Broken only by sparse shrub and corpses of stunted Evergreen,
the rolling hills of the sunburnt Savannah seem to
stretch endlessly around a small group of adventurers with the
weight of the world on their shoulders.
They have left behind the safety of their walled home in the
pursuit of righting the wrongs levied against to their water
bearer and community. A town on the razor's edge of
Collapse. While currently satiated, a
storm of unrest threatens to swell and break its peoples.
I'm Z and this is Wasteland Pirate Radio WPR bringing you
the uncut airwaves from the blasted wastelands.
Hey everybody, and welcome back to Dungeons Drive, Insurance and
dice still redacted this season, utilizing the Powered by the
Apocalypse system to tell that it's not anymore.
Time is. Strange at some point, so I'll
take it back. Hey everybody, welcome back to
Dungeons Drive Insurance and Dice Arcade Apocalypse this
season using the Powered by the Apocalypse system to tell the
story of the citizens of Tedville and their quest to
return the good, good wets to its good, good peoples.
I'm M and this season I'm the game master.
Before we dive in, we're going to do our question and it is
this apocalypse scenario. You come across an undiscovered
unloaded superstore. What's, you know, two or three
things that you focus on grabbing that aren't necessarily
like food or water Because of course I'm going to go in and
just like bucket arm shovel the shelves.
But then I go back in and I check out like underwear because
I do feel like some point in the apocalypse, it would become not
a thing when it's useless. Why would like you don't have
any more underwear? Like who cares?
It's like civility is kind of out the window.
But I think that if I came across a store where I had the
opportunity to like see packages of them once again, I may return
to comfort for a brief moment, a sort of me comfort that it's a
bit more protected. I feel like it would last a bit
longer than the out clothes soap.
I mean, but again, you're not we're not washing.
I love, I love a good soap. So I could just wash once.
In a while, and my name is Lawrence and I play the Deluca's
Chop House answering machine robot.
I'm going to take that again. I slurred that boy.
I'm drunk. No, my name is Lawrence and I
play the Deluca's Chop House answering.
Oh man, that was worse. Embarrassing.
Take three. You got it.
You're really. Just put this in the middle if
you could. Answering that'll make for good
audio in apocalypse scenario. I had similar thoughts.
My first thought was soap. Soap be good to have deodorant
maybe less probably useful. Also interesting to have for a
short time. But what I ended up landing on
is ointments and creams like I think burn cream would be kind
of like not first thought but pretty useful.
And in the situation where it come up like Blistex lip product
like I think that would be killer to have.
And you can make that shit last for a while a good long time if.
You have like a big, big jug of Avaloe.
Yeah, I think like aloe and sunscreen.
Vaseline. Those were those were ointments,
I would say. Yeah, you really want a Vaseline
dill? No, he's slick and weird.
He might eat it. Sunscreen, Vaseline, Ballistics,
those would be my big three. Also really quick.
I just want to it was interesting.
The first thing that you said with regards to underwear, you
wear it for civility was the number one.
My name's Michael and I'm playing Spicket, the water
bearer. And the answer to the question I
took very differently. I wasn't looking at things that,
you know, might be helpful long term outside of food.
I was thinking things. It's like duct tape.
I was thinking of an aluminum baseball bat and like a hatchet
I could put on my belt. But those are not the first
essentials you get of food and medication and water.
But the second go round would be protective and tool items for
me. And duct tape.
You can use duct tape for a lot of things.
I heavily considered depending on the day, like Game Boys
nowadays would be useless, but if there were like a 64 pack of
AA batteries back in the day and a Game Boy, I'd swipe that for
sure. You know, you play that Game Boy
for quite a long time, but now what are you gonna do?
Where you gonna charge it? How are you gonna charge that
thing? If there's a way to charge it,
I'd grab a game point too. Okay so 4 is me then.
I'm Grace and I play pedal and in the apocalypse I would
probably also grab. One of the things I grabbed
would be duct tape just because there's so much you can do with
it. And in this situation I'm
assuming it's like the mega roll.
Not like one of those like stupid tiny rolls they sell now,
but like they used to sell like big old honking rolls that you
could kill a man with if you needed to.
Which I might need to. That was their tagline.
It's like the 12 pack. You need the 12 mega pack of
duct tape. You got to get the office roll
size. Yeah, big chunkas.
Greatest staples? Yeah.
I might and then I would what did I also think, Oh, I would
also probably grab maybe a can opener like that'd be pretty
versatile to have because there'd be tons of cans
everywhere in these abandoned places and campers nowadays have
all sorts of stuff on them. You know, it's a can opener.
It's a bottle opener. It's there's also a knife on it.
Multi tool at that point. And then I would grab because
I'm always cold. I would try and find maybe like
a really nice weather all around weather jacket, maybe like a
windbreaker because I I hate being cold and wet and I don't
know what kind of apocalypse situation this is.
Something to keep you not wet, yeah.
Jackets make good beds. It's true.
Duct tape is so smart, especially a role big enough to
kill a man with. And I'm Theodore Stringer and I
play duel. And as far as the looting goes
and underwear is good, duct tape is good.
I was sort of thinking I was of of two minds and I've forgotten
1, so I'm going to go with the other until hopefully I remember
the one I was sort of thinking about like what would function
as currency. I know that we said no food, but
I was sort of thinking like winkies or one of those sort of
things, things that would function as currency in the
apocalypse. Hey man, your money's expired.
I mean, to be fair, my my idea behind no food was like, because
of course the first thing you're going to grab is like the thing
that you need the most, which is food and water.
And then food and then I'm going to grab.
Sleep, Yeah, yeah, us like us as people, you know, right, would
probably grab food and water. But food as currency is actually
an interesting, I think take on that for sure.
There are certain foods that would function as currency and I
definitely would keep an eye out for them.
The other thing that I was thinking about, and it's not
super like apocalypse useful per SE.
I started down this route. I was thinking like 4th of July
fireworks. I think that would be useful
like a distraction or a light or you know, you know, there's,
there's uses for that. Patriotism.
Then I just sort of went down the road of like the seasonal
aisle is always kind of fun. Especially like in the
apocalypse, it would be very fun to put out Easter bunnies or,
you know, googly eyes or whatever.
I don't know, like, have some fun with it.
You're a survivor. Fireworks is really fun.
I also thought about just cleaning products.
Like for the first time we could just get some Windex and clean
the windshields or something, you know?
Holy shit, we can see. Bleach is a weapon, technically.
Bleach. Oh, a weapon.
And yeah, that one's good. OK, let's do catch up and then
we'll do pedal vision. So last time we he left, but now
we're A-Team and we have the DIL Go, which has two buttons that
look exactly the same, one of which gives DIL or the driver a
small handgun. A little handgun pops out of
like the console and the other fills all of the oil from the
oil machine out the back as an oil slick.
From the oil machine. From the fryer?
Yep, oil machine. He's a mechanic.
I built the. Car.
Yeah, it's a Cook mobile. It's a food truck.
Finding the synonyms tonight for a.
Cook. Truck, you know, with the oil.
And it's a fried pickle food truck, The Dickle.
Yeah, Dickles Pickles. Dickles Pickles is.
That what we went with, Dickles. Pickles.
My God. Pickles a pickle.
He's got a hat and and like little guns.
All of which is made out of fried skin.
The best, like a peeled banana situation.
Like a peeled banana, Yeah. Like a peeled banana situation.
Incredible. A peeled banana.
Yep, I it's all coming back to me.
Do you think Dill has maintained that image on the side of the
truck or is it like worn and weathered now?
No, Dill is not that kind of guy.
Now he wouldn't have done anything with it.
You can see him. Some of them is like peeled off,
but definitely know what he is Dickle to pickle.
He's also in a number of spots on the Dill Go.
Fuck yeah he is left. Got D Hams D cab attached to the
back of the Dill Go and headed out into the waist with Dill's
other one at the wheel. We pulled over after we pressed
far enough away from Tedville and Dill transformed sort of
back into himself in front of Spigot and slipped out the
window. And this is where we find
ourselves on the way to the crash site, which is just
somewhere between here and the Water Bear facility.
Wait, do we not know where we're going?
Not exactly. The crash site that occurred was
actually there was a like a, a different note made that it
wasn't an entirely different direction than the water bearer
facility thing like to the northeast and the water bearer
facility being like to the West. So I imagine we're heading to
the crash site of this, which would be to the northeast rather
than to the water facility, but could also be trying to find
where it occurred initially because it did go missing for a
little bit before it was found in a wreck there, right?
But the direction it was coming from was the water pair.
OK, if we know where the crash is, then start with what we.
Know and we are heading that way.
That would be to the northeast up and towards the main city.
But first we need to do a pedal vision roll. 4 + 6 that's a 10.
That's a 10. Very cool.
I have a sick ass vision and a marketing experience.
So I hold one on that roll. I can spend it at some point, at
a moment of transition to tell you that a vision comes on and
to ask you who you are with. I only have one held because I
did that also last session. But I didn't ask you where you
were and who you were with this. Next time I will, and then I'll
describe the vision to you when we get to that point.
But for now, we're out here in the waists and the truck is
stopped. Press 1 for sitting in silence.
Press 2 for. I'll go out and look.
Press 3 for we get out and walk all together at once.
I press 2. And D Ham is going to get up out
from his seat. Oh I bet you sacrifice D ham to
go. He's going to very cautiously,
and by very cautious, I mean he's just going to kind of
sautter up to the back door. He's going to crack the door and
poke his little nose out. Kind of looks like I'm smelling
the edge of the door. Outside of the truck is just
Dill poking about. Dill, what do you see out here
with your big eyes? There's a lot of nothing out
here and I don't know how to drive.
Who does? I've never driven a car in my
life. I can try and tow us with the
decaf. That would be crazy.
Press 1 for I tow you with the decaf.
Press 2 for anything else. Don't press this one.
Hell yeah. It doesn't know what the decap
is, but yeah, sure. That sounds like a solution to
though. Deham is going to go back to the
decap, but he is not going to first try and tow the vehicle.
He realizes that the decap is significantly smaller in both
power and girth, so instead. I don't think we've built the D
cab. Yeah, I don't know what this is.
It's my work, it's my workstation mini vehicle, the
thing that I arrived in yesterday.
But like. What is it?
What isn't it? You know, it's my home.
What isn't it? And it's my workspace.
It's my means of conveyance when I'm by myself, where I keep my
things other than my chest cavity.
It's the other place where I keep my thing.
It's a hollowed out smart car, right, That you've turned into
your workstation? Exactly.
It's like one of those one row smart cars that looks sort of
like the front half of a car and then nothing else.
It's that except it's very fancy.
It unfolds, you know, I've customized it.
This is one of one. You slot into it exactly like a
like a Jingy Ito comic. Yeah, it kind of unfolds and
then I sort of just like hang on it limp, and then my head
detaches and my hands detach, and that's how we do my work.
It's much more efficient to just have the head and hand on rails
as opposed to staying with the body.
How long does this process take? About 10 minutes.
I don't do that yet. I don't I'm not I don't have to
do that right now. OK.
What I'm doing is I am going to exit.
I'm going to go around to the to a side of the vehicle that Dill
is not looking at me probably the front.
And I'm going to I'm going to pop the hood really quick and
then I'm going to use a things speak roll.
So I'm going to roll plus weird. See what this things speak?
Roll OK. I think with my bonuses that
will give me what I need. My bonus to weird is +2 bringing
it to an 8 and so I'm going to ask hey, what's wrong with this
and how might I fix it? Can I make this a way that I
could drive it? I don't know how to drive this,
but maybe I could make it a way that I could drive.
Oh fuck yeah this. So this has been modified?
What's wrong with this? It's been modified to drive for
extreme precision driving beyond, I don't know, even
turning it manual. It's probably it's manual
because why wouldn't it be? It's manual.
Plus there are 14 gears. Like I said, there are 5 pedals
rather than up to three. So like I don't know what they
do even because it's made by a hyper intelligent alien.
The dildos got sub gears. Yeah, it's got sub gears and its
gears. What's wrong with it is not
much, but it's been heavily modified to like be just an
extreme precision driving vehicle.
But it has to be utilized, otherwise it's going to those
gears haven't been utilized and so they're getting kind of maybe
rusty. Gotcha.
OK. So unless you drive it wild like
it's not going to drive very well, you can drive it like a
normal thing with the normal pedals.
If you can figure out which ones break and which ones go, which
should be very easy for you. It'll be a little bit, you know,
clunky, but there's some way to make it do better.
Well, I don't feel like undoing all of those modifications is a
good use of time. So I think I'm going to go back
to the vehicle, join the other two folks in there.
Any points at spicket, press one for you drive, press 2.
For any points at no one you drive, press 34.
I drive press 44. We'd sit here and we live here
now. I think Spigot will press 1.
I think he's driven before. He's never driven anything like
the Dilgo, but he'll give it a shot.
Be very careful, this vehicle must be handled with precision.
He's got experience with like complex machinery.
Yeah, yeah. You will need to focus to bring
out the vehicle's highest potential.
Oh, we had my head out the window.
I said, hey, you banana friend, are you going to come back in
the vehicle or head it out? We're going to try and leave
because I don't think I actually know his name.
Dil clambers inside. Welcome press 1 for We drive in
crippling Silence. What?
Press 3 for contemplative self reflection.
Press 6 for car game. Oh, I press 6.
I spy with my little eye. A banana.
It's a banana. Something that is brown.
Brown 2 guesses before he even
said before we truck off into the the Savannahs now driving.
Yeah, we haven't started yet, but the car game is.
I don't. Even know if we can drive yet?
I'm really banking a lot on this.
Right. Yeah.
I have faith. I'm not religious, I don't
think, but I have faith. I think this is a do something
under fire because this is the pressure is that you need to
figure out how to drive. Yeah, yeah.
Lest we die. Or even worse, you let me drive.
Complex machinery is not necessarily that, but I do feel
like this is the other portion of this role that's.
I mean I can get back in there and try and figure it out again,
but it didn't go good the 1st. Time I rolled A10 and I + 2.
Cool, so that's a 12. Oh, Oh yeah, we should have
never doubted you. Yeah, no doubts at all.
On a 12 on A10 plus, you just do it.
I don't think it's difficult at all.
You you know how to drive and it seems like the main pedals were
kept in the same place, so break gas kind of right next to each
other there. Easy peasy.
There's three other ones that your right foot can hit, or
maybe your left foot could get over there for some reason, but
your left foot's probably on a pedal too.
You're just trying not to press that.
One, is there an organ at the water tower?
Do you know how to play an organ or?
Maybe, maybe that's why I've got the foot skills to figure out
all the pedals. And with a 12, you don't hit any
buttons you shouldn't hit. You know how to drive stick.
Easy peasy. That's not a challenge for you?
Yeah, it's a cool role. Of course you're going to roll.
You know how to drive stick? You roll.
You're very cool. It is feeling pretty good about
himself right now. And you take off into the
Savannah, chugging along. I'm Dickel and I'm here blasting
into the. Savannah Oh yeah, the rest of
the cannon. You know what?
I, I think, I think with a 12, you know what button to turn
that off and you actually just press a third button that looks
like the other two but is disconnected and that just turns
it off. That's pretty.
Cool. A banana is a yellow fruit.
Lock you. I'm tickle and I'm here.
I'm Tickle and I'm here as the camera remains in place and you
guys trek off. A few hours later you come
across the crash site. Those that brought in the thing
knew exactly where it was. Like we know exactly where the
crash site is. We found it, we brought it, we
brought the the stuff back from it.
So that is exactly where you had and within a few hours you Crest
a hill and down at the bottom there is still some debris from
this notifying you that you've made it.
A tire rolled off and leaned up against the hill.
Another vehicle totally burnt out Hood popped up seemingly
from the explosion down at the bottom of this hill.
Someone should investigate that. I would like to roll up and park
us in an easily escapable position so we're not trapped in
by wreckage in a somewhat defensible manner, if that such
a thing exists. Yeah, there is the wreckage of
we'll say 2 vehicles down here, one that it's totally burnt out
and as you pull the vehicle down, another that you can see
is crashed into sort of the back of it that is significantly
worse for wear. It seems like blown out, but not
like burned to, to a crisp like the the one it had crashed into.
And you back in the the the truck to an easy like we can
just jet out. So I mean straight into the
savannas or back around this hill if we need to back in near
that that wreckage, giving yourself block from one side,
cover from one side, right as best we can and pull.
The DIL go to a stop. All right.
Well, I think it's very eager to get out and search the site.
We see once again D Ham parks himself behind the back door of
the Dil Go, exposing only his nose.
He'll follow his picket. A few folks get out.
D Ham remains behind camera, outward facing.
Come around to search through this wreckage.
The two vehicles here are in bad shape.
Bad, bad shape. The first one, like I said, is
like a charred haul of what once remains.
No windows remain like the inside leather and interior has
been burnt to a crisp. But on the other vehicle, you
can tell that it is sort of a piece meal Raider wasteland
vehicle, similar to the ones that your town uses out and
about right? You find a new car door.
Your car door is there. You just put it on.
We're not getting a new car. We found a car door that's great
and that is this vehicle as well, certainly not a water
bearer vehicle. The wreckage and various like
debris in front of these two vehicles you can easily put
together would be where they have hauled the actual water
bearer van from. That wheel is probably your
wheel. You can even see probably the
drag marks down and around the hill to have pulled it away.
Do you like roll to look in this game?
Just to remind me? Like I say, do something and we
roll to see. Like do I do it?
There is in fact a read a sitch, move, roll plus sharp to read a
sitch. Oh, I +2 to sharp holy pet.
You're so good at this. Yeah, and since you asked, why
don't you do it while pedal and Dill are like scanning over the
situation, getting the information I have produced so
far. You read a situation taking a
step back further. Oh, that's A5 plus A6 plus two.
I'm so good at looking. 13 AM. I mean, one of my eyes is
robotic. I don't know if I ever mentioned
that I have a robot eye. I like that.
I like that you get to ask three questions from this list.
Three questions. That's so many.
I'll even let you make one up because you had like 11 + 2.
Was that 13? That's a crazy good number, so
I'll even let you make one up of the three.
OK, let me look at my list. This is a weird one, but I'm
kind of intrigued. It says Who's in control here?
Pedal takes a step back to scan the scene at a larger scale.
Right. Not just this wreckage, but the
hills surrounding you guys. You start scanning the like
general surrounding as you scan up and to your right.
Wait, no, which sides your your your eye on?
Is that on your left side of your face or right side of your
face? No, it's boobies.
Now I have to commit to it. No, I don't commit to boobies.
The left side of your face. It's on the left side of your
face I think. Boobies with a gag God.
Yeah, but now it's on the PNG. It's true, and so it's to it I
gotta commit, yes. It's all a gag.
So I'm going to say you scan up
into your left because I imagine you follow your more perceptive
eye 1st and you scan past the hill that you just came over and
behind you and to the next hill. You swear you see a shape and
then it's gone. It's pretty.
It's it's far enough away. It's the next hill by or over to
your guys's left, but like a little shadow up at the top of
the hill that just disappeared the moment that you sort of
looked in its direction. You know that you are being
watched. Don't forget to mark experience.
Why am I marking? Experience because you rolled
plus sharp. Anytime you roll one of your
checked stats, you get to mark experience.
Oh, OK. My other question, I want to use
tonight. That's the only one right now.
Is that OK? Yeah.
What should I be looking for? Is that seriously a question?
Should I be on the lookout for or or are you asking a what
should? I be looking for.
What should be on the lookout for?
Sorry I don't have the exact word anything.
What's the thing I need to find? Where is it?
Maybe I find that. Point me to the thing I need.
What should you be on the lookout for?
I also think that in answering these questions should advance
things a little bit. What you see is 2 larger shapes
Crest to the hill silently. They Crest this hill pretty far
off and to the left, larger shapes.
And at first it's it's difficult to make out what they are.
I'm not going to be obtrusive about it though, because you did
roll pretty high on that. They are two vehicles and then
you see a third in between them, but just sort of cresting behind
and behind them, some shapes pushing them.
They seem to be being pushed up to the top of this hill by these
shapes. They are setting up their
vehicles facing your team, but they have done so silently
because they like pushed them up the.
Hill, y'all, I think we got some company and I gesture towards
the vehicles think I think we should, but I think I think we
should bug her out. Is that a thing y'all say here?
Bug her out? I don't know.
I said it. I just, it just came out of my
mouth. Bugger out.
Press 1 for Bugger out. Press 2 for Mortal Kombat.
But we've come so far. Do we need to leave already?
They're just people. There.
All right, well. How many people?
Did you see? I see three vehicles.
Do they not see it? Are they not seeing it?
Is it all I mean they see is. It we don't have bionic eyes.
Yeah, mine's a nose. I guess that's fair.
No, I mean, I guess now that you've pointed out, you guys can
see, you know what I have described, they're harder to see
the individual peoples. Like you can't make out the the
details on these vehicles super well in the bright sun
reflecting off them pretty, you know, far away with all the heat
lines and whatnot. But they are vehicles for sure.
And you can see the shapes moving thing about them, but
hard to discern from this distance.
Got it. But anyone can see scoping that
way now that you have spotted it and then pointed it out to them.
I mean three vehicles. What's your last question?
Do I have to ask it now or can I save it?
Or does it have to be in that situation?
I don't know how this thing works.
This Rita stitch is at least at a minimum on this situation.
It can be. Directed back at the wreck,
right? But it is this stitch we are
reading. And I say like how do I like,
how can I get my best advantage over them?
Like is there like anything I can do in this exact moment that
would give me a one up because they tried to sneak up on me?
Good question actually. And I, I like that.
And I think for your 12, I will give that to get moving now
before they do. I mean, right that that feels
like the best move to me actually is that once they get
going, they're going to be moving quick.
But if you can get your team gathered and maybe up ahead and
are out of sight, you might be able to either set up a trap or
escape at a minimum. I was right.
With the bugger out, Let's do that.
Press 1. All right, everybody backed into
the dildo. Have we accomplished our goal
here? Did we?
Did we figure out what we needed to figure out here?
Well, who's saying that we can't like come back, you know, or is
it worth is this worth staying and fighting whatever this is 3
vehicles seems like a lot of people we.
Figured out we don't want to die.
Is this apocalypse a brutal world?
I don't. Know Is the apocalypse a brutal
world? Is this like a Mad Max Siri Rd.
situation? Desert Rd.
Vehicles. Well, they took out the water
bearers vehicle, which is pretty ballsy.
We don't know that it's the same group, but somebody took out the
water bearer vehicle, which is something you don't do lightly.
It's sacrilege. That's true, yeah.
And somebody did mean things to me, so I guess it's not nice.
There are being people in the world, that's true.
If they don't have flamethrowers, Dill's not super
afraid of them. And Deacon wants to throw hands.
We came out here for a reason, right?
Why do we come out here to to investigate this crash.
Have we investigated? It haven't had the moment too.
So then now, now, now this is what's happening because we can
go back to investigating, but then defeats no purpose in the
US and that we are about to get jumped, I will give.
Bigot and Dill A roll of some kind, because I did say that
while she was, you know, starting to scan the area, you
know, at a. Wider.
At a wider scale. Yeah, that's true.
Up to the MC's discretion. Is there a way for me to stretch
my my eyeballs? To see sharper.
I don't know if there's any way for me to like contort my myself
to see better. AMC's this happening?
It just points, just walks up to Dylan I.
Don't think I'm a cartoon character, but I don't think I'm
that much of A cartoon character.
OK, you don't need to do this. Here's the thing, Dyl, as far as
where Dyl's at, we came out here for a reason.
I don't. It doesn't feel like we've
accomplished that purpose. These people are now in our way.
I want to try and scope somehow if they have flamethrowers,
specifically flamethrowers. If they don't have flamethrowers
then I'm a go and quote UN quote, distract them and we can
figure out what is that a thing I can do?
Can you seduce them? OK, no, here's what I'll do.
Here's what I'll do. It seems like a time of need,
and Dill doesn't know what to do.
And so we're going to, we're going to roll.
Plus, weird. We're going to try and get some
kind of feeling, some kind of Sherlock Holmes in intuition
about all of this that didn't quite come from us.
That's a nine. I like you being able to use
your weird body. So with a nine, I'll give you
that. You know that your eyes, your
eyes are the hard 1. So you can you zoom them in a
bit. You can elongate your your
ocular tunnels and and zoom in a bit.
But if you do, you're not going to be able to use that eye for a
bit. So you're going to be like one
eye, like it's going to take longer to go back because it's
not him doing it. You know, I'm fine with that.
It's really just die or don't die for dill.
So I think that's fine. We can do this one I'd.
Yeah, it's bigot. I think you're still the only
one to see this because what pedals probably watching this
scenario is still, I guess she's just pointed out she might be
checking you out. I don't know, but Dill's eye
just sort of telescopes out of his face by about 5 inches and
slowly and then to a soft round point his his pupil dilated in
on the center of it. Does this make it sound?
I think this also takes effort. So I do think Dill's kind of is
like. Yeah, I'm gonna say.
How long does it? There's probably a soft, subtle
squishing that's like like a long squeak.
Veins pop on Dill's neck and head.
I think for doing that you can see that they are just battening
down the hatches on these pretty ratty vehicles.
They seem like really beat up. The tires are wide but pretty
bare piece meal built to scrap. But they're like just, they seem
to be like tight, almost tightening down belts that seem
to be holding on parts of the car and like checking the tires.
Flame throwers always come with a pack of some kind.
There's always a big backpack that is accompanied or, you
know, even a large handheld piece for to funnel all that
through. And you don't see any of that.
And you feel like yeah. OK.
No one walking around with the backpacks on or anything like
that. So you feel safer for flame
growers? Then I think I'm going to say
Bill doesn't know what all of this any gestures at the crash
site is about, but they're in the way, right?
Deal. We'll deal with it.
And without waiting for response, he sort of gallops off
on all fours. Gallops off on.
All. Fours.
That's quite a sight. With one elongated eyeball, he
gallops away on all fours. And I have a plan, but if we
want to like investigate the crash site and such before.
I don't know this happened yet. Yeah, I'm, I'm guessing the
investigation or whatever would have happened while pedal was
zooming in, but that would have happened before this next
action, right? Yeah, you're trying to to
investigate was while I was like, wait a minute, I think
somebody's watching us. I also was curious which side
are you looking out at Lawrence? Cuz basically that stuff is on
the is on one side and then the crash lights on the other side
of the vehicle. The door hinges towards the
crash site, so I'm looking at the I'm looking at the crash
site. OK, cool, cool, cool, cool.
Then one of you can, one of you can give me a, a check role on
this the like crash site itself. Now that I've, I mean, I kind of
suckered Grace's way into a more dangerous situation.
I'm going to do another weird role.
I'm going to do another things speak role because I'm examining
things and it is sort of what my character does.
I rolled A7. So I get another question.
What has been done most recently with this or to this?
And what are you this speaking to?
The crashed vehicle. Which one?
The two. The one closest to me that I can
see the most clearly, was it shot by a gun?
Was it exploded with a bomb? Did it get wet wrong?
Did it get wet? Wrong.
Don't like? Raise.
You're gonna roll a dice here 2V6.
That's a 5 and a four A9. OK, what you see on this shell
of a vehicle actually on both of them peppered all over the front
of them, both tires on the like both sets of front tires are
popped. You can see the the veer of how
they like crashed into each other 15 feet back.
You can see like impact marks where they may have hit them,
hit each other in like the van seemingly same time.
But you can see all these like pot marks all over the front
indents in the metal, most of which Pierce straight through,
but some of which don't. There isn't much they're still
in the way of in the way of telling you exactly what could
have done this, except in a couple of them there are a
couple holes where the bullet itself just pierced into the
metal but didn't like go all the way through at a point in which
the car was turning or skidding it it it struck and the the
bullet is still in the metal. They are large bullets.
I think even scoping out actually on the ground you can
see the bullet casings. Probably from like a belt fed
gun. Think more like Gatling gun.
Right. Yeah, OK.
Yeah, less like truck mounted.
A lot of little bullets. Building Ripper.
Although we need to find one of those, we need a truck mounted
building Ripper or the Dill Go. We all do.
Yeah, we need a we need a gun to match the size of the dill.
Go. You owe to match, Yeah.
You can find me a gun, I will put it on the vehicle.
Find me one and back in one piece.
I think with that there is a sound from deep behind you guys
now. Now you know where the folks
are. It's the grunts of dill.
The grunts of dill. Oh, it is, I guess.
The grunts of dill off and dill. You hear the the sounds?
You're galloping away towards the folks up the hill.
Yeah. Yeah, the plan is to go up there
and one of the things that I can do with my horrible body is that
I I can use use the the 10 plus effect from go aggro.
I can impress, dismay or frighten my enemy without
rolling. And so I was just going to sort
of do a Cronenberg at them, just kind of, you know, tendrils and
awful, you know, bits and just try and scare them off real
quick. As a part of your go aggro.
Or at least, you know, dismay and distract them.
It's a part of my Inhuman Flexibility perk.
I'm dismayed and distracted from way back here.
Oh hell yeah. Yeah, I can impress, dismay, and
frighten someone without using Seize by Force to do it.
Oh, I guess it's Seize by Force, not go aggro.
You can. You can make me ACT under under
fire to do it if it's weird enough, which this is pretty
weird. To move while contorted, yes.
Though that wasn't part of my plan.
No, right, right, right. I will say that you know that it
it wants to be the most extreme because as you go to to do this
thing, you hear the rips of their engines kick into life.
A loud sputtering hammering engine that they seem to be just
revving to no end. That like loud slapping
hammering engine as they all RIP to life and start revving up.
What do you do with your body? And I do think you're you are
acting under fire with this, OK. Act under fire is cool is still
cool. You're a little cool.
Oh no, you're not. That's a four row.
I might be temporarily debilitated here.
She's. Got a superb banana?
Let's think about this. Run over by three cars does feel
like it could approach 11 harm. Oh man.
Well, yeah, what do you do? Physically, what I was going
for, I was going for tendrils and wide.
I wanted a big wide dill screen to sort of spook them.
Wide stretched out face on the front of it and then, you know,
WAVY. I want my fingers all stretched
out so I have spookily ugly. Like Pans Labyrinth?
Yeah, you know, just kind of as bad as I can, as I can make
myself look really to try and spook him.
But I rolled A4. You did you do this and you get
definitely bigger. You guys definitely see it also
from the other side, spigot pedal and D Ham if he pops open
the other door to poke the camera out real quick, can see
Dill increase in size wide and tall and flat and his fingers
kind of suck into it the side of him and a long gate.
Or like his hands do, but his fingers, a long gate thicken and
these nasty tendrils kind of whipping about.
Dill. Each movement of the tendril is
like a crack and a dislocation of like a different bone to get
it to be able to do that. And you can feel the popping,
but it only feels as much as like a popping of your knuckle.
Like, I don't think in this moment does it feel like you've
just dislocated them all, got to dislocate them all, Dill.
No, they they go back together just fine usually.
On a four is the kind of times where maybe not all of them do.
Yeah. Deham leans over and makes a
puking noise and all the things in his stomach drop out.
I think with this, these cars that flare to life, they whip
down the hill in front of you. They are not moving in
necessarily a straight line. They're going incredibly quick,
but they're sliding almost to the side as they go and then
their back hits a point in which they're sideways and they spin
around the other way and now they're facing you again.
And they keep coming and they're using like the full space of
Savannah to continuously do these like bins and maneuvers in
between and amongst one another. The three of them kind of
working in conjunction, sort of defying the the the main driving
mechanics. But they're coming down, I
think, as they get to dill this. It is enough to pop two of them
off, I think, but one is going to just jet right past.
But two of them are going to come into a spin around Dill,
spinning in a circle, but like nose to him the whole time.
And then they come to a stop like splashing at you.
There's only three of these cars.
One of them has jet right past though and is, you know,
skidding down and sliding to the side coming up on the Dill Go.
Oh God. The ones around Dill I'm going
to deal with Dill with first, because they have come to a
stop. Think you can hear behind the
rattling engines, the clicks and clacks of guns being prepared.
Dill, you can feel the nervous air.
No one quite knows what to do with what's in front of them.
Does Dill have an opportunity to do something?
Because you've stopped them, I'll give you an opportunity to
do something. I think with the four on your
weird to do this, you're just going to take a harm.
That way we can move it forward and your your bones will snap
back into place as we go. But we don't need to like, jam
you in this. A OK by.
Me one of your eyes doesn't work and you know that your hand is
not going to go back. Your right hand is not going to
like go back into place. It's going to take a while to
snap properly back in and stop hurting is the shape of deal at
the moment, right? That's probably fine.
Instead, we're going to go hard. We're going to use our inhuman
strength and reflexes plus one choice or plus one hold after My
role is wild. OK, I think I'm just going to go
with +2 to my role. They're they're both the cars
are both facing me. Yeah.
Yeah, they've come like they're like nose pointed at you.
We've come back in, we're going to just punch both fists out
into the driver's seats of both cars.
Bring all of Dylan and push them out.
Both sides I love. It exactly like a bunch of
springs and we're going to roll hard plus. 4 hard +40 because
you're +2 and you're adding +2. 7 + 4 is 11.
Yeah. I guess that's go aggro.
Go aggro, yeah. Right.
Maybe it's lay down fire. That in our tactical moves.
I'd I'm trying to figure out what where the like what the
combat move is. Oh yeah, no, that is go aggro.
That's the main go aggro, lay down fire is going to be like
using a gun. It's got, it's got like
gunfight. Oh, seized by force feels
actually the most the most harm. Go aggro is literally attacking
somebody it can just on A10 plus you basically can end the fight.
Are you are you taking their cars securing your hold on their
cars? Is there a a way that seized by
force? Seizing by force, I suppose I
was mostly looking at the the effects there.
I'm inflicting terrible harm, certainly, and then I suppose I
would probably be impressing, dismaying and frightening my
enemy. Yeah, yeah.
Roll seize by force. I will fold it in.
Yeah, that's plus hard. So, so 11.
Oh, that was the eleven. OK, OK, OK, OK.
Yeah, yeah. Choose three.
And you said you're going to inflict terrible harm, impress,
dismay or frighten and suffer a little harm or take definite
hold. Yeah, probably suffer a little
harm. I don't have a thing I'm really
taking hold of. Exactly.
I agree. The drivers of the car, if I had
thought maybe I could be trying to take hold of the wheel, but
I'm really just being aggressive.
It's in character I would say. Yep.
And you don't like explosions, do you?
Not a huge fan, no. Explosions usually come with
fire. My bodily fluids are super
flammable, including my sweat. Makes sense, I guess.
Awful. Yep.
You pull all of your tendrils and your big body back into
itself and shoot it out the sides towards the fronts of
these cars. Your tendrils coming out from
the core of your body go. One goes through the windshield
and into the the the driver of the car and squishes out where
it's locking itself up in the wheel.
And the other goes directly into the engine, pinpointing straight
through and into some parts and rips back out with a piece of
the engine. The whole thing just sort of
sputtering down as you do, and you can see like immediately oil
just drips out of the bottom. The passenger next to the guy
that you have just pierced straight through reaches over
and tries to push the driver out.
I think he pushes him out, but your tendrils still just holding
them on. So it's like gumming in there.
It's like gumming him up in there.
Either way, he tries to climb over and get into the driver's
seat and not run you over, you see, but back out.
And I think if you see him backing away, you probably let
go of the driver so that you're not like brought along with him.
Nah Nah, Dill's It's not here to go for a ride.
The original plan was to get them to run away before killing
them, but this is also fine. This guy is going to run away
with his car. The other dude is like hitting
the back of his seat and he's like, let's get out of here.
That's horrible. I'm not dealing with this.
The other engine, one of them in the car has kicked open the back
door and is sprinting off up the hill because no one really knows
what to do about a monster out here.
The other one though, the driver has gotten out and is like
shakily pointing a a gun at you. I guess his body is choosing
fight in this moment. OK.
But behind Dill, the other three of you see this car sliding and
skidding to the side. You see a body sit up out of the
passenger window and sort of lean out as the car is whipping
back and forth. And they have an assault rifle
and it's aimed at your group. I throw a knife at him.
You throw a knife at him hard, go, yeah go go, go aggro.
Most of this is just about doing your knife damage.
Or is it do something under fire.
If you have a precision thing you're trying to do with
throwing your knife at him under fire.
If you're throwing a knife at him to cause damage going aggro.
I want to hit them in the trigger fingering hand.
I'm going to make a precision. I want him to be sliding out.
He thinks he's all cool. He gets a knife in the hand and
he drops his gun. Uh oh.
And if he picks up his gun, something's going to happen.
We'll see. But I rolled a 12 total because
whenever I act under pressure I roll plus weird instead of cool
of. Course you do.
While you do it, the door busts open and a knife flip fling hits
as the car is skidding. To give this this leaner the
broadside. They're just going to one arm
across you guys spray the knife connects with the hand as the
first couple bullets go off Obviously before right, they got
to start before and whip it across.
First couple bullets, knife hits hand, assault rifle goes
tumbling. The person clutches their hand
to their chest and tries to like do a sit up right to pull
themselves back into the car. Car still just skidding back and
forth. They reach their hand in as if
they're like feeling for something like fumbling for
something on the inside. The car is getting closer to you
guys. You see the big deal shape
behind this car, now come in and shoot out to the sides going
into those cars. I hate that it's bad to see.
Pedal door spigot? Do either of you have a a
response to this? As he's dropped his gun, They're
closing in now about 30 feet. The car does not seem like it is
stopping. It's going to seemingly just
come right at the Dilgo broadsiding.
It and get impaled on the spikes.
Yeah, I mean, it could run into the spikes, but I'm going to run
for the Dilgo and see if I can get it out of the way.
I don't know how quickly I can get in and move it, but that
would be my go to because I don't want us to be stranded out
here. That is a do something under
fire for sure. Running back, you Sprint back to
the the dildo and try to hop in so that they don't broadside it.
That is, a 7 + 2 is 9 on a 7 to 9.
I flinch, hesitate, or stall. But maybe I was too eager to get
it moving and I stall the dilgo. Oh, instead you stall the dilgo
itself. That's a fun twist.
I clicked the 4th pedal. The 4th pedal makes it stall.
At least when it is when it freshly turned on, seemingly in
idle, the 4th pedal stalls it out and you hear the engine
sputter and you're trying to get it back on.
But. It.
It is. It's it's doing a little
flipping and you're you've you've not heard it do this in a
second deal. You can hear off behind that
other RIP roaring engine, your Dilgo trying to spud her to
life. You get it going though, up and
running you in the vehicle pedal.
I imagine you've kept you've you've you've run up and then
jumped in as well. Yeah, it'd be silly to be left
unless you're hiding for a cool reason.
No, I have 0. Cool.
Oh, I have. That's good.
Plus zero. Cool, cool, cool, cool.
We've jumped into the dildo and this car skidding up to side by
side and then just on a dime spinning around yet again and
nose to nose with the dildo keeping you back back up against
this hill. You're going to deem to do some
of that like back up, forward, back up, forward.
You know, if they were to park there, you were ready to go to
get out straight, but the engine stalled and they whipped around
in a neck breaking manner. The force.
It looks like the the car almost like flips but it's low to the
ground and just comes up a bit and stops like right in front of
yours. Does this car have a windshield?
It does. No further questions, the
person. Still clutching their hand to
their chest, has pulled out a handgun and is now pointing down
into the windshield. They say turn off the vehicle.
Throw throw a knife at him. He says turn off the vehicle and
I throw a knife at him. I got an 8.
Just to disable his other hand, I got an 8.
You hit his hand, but in doing so he does fire off the gun once
before dropping it and Spigot is going to get shot if you hit his
hand. Yes.
OK. Yes, 100% no consequences for
me. Yes, he was.
Pointing it at Spigot all along. I'm sorry you're in the driver's
seat, Spigot. You get shot by a gun.
That's our first. Damage, barely getting shot
twice, Who knows what he could have done.
Spigot, I'll give you a moment to react, but I'm going to give
you like a -. 1 to it because this knife came out of nowhere.
You weren't expecting him to fire he.
Told you to turn on the engine. You know, seems like you were
about to talk. Yeah, I I was, but that that
didn't go well. So is that doing something under
fire literally if I have a moment to react?
Yeah, it's like if you're just like dodging to the side, right?
You're literally dodging. Yeah, I'm, I'm going to, yeah,
I'm going to attempt to kind of lean down into the center.
So I'm below the the windshield. Get below the engine block.
With a -, 1. And that is 9/10/11.
So that's a 10. You do it.
Hell yeah. Consequences for anyone the.
Gun does go off. It shatters the windshield, but
you are down the glass kind of showers on top of you.
I don't think that's any damage because you did it and now he's
clutching both hands to his chest and you poke your head
back up. He does not have a gun.
Well, I guess I don't want to say.
You poke your head back up. You disappeared your head.
D Ham is still looking out Pedal.
Were you in the passenger? What?
Where did you dive into the vehicle?
Did you get into? The vehicle, yeah.
If we were, I mean, I think I would just whatever door was
open, I would have gotten into it.
So probably like one of the side.
Is this in my head for some reason I'm picturing A minivan.
I don't know why. It's not a minivan.
It's a food truck. Yeah.
So I'm I hopped in to the back door.
I didn't close that. I didn't close that when I got
out to investigate. No chance.
Oh yeah, I guess there isn't side doors, it's a back door and
then there's probably like a window shutter.
The window that you can dive through if you want to dive
through the window shutter. That's probably closed.
I don't. That sounds like a alley and and
there's a door that's open, so why would I not?
Why would I go through a closed window when I could just go
through an open back door? OK, come on.
Be a lot cooler if you did. I've got amnesia, not brain
damage. Come on now.
All right. That's fair.
You don't want to risk a second concussion.
You don't want to wish Amnesia to Electric Boogaloo.
Then you won't even remember that you forgot.
Can I see the driver at all like the guy that.
Yes, yeah, In this moment, they are.
Both hands clutched their chest because they've been just all
fucked up with knives. They got knives in the back of
both of them. They haven't taken them out yet.
They're trying to like get back. Into the car without like
grabbing on right, But they're struggling.
Can see the driver fumbling for something.
DM is going to pop out from the passenger seat and he's going to
say press 1 to put your hands up.
Press 3 and I'll put my hands up.
And they kick open the door and points a gun at you.
I threw a knife at him. Yeah, okay, is the goal still
the same? Just drop the gun.
Okay, yes, incredible only got. I mean, if I succeed.
Here it's only one more knife to go 56789 Press 2 for a knife in
your hand. I I.
Think in this one it's just a worse outcome.
Your knife hits him. How much harm is that?
How much harm are your knives? Because I should mark that for
the other guy as well. Great question.
Two harm. I throw them very hard.
They're each 2. Harm 2.
Harm. The other dude is not getting
out of the car, that's for sure. It's not he's dead.
He just would never. Want to fight?
Another two harm. This guy is going to get got in
the leg. He is going to take a knee, but
he is going to just shoot you with his gun.
That's going to be to harm for you as well as it hits your your
chassis and armor works in this game.
How just a flat subtraction cool.
Does it stick in you or does it bounce off?
I think it penetrates, but it rattles around inside my chest
cavity. It doesn't go all the way
through. It's it's.
You have the bullet now. Yeah.
Do you hear it shoot like a plate inside of me?
That's awesome, I think. And.
Then I dive. I love it.
Then you dive and he takes a knee.
He's he's not too far out of the driver seat to the car.
He's going to make a dive back into the driver's seat and
attempt to go because at this much harm, the average person
just don't want to do it. Anymore.
And you have proven to be quite good with throwing these knives
having not missed. 3 for three. Yeah, so they're just going to
try to dip. This has gone bad.
You what? Really.
You haven't missed and you've just done exactly what you.
Wanted to do. I went aggressive, we both went
aggressive and nothing, nothing. No one's worse for wear, really,
but he's going to dive back into the seat and the two of them are
going to try to get out of here unless anyone is going to
attempt to do anything to stop them.
Wickett is going to sit back up, having drawn his weapon out from
under his cloak. From below.
Love it. Yeah.
What is your weapon? 9mm.
I was just going to see if I recognize them.
Is there a recognize of any kind thing?
Is this familiar to me? Well, there's like the read a
person, but I don't know if that was.
Why don't you just give me a weird role?
Because you're, you know, you're trying to parse the amnesia of
it, right? I think I imagine is what you're
kind of like. That's a 7 + 1 is 8, so if I
failed I might experience. 8 is not a failure.
It is a middle ground. Six and below is a failure.
Mixed success. Yeah, it's like a mixed success.
You're distracted, I think in this moment with that mixed
success. You don't recognize them, but
something thing about this vehicle that's not totally burnt
to shit is like drawing your eye.
You're like scanning it. Something about that vehicle is
familiar. OK, all right.
And then my gun is gone and. Then my and then I pulled out my
gun. Then I get out my gun.
Yeah, that's right. And I'm gonna go Bang, Bang at
the bad guy. I pull out my magnet.
So is. Oh yeah, sorry, this would be go
aggro. You're just, are you shooting?
You're just shooting at the driver of the vehicle.
Yeah, I'm going to shoot at the driver.
That's a hard right. That's just a hard roll.
That's not ideal. That's a seven.
It was an 8, but a -, 1 A. Seven.
They can choose one of the above or one of the following.
Your Shaw is going to miss breaking their windshield, but
you can see now full and clear that they are frightened and
that they are trying to back out to escape, right?
They are not arming themselves. That doesn't mean that you can't
just shoot them. You have done more damage to
their vehicle to. Yeah, I I would shoot at them
again when it's me again. I don't want to hold up action
just for my shootout, but. For sure, I'm going to.
I'm going to slip back over to Dill.
Dill, you've killed the driver. That guy is leaving.
You've killed the car and two of those guys are getting out and
one has run and the other shakily pointing gun at you and
he's about to fire. You know, like damage is the
next thing coming. But what would you do before he
fires his gun at you? Or would you just let him shoot
you? I only asked because I know that
you can, you know, like I'm you're like a there's something
could be weird about. It Yeah, like, bullets aren't
really a huge problem for Dill. They're annoying more than
anything. I think I'm going to try and get
him to run away again. I think we're going to try and
scare him off again. Now, there's just one guy here.
I killed his car. I killed some of his guys.
Like, you're just a dude. Don't shoot me.
It's going to be fine. Here's what I'm going to do.
I'm going to pick a spot, I don't know, somewhere in my
midriff where some important organs aren't or, you know, move
them out of the way or whatever, and I'm just going to kind of
open a hole in myself or like make a divot or whatever.
That's a nasty thing. I'm just trying to scare him off
again. I'm trying to and there's not
like an intimidate. All I can throw are these hands
and these hands are dead. This.
Go aggro I think hits this roll plus hard for this one.
Going aggro it's a plus hard roll so I can add +4 so that's
another 11. Yeah, they cave and do what you
want in this case, which is running away.
You want him to run away. You do that she drops Sir gun
and rinse off after her friends into the hills up over in the in
the direction you guys came from.
You imagine they'll they'll try to meet up here in a minute as
this car goes to back away. Deals going to go suck on the
engine. Going to go.
Suck on the engine of the one he blew.
Up he punched a hole in. Does anyone want to do anything
else in Spigot's car before he pulls the trigger again?
Oh shit, there was other stuff going on.
Yeah, behind you, you hear a gunshot and you turn around to
see the the window kind of shatter out of that other car
could throw a. Knife at him.
The car is backing up and you can see Spigot.
As soon as the window shatters out, that's what I'm going to
throw another knife. Yeah, fuck yeah.
Both of you. Why don't both of you just do it
at like the same time? Because, you know, pulling a
trigger, Easy. Easy.
Throwing a knife, Easy. Easy.
OK. Is mine aggro or under pressure
anymore? Which which one?
Because under fire is actually better for me most of the time.
I don't know if throwing a knife at a fleeing enemy counts now.
Yeah, I think, I actually I think the do something under
fire is the generic like we can make it that role probably.
Do a role if it's under fire. I've got a nine.
You flinch, hesitate, or stall. What about you?
Am I? Am I still going aggro or at
this point is this? I'm going to leave it up to I'm
going to leave it up to you guys on which one you want to do.
They just each like do something under fire is a little bit more
generic in general. Going aggro is a little bit like
a bit more forceful and changing things forcefully, right?
Yeah. And I, I would say this is still
aggro. I got shot at, so I'm I'm firing
back. Yep.
So in that case it's a 10, but a -, 1.
So that is A9. I think the knife is going to
like nick the driver's shoulder. I think that spigot, your bullet
is going to go into the engine and you guys can hear that that
has affected something in the engine.
There's a clunk that immediately kind of picks up, but the car is
still running. They are going to back off
quickly. Not it says back off calmly
hands where you can see, but it's more sort of a foot down
jetting out of here kind of situation and they're driving.
Though damaged, they are able to still maintain some of their
spins and turns with his his non hurt shoulder.
They they whip off, whip off and around the end of the hill,
leaving you guys with one damaged vehicle left behind and
a gun. Actually, I did say a pistol and
we'll say an Uzi was dropped at some point along that path that
they drove thanks to D Ham. But to make sure that we can hit
our history questions, we're just going to quickly zoom out
on that scene in the the wake of this, having scared off most of
them, killed the ones we couldn't, and damaged a vehicle
that we can check out if we need to.
Session and choose one character that knows you better than they
used to in order which the order is Theodore, Lawrence, Mike
Grace, Theodore You first who knows you better than they used
to, if anyone. Who had the best view of my Dill
fight? I've been out of the car for the
most time. Mike saw your eyes.
Mike saw your eyes To your Yeah. I did.
The eyeball thing is about as wild, like the Dill fight was
up, up on the hill while you guys were being shot at.
But the eyeball thing was right there, Mike.
You had a upfront seat to that you get. 1 It was me all.
Right. Still the only one to see that
nastiness up close and personal squish.
Also this whole fight is that you have you have one good
working eye. Your other eye is still like
halfway out, still slowly going back in.
Like it's not cartoon. It's like stuck.
It's like drooped. It's yeah, it went out and then
it just kind of drooped down and now it's kind of useless.
It's just looking at the ground. It isn't helpful.
I can't like just, it takes so much effort to get it to stick
out like that. I just can't.
I can't keep it like that. Yeah, it's like flexing a
muscle. You can't constantly flex a
muscle. I have to flex all of my eye
socket muscles. Oh man, Lawrence, does anyone
know you better than they used? To I think Spigot and I had a
moment of violence that we had together and that was really
enjoyable. OK.
I had no idea that DM was capable of knife throwing like
that. Did you say at some point you
only had one more knife? No, I never said that.
I said it would take one more knife to disable all four hands
if I if I had landed every hand shot.
That's what I thought I was like.
One more knife. No way.
No, no, no. You guys will never guess how
many knives I haven't, truly. 30.
Not even close. I guess that puts it at me and I
would say really that besides seeing Dylan running for is
really the only one I interacted with was DM and our moments of
violence. So I would say that was
reciprocal. So that's a.
That's a + 1 to DM. Pedal.
I mean, I do much, I saw unnoticed stuff, but I don't
think that really really revealed anything myself.
Who gets your minus? I mean, I talked to the ham.
That's something I. Talked to the yeah.
I don't know, this wasn't a puddle heavy episode so I don't.
I still have your hold in this marked it says if we ever start
with three hold, I have to immediately do one.
But I'm holding on to them until I could line it up better or
until I'm forced to. Oh.
Yeah, I think minus would be probably dill, I guess. -2 for
two. Yeah, if any of that brought
anyone to +4, you get to get an experience and bring it back to
0. Did anyone level up?
I'm one away. I did.
Oh, I I leveled up. With my acts of violence, I
leveled. Up.
Oh shit. I am one away from Level Up
Flynn. Theodore, I am almost certain
you should have leveled up this time around.
Pretty sure you had four leading up to this.
No I had three because I marked one this app but I do actually
think I rolled a fail and also plus weird.
Do I get experience on failures or is that a different game?
Yeah, no, you do. You get experience on failures.
Yeah, you rolled the four. Okay, no, okay, then I also.
Failures and then whenever you roll on A tag skill.
I rolled plus weird and I failed.
Yeah, you get an experience every time you roll a checked
stat. Got it and confirmation.
Just so why I'm playing this correctly.
I have the spooky intense part of my character class.
Whenever I do something under fire, I roll plus weird instead
of roll plus cool. Does that count as rolling plus
cool? No, that would count as not That
would count as rolling. OK, then I am very.
Then I am actually not not close to leveling up.
I am never going to level up. Oh yeah, you erased the pool.
You fail a bunch. Anytime I would do the cool role
instead I use my +2 and I don't gain experience.
That's awesome. So I'm less likely to fail and I
don't get experience. What's your other one hot?
It's just me and my knives baby. Who needs level UPS?
That's funny as fuck. Uh huh.
Oh no. Yep.
And doing something under fire is the only stat, is the only
role that's under. Cool.
So I have to be hot Level up. My God.
I can't wait to see that come into play.
I'm gonna have to change my character.
At his core, he's about to get sexy, and he's bad at it.
He's a - 1 of being sexy, but it's the only way I could level
up. He needs to download like a
virus and get horny. Yeah, he needs to, like, mess
around with the wrong thing. He needs a new move that that's
cool. I need to start using my savvy
head move where I can talk to things and say how you doing?
Things speak needs to go wrong one time, speak back.
So what do we get on Level Up? I'm going to go over that.
We're going to level up to the start of next session, so I will
research that. I will do a bit reread over on
these moves to figure out this go aggro thing that I have
somehow I think just maybe put somewhere wrong.
But I'm going to figure that out and we'll return next time to
examine the site and see what it holds.
It's familiar to pedal at a minimum, and we're here to
examine it. Now that we've scared off those
who would jump us, we can do the thing we came here to do.
Having faced the chaos of the wastelands head on and coming
out the nearly unscathed victor, the Tedvillians can turn their
attention to the wreckage and begin their investigation.
This episode was produced and GM D by M Williams featuring
Theodore Stringer as Dill, Lawrence Jennings as Deluca's
Chop House answering Machine, Mike Harrison as Spigot, and
Grace Stringer as pedal music composed for the season by Chris
Rogich. That's all for this edition of
WPR. I'm Z See you next time.
Number one reason to wear underwear?
Civility. Comfort was like.
Three or four? Well, no, I said.
Civility out the window, just as a.
No way What? About this cleanliness.
You know you're living in the apocalypse.
I don't necessarily think that's my #1.
Just the feeling of being together.
And now see it all of my time we're.
Civilized people, like, like, it's just so uncomfortable to
hang loose when there's danger. I was going to say, in
Apocalypse World, having an innie is really a benefit.
I suppose There's less things to get caught on, less dangles to
get dangled. It's bad all around.
Because in in this world, I'm saying that there may be there
isn't any other. I have a.
Recurring nightmare of can my my nards caught on barbed wire but
don't know if that's anything. Oh.
I Yeah. Sure sounds like something.
It's a reason to continue to wear underwear even in the
apocalypse. I don't know that it would help
against the barbed wire, but it helps me in spirit.
Like steel toed underwear. I think you're thinking of like,
you know, they put those like virgin metal undies on women in
the yieldy days. Is that what you're talking
about? Maybe you might want to keep.
Like a chastity belt. Yeah, there we go.
No. Keep you.
Safe, yeah, but he would wear underwear under the chassis.
I don't, you don't want, don't want a lock on my underwear.
That's no good. Sometimes they do have to come
off. That's fair.
The keys I'm assuming. I'm a renowned loser.
You I'm a no. I lose things.
I am my mother's son. She let's loses things and now
her thing is leaving things behind.
I also do that he also. Does just a different form of
losing? How many times have I left
things behind? Remember the time I left a book
and lost it at the airport? I had to go through security
twice to try and get my book back.
You left a whole load of clothes in the dryer, and the one store
you go back to is the book. You left this clothes in the
dryer. You left that steak.
Left your wallet in Vegas? Yeah, we all have a story.
And the story you go back to is the.
Book clearly the most important thing to me.
I still want that book back. All about priorities.
Which book was it? About the history of mammals.
Important, gripping stuff. Who needs a load of laundry?
Get new laundry.