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Hello and welcome to episode 148
of Design Curious Podcast. 

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I'm your host and mentor, 
Rebecca Ward. 

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Today on the podcast, we have a 
great interview with Steve Saeed

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of Furnished Quarters. 
It's a really interesting 

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conversation. 
I was quite curious about the 

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topic and let me tell you a 
little bit more about him. 

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With a successful 30 year career
as a lawyer before making a bold

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pivot into interior design, 
Steve brings a unique 

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perspective on the intersection 
of hospitality, creativity and 

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functionality. 
Since joining Furnished 

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Quarters, he has played a 
pivotal role in defining the 

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company's signature design 
aesthetic, ensuring that each 

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residence provides A stylish, 
comfortable and genuinely 

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elevated stay for corporate 
travellers. 

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Furnished Quarters does a lot of
furnished apartments for 

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travelers. 
But really interesting talking 

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to him about multifamily, just 
the difference of doing design 

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for a single family and doing it
more on a corporate level, 

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hospitality level, and I think 
you're going to really like the 

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conversation. 
So let's get into it. 

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You're now listening to Design 
Curious, the place where you, 

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Creative One, are here to learn 
about what it really is like to 

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be an interior designer, and I'm
your host and mentor, Rebecca 

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Ward. 
If you're worried about how to 

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succeed in a creative career, if
you're ready to learn your next 

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steps to become an interior 
designer, and if you want the 

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satisfaction of doing something 
you love every day, you are in 

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the right place. 
Grab a coffee, a notebook, and 

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let's dig into today's episode. 
Hey Steve, welcome to Design 

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Curious podcast. 
It's great to have you here 

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today. 
Great to be here. 

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Thank you. 
Yeah. 

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So as I understand it, your 
career started in law and then 

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you transition to interior 
design and you're working in 

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hospitality design. 
Is that correct? 

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More or less. 
I say more or less because we 

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are an interesting combination. 
We are hospitality, but we're 

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not hospitality in the sense 
that we aren't running a 

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traditional hotel. 
People who stay with us 

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generally have to stay no less 
than 30 days. 

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So it really becomes a home 
rather than a hotel room and 

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that's the way I view it. 
We did at one point have a hotel

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and we designed it somewhat 
differently because we 

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understood that people might 
just be staying 3 or 4 nights, 

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but in our units they're staying
for longer periods of time. 

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So I'm trying to convey a sense 
of home rather than typical 

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hospitality, stay for a night or
two and then move on to next. 

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So what's an interesting 
combination? 

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Yeah, Yeah, for sure, definitely
when you're considering that 

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it's a still kind of a transient
living situation, but that 

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they're there for so long months
maybe at a time and. 

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Believe me, we have people who 
have been with us for a couple 

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years. 
Oh wow. 

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Some are so transient. 
OK, but. 

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The average stay is about 60 or 
90 days. 

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Wow. 
OK, so let's back it up a little

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bit and 1st talk about how you 
got into designing in the first 

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place. 
Well, I guess I should start 

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from the beginning, so to speak.
My dad hobby was arts, he was a 

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painter, ceramics, and when he 
retired he got into calligraphy 

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and other forms of art. 
So that head was always there, 

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though my mother had no interest
in any of that. 

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That was not her talents. 
I considered what I did in law 

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creative in the sense that you 
had a problem and you had to 

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come up with a solution. 
And I was very good in saying, 

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if you don't like solution A, 
I'll give you here solution B, 

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you know, B doesn't work. 
I can come up with CI mean that 

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was sort of my talent. 
And I, I guess I always had an 

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affinity to surround myself 
friend wise, to get client wise 

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for a moment with people who 
were in the arts, whether it be 

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floral designers or interior 
designers or painters or chefs. 

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And they did ultimately become 
clients of mine. 

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And what really got my interest 
going was I had a German client 

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who wanted to open a series of 
fashion shops around the world. 

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And he asked me and my partner, 
we were his lawyers, for help in

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recommending a store designer. 
And right at that time an 

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article appeared in the New York
Times about the hottest young 

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store designers in New York. 
I got intrigued by the group 

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that designed Studio 54, Ron 
Dowd, Scott Bromley, Rennie 

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Reynolds, Bird Malice, all of 
these people who were all 

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friendly but also doing business
together. 

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And I arranged a meeting with 
them, ultimately became they 

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were ultimately hired. 
We travelled around the world. 

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The deal ultimately fell through
but we became good friends and 

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they really piqued my interest 
in design and learning what they

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really did. 
You don't really know how 

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involved a process it is and I 
got more and more involved in 

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having clients who were in 
various aspects of the design 

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world, fashion world, etcetera. 
And ultimately I met Steve Brown

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who is one of the Co owners of 
Furnished Quarters and he said 

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why don't you join us? 
You've always said you'd like to

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do something other than law. 
Why don't you come join us? 

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We're going to open a furniture 
store. 

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This is how it's all started and
you can run the store now. 

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I knew nothing about running 
this. 

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I did had traveled the world 
with Steve at that point. 

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We would go to Milan, we'd go to
Frankfurt looking at furniture 

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for furnished quarters, 
apartments and things that we 

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could buy in bulk containers, 
etcetera, until I was familiar 

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with what was out in the 
marketplace. 

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And about couple weeks before 
the store was scheduled to open,

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Steve's brother Gary called and 
said, you know, I've thought 

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about it and I think you're 
right. 

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We shouldn't be opening a 
furniture store. 

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We don't know anything about it.
It's crazy. 

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I said, well, that's great. 
I think that's terrific. 

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I agree with that idea. 
But I've already given my law 

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firm notice telling him I'm 
leaving. 

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And he said, well, don't worry 
about it, Come join us and we'll

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find something for you to do. 
And initially they put me into 

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operations, and that didn't work
at all. 

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I didn't know anything about 
operations, and the operations 

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people were not too thrilled to 
have a new boss who knew nothing

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about operations. 
I found my way into design and 

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we all soon all realized this 
was an actual that I had finally

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found my home and my niche and 
something I always wanted to do 

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and here I had an opportunity to
do it. 

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So that's how it all came about 
in short version. 

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Wow. 
Yeah. 

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So you never really knew from 
the beginning that design was 

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where you wanted to land. 
You just see that creativity 

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was. 
Was the guiding feature not 

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designed per SE? 
Although I didn't think I had 

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any talent in the fashion area, 
frankly, although I spent a lot 

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of time with clients of mine who
are in the business, people like

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Susan Dennis and Warren Edwards,
etcetera, but that was not my 

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thing. 
Interior design was something I 

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drifted to and liked and spent 
time reading the shelter 

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magazines and so on and so 
forth. 

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So it was always an interest, 
but it was never my idea to be 

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at a material design. 
Wow, how interesting. 

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And then do you miss law at all,
or if you never looked back? 

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Not one bit. 
Yeah, yeah, I'm sure. 

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I mean your. 
Design is challenging, I have to

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say. 
I love law and I love practicing

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law. 
But what I didn't like at the 

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end is the business of law. 
It's changed dramatically to 

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it's eat what you kill and it's 
very doggy dog and it's a 

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constant chase for clients. 
And once you get the client, you

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got to get them billed and then 
you got to collect the bill. 

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Forgetta, I'm much happy in my 
new world. 

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Yeah, yeah. 
So then you went into the 

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interior design segment of this 
company, but you weren't really 

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involved with any of the 
business side of it as well as 

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the larger company, right. 
So in. 

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The beginning I was because it 
wasn't as big OK was involved in

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various aspects. 
But today, although I'm on the 

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exact, to me I'm pretty much 
involved just in the design 

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world. 
It's enough to keep me busy. 

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I don't need some of the other 
problem. 

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I have these to deal with. 
Yeah. 

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Well, I'm not extremely familiar
with furnished quarters because 

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it's not anything that I've ever
had need of. 

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But why don't you explain to our
audience as well? 

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So what furnished corners? 
Because you've been with them 

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for a while now and you 
definitely have a lot of 

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projects that you've worked on 
over the years. 

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So tell us what you guys do. 
Essentially what furnished 

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quarters is, is it is providing 
furnished apartments primarily 

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to corporate travellers, but 
some individuals as well. 

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It started out as almost 
exclusively individuals. 

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When they opened the company, 
they didn't have one corporate 

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client and over the years they 
developed an extensive portfolio

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of companies that they serve 
really around the world. 

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Their primary thrust is in New 
York, New Jersey, White Plains, 

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Boston and San Francisco. 
But that being said, booking, 

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it's all over the world. 
A lot of clients want what we 

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call one stop shopping. 
I come to you, you book my needs

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in cities. 
Even if you don't have your own 

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inventory in those cities, you 
have partners and you deal with 

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all the work particulars that I 
don't have to get involved. 

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So we do a lot of global work. 
What we've heard of is global. 

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Yeah. 
Do you design from afar or do 

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you have to visit these sites? 
It's a mix. 

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It's a mix. 
When we partner with other 

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companies, they have their unit,
they're furnished and we've done

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our due diligence and agreed 
that they meet or have to meet 

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certain standards that we have 
which our clients expect. 

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And we don't normally travel to 
those. 

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For all your own units, whether 
they be in Boston or San 

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Francisco or whatever, we travel
when we're sending them out. 

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After we set them up and we're 
satisfied, then locals can 

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maintain them. 
But the original setup is US, 

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and it also enters into the way 
we design these units. 

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When Steve is Brown is 
contemplating taking a new 

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building or units in a building,
either myself or my assistant go

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to that building and we look at 
the lobby, we look at the 

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hallways, we look at the 
apartment and that tour 

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generally tells us what that 
apartment should look like. 

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Should it be very modern 
stealing glass or should it be 

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more towards the traditional 
side? 

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Does it need a lot of color or 
is there too much going on in 

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the hallways that this needs to 
be very subdued and very calm? 

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We really go building by 
building. 

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Unlike I always had a lot of our
competitors, most of our 

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buildings do not look like our 
other buildings. 

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They're very the visualized 
based on where the building's 

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located, what the lobby looks 
like, what the kitchen looks 

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like, what the bathrooms, what 
the feel of it. 

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Your apartment talks to you or 
talks to it tells us what it 

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should look like. 
Yeah. 

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And then do you typically have 
multiple apartment units within 

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that building or is it just one 
or two? 

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OK. 
It doesn't pay for us. 

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It's not economic to take one or
two units. 

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We try not to take less than 
generally 5 is the least, 

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usually 10 at least because of 
the minute of the ability to 

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service them in terms of any 
repairs or cleanings or any of 

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that. 
You need some mass to make it 

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anomic to do that. 
So we don't take a 1 here and a 

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one there. 
That's very, very rare, except 

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we have what we call FQ Select. 
There's always an exception to 

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everything, right? 
FQ Select is a collection of 

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higher and luxury apartments. 
Luxury in terms of the buildings

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and maybe where they are 
located. 

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There may be on 5th Ave. or Park
Ave. or they may be in Tribeca. 

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They are in high end buildings 
with white glove service. 

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We furnished these units with 
high end furnishings and art. 

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And while we don't customize 
units to each individual, people

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who take these FQ Select units 
usually give us some ideas of 

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what they would like to see. 
And if the unit's not already 

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furnished, then we're going to 
be furnishing it for them and 

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we'll consult with them just to 
get a feel of, you know, we show

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them what we do and they're 
generally pretty happy with it. 

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So in those cases, we may just 
have one or two units in a 

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building, but that's not typical
for us. 

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So then the other cases where 
you have like 5 to 10 maybe 

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00:13:52,560 --> 00:13:57,680
units, do you come up with a 
plan specific for a unit within 

229
00:13:57,680 --> 00:14:01,880
that building and then all 5 or 
10 have that design we come up? 

230
00:14:01,880 --> 00:14:03,640
With a scheme. 
Yeah, OK. 

231
00:14:04,240 --> 00:14:08,720
Each even though we have let's 
say 10 units, they'll be broken 

232
00:14:08,720 --> 00:14:13,360
Cam between studios, 1 bedrooms 
and two bedrooms and even within

233
00:14:13,360 --> 00:14:17,040
the one bedrooms or say let's 
say not all one bedrooms would 

234
00:14:17,040 --> 00:14:19,320
say they may have two or three 
lines. 

235
00:14:19,480 --> 00:14:22,920
So you come up with a scheme. 
This is the overall scheme of 

236
00:14:22,920 --> 00:14:26,640
what is going to look like the 
colors, the materials, etcetera.

237
00:14:26,720 --> 00:14:28,880
And then we'll adjust it per 
apartment. 

238
00:14:29,360 --> 00:14:31,720
OK. 
And then you're mainly just 

239
00:14:31,720 --> 00:14:34,840
doing the furnishings right, not
like changing any of the 

240
00:14:34,840 --> 00:14:37,320
finishes that already come with 
the apartment. 

241
00:14:37,320 --> 00:14:40,040
We. 
Can't change the finishes OK, 

242
00:14:40,160 --> 00:14:43,760
although I would love to 
sometimes, I really sometimes 

243
00:14:43,760 --> 00:14:48,240
don't like them. 
We are stuck with more, and we 

244
00:14:48,240 --> 00:14:50,560
take that into account before we
take a building. 

245
00:14:51,080 --> 00:14:55,760
We generally would not go into a
building where we intensely 

246
00:14:55,760 --> 00:14:58,080
dislike the finishes. 
I mean, sometimes you'd 

247
00:14:58,080 --> 00:15:00,720
compromise and you'd say, well, 
I'd rather have that white than 

248
00:15:00,720 --> 00:15:05,160
black or vice versa. 
But generally we're OK with the 

249
00:15:05,160 --> 00:15:08,760
finishes. 
Where it really becomes 

250
00:15:09,040 --> 00:15:14,760
problematic is how do you deal 
with things like wallpaper if 

251
00:15:14,760 --> 00:15:17,600
you want to use it. 
And we have been very fortunate 

252
00:15:17,600 --> 00:15:21,960
to discover a wallpaper that 
peels right off, doesn't take 

253
00:15:21,960 --> 00:15:27,120
the sheetrock off. 
And we use that quite a bit to 

254
00:15:27,120 --> 00:15:30,800
give some texture and warmth to 
our apartments. 

255
00:15:30,800 --> 00:15:34,240
One of the problems in doing 
corporate housing, and I'll use 

256
00:15:34,240 --> 00:15:39,800
that as a generic term for what 
we do, is you can't use in the 

257
00:15:39,800 --> 00:15:43,040
apartments some of those things 
you typically use for warmth. 

258
00:15:43,440 --> 00:15:45,960
For example, you can't put 
plants in the apartment, but 

259
00:15:45,960 --> 00:15:50,680
who's going to water them? 
Books tend to disappear, 

260
00:15:50,680 --> 00:15:54,760
unfortunately, and everybody 
wants to read something 

261
00:15:54,760 --> 00:15:58,000
different. 
So the one of the ways that 

262
00:15:58,000 --> 00:16:01,280
we've come up with in trying to 
create some warmth is to add a 

263
00:16:01,280 --> 00:16:05,440
wallpaper that brings a pattern 
and one that's brings warmth 

264
00:16:05,520 --> 00:16:09,920
into the room and some interest 
without being offensive to 

265
00:16:09,920 --> 00:16:12,200
anyone. 
Well, we do use that. 

266
00:16:12,200 --> 00:16:17,080
And traditionally we had also 
used accent walls to bring some 

267
00:16:17,080 --> 00:16:20,200
color and land into rooms, and 
we still do that. 

268
00:16:20,680 --> 00:16:22,400
Interesting. 
Yeah, I hadn't thought about. 

269
00:16:22,400 --> 00:16:26,840
That those are the problems of a
corporate housing company or a 

270
00:16:27,000 --> 00:16:29,840
company that has people who only
stay for 30 days. 

271
00:16:30,280 --> 00:16:33,240
I'd love to put plants and 
flowers and all that in, but 

272
00:16:33,240 --> 00:16:35,360
it's not practical. 
Right. 

273
00:16:35,720 --> 00:16:39,200
I have a terrible aversion to 
plastic plants. 

274
00:16:40,520 --> 00:16:43,560
Yeah, well, because then he's 
going to, I mean, first of all, 

275
00:16:43,560 --> 00:16:46,400
they don't look real, and then 
he's going to maintain that 

276
00:16:46,400 --> 00:16:48,160
dusty. 
Yeah, exactly. 

277
00:16:48,280 --> 00:16:51,240
Dust collectors. 
Yeah, yeah. 

278
00:16:51,240 --> 00:16:54,280
No, that's, that's a good point 
because a lot of those, the 

279
00:16:54,280 --> 00:16:57,560
plans and the books, those are 
like the homey finishing touches

280
00:16:57,560 --> 00:17:00,720
that we'll typically do in a 
home where it doesn't feel quite

281
00:17:00,960 --> 00:17:03,800
ready to move in until you get 
those things in there. 

282
00:17:03,800 --> 00:17:06,280
But without being able to do 
that, yeah. 

283
00:17:06,480 --> 00:17:12,119
But we do try to find other 
accessories like candlesticks or

284
00:17:12,359 --> 00:17:17,960
bowls or things that add warmth 
and color and a sense of home. 

285
00:17:18,280 --> 00:17:20,359
It says that that's what you 
need. 

286
00:17:21,520 --> 00:17:25,119
OK, so we do add that. 
So you're pretty much an expert 

287
00:17:25,119 --> 00:17:28,680
on furnishings because that's 
basically what you have to focus

288
00:17:28,680 --> 00:17:31,360
on is like bringing it all out 
with those furnishings because 

289
00:17:31,360 --> 00:17:33,920
you can't really touch except 
for the wallpaper, but yeah. 

290
00:17:34,440 --> 00:17:38,360
And to do that, we do a good bit
of travelling. 

291
00:17:38,760 --> 00:17:42,200
Stephen and I do. 
And when we travel, like we just

292
00:17:42,200 --> 00:17:45,560
came back from Paris, what we 
like to do is walk the streets, 

293
00:17:45,560 --> 00:17:48,440
go into the design stores, go 
into the antique stores. 

294
00:17:48,440 --> 00:17:51,720
Not that we're necessarily 
buying anything, but just to get

295
00:17:51,720 --> 00:17:55,960
a feel of what are the trends, 
what's out there in the 

296
00:17:55,960 --> 00:18:00,920
marketplace, what are people 
turning to in terms of interior 

297
00:18:00,920 --> 00:18:04,320
design that we get a sense of 
what's happening in the market. 

298
00:18:04,600 --> 00:18:09,320
And we go to High Point, NC, 
which you may or may not know is

299
00:18:09,320 --> 00:18:13,120
the center of the furniture 
industry in the US. 

300
00:18:13,720 --> 00:18:19,480
And twice a year they have the 
showrooms open and they have a 

301
00:18:19,480 --> 00:18:22,720
market. 
We used to go twice a year. 

302
00:18:22,720 --> 00:18:27,840
We now go once a year unless the
need arises, and then we'll let 

303
00:18:27,840 --> 00:18:31,560
we go twice. 
As far as the economy and 

304
00:18:31,560 --> 00:18:34,800
everything that's been happening
and coming through Covic, did 

305
00:18:34,800 --> 00:18:38,960
that affect your business a lot 
because people maybe weren't 

306
00:18:38,960 --> 00:18:41,240
traveling so much or? 
Yes. 

307
00:18:41,320 --> 00:18:47,320
And I think we are all on, if I 
may, tender hooks waiting to see

308
00:18:47,360 --> 00:18:50,960
what the effect of the towers is
going to be. 

309
00:18:51,600 --> 00:18:54,560
I think we're in. 
I can't speak for Steve. 

310
00:18:54,760 --> 00:18:59,440
I'm anticipating A slowdown, 
people traveling less 

311
00:18:59,840 --> 00:19:03,040
individually. 
We've got a sense of a lot of 

312
00:19:03,040 --> 00:19:06,880
people in Europe, very anti 
American feelings developing, 

313
00:19:06,880 --> 00:19:09,040
but they don't want to come to 
this country. 

314
00:19:09,040 --> 00:19:11,640
Certainly Canadians are not 
coming to this country. 

315
00:19:11,640 --> 00:19:14,680
That's going to affect travel, 
particularly to New York. 

316
00:19:15,800 --> 00:19:22,160
I think companies are sitting on
cash waiting to see what's going

317
00:19:22,160 --> 00:19:24,520
to happen. 
Should they build a new factory?

318
00:19:24,520 --> 00:19:26,400
Should they do this? 
Should they do that? 

319
00:19:26,640 --> 00:19:30,080
Should they take new offices and
move people around? 

320
00:19:30,280 --> 00:19:34,160
I think it's going to impact all
of everybody's business. 

321
00:19:34,200 --> 00:19:37,640
Now, whether that's permanent or
just temporary, I don't think 

322
00:19:37,640 --> 00:19:42,560
anybody else, but I think we're 
all waiting to see what's going 

323
00:19:42,560 --> 00:19:46,320
to happen. 
Some of our vendors in North 

324
00:19:46,320 --> 00:19:50,560
Carolina have sent us notice 
saying they're raising their 

325
00:19:50,560 --> 00:19:54,720
prices because the tariffs, 
because most of them don't 

326
00:19:54,720 --> 00:19:58,920
manufacture in the US, although 
they have offices and warehouses

327
00:19:58,920 --> 00:20:00,520
here, they don't manufacture 
here. 

328
00:20:00,880 --> 00:20:05,680
They manufacture either in the 
Far East or in Europe, mostly in

329
00:20:05,680 --> 00:20:10,440
the Far East and they're adding 
10 or 15%. 

330
00:20:10,440 --> 00:20:14,920
And during COVID it was worse 
because of the transportation 

331
00:20:14,920 --> 00:20:18,560
tie up. 
Most of our vendors added like 

332
00:20:18,560 --> 00:20:22,120
20% surcharge. 
To cover the increased cost of 

333
00:20:22,120 --> 00:20:27,080
shipping, which made merchandise
very, very, very expensive and 

334
00:20:27,080 --> 00:20:30,920
difficult for us. 
Yeah, in certain times, but it 

335
00:20:30,920 --> 00:20:34,360
seems like French quarters has 
been navigating it pretty well 

336
00:20:34,400 --> 00:20:36,200
so. 
Far so good. 

337
00:20:36,240 --> 00:20:41,120
I here I'd knock on it, but I, I
think it's fair to say we're all

338
00:20:41,120 --> 00:20:44,720
concerned. 
We're watching the marketplace 

339
00:20:44,720 --> 00:20:49,920
to see what demand is and at the
same time keeping tabs on what 

340
00:20:49,920 --> 00:20:55,240
our vendors are telling us. 
The next furniture market, which

341
00:20:55,240 --> 00:20:59,440
we're not planning to go to is 
in April, and I'm very anxious 

342
00:20:59,440 --> 00:21:03,160
to hear from some of the vendors
that we're close to. 

343
00:21:03,520 --> 00:21:06,720
How many people attended market 
and how many people actually 

344
00:21:06,720 --> 00:21:11,880
placed orders or were people 
lookers and saying I'll let you 

345
00:21:11,880 --> 00:21:15,160
know I'm thinking about it and 
not ordering merchandise. 

346
00:21:15,760 --> 00:21:20,240
So we'll get a sense after this 
market what's happening in the 

347
00:21:20,240 --> 00:21:22,560
industry, but I'm nervous about 
it. 

348
00:21:23,080 --> 00:21:25,680
Yeah. 
So besides High Point, do you go

349
00:21:25,680 --> 00:21:29,960
to the shows like in Milan and 
then Maison up J or anything 

350
00:21:29,960 --> 00:21:33,360
like that in Paris or? 
We used to do all of them. 

351
00:21:33,720 --> 00:21:36,960
OK. 
Maison is primarily an object 

352
00:21:36,960 --> 00:21:39,960
show and it's really not a 
furniture show. 

353
00:21:40,160 --> 00:21:44,240
Frankfurt's a primarily the 
tabletop show though we used to 

354
00:21:44,240 --> 00:21:49,160
go and it did some furniture. 
Milan is the one that I really 

355
00:21:49,400 --> 00:21:53,800
intrigues me and I really like. 
What happened is we stopped 

356
00:21:53,800 --> 00:22:00,000
going because the dollar lira 
that now euro ratio got out of 

357
00:22:00,000 --> 00:22:02,520
whack. 
So things became so expensive 

358
00:22:02,640 --> 00:22:07,880
that they were not affordable. 
The dollar euro exchange rate 

359
00:22:07,880 --> 00:22:11,000
was improving in our favor. 
It was almost 1 to 1. 

360
00:22:11,280 --> 00:22:14,200
And Steven and I talked about, 
oh, well, maybe we should go 

361
00:22:14,200 --> 00:22:17,400
back to Italy. 
It's now one to one, except that

362
00:22:17,560 --> 00:22:19,920
that rate is now falling full 
through the floor. 

363
00:22:19,920 --> 00:22:24,480
It's like $1.15 to 1. 
So it's become very expensive 

364
00:22:24,480 --> 00:22:27,440
again. 
That's a 15% increase when you 

365
00:22:27,440 --> 00:22:29,120
get to shipping or anything 
else. 

366
00:22:29,520 --> 00:22:33,760
So I'm not sure how much we're 
going to do now. 

367
00:22:33,760 --> 00:22:39,200
Most of a lot of the Italian 
companies we deal with show at 

368
00:22:39,200 --> 00:22:45,920
High Point, so we don't need to 
necessarily go to Milan to see 

369
00:22:45,920 --> 00:22:48,840
what the new introductions are. 
Then of course, there are a lot 

370
00:22:48,840 --> 00:22:52,640
of companies that don't show. 
And if I had, my job is, mind 

371
00:22:52,640 --> 00:22:56,080
you, not that I wouldn't like a 
trip to Italy, but who would 

372
00:22:56,080 --> 00:22:58,960
complain about that exactly? 
But it's. 

373
00:22:59,400 --> 00:23:03,160
I mean, I love going to Milan. 
The energy of that city, the 

374
00:23:03,160 --> 00:23:06,280
people who don't know what they 
think, It's not this disgusting,

375
00:23:06,280 --> 00:23:08,520
ugly city. 
What do you like about it, 

376
00:23:08,520 --> 00:23:11,080
really? 
It's an incredible design city 

377
00:23:11,080 --> 00:23:13,760
with great energy behind the 
walls. 

378
00:23:14,040 --> 00:23:18,080
But I think we were looking to 
get back to going to Milan. 

379
00:23:18,080 --> 00:23:22,520
I'm just not sure it's feasible,
again because of the euro dollar

380
00:23:22,520 --> 00:23:24,480
exchange rate. 
Yeah, yeah. 

381
00:23:24,480 --> 00:23:27,400
Do you ever come out West to 
I'm? 

382
00:23:27,560 --> 00:23:30,720
I'm in California so I usually 
go to Las Vegas market. 

383
00:23:31,000 --> 00:23:36,840
We used to go to the Las Vegas 
market and what we found was it 

384
00:23:36,840 --> 00:23:43,400
was hardly worth it because 90% 
are making that number of the 

385
00:23:43,400 --> 00:23:47,480
vendors who show at the Vegas 
market show in High Point. 

386
00:23:48,000 --> 00:23:51,440
So we were seeing exactly the 
same vendors with the virtually 

387
00:23:51,440 --> 00:23:54,080
the same furnishings. 
They were dairy few 

388
00:23:54,080 --> 00:23:58,200
introductions in the biggest 
market, but the majority of new 

389
00:23:58,200 --> 00:24:02,880
introductions tend to be in the 
high port fall market. 

390
00:24:03,720 --> 00:24:07,560
But to be honest there have been
very few new introductions in 

391
00:24:07,560 --> 00:24:11,280
the last few years. 
Most of the vendors got caught 

392
00:24:11,760 --> 00:24:15,040
literally with their pants down 
during COVID. 

393
00:24:15,160 --> 00:24:21,640
They brought furniture in with 
high shipping costs and then all

394
00:24:21,640 --> 00:24:25,040
of that, the shipping costs went
away and they were stuck with 

395
00:24:25,040 --> 00:24:27,600
this high-priced merchandise in 
their warehouse. 

396
00:24:28,080 --> 00:24:31,680
And fortunately at least one of 
the vendors that we had dealt 

397
00:24:31,680 --> 00:24:34,240
with for years went out of 
business because of what 

398
00:24:34,240 --> 00:24:37,800
happened to him with being stuck
with high price inventory. 

399
00:24:38,280 --> 00:24:47,360
So we don't go to Vegas unless 
some of our vendors gave us a 

400
00:24:47,360 --> 00:24:50,240
reason and said they were doing 
introductions there that they 

401
00:24:50,240 --> 00:24:52,360
were not bringing to the High 
Point market. 

402
00:24:52,880 --> 00:24:54,840
It really doesn't make sense for
us to do that. 

403
00:24:55,160 --> 00:24:58,720
Yeah, that makes sense. 
So you said you like to get 

404
00:24:58,720 --> 00:25:01,640
inspiration. 
You did a trip to Paris recently

405
00:25:01,640 --> 00:25:04,840
and just kind of visit those. 
What other ways do you get 

406
00:25:04,840 --> 00:25:08,280
inspiration for your designs? 
You know, I was thinking about 

407
00:25:08,280 --> 00:25:10,640
that because I was assuming you 
were going to ask me the 

408
00:25:10,640 --> 00:25:14,240
question and I was could say 
really inspiration comes from 

409
00:25:14,280 --> 00:25:18,480
anything and everything. 
Walking down the street seeing, 

410
00:25:18,800 --> 00:25:21,960
but we're in Miami and it's 
pretty sophisticated here and 

411
00:25:21,960 --> 00:25:25,920
you walk down the street and you
see people well dressed and that

412
00:25:25,920 --> 00:25:29,880
gives you inspiration. 
Fashion gives you inspiration. 

413
00:25:30,400 --> 00:25:33,000
Art. 
Steven and I, our favorite 

414
00:25:33,000 --> 00:25:37,280
things to do is to go to museums
and to go to art galleries, not 

415
00:25:37,280 --> 00:25:44,080
necessarily to buy, but to be 
inspired by colors or patterns. 

416
00:25:44,400 --> 00:25:50,880
When we were in Paris, we went 
to the LVMH gallery, which was 

417
00:25:50,880 --> 00:25:56,680
having a show about flowers. 
And I'm not particularly into 

418
00:25:56,680 --> 00:25:59,360
flowers, that's just not my 
thing in art. 

419
00:25:59,600 --> 00:26:02,960
But it was terrific and it 
really was very inspiring and 

420
00:26:02,960 --> 00:26:08,880
made me rethink what I think 
about floral Wallpapers, prints 

421
00:26:08,880 --> 00:26:10,480
or stuff. 
It was terrific. 

422
00:26:10,640 --> 00:26:12,320
So you get inspired by 
everything. 

423
00:26:13,200 --> 00:26:15,600
I can't say. 
That it's any one thing and it 

424
00:26:15,600 --> 00:26:19,840
doesn't be a particular design 
thing. 

425
00:26:19,840 --> 00:26:25,000
Although I do thumb through the 
design magazines, I don't find I

426
00:26:25,000 --> 00:26:27,680
really get much ideas. 
I do see what others are doing, 

427
00:26:27,680 --> 00:26:32,160
but I don't get any ideas from 
the ideas come from the street, 

428
00:26:32,200 --> 00:26:35,560
comes from fashion, comes from 
art, or any. 

429
00:26:36,280 --> 00:26:38,720
Because. 
Anything can be an inspiration. 

430
00:26:39,000 --> 00:26:42,120
A plate in a restaurant that's 
beautifully presented can be an 

431
00:26:42,120 --> 00:26:47,840
inspiration for sure. 
I really, we were out the other 

432
00:26:47,840 --> 00:26:52,280
night in a new restaurant here 
in Miami and the food was so 

433
00:26:52,280 --> 00:26:54,600
beautifully arranged. 
I want you to take, I said to 

434
00:26:54,600 --> 00:26:56,120
see, let's take a picture of 
that. 

435
00:26:56,480 --> 00:26:59,880
I like that color combinations 
and you know, you never know 

436
00:26:59,880 --> 00:27:04,480
where inspiration comes from. 
You have to be open to it. 

437
00:27:04,920 --> 00:27:09,640
And I think I've learned that 
from all of the creative people 

438
00:27:09,640 --> 00:27:13,960
I've associated myself with, or 
I've been around people like 

439
00:27:13,960 --> 00:27:18,160
Benjamin Noriega Ortiz, and it 
really just be inspired by 

440
00:27:18,520 --> 00:27:21,720
whatever you see. 
It doesn't be piece of 

441
00:27:21,720 --> 00:27:24,360
furniture. 
Yeah, well, that's great advice.

442
00:27:24,800 --> 00:27:28,720
So what else would you advise 
young and up and coming 

443
00:27:28,720 --> 00:27:31,360
designers who maybe are thinking
they might want to get into the 

444
00:27:31,360 --> 00:27:35,080
hospitality area? 
Do you have advice for someone 

445
00:27:35,080 --> 00:27:38,040
who's considering this Ave. of 
design? 

446
00:27:38,400 --> 00:27:42,800
If you think that that's 
something you'd like to do, what

447
00:27:42,800 --> 00:27:48,000
I strongly advise young friends 
and family members etcetera, get

448
00:27:48,000 --> 00:27:51,440
an internship and they are 
available with well known 

449
00:27:51,440 --> 00:27:53,120
designers. 
No, you're not going to make a 

450
00:27:53,120 --> 00:27:55,880
lot of money and if that's what 
you're looking to do, you're 

451
00:27:55,880 --> 00:28:00,280
wasting your time. 
But you will get a sense A you 

452
00:28:00,280 --> 00:28:03,680
really like it, B if you have 
any talent for it, and C you'll 

453
00:28:03,680 --> 00:28:05,360
see what the business is really 
like. 

454
00:28:05,360 --> 00:28:08,560
It's not just sitting down with 
little fabric swatches and 

455
00:28:08,800 --> 00:28:11,800
designing something. 
It's quite the opposite. 

456
00:28:11,920 --> 00:28:15,760
And you better develop your 
computer skills because more and

457
00:28:15,760 --> 00:28:21,240
more designed to is being done 
using various computer programs.

458
00:28:21,440 --> 00:28:25,000
And you really need to know that
in order to get a job today. 

459
00:28:25,840 --> 00:28:29,800
And people that I have met, 
young people coming out of FIT, 

460
00:28:29,800 --> 00:28:34,280
and the other designs school all
have had that background. 

461
00:28:34,280 --> 00:28:37,000
And you need it. 
You can't just get in it without

462
00:28:37,000 --> 00:28:40,080
that talent. 
Even if you hate it, you need to

463
00:28:40,080 --> 00:28:41,240
learn it. 
Do it. 

464
00:28:42,320 --> 00:28:44,200
Yeah. 
And practice it because that's 

465
00:28:44,200 --> 00:28:45,880
what's required. 
For sure. 

466
00:28:46,040 --> 00:28:47,400
Yeah. 
Well, that's great advice. 

467
00:28:47,400 --> 00:28:49,960
Thank you so much, Steve, for 
coming on today and sharing your

468
00:28:49,960 --> 00:28:50,400
journey. 
It's. 

469
00:28:50,400 --> 00:28:53,520
Been a pleasure, thank you and 
if I can provide any more info 

470
00:28:53,520 --> 00:28:57,080
don't hesitate to call me. 
Yeah, I'll put your information 

471
00:28:57,080 --> 00:28:59,280
in the show notes so people can 
reach out to you. 

472
00:28:59,280 --> 00:29:01,560
It's just really fun getting to 
know you today. 

473
00:29:02,080 --> 00:29:03,160
Stay here. 
Thank you. 

474
00:29:03,400 --> 00:29:04,480
Take care. 
Bye. 

475
00:29:04,480 --> 00:29:13,240
Bye. 
So I hope that sparked some 

476
00:29:13,240 --> 00:29:16,640
interest for you. 
Maybe that is an Ave. that you 

477
00:29:16,640 --> 00:29:19,760
could look into doing some 
interior design for. 

478
00:29:20,200 --> 00:29:21,760
There's something out there for 
everyone. 

479
00:29:21,760 --> 00:29:24,520
And you know what? 
I think it's so inspiring with 

480
00:29:24,520 --> 00:29:28,960
Steve's transition from his 
career as a an attorney into 

481
00:29:28,960 --> 00:29:32,200
being an interior designer. 
That just shows that anybody can

482
00:29:32,200 --> 00:29:34,880
do it. 
And so don't be afraid of making

483
00:29:34,880 --> 00:29:37,040
the switch. 
And if you need help with that, 

484
00:29:37,360 --> 00:29:40,080
I have a great program for you 
called My Design Mentor. 

485
00:29:40,080 --> 00:29:42,200
You can check out the links for 
that in the show notes. 

486
00:29:42,600 --> 00:29:46,600
But it's an online mentorship 
platform and anywhere in the 

487
00:29:46,600 --> 00:29:50,360
country you can meet with me and
I can help you get your career 

488
00:29:50,360 --> 00:29:53,200
started the right way. 
All right, that's all I have for

489
00:29:53,200 --> 00:29:55,000
you this week. 
Next week we'll have another 

490
00:29:55,000 --> 00:29:57,880
great episode and until then, 
stay creative. 

491
00:29:59,520 --> 00:30:02,560
Thanks for listening. 
If you love this episode, please

492
00:30:02,560 --> 00:30:05,320
leave a rating and a review. 
This helps me reach other 

493
00:30:05,320 --> 00:30:09,040
curious creatives like you. 
If you have a topic request or 

494
00:30:09,040 --> 00:30:12,320
would like to contact me, simply
head over to my website 

495
00:30:12,560 --> 00:30:18,680
arworddesign.com or e-mail me at
podcast at our War design.com.

