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Welcome back, everyone. 
I am Cass Piancy. 

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I'm joined, as usual, by my 
partner in crime. 

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We've already recorded one 
today. 

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I'm not going to play pretend 
and say I haven't asked you how 

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you're doing. 
You're doing good. 

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I'm doing good. 
We're going to be talking about 

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Nft's and whether or not their 
securities or at least whether 

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or not the SEC thinks their 
securities, when they think 

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their securities and why they 
think they might be securities, 

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right. 
And the reason this got brought 

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into everyone's sort of line of 
sight is because an NFT 

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collection called Stoner Cats 
that had been started or at 

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least Co founded by Mila Kunis 
and I think Ashton Kutcher was 

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in on that as well. 
I'm not. 

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I don't remember. 
I think Mila Kunis was the face 

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of it. 
But I think they're both 

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involved. 
And some other cocreators 

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created this thing called Stoner
cats and now Stoner Cats was 

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this collection of images of 
what it sounds like. 

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Stoned cats and cool haha super 
super awesome weed and cats. 

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Very funny. 
And they decided they were going

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to do a show, a web series based
on this. 

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And they went through the 
documents. 

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Actually they they promised some
pretty specific things, 

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including that they were going 
to do at least one episode for 

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three seasons, something like 
that. 

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Obviously they they didn't do 
that. 

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And part of the issue appears to
be that the way these NFT's 

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work, and many NFT's for that 
matter, is that they offered 

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royalties to the initial 
founders and creators of these 

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NFT's. 
What that entails is that every 

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time someone buys one of these 
Nft's, they get like a 2.5% 

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kickback on that sale, which 
doesn't sound like much right 

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out the gate. 
But considering volume and all 

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this other stuff, you end up 
going like, oh, they made like a

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half $1,000,000 in royalty like 
that, which it's a lot of money.

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They also sold out of all of 
their Nft's when they put them 

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on the market. 
Whether or not they bought a 

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bunch of those I think is up for
debate. 

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But basically the SEC said, hey,
you guys are doing these 

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royalties on these Nft's. 
This is a security. 

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And to be clear, the people who 
did this said, Oh no, OK, well 

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we're done. 
You win. 

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We're not going to admit fault. 
We're not going to admit guilt 

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here. 
You guys can just take some 

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money, we'll pay the fine and 
we'll stop doing the sonar cat. 

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For what it's worth, I don't 
think you can actually buy them 

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anywhere right now. 
Maybe it's just because there's 

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none up for sale. 
After the SEC took this action, 

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the floor price increased 250%. 
It's still up 175% since before 

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the SEC action. 
And the volume went up, I think 

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almost 3000%. 
So everyone started buying it 

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and trading it and moving them 
around as soon as this SEC 

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action was was pushed out. 
I think this kind of SEC action 

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is similar in my mind to the EOS
action that took place. 

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In case anyone is unfamiliar 
with EOS, this was a Brock 

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Pierce and Daniel Larimer 
project from years ago that was 

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going to change the financial 
system and raised $4 billion 

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from their ICO and then got 
fined by the SECI believe it was

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$24 million. 
Who gives this shit? 

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No one cares about that 24 
million, $1,000,000 fine when 

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you've raised billions of 
dollars. 

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And I think everybody understood
that when it happened. 

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And to me this feels kind of 
similar, right? 

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So these guys raised, I believe 
it's something like 8 to 

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$9,000,000 including these 
royalties that they got and they

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were fined, I don't know, a few 
million. 

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They made a profit for sure. 
They profited on this 100% sure.

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And what they're getting out of 
it, ultimately, is that they 

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don't have to fight the SEC now.
They don't have to pay legal 

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fees, and the SEC gets, oh, 
look, see, they're not willing 

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to fight us on this. 
So this means NFT's are 

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security. 
That's not the full story, 

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Bennett. 
Why don't you jump in here now? 

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What's interesting, so Stoner 
Katz is the second NFT case that

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the SEC pursued. 
Like a week or two weeks before 

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they pursued Stoner Katz, they 
went after Impact Theory, which 

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was a smaller NFT project, less 
illustrious names involved. 

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And the creators of that NFT 
project kept telling their 

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investors. 
That they could get tremendous 

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value and that they were going 
to make sure that we do 

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something. 
That by any reasonable standard,

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people get a crushing, hilarious
amount of value. 

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And they even told these people 
buying their NFT's that these 

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NFT's were the mechanism by 
which communities will be able 

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to capture economic value from 
the growth of the company they 

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support. 
This one again settled with the 

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SEC and may more clearly be a 
security than Stoner cats. 

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And I think this is what kind of
gets interesting here is. 

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Even in the impact theory case I
just discussed, there were two 

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SEC commissioners who disagreed.
Commissioners Pierce and Oyeta 

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did not support this and wrote 
their own digression. 

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And they highlighted that the 
SEC does not routinely bring 

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enforcement actions against 
people that sell watches, 

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paintings, or collectibles, 
along with vague promises to 

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build the brand and increase the
resale value. 

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And what I thought was 
interesting, and what you and I 

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had a brief conversation about, 
is Preston Byrne, who we've had 

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on the podcast before, wrote a 
blog post taking a look at these

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two cases. 
In his stance was basically that

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the impact Theory one when I 
just discussed did seem more 

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clearly like a security in the 
way it was marketed, in the way 

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it was sold, and in the 
expectations investors 

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reasonably had. 
But he thought that the Stoner 

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Katz one was less clearly a 
violation of securities law. 

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Peyerson Ojeda again highlighted
that this was an example of fan 

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crowdfunding, and Preston 
pointed towards how this was not

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presented in that same. 
Way to purchasers. 

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And so I think Stoner Cats is 1 
where they kind of wanted to go 

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after it because there were so 
many celebrities involved. 

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Mila Kunis was involved, as you 
mentioned, Ashton Kutcher was an

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actor, Chris Rock was an actor. 
There were names involved here 

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and you want to discourage that 
caliber of name from doing this 

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type of projects. 
You go for a ticky tacky 

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settlement. 
But more broadly, what we're 

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looking at in both these two 
cases is that making your badly 

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formed project in which you hope
to return value to people who 

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give you money and NFT instead 
of some other form of token does

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not mean you'll avoid the Sec's 
attention, right. 

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And and so I think a big part of
this has been the royalty aspect

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the SEC has been honing in on. 
And I want to be clear here for 

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everyone because I think it's, 
it's a pretty important 

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distinction in my mind and we'll
see. 

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I don't know if this will 
actually play out in court. 

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It might be that what I'm saying
is totally off, off key and 

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wrong again. 
We are not lawyers. 2 Industries

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that instantly come to mind when
when I think of royalty, and 

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that is TV and movies and music,
right. 

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In those two industries, 
royalties play a pretty big 

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role. 
We're watching a WGA strike, a 

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Writers Guild of America strike 
go on right now, particularly 

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because of royalties. 
The writers can't get royalties 

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on streaming anymore because 
these streaming services don't 

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offer the market data to even 
give them any of these 

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royalties, right? 
But this has been livelihoods 

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for decades for actors, writers,
producers, whatever they they 

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all have been able to make money
on these royalties forever. 

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There's a fair argument to be 
had that if your NFT is a TV 

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like thing, which I guess you 
could argue Stoner Katz was that

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that the royalties in a sense 
makes sense. 

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I think that you need to do more
probably than seven episodes. 

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I don't know. 
It would be up for debate. 

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I don't know. 
I don't know where that would, 

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where that would come in. 
But the second one that I want 

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to talk about is musicians where
like again, record sales indeed 

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do give you royalties for the 
rest of your career if you have 

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the rights to the songs and the 
and and all of that. 

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And I know someone on that I 
follow on Twitter who actually I

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I like a lot of the songs that 
he puts out there. 

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Jonathan Mann, I follow him. 
I find a lot of his music 

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entertaining. 
It's silly and he he turns a lot

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of it into NFT's. 
He does royalties as well for 

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that. 
And I I get it. 

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I actually get that. 
I'm like Oh well that makes 

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sense. 
Counter to this is the sale of 

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art pieces is the sale of 
painting. 

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If I buy a painting from a 
painter, you know what happens 

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when I resell that painting, 
whether I resell it for a profit

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or a loss. 
Do you? 

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Do you want to guess how much of
the money I make on that resale?

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The painter gets 00, They do not
receive anything for it. 

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Collectibles. 
You want to talk about Pokémon 

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cards. 
How much does Namco get? 

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When I resell a Pokémon card 0, 
sure, they don't get anything. 

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So the royalties in that aspect,
I do understand why they're 

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trying to say they're a 
security. 

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It's a dividend. 
And Preston highlights, per this

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in the blog post. 
And like, imagine I paint a 

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picture and there's someone who 
wants to buy it for $10,000. 

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And I say, what if instead I 
sell it for you for $1000 and 

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10% of any of whatever you end 
up selling it for in the future,

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right? 
That doesn't make the painting 

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itself a security right. 
And I think how many of those 

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agreements exist, I would love 
to know, because that is not a 

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common agreement. 
What is? 

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The answer is probably non zero,
right? 

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Like well and often that's not 
how artist kickbacks work, 

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right? 
The way it generally works is an

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artist sells some pieces to a 
collector at a lower price and 

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then one like. 
A Halo piece at a higher price, 

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which then revalues the entire 
collection. 

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So then the collector is able to
make the money on that and the 

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artist then able to sell future 
price pieces at a higher price. 

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Not that that's a good change in
terms of that arrangement in the

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way I describe. 
Make it necessarily a security 

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The art market is bred for money
laundering and tax evasion. 

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Like that's that's what the art.
Market literally just described 

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market manipulation. 
That's what I just 100. 

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It's just not illegal because 
it's a collectibles market. 

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And the tax, the tax shit, 
donating it to museums, doing 

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all all sorts of weird scammy 
shit in the art market. 

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I'm not trying to deny that at 
all. 

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But if we're going to try to 
make kind of strict lines in the

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sand about what a security is, I
do want to say that when you're 

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getting kickbacks on every sale 
of a painting, that sounds so 

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much more like a dividend to me 
and a securities offering than 

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it does the way a normal art 
market works. 

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And royalties don't sound that 
way to me. 

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They really don't right it. 
It's a dividend, but it's not. 

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It's not. 
It's basically saying like okay,

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you did this work in this thing 
years ago, and if you have to 

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repay a whole team, because it's
not, it's not an individual 

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taking full credit for it. 
It's writers, actors, producers,

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directors. 
It's the grip, it's the lighting

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guy, It's it's every it's 
everybody. 

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And and the same for a musician 
as well. 

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Usually I think that's 
democratized a bit, but for a 

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musician as well, you're going 
into a studio, you're working 

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with a producer, you're working 
with a whole band, you're 

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working with all of these 
different people who hopefully 

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are going to be receiving some 
sort of monetary compensation 

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forever for the work that 
they've done for this thing. 

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And and again, the art market is
not the same as that. 

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Maybe we see some changes in 
this, maybe it becomes less 

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regulated, maybe they or they 
regulate the royalties aspects 

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of these industries further. 
I don't know, but I'm trying to 

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explain there is there is a 
difference between these 

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industries in the real world. 
Sure. 

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I think kind of just to put a 
cap on this, there's two things 

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I want to kind of. 
Accentuate Stonercats to me 

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seems like the SEC trying to 
make a case, like we said, 

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because there's these names 
involved and they want to 

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discourage that kind of thing. 
I think the art market gets away

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with a lot because everyone 
involved is probably like an 

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accredited investor, right? 
The Sec's rules, they're already

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kind of loose, so they're not, 
they don't really care. 

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This is open to retail, you 
know, so they care a little bit 

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more. 
The other thing I want to 

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emphasize is. 
There's some amount of ambiguity

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here in terms of whether or not 
this type of structure is or is 

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not a security, but broadly, 
many NFT projects now need to 

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deal with the reality that they 
may be considered it. 

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Security by the securities 
regulator and need to deal with 

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either litigating that or 
otherwise dealing with the 

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consequences. 
Well, that's going to do it for 

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this episode everybody. 
If you want to support us, 

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00:11:49,730 --> 00:11:52,410
obviously there's doing the 
normal thing of like liking the 

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00:11:52,410 --> 00:11:55,370
video, rating it and reviewing 
it. 

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But alternatively, we're putting
out a new cast coin Cat 

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election. 
It's going to be an NFT thing. 

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It's really cool. 
Cost 10 cast coin each for every

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cast coin cat and what you get 
is unlimited access to the new 

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Cast coin cat TV show. 
Anyway, there's a 10% royalty 

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that gets kicked back to CCC. 
So we're going to be seeing a 

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ton of money from that and we're
kind of banking on that for the 

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future of the show. 
Remember look it up on on Blur 

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and on open C OK guys.
