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This is Rumble with Michael 
Moore. 

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And I'm Michael Moore and 
welcome everyone. 

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So we have with us here today on
Rumble, the creator of the 

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series I've been talking about 
now for a number of months, 

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maybe the best thing that I've 
seen on TV. 

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In the last year, he wrote 
Contagion a good decade or more 

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before COVID came along. 
He wrote and directed this 

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incredible film that we've 
discussed, called the Report, 

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dramatic version of the Senate 
committee that held the 

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investigation to figure out what
was going on during the Bush 

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administration with the black 
sites, with the torture and this

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series. 
It's on Apple plus TV. 

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It's called Extrapolations. 
I'm showing the first three 

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episodes of it in my Film 
Festival because it plays like 

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great cinema. 
It's an anthology series, and 

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when I was growing up these were
somewhat common on television. 

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Maybe you've heard of The Alfred
Hitchcock Hour, where every week

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it was a new story, like a like 
a small film. 

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And that's what Extrapolations 
is. 

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It's eight episodes, but it's 
not episodic TV. 

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There is a brand new story every
week. 

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The extent of this begins first 
episode in the year, I believe 

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2036. 
The last episode takes place in 

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the year 2070. 
So while Extrapolations is set 

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in the quote future, it starts 
in the very near future like 13 

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years from right now and there 
have been great documentaries 

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made about the collapse of our 
planet. 

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I haven't seen anything to match
this that has used fiction 

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drama, this anthology series 
mode here with this particular 

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issue and been able to tell such
a powerful story. 

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I can't tell you how many times 
I've teared up watching these 

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eight stories now some of them 
characters that you are 

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introduced to in the first 
story, we'll call it the episode

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first episode. 
You will see again maybe three 

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or four episodes down the road. 
Some of them not to the last 

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episode, some you'll see only 
once. 

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The actors that Scott convinced 
to do this, I mean it just TV 

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doesn't get this good. 
Meryl Streep is in it. 

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Kit Harington, who played Jon 
Snow on Game of Thrones. 

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He's the supposedly the the guy 
who's going to help save the 

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planet. 
He's got strong environmental 

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tendencies, except he's got to 
make at least a billion dollars 

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while he's saving Earth. 
On and on and on. 

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Edward Norton is in it. 
Forest Whitaker, Marion 

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Cotillard, David Schwimmer. 
Oh my God, so many great actors 

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in this. 
Some again, are only one 

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episode. 
Some come back 20 years later, 

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10 years later. 
I'm telling you, my friends, 

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you've not seen anything like 
this. 

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If you can convince people in 
your family, your friends, your 

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neighbors, your coworkers, your 
fellow classmates, this is just 

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great filmmaking. 
It's great drama and the 

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storytelling. 
By the end of of any particular 

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story, any particular episode 
here, you need to sit with it. 

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You need to think about it. 
You'll go to bed. 

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You'll be thinking about it 
tomorrow. 

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How often do you get to see a 
movie or something on streaming 

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on TV where literally it just 
sticks right, right to your 

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bones. 
And that's what extrapolations 

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does anyway. 
So, So before we bring Scott on 

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now, I want to thank the 
underwriter for today's episode.

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This episode is brought to you 
by Better Help. 

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It's so easy in this country 
right now not to prioritize our 

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mental health, but my friends, 
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us. 
A therapist can be that outlet 

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Rumble. 
Do it today to get 10% off your 

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first month. 
That's better help 

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help.com/rumble. 
And Thank you Better Help for 

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supporting this podcast and for 
supporting my voice. 

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OK, it's time to bring on the 
great Scott Z Burns, the creator

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of this incredible series on 
Apple TV. 

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And I I just can't tell you 
enough. 

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If you have nothing planned this
weekend, this is a great binge 

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weekend. 
I Can't Sing Scott's praises 

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enough, but let's let Scott do 
some of the talking. 

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Scott Z Burns, writer, director,
producer, creator, thank you so 

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much for making this series. 
And thank you for being on 

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Rumble here with me today. 
Thank you so much for everything

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you just said. 
That was sort of a dream come 

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true for me, I should also say. 
We are in the middle of a strike

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and I am a a member of the 
Writers Guild and we're not 

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supposed to be out promoting our
products. 

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So I just want to say two things
about that. 

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First of all, I'm doing this 
because Apple put the show in 

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front of the pay wall, so 
they're not profiting from this.

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I am not certainly not profiting
from it. 

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So I appreciate the opportunity 
to speak about the show free 

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from commerce. 
The other thing. 

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Which I will say about my Guild 
that I think is lovely is I've 

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spoken to them a few times 
during the strike about wanting 

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to take an opportunity to talk 
about climate. 

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And what I've said every time is
part of being an adult means 

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that sometimes you have to deal 
with more than one difficult 

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situation at a time, and this is
exactly that. 

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And Labor and Climate are not 
strangers. 

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We will encounter those two 
things more and more as time 

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goes on. 
That they encouraged me to talk 

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about the show and to talk about
climate change. 

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Also thanks to those of you in 
the public, every poll that's 

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been taken during the writers 
and the actors strike shows 70% 

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or more of the American public 
support the writers and the 

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actors in this strike. 
And so I will speak on your 

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behalf, if that's OK, Scott, and
thanking sure, the vast majority

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of the American people who've 
been supporting us. 

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And thank you for also 
supporting the UAW. 

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So I really appreciate you 
saying what you said. 

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And of course, our unions and 
the UAW and others, our 

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environment, our collapse is 
first and foremost in the front 

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of all of their minds and their 
actions in trying to save this 

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planet. 
We're all in the same boat here 

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together. 
Just explain to the audience 

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here how this came together. 
Where did this idea come from? 

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Clearly you make films about 
social issues, social justice, 

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corruption and power, all the 
great work that you've done both

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on TV and with movies. 
But I've never seen anything 

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like this. 
Thank you. 

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That means a lot. 
You know, we need to save the 

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planet so that we continue to 
argue about all the other things

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that it's important for us to 
argue about. 

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For me, who's really more of a 
screenwriter and filmmaker, I 

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wanted to. 
See, what I could do with 

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fiction if it was informed by 
science and I just wanted to 

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tell human stories and I wanted 
to sort of test a hypothesis 

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that if it's a great story and 
it can move people, putting it 

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in in a climate changed world 
shouldn't diminish that. 

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That you know, as one of the 
people who works on our show, 

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Dorothy Portenberry is fond of 
saying. 

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The shows that don't address the
fact that the climate's going to

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be different or already is 
different, those are the science

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fiction shows. 
Those are the shows that are 

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pretending with the world. 
Our show, it isn't. 

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You know, people should know. 
This is not the worst case 

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scenario. 
We spent years in in in a 

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writers room making sure we 
weren't doing the darkest 

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version and what I really wanted
to tell. 

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Was the messy middle of the 
story not not the part where you

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know, the world ends. 
The world does not end. 

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In our show, it doesn't. 
And I also wanted to find a time

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horizon that made sense for a 
lot of different people. 

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Because one of the things we 
never talk about with climate is

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how it affects different people 
in different places. 

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And if you have children. 
Your time horizon might be the 

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end of the century. 
If you have a lot of money, you 

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may not even have a time 
horizon. 

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It may be the end of your life 
if you're in a frontline 

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community that's dealing with 
issues surrounding pollution. 

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Or if you're in the Marshall 
Islands and the seas are coming 

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up around you, or you're in 
Alaska and you're going to lose 

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your entire community to sea 
level rise. 

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You're on the Gulf Coast and 
you're being hammered by 

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hurricanes. 
Your time horizon is very 

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different. 
And I wanted to honor the fact 

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that when we talk about climate 
change, just like when we talk 

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about a lot of other social ills
like health insurance or 

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anything else, it really depends
on who you are and what your 

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resources are. 
And so that was the goal of the 

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show, was to not put it so far 
in the future that you could 

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ignore it because it just seemed
like a different world. 

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Because the future shows up in 
different places in different 

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increments. 
It's not, as it turns out, like 

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Star Trek and everything was 
just different. 

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You know, walking around New 
York City, there are beautiful, 

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really new buildings, and there 
are buildings from the 1800s 

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right next to each other. 
And so we tried to create a 

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future that honored that that 
the future shows up in different

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places and different amounts. 
And so that's how we chose to 

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set our stories. 
And I shortly thereafter sent 

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the first script I wrote to 
Meryl Streep, who I'd worked 

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with on a film called The 
Laundromat. 

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We had a lovely conversation 
about that. 

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We got to the end of the 
conversation and she just said 

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okay, when do we do this and 
we're off to the races? 

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It's a very diverse cast. 
Leslie Uggams is in this, the 

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great Leslie Uggams. 
I mean, yeah. 

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So when in the first episode, as
I mentioned, it starts in 2036, 

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thirteen years from now, and it 
starts at the annual United 

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Nations Gathering to discuss 
climate, yeah, it's called COP. 

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You know, Cop 15, COP 20. 
Cop 28 is in a couple of months 

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from right now. 
That'll be this year's version 

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of that extrapolations. 
The first episode starts with 

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Cop. 42128 right now, so 42 and 
you've seen the news reports of 

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these cop gatherings, you know, 
they're huge and they're people 

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from all over the world. 
And the the most shocking image 

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in this first episode, right out
of the gate is the camera is in 

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the back of the room of. 
It was supposed to be a huge 

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room and it's being held in Tel 
Aviv and it's 2036 and the room 

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is virtually empty. 
There are representatives from 

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countries sitting around the 
typical UN half Oval table. 

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But there's there's there's lots
of protests going on all over 

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the world. 
But it looks like literally 

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either people have given up or 
they realized having another cop

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is not going to solve the 
problem. 

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We're so far down the road. 
This is a theme that is repeated

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through all eight episodes. 
What made you decide to start 

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this way? 
I mean, you had to start 

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somewhere and you introduced us 
to the wealthy corporate head 

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who's got all these plans to 
quote save the species and, you 

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know get the carbon out of the 
atmosphere and all this. 

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But you can also see that he's 
he's really about the do re mi 

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more than he is about. 
Yeah, there doesn't seem to be 

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any shortage of of those people 
you know kicking around right 

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now especially in the tech 
sector and the cop phenomena is 

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is interesting. 
I mean, we're not that far away 

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from the reality of of of this 
show and and and when it begins 

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and. 
I worked with the UNA little bit

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on the show and I wanted to make
sure I I got the details of the 

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cop correct. 
They were very forthcoming about

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their own concerns about how 
effective these kind of meetings

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have been. 
And here we are three years 

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later and we're having it in 
Dubai and as we've heard this 

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week. 
The president of the COP is a 

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gentleman named Sultan Al Jabir,
who is actually the head of an 

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oil company in Dubai. 
And that steers us right into a 

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very familiar problem where on 
one hand, we need to work with 

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00:14:45,210 --> 00:14:49,290
industry to solve these 
problems, on the other hand. 

228
00:14:49,930 --> 00:14:54,010
Industries concern will always 
be to make money for its 

229
00:14:54,010 --> 00:14:58,490
executives and its shareholders.
And so are they really the the 

230
00:14:58,490 --> 00:15:03,210
people to be trusted with the 
planet And that is a big theme 

231
00:15:03,210 --> 00:15:08,010
of our show and it's a big, big 
theme of this moment. 

232
00:15:08,450 --> 00:15:13,290
It's interesting to me that the 
head of the UN this week here in

233
00:15:13,290 --> 00:15:18,490
New York has decided that people
who have not kept up with their.

234
00:15:18,940 --> 00:15:23,740
Commitments that they made in 
Paris are not allowed to speak 

235
00:15:23,940 --> 00:15:26,740
during Climate Week. 
They called it the New York 

236
00:15:26,740 --> 00:15:31,180
Times Shaming without naming. 
What's interesting is amongst 

237
00:15:31,180 --> 00:15:34,740
those, and I will do a little 
shaming and naming, you know, 

238
00:15:34,740 --> 00:15:39,540
Rishi Sunak, who is the PM of 
England and of the UK, which has

239
00:15:39,540 --> 00:15:45,140
been a leader in climate reforms
announced yesterday that there's

240
00:15:45,140 --> 00:15:49,130
no way. 
To help them fix their economy 

241
00:15:49,130 --> 00:15:51,410
and stay on their Paris 
commitments. 

242
00:15:51,770 --> 00:15:54,530
And so they're rolling them way 
back. 

243
00:15:55,210 --> 00:15:59,050
And this is what we have to 
guard against. 

244
00:15:59,490 --> 00:16:05,330
We need to deal with these 
issues now and the idea that 

245
00:16:05,730 --> 00:16:10,490
it's better for the economy to 
wait until we address this. 

246
00:16:11,040 --> 00:16:14,280
Is incredibly short sighted and 
dangerous. 

247
00:16:14,280 --> 00:16:16,560
We you know it just it's not 
going to work. 

248
00:16:17,120 --> 00:16:21,800
It may get his party some more 
votes, but we're well past the 

249
00:16:21,800 --> 00:16:24,160
time where that choice was 
possible. 

250
00:16:25,000 --> 00:16:28,480
You mentioned earlier that you 
want the audience to understand 

251
00:16:28,480 --> 00:16:31,760
that that this is not one 
depressing story after another. 

252
00:16:31,760 --> 00:16:34,920
I mean, yeah, there's hope, 
which is a necessary thing. 

253
00:16:35,200 --> 00:16:38,800
And then there's hopeium. 
Hopeium, the drug that we try to

254
00:16:38,800 --> 00:16:41,060
give ourselves constantly, it's 
all going to be okay. 

255
00:16:41,140 --> 00:16:43,340
We're going to be fine. 
Technology will save us. 

256
00:16:43,620 --> 00:16:47,860
And and you very honestly 
throughout this series, remind 

257
00:16:47,860 --> 00:16:52,300
people, you know, yes, we need 
technology but if you're just 

258
00:16:52,300 --> 00:16:55,740
relying on that, that's going to
save the planet. 

259
00:16:56,340 --> 00:16:59,180
These are voices from the future
in your fiction. 

260
00:17:00,500 --> 00:17:02,220
I forgot who said I think it was
Picasso. 

261
00:17:02,540 --> 00:17:06,380
Whoever said that, you know art.
The importance of art is telling

262
00:17:06,380 --> 00:17:08,980
a lie that actually tells the 
greater truths. 

263
00:17:09,500 --> 00:17:14,380
Fiction is not real, and yet 
it's sometimes is more honest 

264
00:17:14,380 --> 00:17:16,700
and more truthful than a 
documentary. 

265
00:17:17,099 --> 00:17:20,780
This is what every episode does,
and I think once you roll into 

266
00:17:20,780 --> 00:17:26,260
the second episode, Sienna 
Miller is this scientist who's 

267
00:17:26,260 --> 00:17:27,980
trying to find where the whales 
are. 

268
00:17:28,780 --> 00:17:33,120
It's so powerful and so moving, 
and you tell these little 

269
00:17:33,120 --> 00:17:37,520
stories, these little personal 
stories that make this kind of 

270
00:17:37,520 --> 00:17:42,200
fiction so compelling. 
Yeah, I mean, episode two was 

271
00:17:42,200 --> 00:17:46,920
really, you know, I was in the 
process of losing my father to 

272
00:17:46,920 --> 00:17:50,360
Alzheimer's while I was writing 
it, and I'm sorry. 

273
00:17:51,040 --> 00:17:55,400
And so it really became an 
episode about saying goodbye, 

274
00:17:55,960 --> 00:18:00,800
and about how we deal with grief
and loss. 

275
00:18:01,460 --> 00:18:06,020
And how, how you have to move 
through that. 

276
00:18:06,380 --> 00:18:09,860
And I think that there is a part
of climate change that is going 

277
00:18:09,860 --> 00:18:13,820
to ask us of that, but the, you 
know, the the really amazing 

278
00:18:13,820 --> 00:18:20,260
opportunity about species loss. 
And and some of these other 

279
00:18:20,260 --> 00:18:24,380
issues my dog is barking in the 
background because I think it's 

280
00:18:24,660 --> 00:18:29,300
it's his favorite episode. 
It's what we still can choose. 

281
00:18:29,300 --> 00:18:33,580
You know, there are very bad 
versions of the future and there

282
00:18:33,580 --> 00:18:36,300
are less bad versions. 
And I've been asked before, 

283
00:18:36,300 --> 00:18:39,900
well, how did you, how did you 
take care of yourself while you 

284
00:18:39,900 --> 00:18:44,260
were doing this? 
And I said I I actually never, I

285
00:18:44,260 --> 00:18:48,990
never felt. 
More alive or engaged than when 

286
00:18:48,990 --> 00:18:51,350
I was doing this. 
These were stories I wanted to 

287
00:18:51,350 --> 00:18:53,430
tell and I got to go to work 
every day. 

288
00:18:53,430 --> 00:18:56,390
And I know you've had this 
experience with people who are 

289
00:18:56,390 --> 00:18:58,870
similarly moved. 
You know, the big issue that 

290
00:18:59,390 --> 00:19:03,790
everyone listening will have is 
what can I do? 

291
00:19:04,510 --> 00:19:07,550
And in episode 3, I really tried
to answer that. 

292
00:19:08,190 --> 00:19:12,390
Davi Diggs plays a Rabbi in an 
episode with David Schwimmer. 

293
00:19:13,020 --> 00:19:18,100
I won't say what Daveed says at 
the end of that episode, but 

294
00:19:18,100 --> 00:19:22,260
that's how I feel. 
You know, we're we're going to 

295
00:19:22,260 --> 00:19:24,900
get through this. 
We're not all going to die. 

296
00:19:25,620 --> 00:19:29,700
But the only way we're going to 
get through this is by relying 

297
00:19:29,700 --> 00:19:33,580
and communicating with each 
other and making some very 

298
00:19:33,580 --> 00:19:38,820
difficult choices. 
And if we do that, we will, I 

299
00:19:38,820 --> 00:19:42,140
think, find out we have muscles 
that we have not used. 

300
00:19:42,740 --> 00:19:46,100
In a very long time. 
And that will be a beautiful 

301
00:19:46,100 --> 00:19:51,100
moment to be alive for. 
And that was really what episode

302
00:19:51,100 --> 00:19:54,180
three was about. 
It was about how do we ask the 

303
00:19:54,180 --> 00:19:56,500
right questions? 
Because that's where this 

304
00:19:56,500 --> 00:20:01,260
starts, is, can you look around 
at work in your family? 

305
00:20:01,260 --> 00:20:04,100
If you're a kid at school? 
Can you look around and just 

306
00:20:04,100 --> 00:20:08,700
start asking questions about why
is this thing that is so clearly

307
00:20:08,700 --> 00:20:12,130
wrong? 
Still the predominant way of 

308
00:20:12,130 --> 00:20:16,770
doing things. 
And in that episode, which is 

309
00:20:16,770 --> 00:20:22,330
set in Miami and and by this 
time again, it's now probably at

310
00:20:22,330 --> 00:20:26,690
least 10 or 15 years beyond 
where we're at now, the waters 

311
00:20:26,690 --> 00:20:31,810
are rising, parts of South Beach
are underwater, the rest of 

312
00:20:31,810 --> 00:20:36,410
Miami looks like it may soon be.
And this what you mentioned this

313
00:20:36,410 --> 00:20:39,110
question. 
That keeps getting asked 

314
00:20:39,110 --> 00:20:42,390
throughout this episode is being
asked by a 13 year old. 

315
00:20:43,230 --> 00:20:47,430
She wants to know why. 
Why is this happening? 

316
00:20:48,030 --> 00:20:52,630
What is the awful thing that we 
did to upset God or Mother 

317
00:20:52,630 --> 00:20:57,630
Nature or whatever to where we 
are facing literally being 

318
00:20:57,630 --> 00:21:02,630
underwater and to have it come 
out of the mouth of a 13 year 

319
00:21:02,630 --> 00:21:07,150
old and the brain of a 13 year 
old was so. 

320
00:21:07,540 --> 00:21:10,140
Beautifully done. 
And I would think too, I mean, 

321
00:21:10,140 --> 00:21:14,300
young people already today, if 
you have a tween or a teen, they

322
00:21:14,300 --> 00:21:18,220
are completely aware of the 
planet that we're handing them, 

323
00:21:18,580 --> 00:21:22,020
completely aware they have 
already had it. 

324
00:21:22,020 --> 00:21:25,140
They're already fed up. 
They're, as you know, many of 

325
00:21:25,140 --> 00:21:27,540
them, they're very active 
politically. 

326
00:21:28,180 --> 00:21:30,100
A lot of them are going to be 
able to vote next year. 

327
00:21:30,460 --> 00:21:33,690
You really captured that? 
And that and giving voice to 

328
00:21:33,690 --> 00:21:36,010
that, to this new younger 
generation. 

329
00:21:36,090 --> 00:21:41,490
I owe a debt of gratitude to to 
my niece in Austin, TX for that.

330
00:21:42,530 --> 00:21:46,530
She has a little bit of that 
character in her, I hope I did 

331
00:21:46,530 --> 00:21:49,610
when I was young. 
But what you said is exactly 

332
00:21:49,610 --> 00:21:53,210
right. 
You know, pretending that this 

333
00:21:53,210 --> 00:21:56,810
doesn't exist and thinking 
you're doing yourself or your 

334
00:21:56,810 --> 00:22:04,710
child a favor by not being clear
and direct about what is going 

335
00:22:04,710 --> 00:22:09,430
on with the climate, It isn't 
going to make them them happy. 

336
00:22:09,430 --> 00:22:12,550
It's not going to make them like
you more. 

337
00:22:12,910 --> 00:22:18,790
I know that we're afraid of 
triggering our kids, but I think

338
00:22:19,030 --> 00:22:22,550
one of the things that we have 
to teach them is that some of 

339
00:22:22,550 --> 00:22:26,790
the things that are happening in
the world demand action, demand 

340
00:22:26,790 --> 00:22:29,310
our interest and you're not 
powerless. 

341
00:22:29,710 --> 00:22:33,830
The part that's depressing is 
the part where they believe 

342
00:22:33,830 --> 00:22:37,950
they're powerless. 
It's very easy to teach people 

343
00:22:37,950 --> 00:22:42,710
they are not powerless. 
Young people today make huge 

344
00:22:42,710 --> 00:22:45,910
differences. 
You know, I was at a climate 

345
00:22:45,910 --> 00:22:49,910
event the other the other night 
and there was a young woman 

346
00:22:49,910 --> 00:22:54,630
there named Sage Lanier who was 
so powerful and she confessed to

347
00:22:54,630 --> 00:22:57,590
struggling with climate related 
sadness. 

348
00:22:58,060 --> 00:23:01,300
But man, she's now turned it 
into a whole curriculum and she 

349
00:23:01,300 --> 00:23:06,620
is educating people and she's 
one of a number of people who I 

350
00:23:06,620 --> 00:23:09,740
met who are are making that kind
of difference. 

351
00:23:09,740 --> 00:23:14,620
So we're not helping anyone by 
hiding the truth because you 

352
00:23:14,620 --> 00:23:17,020
can't. 
I mean, you know, you walk 

353
00:23:17,020 --> 00:23:20,900
outside in New York City this 
summer and you see the smoke 

354
00:23:20,900 --> 00:23:24,340
from these fires and we have to 
talk about it because here's 

355
00:23:24,340 --> 00:23:26,860
what happens if you don't. 
There are people in the world 

356
00:23:27,260 --> 00:23:31,060
who will tell you that there are
fewer acres on fire this year, 

357
00:23:31,060 --> 00:23:33,740
actually, than other years. 
And they're right. 

358
00:23:34,780 --> 00:23:39,740
But a lot of the acres that are 
not burning are acres in Africa,

359
00:23:39,740 --> 00:23:43,900
and they're African grasslands 
that probably burned last year. 

360
00:23:44,620 --> 00:23:50,900
And a grassland isn't as good a 
holder of carbon as a forest. 

361
00:23:51,660 --> 00:23:54,660
Now, the acres of forests that 
have burned this year are like 

362
00:23:54,660 --> 00:23:58,480
nothing else we've ever seen. 
I think the amount of carbon 

363
00:23:58,480 --> 00:24:01,920
that was released from the 
ground and from the trees is 

364
00:24:01,920 --> 00:24:06,240
basically more than Canada would
make in in about a year. 

365
00:24:06,600 --> 00:24:11,520
And so Canada this year doubled 
its carbon contribution to the 

366
00:24:11,520 --> 00:24:15,440
world by Catching Fire, and 
there's no way to hide that. 

367
00:24:15,480 --> 00:24:18,760
You walked outside and and you 
saw it in the air. 

368
00:24:18,920 --> 00:24:23,630
I had people send photos of New 
York City to me all summer long 

369
00:24:23,630 --> 00:24:25,710
saying this looks like an 
episode of your show. 

370
00:24:25,910 --> 00:24:28,750
Yes. 
On one particular day here in 

371
00:24:28,750 --> 00:24:34,510
New York, it got so dark at 2:00
in the afternoon that I looked 

372
00:24:34,510 --> 00:24:38,950
out the window and the nighttime
lights in New York City came on 

373
00:24:39,310 --> 00:24:45,430
at 2:00 in the afternoon. 
And it was a shocking sight. 

374
00:24:46,070 --> 00:24:49,070
And I've always said to people 
when they like in the can being 

375
00:24:49,070 --> 00:24:51,220
from Michigan. 
We'll get occasionally you'll 

376
00:24:51,220 --> 00:24:54,820
get a day in January where it's 
70 degrees and everybody's so 

377
00:24:54,820 --> 00:24:56,940
happy. 
And I'm like, what are you happy

378
00:24:56,940 --> 00:24:59,140
about? 
It's not supposed to be 70 in 

379
00:24:59,700 --> 00:25:03,420
January, you know, And it's, 
it's like, and I would say to 

380
00:25:03,420 --> 00:25:06,260
people, if the sun suddenly came
up at 1:00 in the morning, 2:00 

381
00:25:06,260 --> 00:25:08,660
in the morning, would you just 
be jumping for joy? 

382
00:25:08,660 --> 00:25:12,460
Oh, more sunlight, more tan, you
know. 

383
00:25:13,100 --> 00:25:15,780
No, you would be freaking out. 
You'd be running. 

384
00:25:16,340 --> 00:25:18,900
Down the middle of the street, 
like your hair was on fire. 

385
00:25:19,420 --> 00:25:21,060
Like something something was 
wrong. 

386
00:25:21,060 --> 00:25:24,900
The planet was off its axis and 
we are all about to die. 

387
00:25:25,220 --> 00:25:27,620
Yeah, I I grew up in 
Minneapolis. 

388
00:25:27,660 --> 00:25:32,940
And you know, I, I know that I 
used to go skiing at these 

389
00:25:32,940 --> 00:25:38,380
little ski hills around town. 
And from what I understand, they

390
00:25:38,380 --> 00:25:41,980
either are making their snow or 
their seasons getting shorter 

391
00:25:41,980 --> 00:25:45,010
and shorter. 
And it's not just the 

392
00:25:45,010 --> 00:25:48,890
inconvenience of no snow. 
You know, this has a massive 

393
00:25:48,890 --> 00:25:55,290
impact on agriculture on insects
which lead to disease, which is 

394
00:25:55,290 --> 00:26:00,410
a whole other thing. 
So the impacts of changing the 

395
00:26:00,410 --> 00:26:06,730
climate that we built the world 
around over hundreds of years is

396
00:26:06,730 --> 00:26:10,650
not a small thing. 
And you know, we really need to 

397
00:26:10,890 --> 00:26:15,060
to check ourselves and change 
path rapidly. 

398
00:26:15,340 --> 00:26:19,660
You mentioned or I mentioned it 
earlier in the episode with 

399
00:26:19,660 --> 00:26:23,940
Forest Whitaker and Marion 
Cotillard and he's been kind of 

400
00:26:23,940 --> 00:26:26,620
a, I guess an inventor most of 
his life. 

401
00:26:27,340 --> 00:26:30,460
There was this great moment 
where she, she's his wife, 

402
00:26:30,460 --> 00:26:35,260
Marion Cotillard and she's just 
so disappointed with who she 

403
00:26:35,260 --> 00:26:37,060
sees this person. 
They've essentially been a 

404
00:26:37,060 --> 00:26:41,100
failure by this point. 
It's it's a New Year's Eve in 

405
00:26:41,100 --> 00:26:46,040
the year who? 
20 What Is it Scott 205020602068

406
00:26:46,040 --> 00:26:47,560
or 2060? 
Yeah. 

407
00:26:47,760 --> 00:26:52,040
And so they're in San Francisco 
and they're trying to have a 

408
00:26:52,040 --> 00:26:56,080
little New Year's Eve party. 
And he's so hopeful that the 

409
00:26:56,080 --> 00:26:58,920
next thing is going to save him,
is going to take him somewhere 

410
00:26:58,920 --> 00:27:01,360
else. 
And then she reminds him, yeah, 

411
00:27:01,360 --> 00:27:04,480
Do you remember when you told us
we just need to get solar panels

412
00:27:04,480 --> 00:27:08,600
everywhere? 
And now there's so much smoke in

413
00:27:08,600 --> 00:27:11,200
the air from all these 
continuing fires. 

414
00:27:11,710 --> 00:27:16,110
But the sun doesn't even make it
through the smoke enough to get 

415
00:27:16,110 --> 00:27:17,990
to the panel. 
Like that day when it was 2:00 

416
00:27:17,990 --> 00:27:22,630
PM in New York City and it was 
dark, no sun hit any solar panel

417
00:27:22,630 --> 00:27:26,310
in New York City on that day. 
And I thought, wow, am I just 

418
00:27:26,310 --> 00:27:28,790
getting a snippet of the. 
And I had already just watched 

419
00:27:28,790 --> 00:27:34,630
your episode and I'm thinking, 
this is this isn't 2068, this 

420
00:27:34,630 --> 00:27:36,710
is, this is actually going on 
right now. 

421
00:27:36,790 --> 00:27:41,110
Which means one of my takeaways 
from your series is. 

422
00:27:41,490 --> 00:27:45,610
Well, maybe there is still time 
to fix this, to stop it, to do 

423
00:27:45,610 --> 00:27:47,970
something different. 
But and then and then she says 

424
00:27:47,970 --> 00:27:50,690
and the windmills, all the 
windmills up and down the coast,

425
00:27:51,050 --> 00:27:54,250
hardly moving because the the 
way the smoke and the whole 

426
00:27:54,250 --> 00:27:59,130
atmosphere has changed, the wind
isn't what it was 50 or 100 

427
00:27:59,130 --> 00:28:01,570
years ago. 
And now we've got all these 

428
00:28:01,570 --> 00:28:06,930
windmills just sitting there. 
Wow, to hear that, especially at

429
00:28:06,930 --> 00:28:09,450
a time when that's all we we got
it. 

430
00:28:09,450 --> 00:28:11,170
We need more windmills. 
We need more solar panels. 

431
00:28:11,620 --> 00:28:15,100
And you know as I've said that 
we should have been saying that 

432
00:28:15,380 --> 00:28:18,260
when Jimmy Carter put the solar 
solar panels on the White House 

433
00:28:18,260 --> 00:28:22,180
roof and we would have had 50 
years down the road but now 

434
00:28:22,380 --> 00:28:23,700
lost. 
That's gone. 

435
00:28:23,820 --> 00:28:25,940
OK, can't get it back. 
What do we do? 

436
00:28:26,420 --> 00:28:29,380
Tell me just the thought process
of even allowing the that 

437
00:28:29,380 --> 00:28:33,740
thought to be expressed because 
I were I don't you know 

438
00:28:33,740 --> 00:28:36,580
obviously we don't want people 
to take it like oh all hope is 

439
00:28:36,580 --> 00:28:38,060
lost. 
Why are we even bothering? 

440
00:28:39,150 --> 00:28:44,550
But it's it's quite a a voice 
from the near future telling us 

441
00:28:44,910 --> 00:28:50,470
if we don't get it to together 
now, now, not even now, 

442
00:28:50,470 --> 00:28:54,870
yesterday, we are going to be 
doomed on some level. 

443
00:28:55,730 --> 00:28:58,530
The planet has plans for us 
because we're the killers. 

444
00:28:58,530 --> 00:29:01,530
Yeah, So it has its own law 
enforcement, Mother Nature, 

445
00:29:01,890 --> 00:29:03,610
believe me, the planet's going 
to live. 

446
00:29:03,610 --> 00:29:04,890
Yeah. 
The planet is going to be some 

447
00:29:04,890 --> 00:29:06,690
kind of a rock somewhere doing 
something. 

448
00:29:06,890 --> 00:29:08,490
We are the ones that aren't 
going to be here. 

449
00:29:08,690 --> 00:29:13,170
Yeah. 
My feeling is no, I I agree with

450
00:29:13,170 --> 00:29:15,930
with what you just said. 
You know there are there are 

451
00:29:15,930 --> 00:29:20,610
complicated stories around 
climate that we need to, to 

452
00:29:20,610 --> 00:29:24,120
prepare ourselves for. 
You're right, the planet, the 

453
00:29:24,120 --> 00:29:27,920
planet will be here. 
The the question is will we be 

454
00:29:27,960 --> 00:29:31,520
going around and around on it? 
And then beyond that, I think 

455
00:29:31,560 --> 00:29:36,880
the biggest question is how will
that feel, you know, and our 

456
00:29:36,880 --> 00:29:42,760
show gets into you know gets 
into that in the episode you 

457
00:29:42,760 --> 00:29:47,280
just mentioned, what is life 
like for Marion and Forrest? 

458
00:29:47,600 --> 00:29:51,640
What passes for fun, what passes
for food. 

459
00:29:52,370 --> 00:29:56,890
And so for sure, part of the 
show is a cautionary tale, the 

460
00:29:56,890 --> 00:29:59,410
finale. 
And again, I'm not going to give

461
00:29:59,410 --> 00:30:03,050
away too much. 
There is a kind of 

462
00:30:03,050 --> 00:30:07,930
reconciliation that occurs where
we come to terms with the fact 

463
00:30:08,450 --> 00:30:13,170
that we've been doing this and 
we have known better. 

464
00:30:13,330 --> 00:30:17,210
You know, there there's so much 
information that's come out in 

465
00:30:17,210 --> 00:30:20,840
the last couple of years about 
the fact that oil companies knew

466
00:30:20,840 --> 00:30:24,440
what they were doing as far back
as the late 50s. 

467
00:30:24,840 --> 00:30:30,160
And they have actively pursued a
misinformation campaign that is 

468
00:30:30,160 --> 00:30:32,600
very similar to the tobacco 
companies. 

469
00:30:33,280 --> 00:30:36,000
In fact, there's some evidence 
that says that's where they 

470
00:30:36,000 --> 00:30:39,600
learned it. 
And so, you know, they've known 

471
00:30:39,880 --> 00:30:46,080
that this was the cost of doing 
their business and they cashed 

472
00:30:46,080 --> 00:30:49,520
us all in. 
And so that needs to really 

473
00:30:49,520 --> 00:30:51,970
stop. 
And one of the ways that those 

474
00:30:51,970 --> 00:30:57,370
things stop is accountability, 
which is a thing that I really 

475
00:30:57,370 --> 00:31:00,730
believe in. 
And the finale of our show was 

476
00:31:00,730 --> 00:31:04,730
informed by a movie called 
Trials of Nuremberg, where the 

477
00:31:04,730 --> 00:31:07,810
people who perpetrated the 
crimes against humanity in World

478
00:31:07,810 --> 00:31:12,170
War 2 are held to account. 
And the way that I got into it 

479
00:31:12,170 --> 00:31:17,170
was I found an old article 
written by law professor I think

480
00:31:17,170 --> 00:31:23,090
in 1972 at at either U at USC. 
I'm pretty sure that deals with 

481
00:31:23,090 --> 00:31:27,050
the rights of a tree. 
And this is not new. 

482
00:31:27,370 --> 00:31:31,530
There really is a thing called 
eco side and it really is a 

483
00:31:31,530 --> 00:31:36,930
crime against humanity and we 
need to stop scoffing at it and 

484
00:31:36,930 --> 00:31:44,740
start deciding that that's a 
thing that we can all stop but 

485
00:31:44,740 --> 00:31:48,340
we all have to do it. 
And said that was sort of, you 

486
00:31:48,340 --> 00:31:51,780
know, I think I gave away a lot 
of the ending, but you'll be 

487
00:31:51,780 --> 00:31:54,860
interested to watch how, 
especially if you're a film fan 

488
00:31:54,860 --> 00:31:59,340
and know know the Trials at 
Nurburg about how that plays out

489
00:31:59,340 --> 00:32:01,660
in our show. 
No, it's very powerful. 

490
00:32:01,660 --> 00:32:05,900
No, you didn't give it away, but
this issue of accountability is 

491
00:32:05,900 --> 00:32:09,900
very present in this series and 
conscience. 

492
00:32:10,400 --> 00:32:14,920
Knowing right from wrong all of 
this, it's so powerful and it's 

493
00:32:14,920 --> 00:32:17,680
so moving. 
I've I've watched the series 

494
00:32:17,680 --> 00:32:21,680
twice now and I've told people 
on this podcast that I actually 

495
00:32:21,680 --> 00:32:24,280
went back and watched the Miami 
episode a third time. 

496
00:32:24,920 --> 00:32:29,640
I wanted to see if I could watch
this episode and not cry. 

497
00:32:31,080 --> 00:32:35,880
And I I couldn't pull it off. 
And I found myself after 

498
00:32:35,880 --> 00:32:38,200
watching this series through a 
couple of times. 

499
00:32:39,490 --> 00:32:43,290
I found myself not only even 
more committed to figuring out 

500
00:32:43,290 --> 00:32:45,130
what I could do personally, but 
what can I do? 

501
00:32:45,450 --> 00:32:47,370
The greater thing that has to 
happen to all of us 

502
00:32:47,370 --> 00:32:49,450
collectively. 
And how can we do that? 

503
00:32:49,570 --> 00:32:51,090
Could start in your apartment 
building. 

504
00:32:51,290 --> 00:32:53,330
Could start on your block 
because, you know you could 

505
00:32:53,330 --> 00:32:55,810
start anywhere. 
It doesn't have to be just you 

506
00:32:55,810 --> 00:32:58,170
or just me. 
And there's a whole host of 

507
00:32:58,170 --> 00:33:01,330
things that have to happen. 
But if we are, if we can't stay 

508
00:33:01,330 --> 00:33:06,130
stuck on, oh, somebody's going 
to fix this later or technology 

509
00:33:06,130 --> 00:33:09,490
will save us or in the. 
The one episode, the president 

510
00:33:09,490 --> 00:33:13,130
of the United States is 
congratulating people for 

511
00:33:13,130 --> 00:33:16,810
planting another thousand trees,
but it's already in the twenty 

512
00:33:16,930 --> 00:33:21,170
50s or 60s at that point. 
And you and you know enough by 

513
00:33:21,170 --> 00:33:24,570
watching your show, you're 
saying, well, that's a good 

514
00:33:24,570 --> 00:33:26,410
thing to do, That's a nice thing
to do. 

515
00:33:26,810 --> 00:33:32,170
But really they're still going 
to be doing that when if we 

516
00:33:32,170 --> 00:33:34,210
don't have this figured out by 
2060. 

517
00:33:34,810 --> 00:33:36,650
Holy smokes. 
And it really. 

518
00:33:36,690 --> 00:33:38,610
And it's like, but you did it so
beautifully. 

519
00:33:38,610 --> 00:33:41,450
You weren't making fun of people
planting trees. 

520
00:33:41,450 --> 00:33:44,210
You were like that. 
Yes, this of course has always 

521
00:33:44,210 --> 00:33:45,450
been what we should have been 
doing. 

522
00:33:46,250 --> 00:33:51,650
And yes, in 2060 it's too late. 
So what's the plan, Stan? 

523
00:33:51,770 --> 00:33:56,650
Yeah, it's really exhilarating 
filmmaking passing in the form 

524
00:33:56,650 --> 00:33:59,130
of a a series on the streaming 
television. 

525
00:33:59,410 --> 00:34:01,710
But it's way. 
Way beyond that. 

526
00:34:02,110 --> 00:34:06,190
I thank you for for making this.
I thank you for coming on my 

527
00:34:06,190 --> 00:34:08,830
podcast. 
You probably can't talk about 

528
00:34:08,830 --> 00:34:12,030
what you what you're doing next.
If I were you, I wouldn't. 

529
00:34:12,030 --> 00:34:16,790
Nope. 
But because, Scott, you and I 

530
00:34:16,790 --> 00:34:19,150
both know they must not see us 
coming. 

531
00:34:19,590 --> 00:34:22,230
Yeah, exactly. 
I I am writing a play because 

532
00:34:22,230 --> 00:34:25,630
I'm allowed to do that during 
the Guild, All right? 

533
00:34:25,630 --> 00:34:28,510
And I don't know if you even 
know this, but the last play I 

534
00:34:28,510 --> 00:34:31,860
wrote was called The Library, 
which was about a school 

535
00:34:31,860 --> 00:34:37,780
shooting. 
And I have you and and bowling 

536
00:34:37,780 --> 00:34:43,300
for Columbine and a few other 
really important people in my 

537
00:34:43,300 --> 00:34:46,219
life to thank for that. 
Well well thank you for saying 

538
00:34:46,219 --> 00:34:49,900
that and and I I already, I 
don't know what I'm going to do 

539
00:34:49,900 --> 00:34:54,620
with this but extrapolations is 
going to there's going to be 

540
00:34:54,620 --> 00:34:57,340
somewhat of a it might be a 
crooked line but it's going to 

541
00:34:57,340 --> 00:35:00,350
be a straight line I think. 
To one of the next things that I

542
00:35:00,350 --> 00:35:03,590
do regarding this particular 
issue and the larger 

543
00:35:03,590 --> 00:35:07,990
ramifications of how we can 
survive, how it's not all 

544
00:35:07,990 --> 00:35:12,670
hopeless yet and you've given me
that that sense of inspiration 

545
00:35:12,670 --> 00:35:15,910
to do something with that. 
So thank you for that. 

546
00:35:16,190 --> 00:35:20,430
Just keep doing more of this. 
It's much much appreciated by 

547
00:35:20,430 --> 00:35:23,190
people who care about what's 
going on and who also would like

548
00:35:23,510 --> 00:35:25,750
to take a good 45 minutes to an 
hour and. 

549
00:35:26,170 --> 00:35:30,610
And sit down and watch something
that, dare I say, is hugely 

550
00:35:30,610 --> 00:35:36,130
entertaining in the sense that 
that why do we love the movies? 

551
00:35:36,370 --> 00:35:38,850
Sometimes you laugh and 
sometimes you cry and sometimes 

552
00:35:38,850 --> 00:35:42,370
you get mad and sometimes it 
makes you think whatever it 

553
00:35:42,370 --> 00:35:45,170
does. 
And if it has you doing that 24 

554
00:35:45,170 --> 00:35:48,650
hours later, then you and I have
succeeded in what we're trying 

555
00:35:48,650 --> 00:35:51,410
to do here. 
And I I encourage everybody to 

556
00:35:51,490 --> 00:35:55,010
take this opportunity to watch. 
This eight episode series called

557
00:35:55,010 --> 00:35:59,330
Extrapolations by the great 
Scott Burns here, who's been our

558
00:35:59,330 --> 00:36:02,930
guest on Rumble today. 
Any final words, Scott, before 

559
00:36:02,930 --> 00:36:06,290
we go, It's all yours. 
I will keep doing what I'm doing

560
00:36:06,290 --> 00:36:10,450
if if, if you do the same. 
And thank you again so much for 

561
00:36:10,450 --> 00:36:12,370
having me. 
This has been a pleasure. 

562
00:36:12,690 --> 00:36:15,410
I will continue to do that. 
Thank you so much. 

563
00:36:15,490 --> 00:36:17,650
Scott Burns. 
Thanks to all of you who 

564
00:36:17,650 --> 00:36:21,050
listened to this today. 
It's extrapolations. 

565
00:36:21,050 --> 00:36:23,720
It's on Apple TV plus. 
Watch it. 

566
00:36:24,360 --> 00:36:27,720
Thank you very much, Scott, and 
thanks to all of you who are 

567
00:36:27,720 --> 00:36:29,920
listening to this today. 
I'm Michael Moore. 

568
00:36:30,160 --> 00:36:32,440
This is Rumble, and we'll see 
you next time.

