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And well, I don't know, I said 
and as if it was halfway through

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a sentence. 
Well, you know, it's it's 

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excellent. 
No, no, don't, don't press the 

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button. 
Let's carry on. 

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Let's carry on with this 
ridiculousness. 

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Welcome to breaking it. 
The Universal Studios UK 

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00:00:13,520 --> 00:00:16,880
podcast. 
My name is Mike as of Universal 

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00:00:16,880 --> 00:00:20,280
Studios Great Britain updates 
the best, the original and all 

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00:00:20,280 --> 00:00:22,640
that good stuff Podcast. 
It's not a podcast. 

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It's YouTube channel on YouTube.
And joining me is smooth. 

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As ever, it's Lawrence from 
Universally. 

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I am Andy from Project Universal
UK. 

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The number one, the number one, 
the number one YouTube channel 

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for all Little awful in about. 
Honestly, the eye contact in 

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here is spectacular. 
Every time he wants to show off,

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he looks right at me, 
unblinking. 

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Because you take the bait every.
Time. 

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Very, very. 
Upsetting, but just a bit of 

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housekeeping stuff. 
We've got a very exciting 

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episode ahead of us, but we're 
going to get through the boring 

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stuff before we can get. 
It's not boring, it's essential.

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It is. 
It's the beating heart. 

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It's the blood in our veins. 
Yes, we have 5 stars in our 

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veins and we need you to give us
more five stars, please. 

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So please, wherever you listen 
to your podcast or, or if you 

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watch it, yes, somewhere on, on 
the little waveform thing on, on

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00:01:21,600 --> 00:01:24,960
the YouTube smash that like 
button or give us a five star 

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review. 
It'd be very much appreciated. 

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Climb up those ranks to 
superstardom in the theme park 

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podcast World Spectacular. 
Yeah. 

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I love it. 
If you want to sponsor the pod, 

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oh, do that, Do that. 
Yeah, do that. 

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We will. 
We will talk about your stuff if

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you give us monetary reward. 
And do you know what? 

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Actually, I've, I've, I've had a
few thoughts about this, right? 

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I think that look, we've, we've 
got people that are listening 

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into the pod from around the 
world, but there are a lot of 

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people that listen to the pod 
global international, right? 

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But there are a lot of people 
that listen to this pod that are

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from the Bedford area, right? 
Yes. 

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Now we are three people that are
gathering in a top secret 

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location and we are gathering 
near Bedford. 

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Now if you want to sponsor the 
pod by sending us some food. 

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00:02:15,160 --> 00:02:18,480
No, no, let me think. 
No, no, no, wait, wait, wait, 

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wait. 
You send us some food and we 

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will eat it during the podcast 
and we will hopefully be going, 

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that is some good, good food 
pie, right? 

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Sophie, feed him before he comes
out in future please. 

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But you know what this is? 
This is an unbelievable 

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opportunity. 
Yeah, an incredible opportunity.

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Yeah, but I tell you what, it's 
an even better opportunity. 

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Send us voice notes on 
07440561162. 

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00:02:48,040 --> 00:02:52,120
Mike, what are we doing today? 
Well, we have a very, very 

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exciting episode ahead of us. 
We have our. 

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00:02:55,080 --> 00:02:58,880
Second ever bricking it guest 
who's joining us? 

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Oh, do we have a woo sound 
effect? 

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Do we have a woo sound effect I.
Think we've got applause. 

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Can we do applause? 
Yeah. 

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All right. 
Just get in, there's a jam going

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on. 
Can you meet that? 

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It's getting away. 
No, that's the it's another game

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show. 
That's the game show you start 

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again, right? 
So if you've ever been to a 

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theme park in the last 10 years,
maybe longer, chances are you 

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have heard some of this man's 
music. 

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He's the man who brought us the 
music for the Swarm of Thorpe 

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Park. 
Tomb. 

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Blaster at Chessington, World of
Adventures, Mutiny Bay at Alton 

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Towers and absolutely shed. 
Loads more, pun intended, 

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because we're in. 
We're in shed. 

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Aren't we? 
Are we are in shed right now? 

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Shed. 
She's probably falling asleep 

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now. 
Yeah, I will get to. 

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But as well as this, he has 
worked on a plethora of musicals

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as well as being the brains 
behind Theme Park fan the 

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Musical. 
It's none other than Nick 

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Hudson. 
Welcome to bringing it, Nick. 

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Hey. 
Thank, thank you. 

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Thank you. 
What's in the shed, as I say? 

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Yes. 
In the if you remember that 

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advertising campaign, was it 
Kings Island? 

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Doesn't mean that did that. 
Oh, with that GCI Woody? 

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Yeah, was it? 
GCI in the shed. 

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Yeah, everyone was thinking, oh,
they've built the shed as like 

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part of, I think the brake run 
of this ride, and they were 

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thinking it's going to be a drop
track in there, It's going to be

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a washing machine element. 
Yeah, yeah, just a brake run. 

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This wasn't. 
Exciting. 

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No, no. 
Spectacular. 

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I love that. 
Love that. 

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How you doing anyway, Nick? 
I'm very well, thank you for 

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having me on. 
It's I've love listening to your

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show. 
So it's a it's a joy to be part 

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of it. 
Thank you. 

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Thank you man. 
Well, in theory, shouldn't we be

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enemies with you? 
Because you obviously have your 

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own podcast, don't you need? 
Yes, but we do different things.

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It's like us for you. 
We should be enemies. 

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We are enemies. 
We are enemies, yeah. 

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We all love the same thing, 
don't we? 

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I mean, it's nice to have a 
British podcast because that's 

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what I've always been pushing 
with the my bit on the season 

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pass and also my musical theatre
podcast. 

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But it's nice to have kind of, I
don't know if you guys are aware

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of Coaster radio. 
That's always been my kind of 

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the gold standard of theme park 
podcasting, but you 3 remind me 

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of the kind of British version 
of that. 

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Just kind of. 
So we're a platinum level 

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podcast, you could say. 
You are, yes. 

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Oh my God, you are too kind, 
Nick. 

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Nick said that on project you 
can come back anytime. 

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Thank you. 
Right. 

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So right before we, I guess dive
into some questions, Nick, tell 

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us a little bit about you and 
about your experience in the the

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the musical world. 
I, I grew up, as I, as I always 

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say when I'm asked this 
question, in the kind of the 

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long gone era of when the UK 
theme parks were brilliant. 

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And it was at a time when 
Chessington was just kind of at 

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the cusp of becoming, you know, 
with just when it went from 

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being a zoo to a theme park. 
Yeah, the John Wardley 

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transformation. 
Era, yeah, the Wardley era with 

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I remember going on the 5th 
dimension, remember going on 

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Bubble Works, I remember going 
on Terror Tomb. 

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So I I really kind of grew up 
with that side of things and 

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also went to Florida when I was 
for my 9th birthday. 

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And that was when it really hit 
me like, this is this is 

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amazing. 
I remember holding my sister's 

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hand in the lobby of the Haunted
Mansion, looking up at the 

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cobwebbed chandelier. 
And it's still there. 

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And yeah, just kind of love 
theme parks, love music. 

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And then I remember at 
university many, many decades 

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ago, I gave a presentation on 
because I studied music writing 

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at university and I gave a 
presentation on kind of people 

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write music for theme parks. 
I never thought it was something

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I would do, but I remember using
the call to entry as my kind of 

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example, which is on the Islands
of Adventure soundtrack and just

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say this is not from a film, 
this is from a theme park and 

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this is stuff people do and now 
I I get to do it sometimes which

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is great fun. 
Excellent. 

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00:07:05,440 --> 00:07:09,320
So did you actually start in 
musical theatre or did you sort 

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00:07:09,440 --> 00:07:12,080
of go straight into the theme 
park world producing music? 

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My first gigs were actually fun 
enough writing for burlesque and

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cabaret. 
So I had a couple of friends in 

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the burlesque and cabaret world 
and I did lots of arrangements 

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for them to the original kind of
pieces of music for aerial acts 

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and hoop acts and fire breathing
and all that kind of stuff. 

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So, but my my main kind of thing
I love doing, whether it's 

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musicals or cabaret or theatre 
or theme park, is just telling 

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stories through music and 
setting moods. 

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I think that's what I what my 
skin is. 

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00:07:49,080 --> 00:07:54,240
OK, so it it, it's sort of it, 
it got you writing sort of 

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burlesque music and things like 
that. 

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Got you into that mindset of to 
to how you could sort of tell a 

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story through a piece of music 
and add to it this world that is

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being created. 
Yeah, but I, I also studied 

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commercial composition and 
musical theatre writing. 

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So everything for me, I've been 
a fan of musicals my whole life,

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comes down to, you know, telling
stories from music, which is 

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what musical theatre it does 
sometimes if it's successful. 

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00:08:21,480 --> 00:08:25,160
Yeah, when done right. 
So when did you realize it was 

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something that you could 
actually form your career 

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00:08:28,000 --> 00:08:29,440
around? 
Was it at that point when you 

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realized there was this, this 
sort of module if you like, or 

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was it sort of later down the 
line when, oh, I'm getting paid 

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money to do this amazing thing? 
It was when kind of I'm a School

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stepped onto the scene. 
I thought, oh, there is kind of 

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a a way of doing this. 
And I'm a School, if you don't 

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00:08:46,240 --> 00:08:49,440
know, they were very, very 
successful and highly skilled 

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German kind of factory that have
done a lot of music for parts 

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around the country, including 
Epic Universe, which is 

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wonderful. 
And so I'd like to have a go at 

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that. 
So through various people and 

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00:09:02,360 --> 00:09:06,000
podcasts and links and I could 
do a diagram, but we're not 

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00:09:06,000 --> 00:09:07,280
connected to a camera at the 
moment. 

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00:09:08,600 --> 00:09:13,720
I met a good friend of mine 
called Dom Dominic Mcchesney who

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worked for a company at a time 
called Southern Impacts 

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Entertainment and they were out 
in Malaysia and they do kind of 

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00:09:22,160 --> 00:09:27,240
big immersive live show 
attractions, sky mazes kind of 

179
00:09:27,240 --> 00:09:31,360
things. 
And he was on my musical theatre

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00:09:31,360 --> 00:09:35,760
podcast called Musical Talk and,
and I said, do you, we had loads

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00:09:35,760 --> 00:09:37,880
of friends in common in the 
theme park world. 

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00:09:37,880 --> 00:09:39,840
I said, do you need music for 
anything? 

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00:09:39,840 --> 00:09:42,720
He said, yes, we're doing this 
Egyptian attraction called 

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00:09:42,720 --> 00:09:48,480
Cleopatra Coming at You, and it 
wasn't called that, it was just 

185
00:09:48,480 --> 00:09:54,520
called. 
And then then I was able to do 

186
00:09:54,520 --> 00:09:57,080
that. 
And then through various 

187
00:09:57,280 --> 00:09:59,560
podcasty ways I knew John 
Wardley. 

188
00:09:59,560 --> 00:10:03,080
So he heard my stuff and put it 
on to Pete Cliff who worked at 

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00:10:03,080 --> 00:10:06,400
Alton Towers, who then got me to
do Halloween in 2015. 

190
00:10:06,400 --> 00:10:09,600
So then Subspecies and the 
Haunting of Molly Crow was born.

191
00:10:10,120 --> 00:10:12,200
And once you do one thing for 
murder and you do loads of 

192
00:10:12,200 --> 00:10:13,760
stuff. 
So it just kind of grew from 

193
00:10:13,760 --> 00:10:18,320
there. 
That's amazing 11 years later. 

194
00:10:18,480 --> 00:10:22,240
Yeah, so when when you're 
brought onto a project, they 

195
00:10:22,240 --> 00:10:26,160
say, oh, we've got this horror 
themed walkthrough or this ride.

196
00:10:26,920 --> 00:10:30,000
How much do you know and how 
much direction do they give you?

197
00:10:30,000 --> 00:10:32,920
And with regards to like 
basically what does the process 

198
00:10:32,920 --> 00:10:37,240
look like from you being given a
brief to the the end product? 

199
00:10:39,240 --> 00:10:43,880
It depends what the time frame 
is, It depends what they want. 

200
00:10:43,880 --> 00:10:45,680
It depends if they know what 
they want. 

201
00:10:45,680 --> 00:10:49,680
It depends who's in charge. 
If there's no kind of right or 

202
00:10:49,680 --> 00:10:53,440
wrong answer. 
I obviously because I understand

203
00:10:53,440 --> 00:10:57,320
rides and how they work and 
scare mazes and batching and pre

204
00:10:57,320 --> 00:11:00,600
shows and holding States and all
that kind of technical nerdy 

205
00:11:00,600 --> 00:11:03,920
stuff. 
I kind of, I'm able to suggest 

206
00:11:03,920 --> 00:11:09,600
ideas, but it's really hard with
music because it's so personal. 

207
00:11:09,600 --> 00:11:12,760
Like I think they'll be 
something that doesn't work. 

208
00:11:12,760 --> 00:11:14,720
Or they might hear it and say, 
yes, that's exactly what we 

209
00:11:14,720 --> 00:11:17,720
want. 
Or I might think this is perfect

210
00:11:17,720 --> 00:11:19,680
and they think, no, we don't 
think it works that way. 

211
00:11:19,680 --> 00:11:26,760
So it is finding the the fine 
line between doing what I think 

212
00:11:26,760 --> 00:11:31,000
is right and what they think is 
right because you're writing for

213
00:11:31,000 --> 00:11:34,120
someone else's vision. 
That's the important thing. 

214
00:11:34,120 --> 00:11:35,840
And that's the hard thing 
sometimes. 

215
00:11:37,040 --> 00:11:41,480
I always get the blame if it 
doesn't work and from the 

216
00:11:41,480 --> 00:11:44,680
public, because people kind of 
think I'm just sitting there 

217
00:11:44,680 --> 00:11:46,320
making all the choices when I'm 
not. 

218
00:11:46,320 --> 00:11:48,040
I'm just doing what I'm told 
sometimes. 

219
00:11:49,240 --> 00:11:52,080
But it's, it's it's a hard 
question to answer because there

220
00:11:52,080 --> 00:11:55,480
is no right or wrong. 
When I thought part fright 

221
00:11:55,480 --> 00:12:00,680
nights in 2015 or 2018 or 
something, can't remember 2018 

222
00:12:00,680 --> 00:12:04,120
it was they just said we want 
this go away, have fun, do it, 

223
00:12:05,040 --> 00:12:07,960
we trust you. 
And that was excellent. 

224
00:12:07,960 --> 00:12:14,040
And sometimes we get crop drop. 
It was very, very back and forth

225
00:12:14,040 --> 00:12:16,800
between various peoples in 
various departments. 

226
00:12:16,800 --> 00:12:18,480
You're dealing with the 
technical departments, you're 

227
00:12:18,480 --> 00:12:21,400
dealing with the creatives, 
you're dealing with marketing, 

228
00:12:21,400 --> 00:12:24,000
you're dealing with brand 
management. 

229
00:12:24,000 --> 00:12:27,000
So it depends on the scale of 
the project and, and who's in 

230
00:12:27,000 --> 00:12:30,080
charge really. 
But I, I love both versions. 

231
00:12:30,080 --> 00:12:33,640
It's kind of thrilling to know 
what I'm doing is right and 

232
00:12:33,800 --> 00:12:35,400
thrilling to be told what to do,
really. 

233
00:12:36,320 --> 00:12:40,520
Do you think being a theme park 
nerd has has given you the edge 

234
00:12:40,520 --> 00:12:42,120
a little bit? 
Like, you know what you'd like 

235
00:12:42,120 --> 00:12:46,720
to listen to, So do you think 
you have a good idea as to when 

236
00:12:46,720 --> 00:12:48,920
you've got a brief where you're 
going to take something? 

237
00:12:50,320 --> 00:12:55,280
I think I know if I were in that
queue on that ride, what I would

238
00:12:55,280 --> 00:13:02,000
like and it's I'd like to say 
yes. 

239
00:13:02,000 --> 00:13:06,360
I do think that knowing the 
insurance and outs of a ride 

240
00:13:07,080 --> 00:13:09,560
really helps to deliver the 
final product because I can talk

241
00:13:09,560 --> 00:13:12,800
about zones and I can talk about
again the different kind of 

242
00:13:12,800 --> 00:13:15,520
holding states of loops and 
stuff like that. 

243
00:13:15,520 --> 00:13:18,160
I come from it from an insider 
perspective. 

244
00:13:18,920 --> 00:13:23,880
Sometimes it's kind of, I know 
at the beginning when kind of 

245
00:13:24,560 --> 00:13:29,280
park started to work with 
enthusiasts, they got, they were

246
00:13:29,280 --> 00:13:34,760
kind of had cold feet about it 
because they didn't want them 

247
00:13:34,760 --> 00:13:37,200
going in the way. 
But I think it's it's something 

248
00:13:37,200 --> 00:13:38,400
that's pretty standard right 
now. 

249
00:13:38,400 --> 00:13:41,840
I mean, you know, Bradley Wayne 
is a good friend of mine. 

250
00:13:41,840 --> 00:13:44,000
He's a massive theme park fan 
and look where he is now. 

251
00:13:44,000 --> 00:13:45,200
Well. 
Yeah, exactly. 

252
00:13:45,680 --> 00:13:48,200
He's down the road. 
Yeah, yeah. 

253
00:13:49,360 --> 00:13:53,080
Yeah, I was going to say what? 
What? 

254
00:13:53,760 --> 00:13:57,520
Because before, before you came 
on, Mike said to me some of the 

255
00:13:57,520 --> 00:13:59,120
work you'd done, and you 
mentioned the swarm. 

256
00:14:00,160 --> 00:14:04,600
So what I wanted to ask you is 
what was you going for? 

257
00:14:06,720 --> 00:14:09,760
Because I, I had an experience 
on the swarm in the queue when I

258
00:14:09,760 --> 00:14:14,040
got to the station, what, what 
was it that you wanted to kind 

259
00:14:14,040 --> 00:14:16,880
of deliver to the person 
standing in that queue the whole

260
00:14:16,880 --> 00:14:18,360
time? 
So by the time they got to the 

261
00:14:18,360 --> 00:14:22,240
station ready to get in the car 
or, you know, on the train, 

262
00:14:22,240 --> 00:14:27,000
what, what kind of mood would 
you have them set in? 

263
00:14:27,000 --> 00:14:31,080
Does that make sense? 
This I I I done the station 

264
00:14:31,080 --> 00:14:35,280
music for the swarm so the queue
area is like a radio drama. 

265
00:14:36,280 --> 00:14:38,520
I did a version of that couple 
years ago that's been replaced 

266
00:14:38,520 --> 00:14:40,560
with another one. 
Don't know why but these things 

267
00:14:40,560 --> 00:14:45,600
happen and it's absolutely fine.
But the station music is a rock 

268
00:14:45,600 --> 00:14:54,840
organ track with a dystopian 
beat to the old Gregorian chant 

269
00:14:54,840 --> 00:14:58,000
called the DSE array blended 
with the Thorpe part tune 

270
00:14:58,000 --> 00:15:00,680
written by I'm score, if that 
makes sense. 

271
00:15:00,680 --> 00:15:06,520
Wow, so it's like a real kind of
a witch's brew. 

272
00:15:06,560 --> 00:15:09,240
Yeah. 
Yeah, a kind of mash up of the 

273
00:15:09,600 --> 00:15:13,280
the tune that Thorpe liked to 
have playing in all in their 

274
00:15:14,520 --> 00:15:18,720
audio and the kind of DSE array 
because it isn't a church. 

275
00:15:18,720 --> 00:15:26,320
So I I laid down a big organ 
track and yeah, it's a kind of a

276
00:15:26,320 --> 00:15:29,240
big fun. 
Because by the time I got the 

277
00:15:29,240 --> 00:15:33,800
car, I was incredibly anxious to
change. 

278
00:15:33,800 --> 00:15:36,960
Sorry, I was incredibly anxious 
and I just wanted to get him 

279
00:15:36,960 --> 00:15:38,520
done with. 
And then of course it got to the

280
00:15:38,520 --> 00:15:42,960
top of the the lift and I was 
not expecting such a sharp 

281
00:15:42,960 --> 00:15:46,720
little turn. 
So that so yeah, my blood 

282
00:15:46,720 --> 00:15:50,120
pressure was always already 
through the roof, but it was a 

283
00:15:50,120 --> 00:15:50,760
great. 
Experience. 

284
00:15:50,880 --> 00:15:53,880
I don't know if you guys can 
hear this, but this is the main 

285
00:15:53,880 --> 00:16:00,080
track. 
Oh, I don't know if anything has

286
00:16:00,080 --> 00:16:01,600
anything playing. 
Can't hear anything. 

287
00:16:02,240 --> 00:16:04,560
No, I'll, I'll, I'll send it to 
you to put in. 

288
00:16:04,560 --> 00:16:08,440
But yeah, it's nicely. 
This road cast thing is working,

289
00:16:08,440 --> 00:16:10,320
isn't? 
It. 

290
00:16:10,320 --> 00:16:11,720
The wonders of modern technology
now. 

291
00:16:12,480 --> 00:16:16,360
Exactly. 
Anyway, it's organ rock guitar 

292
00:16:16,800 --> 00:16:23,160
beats all blending the kind of 
the wrath of God. 

293
00:16:23,400 --> 00:16:29,080
But it's it's, it's like it's 
got because it kind of blends 

294
00:16:29,080 --> 00:16:32,240
that the kind of the the 
atmosphere, right? 

295
00:16:32,240 --> 00:16:36,080
It's it's very atmospheric, but 
at the same time it has this 

296
00:16:36,560 --> 00:16:41,040
driving force behind it as well,
which I come. 

297
00:16:41,920 --> 00:16:44,360
I'd forgotten I'd done it most 
times I go in, so every time I 

298
00:16:44,360 --> 00:16:45,840
hear it, I'm like, Oh yeah, I 
did that. 

299
00:16:46,040 --> 00:16:49,320
Yeah, I recognise this. 
That must be quite good. 

300
00:16:49,400 --> 00:16:51,800
Yeah, you did this. 
So how does that feel, Nick? 

301
00:16:51,800 --> 00:16:56,840
Like when you, when you, when 
you just stumble upon your work?

302
00:16:58,840 --> 00:17:03,840
It, it's, it's weird. 
And I remember when I did 

303
00:17:04,240 --> 00:17:12,960
Halloween Alton Towers in 2015, 
I did a Tower St. track and my 

304
00:17:12,960 --> 00:17:15,440
friend Pete, who I worked with, 
worked with it. 

305
00:17:15,960 --> 00:17:18,280
He looked at me and said, you've
never looked so happy in your 

306
00:17:18,280 --> 00:17:21,839
entire life just walking down 
Tower St. with your music play. 

307
00:17:22,040 --> 00:17:28,480
And it's as a composer and a 
theme park fan, it's the most 

308
00:17:28,480 --> 00:17:34,040
gratifying thing there is. 
And my I think at Christmas at 

309
00:17:34,040 --> 00:17:37,080
Alton Towers, my Christmas track
still plays on Tower St. every 

310
00:17:37,080 --> 00:17:38,800
year which is really nice to 
hear. 

311
00:17:39,240 --> 00:17:40,440
I love that. 
I love that. 

312
00:17:40,440 --> 00:17:43,040
Just do you know what it's, 
it's, it's interesting because I

313
00:17:43,040 --> 00:17:48,080
think, you know, everyone has an
appreciation for music, but I 

314
00:17:48,080 --> 00:17:50,240
think music can mean different 
things for different people. 

315
00:17:51,840 --> 00:17:57,080
You know, I think, you know, 
there are some, I think everyone

316
00:17:57,080 --> 00:17:59,840
can have music that makes them 
feel good or makes them feel 

317
00:17:59,960 --> 00:18:03,120
like they're going to, you know,
have some sort of medical 

318
00:18:03,120 --> 00:18:07,640
emergency in the case of Andy 
or, or, or, or whatever it is. 

319
00:18:08,960 --> 00:18:12,160
But then there is, there is 
something that can be done just 

320
00:18:12,160 --> 00:18:19,000
with a, a, a harmony or a choice
of melody or the way that the, 

321
00:18:19,000 --> 00:18:22,600
the piece moves along that 
actually makes you feel 

322
00:18:22,600 --> 00:18:26,160
something. 
And I, I think so that's the 

323
00:18:26,160 --> 00:18:31,800
kind of the subconscious effect 
that a soundtrack can provide. 

324
00:18:31,800 --> 00:18:36,880
And I think, you know, if, if 
you are, you know, a musical 

325
00:18:36,880 --> 00:18:39,480
person, then perhaps you're more
conscious of it. 

326
00:18:39,480 --> 00:18:43,680
But I mean, what? 
I know you're going to be 

327
00:18:43,680 --> 00:18:48,080
biased, Nick, but how important 
is a soundtrack? 

328
00:18:49,280 --> 00:18:51,960
I play. 
I did a piece of music years ago

329
00:18:51,960 --> 00:18:56,520
for the Spinnaker Tower in 
Portsmouth with a kind of an 

330
00:18:56,520 --> 00:18:59,840
attraction they had called the 
Drop, which was where you were 

331
00:19:00,560 --> 00:19:04,200
essentially jumping off the 
building, obviously tied tied 

332
00:19:04,200 --> 00:19:06,880
through a rope. 
I've jumped on the glass. 

333
00:19:07,720 --> 00:19:09,560
Yeah, Spinnaker Tower, but 
that's about. 

334
00:19:09,680 --> 00:19:13,200
It I, I, I played it to my 
friend and there's a one 

335
00:19:13,200 --> 00:19:16,520
specific chord progression I 
chose and she said I feel like 

336
00:19:16,520 --> 00:19:20,560
I'm going to be sick. 
And that's a really interesting 

337
00:19:20,560 --> 00:19:23,640
reaction because that's kind of 
what I was going for. 

338
00:19:23,640 --> 00:19:28,280
But of course, I mean, music is 
like smell. 

339
00:19:28,680 --> 00:19:33,360
So hearing a piece of music that
you haven't heard from years ago

340
00:19:33,360 --> 00:19:35,040
can bring you back to that 
place. 

341
00:19:35,040 --> 00:19:38,200
And I think that's why people 
love theme park music so much, 

342
00:19:38,200 --> 00:19:41,280
because a lot of it reminds them
of their youth and their 

343
00:19:41,280 --> 00:19:45,920
childhood. 
And it's incredibly powerful for

344
00:19:45,920 --> 00:19:48,400
that. 
And obviously the stuff I'm 

345
00:19:48,400 --> 00:19:53,520
writing now isn't, you know, 
connected to anyone's childhood.

346
00:19:53,520 --> 00:19:57,320
Was there, you know, all adults 
or children hearing it now, but 

347
00:19:57,560 --> 00:19:59,320
hopefully in a couple years 
time, it might be. 

348
00:19:59,320 --> 00:20:02,400
But it. 
Yeah, it can do lots of things, 

349
00:20:02,400 --> 00:20:04,880
but it's you're always 
supporting the story that's 

350
00:20:04,880 --> 00:20:07,480
presented to you. 
And, and that's the important 

351
00:20:07,480 --> 00:20:11,120
thing that I, I, I will say one 
of my proudest moments was 

352
00:20:11,120 --> 00:20:15,280
doing. 
Two firework shows for the the 

353
00:20:15,280 --> 00:20:20,440
much missed Oakwood theme park 
in Wales and, and seeing those 

354
00:20:20,440 --> 00:20:23,720
shows, not having any idea what 
they would do to the music 

355
00:20:23,720 --> 00:20:27,240
because that came first and then
they built the built the shows 

356
00:20:27,240 --> 00:20:30,680
around that. 
That was really lovely for me 

357
00:20:30,720 --> 00:20:34,240
because I it's purely about the 
music and the show. 

358
00:20:34,800 --> 00:20:36,840
And that was kind of, you know, 
that was fun that. 

359
00:20:37,240 --> 00:20:39,000
Sounds. 
Really answer your question. 

360
00:20:41,200 --> 00:20:44,040
But it, it, it does, it's, it's 
kind of, you know, it's about 

361
00:20:44,040 --> 00:20:45,760
that feeling, isn't it? 
It's not that. 

362
00:20:45,840 --> 00:20:49,120
I think yeah, because there's 
there's the casual theme park 

363
00:20:49,120 --> 00:20:51,920
visitor. 
I assume I'm making assumptions 

364
00:20:51,920 --> 00:20:54,320
here. 
Go on that make us say I will. 

365
00:20:54,400 --> 00:20:57,200
I will assume good. 
But if you like, you will think 

366
00:20:57,200 --> 00:20:59,880
like it's a small world. 
Really annoying, repetitious. 

367
00:20:59,880 --> 00:21:01,040
Music. 
Right, right, right. 

368
00:21:01,320 --> 00:21:05,200
Closer to home, although not 
particularly modern Toyland 

369
00:21:05,200 --> 00:21:07,560
Tours, it's got that yeah, 
endless loop. 

370
00:21:07,560 --> 00:21:10,880
And it gets to the point I think
of being really annoying to a 

371
00:21:10,880 --> 00:21:12,320
lot of people. 
Like people come off small 

372
00:21:12,320 --> 00:21:14,760
worlds thinking, Oh God, there's
a real ear worm there. 

373
00:21:14,760 --> 00:21:17,200
I'm going to be bloody whistling
the thing all day. 

374
00:21:17,600 --> 00:21:21,840
Like, is there a way, Nick, that
you can create a memorable tune 

375
00:21:22,080 --> 00:21:24,800
without it? 
Like because it off it has to 

376
00:21:24,800 --> 00:21:28,320
loop, doesn't it has to play 
many, many times an hour. 

377
00:21:28,320 --> 00:21:31,840
So is there a way that you you 
can create something that has to

378
00:21:31,840 --> 00:21:39,680
loop but isn't bloody annoying? 
Well, I, I, I, I disagree with 

379
00:21:39,680 --> 00:21:42,840
people saying it's a small world
is annoying because a piece of 

380
00:21:42,840 --> 00:21:44,920
music is only catchy if it's 
repeated. 

381
00:21:45,400 --> 00:21:48,200
And obviously you're hearing 
that because all it's a small 

382
00:21:48,200 --> 00:21:52,520
world is is there's a lot more 
going on in the background than 

383
00:21:52,520 --> 00:21:55,280
you think with that. 
And I think it's fascinating as 

384
00:21:55,280 --> 00:21:57,440
a composer, like hearing all the
different instruments, doing all

385
00:21:57,440 --> 00:21:59,120
the counter melodies. 
And then you've got the verse 

386
00:21:59,120 --> 00:22:02,400
and the chorus that come 
together contrapuntally and 

387
00:22:03,000 --> 00:22:04,760
it's, it's, it's very, very 
clever. 

388
00:22:04,760 --> 00:22:09,440
What the Sherman Brothers and 
the team at Disney, I think you 

389
00:22:09,440 --> 00:22:14,280
have to create something that's 
identifiable for an attraction. 

390
00:22:14,280 --> 00:22:18,840
So Haunted Mansion is very good 
for that because it's got a kind

391
00:22:18,840 --> 00:22:22,800
of da, da da da da da da. 
That's kind of it. 

392
00:22:22,800 --> 00:22:26,640
And it's how you use it 
throughout the attraction that 

393
00:22:26,760 --> 00:22:32,800
makes it not sound the same. 
So you could take that and you 

394
00:22:32,800 --> 00:22:38,720
could play it faster. 
For example, in the in the 

395
00:22:38,720 --> 00:22:41,880
ballroom scene, it's played as a
waltz on the organ. 

396
00:22:42,880 --> 00:22:47,280
So it's the same melody, it's 
the same harmony, but it's done 

397
00:22:47,280 --> 00:22:51,160
in a different time. 
And I think it, the reason it's 

398
00:22:51,160 --> 00:22:54,320
a Small World stands out is 
because it's all in the same 

399
00:22:54,320 --> 00:22:58,160
time signature for the whole 
attraction. 

400
00:22:58,160 --> 00:23:01,040
So it's just the same thing 
going round and round and round.

401
00:23:01,040 --> 00:23:06,480
That makes sense. 
So it, it, it, it it's all down 

402
00:23:06,480 --> 00:23:13,280
to how you use the the kind of 
the light motif that you have. 

403
00:23:13,360 --> 00:23:16,400
To work with, but that I 
suppose, like with it's a small 

404
00:23:16,400 --> 00:23:19,160
world. 
Like, I mean, look, this is this

405
00:23:19,160 --> 00:23:22,880
is the beginning of a tangent. 
I can feel it but but no, I mean

406
00:23:22,880 --> 00:23:24,120
like that's. 
Like the end of a tangent. 

407
00:23:25,160 --> 00:23:29,000
No, because it's what I don't 
it's AI mean spiritually. 

408
00:23:29,000 --> 00:23:36,840
The the, the song, the tune is 
all about how the people, the 

409
00:23:36,840 --> 00:23:40,880
children of the world are all 
reading from the same hymn 

410
00:23:40,880 --> 00:23:42,800
sheet, right? 
That is, it's kind of we've all 

411
00:23:42,800 --> 00:23:44,240
got these things in common, 
right? 

412
00:23:44,920 --> 00:23:49,160
Interesting fact, I believe. 
I believe that it is. 

413
00:23:50,720 --> 00:23:52,520
It holds some sort of record 
for. 

414
00:23:53,080 --> 00:23:56,280
The It's the most translated 
song in the world, which makes 

415
00:23:56,280 --> 00:23:59,240
sense as it's about sort of 20 
languages in the attraction. 

416
00:23:59,440 --> 00:24:04,920
And I and I think it's it's 
being played non-stop since like

417
00:24:05,400 --> 00:24:12,320
like 24 hours a day, seven days 
a week since Tokyo opened It it 

418
00:24:12,320 --> 00:24:14,920
like it it holds the record for 
the the longest. 

419
00:24:15,920 --> 00:24:19,120
Oh, so it's always playing 
somewhere in the world. 

420
00:24:19,440 --> 00:24:22,000
OK, yeah, that makes sense. 
Whole set thing. 

421
00:24:22,320 --> 00:24:23,920
So you know, there you. 
Go. 

422
00:24:23,920 --> 00:24:26,120
That's that. 
I will say, being a theme park 

423
00:24:26,120 --> 00:24:29,760
composer, whoever it's, it's the
same for musical, for successful

424
00:24:29,760 --> 00:24:33,160
musical theatre writers. 
You kind of lie asleep knowing 

425
00:24:33,360 --> 00:24:36,160
my music is playing somewhere 
right now and it's being 

426
00:24:36,520 --> 00:24:40,600
appreciated or hated by someone 
and it's it's, it's very nice. 

427
00:24:41,200 --> 00:24:42,680
Imagine if you got paid per 
loop. 

428
00:24:43,360 --> 00:24:45,680
Oh yes? 
Well, sadly, the world. 

429
00:24:47,120 --> 00:24:49,920
Yeah, if only. 
If only. 

430
00:24:50,160 --> 00:24:53,640
Obviously we've we've touched on
how much of AA theme park fan 

431
00:24:53,640 --> 00:24:56,040
you are as well. 
So theme park fan, the the 

432
00:24:56,040 --> 00:25:01,640
musical was your well I don't 
know what what you would refer 

433
00:25:01,640 --> 00:25:03,080
to that as. 
It was AI. 

434
00:25:03,080 --> 00:25:06,840
Don't know either. 
Yeah, it was a fever dream that 

435
00:25:06,840 --> 00:25:08,880
came out during what COVID did 
you produce that? 

436
00:25:08,880 --> 00:25:10,960
Tell us a little bit about the 
process of Theme Park Fan the 

437
00:25:10,960 --> 00:25:13,960
Musical. 
See, it's Grecia that was. 

438
00:25:14,000 --> 00:25:15,240
No, it was. 
It was great fun. 

439
00:25:16,240 --> 00:25:21,760
It it I in 2018, I wrote a 
comedy song called I'm a theme 

440
00:25:21,760 --> 00:25:27,080
park fan and I can't become so 
long ago. 

441
00:25:27,080 --> 00:25:30,120
I can't remember. 
So I was doing, I was toying 

442
00:25:30,120 --> 00:25:33,040
with an idea of a musical and I 
thought, well, let's make it 

443
00:25:33,040 --> 00:25:38,360
about theme park fans and bring 
everyone together at a time when

444
00:25:38,360 --> 00:25:42,520
we couldn't be together and set 
it in the location we would all 

445
00:25:42,520 --> 00:25:46,840
be at a time when we couldn't be
there. 

446
00:25:47,320 --> 00:25:52,680
So we kind of timed it so it 
started at 7:30 and it's set in 

447
00:25:52,680 --> 00:25:56,720
Blackpool at a time in February 
when all the theme Park 

448
00:25:56,720 --> 00:26:03,080
Community would be in Blackpool.
And it had it was a fun story 

449
00:26:03,080 --> 00:26:06,520
about the kind of RMC being 
announced, a Blackpool Pleasure 

450
00:26:06,520 --> 00:26:10,320
Beach and this guy called Jamie 
wants to be a famous vlog star. 

451
00:26:10,320 --> 00:26:13,440
So he tells a lie that gets out 
of hand. 

452
00:26:13,440 --> 00:26:17,720
And it all got rather metal and 
and silly, but it was, I'm very,

453
00:26:17,720 --> 00:26:19,720
very proud of it. 
We had Neil Patrick Harris 

454
00:26:19,720 --> 00:26:25,800
involved, we had John Wardley 
was in it, we had I Disney 

455
00:26:25,800 --> 00:26:27,840
composed. 
A friend of mine, Alan Menken, 

456
00:26:27,840 --> 00:26:30,000
donated some money for the 
charity for it. 

457
00:26:30,000 --> 00:26:34,640
So we raised over about 2700 lbs
in the end, I think we had 

458
00:26:34,720 --> 00:26:38,920
Smells, but Smells made for it 
and merch and the album's on 

459
00:26:38,920 --> 00:26:42,040
Spotify and and YouTube and all 
that kind of stuff. 

460
00:26:42,040 --> 00:26:46,760
So it's a kind of, it's a memory
of a very strange time. 

461
00:26:46,800 --> 00:26:48,840
It was a lovely community 
effort. 

462
00:26:49,480 --> 00:26:54,080
Well, that that sounds like a 
much more productive kind of 

463
00:26:54,080 --> 00:26:58,480
memory of that time than I have,
which was buying. 

464
00:26:58,560 --> 00:27:00,680
Built a shed. 
Well, no, I didn't buy a shed. 

465
00:27:00,680 --> 00:27:03,440
No, that Andy was Andy was Andy 
was constructive. 

466
00:27:03,520 --> 00:27:10,000
I, I, I would just go to Tesco 
and buy 20 crates of Budweiser 

467
00:27:10,000 --> 00:27:13,440
for 10 lbs and, and, and lots 
and lots of food. 

468
00:27:13,440 --> 00:27:17,000
I, I, you know, that would, that
was my, that was my COVID 

469
00:27:17,000 --> 00:27:19,760
contribution. 
We work cope in our own ways it.

470
00:27:19,760 --> 00:27:21,920
Worked all through COVID. 
Did you? 

471
00:27:21,920 --> 00:27:23,080
Yeah, I didn't stop it. 
At all? 

472
00:27:23,080 --> 00:27:26,840
Well, Nick did something 
actually constructive so for 

473
00:27:26,840 --> 00:27:27,880
that. 
I got to work. 

474
00:27:29,720 --> 00:27:32,520
If you guys only listen to one, 
I'm going to sound fanboy moment

475
00:27:32,520 --> 00:27:35,600
here from 1:00, but if you guys 
only listen to one song in theme

476
00:27:35,600 --> 00:27:38,600
park, fan the musical, you 
listen to the Wetherspoon song, 

477
00:27:39,320 --> 00:27:41,120
I can't remember. 
Is it welcome to the bar or 

478
00:27:41,120 --> 00:27:42,920
something like that? 
Nick, everyone's. 

479
00:27:42,920 --> 00:27:46,720
Everyone's welcome at the. 
Bar that is so that that's your 

480
00:27:46,720 --> 00:27:49,320
earworm. 
That is such a good song I it 

481
00:27:49,320 --> 00:27:52,560
regularly comes on my playlist. 
That that got a full page 

482
00:27:52,560 --> 00:27:54,360
article in the Wetherspoons 
magazine. 

483
00:27:54,920 --> 00:27:56,640
I wish. 
They played it in Wetherspoons. 

484
00:27:56,960 --> 00:27:58,880
Yeah, well, no, they don't play 
music in Wetherspoons. 

485
00:27:58,880 --> 00:28:02,120
That's why we like it. 
That even mentions it in the 

486
00:28:02,120 --> 00:28:04,680
song. 
But yeah, it's yeah, I'm very, 

487
00:28:04,680 --> 00:28:07,320
very proud of that song. 
It's a kind of take away moment,

488
00:28:07,320 --> 00:28:11,240
but it it's just ridiculous. 
So all the club nights are wrong

489
00:28:11,240 --> 00:28:14,240
now rewriting. 
Oh God, yeah. 

490
00:28:14,400 --> 00:28:17,840
Well, theme park found the 
musical the sequel Make it 

491
00:28:17,840 --> 00:28:20,520
Happen. 
It's been, it's been toyed with.

492
00:28:20,760 --> 00:28:23,920
You said you had Neil Patrick 
Harris with you. 

493
00:28:23,920 --> 00:28:25,840
Is that the fella from Malcolm 
in the Middle? 

494
00:28:26,680 --> 00:28:32,200
No, it's it looks like him. 
It's actually the fella from How

495
00:28:32,200 --> 00:28:37,440
I Met Your Mother and big, big 
theme park fan and big, big 

496
00:28:37,440 --> 00:28:42,520
musical theatre fan and star. 
So people think he plays the 

497
00:28:42,520 --> 00:28:46,240
oldest, the old oldest son in 
Malcolm in the Middle. 

498
00:28:46,280 --> 00:28:47,320
He does. 
Look like him. 

499
00:28:47,320 --> 00:28:51,600
Yeah, I've got Googling it now. 
Yeah, he was Count Olaf in the 

500
00:28:51,600 --> 00:28:56,320
Netflix. 
He was Series of Unfortunate 

501
00:28:56,320 --> 00:28:58,960
Events. 
Yeah, and he, he, he goes back 

502
00:28:58,960 --> 00:29:01,960
to coast radio because he he's a
voice over and outs and frequent

503
00:29:01,960 --> 00:29:04,240
guest on the show. 
And I've been, I've interviewed 

504
00:29:04,240 --> 00:29:08,160
him a couple of times as well. 
And just the nicest, nicest 

505
00:29:08,160 --> 00:29:10,320
person. 
When I said to my friend Neil 

506
00:29:10,320 --> 00:29:12,920
Patrick Harris is going to be in
my musical about theme parks, 

507
00:29:12,920 --> 00:29:15,960
she went well, of course he is, 
because it's a kind of crazy 

508
00:29:15,960 --> 00:29:19,440
crap that he would do and we're 
all stuck at home doing nothing.

509
00:29:19,440 --> 00:29:21,640
That was what was nice about it 
is people had time. 

510
00:29:21,880 --> 00:29:23,760
Excellent. 
Amazing. 

511
00:29:24,120 --> 00:29:26,880
So is, is there a piece of 
music, you think, whether it's 

512
00:29:26,880 --> 00:29:30,560
theme parks or not, that that 
represents your voice as a 

513
00:29:30,560 --> 00:29:31,360
composer? 
Oh. 

514
00:29:32,280 --> 00:29:35,000
Go on. 
My voice? 

515
00:29:36,760 --> 00:29:39,360
Well, there's Tomb Blaster, 
which has my voice in it, but I 

516
00:29:39,360 --> 00:29:40,600
don't think that's what you're 
referring to. 

517
00:29:40,600 --> 00:29:42,880
Literally, Yeah. 
Wait. 

518
00:29:43,320 --> 00:29:46,200
Is it in? 
In what form does it have your 

519
00:29:46,200 --> 00:29:46,840
voice? 
I. 

520
00:29:47,680 --> 00:29:48,920
Probably. 
Have you done the ride? 

521
00:29:49,120 --> 00:29:50,200
No. 
Do you know what? 

522
00:29:50,200 --> 00:29:54,360
I haven't? 
Because, you know, I've. 

523
00:29:54,400 --> 00:29:58,280
I I haven't done Tomb Blaster 
since it became blaster. 

524
00:29:58,720 --> 00:29:59,440
What? 
Yeah, I. 

525
00:29:59,440 --> 00:30:00,760
Know when did you last go to 
Chessington? 

526
00:30:00,760 --> 00:30:04,160
A long time ago. 
Me too, I haven't been for many.

527
00:30:04,160 --> 00:30:06,160
Years so sorry. 
Great trip. 

528
00:30:06,400 --> 00:30:10,280
Yeah. 
Live podcast. 

529
00:30:10,680 --> 00:30:14,640
Yeah. 
I so there's a the couple of 

530
00:30:14,640 --> 00:30:18,280
voices in the ride and I am the 
voice of the kind of the 

531
00:30:18,280 --> 00:30:22,600
villain. 
This, this very deep voice like 

532
00:30:22,600 --> 00:30:25,480
that and Oh my. 
God, that's incredible. 

533
00:30:26,080 --> 00:30:28,280
I that's one I worked on with 
Bradley Wynne and I was 

534
00:30:28,280 --> 00:30:29,920
recording the demos. 
Yeah. 

535
00:30:29,920 --> 00:30:32,040
And I said we have to have to 
find a real actor to do this. 

536
00:30:32,040 --> 00:30:33,680
He said Nope, you're doing it. 
It's great. 

537
00:30:33,680 --> 00:30:38,280
We're using it. 
It's like, oh, OK, so 2 Blossom 

538
00:30:38,280 --> 00:30:42,360
is a huge amount to me. 
That ride was so it's 5th I 

539
00:30:42,360 --> 00:30:44,720
mentioned in Terror 2. 
It was such a big part of my 

540
00:30:44,720 --> 00:30:47,760
childhood. 
So now that I'm part of it is 

541
00:30:47,760 --> 00:30:51,320
just it's just ridiculous and. 
Honestly, that's amazing my. 

542
00:30:51,320 --> 00:30:54,160
Friends and I piss ourselves 
with laughter every time on it. 

543
00:30:56,040 --> 00:30:58,960
Finally, after 5000 years, it's 
all that. 

544
00:30:58,960 --> 00:31:01,600
Kind honestly. 
Anyway, we need a button to do 

545
00:31:01,600 --> 00:31:10,240
that. 
You've got, you've got that 

546
00:31:10,240 --> 00:31:13,000
built into you. 
You're not your Terminator. 

547
00:31:13,920 --> 00:31:17,560
We only had the digital version.
Why were you the whole podcast 

548
00:31:17,560 --> 00:31:19,000
in that voice? 
I know. 

549
00:31:19,040 --> 00:31:22,800
Honestly, I think I would die. 
I remember recording the vocals 

550
00:31:22,800 --> 00:31:25,600
for the big snake at the end and
I was as you could hear him. 

551
00:31:25,840 --> 00:31:28,520
When the snake gets killed, he's
like coughing his gut. 

552
00:31:29,040 --> 00:31:31,600
His knee. 
Actually coughing my guts up. 

553
00:31:33,280 --> 00:31:37,440
I don't know. 
I think there's the first 

554
00:31:37,440 --> 00:31:41,280
Oakwood's fireworks I did was. 
So this will go back to 

555
00:31:41,280 --> 00:31:43,120
something we will talk talk 
about later. 

556
00:31:43,120 --> 00:31:48,440
I believe it was kind of very 
Disney influenced, very not 

557
00:31:48,440 --> 00:31:54,280
classical, but kind of epic. 
And I had such fun doing that. 

558
00:31:54,280 --> 00:31:57,720
It was one of the most proud 
moments I ever had. 

559
00:31:57,720 --> 00:32:00,880
Watching that show for the first
time, I shed many tears. 

560
00:32:03,000 --> 00:32:05,600
Well, I I don't know, because 
everything I've I've not too 

561
00:32:05,600 --> 00:32:07,960
Simone or horn here, but 
everything I've done is so 

562
00:32:07,960 --> 00:32:11,280
different. 
It's hard to pin down because 

563
00:32:11,280 --> 00:32:13,400
I'm not writing from my own 
voice. 

564
00:32:13,400 --> 00:32:15,400
I'm writing for the voice of the
attraction. 

565
00:32:15,400 --> 00:32:17,320
That's. 
Yeah, good point. 

566
00:32:18,600 --> 00:32:22,120
So it's it's really hard to 
answer that question. 

567
00:32:23,280 --> 00:32:27,120
Well, we don't do things by 
halves here, but I think we 

568
00:32:27,120 --> 00:32:29,160
would be remiss if we didn't 
speak about Universal a little 

569
00:32:29,160 --> 00:32:30,200
bit. 
Of course we. 

570
00:32:30,320 --> 00:32:33,480
Actually, you, you and I spoke 
about this already at length 

571
00:32:34,160 --> 00:32:37,040
when I appeared on your own 
podcast, Nick. 

572
00:32:37,040 --> 00:32:40,400
So, but let's talk about Epic 
Universe a little bit. 

573
00:32:40,400 --> 00:32:44,600
And with the, with the likes of 
Universal Studios, there's a, 

574
00:32:44,600 --> 00:32:49,240
there's a pretty much a ready 
made soundtrack with film scores

575
00:32:49,240 --> 00:32:52,160
and the like. 
But for Epic Universe, there was

576
00:32:52,480 --> 00:32:56,760
a lot of new music produced. 
So you've been to, to Epic How, 

577
00:32:56,880 --> 00:33:01,000
how do you think they've done 
when it comes to the score and, 

578
00:33:01,000 --> 00:33:02,360
and the, the music at the 
different areas? 

579
00:33:02,360 --> 00:33:06,400
Epic Universe. 
One of the take home things 

580
00:33:06,400 --> 00:33:12,920
about Epic for me was the audio 
everywhere and I'm audio in 

581
00:33:12,920 --> 00:33:15,840
Aries is fine and very 
impressive but it was how I 

582
00:33:15,840 --> 00:33:20,600
think every ride had on board 
audio which is very, very rare 

583
00:33:20,600 --> 00:33:25,200
to find and even things like 
Curse the Werewolf and the 

584
00:33:25,200 --> 00:33:30,040
hiccups wind gliders had it and 
it just elevates the experience 

585
00:33:30,040 --> 00:33:32,280
so much. 
I was really, really impressed 

586
00:33:32,280 --> 00:33:37,960
with the audio of the whole park
and that's all I have to say 

587
00:33:37,960 --> 00:33:40,760
about it. 
It was just extremely well 

588
00:33:40,760 --> 00:33:45,840
executed but as it should be. 
I think they've learnt so much 

589
00:33:45,840 --> 00:33:51,600
over 25 years since IOA opened 
and of course I've done the 

590
00:33:51,600 --> 00:33:56,960
other parks in other areas of 
the world, but it's kind of, it 

591
00:33:57,200 --> 00:33:59,600
was one of the things that 
really stood out to me was how 

592
00:33:59,880 --> 00:34:03,880
strong the music in the park is,
whether it's the original stuff 

593
00:34:05,320 --> 00:34:09,120
or cool things. 
Like when the church bells toll 

594
00:34:09,120 --> 00:34:11,800
in Dark Universe, you know 
that's when the Burning Blade is

595
00:34:11,800 --> 00:34:13,679
about to. 
Yeah, yeah. 

596
00:34:14,400 --> 00:34:17,960
Erupt. 
So gone to your head, if you had

597
00:34:17,960 --> 00:34:22,880
to choose, what would you say is
the the best area for for from a

598
00:34:23,120 --> 00:34:24,960
score point of view at Epic 
University? 

599
00:34:25,159 --> 00:34:28,080
So, sorry, can I just get 
clarification on that question? 

600
00:34:28,440 --> 00:34:31,080
Sorry, am I? 
So we're talking like, OK, so 

601
00:34:31,080 --> 00:34:36,239
Nick is he's in Epic, he's got 
he's he's kind of like zoned 

602
00:34:36,239 --> 00:34:41,040
out, eyes closed. 
Where is Where's the best spot? 

603
00:34:41,080 --> 00:34:44,520
Yeah, where's the best spot to 
just sit and listen, eyes 

604
00:34:44,520 --> 00:34:47,120
closed, Just. 
Absorbing it with your ears. 

605
00:34:48,440 --> 00:34:54,920
It's difficult because I'm a fan
of two kind of Sonic worlds. 

606
00:34:54,920 --> 00:34:59,320
Not Sonic the Hedgehog, but kind
of audio fan of it. 

607
00:34:59,360 --> 00:35:05,400
It would either be the Parisian 
streets of the visiting world of

608
00:35:05,720 --> 00:35:08,120
Harry Potter. 
Because I love old, I love 20s 

609
00:35:08,120 --> 00:35:10,600
jazz. 
Working in a lot of 20s jazz for

610
00:35:10,600 --> 00:35:14,920
a project at the moment or as a 
horror fan, it has to be Dark 

611
00:35:14,920 --> 00:35:19,200
Universe. 
It's just it's the amount of 

612
00:35:19,200 --> 00:35:27,560
music and how every single nook 
and cranny has something unique 

613
00:35:27,560 --> 00:35:29,520
for it. 
And what I was really impressed 

614
00:35:29,520 --> 00:35:35,040
with was I would actually sit in
one of the transitioning areas. 

615
00:35:35,480 --> 00:35:40,080
So I remember specifically being
impressed by I was hearing a 

616
00:35:40,080 --> 00:35:45,240
piece of music in Celestial Park
and then I walked into Isle of 

617
00:35:45,240 --> 00:35:48,280
Burke and it was the same piece 
of music but it was done in with

618
00:35:48,280 --> 00:35:50,520
the Isle of Burke sound. 
Wow. 

619
00:35:51,120 --> 00:35:54,280
And it's things like that that, 
that I get it, It's a simple 

620
00:35:54,280 --> 00:35:56,120
task to do, but it's the fact 
they do it. 

621
00:35:56,120 --> 00:35:58,760
It's not just a jarring yeah. 
Yeah. 

622
00:36:01,040 --> 00:36:02,640
And it was kind of perfectly 
synchronized. 

623
00:36:02,640 --> 00:36:06,400
So as you went through the 
portal, it you kind of just be 

624
00:36:06,400 --> 00:36:14,360
blended from the Celestial Park 
instrumental composition to the 

625
00:36:14,360 --> 00:36:16,840
Isle of Berk one which which I'm
guessing would be kind of a 

626
00:36:16,840 --> 00:36:20,560
little bit more folksy. 
Folky Yeah. 

627
00:36:20,920 --> 00:36:22,680
And I remember being impressed 
by that. 

628
00:36:22,800 --> 00:36:24,960
It's been a while since I've 
been Oh no, I'm going to have to

629
00:36:24,960 --> 00:36:27,000
go back at some point and think 
about this question. 

630
00:36:28,800 --> 00:36:30,360
Right. 
Oh, it's poor you. 

631
00:36:30,400 --> 00:36:32,960
It's, I just remember being 
impressed everywhere by the 

632
00:36:32,960 --> 00:36:34,680
audio. 
But they're, they're masters at 

633
00:36:34,680 --> 00:36:35,880
it. 
They've been doing it for, you 

634
00:36:35,880 --> 00:36:41,320
know, so long now. 
So music aside, then what is 

635
00:36:41,320 --> 00:36:42,360
your? 
I know we've spoken about this 

636
00:36:42,360 --> 00:36:45,720
on your your pod as well, Nick, 
but what's your overall 

637
00:36:46,200 --> 00:36:48,600
impression of Epic Universe as a
theme park? 

638
00:36:49,960 --> 00:36:53,120
It's a very, very good 
beginning. 

639
00:36:53,720 --> 00:36:56,880
I think they're aware of the 
fact there's a lot more to do 

640
00:36:58,200 --> 00:37:03,600
and the capacity is obviously 
still not, not at 100%, but what

641
00:37:03,600 --> 00:37:09,160
is there is excellent. 
It's beautifully themed. 

642
00:37:09,160 --> 00:37:13,840
I mean, the whole, I actually 
got very emotional walking into 

643
00:37:13,840 --> 00:37:17,760
the park. 
And I remember my my girlfriend 

644
00:37:17,760 --> 00:37:20,600
Hannah said, are you OK? 
And I went, yeah, I'm just 

645
00:37:21,880 --> 00:37:26,680
overwhelmed, not by this park, 
but the fact that we're going to

646
00:37:26,680 --> 00:37:31,560
get something better than Epic 
Universe, I hope. 

647
00:37:31,960 --> 00:37:37,200
And that was what really hit me 
because I've been following the 

648
00:37:37,240 --> 00:37:43,040
UK construction for a long time.
I the the not the last time I 

649
00:37:43,040 --> 00:37:45,920
was at the time before I, I 
bumped into Mark Woodbury and 

650
00:37:45,920 --> 00:37:50,280
had a chat with him and I was 
like, see you in the UK. 

651
00:37:50,280 --> 00:37:55,400
He went, Yep, I hope bye. 
And now that it's happening, I, 

652
00:37:55,400 --> 00:37:57,000
I still can't believe it. 
I'm sure we'll talk about that 

653
00:37:57,000 --> 00:37:58,840
in a bit. 
But yeah, I loved epic. 

654
00:37:58,840 --> 00:38:02,480
I I think the dark universe is a
triumph. 

655
00:38:02,560 --> 00:38:08,600
The Frankenstein experiment is 
just a stunning, stunning ride. 

656
00:38:10,520 --> 00:38:14,440
Stardust racers is amazing. 
I've never, I'm not a huge fan 

657
00:38:14,440 --> 00:38:17,960
of Hazard Train or Dragon so I'm
not hugely knowledgeable of that

658
00:38:17,960 --> 00:38:20,520
land, but what I could see was 
wonderful. 

659
00:38:20,760 --> 00:38:23,240
Very weird moment seeing the 
stage show though. 

660
00:38:23,520 --> 00:38:27,280
Toothless wasn't in it really. 
So they just they just ran the 

661
00:38:27,280 --> 00:38:31,160
whole show without Toothless. 
Oh, that's kind of hard, right? 

662
00:38:31,160 --> 00:38:33,400
Because that is the the, the 
finale, the. 

663
00:38:34,160 --> 00:38:35,120
That's the well it kind of 
comes. 

664
00:38:36,760 --> 00:38:40,080
To the beginning. 
It's like the thing that blows 

665
00:38:40,080 --> 00:38:42,080
your mind. 
Right yeah it's supposed to come

666
00:38:42,080 --> 00:38:44,840
about halfway through the show. 
OK, he was there when I I saw 

667
00:38:44,840 --> 00:38:49,840
the show, and that's I'm I'm not
a an emotional person when it 

668
00:38:49,840 --> 00:38:54,000
comes to like show like visibly 
emotional, outwardly emotional, 

669
00:38:54,000 --> 00:38:57,320
but that's the closest I've ever
come during toothless flying 

670
00:38:57,320 --> 00:39:01,600
over this the audience to sort 
of like welling up. 

671
00:39:01,760 --> 00:39:03,000
Really. 
Yeah, yeah, yeah. 

672
00:39:03,440 --> 00:39:08,440
Yeah, no, but it's. 
Because it's very, sometimes 

673
00:39:08,560 --> 00:39:11,360
it's, it's a thing like that. 
You, you and you know it's 

674
00:39:11,360 --> 00:39:13,480
coming, right? 
You know The thing is going to 

675
00:39:13,480 --> 00:39:16,200
happen, but there's nothing you 
can do. 

676
00:39:16,200 --> 00:39:18,280
About it? 
Oh no, just just let it happen. 

677
00:39:18,280 --> 00:39:20,360
Well, they they shouldn't. 
They shouldn't have run the 

678
00:39:20,360 --> 00:39:22,280
show. 
No, I think you're right. 

679
00:39:22,360 --> 00:39:26,040
I think you're right. 
The the the one bit I did blow 

680
00:39:26,040 --> 00:39:29,000
in mind because I'd saw no 
spoilers and the the rides were 

681
00:39:29,000 --> 00:39:32,000
amazing and all the Tekken hat, 
but it was 1 moment in the 

682
00:39:32,000 --> 00:39:37,320
Cirque Arcanoe show. 
I've I've seen a lot of theatre 

683
00:39:37,320 --> 00:39:39,640
in my life and this is one of 
the greatest scene changes I've 

684
00:39:39,640 --> 00:39:40,760
ever seen in my life. 
Yeah. 

685
00:39:40,760 --> 00:39:42,880
Without even saying, I'll know 
what your reference is. 

686
00:39:43,160 --> 00:39:46,520
I I will leave it at that, OK, 
Because that was pure 

687
00:39:46,720 --> 00:39:47,440
theatrical. 
Matter. 

688
00:39:47,440 --> 00:39:49,760
I'm looking forward to it. 
I'm going to be there in a in a 

689
00:39:49,760 --> 00:39:51,960
few months time. 
So I'll yeah, yeah, yeah, yeah. 

690
00:39:53,400 --> 00:39:54,520
You won't receive it, don't 
worry. 

691
00:39:56,320 --> 00:40:00,400
I honestly, everyone's just kind
of got me so excited about 

692
00:40:00,400 --> 00:40:01,280
ethics. 
We'll have to. 

693
00:40:01,280 --> 00:40:03,840
Get you in on the pod live when 
you're there. 

694
00:40:03,840 --> 00:40:05,520
That would be cool. 
Yeah, let's do it. 

695
00:40:05,520 --> 00:40:07,040
We could do that. 
Call in on the. 

696
00:40:07,680 --> 00:40:12,240
Yeah, it may be like 4. 44 I'll 
be in Japan at that time. 

697
00:40:12,960 --> 00:40:16,920
Well, you do it too. 
Imagine a multi. 

698
00:40:16,920 --> 00:40:19,920
Crossover we'd always want. 
Honestly, it'll be like kind of 

699
00:40:19,920 --> 00:40:22,680
like a it's a small world sort 
of situation really, wouldn't 

700
00:40:22,680 --> 00:40:23,800
it? 
3 continents. 

701
00:40:24,120 --> 00:40:27,320
But without the song. 
Without we could make it happen.

702
00:40:28,360 --> 00:40:31,840
But if if you had to choose. 
Nick, are you a coaster fan or a

703
00:40:31,840 --> 00:40:32,720
dark ride fan? 
A. 

704
00:40:36,480 --> 00:40:39,560
Dark ride fan, I get more 
excited doing a dark ride than a

705
00:40:39,680 --> 00:40:44,320
coaster. 
If they are blended, that's even

706
00:40:44,320 --> 00:40:48,160
more exciting. 
So for me, things like I, I, I 

707
00:40:48,720 --> 00:40:52,240
stand firmly on the fact that I 
think Hagrid's magical motorbike

708
00:40:52,240 --> 00:40:55,720
experience, Adventure, whatever 
it's called, is one of the 

709
00:40:55,720 --> 00:40:57,560
greatest family attractions in 
the world. 

710
00:40:57,560 --> 00:40:58,400
Yeah. 
Absolutely. 

711
00:40:59,400 --> 00:41:05,280
And Gringotts is incredible and 
the Revenge of the Mummy is 

712
00:41:05,280 --> 00:41:09,640
still amazing. 
I think something like Spider 

713
00:41:09,640 --> 00:41:12,200
Man for me is a lot more 
thrilling than the Incredible 

714
00:41:12,200 --> 00:41:15,440
Hulk. 
As in the rides, Not the brands.

715
00:41:16,560 --> 00:41:21,040
But I, yeah, as I'm getting 
older, it's certainly not a 

716
00:41:21,040 --> 00:41:23,480
spinning ride fan. 
Can't do those anymore. 

717
00:41:23,960 --> 00:41:26,560
Though I did enjoy Constellation
Carousel because that was very 

718
00:41:26,560 --> 00:41:29,720
simple. 
And. 

719
00:41:29,800 --> 00:41:32,520
But yeah, definitely a dark ride
fan because it comes to my love 

720
00:41:32,520 --> 00:41:38,000
of theatre and that's, you know,
you are moving through a theatre

721
00:41:38,000 --> 00:41:41,640
show in a dark ride. 
And roller coasters are fun, but

722
00:41:41,880 --> 00:41:46,200
I'd rather queue two hours for a
dark ride than two hours for a 

723
00:41:46,200 --> 00:41:48,560
standard out and back. 
I think I'm with you. 

724
00:41:48,560 --> 00:41:50,400
Yeah, I'm with you there. 
I'm with you there. 

725
00:41:50,400 --> 00:41:55,120
It's amazing how you can tell a 
story in what, 3 minutes on a 

726
00:41:55,120 --> 00:41:57,600
dark ride? 
You've got a whole, it's a three

727
00:41:57,600 --> 00:42:00,760
act structure that they are 
telling you in such a short 

728
00:42:00,760 --> 00:42:02,920
amount of time. 
I think that when I chat, I 

729
00:42:02,920 --> 00:42:07,320
think my swarm experience 
certainly made me move away from

730
00:42:07,320 --> 00:42:07,920
Roller. 
Coasters. 

731
00:42:11,480 --> 00:42:13,760
Yeah, Swarm is one of the 
smoother ones as well. 

732
00:42:13,760 --> 00:42:14,840
I know. 
Yeah. 

733
00:42:15,000 --> 00:42:17,360
No, honestly, get you on the 
Grand National at Blackpool. 

734
00:42:17,360 --> 00:42:19,080
Oh. 
Good God, that's another 

735
00:42:19,080 --> 00:42:20,680
routing. 
It's going to be another route. 

736
00:42:20,680 --> 00:42:22,880
My tailbone. 
Still has not recovered from the

737
00:42:23,080 --> 00:42:24,560
wheel seats of the Grand 
National. 

738
00:42:24,560 --> 00:42:28,400
It's not pleasant. 
I think the only ride I've been 

739
00:42:28,400 --> 00:42:31,880
on where it feels like the train
is coming off the tracks as 

740
00:42:31,880 --> 00:42:34,000
you're going over those Bunny 
hills. 

741
00:42:35,520 --> 00:42:38,000
Yeah, unpleasant. 
RMC it RMC the bloody. 

742
00:42:38,040 --> 00:42:41,680
Things. 
Yeah, we've gone full circle. 

743
00:42:42,480 --> 00:42:45,440
So we've obviously got, yeah, I 
mean, just the point of the 

744
00:42:45,440 --> 00:42:48,880
podcast, we've got a, a brand 
spanking new Universal Park 

745
00:42:49,280 --> 00:42:52,280
opening right down the road from
where the three of us are SAT. 

746
00:42:52,280 --> 00:42:54,880
I mean, it's quite a bit further
for you, isn't it, Nick? 

747
00:42:54,880 --> 00:42:59,400
But I imagine the fact that it's
coming to the UK, it's, it's, 

748
00:42:59,400 --> 00:43:02,880
it's, it's pushing your buttons.
I, I don't know how you guys 

749
00:43:02,880 --> 00:43:06,600
feel, but there's when I'm kind 
of just on the bus or on the 

750
00:43:06,600 --> 00:43:15,240
tube or, or doing whatever, I 
just say what no, we, we don't 

751
00:43:15,240 --> 00:43:19,080
get things like this in England.
We, we, we don't have parks that

752
00:43:19,080 --> 00:43:24,200
open past 5:00 in the afternoon 
and we don't have like what we 

753
00:43:24,200 --> 00:43:26,480
haven't, we don't deserve it, it
feels like. 

754
00:43:27,760 --> 00:43:30,040
I I think. 
It feels almost like buyer's 

755
00:43:30,040 --> 00:43:31,320
guilt or something. 
I. 

756
00:43:31,360 --> 00:43:33,080
Feel as though I had that at 
first. 

757
00:43:34,520 --> 00:43:38,440
I've, I've moved away from that 
now because I see it every time 

758
00:43:39,000 --> 00:43:41,000
I drive past it almost every 
single day. 

759
00:43:41,000 --> 00:43:46,160
And I see stuff, the Digatron 
and I see the fascinator 

760
00:43:46,320 --> 00:43:49,240
Flumpers and all this sort. 
Of stuff. 

761
00:43:49,240 --> 00:43:51,080
These are all technical terms by
the way, Nick. 

762
00:43:51,920 --> 00:43:55,400
I know I'm well aware of them. 
3,000,000 Whatever. 

763
00:43:55,400 --> 00:43:56,360
It is. 
Yeah, yeah, yeah. 

764
00:43:56,880 --> 00:43:59,560
Yeah. 
So, so yeah, I mean, at first I 

765
00:43:59,560 --> 00:44:01,440
was very much like, this is not 
happening, this is not 

766
00:44:01,440 --> 00:44:03,720
happening. 
And then the SD come and then as

767
00:44:03,720 --> 00:44:08,360
time's gone on, I, I every time 
I go at, you know, wherever it 

768
00:44:08,360 --> 00:44:11,880
may be past it, I, it's like, 
oh, this is getting boring now 

769
00:44:11,880 --> 00:44:15,840
come on, do something it. 
Was a long time, but nothing. 

770
00:44:15,880 --> 00:44:18,120
Wasn't. 
It oh, there was too long for 

771
00:44:18,120 --> 00:44:20,160
nothing. 
The the question I have for the 

772
00:44:20,160 --> 00:44:24,040
historians among you, didn't 
this happen before in like the 

773
00:44:24,040 --> 00:44:28,520
90s or something in Ken? 
How far, How yeah or how far did

774
00:44:28,520 --> 00:44:30,440
that get? 
And are we beyond that stage 

775
00:44:30,440 --> 00:44:32,720
now? 
Oh, so that what are we talking?

776
00:44:33,120 --> 00:44:35,960
The London resort down, No. 
No, we're talking wait. 

777
00:44:36,320 --> 00:44:39,760
Oh yeah. 
Oh, Universal, Universal. 

778
00:44:39,880 --> 00:44:41,400
You're right. 
Marshlands or something like 

779
00:44:41,440 --> 00:44:42,080
that. 
Yeah, yeah, yeah. 

780
00:44:42,120 --> 00:44:42,360
Yeah. 
Yeah. 

781
00:44:42,360 --> 00:44:42,920
Yeah. 
Yeah. 

782
00:44:42,920 --> 00:44:43,720
No, you're right. 
Yeah. 

783
00:44:45,240 --> 00:44:48,560
Did they do anything? 
Because I think, yeah, there was

784
00:44:48,600 --> 00:44:52,480
a thing that because that was 
pre port Aventura, wasn't it? 

785
00:44:53,080 --> 00:44:55,960
It was, yeah. 
It was this was the early 90s 

786
00:44:55,960 --> 00:44:56,800
did. 
They do anything? 

787
00:44:56,800 --> 00:44:59,160
Or was it all just on paper? 
It was. 

788
00:44:59,160 --> 00:45:01,840
Did they own the land? 
I seem to remember footage of 

789
00:45:01,920 --> 00:45:06,360
universal people walking around 
that piece of land. 

790
00:45:09,440 --> 00:45:12,760
Now, I mean, I, I, I just think 
that the British pessimist in me

791
00:45:13,920 --> 00:45:18,000
is just going through, this can 
happen, this can happen, but 

792
00:45:18,000 --> 00:45:21,000
what can stop it happen? 
There's kind of, I don't want to

793
00:45:21,000 --> 00:45:25,040
doubt be a Debbie Downer, but 
it's like, are we, are they 

794
00:45:25,040 --> 00:45:30,160
legally contractually obliged 
now to build this part? 

795
00:45:30,240 --> 00:45:32,880
The SDL is illegally binding. 
Because it's not. 

796
00:45:33,000 --> 00:45:36,360
It's just, it's just, it's just 
planning permission well. 

797
00:45:36,360 --> 00:45:37,280
Isn't it? 
It isn't. 

798
00:45:37,280 --> 00:45:39,160
It isn't right. 
I think there'll be a point of 

799
00:45:39,160 --> 00:45:40,920
no return. 
I don't think they've got to 

800
00:45:40,920 --> 00:45:45,520
that yet. 
I think for this, for the theme 

801
00:45:45,520 --> 00:45:49,360
park now not to be built, they 
will have to change the law 

802
00:45:50,000 --> 00:45:53,880
because law, it's the law that 
the theme park's going to be 

803
00:45:53,880 --> 00:45:56,160
built. 
No and no. 

804
00:45:56,160 --> 00:45:57,720
The special development order's 
not like. 

805
00:45:57,720 --> 00:46:01,680
That no, it's just saying no, 
no, it absolutely no it is man 

806
00:46:01,680 --> 00:46:02,360
are. 
You sure? 

807
00:46:02,360 --> 00:46:06,920
Yeah. 100% that's why everything
that's in that SDO, everything 

808
00:46:06,920 --> 00:46:11,280
that's in it is happening. 
Yeah, I get that right. 

809
00:46:11,360 --> 00:46:17,720
I thought they were simply a, a,
much like a blanket coverage 

810
00:46:17,880 --> 00:46:19,640
planning permission simply 
that's all. 

811
00:46:19,640 --> 00:46:21,800
I thought that's all. 
It was just simply saying the 

812
00:46:21,800 --> 00:46:23,520
government have been through it.
They said, yeah, you can do all 

813
00:46:23,520 --> 00:46:25,680
this. 
You know, if tomorrow something,

814
00:46:25,680 --> 00:46:28,760
if this shit hit the fan 
tomorrow, there's nothing really

815
00:46:28,760 --> 00:46:30,440
to stop them going, you know, 
we're not going to do this 

816
00:46:30,440 --> 00:46:32,120
anymore. 
I think it's incredibly 

817
00:46:32,120 --> 00:46:34,520
unlikely. 
I mean, I, I don't think they're

818
00:46:34,520 --> 00:46:37,880
obliged to build it. 
I I don't think they're obliged 

819
00:46:37,880 --> 00:46:40,840
to no, I think you're right. 
I mean, but then it's it's one 

820
00:46:40,840 --> 00:46:44,520
of those things of OK, what 
would need to happen for it not 

821
00:46:44,560 --> 00:46:47,640
to be built now you. 
Find a dinosaur or something we.

822
00:46:47,680 --> 00:46:49,960
But then even, yeah, we spoke. 
We spoke about a lot it had. 

823
00:46:49,960 --> 00:46:53,200
To be a live dinosaur, I think 
for them to stop. 

824
00:46:53,200 --> 00:46:54,400
No, I don't find it. 
What was it? 

825
00:46:54,400 --> 00:46:56,080
The last episode that we 
recorded? 

826
00:46:56,080 --> 00:46:59,440
It was a new king. 
Right, it was a found a new 

827
00:46:59,560 --> 00:47:02,040
king. 
They found a king there, but 

828
00:47:02,040 --> 00:47:04,400
even that you know that's that's
not going to change anything. 

829
00:47:04,400 --> 00:47:08,840
The genuinely, I think the only 
thing that's going to stop this 

830
00:47:08,840 --> 00:47:12,440
from happening, and I don't 
think if there is any risk of it

831
00:47:12,440 --> 00:47:15,880
happening, is somehow universal 
run out of money. 

832
00:47:16,920 --> 00:47:18,800
And we just had their quarterly 
earnings, didn't we? 

833
00:47:18,800 --> 00:47:20,640
And they're they're printing 
money. 

834
00:47:20,640 --> 00:47:23,840
They're not running out of 
money, so I think we're OK. 

835
00:47:24,040 --> 00:47:27,440
It's about a company that with 
they are it's always makes you 

836
00:47:27,440 --> 00:47:30,000
laugh for universal for the 
wizarding world originally you 

837
00:47:30,000 --> 00:47:34,800
can go up to an altar, a bank 
teller, hand them real money and

838
00:47:34,800 --> 00:47:36,320
they give you fake money back. 
It's. 

839
00:47:37,920 --> 00:47:40,560
A good note. 
That you can then spend in the 

840
00:47:40,560 --> 00:47:43,320
park, but you're not going to 
spend it because that is Harry 

841
00:47:43,320 --> 00:47:46,760
Potter money. 
You spent $10 on a bit of paper.

842
00:47:47,160 --> 00:47:50,480
They know what they're doing. 
But the thing with companies 

843
00:47:50,480 --> 00:47:52,920
like Universal is if you don't 
build theme parks, you start 

844
00:47:52,920 --> 00:47:56,080
paying taxes. 
Yeah, it's as simple as that. 

845
00:47:56,920 --> 00:48:00,320
Yeah, You know, that's why. 
That's why companies like 

846
00:48:00,320 --> 00:48:04,400
Starbucks pay very little tax, 
because they're continuously 

847
00:48:04,400 --> 00:48:06,360
spending their profit on new 
branches. 

848
00:48:06,360 --> 00:48:08,360
So they're not making profit. 
You only get taxed on your 

849
00:48:08,360 --> 00:48:09,360
profit. 
Which is why you. 

850
00:48:09,360 --> 00:48:11,280
Spend your profit on new 
buildings. 

851
00:48:11,320 --> 00:48:12,920
You don't pay tax. 
Well, there is that whole part, 

852
00:48:12,920 --> 00:48:14,400
isn't there? 
That was that whole part of the 

853
00:48:14,400 --> 00:48:19,280
universal pitch is that I can't 
remember what the percent was. 

854
00:48:19,280 --> 00:48:24,360
It was something like 50 
percent, 50% of the revenue or 

855
00:48:24,360 --> 00:48:28,640
50% of the profit reinvested 
would would be immediately 

856
00:48:28,640 --> 00:48:33,200
reinvested back into the park. 
Which is have a 100 year plan. 

857
00:48:33,320 --> 00:48:35,120
Without 100, you're absolutely 
right. 

858
00:48:35,280 --> 00:48:38,280
I mean, we, I can't wait to see 
what this 100 year plan is. 

859
00:48:38,720 --> 00:48:40,040
Well, we won't be alive to see 
it. 

860
00:48:40,040 --> 00:48:41,920
I don't. 
Know man, I'll be a little 

861
00:48:41,920 --> 00:48:44,800
floating head in a jar. 
One of Musk's microchips in our 

862
00:48:44,800 --> 00:48:46,960
heads. 
Let's do it. 

863
00:48:48,480 --> 00:48:49,720
So what are you looking forward 
to, Nick? 

864
00:48:49,720 --> 00:48:51,400
About the UK park? 
What? 

865
00:48:51,560 --> 00:48:54,560
What do you when you you're on 
the bus and you're thinking, oh 

866
00:48:54,560 --> 00:48:55,600
crap, we're actually getting 
this? 

867
00:48:55,600 --> 00:48:57,560
What? 
Where does your mind take you? 

868
00:49:00,280 --> 00:49:04,320
The summer's evening, it's sort 
of 6:00 and we could go to a 

869
00:49:04,320 --> 00:49:07,080
theme park that's open. 
I know. 

870
00:49:07,320 --> 00:49:10,800
It's stroll over the road. 
Well, it might be a bit more 

871
00:49:10,800 --> 00:49:14,280
than that, but it's kind of it, 
it's, I don't know. 

872
00:49:14,280 --> 00:49:18,520
I mean, it's, I'm looking 
forward to world class dark 

873
00:49:18,520 --> 00:49:23,200
rides and world class dining and
the buzz that you get at City 

874
00:49:23,200 --> 00:49:27,800
Walk and a a party you can go to
on New Year's Eve and have a big

875
00:49:27,800 --> 00:49:29,080
party and. 
Then. 

876
00:49:29,080 --> 00:49:31,880
Yeah, that'd be great, kind of. 
But then little questions go in 

877
00:49:31,880 --> 00:49:34,840
my head, and this is someone no 
one has mentioned to my 

878
00:49:34,840 --> 00:49:37,440
knowledge. 
Are we going to get a Loews 

879
00:49:37,440 --> 00:49:42,000
Hotel? 
Oh, who operates the one in 

880
00:49:42,000 --> 00:49:43,600
Beijing? 
Because, I mean, that's the most

881
00:49:43,600 --> 00:49:46,440
recent one that's opened right 
outside of the US. 

882
00:49:47,320 --> 00:49:52,640
Was it going to be Holiday Inn? 
Premier, what's that really 

883
00:49:52,640 --> 00:49:54,040
cheap one called? 
What? 

884
00:49:54,480 --> 00:49:56,920
Travelodge. 
No, it's even cheaper than that.

885
00:49:57,080 --> 00:50:00,320
I put the one I park my car in 
there when I go on the cruise in

886
00:50:00,320 --> 00:50:02,320
Southampton. 
Is there someone that you 

887
00:50:02,320 --> 00:50:04,640
referenced in a previous 
episode? 

888
00:50:05,960 --> 00:50:07,680
Some cheap hotel. 
OK. 

889
00:50:08,200 --> 00:50:11,160
Really cheap, sounds lovely. 
You're selling it. 

890
00:50:12,720 --> 00:50:16,280
I'm, I'm looking forward to 
something shiny and new. 

891
00:50:16,480 --> 00:50:21,080
And because it's so rare in this
country, we get, we get new 

892
00:50:21,080 --> 00:50:23,440
things, but they're always a bit
naff. 

893
00:50:23,960 --> 00:50:28,240
And naff for the Americans means
a bit kind of how would you 

894
00:50:28,240 --> 00:50:30,680
describe it? 
Rough round the edges 

895
00:50:30,680 --> 00:50:31,960
effectively. 
Yeah, yeah, yeah. 

896
00:50:33,120 --> 00:50:35,760
And I'm looking forward to 
seeing little things like all 

897
00:50:35,760 --> 00:50:38,400
the landscaping they've 
mentioned and the pathways and 

898
00:50:38,400 --> 00:50:42,280
the river ways and the kind of 
the, the logistics behind 

899
00:50:42,280 --> 00:50:44,080
running it. 
And I don't think, like Mike and

900
00:50:44,080 --> 00:50:48,280
I have spoke about this before, 
are the, I don't want to say 

901
00:50:48,280 --> 00:50:52,360
untravelled Brits, but are the 
people who haven't been to a 

902
00:50:52,360 --> 00:50:55,600
major theme park resort, whether
it's Europa Park or Disneyland 

903
00:50:55,600 --> 00:51:01,600
Paris or Universal or or Disney 
in the States, are they prepared

904
00:51:01,600 --> 00:51:09,040
for that way of doing things 
where it is so well thought out 

905
00:51:09,680 --> 00:51:15,760
and so slick and organized and 
impressive? 

906
00:51:16,720 --> 00:51:21,640
Like a theme park day for a lot 
of British people is we rock up 

907
00:51:21,640 --> 00:51:25,200
at 10, we go home at 4:00, we 
bring a packed lunch because the

908
00:51:25,200 --> 00:51:30,240
food is a bit rubbish and we 
stand in long, long, long queues

909
00:51:30,240 --> 00:51:32,560
and a bit disappointed at the 
end of the day. 

910
00:51:33,800 --> 00:51:37,120
That is not the experience 
Universal ever offer. 

911
00:51:37,440 --> 00:51:40,000
So that's what I'm looking 
forward to seeing is kind of the

912
00:51:40,000 --> 00:51:42,360
other way of doing things in 
this country. 

913
00:51:43,040 --> 00:51:44,280
Yeah. 
Yeah, we're going to get that 

914
00:51:44,280 --> 00:51:48,440
little Florida flavour right. 
Here at home, Sunny Bedford, 

915
00:51:48,600 --> 00:51:52,000
Yeah, sunny Bedford. 
Ibis was the Hotel Ibis. 

916
00:51:52,000 --> 00:51:55,840
Oh, yes, Ibis cheap. 
Yeah, they, they, they there's 

917
00:51:55,840 --> 00:51:58,160
one Ibis on the Luton airport, 
right? 

918
00:51:58,720 --> 00:51:59,920
Yeah, yeah. 
Yeah. 

919
00:51:59,920 --> 00:52:03,000
Is it an Ibis or an Ibis budget?
Oh, I think it's an Ibis budget.

920
00:52:03,000 --> 00:52:05,000
Actually, I think it's lower 
than that level. 

921
00:52:05,040 --> 00:52:06,480
Oh. 
My God, how many? 

922
00:52:06,480 --> 00:52:08,400
How many sleep in a room with it
on a budget? 

923
00:52:09,720 --> 00:52:14,320
It's just a hostel, 6 bunk beds.
Just a floor. 

924
00:52:14,640 --> 00:52:17,280
Yeah. 
Just yeah, hay bales on the 

925
00:52:17,280 --> 00:52:18,760
floor please. 
Sponsor us Ibis. 

926
00:52:20,120 --> 00:52:24,440
Oh God, Can you imagine? 
I I know we all love the concept

927
00:52:24,440 --> 00:52:27,120
art but I don't think it's 
something we should be taking 

928
00:52:27,120 --> 00:52:30,600
100% not seriously. 
And not at this stage, but it's 

929
00:52:30,640 --> 00:52:36,080
a good idea of to what we might 
what what is the what's theme 

930
00:52:36,560 --> 00:52:40,080
from the the concept art? 
What what excites you the most 

931
00:52:40,080 --> 00:52:42,040
out of what we've potentially 
seen? 

932
00:52:42,040 --> 00:52:45,240
We're going to get. 
Whatever that mysterious thing 

933
00:52:45,240 --> 00:52:48,240
is on the right hand side, and I
pray to God it's not. 

934
00:52:48,240 --> 00:52:52,360
Shrek, me too. 
That's what I'm curious to know.

935
00:52:52,360 --> 00:52:58,080
But for me, it's whatever that 
massive dark ride is at the top,

936
00:52:58,560 --> 00:53:01,520
whether it's Jurassic World or 
Jurassic Park or whatever new 

937
00:53:01,520 --> 00:53:02,680
franchise they're going to pull 
out. 

938
00:53:02,680 --> 00:53:07,120
But it's very difficult for 
parks to kind of know what's 

939
00:53:07,120 --> 00:53:09,440
going to be popular in six years
time. 

940
00:53:09,920 --> 00:53:10,640
Very. 
Yeah. 

941
00:53:11,240 --> 00:53:15,480
But that said, Universal know 
what movies they're making in 

942
00:53:16,000 --> 00:53:17,440
two or three years time, don't 
they? 

943
00:53:18,200 --> 00:53:21,000
But they don't know which ones 
are going to, no, they don't 

944
00:53:21,000 --> 00:53:23,720
know which ones are going to 
kind of hit the cultural 

945
00:53:23,720 --> 00:53:27,160
zeitgeist like it was frozen. 
No one was prepared for that 

946
00:53:27,160 --> 00:53:29,920
especially. 
Definitely not like we're not 

947
00:53:29,920 --> 00:53:32,920
going to get a a Christopher 
Nolan's Odyssey land, are we? 

948
00:53:32,920 --> 00:53:35,880
Or something like that. 
But who knows, maybe we will. 

949
00:53:36,120 --> 00:53:38,800
But no, I, I, I think it's a 
great point because, you know, 

950
00:53:38,800 --> 00:53:44,200
if you look at look at the two 
big universal coasters opening 

951
00:53:44,200 --> 00:53:47,400
this year and next over in the 
States, OK, they're, they're 

952
00:53:47,400 --> 00:53:50,960
Fast and the Furious, right? 
Which is, to be honest, that's a

953
00:53:50,960 --> 00:53:56,840
franchise I thought had died, 
but it it's it's no, but I'm 

954
00:53:56,840 --> 00:53:59,520
sure there's actually there's 
actually a there's probably a 

955
00:54:01,000 --> 00:54:03,400
there's probably a quote from 
the movie that that that would 

956
00:54:03,400 --> 00:54:05,440
fit perfectly to that. 
But family. 

957
00:54:05,480 --> 00:54:07,360
Yeah, that family. 
That's right. 

958
00:54:07,360 --> 00:54:11,600
Yeah. 
But the, it's, it's almost like 

959
00:54:11,600 --> 00:54:14,760
it needs to kind of like cut its
teeth out there in the world, 

960
00:54:14,760 --> 00:54:16,840
real world. 
The IP has to be out there for 

961
00:54:16,840 --> 00:54:20,840
about what like I think Fast and
Furious first one came out like 

962
00:54:20,840 --> 00:54:24,160
what, 2001 or something like 
that or something like that. 

963
00:54:24,360 --> 00:54:27,200
So that's been out there for 25 
years now. 

964
00:54:27,200 --> 00:54:30,280
And they're like, right, we'll 
throw some money at it. 

965
00:54:31,320 --> 00:54:33,360
And that like, that's how long 
it's taken. 

966
00:54:33,920 --> 00:54:39,280
It it's an interesting kind of 
cycle. 

967
00:54:39,280 --> 00:54:43,600
So I, I, I the Avatar land at 
Animal Kingdom is a good example

968
00:54:43,600 --> 00:54:45,960
of this. 
The first film came out and then

969
00:54:45,960 --> 00:54:49,800
the land came out and no one I, 
I don't know who sees these 

970
00:54:49,800 --> 00:54:53,800
Avatar films because I couldn't 
name any characters from them, 

971
00:54:53,800 --> 00:54:56,480
but yet they've made kajillion 
dollars. 

972
00:54:56,680 --> 00:55:01,680
Yeah, yeah. 
And then the land comes out, so 

973
00:55:01,680 --> 00:55:04,240
everyone gets sort of acquainted
with the brand. 

974
00:55:04,240 --> 00:55:06,800
It keeps the brand alive. 
And then all these other movies 

975
00:55:06,800 --> 00:55:09,360
are coming out. 
So then they build more lands 

976
00:55:09,360 --> 00:55:15,320
and that's what will support 
more, more films in the future. 

977
00:55:17,080 --> 00:55:22,480
The Harry Potter thing is really
interesting because I don't know

978
00:55:22,480 --> 00:55:30,400
if it's sensible to do it on the
new HBO series that's coming. 

979
00:55:30,920 --> 00:55:32,440
Yeah. 
Yeah. 

980
00:55:32,440 --> 00:55:36,680
Because now you're dealing with 
families that grew up with these

981
00:55:37,440 --> 00:55:42,080
actors, Daniel Radcliffe and Co,
completely disappearing, and 

982
00:55:42,840 --> 00:55:48,320
they're going to be forced to 
get to know another load of 

983
00:55:48,320 --> 00:55:51,960
actors. 
And it puts Universal Creative 

984
00:55:51,960 --> 00:55:54,560
in a very difficult position if 
that's what they have to do to 

985
00:55:54,560 --> 00:55:59,080
get this new Harry Potter land 
without without the production 

986
00:55:59,080 --> 00:56:03,320
design that's so iconic for 
these, you know, what is 

987
00:56:03,320 --> 00:56:04,600
Hogwarts class going to look 
like? 

988
00:56:04,600 --> 00:56:07,240
It can only look like one thing,
but it's going to be different. 

989
00:56:07,520 --> 00:56:08,600
Very true. 
It would. 

990
00:56:08,680 --> 00:56:10,960
Wouldn't it be the first time 
Universal have done a land 

991
00:56:10,960 --> 00:56:13,200
dedicated to ATV show rather 
than a movie? 

992
00:56:14,560 --> 00:56:18,640
Since what? 
I suppose so, yeah, although 

993
00:56:18,640 --> 00:56:20,440
there isn't. 
Walking, they did a they did a 

994
00:56:20,440 --> 00:56:23,080
Walking Dead scare maze, didn't 
they, in Hollywood? 

995
00:56:23,080 --> 00:56:24,840
Oh, that's right. 
Yeah, there's been a few like 

996
00:56:24,880 --> 00:56:27,000
Last of Us as well, Yeah. 
Yeah. 

997
00:56:27,160 --> 00:56:32,880
Yeah, good game, a major but but
it's it's a it's a book. 

998
00:56:32,920 --> 00:56:37,640
I mean, that's the that's the 
important thing with Harry 

999
00:56:37,640 --> 00:56:41,400
Potter, as was all the original 
things, that islands adventure. 

1000
00:56:41,640 --> 00:56:43,040
It's all based on literature, 
wasn't it? 

1001
00:56:43,040 --> 00:56:47,480
So I don't know. 
I, I think it's a, it's a tricky

1002
00:56:47,480 --> 00:56:50,040
situation they're in with Harry 
Potter, but it'd be nice if they

1003
00:56:50,040 --> 00:56:52,880
could do it. 
I, I have a wonderful idea for 

1004
00:56:52,880 --> 00:56:55,800
Harry Potter, which if they did 
do it would be ridiculous. 

1005
00:56:55,800 --> 00:57:03,000
I've discussed this with Mike. 
It's you can get from Bedford. 

1006
00:57:04,000 --> 00:57:06,840
Sorry. 
You can get to Bedford from 

1007
00:57:06,840 --> 00:57:11,800
King's Cross now. 
I know in in Orlando they have 

1008
00:57:11,800 --> 00:57:14,240
the train connecting the 2 
lands. 

1009
00:57:14,320 --> 00:57:20,640
Yes, but what if they had a 
train connecting King's Cross to

1010
00:57:20,640 --> 00:57:23,760
Hogwarts? 
License to print money that. 

1011
00:57:24,440 --> 00:57:28,640
Get on the Hogwarts Express 
platform 9 3/4. 

1012
00:57:29,520 --> 00:57:36,120
The real platform 9 3/4, Yeah. 
That was sell out quicker than 

1013
00:57:37,040 --> 00:57:39,800
especially if it takes you to 
the Hogwarts that's a hotel. 

1014
00:57:41,360 --> 00:57:44,440
But just depends. 
Slight Spanish works, yeah. 

1015
00:57:44,560 --> 00:57:46,400
Yeah. 
King's cost doesn't come to 

1016
00:57:46,400 --> 00:57:50,760
Bedford St. 
Oh, they're a they're a joy. 

1017
00:57:51,040 --> 00:57:53,040
They're a joy, yeah. 
Close enough. 

1018
00:57:53,960 --> 00:57:55,040
You. 
Could build a tunnel. 

1019
00:57:55,040 --> 00:57:58,120
Yeah, well, just just swap the 
signs out. 

1020
00:57:58,440 --> 00:58:00,560
Swap the signs out. 
Yeah, no one would. 

1021
00:58:01,120 --> 00:58:01,880
Know. 
OK, Yeah. 

1022
00:58:02,480 --> 00:58:05,360
But what I love is. 
It, it, it, it's that kind of 

1023
00:58:05,360 --> 00:58:08,560
audacious thing that they 
probably could do. 

1024
00:58:08,560 --> 00:58:13,160
They won't, but they they you 
know it's too perfect to pass up

1025
00:58:13,160 --> 00:58:18,680
a. 100% yeah, 100% I bet 
there'll be a lot of I wouldn't 

1026
00:58:18,680 --> 00:58:24,440
be at all surprised if they 
theme the the Bedford track, get

1027
00:58:24,440 --> 00:58:28,200
some pancreas, really. 
Yeah, pay for some heavy 

1028
00:58:28,600 --> 00:58:30,960
advertising, but. 
Well, I mean, look, actually, to

1029
00:58:30,960 --> 00:58:33,240
be fair, yeah. 
I mean, at the moment it's 

1030
00:58:33,240 --> 00:58:35,600
covered up. 
Covered all in what? 

1031
00:58:35,720 --> 00:58:38,440
Luton Airport Express, right? 
That's what it is. 

1032
00:58:38,440 --> 00:58:42,000
It's, it's, it's basically 
branded up to promote Luton 

1033
00:58:42,000 --> 00:58:44,000
Airport. 
Well, I think there's going to 

1034
00:58:44,000 --> 00:58:46,320
be something else. 
Pull that down and turn it into 

1035
00:58:46,320 --> 00:58:49,240
a yeah little Harry Potter 
style, assuming they do that. 

1036
00:58:50,040 --> 00:58:52,360
Do we think they do? 
I mean speak away from Harry 

1037
00:58:52,360 --> 00:58:53,880
Potter and just talk about the 
transport. 

1038
00:58:53,880 --> 00:58:58,720
Would you think they'll do a a 
non-stop service from London to 

1039
00:58:58,720 --> 00:59:02,760
the park? 
I think they would always stop 

1040
00:59:02,760 --> 00:59:05,880
at Luton airport. 
That's my personal feeling. 

1041
00:59:06,080 --> 00:59:08,840
I think they'd always stop at 
the airport just because I think

1042
00:59:08,880 --> 00:59:10,800
they're going to, they're going 
to go right. 

1043
00:59:10,800 --> 00:59:13,520
We're going to take everyone 
from London and then everyone 

1044
00:59:13,520 --> 00:59:16,440
that's just got off the off the 
plane before they spend their 

1045
00:59:16,440 --> 00:59:18,640
money anywhere else. 
Just get them to the bar. 

1046
00:59:18,680 --> 00:59:21,280
Get them in there and then stick
a big Hoover in their wallet. 

1047
00:59:22,360 --> 00:59:28,360
Are, are the Americans, as in 
universal, prepared for how 

1048
00:59:28,360 --> 00:59:34,200
rubbish our railways are? 
Because I'm, because I'm 

1049
00:59:34,200 --> 00:59:38,440
wondering if we're at this park 
until midnight, there's no 

1050
00:59:38,440 --> 00:59:40,560
trains, you can get home. 
That's why I'm not with you guys

1051
00:59:40,560 --> 00:59:42,480
tonight. 
You know it. 

1052
00:59:42,640 --> 00:59:45,320
There's a whole cultural thing 
that has to be looked at. 

1053
00:59:46,280 --> 00:59:48,360
If I'm at Halloween Horror 
Nights, it ends at 2:00 in the 

1054
00:59:48,360 --> 00:59:50,440
morning. 
Will that be for hotel guests 

1055
00:59:50,440 --> 00:59:51,840
only? 
Because there's no way I can get

1056
00:59:51,840 --> 00:59:54,800
home as I drive. 
But they don't want people to 

1057
00:59:54,800 --> 00:59:57,800
drive because they're going to 
charge them £35 to park in the 

1058
00:59:57,800 --> 01:00:00,560
car park, which will not go down
well with the British guests. 

1059
01:00:02,120 --> 01:00:04,240
It's kind of a weird. 
That's why I'm curious to see 

1060
01:00:04,240 --> 01:00:06,400
this American. 
With the east West round doesn't

1061
01:00:06,400 --> 01:00:09,240
even run at night time does it? 
It finishes 9:00-ish when? 

1062
01:00:09,240 --> 01:00:10,720
It at the moment, yeah, I mean 
it. 

1063
01:00:10,720 --> 01:00:13,320
Doesn't run at the weekend. 
It's going to have to, it's 

1064
01:00:13,320 --> 01:00:16,080
going to, they're going to have 
to do something about that. 

1065
01:00:16,400 --> 01:00:21,200
And I look at the end of the 
day, I mean, yeah, I'm talking 

1066
01:00:21,200 --> 01:00:23,880
about railways like they're a 
commercial enterprise, which 

1067
01:00:23,880 --> 01:00:26,520
they should be, but they don't 
operate like they are. 

1068
01:00:28,000 --> 01:00:32,800
But where there's a demand, you 
should expect them to fulfill 

1069
01:00:32,800 --> 01:00:35,720
that. 
So if there's a demand for 

1070
01:00:36,440 --> 01:00:40,000
trains at midnight or trains at 
2:00 in the morning on some 

1071
01:00:40,000 --> 01:00:45,600
occasions, then you know, like 
you go up to London on New 

1072
01:00:45,600 --> 01:00:48,320
Year's or whatever on and you 
know, you get on the cheap 

1073
01:00:49,200 --> 01:00:51,760
anytime, you know, you're fine, 
you're covered. 

1074
01:00:52,280 --> 01:00:55,880
But I don't know, we'll have to,
we'll have to see how that one 

1075
01:00:55,880 --> 01:00:58,120
shakes out. 
Because I, I, I do have a 

1076
01:00:58,120 --> 01:01:01,560
feeling that perhaps because I 
think, I think the general 

1077
01:01:01,560 --> 01:01:05,680
feeling is that people in 
America think that because 

1078
01:01:05,920 --> 01:01:10,760
we're, I'm going to say we're 
part of Europe because you know,

1079
01:01:10,760 --> 01:01:12,960
we're part of that continental, 
right. 

1080
01:01:13,040 --> 01:01:15,320
OK, All right, let's not get 
into any of that. 

1081
01:01:15,360 --> 01:01:22,040
Politics. 
But the, you know, in, in France

1082
01:01:22,040 --> 01:01:25,560
and Germany and Italy and Spain,
they are fantastic public 

1083
01:01:25,640 --> 01:01:28,920
transport, right? 
And I think maybe we're kind of 

1084
01:01:28,920 --> 01:01:31,760
trading off their, their 
reputation a little bit there. 

1085
01:01:31,760 --> 01:01:34,320
I. 
Mean I I find it fascinating 

1086
01:01:34,320 --> 01:01:37,320
that we're getting a another 
runway at Lucian and is that 

1087
01:01:37,320 --> 01:01:42,960
purely because of this? 
How long have the deep down I I 

1088
01:01:42,960 --> 01:01:46,760
really want to know if I could 
ask in in 20 years time, if I 

1089
01:01:46,760 --> 01:01:50,600
could ask anyone at Universal 
when did you actually start this

1090
01:01:50,600 --> 01:01:52,840
planning? 
Because I think it's really 

1091
01:01:52,840 --> 01:01:57,880
interesting that suddenly we 
have Hyperia, suddenly we have 

1092
01:01:57,880 --> 01:02:01,520
the cursor Alton Manor, Suddenly
we have the Disney Adventure 

1093
01:02:01,520 --> 01:02:04,240
World opening in 2031. 
Yeah, complete. 

1094
01:02:04,600 --> 01:02:09,760
Suddenly we have new trains 
coming onto Eurostar in 2031. 

1095
01:02:10,080 --> 01:02:13,520
So all this kind of, is it all a
coincidence or was this all 

1096
01:02:13,520 --> 01:02:17,960
being part of a bigger plan that
we've been blistering unaware 

1097
01:02:17,960 --> 01:02:19,080
of? 
That's a lot we've known about 

1098
01:02:19,080 --> 01:02:20,360
this. 
Yeah. 

1099
01:02:20,360 --> 01:02:21,680
It's. 
Possible, isn't it? 

1100
01:02:21,680 --> 01:02:24,920
I don't think that they that 
when we all found out, I don't 

1101
01:02:24,920 --> 01:02:27,920
think that that was the start of
it all. 

1102
01:02:27,920 --> 01:02:30,240
No, no, no, it's been. 
Going on a long time. 

1103
01:02:30,240 --> 01:02:35,480
Yeah, I mean, yeah, I think, I 
think the the whispers, you 

1104
01:02:35,480 --> 01:02:37,800
know, at least from the council,
where the council have been 

1105
01:02:37,800 --> 01:02:41,040
speaking to Universal for I 
think 18 months before it even 

1106
01:02:41,840 --> 01:02:43,680
kind of broke. 
Through into the Luton. 

1107
01:02:43,680 --> 01:02:45,840
They've been pushing for a new 
runway for a long time, haven't 

1108
01:02:45,840 --> 01:02:47,680
they? 
Yeah, I think they have. 

1109
01:02:48,640 --> 01:02:51,160
I guess it just it's just the 
right time. 

1110
01:02:51,440 --> 01:02:55,880
Well, now it's like, well, 
because I think the, the, The 

1111
01:02:55,920 --> 01:02:59,240
thing is, Luton have said we 
want another runway, but the, 

1112
01:02:59,240 --> 01:03:03,280
the pushback's always been, you 
can have it when there's a 

1113
01:03:03,280 --> 01:03:05,160
demand. 
And now all of a sudden you're 

1114
01:03:05,160 --> 01:03:08,160
going, oh, we're going to open 
basically the biggest tourist 

1115
01:03:08,160 --> 01:03:11,560
trap in Europe about 10 miles up
the road. 

1116
01:03:11,560 --> 01:03:16,160
They're like, OK, fair enough. 
Yeah, build the runway and it's 

1117
01:03:16,160 --> 01:03:20,840
been really interesting seeing 
the British the public reacts to

1118
01:03:20,840 --> 01:03:25,240
this on like the generic news 
sites so the BBC, the some 

1119
01:03:25,480 --> 01:03:28,960
people like news, the mirror, 
etcetera. 

1120
01:03:28,960 --> 01:03:32,600
It's like all are they, you 
know, why don't they build 

1121
01:03:32,600 --> 01:03:36,480
houses on the ground so well? 
Because you wouldn't want to 

1122
01:03:36,480 --> 01:03:38,720
live there effectively. 
No offence to to Bedford. 

1123
01:03:38,720 --> 01:03:40,480
I'm sure it's lovely, but it's 
not. 

1124
01:03:40,640 --> 01:03:43,280
It's there's, it's a wasteland, 
this area, isn't it? 

1125
01:03:43,280 --> 01:03:45,880
And it. 
Was a marked for a business 

1126
01:03:45,880 --> 01:03:47,120
park, wasn't it? 
Oh, was it? 

1127
01:03:47,120 --> 01:03:48,400
At one point it fell through, 
yeah. 

1128
01:03:49,120 --> 01:03:52,640
I mean, I, I, I spoke, I, I 
spoke to, to Mike about this 

1129
01:03:52,640 --> 01:03:57,000
when we did our podcast. 
But for, for, for Lawrence and 

1130
01:03:57,280 --> 01:04:02,840
Andy, Like, what's it been like 
living close to this? 

1131
01:04:04,080 --> 01:04:04,960
What? 
What in the past? 

1132
01:04:04,960 --> 01:04:08,920
Pre universal. 
No, no, since it has been 

1133
01:04:08,920 --> 01:04:11,280
announced. 
Like what's the the kind of the 

1134
01:04:11,280 --> 01:04:13,480
mood being? 
What's the feedback being? 

1135
01:04:13,480 --> 01:04:15,280
The people excited, the people 
annoyed? 

1136
01:04:15,800 --> 01:04:20,000
Because the reaction is all, you
know, how dare they build this 

1137
01:04:20,000 --> 01:04:22,880
and blah blah blah blah blah. 
Yeah, very little. 

1138
01:04:22,880 --> 01:04:26,040
I mean, there's there's been a 
bunch of people that have just 

1139
01:04:26,040 --> 01:04:30,560
done no research at all on Yeah 
on anything and just run their 

1140
01:04:30,560 --> 01:04:33,280
mouths. 
But there are a bunch of people 

1141
01:04:33,280 --> 01:04:39,840
that have genuine concerns, but 
negatively, the negative people 

1142
01:04:40,040 --> 01:04:45,480
are probably 4-5 percent and the
positive people are 95%. 

1143
01:04:45,680 --> 01:04:47,600
Yeah, yeah. 
I'd agree with that. 

1144
01:04:47,800 --> 01:04:51,680
Yeah, I would, I would. 
But it's always, it's always the

1145
01:04:51,680 --> 01:04:53,960
5% that have got the biggest 
gobs always. 

1146
01:04:55,520 --> 01:04:58,640
I mean, it, it was funny, you 
know, because we, we were, we 

1147
01:04:58,640 --> 01:05:02,640
were talking, you know, on a 
previous, previous episode. 

1148
01:05:03,720 --> 01:05:07,240
And the, the reality is doesn't 
matter. 

1149
01:05:07,240 --> 01:05:12,560
I mean, whenever we all do put 
out a video, put up some 

1150
01:05:12,560 --> 01:05:17,280
pictures on Facebook or 
wherever, we're always going to 

1151
01:05:17,280 --> 01:05:20,160
get comments that go never going
to happen. 

1152
01:05:20,160 --> 01:05:23,120
Oh yeah, never going to happen. 
And you're like, you're like, 

1153
01:05:23,680 --> 01:05:27,000
when? 
When are you going to stop 

1154
01:05:27,000 --> 01:05:29,120
saying that? 
Because it's. 

1155
01:05:29,280 --> 01:05:32,680
It's but that's the British 
attitude is we are so used to 

1156
01:05:33,160 --> 01:05:35,120
disappointment in this. 
Country, absolutely. 

1157
01:05:35,400 --> 01:05:38,080
I don't mind them at all. 
It creates engagement. 

1158
01:05:38,080 --> 01:05:40,840
I mean, it's great, yeah. 
I mean, I, I, I, I don't, I 

1159
01:05:40,840 --> 01:05:45,880
don't resent it at all because 
every time I see that, I know it

1160
01:05:45,880 --> 01:05:51,080
will spawn 10 more comments and 
which will just make my time 

1161
01:05:51,080 --> 01:05:55,280
more entertaining. 
But it is fascinating. 

1162
01:05:55,280 --> 01:05:59,680
I think generally speaking, 
people around here are pumped. 

1163
01:05:59,960 --> 01:06:02,840
I think that's definitely, 
people are really excited about 

1164
01:06:02,840 --> 01:06:09,040
it because it, it's, you know, I
think just generally in, in the 

1165
01:06:09,040 --> 01:06:11,840
UK, we're pinching ourselves and
we're thinking this is too good 

1166
01:06:11,840 --> 01:06:13,680
to be true. 
This is something that is too 

1167
01:06:13,680 --> 01:06:16,480
good for something like this to 
come to our country. 

1168
01:06:17,000 --> 01:06:19,800
Like we we're in the town that 
this is happening. 

1169
01:06:19,800 --> 01:06:20,680
Yeah. 
We can. 

1170
01:06:20,840 --> 01:06:22,560
There's nothing there's nothing 
special about. 

1171
01:06:22,560 --> 01:06:25,320
Bedford is not a dying town like
every single other. 

1172
01:06:25,320 --> 01:06:26,560
Town. 
Every other town. 

1173
01:06:27,040 --> 01:06:30,280
Yeah, but we have been blessed 
with this amazing thing that's 

1174
01:06:30,280 --> 01:06:32,960
going to create huge economic 
growth in the town. 

1175
01:06:33,720 --> 01:06:36,560
So I think most people have got 
their heads screwed on and they 

1176
01:06:36,560 --> 01:06:39,120
can see this. 
According to Keir Starmer, we're

1177
01:06:39,120 --> 01:06:40,720
guessing a Disney the World as 
well. 

1178
01:06:41,240 --> 01:06:42,400
Is is that right? 
Yeah. 

1179
01:06:43,240 --> 01:06:47,080
There was a video of him on a 
train saying all from Disney 

1180
01:06:47,080 --> 01:06:48,720
World we're to Bedford or 
something. 

1181
01:06:48,720 --> 01:06:50,720
Like that did I saw that clip? 
Yeah. 

1182
01:06:51,400 --> 01:06:53,320
I can't remember what he said. 
I think they were going past 

1183
01:06:53,320 --> 01:06:57,200
when they're going past Bedford.
He got all excited, did he? 

1184
01:06:57,560 --> 01:06:59,800
Yeah. 
But but that was that was an 

1185
01:06:59,800 --> 01:07:03,920
amazing morning, that day in 
April, and we all woke up and 

1186
01:07:03,920 --> 01:07:06,280
just, well, what? 
While I was watching the news, 

1187
01:07:06,360 --> 01:07:10,080
Yeah. 
And just going what? 

1188
01:07:10,400 --> 01:07:13,800
Yeah. 
Yeah, yeah, I learnt about it 

1189
01:07:13,800 --> 01:07:15,600
the day before, yeah. 
Yeah, and we. 

1190
01:07:15,840 --> 01:07:22,640
And I was a newspaper journalist
messaged me and he didn't tell 

1191
01:07:22,640 --> 01:07:26,760
me directly, but he said I 
shouldn't say he, I should say 

1192
01:07:26,800 --> 01:07:31,720
they say they, they said. 
I think I've blown it already. 

1193
01:07:31,760 --> 01:07:34,640
You've already blown it mate. 
They said, I'm not going to 

1194
01:07:34,640 --> 01:07:38,760
tell, I can't tell you anything,
but stay up tonight. 

1195
01:07:39,360 --> 01:07:41,280
Yeah, because it was a midnight 
embargo. 

1196
01:07:41,280 --> 01:07:42,880
It was an embargo. 
Yeah, that's right. 

1197
01:07:42,880 --> 01:07:44,080
Stay up to. 
Oh, sorry. 

1198
01:07:44,080 --> 01:07:46,480
They said stay up to that. 
So I stayed up. 

1199
01:07:47,360 --> 01:07:50,640
So I stayed up till midnight and
boom, it all came on. 

1200
01:07:50,640 --> 01:07:52,640
Just. 
But of course you could see you.

1201
01:07:52,880 --> 01:07:54,920
I could see them. 
It came way back in time now, 

1202
01:07:54,920 --> 01:07:55,880
aren't we? 
I could. 

1203
01:07:55,960 --> 01:07:59,280
I looked at the tomorrow's 
newspaper front pages on. 

1204
01:07:59,680 --> 01:08:02,480
I can't remember. 
It might have been Sky News or 

1205
01:08:02,480 --> 01:08:05,360
something like that. 
And you could see it all about 

1206
01:08:05,640 --> 01:08:08,560
probably about 1/4 to it started
to appear. 

1207
01:08:08,680 --> 01:08:13,400
Yeah, yes, get in. 
Yes. 

1208
01:08:15,080 --> 01:08:18,520
It was, it was, it was such a 
bizarre time because yeah, that 

1209
01:08:18,520 --> 01:08:22,840
that day before the, yeah, it 
was just WhatsApp messages. 

1210
01:08:22,840 --> 01:08:24,800
Yeah. 
All of that stuff just pinging 

1211
01:08:24,800 --> 01:08:26,760
around just like, have you heard
this? 

1212
01:08:26,760 --> 01:08:27,640
Have you heard this? 
Yeah. 

1213
01:08:27,920 --> 01:08:30,080
And then it was even like 
popping off on like, you know, 

1214
01:08:30,800 --> 01:08:33,800
like tower times, like the 
forums and all of that. 

1215
01:08:34,160 --> 01:08:35,840
They were going, oh, I've heard 
a rumour. 

1216
01:08:35,840 --> 01:08:37,840
I've heard a rumour. 
And then, you know, here we go. 

1217
01:08:38,200 --> 01:08:42,359
Yes, God, is it that feels crazy
now it feels. 

1218
01:08:42,359 --> 01:08:45,279
Such a long time for my that was
obviously the best. 

1219
01:08:45,399 --> 01:08:48,040
And then the, Yeah, the birth of
your, your child and the birth 

1220
01:08:48,040 --> 01:08:49,240
of my son. 
Yeah. 

1221
01:08:49,600 --> 01:08:53,800
If I'm ever feeling, if I'm ever
feeling down, I just go onto 

1222
01:08:53,800 --> 01:08:58,080
YouTube and watch that. 
There's a long Sky News piece 

1223
01:08:58,080 --> 01:09:00,520
about it and it just cheers me 
right up I would say. 

1224
01:09:00,800 --> 01:09:03,120
Oh wow. 
That, that's good. 

1225
01:09:03,120 --> 01:09:05,080
Actually, I might. 
Actually, yeah, I might create a

1226
01:09:05,080 --> 01:09:07,600
little little playlist. 
Yeah. 

1227
01:09:08,040 --> 01:09:11,160
And it's so interesting to go 
back and watch kind of all the 

1228
01:09:11,160 --> 01:09:14,359
videos or from Alicia or theme 
Park worldwide or anything like 

1229
01:09:14,359 --> 01:09:17,880
that to all, all you guys just 
kind of documenting this. 

1230
01:09:17,880 --> 01:09:22,279
And it's this has never happened
before, that a park in this 

1231
01:09:22,279 --> 01:09:26,880
country from the very beginning 
is being scrutinized by various 

1232
01:09:26,880 --> 01:09:31,880
drones in the air and public 
footpaths and podcasts and 

1233
01:09:31,880 --> 01:09:35,000
YouTube vlogs and that it's so 
fascinating seeing it. 

1234
01:09:35,640 --> 01:09:38,240
We're all documenting this. 
Yeah, Yeah. 

1235
01:09:38,240 --> 01:09:38,960
That's great. 
It is. 

1236
01:09:39,160 --> 01:09:42,880
We we caught us 3 here. 
We quite often say how we got 

1237
01:09:42,880 --> 01:09:47,120
our own angle on it and we don't
really step on each other's toes

1238
01:09:47,120 --> 01:09:50,000
in, in the things that we do. 
We've we've we're all lucky 

1239
01:09:50,000 --> 01:09:53,680
enough to live close by and this
thing's brought us together, but

1240
01:09:53,680 --> 01:09:57,000
in our own styles. 
Yeah, yeah, yeah. 

1241
01:09:57,520 --> 01:10:01,720
Whatever the the the three-way 
equivalent of a yin and Yang 

1242
01:10:01,720 --> 01:10:04,200
situation is. 
A young. 

1243
01:10:04,560 --> 01:10:08,240
I love it. 
Yeah, right. 

1244
01:10:08,320 --> 01:10:10,440
So what's the latest in the 
field? 

1245
01:10:10,440 --> 01:10:12,680
Sorry to take over this 
interview, but I just wonder 

1246
01:10:12,680 --> 01:10:15,080
what's happening of. 
Course no, you go ahead. 

1247
01:10:15,080 --> 01:10:18,480
Lots of fence in, lots of 
scraping of earth. 

1248
01:10:20,280 --> 01:10:22,240
Topsoilists. 
Yeah, detectorists. 

1249
01:10:22,480 --> 01:10:22,920
Yeah. 
Oh, yeah. 

1250
01:10:22,960 --> 01:10:23,840
Yeah. 
No, yeah. 

1251
01:10:23,840 --> 01:10:26,080
That's the kind of the big 
robotic machine. 

1252
01:10:27,720 --> 01:10:29,800
Oh, it's like. 
Dicks Exterminator a chance to 

1253
01:10:29,800 --> 01:10:32,000
stick it on. 
No, no, no, no. 

1254
01:10:32,000 --> 01:10:37,920
It's like a I saw it on the 
Prodigy Universal Facebook page.

1255
01:10:37,920 --> 01:10:39,840
Oh oh. 
What's that then? 

1256
01:10:39,840 --> 01:10:42,240
Yeah, 
facebook.com/projectuniversal. 

1257
01:10:42,240 --> 01:10:45,840
Yeah, it was that one. 
No, it was. 

1258
01:10:47,760 --> 01:10:51,080
It looks like a kind of a looks 
like a road sweeper. 

1259
01:10:51,920 --> 01:10:54,400
Oh, you're talking about Sonic? 
Sonic. 

1260
01:10:55,120 --> 01:10:59,640
Sonic, the Penetrator? 
Yeah, the 5000, I can't 

1261
01:10:59,640 --> 01:11:00,480
remember. 
I've called it now. 

1262
01:11:00,480 --> 01:11:02,600
I know it's the penetrator. 
It's just the Pennetronic 

1263
01:11:02,600 --> 01:11:05,360
Hudson, the penetrator. 
But they, the company that own 

1264
01:11:05,360 --> 01:11:07,200
it, have called it Sonic, if you
read there. 

1265
01:11:07,200 --> 01:11:10,400
And really, yeah, I did. 
I put some blurb up on the 

1266
01:11:10,440 --> 01:11:13,120
Facebook agent and it was there 
and they've called it Sonic. 

1267
01:11:13,120 --> 01:11:15,360
Now that's a cone penetration 
tester. 

1268
01:11:15,560 --> 01:11:18,240
So it pushes down with great 
forms into the ground. 

1269
01:11:18,880 --> 01:11:21,840
Yeah. 
And it can read what's what's 

1270
01:11:21,840 --> 01:11:25,360
down there based on how easy it 
can cut through the ground and 

1271
01:11:25,360 --> 01:11:28,960
the, and how scratchy it is and 
all sorts of stuff. 

1272
01:11:28,960 --> 01:11:30,920
Very, very sensitive. 
Bit of a bit of kit. 

1273
01:11:31,000 --> 01:11:33,000
Wow, nice. 
But yeah, that's what that is. 

1274
01:11:33,000 --> 01:11:34,400
And that's all remote control as
well. 

1275
01:11:35,320 --> 01:11:37,120
So I don't think they drive it. 
I think they've got a little 

1276
01:11:37,120 --> 01:11:38,680
hand control. 
That's great. 

1277
01:11:38,680 --> 01:11:39,600
That's great. 
I. 

1278
01:11:39,600 --> 01:11:41,760
Saw it actually on a on a. 
You know the lat, you know 

1279
01:11:44,040 --> 01:11:46,200
what's his name with the burger 
van? 

1280
01:11:47,280 --> 01:11:48,360
Oh, I know. 
Yeah, yeah, yeah. 

1281
01:11:48,440 --> 01:11:51,040
In the lay by. 
Yeah, I saw it parked up there 

1282
01:11:51,040 --> 01:11:53,440
in the lay by the other day. 
Yeah. 

1283
01:11:53,440 --> 01:11:55,680
What's the? 
I forgot the bloody burger man's

1284
01:11:55,680 --> 01:11:57,240
name. 
I know he deserves a shout out. 

1285
01:11:57,560 --> 01:12:00,200
He does, yeah. 
If he wants to sponsor the pond.

1286
01:12:01,040 --> 01:12:02,600
Then he can have fun with 
burgers. 

1287
01:12:04,840 --> 01:12:07,000
Yeah, but he, but it was parked 
up there the other day, so I 

1288
01:12:07,000 --> 01:12:08,320
think they may have finished 
with it. 

1289
01:12:08,560 --> 01:12:12,040
But yeah, it's it's, it's all 
sorts of gradually ramping up 

1290
01:12:14,040 --> 01:12:16,320
and yeah. 
Dave Snacks. 

1291
01:12:16,320 --> 01:12:18,080
Dave's Snacks. 
Dave's. 

1292
01:12:18,320 --> 01:12:20,640
No, not Sir. 
Just Dave Snacks. 

1293
01:12:20,680 --> 01:12:23,080
Dave. 
What's so Snacks is his surname?

1294
01:12:23,520 --> 01:12:24,400
Nobody knows. 
Hello. 

1295
01:12:24,480 --> 01:12:26,040
I'm Dave. 
Dave Snacks. 

1296
01:12:26,280 --> 01:12:27,720
That's the burger van. 
He's been there for years. 

1297
01:12:27,720 --> 01:12:29,600
I wonder, do wonder what's going
to happen to him? 

1298
01:12:29,600 --> 01:12:33,200
Because when they rearrange the 
roads that Layboy is probably 

1299
01:12:33,200 --> 01:12:34,920
going to get. 
Swallowed up, he probably will. 

1300
01:12:35,120 --> 01:12:36,520
Yeah, maybe he'll be the new 
man. 

1301
01:12:36,520 --> 01:12:39,000
Download the Universal app and 
do mobile ordering. 

1302
01:12:39,520 --> 01:12:40,360
Yeah. 
Exactly. 

1303
01:12:40,360 --> 01:12:42,760
Maybe they'll give him a place 
in the car park or in city walk.

1304
01:12:43,800 --> 01:12:46,760
Proper British brand, every 
local knows everyone. 

1305
01:12:46,760 --> 01:12:53,360
I'm so I'm so curious for city 
walk UK style and I I I hope 

1306
01:12:53,360 --> 01:12:55,800
they have we talked about this 
Mike, but I hope they have 

1307
01:12:55,800 --> 01:13:00,400
blooming voodoo doughnuts and 
cowfish and that we've said the 

1308
01:13:00,400 --> 01:13:03,360
sky, the Sky Sports bar has to 
make an appearance because it's 

1309
01:13:03,360 --> 01:13:07,280
just too good of a commercial 
corporate crossover not to 

1310
01:13:07,280 --> 01:13:08,360
happen. 
That's true. 

1311
01:13:09,680 --> 01:13:11,480
Yeah, yeah. 
Now that that do you know what? 

1312
01:13:11,480 --> 01:13:14,920
I hadn't even considered that, 
but yeah, that's, that's got to 

1313
01:13:14,920 --> 01:13:17,000
happen. 
It's got to happen. 

1314
01:13:17,000 --> 01:13:18,440
It's got to. 
We'll be. 

1315
01:13:18,480 --> 01:13:21,200
We'll be. 
I, I, I know that the, that the 

1316
01:13:21,200 --> 01:13:26,640
Sky head court, because we have 
to say Sky is owned by Comcast, 

1317
01:13:26,640 --> 01:13:30,200
which own Universal. 
So it is kind of, they do have a

1318
01:13:30,200 --> 01:13:32,280
presence in this country, 
whether we like it or not. 

1319
01:13:32,280 --> 01:13:37,600
And they, their headquarters are
down the road from me in 

1320
01:13:38,280 --> 01:13:40,120
Wisleworth. 
Oh, you and I know. 

1321
01:13:40,280 --> 01:13:43,280
You're around there, are you? 
Yeah, I mean, I'm in West London

1322
01:13:43,280 --> 01:13:49,040
myself, so I I know that they 
are, they are already creative 

1323
01:13:49,040 --> 01:13:51,880
officers set up there in this 
project. 

1324
01:13:52,320 --> 01:13:53,960
Well, there you go. 
Because they've got offices at 

1325
01:13:53,960 --> 01:13:56,480
Bedford Borough of Council, 
they've got the yeah, I think 

1326
01:13:56,480 --> 01:13:57,640
they've got a whole floor 
haven't. 

1327
01:13:57,640 --> 01:14:01,120
They Yeah, but the. 
County Hall or somebody sent me 

1328
01:14:01,120 --> 01:14:02,800
a photograph. 
I got the same picture. 

1329
01:14:02,800 --> 01:14:05,560
Yeah, yeah, I got. 
I didn't want to post it because

1330
01:14:05,560 --> 01:14:07,840
it you might identify who sent 
it. 

1331
01:14:07,840 --> 01:14:08,720
Yeah. 
Did you get that as well? 

1332
01:14:08,840 --> 01:14:10,040
No, no, no, no, you didn't get 
it. 

1333
01:14:10,320 --> 01:14:13,080
No, no, I don't have to say it. 
It was a good when it lines. 

1334
01:14:13,080 --> 01:14:16,040
It was, it was fantastic. 
You had so many secret plans. 

1335
01:14:16,040 --> 01:14:18,840
Yeah, yeah. 
Yeah, but no, we've we've not. 

1336
01:14:18,840 --> 01:14:20,560
We've sworn to secrecy, of 
course. 

1337
01:14:20,560 --> 01:14:25,200
So anyway, moving on. 
Is it the concept art like UP? 

1338
01:14:25,360 --> 01:14:28,440
Is it Downing Street or is it 
the Bedford Town Hall? 

1339
01:14:29,480 --> 01:14:31,840
I think that was it, Downing. 
Street it was, yeah, yeah. 

1340
01:14:31,840 --> 01:14:35,280
The, the, the concept art thing 
it was, it was the whole kind of

1341
01:14:35,280 --> 01:14:37,720
war table moment, wasn't it? 
Yeah. 

1342
01:14:37,880 --> 01:14:40,560
Yeah, this is the thing Park. 
And this is just Arun's. 

1343
01:14:40,680 --> 01:14:41,240
Yeah. 
Yeah. 

1344
01:14:41,520 --> 01:14:44,840
Yeah, yeah, I've heard that that
I think at Bedford Town Hall, 

1345
01:14:45,160 --> 01:14:46,920
the concert art is up on the 
wall. 

1346
01:14:47,080 --> 01:14:50,360
Is it probably is I'm I need to 
go? 

1347
01:14:50,800 --> 01:14:56,480
Well, I did ask I I have 
requested Tom Wootton come on 

1348
01:14:56,480 --> 01:14:58,680
the podcast. 
I got zero response. 

1349
01:14:59,160 --> 01:15:06,760
And then I requested to one of 
the counselors, what's her name?

1350
01:15:08,080 --> 01:15:09,720
Sorry. 
Speak among yourself. 

1351
01:15:09,720 --> 01:15:10,600
Talk among. 
OK. 

1352
01:15:11,360 --> 01:15:13,040
Well. 
Who's the Thusi that's a 

1353
01:15:13,040 --> 01:15:16,360
counselor as well? 
The Thusi is a counselor I. 

1354
01:15:16,680 --> 01:15:19,080
Don't know thusi. 
I don't know. 

1355
01:15:19,800 --> 01:15:22,880
There's a enthusiast who's a 
councillor as well that's been 

1356
01:15:22,880 --> 01:15:24,480
on. 
I think it was on the field. 

1357
01:15:24,640 --> 01:15:26,880
Oh, it was on digital dams. 
Oh really? 

1358
01:15:26,920 --> 01:15:29,400
Podcast that we do not speak of 
because it's a rival podcast. 

1359
01:15:29,480 --> 01:15:31,080
Yeah, it's a rival now we don't 
speak of. 

1360
01:15:31,080 --> 01:15:32,960
That but the field is now we're 
not you know you. 

1361
01:15:32,960 --> 01:15:34,920
Can't just be the side of the 
field. 

1362
01:15:34,920 --> 01:15:36,440
It's just the side of the road 
now, Yeah. 

1363
01:15:36,640 --> 01:15:45,200
Gutter in the Andrea Spice 
Councillor Andrea Spice, who's I

1364
01:15:45,200 --> 01:15:47,600
asked her and I, she's very 
chatty to me. 

1365
01:15:47,600 --> 01:15:49,720
Andrea Spice. 
I remember her from. 

1366
01:15:49,880 --> 01:15:52,000
Private, but she's a lovely lady
and she's chats. 

1367
01:15:52,160 --> 01:15:54,440
Spice Girls and. 
I asked her and I got nothing 

1368
01:15:54,440 --> 01:15:56,080
back from him. 
So I don't, I don't think Mayor 

1369
01:15:56,080 --> 01:15:58,680
Tom Wootton really wants to come
on, which is a shame because I'd

1370
01:15:58,680 --> 01:16:01,320
really love to chat to him 
because he's he's like a big 

1371
01:16:01,320 --> 01:16:03,640
jolly. 
He's amazing happy man, isn't 

1372
01:16:03,640 --> 01:16:06,200
he? 
Yeah, yeah, I met him once 

1373
01:16:06,240 --> 01:16:10,040
before and he's lovely. 
You do wonder if they're if 

1374
01:16:10,040 --> 01:16:13,160
that's more of a universal thing
now because the point that's 

1375
01:16:13,160 --> 01:16:15,920
happened, they're probably being
like, they have Ndas and stuff 

1376
01:16:15,920 --> 01:16:18,880
so they're not allowed to say 
anything anymore. 

1377
01:16:19,840 --> 01:16:21,360
Yeah, someone said that to me, 
actually. 

1378
01:16:21,360 --> 01:16:22,400
I said, oh, you can't talk about
it. 

1379
01:16:22,400 --> 01:16:25,720
I said, oh, no, sorry, no NDA. 
Is that what I want? 

1380
01:16:25,920 --> 01:16:29,680
Yeah, sometimes it's true. 
Sort of song was not slandering.

1381
01:16:29,680 --> 01:16:30,480
Anything. 
Exactly. 

1382
01:16:30,480 --> 01:16:33,400
Yeah. 
Universal kill puppies. 

1383
01:16:34,400 --> 01:16:36,320
Yeah, you're gonna have to 
retract that one. 

1384
01:16:38,040 --> 01:16:41,160
But no, you know, the reality 
is, you know, you can still talk

1385
01:16:41,160 --> 01:16:44,840
to us even if you have signed an
NDA, as long as you don't breach

1386
01:16:44,920 --> 01:16:48,440
your NDA, your NDA will only 
cover some things. 

1387
01:16:48,600 --> 01:16:50,880
We're, we're professionals. 
Doesn't doesn't stop you from 

1388
01:16:50,880 --> 01:16:53,080
just opening your mouth and 
saying hello. 

1389
01:16:53,480 --> 01:16:55,720
We're not going to like hold you
down and say tell us. 

1390
01:16:55,960 --> 01:16:56,920
Tell us what you know. 
No. 

1391
01:16:57,000 --> 01:16:58,920
And we can speak in 
hypotheticals. 

1392
01:16:58,920 --> 01:17:01,320
We can, you know, we're very 
flexible. 

1393
01:17:01,320 --> 01:17:03,080
It's easy. 
I've signed the Official Secrets

1394
01:17:03,080 --> 01:17:04,760
Act and you can still say hello 
to me. 

1395
01:17:05,400 --> 01:17:06,120
Let's try it. 
Have you? 

1396
01:17:06,400 --> 01:17:08,160
Hello. 
Hello, Mike. 

1397
01:17:08,160 --> 01:17:09,760
There you go. 
Nothing happened. 

1398
01:17:09,760 --> 01:17:12,160
So there we go. 
But I couldn't tell you why I 

1399
01:17:12,160 --> 01:17:15,200
signed it. 
No, I'm not going to ask either.

1400
01:17:15,200 --> 01:17:16,080
I'm not going to put you in 
that. 

1401
01:17:16,080 --> 01:17:19,760
Now what you take Exciting, 
right? 

1402
01:17:20,520 --> 01:17:23,200
No, I really signed it. 
It was just a job I was on when 

1403
01:17:23,200 --> 01:17:24,720
I was before we before we wrap 
up this. 

1404
01:17:24,720 --> 01:17:27,040
Podcast I want to I just want to
take things back to music a 

1405
01:17:27,040 --> 01:17:31,360
little bit yes. 
So go on Nick, being Mr. Mr. 

1406
01:17:31,360 --> 01:17:34,360
Theme Park Music. 
You've been there, you've done 

1407
01:17:34,360 --> 01:17:35,840
that. 
I would love to know what your 

1408
01:17:35,840 --> 01:17:39,920
top five pieces of theme park 
music are, whether you produce 

1409
01:17:39,920 --> 01:17:43,480
them or not. 
So so do let us know. 

1410
01:17:44,520 --> 01:17:48,200
Well, I, I, I can't speak to my 
own stuff because I, I, I have 

1411
01:17:48,200 --> 01:17:50,280
no emotional connection to any 
of it. 

1412
01:17:50,600 --> 01:17:57,520
But I've done a list of 
5:00-ish, some of which are kind

1413
01:17:57,520 --> 01:18:04,040
of combined and I'll start with 
with hex and all the in in in no

1414
01:18:04,040 --> 01:18:06,200
particular order. 
Hex Alton Towers is. 

1415
01:18:07,000 --> 01:18:10,280
I'm with you on that one. 
Beautiful attraction with a 

1416
01:18:10,360 --> 01:18:15,600
very, very good musical score 
and it does everything 

1417
01:18:15,600 --> 01:18:16,840
perfectly. 
That's all I have to say about 

1418
01:18:16,840 --> 01:18:18,040
that. 
If you don't know what Hex is, 

1419
01:18:18,040 --> 01:18:20,720
look it up I think. 
Everything about that ride is 

1420
01:18:20,720 --> 01:18:23,680
just they've just nailed it. 
It's a great piece of stuff, 

1421
01:18:23,760 --> 01:18:27,000
apart from the way out back to 
the park where you walk through 

1422
01:18:27,000 --> 01:18:30,080
the old rundown. 
Yeah, they could have. 

1423
01:18:30,080 --> 01:18:31,680
Well, sometimes they could have 
done something re. 

1424
01:18:31,680 --> 01:18:35,040
Route it and it's even worse. 
No scare fest. 

1425
01:18:35,040 --> 01:18:37,760
When they when they had like the
attic up in there. 

1426
01:18:37,760 --> 01:18:39,760
But is it great? 
Am I right to say it's Graham 

1427
01:18:39,760 --> 01:18:44,080
Smart that did hex? 
No, no, it was a name I can 

1428
01:18:44,080 --> 01:18:46,560
never remember. 
And Chris Crispin. 

1429
01:18:46,680 --> 01:18:49,080
Chris Paul Yeah, I've made this 
up. 

1430
01:18:49,840 --> 01:18:52,280
I want to say Crispin Glover, 
but it so wasn't him. 

1431
01:18:53,840 --> 01:18:59,320
If I just do hex composer Alton 
Towers, it was Crispin Merrill. 

1432
01:19:02,760 --> 01:19:05,760
That's kind of don't know what 
else is done really, but it's a 

1433
01:19:05,760 --> 01:19:09,440
wonderful piece of music, real 
orchestra, real choir, and 

1434
01:19:10,160 --> 01:19:16,440
really stands up the I, I want 
to combine 2 tracks together 

1435
01:19:16,440 --> 01:19:18,880
because they're both by the same
composer, they're both in the 

1436
01:19:18,880 --> 01:19:21,240
same park, and they both 
happened at the same time. 

1437
01:19:21,240 --> 01:19:24,920
And it was a composer called 
Gavin Greenaway who is a British

1438
01:19:25,520 --> 01:19:33,040
composer and conductor. 
He did the wonderful soundtrack 

1439
01:19:33,040 --> 01:19:37,240
for a firework show at Epcot 
called Illuminations, 

1440
01:19:37,240 --> 01:19:41,320
Reflections of Earth. 
And it's often regarded as one 

1441
01:19:41,320 --> 01:19:44,440
of the greatest fireworks 
spectaculars of all time. 

1442
01:19:45,560 --> 01:19:48,360
And he also did that music for a
parade called Tapestry of 

1443
01:19:48,360 --> 01:19:53,120
Nations, which is a wonderful 
kind of hypnotic 25 minute piece

1444
01:19:53,120 --> 01:19:56,560
of music that's just got such 
life behind it. 

1445
01:19:56,560 --> 01:19:59,120
And I never saw the parade, but 
it's on my running playlist, 

1446
01:19:59,120 --> 01:20:03,520
which I find hilarious, A, to 
the fact that I have a playlist 

1447
01:20:03,920 --> 01:20:06,400
for when I'm running, which is 
hilarious in the 1st place. 

1448
01:20:06,400 --> 01:20:11,520
And B, it's just such a nice 
piece of music to work out to. 

1449
01:20:11,520 --> 01:20:14,840
And he often gets messages from 
people saying I'm in the gym to 

1450
01:20:14,840 --> 01:20:17,480
this piece of music because it's
so I don't want to say 

1451
01:20:17,480 --> 01:20:20,000
monotonous, but it's kind of, 
it's got that kind of. 

1452
01:20:20,840 --> 01:20:24,240
Incessant beats behind it 
driving. 

1453
01:20:24,240 --> 01:20:27,480
Force. 
Yeah, Speaking of driving forces

1454
01:20:27,480 --> 01:20:31,720
and incessant beats, the there's
a park called Europa Park in 

1455
01:20:31,720 --> 01:20:34,160
Germany, which is one of the 
best parks in the world. 

1456
01:20:34,520 --> 01:20:38,520
And there's a ride there called 
Euromare, which has a very 

1457
01:20:38,520 --> 01:20:42,800
famous piece of ride music that 
might be the most German techno 

1458
01:20:42,800 --> 01:20:45,640
track ever to exist in the 
world. 

1459
01:20:47,560 --> 01:20:49,480
And I'll leave it at that. 
If you don't know what it is. 

1460
01:20:49,480 --> 01:20:54,400
I'm going to combine the Haunted
Mansion soundtrack and the 

1461
01:20:54,400 --> 01:21:00,000
Phantom Manor soundtrack into 
one thing from Disney parks and 

1462
01:21:00,000 --> 01:21:02,520
specifically Disneyland Paris of
Phantom Manor because that's 

1463
01:21:02,640 --> 01:21:05,680
beautiful as well. 
And just to bring bring things 

1464
01:21:05,680 --> 01:21:13,400
home a bit, all of Toon Lagoon 
at Islands of Adventure, because

1465
01:21:13,400 --> 01:21:19,680
it's such a it's so rare to get 
jazz in a park and it's done so 

1466
01:21:19,680 --> 01:21:21,560
well. 
And it had lots of composers 

1467
01:21:21,560 --> 01:21:23,560
coming together to to do 
different tracks. 

1468
01:21:25,400 --> 01:21:28,080
And it's just good fun. 
And it's, it's a kind of thing. 

1469
01:21:28,080 --> 01:21:30,840
I'll happily listen to the wacky
world of Jay Ward and all the 

1470
01:21:31,160 --> 01:21:35,920
Pluto stuff. 
And the yeah, that's that's the 

1471
01:21:35,920 --> 01:21:38,280
ones that sprung into my mind 
immediately, but I'm sure there 

1472
01:21:38,280 --> 01:21:39,640
are others. 
I'm going to, I'm going to 

1473
01:21:39,640 --> 01:21:43,240
actually have to, to kind of get
some of these up, particularly, 

1474
01:21:43,240 --> 01:21:46,600
you know, some of those, you 
know, you mentioned that kind of

1475
01:21:46,600 --> 01:21:52,720
25 minute epic. 
I'm going to have to tune in to 

1476
01:21:52,720 --> 01:21:54,440
that. 
I'll see if it motivates me 

1477
01:21:54,440 --> 01:21:57,000
enough to do some physical 
exercise. 

1478
01:21:57,360 --> 01:22:00,640
No guarantees, but at least I'll
get some enjoyment. 

1479
01:22:02,160 --> 01:22:05,120
Yeah, it's, it's lovely and and 
it's a piece of music I know so 

1480
01:22:05,120 --> 01:22:07,960
well that I can just kind of 
turn off and not really listen 

1481
01:22:07,960 --> 01:22:10,920
to it, but it's still there. 
Yeah, yeah, yeah. 

1482
01:22:11,240 --> 01:22:13,120
Yeah, I love that. 
Great. 

1483
01:22:13,120 --> 01:22:16,720
Well, Nick, let us know where we
can find you. 

1484
01:22:17,080 --> 01:22:22,160
Yeah, please. 
I am at Twitter, Nick Hudson. 

1485
01:22:22,160 --> 01:22:24,760
Sorry, X. 
So we have to say now on Twitter

1486
01:22:25,080 --> 01:22:29,080
at Nick Hudson Music, Nick 
Hudson music.com. 

1487
01:22:29,720 --> 01:22:33,880
My podcasts are musical talk. 
If you're fan of their musicals,

1488
01:22:33,880 --> 01:22:39,760
what they have and Nick's ERT on
the Season Pass podcast. 

1489
01:22:41,320 --> 01:22:42,880
Yeah. 
That's that's where I live 

1490
01:22:42,880 --> 01:22:45,480
generally virtually. 
Excellent. 

1491
01:22:45,760 --> 01:22:49,160
Honestly, Nick, thank you so, so
much for for for jumping on. 

1492
01:22:49,160 --> 01:22:55,920
I've absolutely loved it because
it's, it's a, it's a fundamental

1493
01:22:55,920 --> 01:23:00,040
part of our experience when we 
go to these places. 

1494
01:23:00,560 --> 01:23:06,240
And it has the capacity to make 
or break an experience. 

1495
01:23:06,240 --> 01:23:07,680
It does, of course. 
Yeah. 

1496
01:23:07,840 --> 01:23:13,560
And to, to kind of hear from you
as, as somebody who is, is kind 

1497
01:23:13,560 --> 01:23:16,960
of, you know, at the sharp end 
of it. 

1498
01:23:17,080 --> 01:23:18,840
It's. 
Yeah, it's, it's, it's 

1499
01:23:18,840 --> 01:23:21,040
absolutely fascinating. 
So thanks so much. 

1500
01:23:21,040 --> 01:23:22,680
Thank you. 
It's been an absolute joy to 

1501
01:23:22,680 --> 01:23:24,680
have you, to have you on to. 
I'm so used to doing. 

1502
01:23:25,040 --> 01:23:28,560
On. 
The other absolute joy to I know

1503
01:23:28,560 --> 01:23:33,200
how the tables turn. 
It's been an absolute joy to be 

1504
01:23:33,200 --> 01:23:37,560
on your show. 
And I, I look forward to every 

1505
01:23:37,560 --> 01:23:41,080
Wednesday when they are released
because it's, it's nice, it's 

1506
01:23:41,080 --> 01:23:43,600
nice to hear. 
A lot of people have, a lot of 

1507
01:23:43,600 --> 01:23:44,720
people have said the same. 
Thing. 

1508
01:23:44,720 --> 01:23:46,480
Yeah, yeah, really. 
Look forward to that. 

1509
01:23:46,920 --> 01:23:49,520
Are you AAM listener or APM 
listener? 

1510
01:23:50,760 --> 01:23:55,000
Or AM I'm always whether it's me
run or walk into jobs or or 

1511
01:23:55,000 --> 01:23:57,240
something it's we had a big. 
Discussion, didn't we, about 

1512
01:23:57,240 --> 01:23:59,240
what time to put it out. 
And a lot of people were saying,

1513
01:23:59,240 --> 01:24:02,840
put your podcast out in the AM 
to catch, Yeah, to catch 

1514
01:24:02,840 --> 01:24:03,760
commuters. 
Commuters. 

1515
01:24:03,760 --> 01:24:06,560
So that's what we did. 5:00 AM. 
Yeah, it's. 

1516
01:24:06,680 --> 01:24:08,920
Totally unheard of on YouTube. 
We I would never do that. 

1517
01:24:09,400 --> 01:24:13,320
A lot for my videos. 
But apparently podcasts were 

1518
01:24:13,320 --> 01:24:14,480
completely different. 
Yeah. 

1519
01:24:14,720 --> 01:24:19,000
No, it's honestly we, we just, 
we're just having a good time, 

1520
01:24:19,320 --> 01:24:21,600
yeah. 
Thinking a few talking about 

1521
01:24:21,600 --> 01:24:23,440
theme pops, what's not, what's 
not to like? 

1522
01:24:23,440 --> 01:24:25,040
What's not like? 
And it shows. 

1523
01:24:25,880 --> 01:24:29,000
It's be fascinating to document 
or hope I can come on again at 

1524
01:24:29,000 --> 01:24:30,720
some point. 
You'll be, you'll be welcoming 

1525
01:24:30,800 --> 01:24:32,320
anytime, Nick. 
No, honestly. 

1526
01:24:32,320 --> 01:24:36,240
And you know, if they ever sort 
the trains out or maybe you 

1527
01:24:36,240 --> 01:24:38,240
know, you know, in in the 
summer. 

1528
01:24:38,840 --> 01:24:41,840
When we're not filming, we do 
recording Thursdays sometimes. 

1529
01:24:42,000 --> 01:24:43,320
Yeah, we. 
Do we do We'll. 

1530
01:24:43,320 --> 01:24:45,840
Have to do it earlier in the day
so the trains aren't buggered. 

1531
01:24:46,160 --> 01:24:48,680
Yeah, completely. 
Or, you know, or you could join 

1532
01:24:48,680 --> 01:24:50,680
us on a field trip. 
Yeah. 

1533
01:24:50,720 --> 01:24:52,960
There we go to the field. 
And not the swarm. 

1534
01:24:52,960 --> 01:24:53,640
I can't go back. 
There. 

1535
01:24:53,640 --> 01:24:55,040
Oh yeah, yeah. 
Yeah, well, now we can't do the 

1536
01:24:55,040 --> 01:24:56,160
field. 
It's the gutter now. 

1537
01:24:56,240 --> 01:24:58,760
Yeah, yeah. 
And it's, it's all, it's all 

1538
01:24:58,760 --> 01:25:00,280
closed off. 
We can't get in there. 

1539
01:25:00,520 --> 01:25:03,400
Yeah, it's all. 
Fenced off now, damn. 

1540
01:25:04,560 --> 01:25:06,120
Well, thank you very much for 
joining. 

1541
01:25:06,120 --> 01:25:08,480
Thank you very much, Nick. 
It's been a pleasure. 

1542
01:25:08,480 --> 01:25:12,040
You're welcome anytime, but I 
have been Mike Universal Studios

1543
01:25:12,640 --> 01:25:18,400
Great Britain updates the 1st 
and best there we go and I have 

1544
01:25:18,400 --> 01:25:20,400
been joined by. 
Oh, it's me. 

1545
01:25:20,400 --> 01:25:25,240
It's Lawrence from Universally 
Bedford. 

1546
01:25:25,400 --> 01:25:30,040
Bedford and I, Andy from Project
Universal and don't forget to 

1547
01:25:30,040 --> 01:25:35,880
send us a voice note on O 
7440561162. 

1548
01:25:37,240 --> 01:25:38,600
Lovely. 
Would you like to say goodbye? 

1549
01:25:39,280 --> 01:25:42,800
Goodbye, Goodbye everybody. 
Take care.

