1 00:00:00,200 --> 00:00:03,080 The good news? Is Roger is back the. 2 00:00:03,080 --> 00:00:16,600 Bad news is he's dead. Oh yeah, that's right, Walter. 3 00:00:16,760 --> 00:00:22,760 I'm back from the dead and I got to say I'm feeling pretty God 4 00:00:22,760 --> 00:00:25,680 damn good. So it's time for another episode 5 00:00:25,920 --> 00:00:28,600 of The Deep. Cut podcast with your host. 6 00:00:28,840 --> 00:00:31,880 Rotten, Rodger, DeMarco, and today we're going to be talking 7 00:00:31,880 --> 00:00:36,160 about Lucio Folchi's Zombie. So that being said, I would 8 00:00:37,000 --> 00:00:39,480 strap on. Your barf bag. 9 00:00:39,960 --> 00:00:41,960 If you got 1 handy. Nah. 10 00:00:42,480 --> 00:00:46,360 This movie makes me hungry. Oh yeah, now that you mention 11 00:00:46,360 --> 00:00:49,080 it, this movie does kind of make me hungry for ribs. 12 00:00:49,560 --> 00:00:53,400 But anyways, first. Let's give these good folks. 13 00:00:53,400 --> 00:00:56,960 Out there in Internet land. A brief plot synopsis and then 14 00:00:56,960 --> 00:00:58,960 we'll get going. The plot is. 15 00:00:58,960 --> 00:01:03,000 Pretty damn simple. Guys, it is the. 16 00:01:03,000 --> 00:01:08,560 Island of Matul being overtaken by the undead. 17 00:01:09,800 --> 00:01:13,960 The dead are returning to life and killing everybody that lives 18 00:01:13,960 --> 00:01:18,240 on Matul or who is dumb enough to ride a boat to Matul. 19 00:01:18,320 --> 00:01:21,640 And not get on a boat and get the fuck out of dodge. 20 00:01:22,000 --> 00:01:23,600 Sounds like they get what they deserve. 21 00:01:24,480 --> 00:01:26,400 Yeah, a little bit. But. 22 00:01:26,640 --> 00:01:28,440 At least this movie has a happy ending. 23 00:01:29,040 --> 00:01:35,120 Spoiler alert, the zombies win. Game over and we're going to 24 00:01:35,120 --> 00:01:36,120 get. Into that over the course. 25 00:01:36,120 --> 00:01:39,200 Of this next hour but. First, let's take a look at. 26 00:01:39,400 --> 00:01:43,360 Rotten Rogers splatter facts. We have a whole. 27 00:01:43,360 --> 00:01:44,640 Island of. Dead bodies. 28 00:01:45,040 --> 00:01:54,480 We have 4 titties, we have 1 Bush, we have boat. 29 00:01:54,480 --> 00:01:57,200 Filth. Gratuitous Latex ripping the. 30 00:01:57,200 --> 00:02:00,040 Old okey doke all. Of the synth. 31 00:02:00,400 --> 00:02:03,200 Coral to the face. Splinter to the eye. 32 00:02:03,200 --> 00:02:04,280 You. Knew that was going to be on 33 00:02:04,280 --> 00:02:05,240 here. It had to be. 34 00:02:05,320 --> 00:02:08,400 Gut chomping every headshot ever. 35 00:02:08,520 --> 00:02:11,160 A zombie shark fight of. Course. 36 00:02:11,440 --> 00:02:15,680 One hoodoo voodoo curse and the old swerve bro. 37 00:02:15,720 --> 00:02:19,400 Sequel bait the. Methods of death include and. 38 00:02:19,400 --> 00:02:26,800 Basically are limited to being eaten alive and the old. 39 00:02:26,800 --> 00:02:30,320 Fuck that, just shoot me bro. Yeah, I'm not coming back as one 40 00:02:30,320 --> 00:02:33,360 of them not happening. So before we jump into. 41 00:02:33,360 --> 00:02:35,240 The rest of the episode. Walter, why don't you go ahead 42 00:02:35,240 --> 00:02:39,040 and tell the new listeners, watchers, consumers. 43 00:02:39,600 --> 00:02:40,240 What to do? Yeah. 44 00:02:43,360 --> 00:02:45,680 Don't forget to like, comment and subscribe. 45 00:02:45,760 --> 00:02:54,800 You'll be. OK, and we're back to the movie. 46 00:02:54,920 --> 00:02:57,920 Lucio Folchi's Zombie has got to be one of the biggest, most 47 00:02:57,920 --> 00:03:01,560 impressive landmark gore films of all time. 48 00:03:01,880 --> 00:03:05,480 I mean, you don't make the video nasties list if you ain't 49 00:03:05,480 --> 00:03:08,520 pushing some boundaries. Now the budget for this film was 50 00:03:08,520 --> 00:03:12,920 roughly $500,000 in American money, and it made more than 51 00:03:12,920 --> 00:03:21,080 $739,000 also in American money. Not in the din or whatever form 52 00:03:21,080 --> 00:03:26,960 of currency is in Italy, even though this is an American 53 00:03:26,960 --> 00:03:29,840 movie. But that kind of money, you can 54 00:03:29,840 --> 00:03:32,520 buy a. Lot of liquid latex. 55 00:03:32,840 --> 00:03:35,960 So you can gear. Up for the sequels? 56 00:03:36,320 --> 00:03:39,000 I thought Italians just did that stuff for real. 57 00:03:39,520 --> 00:03:43,360 I mean it looks real. No, see, that's only usually 58 00:03:43,360 --> 00:03:46,680 when animals are involved, and that is gross. 59 00:03:46,880 --> 00:03:49,080 Cannibal Holocaust, I'm looking at you. 60 00:03:50,040 --> 00:03:52,840 The gore in this movie is so goddamn. 61 00:03:52,840 --> 00:03:55,040 Impressive because of the effects. 62 00:03:55,040 --> 00:03:58,240 Artist and I'm going to butcher this dude's name so bear with me 63 00:03:58,240 --> 00:04:02,840 I apologize effects artist Gianetto De Rossi is who is 64 00:04:02,840 --> 00:04:06,720 primarily responsible for the gore in this movie and I got to 65 00:04:06,720 --> 00:04:08,560 say like let me just. Do this. 66 00:04:08,840 --> 00:04:14,280 Italian horror films are synonymous with having some of 67 00:04:14,400 --> 00:04:19,079 the best gore in the genre. I don't know what's going on 68 00:04:19,079 --> 00:04:23,440 over there, but Jesus, these guys, man. 69 00:04:24,160 --> 00:04:29,120 The blood is hyper red, every flesh tear it's. 70 00:04:29,160 --> 00:04:32,200 It's a combination of the. Foley, the way it's shot. 71 00:04:32,360 --> 00:04:35,040 The lighting, everything, it just. 72 00:04:35,040 --> 00:04:40,880 Feels so real. And it feels so just nasty. 73 00:04:41,200 --> 00:04:46,240 Nasty is the only word for this. But in my opinion, Gianetto. 74 00:04:46,240 --> 00:04:48,120 De Rossi Pretty. Sure, I said that right. 75 00:04:48,160 --> 00:04:50,320 I'm going to keep double checking to make sure I say it 76 00:04:50,320 --> 00:04:54,840 right. This dude had this miniscule 77 00:04:54,840 --> 00:04:57,600 budget that's I guess it's a pretty decent budget for this 78 00:04:57,600 --> 00:05:01,840 type of movie and completely outshines his American 79 00:05:01,840 --> 00:05:08,480 counterpart, which some of you know the name Tom Savini and I'm 80 00:05:08,480 --> 00:05:13,240 sorry, not sorry, because I think Tom Savini is a smidge. 81 00:05:13,240 --> 00:05:17,480 Overrated. He's pretty solid at creating 82 00:05:17,480 --> 00:05:23,400 gore, but the gore that he had. Done up to this point. 83 00:05:24,840 --> 00:05:27,440 Doesn't hold a candle. Does not hold a candle. 84 00:05:27,880 --> 00:05:30,080 To the gore that we. See in Zombie. 85 00:05:30,480 --> 00:05:34,000 Jeez, shots fired. I'm just saying, Walter, listen, 86 00:05:34,040 --> 00:05:37,600 the the zombie on the cover is already more impressive than 87 00:05:37,600 --> 00:05:39,040 anything that's in Dawn of the Dead. 88 00:05:39,280 --> 00:05:42,200 Or Day of the Dead. You can come at me bro. 89 00:05:42,600 --> 00:05:44,200 You in the comments, you can come at me. 90 00:05:44,600 --> 00:05:47,800 I don't mind. I understand Tom Savini has 91 00:05:47,800 --> 00:05:49,800 like. This allegiance of. 92 00:05:49,800 --> 00:05:52,160 Fans, He is like the grandfather. 93 00:05:52,640 --> 00:05:55,320 Even people who don't know anything about makeup effects 94 00:05:55,840 --> 00:05:58,400 love Tom Savini, and I do. Too so it. 95 00:05:58,400 --> 00:06:01,400 Definitely comes across like I'm shitting on the dude but I'm not 96 00:06:01,480 --> 00:06:04,200 OK Tom Savini is. Good. 97 00:06:04,960 --> 00:06:06,880 But we got to give credit where credit is due. 98 00:06:07,360 --> 00:06:10,480 We got to, we got to say hey. You're right, man. 99 00:06:10,920 --> 00:06:12,920 But these fellows over here with a. 100 00:06:12,920 --> 00:06:16,760 Lot of them have names you've never heard of, but Tom Savini, 101 00:06:16,760 --> 00:06:18,120 like I said, he's a household name. 102 00:06:18,120 --> 00:06:22,480 People who don't even. Care about gore or horror? 103 00:06:22,480 --> 00:06:25,920 Movies know Tom Savini. Maybe not so much the new 104 00:06:25,920 --> 00:06:31,920 generation, but my generation and and yeah, my generation. 105 00:06:32,640 --> 00:06:35,360 So I'm. Old, but it is what it is. 106 00:06:36,040 --> 00:06:40,120 I am eternal. And it's crazy too, the zombie 107 00:06:40,120 --> 00:06:42,680 look in this movie. I'm pretty sure it's like a 108 00:06:42,920 --> 00:06:48,320 totally accomplished with like morticians wax and like 109 00:06:48,320 --> 00:06:50,760 newspaper and liquid. Latex. 110 00:06:50,760 --> 00:06:54,800 It's all very grass roots mud. Even just caked onto these 111 00:06:54,960 --> 00:07:01,880 people and it creates this very unique, very distinct zombie. 112 00:07:01,880 --> 00:07:04,120 Look that. You don't really get anywhere 113 00:07:04,120 --> 00:07:09,720 else until American effects artists started seeing Zombie 114 00:07:09,760 --> 00:07:12,880 and going Maybe we should. Steal that. 115 00:07:12,960 --> 00:07:14,600 Because that's what always happens. 116 00:07:14,880 --> 00:07:17,600 Maybe we should. Take a little bit of that. 117 00:07:17,880 --> 00:07:19,640 Bloop, bloop, just keep on taking. 118 00:07:19,640 --> 00:07:22,640 And these effects for these zombies, like I said, they're 119 00:07:22,640 --> 00:07:26,720 incredibly simple. But they are a step above that, 120 00:07:26,720 --> 00:07:30,480 just blue. Tinted people in Dawn of the 121 00:07:30,480 --> 00:07:33,720 Dead and I'm allowed. To say that, that's where. 122 00:07:33,720 --> 00:07:37,040 I get my name from, for you new people out there who don't know 123 00:07:37,280 --> 00:07:41,680 Roger DeMarco, it's from the original Dawn of the Dead. 124 00:07:42,720 --> 00:07:44,720 I'm allowed to. I'm allowed to shit on those 125 00:07:44,920 --> 00:07:47,280 zombie designs a little bit. I can. 126 00:07:48,040 --> 00:07:50,040 It's OK. Trust me, I'm a professional. 127 00:07:51,000 --> 00:07:52,680 Sort of. And I think I touched on it 128 00:07:52,680 --> 00:07:54,360 already, but I'm going to go ahead and say it again. 129 00:07:54,360 --> 00:07:59,400 I think what sets Lucio Folci's Zombie apart from so many 130 00:07:59,720 --> 00:08:04,120 countless other zombie movies. Is the way that the. 131 00:08:04,120 --> 00:08:05,840 Violence is approached in this movie. 132 00:08:06,360 --> 00:08:10,360 Oh wee boy does it feel. Permanent and it. 133 00:08:10,480 --> 00:08:14,000 Feels like it hurts. Most of the time you see someone 134 00:08:14,000 --> 00:08:15,960 get killed in the horror movie, and of course they're going to 135 00:08:15,960 --> 00:08:22,160 give the. Oh no, I'm being stabbed or I'm 136 00:08:22,240 --> 00:08:28,600 being murdered. It is very campy, right? 137 00:08:29,240 --> 00:08:31,280 Just so little. And it's OK to be campy because 138 00:08:31,280 --> 00:08:34,559 we want most of the time, we don't want our death. 139 00:08:34,559 --> 00:08:37,919 To feel. Permanent. 140 00:08:37,919 --> 00:08:41,039 We don't want our death to. Feel so. 141 00:08:41,440 --> 00:08:43,240 Visceral and grounded in reality. 142 00:08:43,919 --> 00:08:46,520 Most of the time with. Zombie it. 143 00:08:46,520 --> 00:08:49,480 Works. It works like gangbusters 144 00:08:49,480 --> 00:08:53,480 because we kind of like. These folks. 145 00:08:54,320 --> 00:09:02,880 That get kind of thrust into this situation and doesn't 146 00:09:02,880 --> 00:09:04,920 matter if you like them right it doesn't matter at all that you. 147 00:09:04,920 --> 00:09:06,040 Like these people? Because. 148 00:09:06,840 --> 00:09:10,800 They're going to get torn limb from limb and you get a ton of 149 00:09:10,800 --> 00:09:14,360 memorable sequences that end up in all the countdowns and stuff. 150 00:09:14,360 --> 00:09:18,960 Obviously these the eye poke. Right is 1 and that's. 151 00:09:22,120 --> 00:09:31,320 Still. Still really, really gross. 152 00:09:31,640 --> 00:09:35,120 Really effective there is. Of course, the zombie. 153 00:09:35,280 --> 00:09:38,200 Versus the shark, which is. Awesome. 154 00:09:38,600 --> 00:09:40,680 It's stupid, right? But it's. 155 00:09:40,720 --> 00:09:44,520 Awesome. And it's a real life crazy 156 00:09:44,520 --> 00:09:48,640 motherfucker in the water with a goddamn shark. 157 00:09:48,640 --> 00:09:51,600 Granted they. Drugged the shark a lot. 158 00:09:51,680 --> 00:09:54,760 Which I think is illegal. I'm pretty sure it's illegal, 159 00:09:54,760 --> 00:09:57,840 maybe not in international. Waters or wherever. 160 00:09:57,960 --> 00:10:02,160 It was filmed, but I I think it's probably not good practice 161 00:10:02,480 --> 00:10:06,640 to. Drug up your wildlife but. 162 00:10:06,640 --> 00:10:09,120 Either way, Italians are awesome, they do what they want. 163 00:10:09,440 --> 00:10:11,920 So they drugged. Up this shark. 164 00:10:12,600 --> 00:10:16,080 And a real life dude went down into the water with this shark 165 00:10:16,080 --> 00:10:21,160 and tussled with it like you do because it was 1979. 166 00:10:21,160 --> 00:10:23,960 And what's a computer? I don't know. 167 00:10:24,480 --> 00:10:25,800 Do you? And I kind of. 168 00:10:25,800 --> 00:10:27,880 Glossed over the plot so I'll double back. 169 00:10:28,880 --> 00:10:33,360 It's very simple, OK? Tisa Farrow, her father. 170 00:10:33,480 --> 00:10:38,440 Is on this island of Matul and he's not responding to her snail 171 00:10:38,440 --> 00:10:40,520 mail. So you know. 172 00:10:40,520 --> 00:10:41,920 It's been a minute since you heard from him. 173 00:10:41,920 --> 00:10:46,320 Because she's writing stuff, licking a stamp, putting it on 174 00:10:46,320 --> 00:10:50,480 an envelope, handing it to the mailman and hoping to God it 175 00:10:50,480 --> 00:10:54,960 gets on a boat and goes to some tropical island. 176 00:10:55,080 --> 00:10:59,080 And who knows how many letters she sent for you young bloods 177 00:10:59,080 --> 00:11:00,920 out there that don't really understand. 178 00:11:00,920 --> 00:11:03,600 Sometimes you'd send a letter and they would always say. 179 00:11:03,600 --> 00:11:09,920 Like 6 to 8 weeks for a reply. Or, you know, for something to 180 00:11:09,920 --> 00:11:13,200 come in the mail, That's how. Shit used to be we had to wait. 181 00:11:13,520 --> 00:11:17,200 We had to earn it. So this poor lady, she probably 182 00:11:17,200 --> 00:11:21,040 has waited. 2-3 months without hearing from her father. 183 00:11:21,040 --> 00:11:23,160 So then, finally, she decides. Screw that. 184 00:11:23,800 --> 00:11:25,960 I'm going to Matul got to find out what's going on with my 185 00:11:25,960 --> 00:11:29,240 Padre. Links up with a reporter. 186 00:11:29,280 --> 00:11:31,960 Ian McCullough Her his name in the movie not important. 187 00:11:32,520 --> 00:11:34,080 His real name is fine. Ian McCullough. 188 00:11:34,720 --> 00:11:38,520 Awesome, awesome actor that you'll see in a ton of different 189 00:11:38,520 --> 00:11:41,400 80s Italian horror. But. 190 00:11:41,400 --> 00:11:43,640 He just so happens to be doing a story on the. 191 00:11:43,640 --> 00:11:45,760 Tool, so he says hey. I'll tag along with you. 192 00:11:46,120 --> 00:11:47,560 Let's go find out what's going on. 193 00:11:48,240 --> 00:11:53,080 So off they venture and they run into a husband and wife duo who 194 00:11:53,080 --> 00:11:58,320 are set and sail going to go on vacation and roam about, you 195 00:11:58,320 --> 00:12:01,120 know, stop at a bunch of different islands and. 196 00:12:01,120 --> 00:12:05,080 All of this stuff so. That now we have 4 and we're on 197 00:12:05,080 --> 00:12:06,960 this boat and of course the. Wife. 198 00:12:07,480 --> 00:12:10,520 She wants to scuba. Dive and. 199 00:12:11,480 --> 00:12:16,520 Naked naked scuba diving and. So I got a little distracted. 200 00:12:17,880 --> 00:12:28,760 Naked scuba diving, yeah. And so she's naked, yeah. 201 00:12:29,960 --> 00:12:31,920 And then? And then, yeah, she's going to 202 00:12:31,920 --> 00:12:35,080 scuba dive and take. Underwater photography of coral. 203 00:12:35,840 --> 00:12:44,240 And fish. While she's naked, then she's 204 00:12:44,240 --> 00:12:47,880 running around naked. And a zombie comes. 205 00:12:47,960 --> 00:12:50,560 OK, I'm going to get past the. Nakedness. 206 00:12:51,000 --> 00:12:54,040 But a zombie comes she. Skedaddles. 207 00:12:54,280 --> 00:12:55,720 Boom, let me get the. Fuck out of here. 208 00:12:56,080 --> 00:12:59,240 No one believes her above. Water because no one else is 209 00:12:59,240 --> 00:13:02,720 going to put the gear on and, you know, dip on down and. 210 00:13:02,760 --> 00:13:06,280 See what freaked this naked lady out about? 211 00:13:07,680 --> 00:13:09,400 So then we. Cut down under the water and of 212 00:13:09,400 --> 00:13:11,640 course that's. Where we get the cool shark 213 00:13:11,840 --> 00:13:15,200 versus. Zombie battle kicks ass. 214 00:13:15,880 --> 00:13:17,560 I have nothing. Bad to say about the. 215 00:13:18,040 --> 00:13:20,560 Zombie versus shark. I love the backpedal. 216 00:13:21,400 --> 00:13:23,480 And I love the score going on right here. 217 00:13:25,200 --> 00:13:27,280 It's probably, I mean, it's dumb. 218 00:13:27,280 --> 00:13:29,880 OK, I'll say it again. I'll say it for the millionth 219 00:13:29,880 --> 00:13:31,600 time in this podcast. It's a it's. 220 00:13:31,760 --> 00:13:35,040 Dumb, but if you like it, you like it, you know, and I happen 221 00:13:35,040 --> 00:13:37,440 to fucking love it. George Romero's Dawn of the 222 00:13:37,440 --> 00:13:40,240 dead, which is sort of a counterpart to this movie 223 00:13:40,800 --> 00:13:45,000 because I the zombie was released as Zombie 2, which was 224 00:13:45,000 --> 00:13:49,640 an unofficial sequel to Dawn of the dead, even though that was 225 00:13:49,640 --> 00:13:51,680 done without full cheese permission. 226 00:13:52,480 --> 00:13:57,000 But going back to Romero, OK, And Romero's classic immortal 227 00:13:57,000 --> 00:14:00,840 classic Dawn of the Dead. For his score, he used. 228 00:14:00,840 --> 00:14:06,800 Italian band, synth band, composers, this crew Italian 229 00:14:06,840 --> 00:14:11,120 badass musicians, Goblin and that gave Dawn of the Dead this 230 00:14:11,120 --> 00:14:15,280 signature sound of these weird synth things and then of. 231 00:14:15,280 --> 00:14:17,480 Course like robot. Chicken went on to take like the 232 00:14:17,480 --> 00:14:20,440 Gonk, which is one of the primary themes from Dawn of the 233 00:14:20,440 --> 00:14:23,800 Dead, and reuse it, but that's neither here nor there. 234 00:14:24,200 --> 00:14:26,400 Robot Chicken. Deep cut, Kind of. 235 00:14:26,880 --> 00:14:30,760 So full chi. Kind of already had an ace up 236 00:14:30,760 --> 00:14:32,920 his sleeve, one of his. Dudes that he'd worked with. 237 00:14:33,280 --> 00:14:36,680 A ton of times. Super talented composer. 238 00:14:36,880 --> 00:14:39,680 Fabio Frizzy. I'm probably butchering that. 239 00:14:39,680 --> 00:14:41,640 Again, I apologize. I'm not Italian. 240 00:14:41,640 --> 00:14:44,040 I don't have an Italian dialect. I don't know what. 241 00:14:44,040 --> 00:14:46,880 That is, hey. That sounds more like Tony Danza 242 00:14:46,880 --> 00:14:48,880 and I think he's like discount Italian. 243 00:14:48,880 --> 00:14:52,440 You know, but Fabio Frizzy. That's his name. 244 00:14:52,600 --> 00:14:54,560 Yep, I'm saying it right. I'm sure of it. 245 00:14:54,880 --> 00:14:56,400 I'm. Sure of it. 246 00:14:57,920 --> 00:15:02,240 Gives this movie such a beautiful signature score. 247 00:15:02,400 --> 00:15:06,920 Every single music cue in this movie is iconic. 248 00:15:06,920 --> 00:15:08,680 It's memorable. You'll be humming it. 249 00:15:09,040 --> 00:15:11,640 You'll just be like bebopping around the house and you'll 250 00:15:11,920 --> 00:15:13,680 start in on them. I'm not going to because I don't 251 00:15:13,680 --> 00:15:14,840 want. To get copyrighted but. 252 00:15:14,840 --> 00:15:17,480 You will trust me. I know it. 253 00:15:17,480 --> 00:15:21,840 I I know how you work out there. I know how your brains work. 254 00:15:22,320 --> 00:15:25,120 I know how my brain works. It itches right now. 255 00:15:26,080 --> 00:15:27,360 Now. Full disclosure. 256 00:15:27,400 --> 00:15:31,120 I'm not entirely sure I can't give you like an accurate. 257 00:15:31,720 --> 00:15:33,960 Review of these. Types of movies, right? 258 00:15:34,320 --> 00:15:39,840 Because I grew up on this movie. So I was raised. 259 00:15:40,080 --> 00:15:41,880 Loving this movie. I discovered this movie at a 260 00:15:41,880 --> 00:15:46,320 very early age. I think I was maybe 14 maybe. 261 00:15:46,520 --> 00:15:48,800 I remember going and picking this movie up from a Suncoast 262 00:15:48,800 --> 00:15:53,040 video and the version that I got was VHS and like the big 263 00:15:53,400 --> 00:15:57,800 clamshell and I think it was like remastered and it was some 264 00:15:57,800 --> 00:15:59,440 kind of special edition. I'd have to look. 265 00:15:59,440 --> 00:16:03,680 I'll try and put. A picture here of the. 266 00:16:03,680 --> 00:16:06,440 Edition that I had. But I wore that tape out, so 267 00:16:06,440 --> 00:16:09,240 like I said, I was. Raised on this movie and now 268 00:16:09,240 --> 00:16:11,600 that I'm on. Bed. 269 00:16:13,080 --> 00:16:15,560 I might like it just a little bit more. 270 00:16:16,080 --> 00:16:18,760 Yeah, it's more like a documentary for you now. 271 00:16:19,320 --> 00:16:22,640 Now you see, Walter, that's only if I. 272 00:16:22,880 --> 00:16:25,320 Did the full transition to deadite. 273 00:16:26,280 --> 00:16:31,440 Right now I'm undead, so I kind of have the best of both worlds. 274 00:16:32,240 --> 00:16:34,440 Nothing can hurt me, nothing can kill me. 275 00:16:34,440 --> 00:16:37,560 I'm not a zombie. I'm not one of these soft headed 276 00:16:37,560 --> 00:16:39,480 folks. I just get the best of both 277 00:16:39,480 --> 00:16:41,040 worlds. I get to live forever. 278 00:16:43,520 --> 00:16:47,560 And I don't have to hurt nobody. I'd call that a win, you see, 279 00:16:47,560 --> 00:16:51,720 because I'm totally content with just chilling right here in the 280 00:16:51,720 --> 00:16:54,520 cabin and watching horror movies. 281 00:16:54,520 --> 00:16:56,800 From my newly undead perspective. 282 00:16:57,000 --> 00:16:59,480 See I. Have spent my entire life 283 00:16:59,960 --> 00:17:02,240 watching horror movies, analyzing horror movies. 284 00:17:02,640 --> 00:17:04,720 Analyzing air quotes for the people. 285 00:17:04,720 --> 00:17:09,280 Listening, just being obsessed with horror movies, so I've 286 00:17:09,280 --> 00:17:11,760 seen. Everything I watch. 287 00:17:11,760 --> 00:17:15,520 Everything I I have no problem watching stuff. 288 00:17:15,720 --> 00:17:18,040 The dregs, as it were. I watch stuff. 289 00:17:18,760 --> 00:17:22,000 Indie stuff, that was. Made for no money. 290 00:17:22,319 --> 00:17:24,760 I mean, I watch. The cheapest of the cheap. 291 00:17:25,680 --> 00:17:31,120 To the most. Pinkies Uptown highbrow of 292 00:17:31,120 --> 00:17:37,960 highbrow. Yeah, well, so these film school 293 00:17:38,000 --> 00:17:42,640 pussies that love to put a ton of subtext into their movies and 294 00:17:42,640 --> 00:17:45,880 call you a dullard if you don't understand it. 295 00:17:45,960 --> 00:17:49,680 Well, fuck you Doug. Your movie sucks. 296 00:17:49,680 --> 00:17:54,800 That's what I'm saying. But nothing comes close to the 297 00:17:54,800 --> 00:17:57,640 way Italian horror makes me feel. 298 00:17:58,080 --> 00:18:02,720 Italian horror. Tastes great. 299 00:18:03,040 --> 00:18:05,920 You know what I'm saying? We've got awesome lighting. 300 00:18:06,160 --> 00:18:08,200 We've got awesome. Scores we've got. 301 00:18:08,200 --> 00:18:09,200 Awesome Gore. And we're not. 302 00:18:09,200 --> 00:18:11,960 Afraid. To have a bunch of. 303 00:18:12,000 --> 00:18:16,000 Naked ladies. OK, this is the fucking 70s and 304 00:18:16,000 --> 00:18:18,960 the 80s and movies weren't made by pussies. 305 00:18:19,240 --> 00:18:27,600 Movies were fucking awesome and I get that some people might not 306 00:18:27,600 --> 00:18:30,560 vibe with this one. It's gross. 307 00:18:32,480 --> 00:18:35,040 It's gratuitous. It crosses. 308 00:18:35,040 --> 00:18:37,440 Some lines here and there. Yeah, yeah, yeah. 309 00:18:38,120 --> 00:18:41,200 I you know, everybody likes their own flavor of popcorn. 310 00:18:41,200 --> 00:18:43,520 I like to use human schools as popcorn buckets. 311 00:18:43,880 --> 00:18:48,840 Don't keep shame. OK, starting to learn a little 312 00:18:48,840 --> 00:18:54,440 bit more about you than I want. To Walter, but. 313 00:18:56,160 --> 00:18:58,400 As I was saying, you know, I'm not lying. 314 00:18:58,440 --> 00:19:01,200 This movie is pure popcorn goodness. 315 00:19:01,320 --> 00:19:03,640 But that's a. But that's a. 316 00:19:03,640 --> 00:19:05,960 Big, but that's a Sir. Mix a lot size. 317 00:19:05,960 --> 00:19:08,160 But. If you are not accustomed. 318 00:19:08,160 --> 00:19:14,640 To Gore, hold off. OK this. 319 00:19:15,400 --> 00:19:18,240 Is going to upset you. This is going to make you sick. 320 00:19:18,240 --> 00:19:19,400 This is going to make you queasy. 321 00:19:19,400 --> 00:19:23,080 This is going to. Disturb you? 322 00:19:23,920 --> 00:19:26,360 I always forget. Whenever I'm recommending movies 323 00:19:26,360 --> 00:19:30,360 to people, man, I. Always forget that not 324 00:19:30,360 --> 00:19:34,560 everybody. Was baptized by fire you know, 325 00:19:34,560 --> 00:19:40,200 not everybody was watching horror from the second that you 326 00:19:40,200 --> 00:19:44,160 know they. Were allowed to be babysat by a 327 00:19:44,160 --> 00:19:48,240 TV. I was and my dad was a 328 00:19:48,240 --> 00:19:54,960 whorehound back in the day and my mom gave no fucks in the 80s. 329 00:19:54,960 --> 00:19:58,720 You know, it's like, hey, make sure he knows it's pretend. 330 00:19:59,360 --> 00:20:01,240 So after you watch the movie with him and he's. 331 00:20:01,240 --> 00:20:02,960 Scared. Take him to the. 332 00:20:02,960 --> 00:20:04,520 Drugstore. Buy him a Fangoria. 333 00:20:04,520 --> 00:20:05,480 Sit him down. Let him. 334 00:20:05,480 --> 00:20:09,200 Look at the pictures. So we can see that that's just a 335 00:20:09,200 --> 00:20:13,560 dude in a mask or whatever. And it worked and I'm not 336 00:20:13,840 --> 00:20:18,560 disturbed in the slightest. I hear you laughing, so you 337 00:20:18,560 --> 00:20:21,440 should stop. You're also disturbed because 338 00:20:21,440 --> 00:20:23,280 you're. Watching this, or listening to 339 00:20:23,280 --> 00:20:25,840 this, or however you're consuming this, you're right 340 00:20:25,840 --> 00:20:30,720 here in the cabin with me. So don't rock the boat. 341 00:20:31,440 --> 00:20:32,840 Especially when you're sitting in it, Sucker. 342 00:20:32,920 --> 00:20:36,920 Going back to the gore of this movie, I think that's probably 343 00:20:36,920 --> 00:20:39,760 the biggest reason why I latched onto this movie because like I 344 00:20:39,760 --> 00:20:45,240 said, I was in my teens, right? And as a teenager and being a 345 00:20:45,240 --> 00:20:48,920 horror hound. We used to call shit like this 346 00:20:48,960 --> 00:20:52,960 like a rite of passage. Movie so, you know, like. 347 00:20:52,960 --> 00:20:55,960 Dead, alive or I? Spit on your grave or the last 348 00:20:55,960 --> 00:20:57,880 house on the. Left or faces of death? 349 00:20:58,200 --> 00:21:02,280 Things like that, that they're not necessarily fun to watch, 350 00:21:02,280 --> 00:21:04,920 but they're fun to watch the reactions. 351 00:21:05,280 --> 00:21:08,320 That you get out of people. I I was big into stuff like that 352 00:21:08,320 --> 00:21:11,200 and I was building this reputation as the resident 353 00:21:11,200 --> 00:21:15,080 horror guy. So kids would like even. 354 00:21:15,080 --> 00:21:17,320 Kids that. Thought I was weird. 355 00:21:18,160 --> 00:21:19,160 Who? Would think I was weird, you 356 00:21:19,240 --> 00:21:20,240 know what I mean? Who? 357 00:21:20,320 --> 00:21:24,600 Who wouldn't want to hang out with me in high school? 358 00:21:25,880 --> 00:21:29,480 But there were popular kids that thought I was weird because. 359 00:21:29,480 --> 00:21:33,680 One as a juggalo face, painted dreadlocks, the whole 9 yards. 360 00:21:33,800 --> 00:21:37,280 Hoodlum Skateboarder. Horror nut. 361 00:21:37,920 --> 00:21:40,520 All the good stuff. So I was. 362 00:21:40,520 --> 00:21:45,080 Weird to them to their Abercrombie ways, but even those 363 00:21:45,080 --> 00:21:49,200 Abercrombie and Tommy Hilfiger kids would come knock on the 364 00:21:49,200 --> 00:21:53,280 door and have A5 spot and be. Like yo, what's the gnarliest, 365 00:21:53,280 --> 00:21:54,920 nastiest, grossest thing you got? 366 00:21:55,880 --> 00:22:01,240 Here's 5 bucks dubbed me a copy. They I was making money hand 367 00:22:01,240 --> 00:22:07,680 over fist in my little makeshift video store and Zombie was one 368 00:22:07,680 --> 00:22:09,040 of those movies for a. Really. 369 00:22:09,040 --> 00:22:10,400 Really. Long time. 370 00:22:10,400 --> 00:22:16,080 Love, love, love to test. Folks reactions when they're 371 00:22:16,080 --> 00:22:20,880 brought up on, I mean around this time, like scream and 372 00:22:20,880 --> 00:22:24,440 scream. Two were popular, so it's like 373 00:22:25,440 --> 00:22:29,560 it's good horror, but it's. Pretty watered down, you know, a 374 00:22:29,560 --> 00:22:31,040 couple of stabs here and there. Oh. 375 00:22:31,040 --> 00:22:35,640 We the most you get. And Scream is like Steve's guts 376 00:22:35,640 --> 00:22:37,280 hanging out for that. Like couple of frames. 377 00:22:37,960 --> 00:22:39,360 But. Yeah, so, so people weren't used 378 00:22:39,360 --> 00:22:42,720 to the hold on, you're going to throw up shit. 379 00:22:43,000 --> 00:22:46,480 The stuff that is so gross. And visceral that you swear you 380 00:22:46,480 --> 00:22:52,240 could smell it and I. I loved making high school. 381 00:22:52,240 --> 00:22:57,880 Normal normies squirm with this movie in particular, and I'm 382 00:22:57,880 --> 00:23:01,400 aware now. So if you're a new listener, 383 00:23:01,400 --> 00:23:06,680 watcher, a younger generation, I'm, it's tough for me because 384 00:23:06,680 --> 00:23:07,800 I'm aware. That there's a lot. 385 00:23:07,800 --> 00:23:11,560 Of these younger guys and gals. No, no discrimination not no 386 00:23:11,560 --> 00:23:13,880 gals get into the whore. We still call them gals. 387 00:23:14,080 --> 00:23:17,840 Ladies. You ladies out there, how many 388 00:23:17,840 --> 00:23:20,600 ladies? Watch the Deep Cut podcast. 389 00:23:20,600 --> 00:23:24,280 Listen to the Deep Cut Podcast. You love this Rod and Roger. 390 00:23:24,280 --> 00:23:27,240 Boyce ladies, don't get any ideas. 391 00:23:27,240 --> 00:23:28,280 I'm married. Shut up. 392 00:23:28,440 --> 00:23:34,480 But I'm aware some of you out there, you're not going to want 393 00:23:34,520 --> 00:23:35,320 to. Watch. 394 00:23:35,320 --> 00:23:39,160 What is deemed an old movie which makes me. 395 00:23:39,280 --> 00:23:42,840 Feel 7000 years old. Because. 396 00:23:43,640 --> 00:23:46,880 Honest, this movie was technically old when I 397 00:23:46,880 --> 00:23:57,520 discovered it because I watch everything but 79 in like 1999. 398 00:23:59,480 --> 00:24:00,840 I guess it's 20 years old. Fuck. 399 00:24:00,840 --> 00:24:05,640 Me OK, but just because. It was made in 79, don't 400 00:24:05,640 --> 00:24:08,360 discount it. You know your fucking Squid 401 00:24:08,360 --> 00:24:11,920 Games and your conjurings. Or whatever. 402 00:24:12,280 --> 00:24:15,280 Stop watching that shit dip your toe into the old. 403 00:24:15,280 --> 00:24:17,960 School pool, OK, there's a lot of stuff. 404 00:24:17,960 --> 00:24:21,960 Out there that you don't need to be missing and zombie is one of 405 00:24:21,960 --> 00:24:24,480 them. So stop calling the movies I 406 00:24:24,480 --> 00:24:29,040 like old and broaden your horizons. 407 00:24:29,240 --> 00:24:31,560 Your horror horizons. If you will. 408 00:24:32,200 --> 00:24:37,120 Hey. That was corny. 409 00:24:38,000 --> 00:24:40,880 It's all right though. You've been in the cellar for a 410 00:24:40,880 --> 00:24:42,000 while. I don't expect. 411 00:24:42,000 --> 00:24:44,400 You to have the greatest of jokes. 412 00:24:46,640 --> 00:24:47,960 It's not like I wrote it or anything. 413 00:24:48,000 --> 00:24:52,720 The other thing that this movie nails for me is the pacing. 414 00:24:53,160 --> 00:24:55,720 I think that this movie. Moves at a pretty fast clip. 415 00:24:56,520 --> 00:25:00,880 There's not moments that drag. Let's just break it down. 416 00:25:00,880 --> 00:25:02,120 I'm going to. Break it down. 417 00:25:02,920 --> 00:25:07,240 For you, we start with a. Quick establishing Hey, the dead 418 00:25:07,240 --> 00:25:10,280 are coming back to life on the island, and we're shooting them 419 00:25:10,280 --> 00:25:11,680 in the head, putting them out of their misery. 420 00:25:12,520 --> 00:25:14,760 Then we're in New York City. For a blip. 421 00:25:15,240 --> 00:25:20,160 Of time where we have. Tisa Pharaoh decide she's. 422 00:25:20,160 --> 00:25:22,520 Going to go to the island. Well in passing while that's 423 00:25:22,520 --> 00:25:29,760 happening, a boat arrives from Matul which has a zombie. 22 424 00:25:29,760 --> 00:25:31,200 zombies. I know there's a big fat zombie. 425 00:25:31,200 --> 00:25:32,400 I can't remember if there's another zombie. 426 00:25:32,400 --> 00:25:34,720 I think there are two zombies. Either way, they get stopped. 427 00:25:34,720 --> 00:25:37,960 By the Coast Guard, zombies fuck them up, right? 428 00:25:38,960 --> 00:25:41,600 So we're. Starting the zombie apocalypse 429 00:25:41,600 --> 00:25:48,720 in New York as Tisa Pharaoh and Ian McCullough zip off to Matul. 430 00:25:49,280 --> 00:25:52,480 Now they get to Matul and it's like one day we stumble across 431 00:25:52,480 --> 00:25:53,840 the fact that zombies are coming back. 432 00:25:54,840 --> 00:25:58,480 We got to fortify and and hold up and have our one last stand 433 00:25:58,480 --> 00:26:01,280 and then get on a boat and get our asses back to New York into 434 00:26:01,280 --> 00:26:04,520 the movie so it. Flies very fast. 435 00:26:04,760 --> 00:26:07,480 And I got to bring up one thing that this movie. 436 00:26:08,520 --> 00:26:10,800 Kills. Pun intended, there's this 437 00:26:10,800 --> 00:26:11,840 static. Shot and. 438 00:26:12,640 --> 00:26:15,080 I'm going to do my best. To get the B roll, but there's 439 00:26:15,080 --> 00:26:17,680 this static shot of. I would guess it would call it a 440 00:26:17,680 --> 00:26:20,840 street. Loose use of the word St. 441 00:26:21,440 --> 00:26:26,680 In my tool and. We show this street this. 442 00:26:26,800 --> 00:26:33,200 Path this walkway in the daytime and we got like chickens and 443 00:26:34,080 --> 00:26:39,120 whatever roaming around and we have no zombies and then we cut 444 00:26:39,120 --> 00:26:43,000 back to that later in the movie and then there may be like 1 445 00:26:43,000 --> 00:26:46,320 zombie in the distance. Slow. 446 00:26:46,400 --> 00:26:47,960 And I mean, these fucking zombies are. 447 00:26:47,960 --> 00:26:54,000 Slow as molasses, baby. They are just creeping. 448 00:26:56,200 --> 00:26:58,480 And every time we cut back to this. 449 00:26:58,880 --> 00:27:03,920 Locked off shot. Of the downtown of Matul. 450 00:27:04,480 --> 00:27:07,040 We're adding a couple more zombies and a couple more 451 00:27:07,040 --> 00:27:10,720 zombies all the way up until the finale, when obviously it's a 452 00:27:10,720 --> 00:27:17,400 whole whole last island, whole horde of zombies that are trying 453 00:27:17,400 --> 00:27:20,320 to take out our main cast. And so it just keeps building 454 00:27:20,440 --> 00:27:24,480 and building and building this inevitable arrival. 455 00:27:24,720 --> 00:27:27,640 Of death. This is one of the. 456 00:27:27,640 --> 00:27:30,800 Best cases of that? Especially in a zombie movie. 457 00:27:31,040 --> 00:27:36,120 But there was the and like the Ford brothers, they did these 458 00:27:36,120 --> 00:27:38,520 two movies. The Dead and the Dead Part 2 Now 459 00:27:38,520 --> 00:27:41,000 the dead. If you haven't seen the dead, 460 00:27:41,320 --> 00:27:44,360 you should. Do that because it kicks. 461 00:27:44,480 --> 00:27:48,320 Major ass. It's a low budget zombie movie 462 00:27:49,040 --> 00:27:53,080 that on it's on par. With Fulchi. 463 00:27:53,080 --> 00:27:56,320 Zombie in the aspect of the fact that we have this one main 464 00:27:56,320 --> 00:27:59,280 character and no matter what he does, no matter. 465 00:27:59,280 --> 00:28:01,680 Where he goes, there's always. Zombies. 466 00:28:02,520 --> 00:28:06,720 Like one or two zombies in the distance getting. 467 00:28:06,720 --> 00:28:10,560 Closer. It's this slow? 468 00:28:10,960 --> 00:28:15,320 Tension and I newer audiences are not cut out for that. 469 00:28:15,440 --> 00:28:18,280 They. They want their quick, fast in a 470 00:28:18,280 --> 00:28:20,920 hurry jump scare. Hoop, Laurie. 471 00:28:21,320 --> 00:28:23,320 I want it now, so you give it to me now. 472 00:28:24,560 --> 00:28:25,680 Boom. No. 473 00:28:27,000 --> 00:28:30,160 Chew your. Food These movies represent the. 474 00:28:30,160 --> 00:28:33,920 Last of the petty cash. Ghostbusters reference Deep cut 475 00:28:35,040 --> 00:28:38,280 allow. Movies to sit with you a minute 476 00:28:39,640 --> 00:28:42,680 allow. Things to take you places you 477 00:28:42,680 --> 00:28:44,720 don't need. Instant gratification. 478 00:28:45,120 --> 00:28:47,400 Put your phone down. Watch the damn movie. 479 00:28:47,680 --> 00:28:50,840 But that's a sidebar. In and of itself with. 480 00:28:51,640 --> 00:28:53,520 The Ford brothers movie The Dead. 481 00:28:53,920 --> 00:28:57,440 Because it's. Right there, it's right there. 482 00:28:57,880 --> 00:29:03,040 With pacing and just I I wouldn't like they're not 483 00:29:03,320 --> 00:29:09,360 necessarily similar movies other than that zombie. 484 00:29:09,360 --> 00:29:12,280 Aspect. When you just know you're 485 00:29:12,280 --> 00:29:15,240 doomed. And you know what? 486 00:29:15,240 --> 00:29:19,640 I say Wi-Fi did just let it happen. 487 00:29:21,560 --> 00:29:29,440 Just let it happen. Because, I mean, I did, and I'm 488 00:29:29,440 --> 00:29:32,400 feeling much better now. If you finished reading the 489 00:29:32,400 --> 00:29:36,000 book, you'd feel even better. Stop it, Walter. 490 00:29:36,840 --> 00:29:40,040 I'm I'm good like this. It's always something with you, 491 00:29:40,040 --> 00:29:42,480 man. Like with this movie. 492 00:29:42,880 --> 00:29:46,200 The way that the dead. Are coming back. 493 00:29:46,200 --> 00:29:49,560 To life it is this. Haitian Voodoo. 494 00:29:49,560 --> 00:29:52,680 Curse we have all these. Doctors on this island that have 495 00:29:52,680 --> 00:29:55,600 this kind of makeshift hospital the the main doctor. 496 00:29:55,600 --> 00:29:59,000 Which is Tisa Pharaoh's. Dad or not, No, it's not Tisa 497 00:29:59,000 --> 00:30:00,800 Pharaoh's dad. Sorry, scratch that. 498 00:30:00,800 --> 00:30:07,520 That's that's this the. Hole in the head, the main 499 00:30:07,520 --> 00:30:12,200 doctor on the island and his little crew of doctors staying 500 00:30:12,200 --> 00:30:15,560 and trying to administer medicine and help. 501 00:30:15,800 --> 00:30:20,120 These people who are sick. Who are bitten, who are dying 502 00:30:21,160 --> 00:30:24,960 and no medicine, no medical degree, no answer. 503 00:30:25,120 --> 00:30:29,280 There is no answer. You can't stop it. 504 00:30:29,360 --> 00:30:34,440 You can't save these people. In fact, the only way to stop 505 00:30:34,440 --> 00:30:36,720 these zombies. Which is the old. 506 00:30:36,720 --> 00:30:45,000 Tried and true damage to the brain by blunt force trauma or 507 00:30:45,000 --> 00:30:49,880 just blasting them in the head and boy howdy. 508 00:30:50,840 --> 00:30:53,240 Do we get a? Lot of exploding heads. 509 00:30:53,400 --> 00:30:57,520 We get about, we get. So much head trauma in this 510 00:30:57,520 --> 00:31:00,680 movie. It's pretty awesome. 511 00:31:00,920 --> 00:31:05,960 Imagine being so soft and mushy that head trauma takes you out. 512 00:31:08,720 --> 00:31:11,360 I can't imagine. I I I can't fathom that. 513 00:31:15,240 --> 00:31:18,320 It's the. Perks of being undead by the 514 00:31:18,320 --> 00:31:24,200 way, not a zombie, undead, nothing. 515 00:31:24,360 --> 00:31:27,480 So you have to you have to come with something a little a little 516 00:31:27,480 --> 00:31:31,240 better than that soft ass zombies. 517 00:31:32,560 --> 00:31:36,400 But anyway. Our ragtag group of survivors 518 00:31:36,640 --> 00:31:38,400 who? Now. 519 00:31:38,400 --> 00:31:41,320 Realize that the apocalypse is. Upon them. 520 00:31:41,360 --> 00:31:44,000 The The dead are alive. The dead are after them. 521 00:31:45,200 --> 00:31:49,920 Rather than just get on the boat and get gone, they decide to 522 00:31:49,920 --> 00:31:52,600 have their one last stand, a little hold. 523 00:31:52,600 --> 00:31:56,400 Up, if you will, they head to the hospital. 524 00:31:56,880 --> 00:32:00,200 Which is a converted church which has big barn doors. 525 00:32:00,200 --> 00:32:01,560 It's just like a. Shitty old. 526 00:32:01,560 --> 00:32:07,680 Building, you know, caving in nasty kind of like, I mean just 527 00:32:08,120 --> 00:32:13,440 close your eyes and think of we don't have any money to build a 528 00:32:13,440 --> 00:32:16,400 hospital and that's what it looks like. 529 00:32:16,960 --> 00:32:19,360 It's like a homeless guys shack shanty. 530 00:32:19,360 --> 00:32:21,600 So they're going to hold up in this hospital and so they 531 00:32:21,600 --> 00:32:23,400 fortify everything. Fortify. 532 00:32:23,400 --> 00:32:24,840 They're going to fortify. It it's. 533 00:32:25,520 --> 00:32:27,600 Going to be safe. So they think, then they got to 534 00:32:27,600 --> 00:32:31,320 tack up Steven Seagal style, load up on all their weapons, 535 00:32:31,320 --> 00:32:34,040 all their ammunition. Cover all the. 536 00:32:34,040 --> 00:32:35,320 Bases you cover that window, I'll. 537 00:32:35,320 --> 00:32:38,680 Cover this door type of. Shit, and they're going to Duke 538 00:32:38,680 --> 00:32:41,920 it out with these zombies. They also spend some time making 539 00:32:41,920 --> 00:32:44,640 Molotov. Cocktails, which is my favorite? 540 00:32:45,000 --> 00:32:50,840 It is. 100% my favorite one because you're trapped in a 541 00:32:50,840 --> 00:32:54,640 wooden structure and you're going to throw a Molotov 542 00:32:54,640 --> 00:32:57,880 cocktails at things that you don't know if they can. 543 00:32:57,880 --> 00:33:02,320 Die like you. Haven't had any real proof that 544 00:33:02,320 --> 00:33:04,400 these things can. Die, so let's throw fire. 545 00:33:04,400 --> 00:33:07,120 At them. Then they're walking. 546 00:33:07,960 --> 00:33:11,960 Fire doesn't matter what. Matters is this is a 1979 movie. 547 00:33:11,960 --> 00:33:17,240 OK, so you know what that means? That means we're going to get 548 00:33:17,240 --> 00:33:20,760 some full burns. Oh yeah, we're going to get some 549 00:33:20,760 --> 00:33:26,840 real deal, no bullshit full burns because fires involved. 550 00:33:26,960 --> 00:33:31,160 It's the 70s. What is CGI again? 551 00:33:31,680 --> 00:33:36,400 Nobody knows. So you know as well as I know, 552 00:33:37,840 --> 00:33:42,280 this being an Italian movie, this being a Lucio Fulci movie. 553 00:33:45,440 --> 00:33:49,120 That there's. Probably not a licensed fire 554 00:33:49,120 --> 00:33:52,400 stunt person. These extras probably got paid. 555 00:33:52,400 --> 00:34:00,200 25. $30 extra to cover. Themselves in liquid cement or. 556 00:34:00,200 --> 00:34:03,560 Whatever, that shit is rubber. Cement and light themselves on 557 00:34:03,560 --> 00:34:04,960 fire. You know it. 558 00:34:05,480 --> 00:34:07,680 You know, some random dude was like. 559 00:34:08,159 --> 00:34:12,880 Shit, I'll do it. It was a bad idea. 560 00:34:13,120 --> 00:34:17,880 Gave me my $40 and my fucking sack lunch and I'm not coming 561 00:34:17,880 --> 00:34:18,920 back tomorrow. We'll. 562 00:34:18,920 --> 00:34:22,159 Throw in a bag of potatoes. Deal. 563 00:34:22,520 --> 00:34:27,920 I'm 7:00 AM, all right. You can only light me on the 564 00:34:27,920 --> 00:34:29,120 fire two more times tomorrow though. 565 00:34:29,199 --> 00:34:34,000 But having all of those fire stunts, to me is is pure 566 00:34:34,000 --> 00:34:37,320 madness. It's pure, we don't give a fuck 567 00:34:37,320 --> 00:34:41,520 energy, right? And I, I know I've been just 568 00:34:41,520 --> 00:34:44,639 going on and on and on and on and on and on and on about this 569 00:34:44,639 --> 00:34:48,639 movie. I can't stop saying good things 570 00:34:48,639 --> 00:34:51,159 about this movie. I think the kids call that 571 00:34:51,159 --> 00:34:53,880 glazing. That. 572 00:34:54,320 --> 00:34:56,920 No, I mean, they might say that now. 573 00:34:57,800 --> 00:35:00,640 That used to mean something way different back in the day. 574 00:35:01,480 --> 00:35:02,640 I'm going to. I'll let you. 575 00:35:02,960 --> 00:35:04,600 Get away with it. For now. 576 00:35:04,880 --> 00:35:09,640 But so our group. Of people, they managed to fight 577 00:35:09,640 --> 00:35:12,560 off the zombies as long as humanly possible, and then 578 00:35:12,560 --> 00:35:16,680 they're going to sneak out the back door and get on a boat and 579 00:35:16,680 --> 00:35:19,160 go home, which I don't know why, I really don't know. 580 00:35:19,160 --> 00:35:23,520 Why they had to wait, but it is what it is. 581 00:35:23,880 --> 00:35:29,240 So they're, they're going to escape, head back home, and when 582 00:35:29,240 --> 00:35:30,840 they arrive in New York, wouldn't you know it? 583 00:35:31,360 --> 00:35:36,600 The zombies are already there. Because of the zombie on the 584 00:35:36,600 --> 00:35:38,320 boat at the beginning of the movie, which I. 585 00:35:38,440 --> 00:35:41,720 I brought up I. Don't know if you remember that 586 00:35:42,840 --> 00:35:44,440 you've got it from earlier. I don't know if you remember, 587 00:35:44,680 --> 00:35:50,960 but now that the zombies are in New York, we are treated to some 588 00:35:51,040 --> 00:35:55,200 excellent shots to close. Up the movie where we. 589 00:35:55,200 --> 00:36:00,680 Have the zombies walking across the Brooklyn Bridge into New 590 00:36:00,680 --> 00:36:03,040 York and you can see the twin towers. 591 00:36:04,360 --> 00:36:08,840 Those aren't there anymore. Yep. 592 00:36:09,760 --> 00:36:12,520 Some of you listening probably have never seen them. 593 00:36:12,720 --> 00:36:18,360 And the zombies are crossing the Brooklyn Bridge heading into New 594 00:36:18,360 --> 00:36:22,680 York to continue taking over the planet. 595 00:36:22,880 --> 00:36:25,880 Taking over the world one. Big ass city. 596 00:36:25,880 --> 00:36:31,160 At a time and all of these shots because much like a Rodger 597 00:36:31,160 --> 00:36:32,640 Corman. Much. 598 00:36:32,640 --> 00:36:37,520 Like a Lloyd Kaufman much? Like a Bill Lustig What? 599 00:36:39,320 --> 00:36:42,720 The fuck's a permit? I don't need a permit. 600 00:36:42,920 --> 00:36:47,120 What I need to do is fill a van full of extras and then pull up 601 00:36:47,120 --> 00:36:49,280 with another van with the dude with the camera. 602 00:36:49,680 --> 00:36:52,000 We need to have a walkie-talkie and we need to say. 603 00:36:52,160 --> 00:36:55,600 Go. And we need to get the shot and 604 00:36:55,600 --> 00:36:59,800 or shots and then get the fuck back in the van and leave before 605 00:36:59,800 --> 00:37:01,480 the police. Catch us, that's how. 606 00:37:01,480 --> 00:37:05,000 Filmmaking is done, you steal. The shot that is a. 607 00:37:05,000 --> 00:37:09,840 Term that is synonymous with. Old school gorilla. 608 00:37:10,000 --> 00:37:16,240 Filmmaking steal the shot now since everybody is an influencer 609 00:37:16,240 --> 00:37:20,040 and then on social media and they film fucking everything 610 00:37:20,040 --> 00:37:24,320 they do. I I hate them, but I. 611 00:37:24,600 --> 00:37:28,280 And I have to kind of lump myself in with that because I'm 612 00:37:28,280 --> 00:37:30,880 making a podcast for you to listen to. 613 00:37:31,680 --> 00:37:36,360 So therefore I am one of these disgusting fucking influencers 614 00:37:36,360 --> 00:37:37,880 as well. Everybody has a camera. 615 00:37:38,160 --> 00:37:43,200 Everybody has something that they're doing and and they want 616 00:37:43,200 --> 00:37:46,440 to document every fucking second of their lives. 617 00:37:48,280 --> 00:37:51,400 So everybody is constantly stealing the shot. 618 00:37:51,400 --> 00:37:55,840 It means nothing now, any asshole. 619 00:37:56,440 --> 00:37:58,080 Could do this? They could. 620 00:37:59,240 --> 00:38:02,840 Essentially flash mob, which some you young younger people 621 00:38:02,840 --> 00:38:05,720 wouldn't even know what that means maybe, but you could 622 00:38:05,720 --> 00:38:08,000 essentially load up a van full of people you could. 623 00:38:08,000 --> 00:38:10,040 Steal these shots. You could do this. 624 00:38:10,120 --> 00:38:14,240 There was a whole movie done that way in Disneyland. 625 00:38:14,560 --> 00:38:18,160 I forget the name of that movie, but somebody in the comments 626 00:38:18,160 --> 00:38:21,960 will let me know. I was just, I think it's a 627 00:38:21,960 --> 00:38:23,840 family and they went to Disneyland. 628 00:38:23,840 --> 00:38:27,240 And they secretly, covertly. Filmed and they made a horror 629 00:38:27,240 --> 00:38:31,120 movie in in Disneyland with no permission. 630 00:38:31,520 --> 00:38:34,400 But So what I'm saying is, it doesn't seem special to you guys 631 00:38:34,400 --> 00:38:37,640 now because you fucking film everything. 632 00:38:37,720 --> 00:38:40,600 But it is special. It should be treated as special. 633 00:38:40,800 --> 00:38:44,200 It's awesome. It gives the movie a massive 634 00:38:44,200 --> 00:38:49,080 scope, so look at it and be like, Dang, that's fucking cool. 635 00:38:50,080 --> 00:38:52,800 But I know it probably doesn't impress young people now. 636 00:38:55,520 --> 00:38:59,640 Stupid young people. I suppose we can move on to the 637 00:38:59,640 --> 00:39:00,880 segmented. Part of the show. 638 00:39:00,880 --> 00:39:04,080 Let's wrap this show up. Knock out some segments. 639 00:39:04,080 --> 00:39:09,800 I'm I'm ready for it. So let's take a look at that. 640 00:39:09,800 --> 00:39:16,800 Brown Panty Award. Oh baby, it's time to slip into 641 00:39:16,800 --> 00:39:19,400 something a little more comfortable. 642 00:39:20,360 --> 00:39:25,360 It's time for the Brown Panty Award. 643 00:39:25,960 --> 00:39:28,320 Now for those of you that are new, that are listening or 644 00:39:28,320 --> 00:39:32,160 watching or whatever, the Brown Panty Award, let me give you a 645 00:39:32,160 --> 00:39:35,200 little disclaimer. The Brown Panty Award is an 646 00:39:35,200 --> 00:39:37,480 award. We like to give to a character. 647 00:39:37,960 --> 00:39:41,920 In the movie, who gets? Offed that we really liked. 648 00:39:42,040 --> 00:39:43,640 That we didn't want to see die someone that. 649 00:39:43,640 --> 00:39:47,400 We care a great deal. For man, that's a bummer they 650 00:39:47,400 --> 00:39:49,480 went out. So let us know your Brown Panty 651 00:39:49,480 --> 00:39:53,400 Award winner in the comments. This because this. 652 00:39:53,560 --> 00:39:56,560 Kind of stuff's important. To us, but. 653 00:39:56,920 --> 00:39:59,680 My Brown Panty award. Let's do a little sidebar here. 654 00:40:00,080 --> 00:40:04,720 It should go to. Every female involved in the 655 00:40:04,720 --> 00:40:10,680 production of zombie actors, effects people, boom operators, 656 00:40:10,680 --> 00:40:13,720 whatever. Because for those of you. 657 00:40:13,720 --> 00:40:19,200 Not in the know. Fulchi kind of a piece of shit 658 00:40:19,480 --> 00:40:24,480 to female crew members, actors, whatever. 659 00:40:24,520 --> 00:40:27,800 He was. Not a nice guy? 660 00:40:29,440 --> 00:40:30,680 Now you can. Dig deeper into. 661 00:40:30,680 --> 00:40:32,480 That you can figure. That out for yourself. 662 00:40:33,120 --> 00:40:36,840 But you know, guys like Hitchcock, Hitchcock wasn't 663 00:40:36,840 --> 00:40:40,160 necessarily nice to certain females. 664 00:40:41,520 --> 00:40:45,120 Kubrick wasn't necessarily nice to females. 665 00:40:45,280 --> 00:40:48,520 You can, you can kind of connect the dots somewhere, somewhere in 666 00:40:48,760 --> 00:40:53,600 in there, which is kind of a bummer to be like, you know, but 667 00:40:53,600 --> 00:40:55,160 he's a. Really fucking good director, 668 00:40:55,160 --> 00:40:57,160 but he. He's not nice. 669 00:40:57,440 --> 00:41:03,240 OK, you should be nice. To everybody, especially 670 00:41:04,280 --> 00:41:06,200 females. In your movie, who are going to? 671 00:41:07,120 --> 00:41:18,840 Get naked, soap themselves up, or swim in the ocean all naked. 672 00:41:19,280 --> 00:41:23,160 Sorry. Naked people. 673 00:41:24,920 --> 00:41:27,880 My brown panty award is going to go to the nurse lady who's 674 00:41:27,880 --> 00:41:31,160 holding up in the barn, hospital, whatever. 675 00:41:31,600 --> 00:41:34,000 At the end of the movie, you know you got to pad the numbers, 676 00:41:34,000 --> 00:41:36,720 but technically. She bites it because she. 677 00:41:36,720 --> 00:41:39,360 Wasn't. A fully fleshed out character. 678 00:41:39,800 --> 00:41:43,280 Now she's fully without flesh character. 679 00:41:43,600 --> 00:41:45,160 Sorry I. Had to do that. 680 00:41:46,240 --> 00:41:51,840 Just had to you get it because. Zombies ate her, so she doesn't 681 00:41:51,840 --> 00:41:56,000 have any flesh anymore, you know, You know what I mean? 682 00:41:57,360 --> 00:42:01,480 You get it? Yeah, it's it's pretty funny. 683 00:42:01,520 --> 00:42:05,640 But let's move along to the perfect execution award. 684 00:42:06,000 --> 00:42:11,360 It's a perfect execution. It's a perfect execution covered 685 00:42:11,360 --> 00:42:13,600 in blood. It's a perfect execution. 686 00:42:13,600 --> 00:42:17,080 Just make it dog. It's a perfect execution and 687 00:42:17,080 --> 00:42:28,530 it's always fun. OK. 688 00:42:32,370 --> 00:42:35,090 Here we go again. Another disclaimer, all of you 689 00:42:35,250 --> 00:42:38,210 new folks out there. And why not a refresher for the 690 00:42:38,210 --> 00:42:41,290 people who've been around, who've been down and around? 691 00:42:41,490 --> 00:42:43,330 For so very. Long. 692 00:42:43,970 --> 00:42:47,010 With the show. The Perfect Execution Award is 693 00:42:47,290 --> 00:42:48,970 the opposite of the Brown Panty Award. 694 00:42:48,970 --> 00:42:51,050 It just goes to. The best kill in the movie. 695 00:42:51,210 --> 00:42:52,490 The one where you saw and you went. 696 00:42:53,400 --> 00:42:58,240 Fuck yeah, that's what's up. So let us know yours in the 697 00:42:58,240 --> 00:43:04,880 comments, please and thank you. More engagement, more, more of 698 00:43:04,880 --> 00:43:06,200 you. We want more of you. 699 00:43:06,640 --> 00:43:09,040 We'll give you more of us. If you give us. 700 00:43:09,120 --> 00:43:11,560 More of you or something like that? 701 00:43:13,280 --> 00:43:16,120 But of course, the perfect. Execution award. 702 00:43:16,600 --> 00:43:22,000 Has to go to the most. Synonymous kill with this movie 703 00:43:22,320 --> 00:43:24,520 and you know you already know I'm talking about the. 704 00:43:26,520 --> 00:43:31,600 Lady who gets the. Splinter in her eye that. 705 00:43:31,640 --> 00:43:34,800 Is it's so big, it's. Not a splinter anymore, it's. 706 00:43:34,800 --> 00:43:37,720 Literally just like a 2 by 4 like a. 707 00:43:37,720 --> 00:43:40,960 Whole ass board goes into her eye. 708 00:43:42,800 --> 00:43:51,360 I don't care how many times I see this with my own eyes, I'm 709 00:43:51,360 --> 00:43:57,760 going to go. Fuck, God damn it, I could have 710 00:43:57,760 --> 00:44:01,600 gone all night without looking at that I and I. 711 00:44:02,000 --> 00:44:04,600 Whoa. Going to throw up. 712 00:44:05,440 --> 00:44:06,680 I'm good. I might. 713 00:44:07,400 --> 00:44:11,880 I'm not going to throw up. I'm not. 714 00:44:11,920 --> 00:44:14,400 I'm fuck me. That's gross. 715 00:44:14,400 --> 00:44:17,040 So gross. It's so awesome. 716 00:44:17,960 --> 00:44:21,960 And of course. We we just saw her. 717 00:44:22,800 --> 00:44:28,160 Naked. So when she has to die, you're 718 00:44:28,160 --> 00:44:33,520 thinking. Man should have ripped her robe. 719 00:44:33,520 --> 00:44:35,160 Off No, I'm just, I'm just kidding. 720 00:44:35,160 --> 00:44:40,240 That's but yeah man, that kill. Who we? 721 00:44:41,720 --> 00:44:45,880 If you can if if there's a better fucking. 722 00:44:46,680 --> 00:44:50,040 Eyeball poke out there. Let me know because. 723 00:44:51,120 --> 00:44:55,160 This this is like. If there were a Mount Rushmore 724 00:44:55,160 --> 00:44:58,920 of eye trauma. I think this is like all the 725 00:44:58,920 --> 00:45:01,560 spots. Jesus Christ. 726 00:45:01,840 --> 00:45:06,080 And to wrap up the podcast, I suppose it's time to. 727 00:45:06,080 --> 00:45:10,480 Play the game. I'm not putting anything music 728 00:45:10,480 --> 00:45:12,880 right there. I'm just jumping right into it, 729 00:45:12,880 --> 00:45:14,840 folks. So that means if you're new 730 00:45:14,840 --> 00:45:17,440 here, you're probably scratching your head asking yourself, 731 00:45:18,040 --> 00:45:23,040 Rodger, what is the game? Well, the game is a deep cut in 732 00:45:23,040 --> 00:45:24,920 and of itself. Where you've. 733 00:45:24,920 --> 00:45:27,320 Got to pick a prop from the movie that we are covering, but 734 00:45:27,320 --> 00:45:31,840 it can't be a well known prop. We're covering Zombie. 735 00:45:32,880 --> 00:45:34,200 It's tough, right? It's tough. 736 00:45:34,200 --> 00:45:36,480 For me to say what's a low hanging? 737 00:45:36,520 --> 00:45:40,400 Fruit Prop. So I guess just do your best, 738 00:45:40,520 --> 00:45:42,680 pick a prop. Let us know in the comments on 739 00:45:42,680 --> 00:45:45,240 the. Podcast, whether that's if 740 00:45:45,240 --> 00:45:45,920 you're. Listening. 741 00:45:45,960 --> 00:45:48,600 So Spotify. Or wherever, whatever major. 742 00:45:48,600 --> 00:45:51,640 Podcast app you're. Listening to us on Drop a 743 00:45:51,640 --> 00:45:54,000 comment, let us know. Your prop pick. 744 00:45:54,160 --> 00:45:56,760 If you're a Patreon, drop a comment, let us know. 745 00:45:56,760 --> 00:45:59,200 Your prop pick if you're. Watching this on YouTube? 746 00:45:59,240 --> 00:46:02,200 Drop a comment, let us know. Your prop pick please. 747 00:46:02,240 --> 00:46:05,440 God, it lets us know that you listened to the end of the. 748 00:46:05,440 --> 00:46:12,000 Show, but it's also. Our very own deep cut, you and 749 00:46:12,000 --> 00:46:14,920 me, we get to have that. We get to have that together. 750 00:46:15,560 --> 00:46:18,280 You get to say. I picked something weird too. 751 00:46:19,320 --> 00:46:23,200 We're friends and yes, we are forever. 752 00:46:23,880 --> 00:46:26,280 But he's forever. That's how that works. 753 00:46:27,480 --> 00:46:31,720 You comment to me, I comment. To you saw. 754 00:46:32,080 --> 00:46:35,400 I so yeah. Pick a weird prop. 755 00:46:36,240 --> 00:46:38,160 And let us know the prop I'm going to pick. 756 00:46:40,040 --> 00:46:42,000 I guess it's obvious. Maybe. 757 00:46:42,600 --> 00:46:45,720 Maybe obvious because it's another one of the big sequences 758 00:46:45,720 --> 00:46:47,720 in the movie. So. 759 00:46:48,120 --> 00:46:52,120 I'm going to pick the zombies arm that the shark. 760 00:46:52,120 --> 00:46:57,200 Bites off so it looks like. There was still maybe a little 761 00:46:57,200 --> 00:46:59,200 bit of meat on there. Shark's teeth are. 762 00:46:59,720 --> 00:47:03,080 Pretty big, so probably didn't. Get all that meat. 763 00:47:03,720 --> 00:47:07,640 You know what's another zombie arm we got? 764 00:47:07,640 --> 00:47:10,640 We got a zombie hand. That gives us trouble. 765 00:47:11,520 --> 00:47:13,720 Why not a zombie arm? Good work. 766 00:47:13,800 --> 00:47:16,320 Zombie arm. That's a Cabin in the Woods 767 00:47:16,320 --> 00:47:17,760 reference. Deep cut. 768 00:47:18,840 --> 00:47:21,280 You forgot the tip on how to survive zombies. 769 00:47:21,400 --> 00:47:26,880 Oh no, I I did not. Forget the survival tip, Walter. 770 00:47:26,880 --> 00:47:29,640 That's because there is no survival tip. 771 00:47:30,480 --> 00:47:32,080 Death. Is inevitable. 772 00:47:32,080 --> 00:47:36,760 It's a downer and I know. But that's just the way the 773 00:47:36,760 --> 00:47:39,360 cookie. Crumbles zombies take over. 774 00:47:39,440 --> 00:47:42,000 You're gone. Sorry. 775 00:47:42,240 --> 00:47:45,320 But on that note, Walter, why don't you go ahead and tell? 776 00:47:45,320 --> 00:47:48,480 These folks. Out here, watching, listening 777 00:47:48,720 --> 00:47:50,920 again, however you're consuming this. 778 00:47:51,920 --> 00:47:53,880 About our website because all this. 779 00:47:53,880 --> 00:47:57,720 Talk about consuming. It's got me wicked hungry now 780 00:47:57,720 --> 00:48:00,360 and I really want those ribs. So. 781 00:48:02,840 --> 00:48:06,120 Yeah. In SEC Did you know if you go to 782 00:48:06,120 --> 00:48:10,320 deepcutpodcast.com, there's all kinds of sick merch for you and 783 00:48:10,320 --> 00:48:13,120 your ugly girlfriends? Let's face it, the clothes 784 00:48:13,120 --> 00:48:15,360 you're wearing only attracts ugly chicks. 785 00:48:15,680 --> 00:48:18,360 So get some new gear and maybe you'll stop being such a 786 00:48:18,440 --> 00:48:22,720 frigging dork. Only at deepcutpodcast.com. 787 00:48:23,080 --> 00:48:25,960 Deepcutpodcast.com.