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It's not a cold open, but it 
does open in the cold after an 

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awesome new intro that will 
break down separately. 

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Episode one called A Son for a 
Son is a fantastic new start 

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full of callbacks and 
references. 

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Many things in this episode show
and or tell us of recurring 

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traditions, such as the one 
started by Torren Stark, The 

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King who Knelt a century or so 
ago. 

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It calls for one in 10 men from 
his household to join the 

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Night's Watch or Why an Arias 
time. 

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Well over a century later, the 
Red Keep is full of cats with 

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nary a rat catcher to be seen. 
The first word of the episode is

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duty, and it is a central theme 
of the episode, but paired with 

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conflict, the sort that makes 
one's duty difficult to 

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determine. 
The duty of the north to support

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unity in the South and remember 
their oaths, but also to send 

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men, sometimes to their own 
family, to the wall when winter 

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is coming. 
The duty of the king to defend 

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the small folk, but also to win 
the war for his family and to 

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avenge those who do it harm. 
The duty of a queen in conflict 

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with the inherent duties of 
motherhood, as Damon tells 

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Raines, the mother grieves as 
the queen shirks her duty. 

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The duty of Kingsguard. 
How are they to know what to do 

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when the House of the Dragon, 
whom they swear to protect, 

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turns on its? 
It's a question worthy of Jaime 

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Lannister's conflicting oaths. 
There's also the duty of Allen, 

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as he himself puts it, to save 
Lord Corleiss in battle. 

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The conflict in this particular 
scene is implied rather than 

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explained. 
For now. 

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Give it time. 
The phrase dark wings, dark 

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words is also implied rather 
than spoken when word arrives 

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for Lord Cregan from Dragonstone
about the death of Luke, making 

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war all the more certain. 
You might recognize the song 

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playing in the opening Northern 
scene as well, A familiar, 

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haunting tune that many would 
call the Stark theme. 

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It also debuts back in that very
first episode of Game of Thrones

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when Jon Snow leaves for the 
Wall, parting with Rob Stark. 

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They expect to see each other 
again, but never do. 

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Fittingly, the song is called 
Goodbye, Brother, and damn is it

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ever a sad song by itself, let 
alone with the knowledge that 

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Jace learns while standing atop 
the Wall like Jon Snow, another 

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man with uncertain ancestry, 
that he too will never see his 

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brother again after being killed
under treacherous and vengeful 

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circumstances. 
Kragen has much and more to say 

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about winter and duty, but when 
he reads the message from 

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Dragonstone telling of Luke's 
death, he's speechless. 

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War does demand the sacrifice of
children, but usually that 

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sacrifice comes during the war, 
not before. 

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Eamond will later claim the war 
had already begun before his 

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act, or Veigar's act if you 
prefer. 

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So I suppose it's a matter of 
perspective, as Eamon's own 

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actions are seen as quite 
different, not only in his own 

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eyes, but of his family, and 
even more differently in the 

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eyes of, say, Damon or Rainiera.
But in this episode, as Helena 

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tells Aegon, it's not the 
Dragons but the rats she's 

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afraid of, and it's the Ravens 
that bring the news for many in 

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this one as well, as it did for 
Rainiera. 

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Just as the season concluded, 
Rainey's experienced the same 

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when a Raven came to her long 
ago with news that her daughter 

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Elena died. 
Damon is angry and wants to kill

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both Veigar and her rider, as he
puts it, and echoes the episode 

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title, saying it would be a son 
for a son, but softens a bit at 

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the mention of Veigar's previous
rider, his deceased wife. 

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He lashes out and blames 
Rainey's for the death of Luke, 

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though who would still be alive 
if she had incinerated Greens 

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when she had the chance. 
Rainey's declares that Rainier 

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is not as lost to vengeance as 
he seems to be, but the only 

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words the Queen speaks in the 
entire episode are I want Eamon 

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Targaryen, showing that she is 
closer to Damon's frame of mind 

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than Rainey's seems to have 
believed, though surely not so 

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similar as to expect the death 
of a toddler. 

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Rainier searches around the 
region of Storm's End for 

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tangible proof of her son's 
death, and eventually finds it. 

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When she returns, she utters 
that singular wish and holds a 

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funeral for Luke after Jace 
returns too, as they can sign 

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Luceros personal belongings to 
the flames as Targaryen 

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tradition demands. 
The scene is paralleled with 

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Allison at the Great Sept 
lighting candles in honor of her

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deceased. 
First she names her mother 

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Allory Floret, then King 
Viserys, who was her husband. 

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Then after some trepidation, she
too names Luceros and notably 

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calls him Delarium. 
Luke's death is also raised 

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during the conversation between 
Allen and Lord Corleiss. 

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Allen mentions his brother the 
Shipwright, which seems to give 

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Lord Corley some moments pause, 
but the pause when Allen 

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presents Corleiss with a dagger 
meant for Prince Luceros is even

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longer. 
Alan seems to have a command 

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role, informing Lord Corleiss 
that seven more ships have been 

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sent out to reinforce the 
incomplete blockade, while Lord 

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Corleiss wants his own ship 
prepared to lead the effort, 

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though it will be weeks. 
According to Alan, the blockade,

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though incomplete, is sufficient
to capture the White Worm as she

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flees King's Landing, perhaps 
for Essos. 

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Instead, she ends up in the 
dungeons of Dragonstone upon the

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orders of an angry Prince Damon,
who blames her for putting Egg 

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on on the throne, though she 
denies doing anything more than 

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profiting from it or perhaps 
speeding it along. 

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A bit at worse. 
Damon's actually right, though 

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she manages to convince him 
otherwise. 

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But we know that she did 
actually tell Otto at the time 

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that she could have killed Aegon
easily, and to remember that it 

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was her who put him on the 
throne as much as anyone else. 

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In retrospect, she overplayed 
her hand in that incident as her

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threats resulted in her 
establishment being burned to 

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the ground. 
The only silver lining for her 

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seems to be the widespread 
belief that she's dead, meaning 

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they aren't looking for her any 
longer for now, because she is 

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complicit, or at least would be 
so in the eyes of the Greens if 

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they knew. 
In giving Damon crucial 

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information that leads to the 
incident that history now 

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remembers as Blood and Cheese, 
we first see the man known as 

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Cheese in the corner of the 
Small Council chambers. 

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Allison and Sir Kristen, just 
after hooking up, arrive there 

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and pass in front of Cheese with
his dog. 

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As he's leaving, they will again
be hooking up Wind. 

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Blood and Cheese infiltrate the 
keep at the end of the episode. 

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Even though Allison declares 
they have to stop, they take no 

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notice of Cheese, nor does 
anyone else. 

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Otto instead gives both Cole and
his daughter a look as if he 

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suspects their relationship. 
The early scene in the Small 

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Council also sets up the horror 
at the end by having young 

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Prince Jahari so close by in 
this scene as well. 

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It's a sign of the King making 
up for his own lack of education

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in such matters by overdoing it 
with his son a bit early. 

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Young Jerry says presence is 
almost light hearted, but it's a

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cruel bit of foreshadowing along
with Aegon himself failing to 

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recognize which of his twins is 
the boy, just like the confusion

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of the murderers when finding 
them lying side by side. 

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Aegon also invites his brother 
Eamon to the meeting, who 

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declares that they must take 
Harrenhall just as Damon wants, 

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but Otto declares that they must
be patient now that they've 

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reminded the realm of what 
Veigar can do. 

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After a look from Allison, 
Kristen tells Aegon that he must

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not not risk himself directly in
battle. 

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Aegon is visibly perturbed by 
the notions of patience and 

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caution, but seems to accede to 
them for now. 

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Lorries comes to Allison just 
after the session to inform her 

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that he's completed his 
investigations and executed all 

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the traitors in their household.
Clearly, he missed at least one 

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rat catcher, but whether he'll 
be blamed for it remains to be 

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seen. 
In the meantime, Allison is 

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uncomfortable at the news 
Lorries has hired all her new 

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staff personally, which 
manifests in her sending all her

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maids away when she's taking a 
bath. 

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Does he know about her 
dalliances with Sir Kristen? 

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Larry's also watches from the 
gallery above while Aegon holds 

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court. 
Fresh off a huge dose of 

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validation by the commoners 
during his coronation, he's 

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feeling generous and wants to 
maintain his popularity, yet 

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he's at odds with Auto over how 
to handle the assembled 

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petitioners. 
He reverses one decision 

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regarding tribute for 
Dragonfodder after the Hand 

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insists, but refuses to budget 
on the matter of paying the 

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blacksmiths in advance. 
They're represented by a man 

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named Hugh who couldn't possibly
have a further role in the show.

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Larry, he's an opportunity in 
the disagreements between King 

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and Hand, and reminds Aegon that
Otto was his father's Hand, 

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leaving unspoken that he is 
within his rights to name his 

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own new Hand. 
Someone more in tune with his 

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style of rule, perhaps. 
We see that while the Blacks are

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in stasis, while waiting for 
Reniera to recover from grief, 

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the Greens are beset by internal
squabbles and power struggles. 

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One of those squabbles, one that
has been running since season 

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one, may have actually been 
resolved, though. 

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Allison confronts Otto, 
asserting that despite being on 

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the same page as to the path to 
victory, he's undermining her 

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authority over her sons, 
authority they very much need if

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they are to maintain control 
over their faction. 

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Otto and Allison believe they 
understand the minds of Egon and

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Amond, that the former will 
eventually grow bored with 

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ruling allowing them to take 
over, and that the latter is 

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angry. 
There's a lot of evidence 

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they're wrong. 
However, soon after, Sir Kristen

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and Amon have their own session,
one that very much parallels the

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one with Otto and Allison, 
including Amon declaring that 

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Allison is angry. 
In addition to calling his own 

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mother by her first name, he 
also believes she's a hypocrite 

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for blaming the war on him and a
fool for loving their enemy. 

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Sir Kristen responds, probably 
because he's sleeping with her, 

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by recalling his take from 
season one to Allison herself, 

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where he declared Ranira to be a
spider and tells Eamon that 

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Allison's not to blame. 
Still, they agree that they 

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should privately ask Aegon to 
send them with an army to force 

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the Crown lands into submission.
They discuss tactics using coins

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as markers on their map as they 
plan this campaign and how to 

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enact it. 
Damon's plan to kill Aymond is 

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already underway thanks to 
Mizar's connections, which he 

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trades for her freedom. 
Damon also uses coins, but as 

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bribes, not as markers. 
He recruits a large man to kill 

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Aymond and a rat catcher with 
knowledge of Megor's tunnels. 

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00:09:02,240 --> 00:09:04,880
The two of them pass through the
same drainage tunnel Aria will 

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exit from many years later and 
proceed to work their way 

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through the Red Keep, which 
includes passing right through 

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the throne room, just as Cheese 
that earlier passed through the 

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00:09:14,080 --> 00:09:15,840
small council room and been 
ignored. 

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00:09:15,840 --> 00:09:19,360
He tells Blood to keep his eyes 
down and they'll be ignored here

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00:09:19,360 --> 00:09:20,920
as well. 
Neither of them do. 

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Blood can't help but stare 
directly into the face of what 

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00:09:23,520 --> 00:09:26,960
must be a new statue of King 
Viserys, while Cheese can't help

199
00:09:26,960 --> 00:09:30,080
but look at the king on his 
throne, drunk on strong line 

200
00:09:30,080 --> 00:09:32,480
while chatting about what 
nickname he should establish for

201
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himself with his friends. 
Suggested names include Aegon 

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the Generous and Aegon the 
Dragon Heart, but he seems to 

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00:09:38,360 --> 00:09:41,120
really like Aegon the Dragon 
Cock most of all. 

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We returned to Cole and Amons 
plotting, only to hear it 

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00:09:43,840 --> 00:09:45,920
interrupted by footsteps 
approaching. 

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00:09:46,080 --> 00:09:48,520
As Kristen reaches for his 
sword, we wonder if Blood and 

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00:09:48,520 --> 00:09:50,400
Cheese are about to appear, but 
it's only Otto. 

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00:09:50,440 --> 00:09:53,080
He sees what they're doing and 
orders Coal to return to his 

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00:09:53,080 --> 00:09:55,880
post, then proceeds to 
simultaneously win over and 

210
00:09:55,880 --> 00:09:59,280
chastise Aymond, who declares 
he's only doing his duty to his 

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00:09:59,280 --> 00:10:01,640
house. 
Otto reminds Aymond of the value

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00:10:01,640 --> 00:10:04,400
of discipline, challenging him 
to be better than his brother. 

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00:10:04,440 --> 00:10:06,880
A clever thing to say, as we 
know Eamon sees himself as 

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superior to Aegon. 
Given his comments last season. 

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00:10:10,000 --> 00:10:13,080
We don't see the conversation 
end, but it clearly does, and 

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00:10:13,080 --> 00:10:15,680
both of them leave the room to 
go elsewhere. 

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00:10:15,680 --> 00:10:19,000
This may have saved Amon's life,
though perhaps he would have 

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00:10:19,000 --> 00:10:21,400
been able to defend himself 
against Blood and Cheese, who 

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00:10:21,400 --> 00:10:23,720
enter the royal apartments 
through a secret door. 

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Blood steals the map marker 
coins while it's Cheese's turn 

221
00:10:27,200 --> 00:10:29,680
to be mesmerized by Targaryen 
artwork. 

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00:10:29,680 --> 00:10:32,840
A mural of Harrenhal's burning. 
It seems Otto's interruption had

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the potential to save young 
Prince to Harry's as well, 

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assuming Sir Kristen's duty was 
guarding him and his sister and 

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the Queen, but instead he was 
with Allison. 

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While they're going at it, Blood
and Cheese stumble upon a 

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hapless and innocent Helena, who
is forced to reveal which of her

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00:10:48,240 --> 00:10:51,480
two children is the boy, a 
regular Sophie's Choice. 

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00:10:51,480 --> 00:10:55,160
And again, they declare the 
episode's title a son for a son.

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When they set upon with 
disturbing sound effects, the 

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00:10:57,720 --> 00:11:00,840
even more hapless and more 
innocent Jeharis, the Queen 

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00:11:00,840 --> 00:11:03,920
grabs his twin sister and runs 
off, eventually entering the 

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00:11:03,920 --> 00:11:06,760
bedroom where Allison and Sir 
Kristen believe themselves to be

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00:11:06,760 --> 00:11:09,840
hidden, the very bedroom Kristen
slept with Ranira. 

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In fact, ignoring their affair, 
Helena simply sits down in the 

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00:11:12,960 --> 00:11:14,960
corner. 
Allison asks what's wrong, and 

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00:11:14,960 --> 00:11:18,240
Helena replies in an almost flat
voice that they killed the boy, 

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00:11:18,280 --> 00:11:20,920
ending the episode. 
This is a final grim call back 

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00:11:20,920 --> 00:11:22,800
to episode one of Game of 
Thrones and that one. 

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Another Queen and another Lord 
Commander are caught sleeping 

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together by an innocent boy whom
they try but fail to kill. 

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00:11:29,160 --> 00:11:30,960
We don't learn that until 
episode 2, though. 

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Just as we don't know what the 
fallout will be for the death of

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Prince Jay Harris, his won't be 
the only head to roll, so to 

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00:11:36,920 --> 00:11:38,760
speak. 
It's not exactly what Damon 

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00:11:38,760 --> 00:11:40,720
wanted, though he's probably OK 
with it. 

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00:11:40,720 --> 00:11:43,160
It's not at all what Ranira 
wanted and she'd like likely 

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00:11:43,160 --> 00:11:45,760
won't be OK with it, and it's 
definitely not what any of the 

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00:11:45,760 --> 00:11:48,880
Greens wanted and definitely 
won't be OK with Aegon's new 

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00:11:48,880 --> 00:11:50,920
found. 
Patience and caution are likely 

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00:11:50,920 --> 00:11:54,520
at an end, as is the notion that
Veigar is keeping them safe and 

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00:11:54,520 --> 00:11:57,360
the internal power struggle is 
about to heat up like a dragon 

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00:11:57,360 --> 00:12:00,440
headed to war. 
Join us all season long for long

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00:12:00,440 --> 00:12:03,560
and short form coverage and in 
between TV seasons for deep 

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00:12:03,560 --> 00:12:06,840
dives into a wide variety of 
book centric topics.