1
00:00:40,920 --> 00:00:43,880
I wish, yeah. 
That thing sounds great. 

2
00:00:44,680 --> 00:00:47,840
You got a little bag bad Jack 
there I. 

3
00:00:47,840 --> 00:00:49,160
Got to. 
I got to juice it a little. 

4
00:00:49,160 --> 00:00:49,560
Oh. 
Yeah. 

5
00:00:51,040 --> 00:00:54,760
She she's used she's sorry, 
promise. 

6
00:00:54,760 --> 00:00:59,080
We're not always like this. 
So we're you're an electric 

7
00:00:59,080 --> 00:01:00,920
guitar player, an acoustic 
guitar player. 

8
00:01:00,920 --> 00:01:03,720
When it when you pick up an 
electric that says 10s on it, I 

9
00:01:03,720 --> 00:01:06,600
think what are the adjustments 
that you need to make other than

10
00:01:06,600 --> 00:01:09,280
just finger strength? 
Yeah, that's the big one. 

11
00:01:09,280 --> 00:01:12,440
I mean, for me, like I use my, I
do have to get back into using 

12
00:01:12,440 --> 00:01:16,440
my finger. 
So like if I'm, if I have time, 

13
00:01:16,880 --> 00:01:19,920
I'll try to warm up a little bit
with, you know, trying to get 

14
00:01:19,920 --> 00:01:21,720
my. 
It's the same thing I'll do like

15
00:01:21,720 --> 00:01:24,480
with the other like that where 
I'm doing those 

16
00:01:39,040 --> 00:01:43,000
Just like where's my point? 
Little, you know, recalibration 

17
00:01:43,080 --> 00:01:45,720
on the bend, so I'm used to 
really. 

18
00:01:47,000 --> 00:01:51,360
But you don't use your the 
hybrid picking type thing on 

19
00:01:51,360 --> 00:01:53,640
acoustic you said. 
So why? 

20
00:01:53,760 --> 00:01:56,840
Is it just because of the string
gauge that you find or is it? 

21
00:01:56,840 --> 00:01:59,000
Sound, yeah, I think it's the 
sound. 

22
00:01:59,000 --> 00:02:00,920
I mean, there's so much of the 
stuff I like. 

23
00:02:11,480 --> 00:02:13,680
upstroke thing that you were 
talking about that's weaker. 

24
00:02:13,680 --> 00:02:17,160
Actually, it feels stronger on 
and you know, yeah, the. 

25
00:02:17,200 --> 00:02:20,160
Electric, it pops. 
I always think of like stuff I 

26
00:02:20,160 --> 00:02:23,480
always like growing up was, you 
know, like Merle Haggard stuff, 

27
00:02:24,320 --> 00:02:26,120
which a lot of it had James 
Burton playing 

28
00:03:23,240 --> 00:03:27,440
It's funny, I do a ton of that 
stuff disguised as not tell you 

29
00:03:27,440 --> 00:03:29,640
that. 
Yeah, man, I hear a lot of that 

30
00:03:29,640 --> 00:03:32,600
in your in your playing. 
I love that thing. 

31
00:03:32,920 --> 00:03:34,000
There's just something about 
that. 

32
00:03:34,040 --> 00:03:36,240
There's a pocket of air that 
like. 

33
00:03:37,000 --> 00:03:39,400
Yeah. 
It's a really hard thing to 

34
00:03:39,400 --> 00:03:42,520
describe, but you can almost 
feel it when you're hearing it, 

35
00:03:42,520 --> 00:03:43,920
or especially when you're 
playing it. 

36
00:03:43,920 --> 00:03:46,840
It's sort of projects you onto 
the next lick and you're like, 

37
00:03:46,920 --> 00:03:49,400
yeah, I'm in that pocket. 
Kind of floating on something 

38
00:03:49,600 --> 00:03:51,600
there for. 
A moment you said, James Burton.

39
00:03:51,600 --> 00:03:54,880
What other like electric dudes 
were you like Really hip and 

40
00:03:54,880 --> 00:03:57,680
listening to? 
I mean like country World, it 

41
00:03:57,680 --> 00:04:01,160
was all the old school stuff 
like Don Rich and like that was 

42
00:04:01,280 --> 00:04:04,800
the intro to like getting a 
telly was that Carnegie Hall 

43
00:04:04,800 --> 00:04:07,960
Buck Owens album. 
Whereas like the first solo on 

44
00:04:07,960 --> 00:04:28,840
that record is 5 seconds long. 
I just like that he left it's in

45
00:04:28,840 --> 00:04:31,240
A and he left that G just 
ringing, you know? 

46
00:04:31,400 --> 00:04:35,040
It's just great. 
And I think the first like 

47
00:04:35,240 --> 00:04:37,400
rock'n'roll guitar player was 
like Jimmy Page. 

48
00:04:37,880 --> 00:04:39,320
That was my. 
That was your guy? 

49
00:04:39,320 --> 00:04:41,040
Yeah, that. 
Was my guy, so I got a Les Paul.

50
00:04:41,040 --> 00:04:44,000
So you do know normal 
rock'n'roll riffs too? 

51
00:04:44,320 --> 00:04:45,280
I do. 
Yeah, yeah, yeah, I do. 

52
00:04:45,720 --> 00:04:47,760
So you do study and practice the
ways. 

53
00:04:48,120 --> 00:04:49,760
You do know the art of the power
chord? 

54
00:04:52,520 --> 00:04:55,080
Yes, also me and Tyler's eyes. 
Really. 

55
00:04:55,200 --> 00:04:58,760
Oh, do you think so? 
That's amazing. 

56
00:04:59,400 --> 00:05:02,160
So B Bender, we'll wrap up with 
this. 

57
00:05:02,160 --> 00:05:07,040
What what about a bee Bender do 
you think is just better when it

58
00:05:07,040 --> 00:05:09,440
comes to electric guitar? 
Why would you want one of those 

59
00:05:09,440 --> 00:05:10,760
versus a regular one? 
I. 

60
00:05:10,760 --> 00:05:13,640
Tend to overuse them when I have
them so I have to like really 

61
00:05:13,640 --> 00:05:14,640
it's. 
Like me with a whammy bar. 

62
00:05:14,640 --> 00:05:16,960
Yeah, dude. 
I have to really like hone it in

63
00:05:16,960 --> 00:05:19,600
a little bit, but there's 
something about just having 

64
00:05:19,600 --> 00:06:02,440
that. 
I think like Clarence White with

65
00:06:02,440 --> 00:06:06,120
the birds is a perfect example 
of using it, you know, more 

66
00:06:06,240 --> 00:06:08,160
rock'n'roll context. 
I mean, it's not some of that 

67
00:06:08,160 --> 00:06:28,040
stuff is pretty country 
I got we tried to put some WD40 

68
00:06:28,040 --> 00:06:30,920
on it and it's hey we. 
Did hey by the way I saw people 

69
00:06:30,920 --> 00:06:34,240
posted we I was like get some 
WD40 bro and we like sprayed it 

70
00:06:34,240 --> 00:06:35,720
down. 
They were like, that's not you 

71
00:06:35,720 --> 00:06:37,240
shouldn't be doing that. 
You shouldn't be doing that. 

72
00:06:38,000 --> 00:06:39,200
Bro, what are you doing? 
Yeah, I. 

73
00:06:39,200 --> 00:06:42,160
Remember whatever I had, I've 
got one that's real squeaky. 

74
00:06:42,200 --> 00:06:45,840
And Gene Parsons, the guy, you 
know, I messaged him, he's still

75
00:06:46,000 --> 00:06:48,120
out in, he's putting a a Bender 
in one of my tailors. 

76
00:06:48,160 --> 00:06:50,440
Did you say hey man, I got a 
squeaky Bender bro maybe. 

77
00:06:50,440 --> 00:06:52,640
You could give me his contact 
info and I could be like I got a

78
00:06:52,640 --> 00:06:54,320
problem listen and. 
That was the first thing I got 

79
00:06:54,320 --> 00:06:59,000
back was do not ever put WD4. 
Sorry about that. 

80
00:06:59,800 --> 00:07:03,360
Hey, you heard it from the. 
It's just you, as long as you're

81
00:07:03,360 --> 00:07:05,240
not miking that. 
Yeah, as long as you're not 

82
00:07:05,240 --> 00:07:06,880
miking that. 
Yeah, you guys aren't even going

83
00:07:06,880 --> 00:07:10,120
to hear any of that. 
Dude, what was that little thing

84
00:07:10,120 --> 00:07:11,320
you did there at the end? 
That little. 

85
00:07:11,520 --> 00:07:14,200
Well, it's like a you're hitting
it in mid bend almost. 

86
00:07:14,200 --> 00:07:16,160
Oh, yeah, Yeah. 
That's something that that's new

87
00:07:16,160 --> 00:07:34,800
to me. 
Because you're kind of going in 

88
00:07:34,800 --> 00:07:37,440
between that major and minor. 
Yeah, where the half note is. 

89
00:07:41,840 --> 00:07:44,040
That's like 1/2. 
Yeah, just a half instead of a. 

90
00:07:45,480 --> 00:07:48,200
Yeah, that's what we, when we 
first were trying it out, we 

91
00:07:48,200 --> 00:07:51,280
kept hitting the whole bend and 
we're like, ah, that one works. 

92
00:07:51,280 --> 00:07:53,080
Oh, that one's bad. 
Oh, that one works. 

93
00:07:53,400 --> 00:07:55,920
Yeah, most times, like I've got 
to figure out a way to get it. 

94
00:07:56,080 --> 00:07:59,160
Usually it's like that that 
shape where it would typically 

95
00:07:59,160 --> 00:08:09,080
be like an A. 
That that thing where you raise 

96
00:08:09,080 --> 00:08:10,480
it up, but you haven't hit the 
straight. 

97
00:08:11,520 --> 00:08:14,760
That's what that's what I'm 
missing because I'll I'll hit it

98
00:08:14,760 --> 00:08:16,560
and then bend it and it's like a
you got. 

99
00:08:16,560 --> 00:08:18,440
To do a pre bend bro. 
The pre bend. 

100
00:08:19,080 --> 00:08:21,200
Hey you got to pre bend the 
neck. 

101
00:08:21,200 --> 00:08:25,800
Pre bend the neck. 
Have you guys seen this guy on 

102
00:08:25,800 --> 00:08:28,960
social media? 
I I think it's like RVJ guitars.

103
00:08:28,960 --> 00:08:33,200
This guy in he's in Oklahoma and
he has like, no, I think he has 

104
00:08:33,200 --> 00:08:34,559
Bender, but he also has little 
bars. 

105
00:08:34,559 --> 00:08:36,440
Oh yeah, yeah, yeah. 
Oh yeah, yeah, I've seen that 

106
00:08:36,440 --> 00:08:37,120
guy. 
Yeah, he's. 

107
00:08:37,120 --> 00:08:40,640
Got the little baby bars. 
Yeah, yeah, dude, it's like an 

108
00:08:40,640 --> 00:08:43,760
art and it's a baby bar. 
It's like an AB Bender is like 

109
00:08:43,760 --> 00:08:47,200
an art in itself doing all that 
little micro tonal stuff. 

110
00:08:47,200 --> 00:08:50,040
Is is it's it's money, man.
