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Thanks so much for tuning in to 
Reversing Climate Change. 

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I'm the host Ross Kenyon 2 
sponsors right now, Rainbow and 

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Philip Lee LLP. 
If you give me a couple minutes,

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I'll tell you about why they are
very relevant to your interests.

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00:00:12,360 --> 00:00:14,840
So listen up. 
If you follow me on Sub Stack or

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LinkedIn, you've probably seen 
me write for Rainbow recently. 

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They have a very idiosyncratic 
approach to how science is 

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commercialized and how 
engineering works within carbon 

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removal. 
And I really like working with 

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them. 
I've learned a lot from the 

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people there. 
They're very smart, thoughtful 

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people and they're aiming to be 
the most developer centric 

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registry out there. 
What's cool about Rainbow is how

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seriously they take field 
engineering experience. 

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They aren't. 
They're just to write a bunch of

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detached rules about how things 
should work in the abstract and 

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then let project developers 
figure it out, know they are 

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very serious about field 
engineering, about how 

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operations actually work in the 
real world, and they take a 

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rigorous yet philosophical 
approach. 

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I'll link to those articles in 
the show notes in the sponsors 

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section. 
You should check them out 

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because it will give you a very 
good idea of why I think Rainbow

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is a very cool company and one 
that you should consider doing 

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business with. 
If you are a project developer 

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and you're thinking about which 
registry to use for your next 

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project, you should absolutely 
take a meeting with Rainbow and 

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see if there's a fit there. 
One thing to keep in mind that 

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is often very important to the 
project developers that I've 

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interviewed as a result of my 
work with Rainbow doing customer

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discovery work, just trying to 
wrap my head around the 

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opportunities that they're 
seeing is how fast their 

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certification process is. 
They typically quote around 3 

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months to issue carbon credits, 
which is very short. 

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It goes by lickety split for 
registries. 

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So if you're a project 
developer, you're looking for a 

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registry to use to certify and 
issue your carbon credits. 

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Take a look at Rainbow links in 
the show notes. 

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Thanks so much for listening. 
I'd also love to tell you about 

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Philip Lee LLP. 
If you've been working in this 

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space for really any amount of 
time, you probably have noticed 

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that you do need competent 
counsel to do business here. 

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The contracts that get signed 
are, frankly, pretty weird. 

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You're going to need help from a
lawyer with a red pen, I'm sorry

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to inform you. 
Your only choice is basically 

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who they should be. 
And if you are deciding who they

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should be, you should be 
considering Philip Lee LLP. 

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They've won Environmental 
Finances VCM Law Firm of the 

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Year for the last gosh, since 
2023 essentially. 

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It hasn't happened yet for 2026.
I imagine they're a contender 

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for it this year as well. 
They are the largest legal team 

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dedicated to the financing and 
development of carbon projects 

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globally, and they have offices 
in the US, Europe, and the UK. 

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One cool new thing I just 
learned actually is that they 

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have been listed as a firm in 
Chambers Global as a global 

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market leader in the area of 
climate change. 

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This listing alliance, Philip 
Lee LLP, with around 15 to 20 of

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the leading law firms practicing
in this practice area in the 

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entire world. 
So Congrats to Philip Lee LLP. 

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Thank you to both Rainbow and 
Philip Lee LLP for your generous

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support of the show. 
You make it possible for me to 

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dedicate so much time to putting
out content that I hope is 

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useful to our friends and peers 
and fellow travelers in the 

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world of carbon removal, climate
change, and carbon markets. 

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Thanks so much. 
Here's the show. 

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Hello, thanks for listening to 
reversing Climate change. 

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I'm Ross Kenyon, I'm the host of
the show. 

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I'm a carbon removal and climate
tech entrepreneur. 

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I'm also someone who likes 
books. 

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Today I'm going to talk about a 
short story that I really love 

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and its application to the idea 
of vocation, which I think it's 

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an underused term. 
Vocation if you've ever studied 

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any language that uses cases, 
Any language that uses 

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declension, which is when nouns 
change similar to how verbs are 

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conjugated, but sometimes nouns 
can also change rather than 

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using prepositions which are 
outside of the noun. 

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Sometimes prepositions can be a 
part of nouns, and the vocative 

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case is how it works when you 
are addressing someone, when you

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are calling someone. 
So for instance, it's not a two 

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Brutus, it's a 2 Bruti. 
If you're addressing Brutus, you

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change his name because you were
calling him. 

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It's the vocative case. 
And a vocation is meant to be a 

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calling. 
And this can be quite distinct 

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from the job that you do, the 
work that you do. 

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A vocation is meant to be 
something that is meaningful. 

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In fact, a vocation opens the 
question of who is the one doing

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the calling? 
Is it to your own self? 

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Is desiring after something that
it knows that it wants? 

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Is this some sort of divine 
motivation or fate? 

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Determinism. 
Some of those funny embeddings 

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of meaning inside of a what 
would otherwise be a rather 

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neutral linguistic term. 
I think, I imagine this at least

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partially comes from the Latin 
and the Catholic Church 

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referring to people who are 
called to religious lives like, 

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you know, being nuns, monks, 
priests as the vocations. 

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And I think when work is good 
and you know that you're doing 

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something that is meaningful, 
that is rewarding, you feel like

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you're in the right place. 
I think that can be vocational 

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and it also doesn't necessarily 
have to be 1 single thing. 

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One thing that I've loved about 
my life since my last company 

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closed down is that I've been 
able to work with a number of 

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entrepreneurs in either a 
mentorship capacity where I am 

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volunteering and accelerator 
programs. 

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That's also turned into paid 
coaching work and accelerator 

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programs, in addition to 
advising arrangements with 

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companies. 
And that for me, has a strong 

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vocational meaning. 
I feel as though I am where I'm 

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supposed to be. 
I am adding value, I am working 

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through big questions and I'm 
able to do the job in a way that

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I experience. 
Is being emotionally connected, 

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impactful, encouraging, while 
also being real about the issues

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that companies face as well. 
It's not just being a damn the 

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torpedoes never tell me the 
odds. 

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Sometimes you need to deliver 
feedback that may be tough to 

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hear about one's company. 
And I can still view that job as

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something that I find to be a 
beautiful, rewarding experience.

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I actually really like 
educating, and I don't even 

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really like using that word so 
much. 

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Just I like being an external 
strategic enabler for others, 

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and that's something that I 
really like doing and feel very 

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passionate about to the degree 
to which I'm willing to use 

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vocational about 17 times so far
in this podcast. 

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Not all work feels like that. 
It's not every day that it does.

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I've been thinking a lot about 
the nature of work, of Labor, 

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because how could you not? 
And one of the other parts of my

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life that feels vocational is 
this podcast. 

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Not every part of it feels 
vocational to me, but when it 

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does, I feel I'm on the right 
track about something important 

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and I feel connected to a long 
and powerful lineage. 

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I'm going to explain what that 
means. 

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In order for this to have a lick
of a chance at making sense, I'm

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going to have to walk you 
through a short story which I 

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adore, called Leaf by Niggle by 
JRR Tolkien. 

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I've known about this story for 
a very long time. 

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A friend of mine recommended it 
to me. 

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I don't even know how long ago. 
I saw them post on social media 

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years ago a podcast called 
Classical Stuff You Should Know,

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and they did an episode about 
Leaf by Niggle and I had it 

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saved in my podcast app for I 
don't even know how long. 

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It was one of those. 
It's been downloaded. 

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It's at the very bottom of the 
list, older than anything else 

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that's been downloaded. 
I always been like, I'm going to

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get to it. 
As you probably heard me mention

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on this show before, Books finds
you at the right moment. 

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I wasn't ready when I first 
tried to read Leaf by Niggle. 

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It washed right over me, made 
basically no impression at all. 

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But some part of me just kind of
knew, like there's something 

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here. 
I'm going to want to revisit it.

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So recently, probably a month or
six weeks ago, I listened to 

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that classical Stuff You Should 
know podcast about leaf by 

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niggle. 
It's produced by several 

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teachers, as far as I can 
understand, from a classical 

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00:09:13,320 --> 00:09:17,640
Christian Academy, the kind of 
school that's reading Aquinas 

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and Aristotle and and working 
through the classical 

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humanities, like liberal arts 
tradition. 

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And so I listened to this 
podcast and I'm like, OK, this 

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is really the exact right moment
for me to be discovering this 

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again. 
And I'm going to go back and 

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read Leaf by Nickel. 
Big surprise. 

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I think Leaf by Nickel is 
brilliant. 

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It's so didactic, but it's also 
so unexpected, which makes it a 

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truly wonderful tale. 
So I'm going to tell you about 

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it. 
It's going to spoil it, but also

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you could listen to it or read 
it in less than an hour if you 

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would like. 
Niggle is a painter and he lives

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in the countryside of what I 
imagine is England, and he's not

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that great of an artist. 
He's OK at it, but he's 

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passionate and he's always 
working on a picture of a tree 

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and it keeps getting bigger and 
bigger, but he never quite 

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finishes it. 
As he's working on it, his 

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neighbors, people from the town,
just keep bothering him with 

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what he deems interruptions. 
No, he has to serve on a jury. 

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Oh, such and such needs a little
help with their garden. 

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You have a distant relation 
who's I'll somewhere. 

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In other words, his life is full
of the regular a business of 

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living life. 
There are people who who need 

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things that he is in a position 
to help them with. 

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And while he he does it and he 
does help these people, he never

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especially wants to he he 
broadly resents the intrusion, 

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but he's compliant and and 
serves them his his goal is to 

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get back to his tree and keep 
painting as much as possible. 

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00:11:00,800 --> 00:11:03,280
And if you know anything about 
Tolkien, who wrote the Lord of 

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00:11:03,280 --> 00:11:07,720
the Rings and quite a lot of 
poetry and other mythological 

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00:11:07,720 --> 00:11:11,600
works, this is basically his 
life. 

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He's trying, I imagine trying 
desperately, to birth into 

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00:11:17,160 --> 00:11:25,760
existence an entire internally 
coherent, powerful mythological 

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00:11:25,760 --> 00:11:29,600
realm. 
Immensely difficult to do. 

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Having a symbolically rich story
that also broadly holds is a 

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00:11:35,720 --> 00:11:37,640
really challenging thing to do. 
They joke about it in that 

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00:11:37,640 --> 00:11:39,480
podcast, which by the way, if 
you want to listen to you, I'll 

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00:11:39,480 --> 00:11:42,840
post it in the show notes. 
They joke that Tolkien was was 

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00:11:42,840 --> 00:11:47,440
always would argue with CS Lewis
about how the Chronicles of 

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00:11:47,440 --> 00:11:51,600
Narnia universe doesn't actually
make sense, like there's 

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00:11:51,680 --> 00:11:54,400
contradictions in it that he's 
never been able to resolve. 

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00:11:54,800 --> 00:11:58,320
So Tolkien was really trying to 
make this thing all sort of make

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00:11:58,320 --> 00:12:01,080
sense. 
And that's a lot of work. 

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00:12:01,080 --> 00:12:05,640
But life keeps intervening. 
He keeps having to do things. 

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00:12:05,640 --> 00:12:09,000
His community needs him for 
various things, and he knows 

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00:12:09,280 --> 00:12:12,320
that he actually has an 
important journey coming up that

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00:12:12,320 --> 00:12:15,640
he cannot refuse. 
It will not surprise you to know

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00:12:15,640 --> 00:12:19,560
that that is a literary way of 
describing death. 

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00:12:20,440 --> 00:12:22,840
If someone ever says that they 
have an important journey that 

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00:12:22,840 --> 00:12:26,080
they cannot postpone any longer 
or something like that, that's 

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00:12:26,160 --> 00:12:29,360
it's symbolism for death. 
I think almost, almost always we

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00:12:29,360 --> 00:12:33,200
have a joke in my family about 
how your high school literature 

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00:12:33,200 --> 00:12:36,200
class would always ask you, 
well, who's the Christ figure in

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00:12:36,200 --> 00:12:40,080
this novel? 
And and by joke, there's always 

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00:12:40,080 --> 00:12:43,240
one, There's always someone that
you can put into that molds 

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00:12:43,240 --> 00:12:45,720
because you come from a 
Christian civilization if you're

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00:12:45,720 --> 00:12:48,080
from a Euro American 
orientation. 

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00:12:48,640 --> 00:12:50,680
But Niggle has to make a 
journey. 

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00:12:50,960 --> 00:12:55,040
And his neighbor parish comes by
his house and says that his wife

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00:12:55,040 --> 00:12:57,800
is ill. 
And he very much needs Niggle to

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00:12:57,800 --> 00:13:02,480
ride his bike to town to get the
doctor for his wife because he's

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00:13:02,480 --> 00:13:04,600
worried that his wife doesn't 
merely have a cold, but it's 

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00:13:04,600 --> 00:13:06,280
actually a fever and she may 
die. 

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00:13:07,360 --> 00:13:11,160
Niggle knows that he may himself
catch a cold. 

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00:13:11,520 --> 00:13:15,040
He doesn't especially want to do
this journey, but he does it to 

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00:13:15,040 --> 00:13:18,400
help perish and perish his wife.
And he goes. 

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00:13:18,800 --> 00:13:21,680
He falls ill, and Parish's wife 
is fine. 

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00:13:22,440 --> 00:13:25,120
I was apparently a quick call. 
She recovers quickly. 

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00:13:25,360 --> 00:13:28,600
So the trip ultimately had no 
instrumental result. 

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00:13:28,800 --> 00:13:32,360
That made Niggles journey worth 
it for the outcome. 

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00:13:32,880 --> 00:13:36,000
It was one of those things where
the intention mattered but the 

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00:13:36,000 --> 00:13:40,480
outcome was irrelevant, which 
is, I think, symbolically and 

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00:13:40,480 --> 00:13:42,720
theologically important to the 
story. 

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00:13:43,560 --> 00:13:46,320
While he's there, he's also 
meant to ask the builders, 

228
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builders, you know, British for 
construction people, if they can

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00:13:50,000 --> 00:13:54,280
come by to fix Parrish's house 
because the roof is is failing 

230
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and it's letting in the damp and
the cold. 

231
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And that's at least partially 
why Missus Parrish fell I'll 

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niggle falls. 
I'll soon enough. 

233
00:14:02,880 --> 00:14:07,160
The the building inspector comes
by and says that the law 

234
00:14:07,160 --> 00:14:10,840
requires him to help his 
neighbor because they're having 

235
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bad weather. 
And Niggle should have helped 

236
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his neighbor more to stop the 
damage from getting worse during

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this stormy period. 
And Niggle points out that the 

238
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town has an emergency fund, like
he shouldn't have to be the one 

239
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to help perish. 
But the inspector points to his 

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00:14:26,480 --> 00:14:29,600
painting and says, look, you've 
got canvas, you've got wood, 

241
00:14:29,920 --> 00:14:32,360
you've got waterproof paint. 
It's all right here. 

242
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You have all the means to help 
your neighbor and you chose not 

243
00:14:35,840 --> 00:14:39,160
to, even though you could have 
prevented his home from being 

244
00:14:39,160 --> 00:14:41,040
damaged further by the rain and 
the storm. 

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Of course, Niggle thinks that 
his art is more important than 

246
00:14:45,720 --> 00:14:48,040
helping his neighbor. 
And so if you stop reading here,

247
00:14:48,040 --> 00:14:51,240
you would think this is such 
obvious Christian parable, 

248
00:14:51,320 --> 00:14:53,120
right? 
Niggle is selfish. 

249
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All he cares about is his art. 
He's not even especially good at

250
00:14:56,480 --> 00:14:58,720
it. 
He just wants to make it for his

251
00:14:58,720 --> 00:15:01,760
own vain desires. 
And obviously, the thing in life

252
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that counts is helping your 
neighbor, and that is true to an

253
00:15:05,800 --> 00:15:09,360
extent. 
But what I love about this story

254
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is it doesn't end there. 
And there's actually a much more

255
00:15:11,040 --> 00:15:14,840
sophisticated set of moral 
lessons that come. 

256
00:15:16,600 --> 00:15:22,280
So while Niggle is dealing with 
this very insistent building 

257
00:15:22,280 --> 00:15:26,200
inspector, the driver of his 
coach that he's been awaiting 

258
00:15:26,200 --> 00:15:29,960
for his travel arrives. 
And Niggle doesn't want to go. 

259
00:15:30,480 --> 00:15:34,120
He hasn't packed anything. 
He wasn't prepared to make this 

260
00:15:34,120 --> 00:15:36,720
long journey right now, but here
it is. 

261
00:15:36,840 --> 00:15:39,520
It is upon him. 
And there's no time to do 

262
00:15:39,520 --> 00:15:43,880
anything except to comply. 
And he's also just so tired. 

263
00:15:43,880 --> 00:15:48,000
He's, I'll, he's just going to 
allow himself to be carted off 

264
00:15:48,000 --> 00:15:52,040
from his home and taken where 
the driver wants to take him. 

265
00:15:52,440 --> 00:15:54,200
And if you're thinking this 
sounds like the Grim Reaper, 

266
00:15:54,200 --> 00:15:58,160
then like I said, I don't really
think that there's a lot of 

267
00:15:58,520 --> 00:16:03,080
attempts to hide the symbolism, 
which is interesting, right? 

268
00:16:03,080 --> 00:16:06,160
Because Tolkien is actually very
sophisticated with how he uses 

269
00:16:06,160 --> 00:16:07,960
symbolism. 
And the Lord of the Rings books 

270
00:16:07,960 --> 00:16:10,800
are not straightforwardly 
symbolic. 

271
00:16:11,240 --> 00:16:14,240
Like if, if I ask you the high 
school literary question of who 

272
00:16:14,240 --> 00:16:18,520
is the Christ figure in Lord of 
the Rings, you could give 

273
00:16:18,520 --> 00:16:22,280
several answers and write 
several essays that would 

274
00:16:22,280 --> 00:16:24,560
convince your teacher that you 
actually did the reading and had

275
00:16:24,560 --> 00:16:26,800
thought about it. 
Like, it could, it could be Sam 

276
00:16:26,800 --> 00:16:28,800
wise. 
You know, Sam is basically 

277
00:16:28,800 --> 00:16:31,920
saying Christopher. 
I think the mythological story 

278
00:16:32,040 --> 00:16:35,400
of Saint Christopher is closest 
for Sam, But you could also say 

279
00:16:35,400 --> 00:16:39,000
that Sam's amount of sacrifice 
and humility is Christ. 

280
00:16:39,000 --> 00:16:42,160
Like in this way, obviously you 
could say Frodo. 

281
00:16:42,760 --> 00:16:46,360
And then what is Oh gosh, do I 
want to, even if you haven't 

282
00:16:46,360 --> 00:16:50,080
read, read Lord of the Rings or 
watched it, if you don't want 

283
00:16:50,080 --> 00:16:53,160
spoilers, quit now because I, I 
feel like I have to talk about 

284
00:16:53,160 --> 00:16:55,080
Lord of the Rings just to, to 
make sense of this. 

285
00:16:56,960 --> 00:16:59,400
Frodo decides that he's going to
keep the ring the same that 

286
00:16:59,400 --> 00:17:02,760
Izlder did a very long time ago 
before the Lord of the Rings 

287
00:17:03,080 --> 00:17:07,680
trilogy happens. 
And then Gollum tackles him and 

288
00:17:07,680 --> 00:17:10,520
tries to wrestle the ring away 
from him, bites his finger off, 

289
00:17:10,640 --> 00:17:13,200
and then falls into mountain 
doom and ironically saves the 

290
00:17:13,200 --> 00:17:19,640
day by his own greed rather than
letting Frodo's corruption win. 

291
00:17:19,720 --> 00:17:21,720
It's like, it's beautiful. 
Like rich. 

292
00:17:21,720 --> 00:17:24,160
Like what? 
What is that story? 

293
00:17:25,160 --> 00:17:27,079
There's so much depth to that. 
It's hard for me. 

294
00:17:27,079 --> 00:17:29,080
I know it's symbolically 
important, I know it's 

295
00:17:29,080 --> 00:17:32,480
meaningful, but I also can't 
tell you exactly what is 

296
00:17:32,480 --> 00:17:35,360
operating there. 
Part of it goes back to 

297
00:17:35,360 --> 00:17:38,760
Gandalf's feelings about mercy 
that I had to look up the quote 

298
00:17:38,760 --> 00:17:42,200
because it's one of those things
that's so, so tightly written 

299
00:17:42,200 --> 00:17:44,920
and so perfect that it would be 
a shame for me to to butcher it.

300
00:17:46,240 --> 00:17:52,720
Sam is asking Gandalf why didn't
Bilbo just kill Gollum back when

301
00:17:52,720 --> 00:17:55,760
he had the chance and why is 
Gollum still alive and why 

302
00:17:55,760 --> 00:17:57,760
doesn't someone do something 
about Gollum who's just 

303
00:17:57,760 --> 00:18:01,840
following the ring bearer across
Middle Earth? 

304
00:18:02,760 --> 00:18:07,400
Gandalf chastises Sam for this 
question and says many that live

305
00:18:07,400 --> 00:18:10,120
deserve death and some that die 
deserve life. 

306
00:18:10,440 --> 00:18:13,920
Can you give it to them then? 
Do not be too eager to deal out 

307
00:18:13,920 --> 00:18:17,920
death in judgment, for even the 
very wise cannot see all ends. 

308
00:18:18,680 --> 00:18:22,000
I have not much hope that Gollum
can be cured before he dies, but

309
00:18:22,000 --> 00:18:25,040
there is a chance of it, and he 
is bound up with the fate of the

310
00:18:25,040 --> 00:18:27,200
Ring. 
My heart tells me that he has 

311
00:18:27,200 --> 00:18:30,600
some part to play yet, for good 
or I'll before the end. 

312
00:18:30,880 --> 00:18:34,520
And when that comes, the pity of
Bilbo may rule the fate of many 

313
00:18:34,720 --> 00:18:39,480
Yours not least. 
What a powerful statement. 

314
00:18:39,480 --> 00:18:41,920
That's such a such a beautiful 
thing. 

315
00:18:41,920 --> 00:18:45,480
And of course Gandalf is right. 
If Gollum had been killed 

316
00:18:45,760 --> 00:18:49,920
earlier in the story, Frodo 
would have perfectly duplicated 

317
00:18:49,920 --> 00:18:53,120
the Islder story and just walked
away from it. 

318
00:18:53,120 --> 00:18:56,280
And then we'd have a whole 
another cycle, potentially of 

319
00:18:56,520 --> 00:18:59,320
the ring being lost and found. 
Or maybe just Sauron would get 

320
00:18:59,440 --> 00:19:01,240
his hands on the ring right 
after that. 

321
00:19:01,720 --> 00:19:09,160
The mercy for Gollum allows him 
to stop Frodo's corruption from 

322
00:19:09,640 --> 00:19:13,160
allowing either the cycle to 
return or for darkness to to 

323
00:19:13,160 --> 00:19:16,640
finally win in Middle Earth. 
Such an interesting part of the 

324
00:19:16,640 --> 00:19:19,640
story here too, because you can 
also compare this to like when I

325
00:19:19,800 --> 00:19:22,000
think about Jewish theology and 
Christian theology. 

326
00:19:22,040 --> 00:19:24,800
Jewish theology has a really 
strong cyclical feel. 

327
00:19:25,080 --> 00:19:28,080
It's all about how the 
Israelites, they make a covenant

328
00:19:28,080 --> 00:19:32,200
with God and then they break it,
and then they make it another 

329
00:19:32,200 --> 00:19:34,600
covenant, and then they break it
and they make another covenant 

330
00:19:34,600 --> 00:19:36,800
and they break it. 
And the Old Testament basically 

331
00:19:36,800 --> 00:19:40,360
ends, as far as I can tell, as a
layperson, without resolution of

332
00:19:40,360 --> 00:19:43,400
this central circular dynamic. 
It's just on and on and on, 

333
00:19:44,200 --> 00:19:46,640
which I think is poetically so 
beautiful too. 

334
00:19:46,920 --> 00:19:50,920
If you think about our time on 
earth as a chance to improve 

335
00:19:50,920 --> 00:19:53,880
your soul, to learn things, to 
become a better person. 

336
00:19:54,080 --> 00:19:58,280
It's not a straightforward path.
You might feel like it's 2 steps

337
00:19:58,280 --> 00:20:01,960
forward, one step back. 
Maybe it's 2 steps forward to 

338
00:20:01,960 --> 00:20:05,320
three steps back. 
Sometimes in life it's not a 

339
00:20:05,320 --> 00:20:08,920
straightforward process. 
And Jewish theology having that 

340
00:20:08,920 --> 00:20:11,960
circularity to it, I think it's 
a really beautiful thing. 

341
00:20:12,320 --> 00:20:15,240
But then Christian theology 
layered on top of Jewish 

342
00:20:15,240 --> 00:20:18,280
theology is interesting because 
it takes that cycle and the 

343
00:20:18,280 --> 00:20:23,360
attempt is to break the like 
permanent revolutionary aspects 

344
00:20:23,360 --> 00:20:27,520
of of Jewish spiritual life. 
And to solve it once and for all

345
00:20:27,520 --> 00:20:31,000
and to say, actually, this is 
the new covenant. 

346
00:20:31,320 --> 00:20:34,960
This is what we're doing now. 
Pick up your cross and follow 

347
00:20:34,960 --> 00:20:37,560
me. 
And this is sort of meant to be 

348
00:20:37,560 --> 00:20:41,840
a capstone on the cycle to maybe
close it once and for all. 

349
00:20:43,640 --> 00:20:45,640
And so if you take that to Lord 
of the Rings and you're watching

350
00:20:45,640 --> 00:20:49,560
the the Mount Doom scene, who is
what in Christian mythology 

351
00:20:49,560 --> 00:20:52,200
here? 
Frodo's moment of darkness could

352
00:20:52,200 --> 00:20:54,120
be the agony in the garden. 
You know, this could be 

353
00:20:54,120 --> 00:20:58,360
Gethsemane, where Jesus is 
worried about what is to come 

354
00:20:58,400 --> 00:21:01,320
and shows his moments of 
humanity here. 

355
00:21:02,160 --> 00:21:07,280
Could be something like that. 
But then what is? 

356
00:21:07,560 --> 00:21:12,440
What is Gollum exactly? 
Gollum doesn't fit neatly into 

357
00:21:12,520 --> 00:21:16,640
the Christian story because it's
so deeply ironic. 

358
00:21:18,520 --> 00:21:23,560
Gollum's greed unintentionally 
saves the day because he bites 

359
00:21:23,560 --> 00:21:26,680
off Frodo's finger and falls 
into mountain doom. 

360
00:21:27,480 --> 00:21:30,560
What are we to make of that? 
It's there's almost like a if, 

361
00:21:30,720 --> 00:21:32,640
if you haven't seen the movie 
Burn after reading the Coen 

362
00:21:32,640 --> 00:21:35,320
Brothers film, it's wonderful. 
You should definitely see it. 

363
00:21:36,120 --> 00:21:40,320
But the conclusion of it has a 
moment where the sorry again, I 

364
00:21:40,320 --> 00:21:42,600
got to spoil it, but it's also 
been out for a long time and you

365
00:21:42,600 --> 00:21:46,440
should see it. 
JK Simmons and the other people 

366
00:21:46,440 --> 00:21:51,400
at the CIA are just like trying 
to figure out what even occurred

367
00:21:51,400 --> 00:21:52,920
in this story. 
They're like, what? 

368
00:21:53,160 --> 00:21:56,520
What was this? 
And JK Simmons said something 

369
00:21:56,520 --> 00:21:57,720
like, well, what did we learn 
here? 

370
00:21:58,040 --> 00:22:02,400
I guess not to do it again. 
And like, that's the conclusion 

371
00:22:02,400 --> 00:22:05,320
of the movie, that it's just 
it's contingency, it's 

372
00:22:05,320 --> 00:22:07,720
randomness. 
It just kind of happened. 

373
00:22:07,720 --> 00:22:09,880
But like, what are you meant to 
learn from that? 

374
00:22:09,880 --> 00:22:13,240
It's not as straightforward as 
Christian mythology. 

375
00:22:13,240 --> 00:22:14,960
There's something else. 
There's like Christian elements 

376
00:22:14,960 --> 00:22:16,720
to it. 
But the resolution of this is 

377
00:22:16,720 --> 00:22:19,000
not straightforwardly Christian 
in this way. 

378
00:22:19,000 --> 00:22:21,840
It's it's there's like a 
sophisticated, nuanced kind of 

379
00:22:21,840 --> 00:22:25,440
understanding of this. 
The best thing you can say about

380
00:22:25,440 --> 00:22:29,000
is you have to go back to that 
original Gandalf line and hear 

381
00:22:29,000 --> 00:22:35,160
him say that like Bilbo not 
killing Gollum as an act of 

382
00:22:35,160 --> 00:22:40,160
mercy means that this act of 
mercy that Gollum did not 

383
00:22:40,160 --> 00:22:45,080
deserve, that he still does not 
rise to the challenge of like he

384
00:22:45,080 --> 00:22:49,760
does not deserve mercy 
potentially even until he falls 

385
00:22:49,800 --> 00:22:52,920
into the lava of Mount Doom. 
Like the last thing you see of 

386
00:22:52,920 --> 00:22:56,560
Gollum is him slipping the ring 
on, becoming invisible and then 

387
00:22:56,560 --> 00:23:00,080
falling into lava and being 
consumed by magma. 

388
00:23:00,320 --> 00:23:04,720
So as far as I can tell, he 
didn't have a spiritually 

389
00:23:04,720 --> 00:23:07,520
transcendent moment. 
He never had his redemption. 

390
00:23:07,520 --> 00:23:09,400
It's like if you're, if you are 
looking at this from a Christian

391
00:23:09,400 --> 00:23:12,240
lens, you're craving that moment
of, of redemption. 

392
00:23:12,600 --> 00:23:15,040
You know, like if you are 
thinking about someone like Jean

393
00:23:15,040 --> 00:23:17,160
Valjean, here he goes. 
No, comes to Les Mis. 

394
00:23:17,160 --> 00:23:18,720
It ultimately all goes back to 
Les Mis. 

395
00:23:19,000 --> 00:23:22,680
Like you want that moment of 
redemptive grace and of mercy, 

396
00:23:22,680 --> 00:23:27,400
Like you want mercy to win. 
And Gollum, Gollum does deserve 

397
00:23:27,400 --> 00:23:34,520
mercy, even if he is unable to 
receive it gracefully. 

398
00:23:34,760 --> 00:23:36,960
And that is a Christian story, 
right? 

399
00:23:37,200 --> 00:23:41,000
The gentlest understanding of 
Christianity here is it really 

400
00:23:41,000 --> 00:23:44,960
takes the the smallest 
acknowledgement of of being a 

401
00:23:44,960 --> 00:23:49,160
Sinner, which is everyone within
Christian theology, to be 

402
00:23:49,160 --> 00:23:51,440
eligible for grace. 
It doesn't have to be. 

403
00:23:51,880 --> 00:23:55,640
It's like the pride of denying 
that one needs forgiveness or 

404
00:23:55,640 --> 00:24:00,120
mercy and feeling to be as as 
good of a person as one truly 

405
00:24:00,120 --> 00:24:05,520
can be is what it takes to be 
eligible for mercy. 

406
00:24:06,160 --> 00:24:09,240
Gollum can't get there. 
But Dang it, I still I still 

407
00:24:09,240 --> 00:24:10,840
believe in mercy. 
And the people who extended 

408
00:24:10,840 --> 00:24:13,720
mercy to Gollum were correct 
about it. 

409
00:24:13,840 --> 00:24:19,160
So even if Gollum still fails to
have his reconciliatory moment 

410
00:24:19,320 --> 00:24:22,880
prior to his death for the souls
of the people who had the chance

411
00:24:22,880 --> 00:24:27,640
to to maybe intervene and, and, 
and his life earlier and chose 

412
00:24:27,640 --> 00:24:31,280
not to, it had both an 
instrumental benefit for this 

413
00:24:31,280 --> 00:24:34,600
sort of like fatalistic prophecy
kind of element here that 

414
00:24:34,600 --> 00:24:39,160
Gandalf says of like, don't be 
wishing these ends upon people 

415
00:24:39,160 --> 00:24:41,560
because we really don't know the
roles that people will play, 

416
00:24:41,560 --> 00:24:43,520
which is a wonderful, beautiful 
lesson. 

417
00:24:43,520 --> 00:24:46,320
It reminds me of if you haven't 
read the the book or seen the 

418
00:24:46,320 --> 00:24:48,240
movie of just mercy, it kind of 
reminds me of that. 

419
00:24:48,440 --> 00:24:51,800
It takes like a really wise 
person to say something like 

420
00:24:51,800 --> 00:24:54,440
this. 
And this isn't even getting into

421
00:24:54,440 --> 00:24:58,120
the different personalities of 
Christ and theology. 

422
00:24:58,120 --> 00:25:02,240
And in literature, Aragorn might
just represent the Divine King 

423
00:25:02,240 --> 00:25:06,240
version of it, whereas Frodo and
or Sam might represent the 

424
00:25:06,240 --> 00:25:09,680
meekness version of Christ who 
is not royal in that kind of 

425
00:25:09,680 --> 00:25:11,040
way. 
Whatever they're. 

426
00:25:11,120 --> 00:25:13,640
All I'm saying is that Tolkien 
knows how to use symbolism and 

427
00:25:13,640 --> 00:25:16,000
he is very good at it. 
The fact that I just basically 

428
00:25:16,000 --> 00:25:18,680
ranted about it for 15 minutes 
or however long that was with 

429
00:25:18,680 --> 00:25:24,160
basically no script because I'm 
still processing it, right? 

430
00:25:24,160 --> 00:25:27,200
Like it's such an interesting 
story where you, you know, 

431
00:25:27,200 --> 00:25:32,640
there's poetry in it, you can 
feel it, but it's hard to know. 

432
00:25:32,960 --> 00:25:34,960
It doesn't just feed it to you 
either. 

433
00:25:34,960 --> 00:25:37,640
It's meant to be powerful 
imagery that sticks with you 

434
00:25:37,640 --> 00:25:39,800
that you're meant to chew on in 
the same way. 

435
00:25:39,800 --> 00:25:42,360
Like one of the stories I love 
about the Bible that I often 

436
00:25:42,360 --> 00:25:46,680
come back to is the idea that in
Exodus, God hardens Pharaoh's 

437
00:25:46,680 --> 00:25:49,880
heart. 
Like why does God keep hardening

438
00:25:49,880 --> 00:25:52,760
Pharaoh's heart? 
That's strange. 

439
00:25:52,880 --> 00:25:56,080
Is it saying that Pharaoh is not
an agent with free will? 

440
00:25:56,080 --> 00:25:59,080
That his actions are 
predetermined in some way? 

441
00:25:59,320 --> 00:26:04,000
Or is it that God is confirming 
him and his own stubbornness 

442
00:26:04,000 --> 00:26:06,400
that pre existed God's 
intervention? 

443
00:26:06,880 --> 00:26:10,160
And also why was he was God 
intervening in this way to 

444
00:26:10,440 --> 00:26:14,360
enforce a story or a fate for 
for the Israelites or something 

445
00:26:14,360 --> 00:26:16,080
else? 
I think what's interesting about

446
00:26:16,080 --> 00:26:19,600
the Bible, but especially parts 
of Jewish tradition, is that is 

447
00:26:19,600 --> 00:26:23,080
very much based upon asking 
these questions and long, long 

448
00:26:23,280 --> 00:26:28,680
debates for hundreds of years 
that ask questions and are meant

449
00:26:28,680 --> 00:26:32,000
to be this sort of like this is 
what yeshiva is for, right? 

450
00:26:32,000 --> 00:26:34,640
You're supposed to just be sort 
of like processing this 

451
00:26:34,640 --> 00:26:37,360
information, asking these 
questions and engage in 

452
00:26:37,360 --> 00:26:40,760
theological debate because there
is not a discreet answer to all 

453
00:26:40,760 --> 00:26:42,400
of it. 
Maybe some people think there 

454
00:26:42,400 --> 00:26:44,480
is. 
Classical texts are often more 

455
00:26:44,480 --> 00:26:47,520
of an invitation to a discussion
rather than something that's 

456
00:26:47,520 --> 00:26:49,960
presenting you with the answer. 
And I think Tolkien using 

457
00:26:49,960 --> 00:26:54,120
symbolism in this way is a very 
sophisticated guide at 

458
00:26:54,120 --> 00:26:58,000
presenting these ideas to you 
with elements where the Christ 

459
00:26:58,000 --> 00:27:00,280
figure shows up across many 
characters. 

460
00:27:01,320 --> 00:27:05,040
And it's not a simple one. 
In fact, even as I'm saying 

461
00:27:05,040 --> 00:27:08,000
this, you know who Gollum 
reminds me of is Judas Iscariot,

462
00:27:08,520 --> 00:27:12,080
where Judas is someone that, you
know, gets paid his thirty 

463
00:27:12,080 --> 00:27:16,040
pieces of silver to betray Jesus
and then commit suicide. 

464
00:27:16,600 --> 00:27:21,360
But the resurrection story does 
not happen without Judas's 

465
00:27:21,520 --> 00:27:24,280
betrayal. 
And this is one of those parts 

466
00:27:24,280 --> 00:27:28,960
of the Christian tradition that 
has long baffled people. 

467
00:27:29,520 --> 00:27:33,640
A more recent version of this 
that is not considered to be 

468
00:27:33,880 --> 00:27:37,640
theologically sound, but it's 
still in pop culture, reasons is

469
00:27:37,640 --> 00:27:40,640
important is in The Last 
Temptation of Christ, Jesus 

470
00:27:40,640 --> 00:27:42,960
actually tells Judas to betray 
him. 

471
00:27:43,400 --> 00:27:46,040
And granted, it's Willem Dafoe 
telling Harvey Keitel that, but 

472
00:27:46,080 --> 00:27:48,280
it still happens. 
And there's actually a book that

473
00:27:48,280 --> 00:27:50,640
I really love that a friend of 
mine wrote. 

474
00:27:51,440 --> 00:27:55,680
It's a graphic novel about 
Judas, called Judas A very 

475
00:27:55,680 --> 00:27:59,760
appropriately, and it's about 
how after Judas dies in certain 

476
00:27:59,920 --> 00:28:02,680
Christian traditions, 
specifically in Catholicism, 

477
00:28:03,040 --> 00:28:05,080
there's a moment called the 
Harrowing of Hell. 

478
00:28:05,320 --> 00:28:08,800
So Jesus is dead for three days 
before he rises again in the 

479
00:28:08,800 --> 00:28:11,800
story. 
And during that time, Jesus is 

480
00:28:11,800 --> 00:28:16,360
in hell. 
And one of the traditional 

481
00:28:16,360 --> 00:28:20,920
elements of the Harrowing of 
Hell story is that Jesus leads 

482
00:28:20,920 --> 00:28:24,160
the noble pagans to heaven 
because they died before they 

483
00:28:24,160 --> 00:28:26,720
had a chance to know him. 
So he brings the Jewish 

484
00:28:26,720 --> 00:28:30,920
patriarchs, he brings the 
philosophers from Athens like 

485
00:28:31,200 --> 00:28:33,840
he, he brings the people who 
died before they had a chance 

486
00:28:33,840 --> 00:28:37,400
to, to learn of the new 
dispensation that Jesus offers. 

487
00:28:37,880 --> 00:28:41,200
And so Jeff Loveness wrote this 
graphic novel about Judas. 

488
00:28:41,600 --> 00:28:44,720
And Judas is not typically 
considered to be included in the

489
00:28:44,720 --> 00:28:47,720
Harrowing of Hell. 
But what if he was? 

490
00:28:48,320 --> 00:28:53,320
His story was deeply tragic, it 
was necessary for the entire 

491
00:28:53,320 --> 00:28:57,480
narrative to even happen. 
And I suspect even though he 

492
00:28:57,640 --> 00:29:03,640
died by suicide, we can also 
interpret that action as being 

493
00:29:03,640 --> 00:29:08,120
evidence of his remorse, and 
therefore remorse making one 

494
00:29:08,120 --> 00:29:10,080
eligible for grace and for 
mercy. 

495
00:29:11,400 --> 00:29:15,760
Perhaps Judas in the Harrowing 
of Hell story should be elevated

496
00:29:16,320 --> 00:29:20,240
out of hell and taken to 
paradise with Jesus. 

497
00:29:21,200 --> 00:29:24,720
Relatedly, I once heard someone 
say that God's mercy exists 

498
00:29:24,720 --> 00:29:27,600
between the bridge and the 
water, which I was. 

499
00:29:27,600 --> 00:29:31,840
That was such a kind, beautiful 
sentiment. 

500
00:29:32,920 --> 00:29:36,200
I think mercy should be so 
encompassing if it is to exist. 

501
00:29:36,560 --> 00:29:39,920
I'm not to always go back to Les
Mis, but I'm kind of salty that 

502
00:29:39,920 --> 00:29:41,760
Javert doesn't get to sing in 
the choir. 

503
00:29:41,760 --> 00:29:45,000
Angelic at the end of the 
musical, it doesn't seem that he

504
00:29:45,000 --> 00:29:48,440
go gave Javert much thought 
after his own suicide into the 

505
00:29:48,440 --> 00:29:50,960
sin and I think Javert deserves 
mercy as well. 

506
00:29:50,960 --> 00:29:54,240
So I'm I'm sympathetic to the 
redemption of villains. 

507
00:29:54,440 --> 00:29:57,600
I probably attributed to 
watching a lot of episodes 4-5 

508
00:29:57,600 --> 00:30:02,080
and six of Star Wars as a kid 
and loving Darth Vader's ark. 

509
00:30:02,600 --> 00:30:04,600
I think that's such a such a 
wonderful thing. 

510
00:30:05,000 --> 00:30:08,120
I think that really the story 
very, very nicely together. 

511
00:30:08,600 --> 00:30:11,400
But anyways, in a, in a show 
full of digressions, I digress. 

512
00:30:11,920 --> 00:30:14,440
If you've listened to previous 
shows where theology has come 

513
00:30:14,440 --> 00:30:19,600
up, I often really want this 
version of Mercy to be so much 

514
00:30:19,600 --> 00:30:24,640
more present in our culture 
because it's it's so missing in 

515
00:30:24,640 --> 00:30:28,440
the Divine Comedy. 
Judas is down there with Brutus,

516
00:30:28,440 --> 00:30:30,760
full circle. 
I didn't expect to be talking 

517
00:30:30,760 --> 00:30:33,560
about that today with Brutus and
Cassius. 

518
00:30:33,560 --> 00:30:36,880
I believe it's like the three of
them, you know, Judas is that 

519
00:30:36,880 --> 00:30:41,440
far down and Dante and the 
Harrowing can even still reach 

520
00:30:41,440 --> 00:30:43,920
him then. 
I love that. 

521
00:30:44,200 --> 00:30:48,440
And related to this, I love the 
idea in CS Lewis has this line, 

522
00:30:48,520 --> 00:30:53,240
I forget where it's from, and he
says something about how hell is

523
00:30:53,240 --> 00:30:55,880
locked from the inside. 
So I thought was a really 

524
00:30:55,880 --> 00:30:58,680
interesting idea. 
Some of the portrayals of people

525
00:30:58,680 --> 00:31:01,760
who are suffering even in Dante,
they're so obsessed with their 

526
00:31:01,760 --> 00:31:05,680
own suffering and their own 
interest that they don't even 

527
00:31:05,680 --> 00:31:08,600
necessarily know that they need 
to ask for forgiveness. 

528
00:31:08,960 --> 00:31:11,600
And if you take the CS Lewis 
line and apply it to the Dante, 

529
00:31:11,920 --> 00:31:16,520
then someone presumably in Hell 
at this position could maybe 

530
00:31:17,200 --> 00:31:21,240
acknowledge their sins and then 
find their way to Purgatory and 

531
00:31:21,240 --> 00:31:25,240
this way of understanding. 
And this is a great moment to go

532
00:31:25,240 --> 00:31:29,320
right back to Leaf by Niggle. 
So Niggle is on his journey. 

533
00:31:29,560 --> 00:31:32,960
He's sleepy. 
He's like kind of passed out and

534
00:31:32,960 --> 00:31:36,720
he ends up in a station where 
he's shuffled along by people 

535
00:31:37,040 --> 00:31:42,040
and it ends up at a workhouse, 
which, you know, I don't. 

536
00:31:42,040 --> 00:31:45,840
I don't know how much you know 
about Victorian British history,

537
00:31:45,840 --> 00:31:48,840
but not a very nice place, a 
place where the indigent would 

538
00:31:48,840 --> 00:31:54,480
go and perform various types of 
work and made not to starve. 

539
00:31:55,120 --> 00:31:57,080
They were not comfortable 
places. 

540
00:31:57,080 --> 00:31:59,840
They were not very nice places, 
but they were an attempt to 

541
00:31:59,840 --> 00:32:02,240
provide welfare in its early 
days. 

542
00:32:03,120 --> 00:32:05,320
But he actually takes to it 
really well. 

543
00:32:05,400 --> 00:32:10,560
He does relatively menial tasks 
and Niggle, does carpentry and 

544
00:32:10,560 --> 00:32:12,840
he's involved in the building of
various things. 

545
00:32:12,840 --> 00:32:15,840
And soon enough, he forgets much
about his life and what he was 

546
00:32:15,840 --> 00:32:18,200
worried about, forgetting when 
he didn't have anything to bring

547
00:32:18,200 --> 00:32:21,440
with them when the driver showed
up, and is more focused on where

548
00:32:21,440 --> 00:32:23,560
he is now than what was 
happening in his life. 

549
00:32:24,400 --> 00:32:28,520
And then he gets transferred to 
a much more menial task of I 

550
00:32:28,520 --> 00:32:31,080
think just digging holes, 
digging ditches. 

551
00:32:31,640 --> 00:32:35,800
And that's not great. 
But even still, he rises to it 

552
00:32:35,800 --> 00:32:38,720
and sort of takes to it in his 
own way and has no idea how long

553
00:32:38,720 --> 00:32:40,760
he's been at it. 
And at one point when he's 

554
00:32:40,760 --> 00:32:46,080
resting, he hears 2 people 
debating the course of his life.

555
00:32:46,920 --> 00:32:50,120
And as it's often the case, 
especially if you've listened to

556
00:32:50,120 --> 00:32:54,000
this podcast on theological 
episodes, the two people arguing

557
00:32:54,000 --> 00:32:58,080
represent mercy and justice. 
And justice is making the case. 

558
00:32:58,080 --> 00:33:03,280
That niggle was so self involved
that he only viewed his his, you

559
00:33:03,280 --> 00:33:06,640
know, charitable obligations as 
interruptions from his prime 

560
00:33:06,640 --> 00:33:08,920
duty, his painting that he 
wasn't even that good at. 

561
00:33:08,920 --> 00:33:12,800
And yet he had a hard time 
helping his neighbor whose house

562
00:33:12,800 --> 00:33:15,680
was falling down. 
And and he was so obsessed with 

563
00:33:15,680 --> 00:33:19,680
this dumb painting that gosh, 
niggles just really not 

564
00:33:19,680 --> 00:33:21,160
deserving of any amount of 
mercy. 

565
00:33:21,160 --> 00:33:25,000
And mercy was saying that after 
Nickel did these things, he 

566
00:33:25,040 --> 00:33:29,400
never thought about it again. 
He didn't necessarily think that

567
00:33:29,400 --> 00:33:31,920
Paris should have thanked him to
a greater extent. 

568
00:33:31,920 --> 00:33:35,000
He didn't feel entitled to a 
greater amount of gratitude. 

569
00:33:35,240 --> 00:33:37,520
He just did the thing that he 
had to do. 

570
00:33:37,520 --> 00:33:41,440
And maybe he didn't love it, but
he also didn't resent it after 

571
00:33:41,440 --> 00:33:42,920
the fact. 
He kind of just moved on with 

572
00:33:42,920 --> 00:33:45,920
his life and try to get back to 
his painting and his painting 

573
00:33:45,920 --> 00:33:48,840
was often times that of noticing
the world around him and was a 

574
00:33:48,840 --> 00:33:50,720
lovely thing. 
And they they talk about how the

575
00:33:50,720 --> 00:33:53,720
tree as a whole is not that 
great, but he was amazing at 

576
00:33:53,720 --> 00:33:56,800
painting Leafs and he painted 
one leaf in particular that was 

577
00:33:56,920 --> 00:34:00,640
truly sublime. 
And as they're debating Nichols 

578
00:34:00,640 --> 00:34:06,320
life, Mercy gets the last word. 
And Nickel did know that he had 

579
00:34:06,320 --> 00:34:09,760
a chance of not being able to 
finish his painting. 

580
00:34:09,760 --> 00:34:12,679
Should he go on the bike ride to
try to bring the doctor and the 

581
00:34:12,679 --> 00:34:15,000
builder from town to help Missus
Parrish. 

582
00:34:15,320 --> 00:34:18,560
And he did it anyways. 
He had an intuition or a feeling

583
00:34:18,560 --> 00:34:22,600
like this was, this might be the
last trip I'm able to go on and 

584
00:34:22,600 --> 00:34:25,440
it's going to cost me time to 
finish my painting. 

585
00:34:25,679 --> 00:34:30,800
And he still went. 
And so Mercy argues persuasively

586
00:34:31,120 --> 00:34:36,600
that Justice would be better 
served by being gentle with 

587
00:34:36,719 --> 00:34:39,600
niggle. 
And Niggle is so thankful 

588
00:34:39,600 --> 00:34:42,719
because he does not believe 
himself to be deserving of this 

589
00:34:42,719 --> 00:34:45,040
mercy at all, that in fact many 
of the things that are said 

590
00:34:45,040 --> 00:34:47,719
about him appear to him to be 
true. 

591
00:34:48,080 --> 00:34:51,800
That what Justice says about his
behavior was self-serving, 

592
00:34:52,080 --> 00:34:57,360
obsessive, insular in ways that 
are not really what the law, 

593
00:34:58,160 --> 00:35:01,280
either truly legalistic law in 
his life or the moral law of 

594
00:35:01,280 --> 00:35:03,680
Christianity demands of him 
during his life. 

595
00:35:04,600 --> 00:35:10,400
And so the two interlocutors ask
Niggle if he has anything to say

596
00:35:10,400 --> 00:35:12,160
for himself. 
They notice that he's listening.

597
00:35:12,680 --> 00:35:16,360
And Niggle takes the opportunity
to ask how Parrish is doing 

598
00:35:16,360 --> 00:35:18,600
because he knows he has a a lame
leg. 

599
00:35:18,840 --> 00:35:21,880
That's why he had to go on the 
bike for Parrish, because 

600
00:35:22,240 --> 00:35:24,520
Parrish's leg was bad and 
couldn't get there himself. 

601
00:35:25,360 --> 00:35:28,520
And they say that Parrish hasn't
arrived here yet. 

602
00:35:29,400 --> 00:35:34,920
But Niggle make sure to to 
specify that Parrish gave him a 

603
00:35:34,920 --> 00:35:37,080
number of potatoes that saved 
him time. 

604
00:35:37,080 --> 00:35:41,040
In fact, early in the short 
story, it's revealed that Niggle

605
00:35:41,040 --> 00:35:45,440
had a potato field, but he put a
barn over it so he could paint 

606
00:35:45,440 --> 00:35:48,240
more stuff. 
So Parrish is also taking care 

607
00:35:48,240 --> 00:35:51,440
of him because Niggle made a 
decision to prioritize art. 

608
00:35:51,880 --> 00:35:55,800
And Niggle make sure that Mercy 
and Justice know that Parrish 

609
00:35:55,800 --> 00:35:58,880
did these things for him, even 
though Parrish maybe didn't even

610
00:35:58,880 --> 00:36:02,040
understand the art that he was 
trying to to make. 

611
00:36:03,480 --> 00:36:05,920
And so they keep that in mind. 
Mercy wins the day. 

612
00:36:06,640 --> 00:36:10,920
Niggle is put back on the train 
and is taken to a beautiful 

613
00:36:10,920 --> 00:36:12,680
environment that seems so 
familiar to him. 

614
00:36:13,120 --> 00:36:16,160
And it seems so familiar because
it's the place where the tree 

615
00:36:16,160 --> 00:36:19,040
that he's been trying to paint 
his entire life is. 

616
00:36:19,160 --> 00:36:22,880
He looks at it and not only is 
the tree there, but everything 

617
00:36:23,160 --> 00:36:26,280
that he would have painted had 
he the skill, had he the time 

618
00:36:26,640 --> 00:36:29,240
that expands beyond the tree is 
also there. 

619
00:36:29,440 --> 00:36:33,640
He's just over the moon. 
He's, I mean, this is a 

620
00:36:33,640 --> 00:36:37,000
wonderful experience for him. 
This is essentially as far as I 

621
00:36:37,000 --> 00:36:41,000
can understand, and the podcast 
talks about how this is sort of 

622
00:36:41,000 --> 00:36:44,320
taking the model from Dante. 
This is Paradise and he's at the

623
00:36:44,320 --> 00:36:46,880
start of working through 
Paradise. 

624
00:36:47,040 --> 00:36:50,320
It seems like he broadly skipped
hell in my understanding. 

625
00:36:50,320 --> 00:36:53,520
He went to Purgatory and now 
he's at the bottom of Paradise. 

626
00:36:54,440 --> 00:36:57,440
And this is where it comes back 
to what it means to be 

627
00:36:57,560 --> 00:37:01,480
vocational. 
What's interesting about this 

628
00:37:01,480 --> 00:37:06,560
set up here is that Niggle's 
tree that he was trying to paint

629
00:37:06,560 --> 00:37:09,680
his entire life was not 
something that was generated 

630
00:37:09,680 --> 00:37:13,440
from within his own mind. 
Niggle's tree is a 

631
00:37:13,440 --> 00:37:18,160
transcendental form. 
It exists outside of the human 

632
00:37:18,160 --> 00:37:20,800
mind. 
It may be in fact divine 

633
00:37:20,800 --> 00:37:26,120
reality, and the artist can only
ever reflect it back to one's 

634
00:37:26,120 --> 00:37:30,360
peers into history in an 
imperfect and incomplete way. 

635
00:37:30,720 --> 00:37:35,040
For instance, after Niggle dies,
the people in the town and the 

636
00:37:35,040 --> 00:37:38,440
building inspector are debating 
about what to do with Niggles 

637
00:37:38,440 --> 00:37:42,000
canvases and they use them for 
practical purposes to patch 

638
00:37:42,000 --> 00:37:43,760
houses, specifically Parishes 
house. 

639
00:37:44,200 --> 00:37:48,560
But they do save one leaf as a 
painting that's a perfectly 

640
00:37:48,560 --> 00:37:53,600
painted leaf and they they take 
it eventually ends up in a 

641
00:37:53,600 --> 00:37:58,320
museum where it is called leaf 
by niggle and is admired by all 

642
00:37:58,320 --> 00:38:00,560
as an example of a perfect leaf 
painting. 

643
00:38:00,760 --> 00:38:07,200
It's like the smallest artistic 
triumph that niggle achieved in 

644
00:38:07,200 --> 00:38:08,840
life. 
The smallest representation of 

645
00:38:08,840 --> 00:38:12,920
this tree was still beautiful in
this kind of way, divisible even

646
00:38:12,920 --> 00:38:15,400
down to the leaf, to the single 
leaf. 

647
00:38:15,400 --> 00:38:18,200
It's still that important of a 
thing to reflect back. 

648
00:38:19,720 --> 00:38:23,240
Ultimately the museum burns 
down, which is a very funny 

649
00:38:23,240 --> 00:38:27,360
ironic thing about what it means
to have legacy on earth. 

650
00:38:27,520 --> 00:38:31,400
Ozzie Mandy and kind of 
arrogance. 

651
00:38:32,360 --> 00:38:34,640
You know, look on my works. 
He mighty and despair. 

652
00:38:35,520 --> 00:38:38,800
Who even was Ozzie Mandy is who 
even cares kind of deal. 

653
00:38:39,680 --> 00:38:42,720
But what I love about this is 
that feels his entire life that 

654
00:38:42,720 --> 00:38:46,040
he's he's working on something 
that is transcendental that it's

655
00:38:46,040 --> 00:38:47,480
something that he's 
communicating. 

656
00:38:47,480 --> 00:38:49,240
It doesn't even come from within
him. 

657
00:38:49,560 --> 00:38:55,280
The artist role is to reflect 
back some divine, universal, 

658
00:38:55,280 --> 00:39:00,000
transcendental truth or beauty. 
This is the aesthetics of 

659
00:39:00,000 --> 00:39:03,360
Tolkien. 
This is what the work is meant 

660
00:39:03,360 --> 00:39:06,440
to be when it's truly 
transcendental. 

661
00:39:07,280 --> 00:39:11,040
Soon enough, Parish ends up in 
the same environment with 

662
00:39:11,040 --> 00:39:16,400
Niggle, and they end up building
a house together and being 

663
00:39:16,400 --> 00:39:20,080
engaged in the practical work of
just like being in this 

664
00:39:20,080 --> 00:39:21,480
environment. 
They, they, they sort of just 

665
00:39:21,480 --> 00:39:23,360
know that they're meant to build
a house together and work 

666
00:39:23,360 --> 00:39:25,760
together. 
Niggle does much more of the 

667
00:39:25,760 --> 00:39:28,600
construction, even though Parish
is the one who's much better 

668
00:39:28,600 --> 00:39:32,240
with practical things. 
And Parish spends much more time

669
00:39:32,240 --> 00:39:35,040
wandering around the woods and 
staring at leaves and just 

670
00:39:35,120 --> 00:39:38,960
appreciating nature. 
And one Parish sees the tree 

671
00:39:39,800 --> 00:39:41,440
that Niggles been trying to 
paint. 

672
00:39:42,360 --> 00:39:45,440
Parish realizes what a fool he's
been that he didn't realize that

673
00:39:45,680 --> 00:39:50,560
Niggle was trying to paint this 
reflection of divine truth for 

674
00:39:50,560 --> 00:39:53,080
his friends and for his 
neighbors and for his community,

675
00:39:53,320 --> 00:39:55,320
that this was actually a really 
important thing to do. 

676
00:39:55,320 --> 00:39:59,680
And Parrish is so sorry that he 
bothered Niggle so many ties 

677
00:39:59,680 --> 00:40:03,120
with things that were frankly 
less important than trying to 

678
00:40:03,120 --> 00:40:04,720
find ways to reflect divine 
truth. 

679
00:40:05,920 --> 00:40:10,240
And Niggle apologizes in turn 
that he prioritized that to such

680
00:40:10,240 --> 00:40:13,640
an extent that he was not able 
to wholeheartedly give to 

681
00:40:13,640 --> 00:40:17,240
perish. 
And now that they're in this 

682
00:40:17,240 --> 00:40:20,880
world together, they sort of 
reverse their roles and they 

683
00:40:20,880 --> 00:40:22,720
both developed the parts of 
their personality that we're 

684
00:40:22,720 --> 00:40:24,480
lacking. 
You, of course, need to be a 

685
00:40:24,480 --> 00:40:27,680
good member of the community and
to nourish the practical needs 

686
00:40:27,680 --> 00:40:29,520
of your friends and neighbors 
and community members. 

687
00:40:29,720 --> 00:40:33,560
But you also are meant to find 
these reflections of divine 

688
00:40:33,560 --> 00:40:37,000
truth and appreciate them. 
But it's also constitutive of a 

689
00:40:37,040 --> 00:40:40,240
life well lived. 1 doesn't 
necessarily need to have one or 

690
00:40:40,240 --> 00:40:42,960
the other, but it's it's a 
combination of both, at least in

691
00:40:42,960 --> 00:40:46,600
this particular telling. 
The story concludes by them 

692
00:40:46,600 --> 00:40:50,440
meeting a shepherd who's passing
through their little beautiful 

693
00:40:50,440 --> 00:40:54,880
spot. 
Niggle wants to see what lies 

694
00:40:54,880 --> 00:40:58,280
beyond the mountains above that 
he's been staring at and 

695
00:40:58,280 --> 00:41:01,760
painting behind his tree for so 
long, and decides to follow the 

696
00:41:01,760 --> 00:41:05,520
shepherd into the mountains and 
to see what else is out there in

697
00:41:05,520 --> 00:41:09,840
this divine space. 
He's ready to to move on while 

698
00:41:09,840 --> 00:41:13,040
Parrish decides to wait for his 
wife, who he knows is short and 

699
00:41:13,040 --> 00:41:16,360
coming because he knows his wife
would want him to wait for her. 

700
00:41:16,920 --> 00:41:19,440
The train stop, which had 
previously been unnamed. 

701
00:41:19,440 --> 00:41:23,840
It is decided that will now be 
called Niggles Parish. 

702
00:41:24,720 --> 00:41:27,560
And that's sort of the end. 
They they love that. 

703
00:41:27,560 --> 00:41:31,840
And then they both proceed with 
no more documentation of their 

704
00:41:31,840 --> 00:41:36,600
story of the afterlife. 
This show feels vocational to me

705
00:41:36,600 --> 00:41:38,280
too. 
And many of the shows that I've 

706
00:41:38,280 --> 00:41:41,680
done recently that have been 
more emotional and content, more

707
00:41:41,680 --> 00:41:45,560
theological, more existential. 
The shows that I'm doing about 

708
00:41:46,320 --> 00:41:49,480
what it means to be a human 
during very hard times, what it 

709
00:41:49,480 --> 00:41:52,640
means when the world is 
dangerous and changing, and the 

710
00:41:52,640 --> 00:41:56,120
kinds of things that we should 
be thinking about and preparing 

711
00:41:56,120 --> 00:42:02,960
our souls to undergo. 
Those feel vocational to me when

712
00:42:02,960 --> 00:42:04,520
I do that work. 
And I do that well. 

713
00:42:04,520 --> 00:42:07,840
And this will sound a little bit
like Ernest Hemingway, but like 

714
00:42:08,440 --> 00:42:12,360
when I put down something into 
this podcast that I know is true

715
00:42:12,360 --> 00:42:17,640
and it's from the heart in this 
kind of way, I very much feel 

716
00:42:17,960 --> 00:42:23,920
like Niggle reflecting back a 
divine reality to the listener. 

717
00:42:25,480 --> 00:42:28,200
And what I love about that way 
of understanding the creative 

718
00:42:28,200 --> 00:42:33,640
process here is that it doesn't 
actually make me smart or 

719
00:42:33,640 --> 00:42:37,200
elevate me in any way. 
What I'm drawing from, what I'm 

720
00:42:37,200 --> 00:42:43,560
speaking about, topics of this 
nature do not originate from 

721
00:42:43,600 --> 00:42:48,560
within me. 
They are me channeling wisdom 

722
00:42:48,560 --> 00:42:51,360
traditions or the wisdom 
tradition of the world. 

723
00:42:52,200 --> 00:42:56,240
It's essentially me trying to 
channel the wisdom traditions 

724
00:42:56,240 --> 00:43:00,400
that precede me. 
Any of those shows that you can 

725
00:43:00,400 --> 00:43:04,000
listen to where I'm talking 
about different theologies and 

726
00:43:04,000 --> 00:43:07,320
and different stories of people 
who have gone through hard times

727
00:43:07,320 --> 00:43:13,320
and and develop some amount of 
wisdom, I can't take credit for 

728
00:43:13,320 --> 00:43:14,240
any of it. 
It's not. 

729
00:43:14,400 --> 00:43:17,520
It's something that is truly 
democratic and universal that 

730
00:43:17,560 --> 00:43:20,760
anyone can plug into. 
I really don't think there's any

731
00:43:20,760 --> 00:43:23,960
gatekeeper whatsoever. 
I think there's a reason why so 

732
00:43:23,960 --> 00:43:28,680
much converges around the same 
themes with people that we 

733
00:43:28,680 --> 00:43:32,440
consider to be sufficiently wise
to discourse on things of this 

734
00:43:32,440 --> 00:43:38,160
nature. 
And it mostly is about how your 

735
00:43:38,160 --> 00:43:48,480
time in your body is limited, 
that kindness is important, that

736
00:43:48,480 --> 00:43:55,640
showing a great amount of love 
is what you can be proud of, and

737
00:43:55,640 --> 00:44:00,960
to not be so afraid of death 
that one will do anything to 

738
00:44:00,960 --> 00:44:04,760
avoid it. 
There are so many different ways

739
00:44:04,760 --> 00:44:07,360
to plug into the world's wisdom 
traditions. 

740
00:44:08,240 --> 00:44:11,360
I'm Catholic, but I'm also a 
very ecumenical person. 

741
00:44:11,360 --> 00:44:17,280
I like to read widely and when I
have a chance to, to channel 

742
00:44:17,280 --> 00:44:21,360
some of this information through
reading and reflecting on on 

743
00:44:21,360 --> 00:44:26,400
what it means to be human at 
this particular moment in time, 

744
00:44:27,200 --> 00:44:30,320
I do feel like I'm tapping into 
something that is much deeper 

745
00:44:30,320 --> 00:44:35,840
than an audio essay that I am so
smart for having created. 

746
00:44:35,840 --> 00:44:39,440
I really it's, it's I honestly 
just feel like this is something

747
00:44:39,440 --> 00:44:43,720
that exists outside of me that 
I'm reflecting back to my peers 

748
00:44:44,160 --> 00:44:47,880
and I hope that there's a small 
leaf of it that can be 

749
00:44:47,880 --> 00:44:50,240
appreciated. 
That was like, wow, that really 

750
00:44:50,240 --> 00:44:55,320
was a divinely inspired piece of
art. 

751
00:44:55,720 --> 00:44:59,400
The one this show is good. 
I want it to be art, and I want 

752
00:44:59,400 --> 00:45:02,520
it to be art that reflects back 
some amount of divine truth. 

753
00:45:05,320 --> 00:45:08,800
And I mean that in the broadest,
most ecumenical sense here as 

754
00:45:08,800 --> 00:45:13,040
well. 
And it's also so funny to pair 

755
00:45:13,280 --> 00:45:20,040
shows like this with shows that 
are such intensely nerdy inside 

756
00:45:20,040 --> 00:45:21,920
baseball about carbon dioxide 
removal. 

757
00:45:22,280 --> 00:45:25,000
I recognize that it just show 
has many personalities and is a 

758
00:45:25,280 --> 00:45:27,600
a vessel for so many different 
ideas. 

759
00:45:27,920 --> 00:45:31,000
I hope that there's room enough 
in your heart for both of those 

760
00:45:31,000 --> 00:45:33,360
things. 
I think they both are important 

761
00:45:33,360 --> 00:45:38,400
to be super practical and to be 
dealing with art that is 

762
00:45:38,400 --> 00:45:44,360
reflective of what I hope to be 
sort of a universal democratic, 

763
00:45:44,800 --> 00:45:48,200
divine truths that we all have 
access to if we have the right 

764
00:45:48,480 --> 00:45:53,720
ears to listen. 
And is that not exactly how it 

765
00:45:53,720 --> 00:46:00,040
is with parish and Niggle? 
The podcast has both of them. 

766
00:46:00,360 --> 00:46:04,440
This is a niggle show. 
The parish shows are are ones 

767
00:46:04,440 --> 00:46:09,000
about private equities and 
involvement in the biochar 

768
00:46:09,000 --> 00:46:14,920
industry. 
That's funny, I did did not 

769
00:46:14,920 --> 00:46:16,480
expect that. 
That link to come. 

770
00:46:16,480 --> 00:46:21,560
That's cracking me up. 
If you have any sort of thing 

771
00:46:21,560 --> 00:46:25,400
that makes you feel the way that
I do when I'm talking about 

772
00:46:26,040 --> 00:46:30,000
Nichols Tree and his art as 
reflecting back that 

773
00:46:30,440 --> 00:46:36,080
transcendental platonic form of 
beauty of truth, go do that. 

774
00:46:36,080 --> 00:46:39,880
I honestly think that that kind 
of thing you almost can't go 

775
00:46:39,880 --> 00:46:41,840
wrong with. 
You might look a little bit 

776
00:46:41,840 --> 00:46:45,280
silly, you're going to sound a 
little woo sometimes, but 

777
00:46:45,280 --> 00:46:49,360
honestly, I think creation like 
that can be truly vocational 

778
00:46:50,280 --> 00:46:54,960
when one taps into that type of 
spiritual calling. 

779
00:46:54,960 --> 00:46:59,720
I think it can be that when I 
find that I can bring something 

780
00:47:00,000 --> 00:47:04,880
back from Nichols Parish, my own
version of it, at least I'm 

781
00:47:04,880 --> 00:47:09,200
trying to. 
I do feel like I'm on, I'm on 

782
00:47:09,200 --> 00:47:12,720
the right track when I'm there 
and when I'm doing that work, I 

783
00:47:12,720 --> 00:47:16,920
think it's more than the exact 
right financial mechanisms for 

784
00:47:16,920 --> 00:47:20,000
making sure that carbon removal 
can survive a period of 

785
00:47:20,000 --> 00:47:22,640
geopolitical reshuffling and 
uncertainty. 

786
00:47:25,280 --> 00:47:29,040
I think the heart portion of 
this is going to be the thing 

787
00:47:29,040 --> 00:47:34,800
that makes the difference. 
I think ultimately this policy 

788
00:47:34,800 --> 00:47:39,520
work is going to be dependent 
upon how we mature as a global 

789
00:47:39,520 --> 00:47:43,760
civilization. 
I don't think the policy will 

790
00:47:43,760 --> 00:47:49,120
ever be robust enough without 
spiritual maturation, because 

791
00:47:49,120 --> 00:47:54,320
there are always going to be 
very practical reasons to to 

792
00:47:54,320 --> 00:47:57,680
follow the discount rate and to 
do the easy thing now, but not 

793
00:47:57,680 --> 00:48:01,280
the hard thing. 
Anything that brings wisdom back

794
00:48:01,800 --> 00:48:09,120
from that Platonic realm, that 
can coax us out of the 

795
00:48:09,120 --> 00:48:11,480
competition that we feel with 
other people, with other 

796
00:48:11,480 --> 00:48:13,920
individuals, with other 
countries, and can inspire those

797
00:48:13,920 --> 00:48:18,960
transcendental feelings, I think
is truly doing divinely inspired

798
00:48:18,960 --> 00:48:26,360
work, vocational work. 
Even if we know that our work 

799
00:48:26,480 --> 00:48:31,800
while alive, we'll end up in a 
museum that will ultimately burn

800
00:48:31,800 --> 00:48:36,240
down. 
Same as leaf by niggle, The work

801
00:48:36,240 --> 00:48:40,600
is still worth doing for its own
sake, and even if it is not 

802
00:48:40,600 --> 00:48:43,040
permanent, it can still be 
invaluable. 

803
00:48:43,760 --> 00:48:46,800
Somebody will say that if a 
podcast I make reaches one 

804
00:48:46,800 --> 00:48:50,520
person, I consider that to be 
good enough for this. 

805
00:48:50,520 --> 00:48:53,760
If one person listens to this 
and says wow, I never thought 

806
00:48:53,760 --> 00:48:56,640
about it this way and like that 
really, I really connected with 

807
00:48:56,640 --> 00:48:57,800
that. 
I love getting notes like that. 

808
00:48:57,800 --> 00:49:01,360
Feel free to send them to me if 
you ever feel passionate enough 

809
00:49:01,360 --> 00:49:04,520
to to do so. 
But also, I'm recreating my own 

810
00:49:04,520 --> 00:49:06,720
soul in the process of making 
this too. 

811
00:49:06,720 --> 00:49:09,720
So even if no one listened to 
this, in the process of me 

812
00:49:09,720 --> 00:49:12,840
explaining this and exploring 
this, I'm also trying to change 

813
00:49:12,840 --> 00:49:17,120
my own heart, my own soul, my 
own relationship with all that 

814
00:49:17,120 --> 00:49:19,920
is. 
And you can do that too. 

815
00:49:20,920 --> 00:49:25,680
Thanks for listening. 
I hope you'll find a way to heed

816
00:49:25,680 --> 00:49:28,400
the vocational call and 
something that feels 

817
00:49:28,720 --> 00:49:33,640
transcendental to you. 
I'm grateful for you listening, 

818
00:49:33,720 --> 00:49:35,920
I really am. 
Thank you so much for being a 

819
00:49:35,920 --> 00:49:38,880
part of this show. 
If you're listening to the very 

820
00:49:38,880 --> 00:49:41,880
end here, I know how many things
there are to do in life. 

821
00:49:42,320 --> 00:49:45,400
You chose to spend it with me. 
I do not take that for granted. 

822
00:49:45,960 --> 00:49:48,200
I've said that before and I'll 
keep saying it. 

823
00:49:48,560 --> 00:49:53,160
I do sincerely appreciate you. 
That's all for now. 

824
00:49:53,800 --> 00:49:54,320
Good luck.
