run 
into it by accident. 

1128
01:00:28,160 --> 01:00:31,520
It's fixed arm and you know, 
they these these are the fancy 

1129
01:00:31,520 --> 01:00:32,640
models. 
So you get the, you know, you 

1130
01:00:32,640 --> 01:00:37,520
get the, the, the the western 
inlays and I have a couple of 

1131
01:00:37,680 --> 01:00:43,960
roundups which are the Les Paul.
Oh yeah, G branded orange, but 

1132
01:00:43,960 --> 01:00:45,760
they look like a Les Paul. 
They got the leather out, is 

1133
01:00:45,760 --> 01:00:47,800
that the? 
Ones with the the leather straps

1134
01:00:47,800 --> 01:00:51,120
and and there was actually a 
there was actually a knife that 

1135
01:00:51,120 --> 01:00:51,960
came of. 
Leather. 

1136
01:00:51,960 --> 01:00:54,360
No way. 
Leather I've only seen one. 

1137
01:00:55,040 --> 01:00:59,560
David Brass had this guitar, not
this particular, but a 6120 

1138
01:00:59,560 --> 01:01:01,160
would had the strap and the 
knife. 

1139
01:01:01,720 --> 01:01:03,600
Dude they need to bring that 
back. 

1140
01:01:03,680 --> 01:01:05,960
Start start sending out knives 
with the guitars. 

1141
01:01:05,960 --> 01:01:08,400
Like about to say, let's go, 
let's bring the knife back with 

1142
01:01:08,400 --> 01:01:09,040
the 61. 
Well. 

1143
01:01:09,640 --> 01:01:16,920
In the 50s, apparently humans 
were smart enough to not take 

1144
01:01:17,520 --> 01:01:23,360
but put 600° hot glass bulbs in 
their hand. 

1145
01:01:23,760 --> 01:01:27,040
Now Fender has to put a tube 
guard around all the tubes. 

1146
01:01:27,120 --> 01:01:29,800
Yeah, to not touch it, yeah. 
Because we as a species have. 

1147
01:01:29,800 --> 01:01:32,880
Devolved people go, what's this 
like but. 

1148
01:01:33,240 --> 01:01:34,920
Can you imagine? 
Can you imagine the liability? 

1149
01:01:34,920 --> 01:01:36,280
Now it's sending out knives. 
We. 

1150
01:01:36,280 --> 01:01:37,680
Could Oh no, it never would 
happen. 

1151
01:01:38,000 --> 01:01:41,280
I could see even them bringing 
like the old, like a Red Ryder 

1152
01:01:41,280 --> 01:01:43,320
BB gun, bro. 
Oh yeah, You know, like the 

1153
01:01:43,320 --> 01:01:45,520
whole dude. 
It's kind of cool because it's 

1154
01:01:45,520 --> 01:01:48,800
like a jazz box too, in a way. 
I don't know, Gretcher's so 

1155
01:01:48,800 --> 01:01:51,840
cool. 
Yeah, I mean, I, I, I they're 

1156
01:01:51,840 --> 01:01:53,600
kind of like my secret weapon in
the studio. 

1157
01:01:53,600 --> 01:01:56,240
I really. 
And I'm not usually associated 

1158
01:01:56,240 --> 01:01:59,920
with them, you know, my, my, you
know, I said, well, why don't 

1159
01:01:59,920 --> 01:02:02,600
you play them live? 
Well, my live rig is so loud 

1160
01:02:02,840 --> 01:02:05,040
that if I plug this thing, you 
know, there's no, there's no, 

1161
01:02:05,560 --> 01:02:07,560
that's not like a three. 
Straight up hollow right in. 

1162
01:02:07,560 --> 01:02:09,920
There straight hollow if I plug 
this thing up and turn the 

1163
01:02:10,400 --> 01:02:14,240
volume all the way up the top 
would blow off the guitar. 

1164
01:02:14,240 --> 01:02:15,480
Back to the feature, but the 
guitar. 

1165
01:02:15,480 --> 01:02:19,120
Balls, Yeah, yeah. 
So these are kind of unusable. 

1166
01:02:20,720 --> 01:02:23,720
It's super high volumes. 
But like you know, today we're 

1167
01:02:23,720 --> 01:02:28,560
using the new dumbbell Tweedle 
D. 

1168
01:02:39,000 --> 01:02:41,640
What's funny is we were talking 
about all this debate about what

1169
01:02:41,640 --> 01:02:43,960
you're playing through. 
You can't sit here and tell me 

1170
01:02:43,960 --> 01:02:47,200
that you didn't play like that 
because you were playing, you 

1171
01:02:47,200 --> 01:02:49,160
know, you played like that 
because you had that guitar and 

1172
01:02:49,160 --> 01:02:50,040
the sound. 
Yeah. 

1173
01:02:50,040 --> 01:02:50,920
Do you know what I'm trying to 
say? 

1174
01:02:50,920 --> 01:02:52,400
Yeah. 
Like it's an instantaneous 

1175
01:02:52,400 --> 01:02:54,840
thing. 
It it it drives you to a certain

1176
01:02:54,840 --> 01:02:58,240
place. 
That's so cool. 

1177
01:03:16,760 --> 01:03:19,200
Shall you I? 
Mean I I guess then we should 

1178
01:03:19,200 --> 01:03:20,920
probably shut it down because. 
Then we'll shut it down. 

1179
01:03:20,960 --> 01:03:22,280
We'll get our. 
I'm just going to. 

1180
01:03:23,160 --> 01:03:47,320
I don't need to play a lot. 
I'm good. 

1181
01:03:47,320 --> 01:03:48,200
That's it. 
I'm good. 

1182
01:03:49,040 --> 01:03:50,280
Yeah. 
Well, that's a, you know, 

1183
01:03:50,400 --> 01:03:52,760
honestly, this, this, this is a 
perfect example of three 

1184
01:03:52,760 --> 01:03:55,680
different approaches, 3 
different sounds, you know, but,

1185
01:03:55,960 --> 01:03:59,560
you know, I mean, it's again, 
all this, this stuff, that stuff

1186
01:03:59,560 --> 01:04:02,480
is valuable for a reason because
it works and it, and it sounds 

1187
01:04:02,520 --> 01:04:05,920
and it works well and it's, and 
it's, can you achieve this by 

1188
01:04:05,920 --> 01:04:08,880
other means 1000%? 
Hey, but we're having fun. 

1189
01:04:09,320 --> 01:04:11,200
But we're having fun. 
Almost as much fun as we're 

1190
01:04:11,200 --> 01:04:13,840
going to have on that cruise. 
Oh yeah, the keeping the Blues 

1191
01:04:13,840 --> 01:04:14,520
alive. 
We can't. 

1192
01:04:14,520 --> 01:04:16,640
We can't forget to mention that.
We're going on the cruise. 

1193
01:04:16,640 --> 01:04:19,520
You guys can't come on this one 
because it's already, you know, 

1194
01:04:19,520 --> 01:04:21,960
about to happen, but next year. 
We're already sold out. 

1195
01:04:21,960 --> 01:04:23,880
Next year I. 
Was about to say never mind, 

1196
01:04:24,440 --> 01:04:26,200
never mind. 
Already sold out next year. 

1197
01:04:26,720 --> 01:04:30,720
We we definitely have a very 
great loyal fan base that comes 

1198
01:04:30,720 --> 01:04:37,200
every year in our our our 
Soundwave weekend in Miramar, 

1199
01:04:37,200 --> 01:04:38,760
FL. 
It's sold out in a day. 

1200
01:04:39,040 --> 01:04:42,200
Wow, and and it's like, you 
know, so everybody's how many 

1201
01:04:42,200 --> 01:04:45,520
people 5005 thousand 5000 for 
that. 

1202
01:04:45,960 --> 01:04:48,760
But it's three day weekend. 
So and it's, you know, I mean, 

1203
01:04:48,760 --> 01:04:51,960
there's every, you know, it's 
first night, it's it's us and 

1204
01:04:51,960 --> 01:04:54,480
Kenny when Shepherd. 
Then there's second nights 

1205
01:04:54,480 --> 01:04:58,120
government mule Grace Potter. 
Dude Congrats on the government 

1206
01:04:58,120 --> 01:05:00,040
mule run too. 
That's going to be so sick. 

1207
01:05:00,320 --> 01:05:03,600
Yeah, we're we're, I asked. 
I asked Warren about the Sodano.

1208
01:05:04,120 --> 01:05:07,160
00 and. 
And I asked, I just did love 

1209
01:05:07,160 --> 01:05:09,200
rocks with him. 
And I, I said, I said, what's 

1210
01:05:09,240 --> 01:05:11,680
the OK, what, what's the, what's
the Warren mob? 

1211
01:05:12,240 --> 01:05:15,680
He goes OK here, here's what it 
was when he first got the amp in

1212
01:05:15,680 --> 01:05:21,280
the early 90s or 90s. 
The amp he only because I only 

1213
01:05:21,280 --> 01:05:23,320
run the gain about 2 1/2. 
I got no kidding. 

1214
01:05:23,320 --> 01:05:26,640
But in order to get that kind of
bottom end, that hump, you know 

1215
01:05:26,920 --> 01:05:31,080
he had to run, you have to run 
the the gain up to like 5 or 6 

1216
01:05:31,400 --> 01:05:37,000
to get the bottom to kind of so 
the switch is a low, a low mid 

1217
01:05:37,800 --> 01:05:41,200
boost so he can run the game 
down low and get the hump. 

1218
01:05:41,320 --> 01:05:43,760
Oh, OK. 
And he was running the base all 

1219
01:05:43,760 --> 01:05:45,640
the way up to 10. 
He shouldn't have to run like 

1220
01:05:45,640 --> 01:05:47,280
that. 
So, So that's that. 

1221
01:05:47,320 --> 01:05:48,920
That's all it is. 
Let's go smoke a cigar. 

1222
01:05:48,920 --> 01:05:52,640
Let's go smoke a cigar. 
Dude, thanks for having us. 

1223
01:05:52,760 --> 01:05:55,640
Thank you so much, man. 
Yeah, more to come. 

1224
01:05:55,960 --> 01:05:57,560
We have to. 
We still have to tick off. 

1225
01:05:57,560 --> 01:06:00,160
Tyler texted me this morning, 
he's like, I'm so excited to go 

1226
01:06:00,160 --> 01:06:02,560
to Joe's and I just sent them 
the emoji of Willy Wonka. 

1227
01:06:03,640 --> 01:06:04,920
Did you chop it dude? 
Here you go. 

1228
01:06:04,920 --> 01:06:06,960
Look, I'm going to chop it. 
Watch your fingers, guitar 

1229
01:06:06,960 --> 01:06:08,200
players. 
I got to make sure I get a good 

1230
01:06:08,200 --> 01:06:10,000
clean shot. 
When you're hanging out with Joe

1231
01:06:10,000 --> 01:06:11,760
B, you got to make sure you 
chop. 

1232
01:06:12,360 --> 01:06:13,480
It's good. 
Oh, yeah, dude. 

1233
01:06:13,680 --> 01:06:15,560
Come on, you. 
Got it going on bro. 

1234
01:06:15,640 --> 01:06:18,240
Cigars and diet cokes man, this 
is part of the journey.

