1
00:00:03,880 --> 00:00:07,840
Welcome to the Imagination 
Redeemed podcast where we follow

2
00:00:07,880 --> 00:00:11,880
the great stories further up and
further in In Pursuit of the 

3
00:00:11,880 --> 00:00:20,600
Life of Christ. 
Hello everyone, welcome to the 

4
00:00:20,600 --> 00:00:24,520
Imagination Redeem podcast. 
We hope you all had a very Merry

5
00:00:24,520 --> 00:00:29,160
Christmas and in lieu of a full 
podcast episode, I'm here today 

6
00:00:29,160 --> 00:00:33,120
with Brian Brown to read and 
have a short reflection on WH 

7
00:00:34,080 --> 00:00:40,040
Auden's poem for the time being,
a Christmas Oratorio originally 

8
00:00:40,040 --> 00:00:43,320
published in 1944. 
We will be reading a short 

9
00:00:43,320 --> 00:00:49,440
selection from this long poem. 
The poem in its full length are 

10
00:00:49,440 --> 00:00:52,960
various monologues from 
different viewpoints around 

11
00:00:52,960 --> 00:00:55,440
Christmas time. 
This one specifically that we 

12
00:00:55,440 --> 00:00:59,880
will be reading is for after 
Christmas, around New Year's. 

13
00:01:00,160 --> 00:01:03,920
So with that short introduction,
Brian, would you do us the 

14
00:01:03,920 --> 00:01:06,560
honors of of reading said 
selection? 

15
00:01:07,240 --> 00:01:12,560
Sarah, I would be delighted. 
Well, so that is that. 

16
00:01:13,240 --> 00:01:16,160
Now we must dismantle the tree, 
putting the decorations back 

17
00:01:16,160 --> 00:01:19,880
into their cardboard boxes, some
have got broken and carrying 

18
00:01:19,880 --> 00:01:23,240
them up to the attic. 
The holly and the mistletoe must

19
00:01:23,240 --> 00:01:26,360
be taken down and burnt and the 
children got ready for school. 

20
00:01:27,280 --> 00:01:29,200
There are enough leftovers to 
do. 

21
00:01:29,200 --> 00:01:30,760
Warmed up for the rest of the 
week. 

22
00:01:31,120 --> 00:01:34,560
Not that we have much appetite, 
having drunk such a lot, stayed 

23
00:01:34,560 --> 00:01:37,920
up so late, attempted quite 
unsuccessfully to love all of 

24
00:01:37,920 --> 00:01:41,480
our relatives, and in general 
grossly overestimated our 

25
00:01:41,480 --> 00:01:44,320
powers. 
Once again, as in previous 

26
00:01:44,360 --> 00:01:48,040
years, we have seen the actual 
vision and failed to do more 

27
00:01:48,040 --> 00:01:50,920
than entertain it as an 
agreeable possibility. 

28
00:01:51,400 --> 00:01:54,600
Once again we have sent him 
away, begging though to remain 

29
00:01:54,600 --> 00:01:58,400
his disobedient servant, the 
promising child who cannot keep 

30
00:01:58,400 --> 00:02:02,160
his word for long. 
The Christmas feast is already a

31
00:02:02,160 --> 00:02:05,960
fading memory, and already the 
mind begins to be vaguely aware 

32
00:02:06,160 --> 00:02:09,479
of an unpleasant whiff of 
apprehension at the thought of 

33
00:02:09,479 --> 00:02:12,800
Lent and Good Friday, which 
cannot, after all, now be very 

34
00:02:12,800 --> 00:02:17,120
far off. 
But for the time being, here we 

35
00:02:17,120 --> 00:02:22,600
all are, back in the moderate 
Aristotelian city of Darning and

36
00:02:22,600 --> 00:02:26,400
the 8:15 where Euclid's geometry
and Newton's mechanics would 

37
00:02:26,400 --> 00:02:29,520
account for our experience. 
And the kitchen table exists 

38
00:02:29,520 --> 00:02:32,520
because I scrub it. 
It seems to have shrunk during 

39
00:02:32,520 --> 00:02:35,280
the holidays. 
The streets are much narrower 

40
00:02:35,280 --> 00:02:37,760
than we remembered. 
We had forgotten. 

41
00:02:37,760 --> 00:02:39,600
The office was as depressing as 
this. 

42
00:02:40,400 --> 00:02:43,280
To those who have seen the 
child, however dimly, however 

43
00:02:43,280 --> 00:02:47,480
incredulously, the time being 
is, in a sense, the most trying 

44
00:02:47,480 --> 00:02:50,880
time of all. 
For the innocent children who 

45
00:02:50,880 --> 00:02:53,880
whispered so excitedly outside 
the locked door where they knew 

46
00:02:53,880 --> 00:02:56,480
the presents to be, grew up when
it opened. 

47
00:02:57,120 --> 00:03:01,560
Now recollecting that moment we 
can repress the joy, but the 

48
00:03:01,560 --> 00:03:05,480
guilt remains conscious. 
Remembering the stable where for

49
00:03:05,480 --> 00:03:10,520
once in our lives everything 
became a you and nothing was in 

50
00:03:10,600 --> 00:03:15,360
it, and craving the sensation 
but ignoring the 'cause we look 

51
00:03:15,360 --> 00:03:18,560
round for something no matter 
what to inhibit our self 

52
00:03:18,560 --> 00:03:22,200
reflection, and the obvious 
thing for that purpose would be 

53
00:03:22,200 --> 00:03:26,400
some great suffering. 
So once we have met the Son, we 

54
00:03:26,400 --> 00:03:29,960
are tempted ever after to pray 
to the Father, Lead us into 

55
00:03:29,960 --> 00:03:31,800
temptation and evil for our 
sake. 

56
00:03:32,920 --> 00:03:34,640
They will come all right, don't 
worry. 

57
00:03:34,800 --> 00:03:37,640
Probably in a form that we do 
not expect, and certainly with a

58
00:03:37,640 --> 00:03:39,640
force more dreadful than we can 
imagine. 

59
00:03:40,680 --> 00:03:44,760
In the meantime there are bills 
to be paid, machines to keep and

60
00:03:44,760 --> 00:03:50,320
repair, irregular verbs to 
learn, the time being to redeem 

61
00:03:50,320 --> 00:03:53,880
from insignificance. 
The happy morning is over, the 

62
00:03:53,880 --> 00:03:58,280
night of agony still to come. 
The time is noon when the Spirit

63
00:03:58,280 --> 00:04:02,360
must practice his scales of 
rejoicing without even a hostile

64
00:04:02,360 --> 00:04:07,120
audience, and the soul endure a 
silence that is neither for nor 

65
00:04:07,120 --> 00:04:11,920
against her faith that God's 
will be done, that in spite of 

66
00:04:11,920 --> 00:04:16,480
her prayers God will cheat no 
one, not even the world of its 

67
00:04:16,480 --> 00:04:21,920
triumph. 
Thank you, Brian. 

68
00:04:21,959 --> 00:04:26,600
The time is noon. 
What a beautiful poem. 

69
00:04:28,840 --> 00:04:35,720
I love I I haven't actually read
much WH Auden until of late, And

70
00:04:35,720 --> 00:04:39,320
there's something about the 
driving energy of his voice as a

71
00:04:39,320 --> 00:04:45,360
poet and the herky jerky nature 
of it, as well as he slices 

72
00:04:45,360 --> 00:04:50,760
together with image associations
very concrete things that I know

73
00:04:50,760 --> 00:04:54,400
well, like Christmas ornaments 
and boxes going to the attic, 

74
00:04:54,760 --> 00:04:59,160
and these deep theological and 
philosophical concepts just, 

75
00:04:59,680 --> 00:05:02,240
yeah, butting up and hitting 
each other with commas. 

76
00:05:04,600 --> 00:05:11,680
Yeah, it it, it really it, it, 
it kind of enacts as a poem so 

77
00:05:11,680 --> 00:05:14,760
much of how you feel after 
Christmas. 

78
00:05:14,760 --> 00:05:17,840
Because on the one hand there's 
that frenetic energy and on the 

79
00:05:17,840 --> 00:05:21,760
other hand, this sort of let 
down and everything grinding to 

80
00:05:21,760 --> 00:05:23,840
a halt. 
But knowing it's going to Rev up

81
00:05:23,840 --> 00:05:27,800
again into the hecticness of 
normalcy. 

82
00:05:28,640 --> 00:05:34,440
And behind it all, a whole bunch
of thoughts that you, you're not

83
00:05:34,440 --> 00:05:37,120
sure you want to have, you're 
not sure you want to get into, 

84
00:05:37,120 --> 00:05:40,840
you're not sure you want to give
space to. 

85
00:05:41,920 --> 00:05:45,080
And in your mind and the poem 
won't let you give space to 

86
00:05:45,080 --> 00:05:46,640
them. 
You'd have to stop reading the 

87
00:05:46,640 --> 00:05:51,040
poem and process that amazing 
thing he just said, or that 

88
00:05:51,840 --> 00:05:54,960
poignant thing or that difficult
thing. 

89
00:05:56,400 --> 00:06:00,320
That's so good and so true. 
It's maybe this is so cliche to 

90
00:06:00,320 --> 00:06:04,680
save a poem, but it is truly an 
experience and it truly is a 

91
00:06:04,720 --> 00:06:08,760
headspace that he gets you into 
that I have just kind of fallen 

92
00:06:08,760 --> 00:06:12,040
in love with this poem, 
especially this particular year.

93
00:06:12,040 --> 00:06:16,360
One thing that I also think is 
really beautiful about this 

94
00:06:16,360 --> 00:06:21,120
poem, and we'll read it one last
time on our way out, is the way 

95
00:06:21,120 --> 00:06:26,280
in which I've noticed how Auden 
is lacing or interlacing into 

96
00:06:26,280 --> 00:06:30,120
this poem the Lord's Prayer. 
And I think that there is 

97
00:06:30,120 --> 00:06:35,800
something really beautiful about
the the humdrum nature of the 

98
00:06:35,800 --> 00:06:38,360
Lord's Prayer, if I may be so 
bold to say. 

99
00:06:38,680 --> 00:06:42,160
The Lord didn't give us this 
esoteric, really intense and 

100
00:06:42,160 --> 00:06:49,200
beautiful soliloquy that we have
to perform in a particular way 

101
00:06:49,200 --> 00:06:51,840
in order to speak to the God of 
the universe. 

102
00:06:52,680 --> 00:06:55,760
It's very concrete and it's 
asking for very specific things.

103
00:06:55,760 --> 00:07:03,000
And yet that intermingling of 
earthly normal with heavenly 

104
00:07:03,000 --> 00:07:09,680
participation and heavenly 
encounter in prayer is something

105
00:07:09,680 --> 00:07:14,800
that we often feel uncomfortable
with and is the point of 

106
00:07:14,800 --> 00:07:16,920
incarnation. 
And it is what we're grappling 

107
00:07:16,920 --> 00:07:19,720
with after Christmas. 
While we're in Christmas tide. 

108
00:07:19,720 --> 00:07:22,800
We've gone through the sacred 
day that just didn't feel too 

109
00:07:22,800 --> 00:07:26,640
sacred, or didn't feel quite the
way it should have, and we have 

110
00:07:26,640 --> 00:07:30,320
to jump back into our Kronos 
time of next thing, next thing, 

111
00:07:30,320 --> 00:07:33,200
next thing. 
I love the the the line. 

112
00:07:33,200 --> 00:07:36,160
There are bills to be paid, 
machines to keep and repair, 

113
00:07:36,280 --> 00:07:40,640
irregular verbs to learn the 
time being to redeem from 

114
00:07:40,640 --> 00:07:45,160
insignificance, which I guess is
a few lines, but it's that 

115
00:07:45,160 --> 00:07:48,280
grappling. 
And yet it's in that lie, in 

116
00:07:48,280 --> 00:07:52,560
those lines that he's also 
dealing with the Lord's Prayer, 

117
00:07:52,560 --> 00:07:55,400
which I think is, I don't know, 
I'm saying a lot and maybe not 

118
00:07:55,400 --> 00:07:58,440
saying anything, but it's so 
good. 

119
00:08:00,120 --> 00:08:01,560
There's, there's, I don't know, 
there's some. 

120
00:08:02,240 --> 00:08:04,680
I think you're saying a lot 
because sometimes the best thing

121
00:08:04,680 --> 00:08:08,520
you can say to a great piece of 
art is guys, look at this. 

122
00:08:10,280 --> 00:08:13,600
Just just point to it. 
He's already done the work. 

123
00:08:14,120 --> 00:08:18,600
Yeah, well, and if, if you know 
listeners, if you guys do want 

124
00:08:18,600 --> 00:08:23,520
to delve deeper into Auden as a,
as a thinker, I can't recommend 

125
00:08:23,520 --> 00:08:29,080
highly enough Corey Lotta's 
book, which I'm actually drawing

126
00:08:29,080 --> 00:08:33,159
a blank on the name at the 
moment, but our, our friend 

127
00:08:33,159 --> 00:08:37,960
Corey has, has written a great 
book on a theology of time in, 

128
00:08:37,960 --> 00:08:39,720
in the thought of Lewis and 
Auden. 

129
00:08:41,360 --> 00:08:47,280
And so actually, and some of the
some of the philosophical ideas 

130
00:08:47,280 --> 00:08:51,440
that ended up in there in this 
poem, but they're also in a lot 

131
00:08:51,440 --> 00:08:55,840
of the work of of CS Lewis and 
how we understand what we do in 

132
00:08:55,840 --> 00:08:59,680
time as eternal beings. 
So if you want to get 

133
00:09:00,160 --> 00:09:03,280
philosophical in a manageable 
kind of way, it's a great book. 

134
00:09:03,960 --> 00:09:07,040
It is called when the eternal 
can be met. 

135
00:09:07,480 --> 00:09:10,080
Thank you. 
But the very long subtitle I 

136
00:09:10,080 --> 00:09:14,880
will not read. 
Yes. 

137
00:09:14,880 --> 00:09:18,880
Well, Brian, thank you so much 
for diving into this poem that 

138
00:09:18,880 --> 00:09:20,560
we've only scratched the surface
of. 

139
00:09:21,560 --> 00:09:24,480
Are there any things that we 
want to let our listeners know 

140
00:09:24,480 --> 00:09:26,280
about before we close out the 
year? 

141
00:09:26,280 --> 00:09:30,600
And then once we do that, I 
would love it for you to take us

142
00:09:30,600 --> 00:09:33,040
out with the poem one last time.
Sure. 

143
00:09:33,440 --> 00:09:36,440
Yeah. 
So just a few days left in the 

144
00:09:36,440 --> 00:09:40,600
year. 
If this podcast has meant 

145
00:09:40,600 --> 00:09:43,360
something to you this year, we 
would be incredibly grateful if 

146
00:09:43,360 --> 00:09:46,720
you'd go to anselmsociety.org 
and make an end of your gift, 

147
00:09:46,720 --> 00:09:50,480
because it's only because of 
your gifts that this is 

148
00:09:50,480 --> 00:09:53,640
possible. 
So we're, we've been pretty 

149
00:09:53,640 --> 00:09:57,040
blown away by the number of you 
who have followed us this year, 

150
00:09:58,000 --> 00:10:00,560
the number of you have told us 
that we turned up as your number

151
00:10:00,560 --> 00:10:04,320
one podcast in your Spotify 
raps. 

152
00:10:05,560 --> 00:10:10,560
We grew 400% this year listener 
wise, it's been, it's been quite

153
00:10:10,560 --> 00:10:13,640
a year and a lot of you are are 
now giving to support the show 

154
00:10:13,640 --> 00:10:15,400
and we really, really appreciate
that. 

155
00:10:15,480 --> 00:10:19,840
So if you haven't yet, we would 
love it if you would join those 

156
00:10:20,040 --> 00:10:24,680
numbers at anselmsociety.org. 
Also, there are enough topics 

157
00:10:24,680 --> 00:10:29,160
that we talked about on the show
a lot that we felt deserved 

158
00:10:29,160 --> 00:10:31,960
their own extended treatment, 
particularly on a, on a, on a 

159
00:10:31,960 --> 00:10:36,520
foundational level, that I have 
finally caved to the inevitable.

160
00:10:36,520 --> 00:10:42,080
And I am starting in mid January
teaching a six week online 

161
00:10:42,080 --> 00:10:44,480
course on the Christian 
imagination. 

162
00:10:44,480 --> 00:10:48,480
It's kind of the my best attempt
at the foundations of everything

163
00:10:48,480 --> 00:10:52,000
drawing from a whole bunch of 
these ancient sources. 

164
00:10:52,000 --> 00:10:56,240
I've been teaching this course 
for in a face to face context 

165
00:10:56,360 --> 00:10:59,480
for as a multi day experience 
for years, but I haven't been 

166
00:10:59,480 --> 00:11:03,240
able to adapt it into something 
that you guys online could 

167
00:11:03,880 --> 00:11:07,560
experience until now. 
So tickets are available again 

168
00:11:07,560 --> 00:11:12,600
on anselmsociety.org for that 
and they are going insanely 

169
00:11:12,600 --> 00:11:15,240
fast. 
So jump in there if you want to 

170
00:11:15,240 --> 00:11:21,320
join us for that. 
OK, let's listen to somebody 

171
00:11:21,320 --> 00:11:23,520
much more interesting than me 
one more time. 

172
00:11:23,520 --> 00:11:26,600
Here we go again. 
This is for the time being, a 

173
00:11:26,600 --> 00:11:30,960
Christmas oratorio, which I'm 
just now processing fully, is 

174
00:11:30,960 --> 00:11:34,160
written at the height of World 
War 2. 

175
00:11:37,640 --> 00:11:40,760
Well, so that is that. 
Now we must dismantle the tree, 

176
00:11:40,960 --> 00:11:44,720
putting the decorations back 
into their cardboard boxes, some

177
00:11:44,720 --> 00:11:47,200
have got broken and carrying 
them up to the attic. 

178
00:11:47,680 --> 00:11:51,160
The holly and the mistletoe must
be taken down and burnt and the 

179
00:11:51,160 --> 00:11:54,880
children got ready for school. 
There are enough leftovers to 

180
00:11:54,880 --> 00:11:56,400
do. 
Warmed up for the rest of the 

181
00:11:56,400 --> 00:11:58,360
week. 
Not that we have much appetite 

182
00:11:58,360 --> 00:12:01,760
having drunk such a lot, stayed 
up so late, attempted quite 

183
00:12:01,760 --> 00:12:05,040
unsuccessfully to love all of 
our relatives and in general 

184
00:12:05,040 --> 00:12:07,200
grossly overestimated our 
powers. 

185
00:12:07,880 --> 00:12:11,120
Once again, as in previous 
years, we have seen the actual 

186
00:12:11,120 --> 00:12:14,880
vision and failed to do more 
than entertain it as an 

187
00:12:14,880 --> 00:12:18,280
agreeable possibility. 
Once again we have sent him 

188
00:12:18,280 --> 00:12:22,400
away, begging though to remain 
his disobedient servant, the 

189
00:12:22,400 --> 00:12:25,040
promising child who cannot keep 
his word for long. 

190
00:12:26,120 --> 00:12:30,000
The Christmas feast is already a
fading memory, and already the 

191
00:12:30,000 --> 00:12:34,480
mind begins to be vaguely aware 
of an unpleasant whiff of 

192
00:12:34,480 --> 00:12:38,600
apprehension at the thought of 
Lent and Good Friday, which 

193
00:12:38,600 --> 00:12:40,840
cannot, after all, now be very 
far off. 

194
00:12:41,880 --> 00:12:46,480
But for the time being, here we 
all are, back in the moderate 

195
00:12:46,480 --> 00:12:51,960
Aristotelian city of Darning and
the 8:15 where Euclid's geometry

196
00:12:52,120 --> 00:12:55,520
and Newton's mechanics would 
account for our experience. 

197
00:12:55,920 --> 00:12:58,320
And the kitchen table exists 
because I scrub it. 

198
00:12:59,120 --> 00:13:01,120
It seems to have shrunk during 
the holidays. 

199
00:13:01,960 --> 00:13:04,720
The streets are much narrower 
than we remembered. 

200
00:13:05,520 --> 00:13:08,320
We had forgotten the office was 
as depressing as this. 

201
00:13:09,680 --> 00:13:13,200
To those who have seen the 
child, however dimly, however 

202
00:13:13,200 --> 00:13:19,000
incredulously, the time being 
is, in a sense, the most trying 

203
00:13:19,000 --> 00:13:22,160
time of all. 
For the innocent children who 

204
00:13:22,160 --> 00:13:25,680
whispered so excitedly outside 
the locked door where they knew 

205
00:13:25,680 --> 00:13:28,520
the presents to be, grew up when
it opened. 

206
00:13:29,680 --> 00:13:33,760
Now recollecting that moment we 
can repress the joy, but the 

207
00:13:33,760 --> 00:13:36,920
guilt remains conscious. 
Remembering the stable where for

208
00:13:36,920 --> 00:13:41,840
once in our lives everything 
became a you and nothing was in 

209
00:13:41,840 --> 00:13:47,280
it, and craving the sensation 
but ignoring the 'cause we look 

210
00:13:47,280 --> 00:13:51,320
round for something no matter 
what to inhibit our self 

211
00:13:51,320 --> 00:13:54,400
reflection, and the obvious 
thing for that purpose would be 

212
00:13:54,400 --> 00:13:59,000
some great suffering. 
So once we have met the Son, we 

213
00:13:59,000 --> 00:14:02,440
are tempted ever after to pray 
to the Father, lead us into 

214
00:14:02,440 --> 00:14:04,680
temptation and evil for our 
sake. 

215
00:14:05,600 --> 00:14:07,360
They will come all right, don't 
worry. 

216
00:14:08,120 --> 00:14:11,200
Probably in a form that we do 
not expect, and certainly with a

217
00:14:11,200 --> 00:14:13,240
force more dreadful than we can 
imagine. 

218
00:14:13,840 --> 00:14:17,800
In the meantime there are bills 
to be paid, machines to keep and

219
00:14:17,800 --> 00:14:23,880
repair, irregular verbs to 
learn, the time being to redeem 

220
00:14:24,200 --> 00:14:28,280
from insignificance. 
The happy morning is over, the 

221
00:14:28,280 --> 00:14:33,600
night of agony still to come. 
The time is noon when the Spirit

222
00:14:33,600 --> 00:14:38,120
must practice His scales of 
rejoicing without even a hostile

223
00:14:38,120 --> 00:14:43,240
audience, and the soul endure a 
silence that is neither for nor 

224
00:14:43,240 --> 00:14:47,800
against her faith that God's 
will will be done, that in spite

225
00:14:47,800 --> 00:14:53,160
of her prayers, God will cheat 
no one, not even the world of 

226
00:14:53,160 --> 00:14:59,320
its triumph. 
The Imagination Redeemed podcast

227
00:14:59,320 --> 00:15:01,280
is a production of the Anselm 
Society. 

228
00:15:01,640 --> 00:15:04,560
It's easy to see this world as 
disenchanted and to give up hope

229
00:15:04,560 --> 00:15:07,240
that there's more. 
But you were made to see the 

230
00:15:07,240 --> 00:15:10,480
world with the eyes of heaven 
and to live a bountiful life 

231
00:15:10,480 --> 00:15:14,440
that participates in the life of
God like in the great stories. 

232
00:15:14,960 --> 00:15:19,400
To help make this show possible,
go to anselmsociety.org/podcast 

233
00:15:19,400 --> 00:15:24,040
25 and make a donation. 
The Anselm Society is a place 

234
00:15:24,040 --> 00:15:28,000
where you can come in and 
experience that beauty, joyful 

235
00:15:28,000 --> 00:15:32,760
celebration, and ancient wisdom 
and go out renewed, bringing 

236
00:15:32,760 --> 00:15:35,560
that life to your vocation, 
home, and church. 

237
00:15:35,760 --> 00:15:39,800
Learn more at anselmsociety.org 
and join us next time as we 

238
00:15:39,800 --> 00:15:42,720
pursue a renaissance of the 
Christian imagination together.

