Hello and welcome to the Cosmic Nomad.
I'm your host, Bailey Rushlow and this is a space for the
curious and the heart lead where we explore the human experience
through travel, nature, spirituality and real life
transformation through beautiful conversations.
As I discover my way of living, what I call an inspired life, I
share the practices, stories and perspectives that have helped
guide me back to myself. Hello everyone, welcome to
today's episode of the Cosmic Nomad.
Today's episode is a little different.
I want to tell you the story of how my music career began.
Not just the highlight reel or like the the press bio version,
but the the real truth of how it all started.
I am in true cosmic nomad fashion in the spare room of my
partner's parents house in Bavaria, Germany.
I just got back from a week in the van, travelling through
Germany together, just enjoying our time in the stillness and
quiet and staying on top of hills and in meadows and next to
lakes and swimming in lakes. And it actually rained for like
2 straight days and nights so I was getting a little tired of
being in the van after that. But we went foraging for plums
in the woods and all kinds of delicious herbs that I'm
currently drying, including elderberries, which are ripe and
beautiful right now that I'm trying to take home to Mexico
that I can make a elderberry syrup with, which is incredible
for your immune system in the colder months.
And by colder months, I mean it's really not that cold in
Mexico in the winter, but you know, still got to take care of
our immune system. And I've been on a 30 day
journey with one of my favorite and most incredible plants,
Mugwort, which is not only a womb plant, but also a wonderful
ally for dreams and psychic protection and opening
metaphorically and physically your third eye space.
And the dreams and the dream space that I've been navigating
has been incredible. I've been a dreamer all of my
life. I've been writing down my dreams
since I was, I don't know, I have some dreams that I wrote
down as a child and probably consistently for the last like
10 years or so. And whenever I'm starting a new
journey with a plant, even one that I've known and worked with
before, I love to do 30 day periods of time for not only me
to get to know the plant, but for the plant to get to know me
and Remember Me. And I believe all plants are
sentient. And so by getting to forge this
connection together again, it's like getting to know a friend.
And it's been really fun for me this year to begin to forage in
Europe's beautiful, beautiful forests and meadows.
And in the UK, there's some incredible plants that are just
wildly growing, like all around, that are incredible for the
immune system, for your heart health, for healing wounds, for
making salves and tinctures, for clearing the mind, for helping
with pain. It's a very powerful initiatory
journey to begin relationships with plants in this way.
And yeah, I've just spent a lot of time doing that this summer.
So I'm going home with half my suitcase full, full of herbs and
and wonderful plants that I've had the privilege of working
with. And so I'm as as much as I'm a
little bit sad for the summer to come to an end, I'm also very
excited to be going home to my casita in Mexico and to I start
the next season there and be reunited with my cat and my
projects like, you know, kombucha, I brew every week and
I make all of my clay art and physical art as well in my, in
my house and in my little art shop.
So there's a, there's a lot of things that I'm really excited
to go home to, including seeing my friends and my beach and the
beautiful land that I have the great opportunity to call home.
So one more week and I will be flying back there and starting
the next season. I, I want to tell you the story
of how my music career began. So for those of you who don't
know, I have been professionally creating and recording,
producing music since 2015. So this is 10 years of being a
musician online, which I consider myself so lucky and so
grateful to be able to even say that.
And you know, music was kind of in my blood.
My dad's family was all musical. My mom's family was musical, my
dad's dad was in a band, my dad was in a band.
My mom grew up all singing in choir her whole life.
My mom's mom and her sisters were all in like a Appalachian
Christian kind of gospely bands. And so music is definitely
running through the veins. I'm the oldest of three siblings
and we all play instruments. We all sing, we all harmonize,
so it's there's something definitely there that's innately
present in our DNAI have little home videos of me singing and
performing for my family and friends and having little toy
guitars and toy microphones, toy pianos.
And my house was always full of instruments.
My dad can basically play anything just by looking at it,
which is so annoying. Just kidding.
It's incredible. I'm a little bit jealous.
He really doesn't have to practice.
He just picks any kind of instrument up and it's like, oh,
I can play this. Whereas I needed a lot of
practice and I started taking piano lessons at 12:00.
So that was my first instrument and really my first love.
The piano is such an incredible instrument and it was important
to my mom that I could recognize classical music and also play
classical piano. And I remember a point in time I
was probably 131415 somewhere in there.
And I remember thinking, I like playing piano and I like being
able to learn how to read sheets and everything, but I know stuff
by ear. Like I know how to play things
just by hearing it. I know how to harmonize by
singing in groups like church choir and musical theater, which
I grew up a big theater kid. And so a love for performing and
also just the power of music. I recognized from a young age as
being a universal language that even if I was listening to, you
know, opera, for example, listening to Pavarotti sing in
Italian, I had no idea what he was saying, but I was covered in
chills because music is vibration.
It's frequency, it's sound that impacts your very cells.
And we feel it. We we don't just hear music.
As I got older, I really enjoyed listening to like Elton John,
Queen, Billy Joel, Kansas, Boston, The Beatles, Fleetwood
Mac, the list goes on and on. And I realized that as much as I
enjoyed playing classical music, what I really wanted to do was
be able to play and sing the music that I was hearing on the
radio, the music that I was playing on my vinyl record
player in my room, the music that I was playing on CDs that I
got from Goodwill. And so I told my my mom that.
And she was like, well, you've got to talk to your piano
teacher. I was like, OK, so I talked to
him and I said, I really want to learn how to play Adele and like
Elton John, you know, and I want to be able to sing along and
play. And he was like, OK, we can do
that. But you, you can't stop playing,
you know, Beethoven and Mozart. And I was like, OK, OK, fine.
We'll we'll do both. You know, I'll still read
sheets, but I will also encourage myself to learn chords
and how to read just chord charts and stuff.
And that really changed everything because now I had
this new set of wings. Now I had this confidence of now
I'm not only limited to classical music, but now I can
kind of play anything. And if I don't know how, I'll
figure it out. And it became this fun challenge
of being able to listen to things and then figure them out
myself on the keys, and then adding in the element of song
and singing with my own voice while I played.
So I'm doing this consistently as I am in musical theater and
high school. It's ages 16171819.
I am working at Chick-fil-A, which, if you don't know or not,
American, is a fast food sandwich place.
I was also in school online on university for history.
For whatever reason, I thought I want to get a history degree
because history is interesting. And then, yeah, I realized while
I was studying that, but it's kind of all fake.
The history we've been taught is not real history.
I still stand by that today. Besides the point, we're not
going off on that subject right now.
I was just starting to feel very unhappy.
I was doing things with my day and all of my time was spent
making such little money from this place.
I was getting paid, you know, 750 an hour, $7.50 an hour and
then you know, 1/3 of that is being taken out for taxes and
Medicaid and Medicare and stuff that I will never see again.
And I'd be working. I was only working part time,
but still I was, I was just exhausted from it and it didn't
bring me joy. And I kept thinking, what if I
was working for myself? Like my mom always told me
growing up, find what you love to do and find a way to get paid
for it. And so this was 2015 or 1415.
I had been watching YouTube. This was like prime, prime era
in YouTube days where people were making music in their own
way, in their own room, in their own houses, with minimal
equipment, creating songs, creating videos for the songs
and putting them out online and making really good money.
And I was like, if they can do that, I can do that.
And they don't have a record label backing them.
They never went to, you know, producing school.
They don't they, they've just learned from other YouTube
videos how to do this. If they could do that, why can't
I? And so I ended up quitting my
job at Chick-fil-A, got another job at a retail store in my
little southern Christian town, worked there for like 6 months,
made some amazing friends, some people that I'm still friends
with today actually, which is really cool.
And it was a little bit of a step up because I was making $9
an hour. So that was pretty great for me
at the time. And then I just, I still just
felt like even though my workplace experience has
improved and I am getting paid more, I still know that my time
could be spent in way more fulfilling ways.
And I remember telling my parents one day, I said, guys,
this isn't working. I'm not happy.
My health is suffering. I was going through a lot of
health stuff at that time as well, which I've talked about in
previous episodes. I'm not happy.
I don't want to be in school anymore.
I really want to quit university.
I also want to quit my jobs that I'm spending so much time at
making so little money that I could be pouring into teaching
myself how to record and produce music and see where that takes
me. So can I have your permission to
do that? And also to to stay home and not
pay rent and just figure this shit out and live at home with
you guys. And I will work every day for
the next year and then we'll we can re evaluate.
What do you think? And they thought about it and
said, yeah, let's do it. So I promptly quit my jobs, quit
university and started out learning how to become the CEO
and the janitor of the Bailey Rush Lowe music business.
And I started with a laptop that already had garage band on it,
which was super helpful because I had already been playing with
that for a few years, so I kind of knew how it worked.
I had a microphone that my dad had in storage somewhere that he
lent to me to use during this time.
I also already had a piano in my house, luckily for me.
And I learned how to play the ukulele from my best friend.
And yeah, I, I just started practicing and playing and
watching YouTube videos until 2:00 AM to figure out how to do
shit and how do you record and how do you do harmonies and how
do you record layers and how do you, you know, mix and master?
And I never quite captured the mixing and mastering element, I
will say. But I got the recording down.
And then that's just the technical stuff.
Then you have to think about, OK, the artistry of creating
music. And what I was watching people
do on YouTube specifically was acoustic versions of popular
songs, like acoustic covers. And I remember playing one for
my dad that I created kind of just one night in my room trying
to figure stuff out. And he listened and he was like,
it's good. But like no one is going to want
to listen to a stripped down version of it was AI want to
dance with somebody by Whitney Houston.
He's like, this is a dance song. This is a fun bebop and wedding
type song. Like no one wants to hear it
stripped back. I'm sorry.
And I was like, oh, I just felt kind of crushed.
But I knew, you know what his perspective, although he's my
parent and I, I want to, you know, make him happy, his
perspective is one person. And I actually really believe in
this. And I think that this can be
something and I'm going to go for it.
And so I didn't let his lack of belief in it wasn't in me, but
it's just in the system, you know, discourage me.
I'm really glad that I didn't because he just didn't
understand that, you know, he came comes from a different era
of you don't change music. You know, music is what it is
and it's famous for a reason and changing it is almost like
disrespectful to it. That's it was his perspective at
the time. He has since changed his tune
and he actually loves covers and he loves my music, which is
awesome. But it didn't necessarily start
that way. And he was really trying to
protect me of like, why are you putting so much time and effort
into this when it's just not really kind of work out, you
know? And I, I, I appreciate that.
However, I continued my late nights and my early mornings and
I got myself a desk and I started building out a little
studio space in my closet. By building out, I mean, I moved
all my clothes to one side, put up some like padding on one side
of the wall, moved a little keyboard in there and started
recording songs and I started putting them out on YouTube and
they were not amazing. They, they were good.
Looking back, I'm like, I'm proud of myself and I, I love
that version of me. But they weren't groundbreaking,
you know, they weren't anything to necessarily write home about.
But my work ethic was there, my passion was there, the
inspiration and the talent and the effort was there.
And my heart was fucking in it, you know.
And I remember one night, I've told this on the podcast before,
one night I moved my little studio space from downstairs up
into my parents attic. It was really quiet and
insulated. It was also very cold.
It was I think January or February in Tennessee, which is
fairly, fairly cold. And I was upstairs in the attic
recording and I completely lost track of time.
Could not have told you what time it was for the life of me.
And then I realized I was breathing fog and my fingers
were so numb. I was having a hard time typing
on my keyboard and playing the keys.
And I looked at the the clock and it was like 2 in the
morning. And I went, holy shit, I could
do this all day long and not even realize that my fingers
about to fall off, that I'm about to be like hypothermic
right now. It didn't matter.
Nothing mattered. The only thing that mattered was
making my music. And that was when I knew, OK,
this is not just like a hobby like this is for real.
I think it was 2016. There was a competition, they
came around from a guy named Peter Hollands that was like my
YouTube idol at the time. He made incredible acapella
music. I think he still does,
incredible musician, artist, a Ranger of of notes and
frequencies. And he had a competition for
like a cover competition to serve for people to cover his
Christmas song and make it into their own version.
So I entered the competition, I took his song and I changed it
all up and made my own version of it, put out a video and
really hoped I could win the competition because if I did, it
meant that I got to go and actually make a video with Peter
Holland. So I was like, Oh my God, I've
got to win this contest. I did not win, but I did get
like a runner up position, which was really cool for me.
And I remember getting a message from Peter one day that said
hey. Great job in the competition.
I would love to have a FaceTime with you and talk and discuss
your music. And I about came out of my skin.
I was so excited. I ran in the kitchen.
I was like, mom, Oh my God. I just got a message from Peter
Hollands, you know, as if it was the biggest celebrity in the
world. And she was like, Oh my God,
that's amazing. I'm like, I know.
So we set up a time and got on FaceTime together and he asked
me. He was like, So what do you want
to do with this? What do you, what's your goal?
I was like, I just want to make music, you know, I just, I just
want, you know, reach people with my, my songs and get them
to listen and all the stuff. And he was like, OK, yeah,
that's great, that's great. And I said, yeah, I'm just, I
don't really know how or when it's going to start making me
money, you know? And he said it's probably going
to take about 7 years. I was like 07 years.
Jesus. I did not anticipate it being
quite that long. And he said, but you have to be
really consistent with it. And he looked at me and he goes,
Bailey, you can't have a Plan B if you want this to work out.
And it hit me exactly as it was intended to, exactly as it
should have. And to this day, it is one of
the top things that I tell people that want to start doing
what I'm doing or want to start doing their own business or
version of whatever. I'm like, listen, you can't have
a Plan B. You've got to be all in.
You've got to be be. Yeah.
Can't have one foot out the door.
You know, if it doesn't work, then no, all in.
And I was lucky enough to have the opportunity to live with my
parents at that time, so I did not have to worry about paying
rent. And I realized that not every
person is as as lucky as I was in that timeline of my life
where I didn't have to focus on a lot of bills and taking care
of other people. So my situation's quite unique.
But I'm really grateful that he told me that when he did because
it set me on a whole new journey of realizing that I've got skin
in the game now. You know, it's not just fun and
staying awake late making fun music.
I mean it, it is. And I, I still do love that.
But I've got both feet in now. And I remember Holland said
you've got to get a Patreon set up for yourself.
You've got to have a place where people can come and support you.
And I was like, I, I want to, but I, I don't honestly don't
know who would paid me to do stuff like I, I don't know.
And he said, Bailey, if you don't believe in yourself, how
can you expect other people to do that?
You've got to do it first. I was like, damn, this FaceTime
call is full of a lot of really good shit right now.
And you're right, you're right. That makes total sense.
So we got off the call and I started a Patreon and, you know,
looking back, I can't remember if I already had one going, but
it wasn't very vibrant. There wasn't a lot of movement
there. But after that call, I really
started putting in the effort and making regular videos and
content and art and posting all my stories and getting my
Instagram going and like, all the things you got to do, you
know? But the love for the music never
went away. And even to this day, even
though it's been a long time and my relationship with it has
changed a little bit here and there, it's still something that
I love. It's still something that brings
me joy. There's nothing like figuring
out an incredible idea for a cover or it doesn't have to be a
cover. Can be an original song, can be
a poem, can be some great vocals or a beautiful piano part or
some new chords on the ukulele that I want to put down.
You know that feeling. It's magnetic, it's electric,
it's vibrant and people started paying attention and people
started joining. Before I knew it, I had 10:20,
30-40 patrons, people that were paying me every month, literally
funding my life. I wasn't making any money on
streaming at this point. Not a not a cent or maybe like a
few cents, but it was very, very little.
And what I was receiving was love and financial support from
people all around the world, all different ages, all different
languages, who had one thing in common, and that was a love for
music and a really beautiful and profound and inspiring belief in
me. And I will forever be grateful
to those individuals who helped support my life.
And they literally made it possible for me to do what I was
doing. Because with the money that I
was making from the videos and the music, I was able to pour
back into my art, into buying a little bit better equipment or a
new camera lens or a new interface or some new string
programs, things that all eventually made my music what it
is today. With their financial support, I
was able to purchase the interface, the laptop, the
microphone, everything that I'm using to this day.
Nothing was ever just handed to me for free. 2018, I got an
e-mail from a guy named Matt that said, hey, I'm interested
in working with you. I've got a really small little
label of acoustic artists. There's no contracts, it's just
us working together in collaboration.
Let me know if you're interested.
And I thought he was offering for them to take care of the
mixing and the mastering the stuff that I was really
struggling to figure out. But I love the creation of the
music part and that's all that I really wanted to do.
And so they actually. So I responded and was like, you
know what? Yeah, let's do a trial song.
Like let's do one and see what happens.
I remember telling the guy I was dating at the time, yeah, I'm
gonna, I'm gonna work with this, this guy named Matt, and I'm
gonna send him one of my songs and we're gonna do a, do a trial
run. And he was like, I wouldn't do
that if I were you. I would just keep your music to
yourself. I wouldn't be sharing royalties
with anyone. You know, I wouldn't be working
with other people. And I was like, well, I want a
team. I want community, you know, I
want to be able to outsource stuff that I don't want to do or
I don't feel proficient in doing any more.
And I can just focus on the creation process.
And during that time, I went to a Ben Rector concert and he was
playing at the Ryman Auditorium in Nashville.
Incredible show, incredible venue, my favorite venue.
And that I probably have that I've ever, ever gone to.
I've seen so many amazing shows there.
And he at the end of the show, he goes, oh, because I'm in
Nashville, guys, I'm going to play country music classic
Shania Twain. Here goes.
And he starts in, looks like we made it.
Look how far we've called my baby.
And I told my boyfriend this time, yeah, I've got this
amazing cover of You're Still the One.
And he goes 90s country. Like no one's going to stream
that. And I said, I think you're
wrong. I think people will love this
song. People love 90s country, People
love Shania Twain. This song is an incredible hit.
It's going to be played at 1,000,000 weddings.
And I'm going to send it to Matt and we're going to try it out as
my trial song. So I sent it to Matt, we put it
out 2018. To this day, it is my most
streamed song. I recorded it in my bedroom just
following a feeling with no fancy mic, no label, no promo,
just me and a little gut feeling.
And somehow it found people, like a lot of people.
It's got around 30 million streams across platforms, which
is such a testament to following your gut and your intuition when
you want to do something because you never know where it could
lead you. So I mentioned growing up in
Nashville, you know, in the land where everyone and their cousin
has a record deal or wants one or is trying to get into the
industry in some capacity or another.
And the goal is always to quote, make it, you know, to sign a
label, to play the right rooms, to get in the right rooms to.
There's just this unspoken blueprint that you're expected
to follow if you wanna be taken seriously.
And when I started doing music, but not that kind of music and
not that way, people were confused.
You know, I wasn't chasing a label.
I've never chased a label. I'm not signed to a record
label. I never have been, never will
be. But most likely I wasn't trying
to perform at writer's rounds and live events.
And I, I wasn't even doing original music at first.
I was just following this feeling, recording covers in my
bedroom, layering harmonies with my headphones on late at night.
And people would ask me like, oh, how's the, the singing thing
going, you know? And I could hear the tone in
their voice, like, as if it was a hobby that I would grow out
of. But they didn't really get it,
you know? And that's OK.
But I kept going anyway because even if they didn't understand
it, I did, and I still do. And it is something that I'm so
proud of that I continued listening to myself even when
there were so many voices, questioning what I was doing,
why I was doing it, how I was doing it, what my intention was,
if it was working. You know, even to this day when
I tell people like, yeah, I produce my own music and I
record acoustic covers and I tell people it's my full time,
they usually can hardly believe it.
They're like, wait for real? Oh, like, wow.
They don't know what to do with it because it's it's kind of
outside the box. It's outside the realm of of
possibility of what they think is normal.
But I would not trade it for anything.
I absolutely. I'm so grateful for the journey
and for my incredible team that is supportive and kind and
always wants to see me grow and evolve.
Another question I get a lot is, oh, so you don't make any
original music? And I have made original music
in the past, and I definitely see myself making more original
music in the future. But what people don't understand
is that a cover is not just a copy.
Like you're just borrowing someone else's song instead of
making your own, you know? But here's the thing.
Every time I cover a song, I'm not trying to imitate it.
I'm trying to feel it. I'm trying to find the soul of
it and translate it through my body and my voice and my
experience. And that is the artistry.
I don't think that a song has to be original to be authentic.
But all also what is quote original even mean anymore?
You know, some of the biggest songs in the world were written
by teams of people and then performed by someone who didn't
write a single line, and yet we call those originals.
But when an independent artist pours their heart into
reinterpreting a piece of music, how is that somehow less than
no, no. When I cover a song, I bring my
own meaning to it. My grief, my softness, my
timing. It's not just about singing
someone else's story, but I'm offering my own into the
presence of the work that I am creating.
So when it comes to choosing the covers that I do, I don't just
cover anything. I'm very picky.
I choose the songs that move me. I choose ones that hit like this
quiet ache in your chest and the ones that feel like someone
saying I get it, I've been there.
And I don't really cover trendy songs at all.
Like, I like covering stuff that has been out for at least 30
years. Sometimes I hear one line in a
song and my whole body responds like it mirrors something in me.
And that's how I know. And that's the kind of song that
I want to live inside for a little while and wrap my mind
around new harmonies and breathe life into and make it honest.
And it's less about the genre or the artist and way more about
the emotion that wants to come through.
You know, for a long time, in the beginning, I was just
uploading into the void. Like no one was following me.
I didn't have any big plan for promotion.
It was just me hitting publish on YouTube videos.
And there were a lot of really kind comments from extended
family and, and childhood friends.
And I really appreciated that, you know, I didn't have millions
of streams. Nothing went viral, but there
was soulful connection there. And it just, it kept happening.
And slowly there would be a message here and there, or an
e-mail, or some of them messaged me on my website telling me that
they cried when they heard my song.
Or that they played it at their wedding.
That it was their first dance song, or their dad walked them
down the aisle to it. Or they played it for their
brother's funeral because it was their favorite song.
Or that their baby falls asleep to it every night.
Or it's the only song that will get their toddler to stop
crying. And I just remember thinking,
wow, this is what I wanted. Like I didn't even need to
explain what I was doing anymore.
Maybe it didn't even make sense to anyone else, but it was
working. Not in the industry sense of
record deal and record label and hustle and bustle and tour and
all this stuff. But I, I was like, oh wow, this
is exactly what I wanted all along.
To be connecting with people through music all around the
world without having to go out and tour and without having to
go be gone and be fulfilling this kind of struggling,
starving artist vibe. That is just what you do,
Especially growing up in Nashville.
Like it's, it's what I was so used to seeing.
And even though I have received millions of streams and millions
of yearly listeners, like what I'm most proud of isn't even the
numbers, it's that I never gave up.
I, I didn't try to become louder and flashier to, to stay
noticed. I just stayed close to what felt
honest. And so if you're listening to
this, maybe you're starting out with something, music or art,
writing, healing. Let this be a reminder too, that
you know, you don't need some big break.
You don't need everyone to understand.
You just need a quiet knowing and the courage to keep saying
yes to it, you know? And that's the path, that's the
magic that is the following the yellow brick road and letting
one step appear before you as you take those steps, trusting
that the next one will appear. And that's the artist's way,
following the gut, following the heart, finding the the bridge
between the two. And like I said, even though
I've feel like I've had a a lot of incredible success online,
the thing that stands out the most to me are those messages,
those kind words of things people have said to me about how
they connect with my music. One of the most incredible
messages I ever received. A little bit of a trigger
warning cure for someone considering becoming unalived.
I got a message one night from a woman that said I was really
close to driving my car off a bridge today.
And your song started playing out of nowhere on my car radio.
And I just pulled over on the side of the road and I cried.
And I'm still here today because of that moment.
Well, thank you, and to this day that message makes me emotional
because I was just making art that inspired me, and here it
was actually impacting whether someone stayed on this planet or
not. What?
The idea that art can reach so far beyond us is incredible, and
the capability for connectivity that we have right now is
greater than we've ever had before in the history of art in
our worlds and communication in our world.
Like don't give up. If this is something you want to
do, no matter what it is, no matter what kind of dream or or
art or passion or inspiration you want to share, go for it.
Because you never know how much it will one impact someone else,
which is incredible. But even more than that, how
much it will impact and change you as a person, as an artist,
as a creator. So there's so much more I'm sure
I could share, but I think this is a good stopping point.
So if you've gotten this far, thank you so much for listening.
I really appreciate it. I hope something in this story
has been inspiring to you. If you are looking for ways to
support people that you love, look for options like if they
have Patreon available, if they have a buy me a coffee link, if
they have, you know, a website you can order from.
And shameless plug for my own Patreon right here where I'm
offering monthly guided meditations, gratitude
practices, behind the scenes voice notes, stuff that I'm not
posting anywhere else. It's only for my Patreon
community in exchange for your financial support with for as
little as a price of a cup of coffee.
I'm creating these episodes. These podcasts are are free.
You know, I'm not making any money as of yet sharing them,
but I I'm doing it because I love it.
I'm following my gut and I'm doing it because I know that my
words will have an impact on people beyond me that I might
never get to reach or meet in real life.
But you never know how far your words can travel.
So if you are able or interested in supporting my ability to
continue creating, it does not go noticed or underappreciated.
So thank you so much and thank you for listening.
I will be back next week with another episode and I really
look forward to connecting with you then.
So until then, my little cosmic nomad friends, keep an open
heart, open mind and stay curious.
Oh, and if you're interested in listening to any of my music, it
is all under my name, Bailey Rushlow, across all platforms,
Spotify, Apple Music, YouTube, you name it.
All of my old music videos. I'm not really making as many
music videos these days, but I've got a lot of incredibly
beautifully filmed ones on YouTube.
Go check those out. And thank you so much for
listening. I'm so grateful.
I hope my music impacts you and imparts some love to your life.