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Hello and welcome to Tracks of 
Our Queers. 

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My name is Andy Gott and each 
episode I chat to a fascinating 

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queer person about their 
relationship with music via one 

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song, one album and one artist 
that have each soundtrack their 

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life. 
Peter Tatchell is somewhat 

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peerless in his contributions to
queer activism, not just in the 

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UK where he's lived since the 
early 70s, but globally. 

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I grew up often seeing Peter on 
television, may it be a late 

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night Channel 4 talk show, 
interviewed by a news reader or 

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indeed part of the news himself.
As a key player in Outrage, the 

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gay and lesbian political group,
I recognised him as a visible 

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gay man protesting for gay 
rights before I could even 

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recognise my own identity. 
However, it wasn't until I 

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watched the documentary of his 
life's work, Hating Peter 

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Tatchell, that I could fully 
comprehend what his impact on 

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queer lives in the UK and beyond
have been. 

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Born in Melbourne in 1952, Peter
was politicised by the American 

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Black Civil Rights Movement, the
Indigenous Civil Rights movement

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in Australia and the atrocities 
of the Vietnam War before moving

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to London where he was 
fundamental to the organisation 

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of EU KS very first Pride March 
London Pride in 1972. 

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Peter has been to every single 
London Pride since. 

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Across 6 decades of activism, 
Peter has been arrested over 100

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times and has been subject to 
more than 300 violent assaults, 

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including fifty attacks on his 
flat. 

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He was once interrogated by the 
Stasi in East Berlin. 

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He's received police protection 
multiple times and was listed as

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a target for assassination in a 
foiled plot. 

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I will speak for myself here and
not you, dear listener. 

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I simply do not believe that I 
am brave enough to have lived a 

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life on the front lines like 
Peter has, but I do believe that

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we owe him and of course many 
other brave activists around the

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world an incalculable amount. 
All of that to say, it's a 

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tremendous honour to have him on
this show and to learn about 

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some of the music that has 
soundtracked his outrageous 

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journey. 
Tracks of Our Queers is firmly 

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and proudly A1 Queer Band. 
So if you enjoy this episode, 

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you can buy me a coffee. 
LinkedIn the episode show notes,

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your support covers the costs 
associated with the show and it 

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helps me rely a little bit less 
on my day job. 

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So thank you very much in 
advance. 

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All right, over to Peter. 
Peter Tatchell, welcome to 

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Tracks of Our Queers. 
Very happy to join you. 

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Tell me about your earliest 
musical memory. 

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My earliest musical memory 
probably goes back to the early 

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1960s. 
In 1963, I was 11 years old in 

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Melbourne, Australia, and I 
heard about the bombing of a 

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black church in Birmingham, AL, 
where four young girls about my 

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own age were murdered by white 
racists. 

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That profoundly shocked me. 
I was only 11. 

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I wasn't political, but I just 
had a gut reaction that was so 

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wrong. 
That prompted my interest in the

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black civil rights movement led 
by Doctor Martin Luther King, 

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and one of its anthems was We 
Shall Overcome, Sung very 

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notably by Mahalia Jackson. 
That's one of the earliest songs

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that really sticks in my mind, 
and its values, its ideals, 

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stand with me today. 
And was that just something that

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you would have heard on the 
radio, or would there have been 

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a record of that song in your 
house playing? 

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Definitely not a record in our 
house. 

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And my parents were small C 
conservatives. 

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They were religious, but not 
that kind of religion. 

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I mean, they were sort of 
evangelical Pentecostalists, 

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totally disengaged from 
politics. 

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But I remember hearing it in 
news reports of the service for 

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the young girls after they were 
killed. 

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And so then what did that spark 
within you other than a lifelong

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career of activism? 
But what were those immediate 

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first steps? 
How were you then seeking to 

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find out more information about 
what had just happened? 

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How could you possibly educate 
yourself as an 11 year old in 

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Melbourne about the Civil rights
movement happening on the other 

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side of the planet? 
Well, for a start, that struggle

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for black freedom was pretty 
much nightly on the news, on 

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radio and TV. 
It was also widely reported in 

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Melbourne newspapers like the 
Herald and The Sun. 

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So yeah, that's how I discovered
more. 

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You know, I scoured through 
newspapers and went to libraries

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and educated myself. 
And of course, this was long 

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before I realised that I was 
gay, long before I got involved 

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in LGBT plus activism, when I 
was aware of my own sexuality. 

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In 1969, when I was 17, I didn't
have any LGBT plus role models. 

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And certainly in Melbourne there
were no campaign groups, there 

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weren't even any LGBT plus help 
lines or counselling services. 

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There was nothing. 
So I looked to the black civil 

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rights movement in America as my
inspiration for how to do LGBT 

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plus activism. 
I remember thinking to myself in

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1969 at the age of 17 that if 
black people in America are an 

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oppressed minority, then so to 
LGBT plus people not not only in

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America but in Australia and 
everywhere. 

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I conceived this idea of us 
being an oppressed minority and,

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like black Americans, having a 
claim for equal rights and 

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social justice. 
I remember thinking in my mind, 

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how long would it take to win 
LGBT freedom in Western 

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countries like Australia and the
US? 

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And so I trawl back through the 
history of the black civil 

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rights movement, and it was 
roughly, of course, there'd been

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movements going on for decades 
and centuries since the era of 

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slavery. 
The modern movement for black 

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civil rights, America took about
50 years to win racial equality 

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and desegregation. 
So on that basis, I calco 

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probably it would take about 50 
years to win LGBT plus freedom 

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as well. 
And I turned out, purely by 

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speculative guesstimate, to be 
about right. 

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There you go, there you go. 
I should be transparent and 

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upfront that just two days ago I
watched the incredible 

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documentary about your life's 
work, Hating Peter Tatra, which 

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in Australia is on SBS On Demand
and I believe in the UK is on 

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Netflix. 
You hinted at something in that 

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documentary before you did move 
to London, I believe 19 

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thereabouts. 
What was your exposure to the 

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Aboriginal civil rights movement
in Australia? 

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So what was visible to you, what
was available in the news with 

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what Aboriginal people were 
experiencing? 

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But of course, having had that 
exposure and interest and 

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support for the black civil 
rights movement in America that 

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turned my mind to the treatment 
of Indigenous black Australians,

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I thought to myself, we have a 
similar race problem here in 

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Australia. 
In those days, in terms of 

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mainstream media, black 
Australians were almost 

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invisible. 
Their concerns, their struggle, 

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their quest for justice was 
pretty much marginalised. 

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I can remember in 1967 I read a 
report that a lot of young 

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Aboriginal kids were leaving 
school at the minimum age 

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because their parents need them 
to go out to work. 

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And of course that meant they 
had no qualifications, they 

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didn't develop any skills. 
So I thought about the idea, why

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don't we fundraise to provide 
those young Aboriginal teenagers

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with scholarships to stay on at 
school rather than go out and 

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get job? 
Because if they stay not at 

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school, they ever get 
qualifications, they go on to 

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learn trades, become 
professionals and that would 

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uplift them, their families and 
their whole communities. 

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And I did a bit of research and 
found that at Melbourne 

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University there was an 
organisation called ABSCOLL, had

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already been set up and was a 
special fund called the 

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Aboriginal Scholarship 
Educational Incentive Fund. 

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And so with three other members 
of my high school, we went to 

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Melbourne University, met with 
Melbourne University students 

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and then went back and organised
all the schools in the South and

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east region of Melbourne to do a
long walk along the beaches to 

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raise money for this scheme. 
I can't remember the total 

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figure, but for our school I 
think we raised about $430, 

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which was quite a lot of money 
back in 1967. 

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And that scheme is still going 
today as far as I know. 

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So a little bit later I got 
involved in the student 

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Christian movement, which was 
very active in championing 

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Indigenous like Australian 
rights and we did a number of 

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protests against sporting tours 
by South Africa's apartheid 

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team. 
Incredible. 

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Tell me about your first 
interaction with another gay 

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person that you knew them to be 
gay. 

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My big passion was art and 
design, but my parents couldn't 

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afford to keep me out of school.
I wanted me to go out to work to

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help support the family income, 
so I left school at 16 and I 

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went to work for Waltons 
Department Store in Bourke St, 

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Melbourne, in the design and 
display department. 

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I thought this is the closest 
I'm going to get to actually 

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doing art and design. 
I'll learn on the job and that's

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what I did, helping design and 
make windows, interiors, logos, 

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signs, the whole gamut of art 
and design for that store. 

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It was there that I first met 
other gay people, although at 

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the time I didn't realise I was 
gay. 

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I had a very sheltered, 
extremely conservative, 

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repressive evangelical Christian
upbringing, so the idea of 

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homosexuality was just totally 
out of my realm of 

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consciousness. 
I remember these these other 

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guys in the display and design 
department were, you know, 

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fairly open about being gay. 
It struck me that they were nice

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people. 
They were talented, they were 

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friendly. 
You know, they were, they were 

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great work colleagues. 
So it disabused me of my 

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prejudices, my Christian 
prejudices against what we then 

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call just gay people. 
Over time, one of the work 

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colleagues who was gay and I say
fairly openly gay, invited me 

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home for dinner. 
And I sort of knew what that 

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meant. 
I wasn't entirely stupid. 

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Of course. 
I said no, no, no. 

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But then after about 3 or 4 
months, I began to wonder, you 

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know, was I gay? 
I'd never had any sexual 

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experiences with women. 
I dated girls, but being a 

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strict Christian, nothing more 
than a chaste kiss on the lips. 

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So one night as he was leaving 
to go home, he turned up to me 

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and said, would you like to come
home for dinner? 

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I said yes please, I thought in 
my mind I will see where this 

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goes and I can always say no at 
the last minute. 

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I remember we walked to the tram
stop on Collins Street to go 

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back to his little bedsit on the
Esplanade at Middle Park and who

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should be waiting at the bus 
stop on my father. 

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So I I introduced Robert to my 
mother and said he'd invited me 

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to go home to his place to have 
dinner and I thought that rather

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than going all the way back to 
Mount Waverley, I would just 

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stay over at his place and then 
go to work next morning. 

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She said, oh fine. 
So we got back to his little 

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bed, sit overlooking the beach, 
we had a lovely dinner and then 

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he asked if I would like to go 
to bed and I paused and said 

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yes, we had sex. 
And I remember, I think to 

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myself, wow, this was absolutely
like superb, magnificent, 

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wonderful. 
If this is what being gay is, 

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then I'm definitely gay. 
And we end up having a wonderful

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relationship for several years, 
and we're still lifelong best 

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friends. 
I love that that is so special. 

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You may not have an answer to 
this question, but is there? 

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Is there a particular song or 
something musical which reminds 

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you of that precise time of your
life? 

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That's a tough one. 
I'm sure they're probably Dusty 

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Springfield or something like 
that. 

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I'd love to hear you explain 
what actually prompted you to 

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move as someone in your very 
early 1920. 

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What pushed you to move to 
London? 

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I've been very much involved in 
the Vietnam moratorium campaign 

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against Australia's involvement 
in the Vietnam War and against 

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the draft for that war. 
To me it was an unjust, immoral 

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war and we were seeking to 
dictate to the people of 

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Vietnam. 
Who should rule them and how 

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they should live their lives. 
This is old fashioned 

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imperialist interventionism. 
I was very strongly opposed to 

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the war. 
By this stage. 

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There were multiple reports of 
atrocities being committed by 

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allied troops, the 
indiscriminate bombing of 

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civilian areas, the massacre of 
villages. 

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So I wasn't prepared to even 
register for the draft. 

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I didn't want to in any way 
collude with the draft. 

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Of course, the penalty for 
refusing to register was two 

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years in prison. 
Before I met Robert. 

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I was prepared to go to prison, 
but having just fallen in love 

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and begun this amazing 
relationship, the idea of being 

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torn apart from him and spending
two years in prison was just too

229
00:15:24,440 --> 00:15:26,840
much. 
I'd always want to travel 

230
00:15:26,840 --> 00:15:31,600
anyway, plan to come to Britain 
and Europe like many 

231
00:15:31,600 --> 00:15:35,600
Australians. 
And so we we both came to 

232
00:15:35,600 --> 00:15:42,480
Britain by boat, by Pacific 
Anamar Canal in the Atlantic 

233
00:15:43,000 --> 00:15:48,800
took all of nearly seven weeks, 
but the cost of that sea journey

234
00:15:49,440 --> 00:15:54,120
was pretty much the same as an 
air flight, 420 Australian 

235
00:15:54,400 --> 00:15:57,360
dollars. 
You got the travelled stops in 

236
00:15:57,360 --> 00:16:02,280
Fiji and Tonya, Anamar Canal, 
the Caribbean, all your food, 

237
00:16:02,280 --> 00:16:04,480
all your entertainment. 
It was a no brainer. 

238
00:16:04,560 --> 00:16:07,200
And So what happened two days 
after you arrived in London? 

239
00:16:07,200 --> 00:16:09,280
Something happened two days 
after you'd arrived there. 

240
00:16:09,760 --> 00:16:13,880
Actually, on the second day we 
were walking around central 

241
00:16:13,880 --> 00:16:18,560
London by Oxford Street and I 
saw a sticker on a lamppost 

242
00:16:19,120 --> 00:16:23,600
advertising the weekly meetings 
of the not long formed the 

243
00:16:23,600 --> 00:16:26,960
Liberation Front. 
So I thought, wow, I want to be 

244
00:16:26,960 --> 00:16:30,640
part of this. 
Back in Australia, there being 

245
00:16:30,640 --> 00:16:34,960
no LGBT organisations, all I 
could do was write letters to 

246
00:16:34,960 --> 00:16:38,560
the press, to newspapers like 
The Herald, The Sun, The Age and

247
00:16:38,800 --> 00:16:40,480
I've got to tell you, I was very
scared. 

248
00:16:40,560 --> 00:16:45,200
I never signed any of the 
letters or gave my address 

249
00:16:45,920 --> 00:16:48,360
because I feared they might be 
handed over the police. 

250
00:16:48,880 --> 00:16:51,240
In those days you could 
potentially be sent to prison 

251
00:16:51,840 --> 00:16:55,240
and even pressured to undergo 
psychiatric treatment. 

252
00:16:56,040 --> 00:16:59,440
Over time I began to sign my 
name and eventually gave my 

253
00:16:59,440 --> 00:17:02,160
address as well. 
The newspapers never got back to

254
00:17:02,160 --> 00:17:03,560
me. 
As far as I heard, the letters 

255
00:17:03,560 --> 00:17:05,720
were never published. 
They've been simply making the 

256
00:17:05,720 --> 00:17:11,920
case for the decriminalisation 
of homosexuality and criticising

257
00:17:12,000 --> 00:17:14,599
police in action over queer 
bashing violence. 

258
00:17:14,599 --> 00:17:17,440
What was emboldening you? 
What was making you, each time 

259
00:17:17,440 --> 00:17:20,760
you wrote that letter, be more 
forthcoming with here's my name,

260
00:17:20,760 --> 00:17:23,319
here's my address kind of 
pushing forward. 

261
00:17:23,640 --> 00:17:26,760
Well, I thought being gay, you 
have to stand up for yourself. 

262
00:17:27,560 --> 00:17:31,840
I was conscious it could have 
dangerous consequences, but I 

263
00:17:31,840 --> 00:17:36,680
had to show the newspaper that I
wasn't afraid that there were 

264
00:17:36,680 --> 00:17:40,680
gay people. 
I prepared to take a stand and 

265
00:17:40,680 --> 00:17:45,360
I'd sort of hoped that perhaps 
they might contact me and do an 

266
00:17:45,360 --> 00:17:47,680
interview, perhaps an anonymous 
interview, but an interview 

267
00:17:47,680 --> 00:17:51,240
nonetheless, where I could talk 
about not what was going on. 

268
00:17:51,240 --> 00:17:55,320
Living in Middle Park on the 
beachfront, I heard reports of 

269
00:17:55,960 --> 00:17:59,560
police either in uniform or 
plain clothes going along the 

270
00:17:59,560 --> 00:18:04,880
beat and beating up gay men and,
you know, very savage, severe 

271
00:18:04,880 --> 00:18:08,320
beatings. 
And it was never reported. 

272
00:18:08,720 --> 00:18:10,640
There was clearly an abuse of 
police power. 

273
00:18:11,080 --> 00:18:14,560
I want to talk about such things
and I wish I could have had that

274
00:18:14,560 --> 00:18:16,920
opportunity. 
So you see this sticker in 

275
00:18:16,920 --> 00:18:20,600
London for the Gay Liberation 
Front and you are prompted to 

276
00:18:20,600 --> 00:18:22,960
attend. 
Is it a meeting that you attend?

277
00:18:23,160 --> 00:18:25,880
Yeah, they held the Gay 
Liberation Front open weekly 

278
00:18:25,880 --> 00:18:28,880
meetings in a church hall in 
West London. 

279
00:18:29,520 --> 00:18:33,280
The attendance was between 2 and
300 people, very often very 

280
00:18:33,280 --> 00:18:36,920
chaotic, very noisy but 
incredibly passionate and 

281
00:18:36,920 --> 00:18:42,640
committed and just amazing to 
see every Week 2 or 300 LGBT 

282
00:18:42,640 --> 00:18:46,760
plus people who were prepared to
stand up and demand change. 

283
00:18:46,880 --> 00:18:48,680
Who was keeping the agenda 
notes? 

284
00:18:48,720 --> 00:18:51,360
I'm a bit stressed out thinking 
about who's tracking all the 

285
00:18:51,360 --> 00:18:53,600
actions from this meeting with 
300 people. 

286
00:18:53,800 --> 00:18:58,320
Yeah, there was a elected 
steering committee and well 

287
00:18:58,320 --> 00:19:00,760
elected chair to chair the 
meetings. 

288
00:19:01,320 --> 00:19:04,960
I'm meeting the 300 people 
mostly standing in a huge crowd.

289
00:19:05,320 --> 00:19:07,600
It was quite tough to keep 
control of. 

290
00:19:07,640 --> 00:19:10,280
Things did get a bit 
disorganised and out of order at

291
00:19:10,280 --> 00:19:14,480
times, but overall we managed to
get an agenda, go through it, 

292
00:19:14,640 --> 00:19:17,920
make a plan of action, organise 
protests and so on. 

293
00:19:18,200 --> 00:19:22,640
Clearly, clearly, you were 
capable enough to be part of 

294
00:19:22,640 --> 00:19:25,400
organising the first ever London
Pride. 

295
00:19:25,720 --> 00:19:29,480
Well, in fact, the first pride 
in the UK took place on the 1st 

296
00:19:29,480 --> 00:19:35,360
of July 1972. 
It came about because the 

297
00:19:35,360 --> 00:19:39,320
prevailing public view of 
straight society was that we 

298
00:19:39,320 --> 00:19:44,000
should be ashamed of being gay, 
lesbian, bisexual or trans. 

299
00:19:44,840 --> 00:19:46,600
We thought, what's the opposite 
of shame? 

300
00:19:46,600 --> 00:19:49,160
It's pride. 
You know, we're proud of who we 

301
00:19:49,160 --> 00:19:50,560
are. 
We're not ashamed. 

302
00:19:51,160 --> 00:19:54,240
So that's how the idea of gay 
pride came about. 

303
00:19:55,160 --> 00:19:59,680
It was a huge gamble. 
Back in those days, most 

304
00:19:59,680 --> 00:20:02,120
eligibility, most people in 
Britain, everywhere were 

305
00:20:02,120 --> 00:20:05,240
closeted. 
They feared coming out because 

306
00:20:05,800 --> 00:20:09,120
of the possibility of being 
arrested, rejected by their 

307
00:20:09,120 --> 00:20:12,920
families. 
Beaten up by neighbours, losing 

308
00:20:12,920 --> 00:20:16,720
their jobs. 
That was the reality of LGBT 

309
00:20:16,720 --> 00:20:20,000
plus life in that era. 
So it was a big gamble. 

310
00:20:20,000 --> 00:20:25,040
But in the end 700 people turned
out and we were, we were, we 

311
00:20:25,040 --> 00:20:26,960
were overjoyed. 
You know, we thought this was 

312
00:20:26,960 --> 00:20:30,240
success. 
It was very heavily policed. 

313
00:20:31,040 --> 00:20:34,040
There was almost a police 
officer for every single person 

314
00:20:34,040 --> 00:20:39,840
in the March and some officers 
openly abused us as poofs, 

315
00:20:39,920 --> 00:20:44,240
queers, benders, dykes, lesis 
and so on. 

316
00:20:44,920 --> 00:20:48,280
There was nothing you could do 
because in those days there was 

317
00:20:48,280 --> 00:20:51,080
no Police Complaints procedure, 
no police watchdog. 

318
00:20:51,440 --> 00:20:54,680
The police were officially 
homophobic, they endorsed 

319
00:20:54,680 --> 00:20:57,680
homophobia, they executed 
homophobia, they were the 

320
00:20:57,680 --> 00:21:01,640
enforcers. 
The one incident that happened 

321
00:21:01,640 --> 00:21:06,080
on that March that really stood 
out was in Oxford St by 

322
00:21:06,080 --> 00:21:10,200
Selfridges department store. 
I was carrying a small sign 

323
00:21:10,200 --> 00:21:15,000
saying gay is good. 
Very elderly woman probably in 

324
00:21:15,000 --> 00:21:18,960
her 80s but with beautifully 
coffee, hair and twin set and 

325
00:21:18,960 --> 00:21:24,160
pearls, heavily laden down with 
bags of shopping, stepped to the

326
00:21:24,160 --> 00:21:27,320
edge of the pavement and said to
me what is gay? 

327
00:21:27,320 --> 00:21:33,520
To which I replied, homosexual 
and her response was ha good on 

328
00:21:33,520 --> 00:21:38,800
you, good luck. 
That gave me confidence that we 

329
00:21:38,800 --> 00:21:40,560
had allies and we could change 
things. 

330
00:21:40,920 --> 00:21:44,680
And of course on that March I 
would say that about 1/3 of the 

331
00:21:44,680 --> 00:21:47,240
people on the March were 
hostile. 

332
00:21:47,800 --> 00:21:50,240
They booed and jeered and gave 
us the thumbs down. 

333
00:21:50,520 --> 00:21:53,560
Some even threw coins or cans or
things like this. 

334
00:21:53,600 --> 00:21:57,920
Not cans but bottles. 
And about 1/3 were just gulping 

335
00:21:57,920 --> 00:22:02,080
in disbelief gay people would 
dare show their faces in public.

336
00:22:02,720 --> 00:22:04,280
But another third were 
supportive. 

337
00:22:04,960 --> 00:22:07,440
They cheered and clapped and 
gave us a thumbs up. 

338
00:22:07,960 --> 00:22:12,880
So from that experience, we're 
emboldened the next year to 

339
00:22:12,880 --> 00:22:16,880
repeat the process. 
And every year afterwards, gay 

340
00:22:16,880 --> 00:22:19,920
pride grew and grew in numbers. 
And I believe you've not missed 

341
00:22:19,920 --> 00:22:22,080
one since right in London. 
Is that correct? 

342
00:22:22,360 --> 00:22:27,240
That's right, I've been on every
single Pride in London since 

343
00:22:27,240 --> 00:22:30,080
1972. 
I rearrange my calendar to make 

344
00:22:30,080 --> 00:22:34,400
sure I'm there. 
I think about that crowd, 1/3 on

345
00:22:34,400 --> 00:22:37,640
the more abusive end of the 
spectrum, a third in disbelief 

346
00:22:37,640 --> 00:22:40,400
and a third cheering you on, or 
at least encouraging or 

347
00:22:40,400 --> 00:22:43,960
whatever. 
And I think that sums up how 

348
00:22:43,960 --> 00:22:47,960
many people view your activism 
in a way, Peter, in that many of

349
00:22:47,960 --> 00:22:54,840
us mere mortals might have 
sought shelter at that third of 

350
00:22:54,840 --> 00:22:58,840
the crowd who were shouting 
abuse, who were mocking us, 

351
00:22:58,840 --> 00:23:01,400
jiving us, insulting us. 
And you know, some of us would 

352
00:23:01,400 --> 00:23:07,600
have buckled and ran away, but 
instead of absorbing that 

353
00:23:07,600 --> 00:23:10,840
negatively, you were emboldened 
by the third who were positive. 

354
00:23:11,000 --> 00:23:14,200
You chose to focus on the third 
who were there encouraging you 

355
00:23:14,240 --> 00:23:15,560
on. 
And that's what prompted you to 

356
00:23:15,560 --> 00:23:18,680
come back the following year. 
Well, even emboldened by the 

357
00:23:19,120 --> 00:23:23,440
those who are hostile, you know 
that that kicked in my sense of 

358
00:23:23,720 --> 00:23:27,200
stubborn defiance. 
And indeed everybody, I think, 

359
00:23:27,200 --> 00:23:30,080
felt much the same. 
We didn't care that they hated 

360
00:23:30,080 --> 00:23:31,800
us. 
Well, we did care, but we 

361
00:23:31,800 --> 00:23:34,200
weren't going to be deterred by 
the fact they hated us. 

362
00:23:34,800 --> 00:23:38,240
That emboldened us to make it 
all the more important that we 

363
00:23:38,240 --> 00:23:42,320
did it again, and we stepped up 
our campaign for queer 

364
00:23:42,320 --> 00:23:44,200
liberation. 
We are going to get to your 

365
00:23:44,200 --> 00:23:46,280
musical selections very shortly,
I promise. 

366
00:23:46,280 --> 00:23:49,000
But I, like I've already said, I
watched the documentary about 

367
00:23:49,000 --> 00:23:51,000
your life's work, hating Peter 
Tatchell the other night with my

368
00:23:51,000 --> 00:23:54,000
partner and he's actually 
Australian and he had never 

369
00:23:54,000 --> 00:23:57,120
heard of you, but he came away 
from watching it with me just 

370
00:23:57,160 --> 00:24:00,800
wowed and overwhelmed by what 
you've achieved with your life. 

371
00:24:00,800 --> 00:24:05,280
And I was quite moved myself 
because I feel like I've always 

372
00:24:05,280 --> 00:24:07,840
kind of known who you were. 
You were always in the 

373
00:24:07,840 --> 00:24:11,560
newspapers and TV when I was 
growing up in the UK, before I 

374
00:24:11,560 --> 00:24:16,320
even knew that I was gay myself.
I absorbed you as a kind of 

375
00:24:16,600 --> 00:24:21,760
articulate, challenging, defiant
but notably gay man. 

376
00:24:21,760 --> 00:24:25,280
This was Peter Tatchell on TVA, 
gay man speaking about gay 

377
00:24:25,280 --> 00:24:28,760
things, gay politics. 
It led me to reflect after I 

378
00:24:28,760 --> 00:24:32,560
watched the documentary, on how 
I was perhaps absorbing 

379
00:24:32,560 --> 00:24:36,560
homosexual representation in the
news, so specifically the news 

380
00:24:36,560 --> 00:24:41,520
rather than pop culture, and how
I then went off to uni at 18 in 

381
00:24:41,520 --> 00:24:45,320
the late 2000s and moved through
my early 20s with this, looking 

382
00:24:45,320 --> 00:24:49,280
back now, quite a naive sense of
what a great time it was to be 

383
00:24:49,280 --> 00:24:51,440
gay. 
And it was, and it is now. 

384
00:24:51,440 --> 00:24:53,960
And I do believe that things 
continue to get better, which is

385
00:24:53,960 --> 00:24:56,960
great. 
But it was not clear to me then 

386
00:24:57,000 --> 00:25:03,000
just how different life was a 
mere 152025 years earlier if I'd

387
00:25:03,000 --> 00:25:05,080
been born just that tiny bit 
earlier. 

388
00:25:05,080 --> 00:25:09,040
And while I don't think that I 
directly face the consequences 

389
00:25:09,040 --> 00:25:11,840
of Section 28, my education 
would have certainly been 

390
00:25:11,840 --> 00:25:13,960
impacted by it. 
So I'm sitting there watching 

391
00:25:13,960 --> 00:25:17,760
this documentary and I found it 
incredibly moving that for 

392
00:25:17,760 --> 00:25:21,400
decades you have been there at 
the heart of queer liberation 

393
00:25:21,400 --> 00:25:23,480
and activism in the UK and 
around the world. 

394
00:25:23,480 --> 00:25:26,200
And it's a privilege that I 
actually get to sit here and 

395
00:25:26,200 --> 00:25:28,320
talk to you. 
Now I'll be about music, which 

396
00:25:28,320 --> 00:25:30,720
we'll get to. 
But yeah, I just, I guess I just

397
00:25:30,720 --> 00:25:34,560
wanted to sincerely thank you 
because you have influenced my 

398
00:25:34,560 --> 00:25:37,760
standard of living as a queer 
person in the UK along with many

399
00:25:37,760 --> 00:25:41,000
other queer people. 
Thank you very much. 

400
00:25:41,160 --> 00:25:45,960
Of course it's never been just 
me, it's always been me speaking

401
00:25:45,960 --> 00:25:49,400
for a movement and it's our 
collective strength that really 

402
00:25:49,400 --> 00:25:52,600
brings about the change. 
I've often been the spokesperson

403
00:25:52,600 --> 00:25:56,360
but without the wider movement 
we would be nowhere, so it's 

404
00:25:56,360 --> 00:25:57,480
always a collective. 
Effort. 

405
00:25:57,480 --> 00:26:00,200
One last thing on pride. 
Have you ever made it to a 

406
00:26:00,200 --> 00:26:04,320
Sydney Mardi Gras? 
I have indeed on three occasions

407
00:26:04,760 --> 00:26:07,880
going back to the 80s. 
I think the first one was in 

408
00:26:08,200 --> 00:26:14,480
1987 with my then partner Jason.
We had a Absolutely Fabulous 

409
00:26:14,480 --> 00:26:18,320
time and then in the 1990s and 
the early 2000s. 

410
00:26:19,000 --> 00:26:19,840
Good. 
I love it. 

411
00:26:20,440 --> 00:26:23,960
People talk a lot today about 
self-care. 

412
00:26:23,960 --> 00:26:26,320
It goes without saying that 
you've endured decades of 

413
00:26:26,320 --> 00:26:29,920
hostility, abuse, even violence.
I'd love to know what kind of 

414
00:26:30,040 --> 00:26:33,760
self-care you perhaps practise 
today. 

415
00:26:33,760 --> 00:26:35,400
But what? 
What have you been practising 

416
00:26:35,400 --> 00:26:39,320
for years to kind of steel 
yourself against the more 

417
00:26:39,320 --> 00:26:42,880
negative, toxic parts of your 
work that you've faced? 

418
00:26:43,360 --> 00:26:46,520
How do you protect yourself? 
Well, just for people who don't 

419
00:26:46,520 --> 00:26:52,920
know, over the last 58 years of 
my activist campaigning I've 

420
00:26:52,920 --> 00:26:56,920
been physically violently 
assaulted over 300 times. 

421
00:26:57,920 --> 00:27:00,920
There's been attempts to throw 
me off high speed trains, I've 

422
00:27:00,920 --> 00:27:03,800
been attacked at railway 
stations, bus stations, shopping

423
00:27:03,800 --> 00:27:07,720
centres, outside my home, you 
name it. 

424
00:27:08,720 --> 00:27:12,520
There's been a fist and a boot 
almost in every scenario. 

425
00:27:13,160 --> 00:27:17,440
And there's also been more than 
50 attacks upon my home, mostly 

426
00:27:17,680 --> 00:27:21,320
bricks and bottles through the 
window and but also three arson 

427
00:27:21,320 --> 00:27:23,960
attempts and even a bullet 
through my front door. 

428
00:27:24,800 --> 00:27:29,840
But I'm still here. 
I have suffered for many years 

429
00:27:30,120 --> 00:27:35,680
from not post traumatic stress 
disorder, but ongoing traumatic 

430
00:27:35,680 --> 00:27:38,640
stress disorder because these 
attacks have kept on happening. 

431
00:27:39,200 --> 00:27:41,880
That has been, you know, that's 
been pretty tough. 

432
00:27:41,880 --> 00:27:46,320
I mean, I will wake up with a 
night terror reliving an attack 

433
00:27:47,080 --> 00:27:51,200
and I'll literally jump about 6 
inches off the bed and be bolt 

434
00:27:51,200 --> 00:27:55,160
upright with my heart pounding 
as though it's going to burst 

435
00:27:55,160 --> 00:27:58,320
out of my chest. 
It's a horrific experience. 

436
00:27:59,160 --> 00:28:03,040
But you know, eventually it 
calms down and, you know, two or

437
00:28:03,040 --> 00:28:04,760
three hours later I'm able to 
get back to sleep. 

438
00:28:05,320 --> 00:28:07,760
That's the kind of thing I've 
lived with ever since I stood 

439
00:28:07,760 --> 00:28:10,640
for election in the notorious 
Bermondsey. 

440
00:28:10,640 --> 00:28:14,920
By election in southeast London 
in 1983. 

441
00:28:15,440 --> 00:28:17,800
I was the left wing gay 
supporting candidate. 

442
00:28:18,200 --> 00:28:23,040
Most commentators say it was the
dirtiest, most violent and 

443
00:28:23,040 --> 00:28:26,520
certainly most homophobic 
election in Britain in the 20th 

444
00:28:26,520 --> 00:28:29,160
century. 
That was my baptism of hell. 

445
00:28:29,760 --> 00:28:32,040
But it continued many years 
afterwards, and there, 

446
00:28:32,040 --> 00:28:35,840
particularly during the outrage 
period in the 1990's, the 

447
00:28:35,840 --> 00:28:40,080
outrage, the LGBT Plus direct 
Action Group for queer rights, I

448
00:28:40,080 --> 00:28:43,520
was the lead spokesperson and 
that prompted a huge welter of 

449
00:28:43,520 --> 00:28:47,320
hate mail, death threats and 
actual physical violence. 

450
00:28:47,960 --> 00:28:52,560
So yeah, how do I cope with it? 
With difficulty. 

451
00:28:52,920 --> 00:28:56,400
You know, it's been a struggle. 
My strategy has been to 

452
00:28:56,920 --> 00:29:03,000
acknowledge what's been done to 
me, to think through the attack 

453
00:29:03,000 --> 00:29:09,680
and the violence and then sort 
of banish it out of my mind so 

454
00:29:09,680 --> 00:29:12,480
successfully that sometimes I 
even forget about some of the 

455
00:29:12,480 --> 00:29:16,320
incidents until I'm reminded by 
friends, the psychiatrists and 

456
00:29:16,320 --> 00:29:18,040
psychologists who have treated 
me. 

457
00:29:18,440 --> 00:29:20,800
I've said this is not an 
orthodox way of dealing with 

458
00:29:20,800 --> 00:29:23,480
this, but they said it seems to 
work for you. 

459
00:29:24,640 --> 00:29:28,720
I think if I dwelt on it, they 
said I'd probably have a nervous

460
00:29:28,720 --> 00:29:32,800
breakdown or end up attempting 
suicide because the weight of 

461
00:29:32,800 --> 00:29:36,600
extreme hate and violence has 
been so intense for so long. 

462
00:29:38,160 --> 00:29:40,880
Having said that, I'm not very 
good at self-care. 

463
00:29:41,960 --> 00:29:46,240
I have one of these violent 
assaults and I banish it from my

464
00:29:46,240 --> 00:29:49,040
mind and I'm off to the next 
campaign and then the next 

465
00:29:49,440 --> 00:29:52,880
violent attack. 
You know, the closest I come to 

466
00:29:52,880 --> 00:29:58,480
it, I guess, is every week I try
on a Friday or Saturday night to

467
00:29:59,000 --> 00:30:03,480
set aside an hour or two or 
three to listen to some music. 

468
00:30:04,080 --> 00:30:06,080
I'm a big fan of electronic 
dance music. 

469
00:30:06,560 --> 00:30:10,720
That sends me into a trance like
state where just I banish all 

470
00:30:10,720 --> 00:30:14,920
the worries, all the concerns, 
all the fears, everything gets 

471
00:30:14,920 --> 00:30:16,600
banished. 
I just concentrate and lose 

472
00:30:16,600 --> 00:30:22,160
myself in the music. 
So by George Morodo and so on. 

473
00:30:22,160 --> 00:30:25,880
That kind of music really helps 
me chill out and, you know, 

474
00:30:26,240 --> 00:30:29,240
banish all those anxieties and 
troubles. 

475
00:30:40,600 --> 00:30:42,800
That's a joy to know. 
I mean, it's not certainly not a

476
00:30:42,800 --> 00:30:47,160
joy to hear what you've been 
through in your life, what you 

477
00:30:47,160 --> 00:30:49,280
have endured, what you continue 
to endure. 

478
00:30:49,400 --> 00:30:52,800
But it's wonderful to hear that 
music is there as a source of 

479
00:30:52,800 --> 00:30:56,520
strength for you, as a source of
resilience and self-care. 

480
00:30:56,520 --> 00:31:00,120
And I think there's no better 
Segway than to go into your 

481
00:31:00,120 --> 00:31:02,360
selections because I've, I've 
got a few questions about these 

482
00:31:02,360 --> 00:31:04,280
selections. 
You've picked some fantastic 

483
00:31:04,280 --> 00:31:06,280
ones. 
You've chosen 3 musical 

484
00:31:06,280 --> 00:31:09,120
selections, a track, an album 
and an artist, which have in 

485
00:31:09,120 --> 00:31:14,160
some way way soundtrack informed
your life as a queer person and 

486
00:31:14,160 --> 00:31:16,680
I'd love to know what the track 
is and why you picked it. 

487
00:31:16,680 --> 00:31:21,640
The track I chose is McFadden 
and Whiteheads Ain't No Stopping

488
00:31:21,640 --> 00:31:25,480
Us Now, which was released in 
1979. 

489
00:31:34,670 --> 00:31:37,390
It's an incredibly joyful, 
uplifting track. 

490
00:31:37,790 --> 00:31:40,950
It is an anthem for oppressed 
people everywhere. 

491
00:31:41,560 --> 00:31:44,920
If I can just quote some of the 
lyrics which give you a favour, 

492
00:31:46,480 --> 00:31:48,760
it goes. 
Ain't no stopping us now. 

493
00:31:49,200 --> 00:31:52,640
We're on the move. 
We won't let nothing hold us 

494
00:31:52,640 --> 00:31:54,480
back. 
If you've ever been held down 

495
00:31:54,480 --> 00:31:58,440
before, I know you'll refuse to 
be held down anymore. 

496
00:31:58,800 --> 00:32:01,000
Don't let nothing stand in your 
way. 

497
00:32:01,440 --> 00:32:06,200
Ain't no stopping us now. 
That to me is like an anthem for

498
00:32:06,200 --> 00:32:09,160
every struggle for freedom, 
Woman's liberation, black 

499
00:32:09,160 --> 00:32:13,000
liberation, working class 
liberation, LGBT plus 

500
00:32:13,000 --> 00:32:17,160
liberation. 
I remember 1 particular occasion

501
00:32:17,160 --> 00:32:22,600
at the Notting Hill Carnival in 
London every summer in 1979. 

502
00:32:23,000 --> 00:32:26,440
One of the sound systems under 
the West Way fly Over was 

503
00:32:26,440 --> 00:32:30,600
playing this track several times
over and there was a crowd of 

504
00:32:30,800 --> 00:32:34,960
thousands there all dancing to 
this track, cheering and 

505
00:32:35,200 --> 00:32:38,680
clenched fists in the air. 
It was an amazing, amazing 

506
00:32:38,680 --> 00:32:42,840
experience. 
But for me it it speaks to our 

507
00:32:42,840 --> 00:32:48,760
struggle as LGBT plus people 
that we decided we ain't going 

508
00:32:48,760 --> 00:32:51,240
to be held down no more. 
We ain't going to be stopped 

509
00:32:51,240 --> 00:32:53,480
anymore. 
We aren't going to stand back. 

510
00:32:53,760 --> 00:32:55,040
We're going to fight for our 
rights. 

511
00:33:04,080 --> 00:33:07,680
So this song for you hasn't 
become an anthem over the years.

512
00:33:07,680 --> 00:33:09,880
It was an anthem from when you 
first heard it. 

513
00:33:09,880 --> 00:33:11,760
Would that be accurate? 
Yeah, absolutely. 

514
00:33:11,760 --> 00:33:13,160
Yeah. 
And what was specifically 

515
00:33:13,160 --> 00:33:16,280
happening in 1979 for you? 
Where were you on your activism 

516
00:33:16,280 --> 00:33:17,800
journey? 
You were already firmly in 

517
00:33:17,800 --> 00:33:19,640
London, right? 
Yeah, the Gay Liberation Fund 

518
00:33:19,640 --> 00:33:23,440
had folded by then and I 
redirected much of my 

519
00:33:23,560 --> 00:33:29,240
campaigning into the Labour 
Party to try and secure the 

520
00:33:29,240 --> 00:33:33,320
Labour Party support for LGBT 
plus rights and win trade union 

521
00:33:33,320 --> 00:33:37,360
support as well to defend the 
rights of LGBT plus employees 

522
00:33:37,360 --> 00:33:40,680
who are facing harassment and 
discrimination in the workplace.

523
00:33:41,240 --> 00:33:45,520
By this time I'd moved to the 
southeast London constituency of

524
00:33:45,520 --> 00:33:49,040
Bermondsey, where I became the 
local party organiser. 

525
00:33:49,440 --> 00:33:54,640
We were basically rebuilding A 
decayed shell of a party. 

526
00:33:54,640 --> 00:33:59,000
It had been once a very big, 
effective local party, but over 

527
00:33:59,000 --> 00:34:01,440
the years it had fallen to rack 
and ruin. 

528
00:34:01,680 --> 00:34:05,400
We did no campaigning, the 
membership had dropped to very 

529
00:34:05,400 --> 00:34:08,360
low numbers, it was out of touch
with the local community. 

530
00:34:08,360 --> 00:34:12,600
So at this stage I was striving 
to rebuild that party, to 

531
00:34:13,080 --> 00:34:15,920
increase the membership, to 
reconnect with local community 

532
00:34:15,920 --> 00:34:20,360
organisations and in particular 
to champion the fight against 

533
00:34:21,120 --> 00:34:24,159
property developers and 
speculators taking over the 

534
00:34:24,159 --> 00:34:27,320
Riverside of Bermondsey, which 
was right opposite the City of 

535
00:34:27,320 --> 00:34:30,600
London, to build luxury flats 
and offices. 

536
00:34:31,000 --> 00:34:34,800
We wanted houses with gardens 
for local people, local jobs, 

537
00:34:35,159 --> 00:34:38,320
improve local amenities. 
That was a really, really big 

538
00:34:38,320 --> 00:34:42,000
battle that I was engaged in at 
that time and of course later on

539
00:34:42,239 --> 00:34:45,360
in 1983 in the Bermozy by 
election as well. 

540
00:34:54,100 --> 00:34:57,620
And the track When you hear this
song now, how do you feel? 

541
00:34:57,620 --> 00:35:00,700
Has it changed at all from when 
you heard it first in 1979? 

542
00:35:01,120 --> 00:35:04,280
I still feel pretty much the 
same emotions. 

543
00:35:04,720 --> 00:35:09,200
Yes, we've been held down so 
long, we ain't going to be held 

544
00:35:09,200 --> 00:35:12,320
down no more. 
That's just a it's a universal 

545
00:35:12,320 --> 00:35:15,800
and I've often shared this track
with people fighting for 

546
00:35:15,800 --> 00:35:19,000
disability rights, women's 
rights, and in far off 

547
00:35:19,000 --> 00:35:21,080
countries. 
I've sent it to people in 

548
00:35:21,080 --> 00:35:25,280
Russia, Uganda, Pakistan, Hong 
Kong. 

549
00:35:25,640 --> 00:35:29,120
I tell them, listen to this 
track, take inspiration. 

550
00:35:29,280 --> 00:35:32,000
Absolutely love it, that album 
that you picked? 

551
00:35:32,040 --> 00:35:36,480
What's the album Peter and why? 
The album I picked is City of 

552
00:35:36,480 --> 00:35:41,320
Angels by the Miracles which 
came out in 1975. 

553
00:35:52,320 --> 00:35:57,480
It's an amazing mix of soul and 
disco, but there was a really 

554
00:35:57,480 --> 00:36:03,560
big stand out track which is 
Ain't Nobody Straight in LA. 

555
00:36:19,160 --> 00:36:23,840
This is an amazing song. 
One of the top black music 

556
00:36:23,840 --> 00:36:28,240
groups in the United States and 
the world in that period put out

557
00:36:28,240 --> 00:36:33,480
a song Ain't No Body Straight in
LA and the lyrics go like this. 

558
00:36:33,760 --> 00:36:38,880
Ain't nobody straight in LA. 
It seems everyone is gay. 

559
00:36:39,800 --> 00:36:42,200
Homosexuality is part of 
societies. 

560
00:36:43,080 --> 00:36:45,160
I guess it leads to more 
varieties. 

561
00:36:46,000 --> 00:36:50,640
Freedom of expression is really 
the thing now. 

562
00:36:51,040 --> 00:36:57,920
That was an amazing track from 
top black artists in 1975. 

563
00:36:58,720 --> 00:37:02,240
Huge amount of flak over it, but
they made their stand. 

564
00:37:02,240 --> 00:37:06,200
When I remember first hearing 
that track, I thought, what the 

565
00:37:06,200 --> 00:37:08,640
miracles seeing this? 
They're not even gay. 

566
00:37:09,360 --> 00:37:11,120
That's what solidarity is all 
about. 

567
00:37:11,480 --> 00:37:15,200
That's Allyship. 
So yeah, it's an amazing track 

568
00:37:15,400 --> 00:37:18,200
and there's lots of others on 
that album as well. 

569
00:37:18,400 --> 00:37:21,520
Not about gay things at all, but
great music all around. 

570
00:37:30,360 --> 00:37:32,560
Thank you so much for 
introducing me to this album. 

571
00:37:32,560 --> 00:37:35,440
I believe the album is actually 
a kind of like a concept album. 

572
00:37:35,440 --> 00:37:39,320
So there's a story supposedly 
going on in this cycle of songs.

573
00:37:39,320 --> 00:37:42,480
I think it's about a group of 
young men who are exploring Los 

574
00:37:42,480 --> 00:37:45,160
Angeles for the first time and 
all the kind of hijinks that 

575
00:37:45,160 --> 00:37:48,280
they get up to. 
Ironically, as they are looking 

576
00:37:48,280 --> 00:37:51,480
for women, one of the side 
excursions they go on is this 

577
00:37:51,520 --> 00:37:55,240
idea that maybe they should go 
to a gay bar to find some women.

578
00:37:55,240 --> 00:37:57,440
Because I think there's an 
exchange where someone says some

579
00:37:57,440 --> 00:37:59,960
of the finest women are in gay 
bars and someone says, well, how

580
00:37:59,960 --> 00:38:02,800
do you know they're women? 
And someone says, well, gay 

581
00:38:02,800 --> 00:38:05,160
people are nice people too, man,
let's go. 

582
00:38:05,520 --> 00:38:09,400
That would have been truly 
remarkable, like you said, for 

583
00:38:09,920 --> 00:38:15,080
an enormous band and an act at 
the top of their commercial game

584
00:38:15,080 --> 00:38:17,720
in the US. 
Remarkable that maybe even the 

585
00:38:17,720 --> 00:38:20,960
record label approved it. 
Just to kind of normalise it. 

586
00:38:20,960 --> 00:38:23,760
These are the kind of 
conversations that straight men 

587
00:38:23,760 --> 00:38:25,360
sometimes have. 
They're going to go and check 

588
00:38:25,360 --> 00:38:29,960
out the gay bars for some women 
and to put that into an album 

589
00:38:29,960 --> 00:38:33,400
that was intended for commercial
success in the mid 70s is 

590
00:38:33,760 --> 00:38:36,480
fascinating you. 
Know some of the finest women 

591
00:38:36,480 --> 00:38:37,320
are in the gay bar? 
Hey, Bob. 

592
00:38:37,600 --> 00:38:43,160
How you know the women? 
Yeah, look. 

593
00:38:43,240 --> 00:38:45,200
Well, look, gay people are nice 
people too, man. 

594
00:38:45,200 --> 00:38:46,960
Yeah, man. 
Let's go. 

595
00:38:47,640 --> 00:38:50,440
Man, yeah, I don't think they 
get the recognition and applause

596
00:38:50,440 --> 00:38:52,400
they deserve for it. 
Some of the lyrics are a little 

597
00:38:52,400 --> 00:38:55,800
bit patronising, like gay people
are nice people too, but in the 

598
00:38:55,800 --> 00:38:59,280
context at the time that was 
very bold and brave. 

599
00:38:59,360 --> 00:39:01,800
Yes, yes. 
So the Miracles were Smokey 

600
00:39:01,800 --> 00:39:03,920
Robinson's band. 
It was Smokey Robinson and the 

601
00:39:03,920 --> 00:39:08,160
Miracles and they actually 
produced the iconic song Tracks 

602
00:39:08,160 --> 00:39:20,280
of My Tears. 
Which of course the podcast 

603
00:39:20,280 --> 00:39:23,160
you're listening to is in 
somewhat homage to. 

604
00:39:23,280 --> 00:39:25,440
By this point, Smokey Robinson 
was no longer in the band. 

605
00:39:25,440 --> 00:39:28,280
This is when he kind of left and
the miracles were like kind of 

606
00:39:28,280 --> 00:39:31,200
forming their own sounds. 
So they probably had a new 

607
00:39:31,280 --> 00:39:37,120
footprint to build. 
What a quirky, strange feature 

608
00:39:37,240 --> 00:39:41,840
of 70s kind of post Motown R&B. 
Yeah. 

609
00:39:41,840 --> 00:39:43,160
Where? 
Where would you have first heard

610
00:39:43,160 --> 00:39:45,240
something like this, Peter? 
Where would you ever come across

611
00:39:45,240 --> 00:39:47,800
this album or this song? 
I heard it on the radio. 

612
00:39:48,000 --> 00:39:50,440
It didn't get much play but it 
did get some play. 

613
00:39:50,760 --> 00:39:56,640
There was quite a famous black 
DJ on one of London's main radio

614
00:39:56,640 --> 00:39:58,880
stations, Capital, who played 
it. 

615
00:39:59,280 --> 00:40:03,960
He was very progressive, very 
pro LGBT, very pro black rights 

616
00:40:03,960 --> 00:40:07,560
as well and women zeration. 
He played it on and off. 

617
00:40:07,760 --> 00:40:14,120
He really riled up his audience.
Because in those days, straight 

618
00:40:14,120 --> 00:40:16,840
society, but in particular 
sections of the black community 

619
00:40:16,840 --> 00:40:20,600
were very, very homophobic. 
He got a lot of negative 

620
00:40:20,600 --> 00:40:24,800
hostility for playing that song.
In amongst all of your political

621
00:40:24,800 --> 00:40:29,080
work with the Labour Party in 
the late 70s and the early 80s, 

622
00:40:29,240 --> 00:40:32,960
did you ever find time to make 
the most of what London had to 

623
00:40:33,000 --> 00:40:35,800
offer in terms of queer 
nightlife in the bars and clubs?

624
00:40:36,120 --> 00:40:43,680
Until 1976 there were no big gay
dance clubs in London. 

625
00:40:44,840 --> 00:40:50,320
We had a series of mobile discos
run by a guy called Tricky 

626
00:40:50,320 --> 00:40:57,000
Dicky, real name which Gaines, 
who used to run discos in pubs 

627
00:40:57,440 --> 00:40:59,480
all across London on different 
nights of the week. 

628
00:41:00,680 --> 00:41:04,080
And I used to go from, you know,
from, you know, all these 

629
00:41:04,080 --> 00:41:05,760
different clubs on different 
nights. 

630
00:41:05,760 --> 00:41:08,320
I wouldn't go every night, but 
I'd go up to two times a week. 

631
00:41:08,800 --> 00:41:15,080
It wasn't until 1976 that the 
big mega disco was set up by 

632
00:41:15,080 --> 00:41:19,600
Tottenham Court Road, which had 
about 12 hundred, 1500 people. 

633
00:41:20,120 --> 00:41:25,520
And then in 1979, heaven, which 
was equally as big, was 

634
00:41:25,520 --> 00:41:29,600
established. 
I used to try and go once a week

635
00:41:29,600 --> 00:41:35,800
at least to a club night just to
sort of unwind and lose myself 

636
00:41:35,800 --> 00:41:40,440
in the joy of the dance floor 
and, you know, see and hear 

637
00:41:40,880 --> 00:41:46,760
great music and great artists. 
Heaven used to host all the big 

638
00:41:46,760 --> 00:41:49,960
artists of the era on stage on 
Saturday night. 

639
00:41:50,280 --> 00:41:54,360
It was amazing to see these 
megastars live right before your

640
00:41:54,360 --> 00:41:57,120
eyes. 
Is there a particular song that 

641
00:41:57,120 --> 00:41:58,600
you recall when you think about 
that time? 

642
00:41:58,600 --> 00:42:00,840
A particular artist that you 
recall seeing at heaven. 

643
00:42:01,080 --> 00:42:03,320
Wow. 
Grace Jones, Sharon. 

644
00:42:03,320 --> 00:42:16,320
Red Divine. 
Eartha Kitt, the Weather Girls, 

645
00:42:17,400 --> 00:42:19,560
a lot of lot of really big, big,
big names. 

646
00:42:19,560 --> 00:42:21,240
Incredible. 
Incredible. 

647
00:42:21,840 --> 00:42:25,320
OK, we better move on to your 
final selection, which is your 

648
00:42:25,320 --> 00:42:28,200
artist. 
Tell me which artist you picked 

649
00:42:28,200 --> 00:42:31,880
and of course, why. 
The artist I've chosen is Bob 

650
00:42:31,880 --> 00:42:34,840
Dylan. 
He's not perfect, he's got his 

651
00:42:34,840 --> 00:42:40,480
flaws, but in the 1960s, when I 
was growing up and becoming 

652
00:42:40,480 --> 00:42:44,320
politically aware and active, 
his songs were the anthem of the

653
00:42:44,320 --> 00:42:48,880
era in particular times. 
They are changing. 

654
00:43:02,960 --> 00:43:08,400
This is an anthem for the social
upheavals that were taking place

655
00:43:09,000 --> 00:43:11,680
in Western societies, not just 
the United States, but all 

656
00:43:11,680 --> 00:43:16,000
across the Western world where 
young people were challenging 

657
00:43:16,000 --> 00:43:18,320
the orthodoxies of their 
parents. 

658
00:43:18,800 --> 00:43:23,000
It coincided with the rise of 
women's, black and gay 

659
00:43:23,000 --> 00:43:26,720
liberation. 
I'll just quote you some of the 

660
00:43:27,160 --> 00:43:30,720
some of the lyrics from the time
they were changing. 

661
00:43:31,160 --> 00:43:34,280
As the present now will later be
passed. 

662
00:43:35,000 --> 00:43:40,000
The order is rapidly fading and 
the first one now will later be 

663
00:43:40,000 --> 00:43:43,240
last for the times they are 
changing. 

664
00:43:44,560 --> 00:43:46,760
This was symptomatic 
particularly of the struggle 

665
00:43:46,760 --> 00:43:51,440
against the Vietnam War. 
I remember in Melbourne we used 

666
00:43:51,440 --> 00:43:57,040
to stand on the steps of the GPO
General Post Office to hand out 

667
00:43:57,040 --> 00:44:00,040
leaflets against the war and to 
urge young men to refuse the 

668
00:44:00,040 --> 00:44:03,160
draft. 
And sometimes we'd sing Times 

669
00:44:03,160 --> 00:44:06,360
they are changing. 
When we did sit down protests 

670
00:44:06,360 --> 00:44:10,840
with we'd sing We shall overcome
and time they are changing. 

671
00:44:11,640 --> 00:44:15,120
There's another Bob Dylan song 
that's also very significant, 

672
00:44:15,520 --> 00:44:20,320
Blowing in the Wind, which came 
out in 1962. 

673
00:44:20,760 --> 00:44:27,520
Here's and how many times must 
the cannonballs fly before 

674
00:44:27,520 --> 00:44:34,840
therefore River Band? 
The answer, my friend, is 

675
00:44:34,840 --> 00:44:39,840
blowing in the wind. 
The answer is blowing in the 

676
00:44:39,920 --> 00:44:43,520
wind. 
Although it wasn't about any 

677
00:44:43,520 --> 00:44:46,600
kind of gay theme, there were 
elements of the lyrics that 

678
00:44:46,600 --> 00:44:50,360
spoke to me. 
And how many years can some 

679
00:44:50,360 --> 00:44:54,360
people exist before they're 
allowed to be free? 

680
00:44:54,840 --> 00:45:01,640
How many years must one man have
before he can hear people cry? 

681
00:45:02,680 --> 00:45:07,040
And how many deaths will it take
until he knows that too many 

682
00:45:07,040 --> 00:45:10,480
people have died? 
So for me this talked about the 

683
00:45:10,480 --> 00:45:14,200
oppression that LGBT plus people
have faced, the lack of legal 

684
00:45:14,200 --> 00:45:19,640
rights, the social oppression, 
the queer bashing, violence that

685
00:45:19,920 --> 00:45:22,920
killed us and maimed us. 
This spoke to me. 

686
00:45:23,640 --> 00:45:27,720
Beyond that, it also spoke to 
the plight of black Australians,

687
00:45:28,080 --> 00:45:32,960
ignored and marginalised, not 
given citizenship even until the

688
00:45:32,960 --> 00:45:35,680
1960s. 
There were non citizens up till 

689
00:45:35,680 --> 00:45:40,680
then and you know, again, it's 
an anthem for people who've been

690
00:45:40,680 --> 00:45:44,560
held down, marginalised, 
discriminated against and denied

691
00:45:44,560 --> 00:45:48,320
their rights. 
He also sang other songs. 

692
00:45:48,320 --> 00:45:52,280
In 1964, he put out a track 
called The Lonesome Death of 

693
00:45:52,280 --> 00:45:59,200
Hattie Carroll. 
Hattie Carroll was made in the 

694
00:45:59,200 --> 00:46:05,280
kitchen. 
He was 51 years old and give 

695
00:46:05,280 --> 00:46:10,080
birth to 10 children. 
She was a barmaid in the Deep 

696
00:46:10,080 --> 00:46:17,320
South of America who was 
murdered by a white racist from 

697
00:46:17,320 --> 00:46:21,200
a very privileged family. 
He got six months gaol for 

698
00:46:21,200 --> 00:46:23,400
killing her. 
Six months gaol. 

699
00:46:24,280 --> 00:46:28,560
So that song by Dylan is about 
her death. 

700
00:46:29,680 --> 00:46:34,240
Another one he did in 1975 was 
Hurricane, which is about the 

701
00:46:34,240 --> 00:46:38,040
boxer Reuben Carter, who was 
nicknamed the Hurricane. 

702
00:46:45,600 --> 00:46:49,200
He probably could have been a 
world ranking boxer. 

703
00:46:49,840 --> 00:46:53,000
He already was in the upper 
echelons of the boxing world, 

704
00:46:53,600 --> 00:46:58,920
but he was framed for murders 
and gaoled for two life terms. 

705
00:46:58,960 --> 00:47:03,480
Bob Dylan's song Hurricane 
helped raise public awareness 

706
00:47:03,800 --> 00:47:08,400
about the injustice inflicted 
upon him, but it wasn't until 

707
00:47:08,480 --> 00:47:10,840
1988 that he was finally 
released. 

708
00:47:12,160 --> 00:47:15,080
Yeah, it's remarkable that there
was this entire generation, you 

709
00:47:15,080 --> 00:47:18,000
know, aside from Bob Dylan, 
there was also people like 

710
00:47:18,000 --> 00:47:22,920
Aretha Franklin, Stevie Wonder, 
Janis Joplin, this, this kind of

711
00:47:23,120 --> 00:47:26,080
through line of artist. 
The quote that you read out, or 

712
00:47:26,080 --> 00:47:29,040
perhaps you said it yourself, it
defined there was a line in the 

713
00:47:29,040 --> 00:47:32,040
sand between the youth and their
parents. 

714
00:47:32,280 --> 00:47:35,400
That line of political views and
how you viewed the world. 

715
00:47:35,400 --> 00:47:39,320
There was art and music where 
you could hear stories and 

716
00:47:39,320 --> 00:47:43,400
lyrics which made you feel seen.
It made your your your existence

717
00:47:43,400 --> 00:47:47,760
be acknowledged, but it also 
fueled you and energised you on 

718
00:47:48,560 --> 00:47:50,680
on fighting for the struggles 
that you believed in. 

719
00:47:50,800 --> 00:47:53,680
You're absolutely right. 
I mean, there was Nina Simone's 

720
00:47:53,680 --> 00:47:54,920
Mississippi. 
Goddamn Alabama. 

721
00:47:57,440 --> 00:48:00,720
It's got me so upset and Memphis
has made me lose my rest. 

722
00:48:00,720 --> 00:48:10,680
Everybody know. 
The about lynchings of black 

723
00:48:10,680 --> 00:48:14,800
people in the Deep South. 
We had Sam Cooke seeing change 

724
00:48:14,800 --> 00:48:18,680
is going to come, very similar 
to Bob Dylan's. 

725
00:48:18,840 --> 00:48:20,800
Times are changing. 
It's. 

726
00:48:21,120 --> 00:48:35,520
Been a long a long time coming. 
Bob Dylan was reflective of a 

727
00:48:35,520 --> 00:48:40,160
whole strand of artists who did 
great music that had very 

728
00:48:40,360 --> 00:48:44,640
positive, very strong, powerful 
political messages about 

729
00:48:44,640 --> 00:48:46,440
liberation. 
Fantastic. 

730
00:48:46,440 --> 00:48:50,080
Thank you very much for sharing.
Peter Tatchell, What does the 

731
00:48:50,080 --> 00:48:55,760
term queer icon mean to you 
today in 2025? 

732
00:48:56,360 --> 00:49:00,200
The term queer icon means 
different things to different 

733
00:49:00,200 --> 00:49:02,000
people depending on where 
they're coming from. 

734
00:49:02,520 --> 00:49:06,680
For some, it will mean queer 
artists and performers like 

735
00:49:06,680 --> 00:49:10,440
Chapel Rhone. 
For others, it might mean actors

736
00:49:10,760 --> 00:49:13,360
like Ian McKellen and Stephen 
Fry. 

737
00:49:14,120 --> 00:49:19,600
For me, it's more the Trail 
Blazers, people who came before,

738
00:49:19,920 --> 00:49:21,960
who paved the way for our rights
and freedoms. 

739
00:49:21,960 --> 00:49:27,240
Now I'm thinking of Edward 
Carpenter, the 19th century 

740
00:49:27,600 --> 00:49:32,400
English socialist and gay rights
advocate who lived openly with 

741
00:49:32,400 --> 00:49:36,040
his partner George Merrill at a 
time when homosexuality in 

742
00:49:36,040 --> 00:49:38,400
England was still punishable by 
life imprisonment. 

743
00:49:39,400 --> 00:49:44,880
Henry Gerber founded the first 
LGBT bus organisation in the 

744
00:49:44,880 --> 00:49:50,200
United States in 1924. 
He was a simple post office 

745
00:49:50,200 --> 00:49:53,920
worker, working class guy, 
incredibly brave. 

746
00:49:54,480 --> 00:49:58,960
He set up the first organisation
in the US to champion our rights

747
00:49:59,560 --> 00:50:03,160
and suffered. 
These and others are my queer 

748
00:50:03,160 --> 00:50:07,000
icons, the Trail Blazers, The 
Pioneers. 

749
00:50:07,200 --> 00:50:09,960
What would you make of, I'm sure
many of the listeners to this 

750
00:50:09,960 --> 00:50:13,280
episode listing Peter Tatchell 
in their own list of queer 

751
00:50:13,280 --> 00:50:15,320
icons? 
Well, that's up to them. 

752
00:50:15,320 --> 00:50:17,760
I just see myself as a campaign 
or an activist. 

753
00:50:18,400 --> 00:50:22,400
I do my bit, I try my best and 
yeah, that's it. 

754
00:50:22,400 --> 00:50:26,520
That's it. 
How could people support most 

755
00:50:26,520 --> 00:50:29,680
effectively the work of the 
Peter Tatchell Foundation at 

756
00:50:29,680 --> 00:50:32,040
this time? 
If people are interested in 

757
00:50:32,040 --> 00:50:36,680
following my work, please go to 
the website of my foundation, 

758
00:50:37,040 --> 00:50:41,920
it's petertatchellfoundation.org
You'll find a button which says 

759
00:50:41,920 --> 00:50:45,720
join us or subscribe. 
Just give us your e-mail address

760
00:50:46,280 --> 00:50:50,160
and we will send you a weekly 
bulletin on a range of LGBT PLUS

761
00:50:50,400 --> 00:50:53,560
and other human rights issues. 
It's totally free. 

762
00:50:53,720 --> 00:50:58,720
You can unsubscribe at any time.
We get no grants or funding. 

763
00:50:58,800 --> 00:51:01,280
If you feel able to do so, 
please consider making a 

764
00:51:01,280 --> 00:51:04,280
donation. 
Peter Tatchell, you are queer 

765
00:51:04,280 --> 00:51:07,080
and thank you very much for your
tracks. 

766
00:51:07,560 --> 00:51:10,280
Thank you so much. 
It's been my pleasure to join 

767
00:51:10,280 --> 00:51:13,400
you. 
I'll sign off with my motto, 

768
00:51:13,400 --> 00:51:17,680
which is don't accept the world 
as it is. 

769
00:51:18,560 --> 00:51:23,720
Dream of what the world could be
and then help make it happen. 

770
00:51:24,720 --> 00:51:27,120
Spectacular. 
Thank you very much. 

771
00:51:35,320 --> 00:51:38,640
You can find links to the Peter 
Tatchell Foundation online and I

772
00:51:38,640 --> 00:51:41,400
want to encourage you to follow 
Peter's advice and sign up for 

773
00:51:41,400 --> 00:51:43,800
his newsletter. 
I hadn't until we spoke. 

774
00:51:43,880 --> 00:51:46,640
And some of the news that he 
shares is, yes, shocking and 

775
00:51:46,640 --> 00:51:49,760
frustrating, but there's also a 
lot of encouraging progress out 

776
00:51:49,760 --> 00:51:51,560
there in the world too that he 
surfaces. 

777
00:51:52,400 --> 00:51:55,600
The documentary Hating Peter 
Tatchell was produced by Elton 

778
00:51:55,600 --> 00:51:58,240
John and David Furnish and is 
truly remarkable. 

779
00:51:58,520 --> 00:52:01,520
I watched it here in Australia 
on SBS On Demand, but I believe 

780
00:52:01,520 --> 00:52:03,960
it's on Netflix in the UK and 
the US. 

781
00:52:04,760 --> 00:52:07,800
This episode of Tracks of Our 
Queers was recorded and edited 

782
00:52:07,800 --> 00:52:10,280
on the Garriga Land. 
And check out my Spotify 

783
00:52:10,280 --> 00:52:12,720
playlist, including my favourite
selections from different 

784
00:52:12,720 --> 00:52:14,840
episodes. 
LinkedIn the show notes and you 

785
00:52:14,840 --> 00:52:16,880
can e-mail me, Gabe Ramblings at
any time at 

786
00:52:16,880 --> 00:52:21,880
tracksofourqueers@gmail.com. 
See you next time.

