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Shakina Karen looks like she's 
been ignored by Diana Cords. 

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I kind of saw that coming. 
What in the beef? 

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Yeah, the proposed some very one
sided beef. 

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Yeah, it's a proposed. 
That's such a no, I'm sorry. 

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That's a proposed. 
Beef is so sad. 

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That's so sad. 
You see how sad that is? 

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It's terrible to get ignored in 
a beef too. 

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Like that's the worst thing. 
Imagine you like just gearing up

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your all and spending all night 
right in the fire as this truck 

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and then it's just like. 
Hey. 

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What's going on everybody? 
Welcome to the 30% podcast. 

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My name is Sam. 
I am here with AFAM. 

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This is episode 125, right? 
Yes, 125 and we are here. 

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And we are here, man. 
What's up, guys? 

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How are you guys doing? 
Yeah. 

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How are you guys? 
I'm good. 

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Bro, tell us, tell us, tell us 
about your week and. 

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Yeah, so my week has my week has
been good, man. 

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A bit, you know, because I, I, 
I, I've actually left the 

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country on Sunday, Saturday, 
Saturday and yeah, man, you 

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know, had a good time back home.
It's pretty cool. 

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But all fun things must come to 
an end. 

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So hopped on a flight. 
So now I'm back in Brooklyn. 

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The flight was so long, bro. 
It was 15 hours long. 

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Felt like I can't stop. 
I'm not gonna lie. 

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I can't stop, bro. 
It's horrible. 

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It's horrific. 
And you can never find a good 

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position to sleep. 
And. 

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No way. 
You can't find a good position 

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to do anything. 
Honestly nothing like a 5 hour 

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flight for me is absolutely like
I get I get frustrated after the

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first hour because you're just 
sitting there and I'm not the 

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kind to sleep on planes because 
like what? 

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Why? 
Why put yourself in such a it's?

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Hard. 
It's hard. 

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So yeah, man, yeah. 
So I think that was the 

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highlight of my week just, well,
no, it wasn't, to be honest. 

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00:03:04,920 --> 00:03:09,440
There was another highlight got 
put on the Apple Music playlist 

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that was really crazy. 
Yo and shout out yeah shout out 

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to you too man, cuz I yeah on 
the playlist as well. 

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I know, bro. 
Yeah. 

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So that was a, that was a cool, 
that was a really, really cool 

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thing to happen. 
Honestly, genuinely, just one of

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those moments in life where you 
just kind of sit down and 

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they're like, damn, that's 
actually insane. 

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Milestone. 
Yeah, exactly. 

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So shout out to the people at 
Apple Music, man, Carl, Greg, 

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you all are some amazing people 
for just like, yeah, listening 

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to the music, like honestly, 
yeah. 

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Shout out to Colin, Greg, bro. 
Yeah, man, that was my week. 

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00:03:55,760 --> 00:04:01,360
Fantastic, fantastical. 
I people could probably hear I 

52
00:04:01,360 --> 00:04:03,840
am I'm there's a slight 
congestion. 

53
00:04:03,880 --> 00:04:09,320
Slight is is an understatement. 
I was working over the weekend 

54
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like one of those ones where 
you're like you leave the house 

55
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super early, at least on the day
of the show, the house super 

56
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early. 
Think I because I'd forgotten 

57
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something or rather it was 
probably my fault because we're 

58
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just doing so much during the 
day that I forgot my laptop 

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charger way across the city. 
So I had to go and get it and 

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come back and then do what I 
need to do then go back. 

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So I had to, I woke up really 
early and then got back home 

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like the next day. 
So I think my and it had been 

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like a week of just like 
preparing for the show and stuff

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like that. 
So Sunday came, show was over, 

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woke up and my body was like, 
all righty, you're sick now. 

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We will not do anything. 
So the whole week I've just been

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battling like a little bit of 
influenza, which has been going 

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around honestly. 
And I really hate it. 

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00:04:58,600 --> 00:05:02,600
I might have said this before, 
but I hate it when when I get a 

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cold and everyone gets cold. 
Like that's so mainstream. 

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00:05:05,880 --> 00:05:07,720
It's so mainstream to get a cold
and everyone has it. 

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00:05:07,720 --> 00:05:10,640
Like it's so poor. 
It's mainstream to get a cold 

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bro. 
Why you so hip? 

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00:05:12,720 --> 00:05:14,800
You're such a not not hippie. 
What's the word? 

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00:05:14,800 --> 00:05:16,360
It is though. 
What's the word? 

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00:05:16,560 --> 00:05:18,160
It is like you're. 
A hipster. 

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Why You're a hipster. 
You're being such a hipster. 

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My, my immune system is, is just
not it's, it's not, it's a 

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sheep. 
My immune system is sheep. 

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00:05:28,960 --> 00:05:30,880
It's the follower. 
It's not, it's just terrible. 

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00:05:31,120 --> 00:05:33,160
It's kind of kicking myself, but
I've been all right, man, just, 

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you know, chewing on ginger and 
your African, your shout out to 

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my mom, African parents always. 
It's how, what do you call it? 

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Ginger. 
Lemon and honey. 

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00:05:42,920 --> 00:05:44,880
No, take away the lemon and the 
honey man. 

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00:05:44,880 --> 00:05:47,400
Just chew the ginger. 
Cut it into a piece. 

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Just a raw. 
Have you ever chewed a raw piece

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00:05:50,080 --> 00:05:52,440
of ginger? 
It's one of the worst culinary 

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00:05:52,440 --> 00:05:54,000
experiences you could possibly 
go through. 

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00:05:54,440 --> 00:05:56,240
If. 
Not necessarily. 

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00:05:57,000 --> 00:05:58,560
Not necessarily. 
Do you like sushi? 

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00:05:59,400 --> 00:06:00,000
I like sushi. 
Yeah. 

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00:06:00,000 --> 00:06:01,560
Sushi. 
Sushi is great, yeah. 

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00:06:01,560 --> 00:06:05,640
Sushi so you know how they serve
like ginger like as a palate 

95
00:06:05,640 --> 00:06:08,480
cleanser like. 
Yeah, but they truly like 

96
00:06:08,560 --> 00:06:11,080
vinegar and it's softened. 
I'm talking about just like 

97
00:06:11,480 --> 00:06:12,520
Ginger. 
Yeah, yeah, yeah. 

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00:06:12,520 --> 00:06:14,560
Just like sour cut it. 
It's terrible. 

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00:06:14,560 --> 00:06:16,560
Anyway, so yeah, I've been 
chewing on ginger. 

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I'm burning my throat and taking
towers and whatnot, hoping this 

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thing leaves soon because if I'm
being sick and tired is just not

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00:06:25,960 --> 00:06:28,520
the best feeling. 
Yeah, apart from that, just 

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00:06:28,520 --> 00:06:32,520
being called creating, Yeah. 
Life. 

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00:06:33,040 --> 00:06:39,120
Sam, did you hear the news? 
Whenever you start like that. 

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00:06:45,840 --> 00:06:49,080
Kenyan men were ranked the most 
handsome men in Africa. 

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00:06:49,080 --> 00:06:50,680
How do you How does this make 
you feel? 

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00:06:51,840 --> 00:06:53,160
What number was what number is 
Nigeria? 

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Because I have to run for my 
people. 

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I know I'm Kenyan, I I identify 
as Kenyan, but what number was 

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my, my home people? 
I'm not sure. 

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00:06:59,960 --> 00:07:02,840
I haven't seen the. 
I haven't seen the full ranking.

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00:07:02,840 --> 00:07:04,640
Because what's my concern with 
Kenyan men? 

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00:07:06,200 --> 00:07:09,080
Let me, let me see. 
Oh my God, I can't believe I'm 

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typing some. 
I don't. 

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00:07:10,560 --> 00:07:12,840
I can't believe I am typing into
my laptop. 

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00:07:12,880 --> 00:07:16,640
African men have some ranking. 
Look at what your search history

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is going to. 
Your search history is going. 

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00:07:18,600 --> 00:07:19,960
There's no or in your search 
history. 

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I don't know it's, I don't know 
where this. 

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00:07:25,320 --> 00:07:28,160
I don't even know where this. 
And I don't believe it too, 

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right? 
Because isn't handsomeness 

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subject? 
Isn't beauty subjective? 

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00:07:31,640 --> 00:07:34,560
So how what? 
What metrics and criteria? 

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00:07:34,560 --> 00:07:36,240
No, no, no, no, no, no. 
Because we're not doing this. 

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00:07:36,360 --> 00:07:40,200
What metrics and criteria did 
they use to determine all the 

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00:07:40,200 --> 00:07:43,160
African men? 
And out of all the African men, 

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the majority of Kenyan men are 
handsome? 

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00:07:45,680 --> 00:07:48,280
How did they figure that out? 
That's what I want to know. 

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00:07:48,280 --> 00:07:50,360
That's the kind of science I'm 
interested. 

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00:07:50,720 --> 00:07:52,280
Bro. 
What do you mean who cares? 

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Listen, Kenyan man. 
Aren't you interested in truth? 

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00:07:55,360 --> 00:07:59,840
Aren't you interested in some 
some What do you call some 

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00:08:00,240 --> 00:08:05,520
standardized measuring? 
Some, some. 

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00:08:05,800 --> 00:08:10,440
You'll be happy to note that 
Nigeria is second. 

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00:08:10,880 --> 00:08:13,640
So me being half Kenyan, half 
Nigeria, I don't. 

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Even think Nigerian. 
My potential is just like, my 

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00:08:18,600 --> 00:08:24,040
potential is just insane. 
Best of both worlds. 

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00:08:26,160 --> 00:08:27,960
Ethiopia was third. 
That's valid. 

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00:08:28,120 --> 00:08:30,680
Ethiopia always used to be in 
the top five in everything. 

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00:08:30,760 --> 00:08:34,720
Yeah, I put Ethiopia and and and
Eritrea more Ethiopia than each 

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00:08:34,720 --> 00:08:37,080
other. 
I put Ethiopia in Ethiopia ahead

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00:08:37,080 --> 00:08:39,760
of Kenya, Nigeria. 
I through, I through. 

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00:08:39,799 --> 00:08:44,320
The Middle Eastern countries 
ahead of maybe let's keep 

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00:08:44,320 --> 00:08:47,320
Ethiopia one for the sense of 
why but I. 

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00:08:47,440 --> 00:08:49,760
Completely disagree completely 
disagree. 

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00:08:49,760 --> 00:08:52,880
I think I think Kenya and 
Nigeria well deserved. 

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00:08:52,960 --> 00:08:57,280
I just want to sorry, I'm just 
some I'm sorry, I'm just going 

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00:08:57,280 --> 00:09:01,480
to take the mantle because 
somebody needs to speak and I 

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00:09:01,480 --> 00:09:03,840
feel like I have been bestowed 
that honor. 

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00:09:03,840 --> 00:09:09,000
So in, you know, on behalf of 
Kenyans and Nigerians, just like

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00:09:09,000 --> 00:09:13,720
to say thank you guys for voting
us the most handsome people in 

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00:09:13,720 --> 00:09:20,520
the continent which I which I 
try our best, We try our. 

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00:09:20,560 --> 00:09:25,160
Best man in Africa you can't do 
not subjective, it's nonsense, 

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00:09:25,160 --> 00:09:28,160
it's not, but. 
Some stop stepping on my thank 

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00:09:28,160 --> 00:09:30,640
you speech. 
Bro my bad bro. 

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00:09:30,640 --> 00:09:35,280
Like yo, go ahead, sorry. 
Yo, listen, I just want to say 

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00:09:35,280 --> 00:09:39,160
thank you guys, thank you guys 
and thank you guys. 

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00:09:40,160 --> 00:09:44,840
Yes, some you're saying. 
Kind of dedicated 3 minutes of 

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00:09:44,840 --> 00:09:47,120
this podcast talking about 
handsome man is ridiculous. 

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00:09:48,240 --> 00:09:51,040
By the way, this is a podcast 
about the music industry. 

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00:09:51,240 --> 00:09:53,040
Somehow, right? 
Somehow we'll get to that. 

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00:09:53,040 --> 00:09:56,800
I just see this task for the for
the, the, the, the ladies, the 

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00:09:56,800 --> 00:10:01,880
young women. 
If you were to speculate, where 

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00:10:01,880 --> 00:10:05,400
would you think? 
Oh my God, are we talking about 

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00:10:05,400 --> 00:10:08,560
this at the podcast? 
Yes, Kenyan women would be #1 

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00:10:08,560 --> 00:10:12,000
for me. 
All right, so news and then 

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00:10:12,000 --> 00:10:15,240
closely followed by Ethiopian. 
Because you're good to keep. 

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00:10:15,240 --> 00:10:16,280
I don't even know why I felt 
that. 

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00:10:16,480 --> 00:10:19,400
Speaking of Nigerian Speaking of
handsome Nigerian men, well, I 

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00:10:19,400 --> 00:10:20,960
don't know if we can we can do 
that. 

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00:10:21,480 --> 00:10:23,320
Can we do that? 
Speaking of handsome Nigerian 

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00:10:23,320 --> 00:10:24,960
men, there are a few handsome 
Nigerian men in the. 

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00:10:29,080 --> 00:10:31,480
This podcast is off the rails. 
Rd. 

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00:10:32,080 --> 00:10:33,440
I. 
Blame it on influenza. 

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00:10:33,680 --> 00:10:37,920
I blame it on influenza. 
That's the problem. 

176
00:10:38,320 --> 00:10:40,520
But me, I don't have anything to
blame it on. 

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00:10:40,920 --> 00:10:46,120
Yeah, I blame it on I'm not. 
But I am getting a cold as well 

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00:10:46,120 --> 00:10:48,640
so I'm bling no. 
No, no, no, no, no, no, no. 

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00:10:48,640 --> 00:10:50,640
Get your own thing. 
Nope, Nope, Nope. 

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00:10:50,960 --> 00:10:54,360
Get your own thing. 
Why don't no your own person 

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00:10:54,360 --> 00:10:56,360
man. 
OK, tell us about the Nigerian 

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00:10:56,360 --> 00:11:00,680
men who are in the country. 
I mean, it's too much to say. 

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00:11:02,520 --> 00:11:04,720
I don't know, maybe it's doing 
like a tour. 

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00:11:04,720 --> 00:11:07,080
So there are a bunch of artists 
who showed up, a bunch of 

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00:11:07,080 --> 00:11:11,840
talented, talented young men. 
I think Baiani is part of them. 

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00:11:12,480 --> 00:11:15,640
What's the other guy? 
Magics and Boy Spice? 

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00:11:15,640 --> 00:11:20,760
Well, Boy Spice of of maybe 
records the same label as Rama 

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00:11:20,760 --> 00:11:25,160
and Iris Star. 
By the way, if you haven't heard

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00:11:25,160 --> 00:11:27,240
of them, Biani had a huge hit. 
I don't know where he went to. 

190
00:11:27,800 --> 00:11:31,280
Just disappeared Magics. 
After Tata, Tata, like 

191
00:11:31,280 --> 00:11:34,520
everything just kind of slowed 
down for Biani, I'm not going to

192
00:11:34,520 --> 00:11:37,280
lie. 
Super cold, yeah, but but yeah, 

193
00:11:37,560 --> 00:11:40,240
they're in the country. 
Yeah, they were. 

194
00:11:40,240 --> 00:11:43,560
And I think the I think the 
thing was branded Niger to 

195
00:11:43,560 --> 00:11:49,480
Nairobi, the east side tour and 
they performed at the Red Room 

196
00:11:49,880 --> 00:11:57,800
at at Life Plaza sponsored by 
Trace Martel Africa centric. 

197
00:11:57,880 --> 00:12:01,600
I do remember seeing them when 
they were having the press 

198
00:12:01,600 --> 00:12:04,520
conference. 
So Africa centric in the 

199
00:12:04,840 --> 00:12:09,480
building as well as hassle Sasa 
shadow took in a step. 

200
00:12:10,640 --> 00:12:16,240
So yo, man, so one of our so we 
interviewed. 

201
00:12:16,240 --> 00:12:19,920
Remember guys, by the way, 
Speaking of interviews, before I

202
00:12:19,920 --> 00:12:23,280
forget, you'll go check out our 
interview with Abigail Diana on 

203
00:12:23,280 --> 00:12:25,080
Gazza Volume. 
That was the last episode. 

204
00:12:25,280 --> 00:12:28,640
But I was talking about the 
interview we did with Alfayo. 

205
00:12:29,240 --> 00:12:32,080
He works for UMG East Africa 
now. 

206
00:12:32,400 --> 00:12:36,320
And yeah, just seeing them like,
you know, buddy buddy with 

207
00:12:36,320 --> 00:12:40,200
Kinabayani Magics. 
We interviewed Alfayo. 

208
00:12:40,680 --> 00:12:42,680
He was actually our second ever 
interview. 

209
00:12:42,720 --> 00:12:44,240
Yeah. 
One of my favorites. 

210
00:12:44,280 --> 00:12:45,680
Yeah, man, it was cool. 
True. 

211
00:12:46,640 --> 00:12:50,880
Yeah, what he was, He was really
cool, cool and has so much 

212
00:12:50,880 --> 00:12:54,800
information. 
So for me the first thing I 

213
00:12:54,800 --> 00:13:00,800
thought when I saw Biani Magics 
and Boy Spice is like you all 

214
00:13:00,800 --> 00:13:03,360
need to get them in the studio 
ASAP bro. 

215
00:13:03,360 --> 00:13:08,880
Because like we have UMG artists
now with Jerai and Kim Life bro.

216
00:13:08,880 --> 00:13:11,720
Kim Life would be a slum dunk to
collab. 

217
00:13:11,720 --> 00:13:16,120
Oh, no, yeah, yeah, Kim needs to
Kim needs to have like 2-3 songs

218
00:13:16,120 --> 00:13:19,520
at least with each of them. 
I don't know how is he? 

219
00:13:19,640 --> 00:13:22,280
Is he is he quick? 
Is he quick with like the music 

220
00:13:22,280 --> 00:13:23,240
creation? 
Like do you know? 

221
00:13:23,240 --> 00:13:25,920
Oh. 
I've, I've made a bunch of music

222
00:13:25,920 --> 00:13:28,480
with Kim Life. 
We've worked on, I've recorded 

223
00:13:28,480 --> 00:13:32,720
him like on three songs. 
There's one he did on one of my 

224
00:13:32,720 --> 00:13:35,080
beats, but I don't think that's 
ever coming out. 

225
00:13:35,360 --> 00:13:38,800
And there was another one 
actually, it was also on my beat

226
00:13:38,800 --> 00:13:41,720
for the other one. 
And it was, can I even say that 

227
00:13:41,720 --> 00:13:46,080
right now? 
Because that song is also OK. 

228
00:13:46,080 --> 00:13:48,840
I can say it. 
It was a studio session with Kim

229
00:13:48,840 --> 00:13:52,880
Life was in there. 
Sabi, who was in there, who else

230
00:13:52,880 --> 00:13:55,640
was in there? 
I think it was Swahili Papi as 

231
00:13:55,640 --> 00:13:57,240
well. 
It was actually a very 

232
00:13:57,880 --> 00:14:02,160
interesting studio session and, 
and, and everybody was so 

233
00:14:02,360 --> 00:14:05,840
impressed with Kim life because 
his ability to come up with 

234
00:14:05,840 --> 00:14:08,720
melodies on the spot really, 
really fast. 

235
00:14:09,000 --> 00:14:12,080
And he's actually very, very 
good at songwriting. 

236
00:14:12,080 --> 00:14:13,440
That's very good at some 
shooting. 

237
00:14:13,440 --> 00:14:15,480
I can't even lie. 
They should they should jump. 

238
00:14:15,520 --> 00:14:17,680
They should like just SEC. 
I don't know how long they're 

239
00:14:17,680 --> 00:14:20,480
here for, but they should 
section of some some studio just

240
00:14:20,480 --> 00:14:25,200
for like the entire time but. 
Talk about timing, bro talk. 

241
00:14:25,200 --> 00:14:27,280
I think they have already gone. 
I think they performed in 

242
00:14:27,280 --> 00:14:30,200
Uganda. 
But talk about timing though, 

243
00:14:30,200 --> 00:14:35,640
because like Kim life and you 
look at maven like bro, it's 

244
00:14:35,640 --> 00:14:38,560
just the perfect like marriage 
there. 

245
00:14:38,680 --> 00:14:40,480
You know what I mean? 
Like. 

246
00:14:40,480 --> 00:14:44,360
Wait, wait, what do you? 
Mean, I think because he 

247
00:14:44,360 --> 00:14:48,720
represents the sound. 
I know Kim life and and and at 

248
00:14:48,720 --> 00:14:53,000
least he has he's like a portal 
for them to the East African 

249
00:14:53,000 --> 00:14:56,040
scene. 
Yeah, you think you think he's 

250
00:14:56,040 --> 00:14:58,200
because he obviously. 
Go ahead. 

251
00:14:58,200 --> 00:14:59,120
Sorry. 
Sorry, I cut you off. 

252
00:14:59,120 --> 00:15:00,160
Sorry. 
No, no, I'm just going to say 

253
00:15:00,160 --> 00:15:04,520
because he obviously like adds 
his own like Kenyan spin to his 

254
00:15:04,520 --> 00:15:08,040
songs, although obviously he 
uses a lot of like melodic 

255
00:15:09,480 --> 00:15:14,440
styles that you would find like 
in West Africa, but he's doing 

256
00:15:14,440 --> 00:15:18,160
it like in a Kenyan way. 
So it's like, oh, OK, so maybe 

257
00:15:18,160 --> 00:15:20,120
we can. 
And you know, The thing is about

258
00:15:20,120 --> 00:15:24,840
like labels and stuff like that,
they never like to take risks. 

259
00:15:24,840 --> 00:15:27,560
By the way, Let me just break it
for you guys, man. 

260
00:15:27,760 --> 00:15:29,720
These guys never like to take 
risks. 

261
00:15:29,840 --> 00:15:34,040
So Kim Life would be perfect 
because he's not risky in the 

262
00:15:34,040 --> 00:15:37,040
sense that, yes, he's East 
African and could open you up to

263
00:15:37,040 --> 00:15:41,160
an East African market, but he 
sounds like something that their

264
00:15:41,160 --> 00:15:44,040
audiences would be familiar. 
With already they've they've, 

265
00:15:44,080 --> 00:15:45,720
they've already before. 
Yeah, yeah. 

266
00:15:46,680 --> 00:15:49,720
So, so that's good because they 
don't want to be risky and go 

267
00:15:49,720 --> 00:15:52,360
for somebody that's way 
out-of-the-box, you know what I 

268
00:15:52,360 --> 00:15:53,840
mean? 
Yeah, I feel like Kim life, Kim 

269
00:15:53,840 --> 00:15:56,880
Life would be especially for 
like that kind of that group of 

270
00:15:56,880 --> 00:15:59,520
music. 
I feel like Kim life would be an

271
00:15:59,520 --> 00:16:03,200
easier. 
I don't I'm not trying to make 

272
00:16:03,200 --> 00:16:05,280
the sound bad, but I feel like 
it would be an easier 

273
00:16:05,280 --> 00:16:10,960
collaboration than one of the 
like our Afro, like the I don't 

274
00:16:10,960 --> 00:16:13,800
know, we need to find a name for
the genre, but then the Afro pop

275
00:16:13,800 --> 00:16:17,960
that we usually have here, you 
know, and the specific sound. 

276
00:16:18,400 --> 00:16:21,520
I feel like I don't know what 
it. 

277
00:16:21,520 --> 00:16:23,400
Takes but I really did that 
statement. 

278
00:16:23,400 --> 00:16:25,280
I feel, I feel like no, I feel 
like it's an easier 

279
00:16:25,280 --> 00:16:30,080
collaboration. 
Not saying that it's the I'm 

280
00:16:30,080 --> 00:16:35,360
not, I'm not saying that that 
there's that there's no, there's

281
00:16:35,360 --> 00:16:36,920
a lack. 
How do I put this? 

282
00:16:37,240 --> 00:16:40,320
I'm not saying that they 
shouldn't collaborate or 

283
00:16:40,320 --> 00:16:42,120
anything like that. 
I'm just saying that maybe like,

284
00:16:42,400 --> 00:16:44,840
for example, if they get in the 
studio, it might be easy just 

285
00:16:44,840 --> 00:16:47,040
because their styles are 
similar, if that makes any 

286
00:16:47,040 --> 00:16:49,640
sense. 
Yeah. 

287
00:16:49,640 --> 00:16:51,840
And that's not to take away from
what this other people do. 

288
00:16:53,400 --> 00:16:57,120
But we've seen like Bien and Ira
Star and we've talked about the 

289
00:16:57,120 --> 00:16:59,720
song so many times, but. 
We haven't seen it that much 

290
00:16:59,720 --> 00:17:01,080
though. 
We haven't seen like a lot of 

291
00:17:01,080 --> 00:17:04,720
collaborations between East 
Africa and West Africa and 

292
00:17:05,040 --> 00:17:06,319
recently. 
I see what you mean. 

293
00:17:06,640 --> 00:17:08,680
So and Kim life definitely, but.
Definitely. 

294
00:17:08,680 --> 00:17:11,960
More of the West African print 
in his sound so. 

295
00:17:12,599 --> 00:17:15,599
He does, he does, but 
definitely, definitely wanna 

296
00:17:15,599 --> 00:17:18,040
sing Jai on one of these guys 
songs. 

297
00:17:18,440 --> 00:17:24,000
Like bro, that would be insane. 
And usually like I think if we 

298
00:17:24,000 --> 00:17:28,800
just randomly see like Bayani on
Anjai song, it happened this 

299
00:17:28,800 --> 00:17:32,280
weekend. 
So that's great to actually see.

300
00:17:32,400 --> 00:17:36,400
That happening in real time. 
Yeah, yeah, yeah. 

301
00:17:36,400 --> 00:17:38,200
But but here's my question 
though. 

302
00:17:38,720 --> 00:17:43,240
So we've talked a lot. 
We've talked a lot about the 

303
00:17:43,240 --> 00:17:47,640
savviness of the West African 
music scene and how they they 

304
00:17:47,640 --> 00:17:53,200
love, and I'm going to you just 
say it, they love to use our our

305
00:17:54,360 --> 00:17:59,480
market industry as a stepping 
stone, one for marketing and two

306
00:17:59,480 --> 00:18:02,880
for artist development. 
They use us a lot for this 

307
00:18:02,880 --> 00:18:05,560
purpose, especially with their 
smaller artists. 

308
00:18:07,560 --> 00:18:10,320
They did bring Rama. 
They did bring Rama last year. 

309
00:18:10,920 --> 00:18:15,240
I feel I saw somewhere. 
Obligatory it looked obligatory 

310
00:18:15,240 --> 00:18:19,600
it did, honestly. 
Well, I saw some some someone on

311
00:18:19,600 --> 00:18:24,320
social media a little bit iffy 
about them bringing Biani boy 

312
00:18:24,320 --> 00:18:28,320
Spice and magics because 
unfortunately and with the way 

313
00:18:28,320 --> 00:18:30,160
music goes, you know, you could 
have a hit. 

314
00:18:30,160 --> 00:18:34,280
I mean, Tatata was insane when 
it came out. 

315
00:18:34,480 --> 00:18:38,160
Yeah, but they're kind of cold 
right now. 

316
00:18:38,560 --> 00:18:40,400
So do you think this is an 
attempt? 

317
00:18:41,000 --> 00:18:44,240
For to hit them back. 
Like are they, are they having 

318
00:18:44,720 --> 00:18:47,440
to go through the toy again to 
see if they can start something?

319
00:18:48,040 --> 00:18:49,840
I don't know. 
OK, Sam, let me just give you 

320
00:18:50,040 --> 00:18:52,520
hold on, but let me just give 
you the like an opinion. 

321
00:18:52,560 --> 00:18:54,680
I'm sorry. 
Each time I saw them, and this 

322
00:18:54,680 --> 00:18:57,280
could be completely wrong 
because me, I'm just going off 

323
00:18:57,280 --> 00:19:01,040
of what I saw on social media, 
like Biani just looked 

324
00:19:01,040 --> 00:19:06,200
completely like, I don't want to
say disinterested, but but maybe

325
00:19:06,200 --> 00:19:09,240
that's his like personality. 
Maybe he seemed like he was 

326
00:19:09,240 --> 00:19:13,080
like, you know how like when 
your parents force you to like, 

327
00:19:13,080 --> 00:19:13,840
I don't know. 
Yeah, yeah. 

328
00:19:14,080 --> 00:19:14,760
Yeah. 
And you're. 

329
00:19:14,760 --> 00:19:17,920
Yeah. 
At least they don't have no one 

330
00:19:18,040 --> 00:19:20,920
your age. 
They have nobody your age, just 

331
00:19:20,920 --> 00:19:24,440
all uncles and aunties and. 
No one is just like you're. 

332
00:19:24,680 --> 00:19:26,520
You're going to be the one 
taking the plates back to the 

333
00:19:26,520 --> 00:19:27,800
kitchen. 
You're going to be the one 

334
00:19:27,800 --> 00:19:32,240
serving people. 
Exactly this is don't Jazzy 

335
00:19:32,240 --> 00:19:35,880
telling them you'll need to go 
and get things hot again so you 

336
00:19:35,880 --> 00:19:39,600
must do these things like no 
negotiation. 

337
00:19:39,880 --> 00:19:41,520
I mean, it's quick. 
That's what they were being 

338
00:19:41,520 --> 00:19:42,800
told. 
It could be. 

339
00:19:42,800 --> 00:19:47,200
It could be because and and it 
might be difficult for them to 

340
00:19:47,200 --> 00:19:50,880
just because the the stars of 
that group, the stars of that 

341
00:19:50,880 --> 00:19:53,640
label, right. 
Pun intended the stars. 

342
00:19:54,080 --> 00:19:57,280
Well, yeah, you're so you're so 
quickly recognizing puns. 

343
00:19:57,520 --> 00:20:00,120
That's good. 
Just relax the stars. 

344
00:20:00,120 --> 00:20:01,400
You didn't do that 
intentionally. 

345
00:20:01,400 --> 00:20:05,880
No, not at all. 
The stars of that group are are 

346
00:20:05,880 --> 00:20:10,000
just, I feel like they're just 
so much more elevated in terms 

347
00:20:10,000 --> 00:20:13,000
of their stardom. 
Yeah, fine. 

348
00:20:13,000 --> 00:20:15,320
You've had 1-2 hit songs. 
You might be buzzing in the 

349
00:20:15,320 --> 00:20:17,440
streets. 
But then to attain that, and of 

350
00:20:17,440 --> 00:20:24,280
course, the labels, the labels 
goal would be to have 7-8, nine 

351
00:20:24,280 --> 00:20:25,880
of those, right? 
Almost everyone on the label, 

352
00:20:25,880 --> 00:20:28,200
they want to be as hot as that. 
It's a lot of work, but that's 

353
00:20:28,200 --> 00:20:29,400
what they want because that's 
more money. 

354
00:20:30,800 --> 00:20:36,480
So in their defense, you know 
how the music industry works. 

355
00:20:36,480 --> 00:20:39,600
Like, yeah, you can release like
a really a smash or you could 

356
00:20:39,600 --> 00:20:42,600
write a couple of good songs, 
but it's very difficult without 

357
00:20:44,080 --> 00:20:48,280
com combined effort from 
yourself and the label to 

358
00:20:48,280 --> 00:20:50,560
maintain or to reach those 
heights. 

359
00:20:51,000 --> 00:20:54,280
So maybe it's it's just been 
like quiet for them a bit And 

360
00:20:54,280 --> 00:20:56,960
the labels like, all right, we 
need to we need to get things 

361
00:20:56,960 --> 00:21:00,880
going or or else we figure 
another configuration for our 

362
00:21:00,880 --> 00:21:04,480
partnership. 
And I mean, this is all 

363
00:21:04,480 --> 00:21:07,920
speculation, but you know, 
sometimes you can see it 

364
00:21:07,920 --> 00:21:12,640
sometimes, sometimes and as as, 
as, as consumers of music, 

365
00:21:12,640 --> 00:21:15,720
sometimes you can just see it. 
Like you can just see it. 

366
00:21:15,720 --> 00:21:17,800
It's not, it's not rocket 
science. 

367
00:21:17,800 --> 00:21:21,840
Like, yeah, maybe it's just like
fam, like what am I around all 

368
00:21:21,840 --> 00:21:25,440
of these people? 
Like it could be entitlement 

369
00:21:25,440 --> 00:21:28,320
where he probably feels like, 
oh, no, no, no moving from it. 

370
00:21:28,520 --> 00:21:31,440
It could be entitlement where 
the artist feels like they are 

371
00:21:31,760 --> 00:21:35,680
maybe better than that or 
they've they've done more to be 

372
00:21:38,160 --> 00:21:40,400
like they don't they don't they 
feel like them being like 

373
00:21:40,400 --> 00:21:45,880
paraded around sort of is is is 
beneath them kind of deal. 

374
00:21:45,880 --> 00:21:50,480
So maybe that's it. 
You don't know, but it's been 

375
00:21:50,480 --> 00:21:53,120
cold for them. 
So the Liberals. 

376
00:21:53,160 --> 00:21:55,200
It's been cool for them. 
Get them hot. 

377
00:21:56,440 --> 00:22:00,160
And I think they, we've, we've 
said this before, like the 

378
00:22:01,680 --> 00:22:05,440
Nigerian labels know and they've
looked at the analytics and they

379
00:22:05,440 --> 00:22:11,440
know that the Kenyan market 
consumes a lot of Afrobeats. 

380
00:22:11,440 --> 00:22:15,280
So yes, it's, it's just like 
makes so much sense to have them

381
00:22:15,280 --> 00:22:21,680
come out here like consistently.
I think we also need to start 

382
00:22:21,680 --> 00:22:25,600
doing the same things. 
I mean, we have seen, yeah. 

383
00:22:25,600 --> 00:22:28,800
I mean, we've seen July announce
her Australia tour, which is 

384
00:22:28,800 --> 00:22:32,320
cool. 
And I think there there is 

385
00:22:32,360 --> 00:22:36,560
obviously a connect there like 
there's somebody who is making 

386
00:22:36,560 --> 00:22:40,160
this tours possible in 
Australia. 

387
00:22:41,000 --> 00:22:47,440
Yeah, possibly because they've 
they've identified A diaspora 

388
00:22:47,440 --> 00:22:50,840
that will consume that music, 
which is cool. 

389
00:22:51,200 --> 00:22:55,520
But I would like to see, because
you see those artists are going 

390
00:22:55,520 --> 00:22:59,280
to perform primarily in front of
Kenyans. 

391
00:22:59,760 --> 00:23:02,840
And then there may be other 
Africans and Australians 

392
00:23:02,840 --> 00:23:05,600
involved. 
But I think the difference with 

393
00:23:05,600 --> 00:23:10,480
what like Maven is doing with 
Kina Baiani and Rema when they 

394
00:23:10,480 --> 00:23:13,640
come here is they're not 
performing to Nigerians, they're

395
00:23:13,640 --> 00:23:16,640
performing to Kenyans. 
So it's like a very different 

396
00:23:16,640 --> 00:23:19,480
like audience from what they 
have back home. 

397
00:23:19,840 --> 00:23:24,400
So I want to see Kenyans like 
being thrown into the deep end 

398
00:23:24,400 --> 00:23:29,800
where they're going to perform 
in front of people who are, I 

399
00:23:29,840 --> 00:23:32,480
mean, who they don't call home, 
you know what I mean? 

400
00:23:32,480 --> 00:23:36,440
So I want to see more Kenyans 
going to like SA, like 

401
00:23:36,440 --> 00:23:40,680
introducing them like, you know,
taking Jerry to South Africa or 

402
00:23:40,680 --> 00:23:44,200
taking Jerry Kim life and 
whoever they have else in their 

403
00:23:44,200 --> 00:23:48,280
label to South Africa. 
And I read them around like by 

404
00:23:48,280 --> 00:23:52,280
any magics and boy spies, you 
know, parade, parade them in 

405
00:23:52,280 --> 00:23:56,960
front of South African audience 
or you know, take them to I 

406
00:23:56,960 --> 00:23:58,800
don't know where else. 
Do you think they listen to 

407
00:23:58,800 --> 00:24:02,640
Kenyan music? 
Botswana, of course, whatever, 

408
00:24:02,680 --> 00:24:04,680
you know what I mean. 
Mozambique like in Africa? 

409
00:24:05,120 --> 00:24:07,000
Libya. 
Take them to Mozambique. 

410
00:24:07,000 --> 00:24:09,960
Man, I think that would be 
interesting. 

411
00:24:10,040 --> 00:24:14,200
On, on, yeah, on your point and 
just revenue wise, right. 

412
00:24:14,760 --> 00:24:19,840
It's it's, it's not there's a 
cap on, on exporting Kenyan 

413
00:24:19,840 --> 00:24:23,120
artists to Kenyan consumers in 
other countries. 

414
00:24:23,320 --> 00:24:25,800
Like there's just a ceiling. 
It's, it's much more profitable 

415
00:24:25,800 --> 00:24:29,600
to figure out how to export them
to different cultures, you know,

416
00:24:29,600 --> 00:24:33,960
And so we're like, I agree with 
you in terms of like, it's and. 

417
00:24:33,960 --> 00:24:37,760
It's much more exciting. 
I feel like, you know, I mean, 

418
00:24:37,760 --> 00:24:39,960
like, it's like there's that 
element of like, 

419
00:24:39,960 --> 00:24:43,240
unpredictability. 
How is this new artist going to 

420
00:24:43,240 --> 00:24:46,360
be received in front of an 
audience that? 

421
00:24:46,560 --> 00:24:50,120
Although that being said, I was 
just going to say it's not like 

422
00:24:50,120 --> 00:24:53,200
mavens are also just like doing 
something unpredictable because 

423
00:24:53,200 --> 00:24:55,520
they're relying heavily on 
analytics. 

424
00:24:55,920 --> 00:24:59,000
But still, it's exciting, you 
know? 

425
00:24:59,320 --> 00:25:02,480
And yeah, and that's, that's how
you also gauge like how your 

426
00:25:02,520 --> 00:25:06,880
your music industry market is 
doing like back because here at 

427
00:25:06,880 --> 00:25:09,680
home we're we're really just 
we're within our walls. 

428
00:25:10,000 --> 00:25:12,320
We understand what's going on, 
we understand the sound and 

429
00:25:12,320 --> 00:25:16,840
everything. 
But then it's once you export it

430
00:25:16,840 --> 00:25:20,960
and see how other people receive
it, that's when you can clearly 

431
00:25:20,960 --> 00:25:23,320
gauge that, OK, maybe this might
be successful. 

432
00:25:23,320 --> 00:25:24,840
This is not, this is a direction
to go in. 

433
00:25:25,040 --> 00:25:27,480
We need to, you know, fix this 
one, two things in terms of 

434
00:25:27,480 --> 00:25:31,760
image, in terms of the sound. 
And yeah, but no, it's, it's, I 

435
00:25:31,760 --> 00:25:33,080
mean, all around it's still a 
good thing. 

436
00:25:33,080 --> 00:25:40,000
And just to see our artists 
start getting exposed to other 

437
00:25:40,000 --> 00:25:43,720
markets like they have. 
And I recently, and I think 

438
00:25:44,320 --> 00:25:49,560
Boutros did that when Angela was
popping off, I believe Boutros 

439
00:25:49,560 --> 00:25:54,440
went to is it Fiji? 
He went to one of those like I. 

440
00:25:55,320 --> 00:25:58,480
Don't know if it was Fiji land. 
Interesting he went to Fiji. 

441
00:25:58,480 --> 00:26:00,840
Imagine butchers in Fiji. 
So. 

442
00:26:01,080 --> 00:26:04,520
So the reason was because the 
song was blowing up over there. 

443
00:26:04,520 --> 00:26:08,800
So they also relied on analytics
to inform their decision. 

444
00:26:08,840 --> 00:26:11,880
And I like that because he 
wasn't going to perform in front

445
00:26:11,880 --> 00:26:14,960
of a Kenyan audience. 
Now, guys, I'm not throwing this

446
00:26:14,960 --> 00:26:18,560
isn't shade about how people go 
and perform in front of diaspora

447
00:26:18,720 --> 00:26:21,080
because obviously the diaspora 
will spend a lot of money and 

448
00:26:21,080 --> 00:26:24,000
it's nice and it's whatever. 
Like I'm not throwing shade on 

449
00:26:24,000 --> 00:26:26,560
that. 
I'm just saying like it's 

450
00:26:26,560 --> 00:26:31,320
exciting to like really, really 
introduce like artists to like 

451
00:26:31,920 --> 00:26:34,040
new audiences, you know what I 
mean? 

452
00:26:34,040 --> 00:26:39,120
And we want to see more of that.
And I also do like the fact that

453
00:26:39,120 --> 00:26:43,400
people go and perform in front 
of diaspora and stuff like that.

454
00:26:43,400 --> 00:26:46,360
I also like that I'm just 
talking about this other 

455
00:26:46,360 --> 00:26:51,960
approach to artist development. 
So hey, listen, shout out to 

456
00:26:51,960 --> 00:26:54,760
Mavens and what they have going 
on. 

457
00:26:54,760 --> 00:26:58,120
Hopefully by any boy, Spice and 
Magics can catch a hit. 

458
00:26:58,360 --> 00:27:00,240
Yeah. 
And maybe maybe through all of 

459
00:27:00,240 --> 00:27:04,160
this like exporting and 
exposure, we can return back to 

460
00:27:04,160 --> 00:27:09,120
the days where like Kenya, Kenya
was Kenya was on top of the 

461
00:27:09,240 --> 00:27:12,080
African market like those are 
the good old days when when 

462
00:27:12,080 --> 00:27:13,880
we're travelling around and our 
sound. 

463
00:27:13,920 --> 00:27:17,600
Was like. 
The the, the, the stars of 

464
00:27:17,920 --> 00:27:21,720
Africa wanted to, you know, sit 
next to Kenyans and, you know, 

465
00:27:21,720 --> 00:27:24,480
in our industry and our music. 
So yeah, we might be headed 

466
00:27:24,480 --> 00:27:27,960
there again. 
We might be headed there again. 

467
00:27:28,640 --> 00:27:32,440
Speaking of being headed there 
again and just on the topic of 

468
00:27:32,440 --> 00:27:38,760
touring and stuff, I just want 
to mention that BN finally was 

469
00:27:38,760 --> 00:27:45,960
granted his O1 permit in the US 
which stop laughing. 

470
00:27:46,200 --> 00:27:50,240
So essentially an O1 visa is a 
non immigrant visa for 

471
00:27:50,240 --> 00:27:55,960
individuals with extraordinary 
abilities in science, education,

472
00:27:56,160 --> 00:28:00,640
business, the arts or athletics,
but those with extraordinary 

473
00:28:00,640 --> 00:28:03,200
achievements in the motion 
picture and TV industries 

474
00:28:03,360 --> 00:28:06,720
allowing them to work 
temporarily in the US. 

475
00:28:06,800 --> 00:28:10,920
So what this means is that BN 
will be able to come to the US 

476
00:28:11,240 --> 00:28:16,240
and perform and there wouldn't 
be these visa issues and like I 

477
00:28:16,240 --> 00:28:19,920
can't come to perform because of
this, that and the 3rd, I 

478
00:28:19,920 --> 00:28:26,880
believe the O1 visa. 
The O1 visa lasts for three 

479
00:28:26,880 --> 00:28:31,360
years and may be extended in one
year increments. 

480
00:28:31,360 --> 00:28:35,240
So that's cool man. 
Bien can come out here and make 

481
00:28:35,240 --> 00:28:37,520
some money. 
That's actually interesting 

482
00:28:37,600 --> 00:28:39,560
music. 
I was going to go another 

483
00:28:39,560 --> 00:28:43,160
direction where I don't know if 
this is news, but that's a 

484
00:28:43,160 --> 00:28:45,520
separate issue. 
You think it's going to benefit,

485
00:28:45,520 --> 00:28:51,560
you know, how like again, to 
parallel the Nigerian industry 

486
00:28:51,560 --> 00:28:54,640
and can industry. 
Do you think just like, you 

487
00:28:54,640 --> 00:28:57,800
know, when those stars blow up 
like a Bono boy and David Doe 

488
00:28:57,800 --> 00:28:59,960
and them they all find their way
to the West. 

489
00:28:59,960 --> 00:29:02,880
You think it would benefit Bien 
to do that as well because he's 

490
00:29:02,880 --> 00:29:06,840
he's been picking up steam. 
It's kind of like slowed down a 

491
00:29:06,840 --> 00:29:08,160
bit. 
But then since his album, like 

492
00:29:08,160 --> 00:29:09,720
it's been on an upward 
trajectory, right. 

493
00:29:09,720 --> 00:29:12,600
Do you think it'll benefit him 
to go go to the West and try and

494
00:29:12,600 --> 00:29:14,360
see how much further he can push
it? 

495
00:29:14,360 --> 00:29:16,720
Or do you think he can do it for
me because he's, he's a very, 

496
00:29:17,160 --> 00:29:25,080
he's a very, he's, he's a, he's 
a champion of the local industry

497
00:29:25,080 --> 00:29:28,240
as far as I know, from what I've
seen and heard from him and from

498
00:29:28,240 --> 00:29:31,280
other people about him. 
But do you think it will benefit

499
00:29:31,280 --> 00:29:34,000
just solely in terms of 
benefiting his career to, you 

500
00:29:34,000 --> 00:29:38,840
know, go out there and get? 
I've been 100 percent, 100% like

501
00:29:38,840 --> 00:29:40,400
the answer to that is yes. 
For sure. 

502
00:29:40,400 --> 00:29:44,760
You think that's the play? 
Yeah, that's the play, 100%. 

503
00:29:44,760 --> 00:29:48,760
And and I think, I think the 
audiences will gravitate to him 

504
00:29:48,760 --> 00:29:50,760
because Bien. 
Bien is a funny guy. 

505
00:29:52,040 --> 00:29:54,440
He gives good interviews I 
think. 

506
00:29:54,440 --> 00:29:56,600
Personality. 
He would be a competing 

507
00:29:56,760 --> 00:30:00,600
individual, yeah, he has a, he 
has a, he has a personality. 

508
00:30:00,600 --> 00:30:05,920
So I think, you know, people 
will catch on to his artistry 

509
00:30:05,960 --> 00:30:09,360
and his humor, and I think that 
might make him personable. 

510
00:30:09,680 --> 00:30:14,120
And so he does have potential. 
So if I'm him, you know, I just 

511
00:30:14,120 --> 00:30:18,120
can't have him out here and have
him do as much media as they can

512
00:30:18,480 --> 00:30:21,880
and just try and introduce like 
his personality to this 

513
00:30:21,880 --> 00:30:24,280
audience, see if they would 
gravitate to that. 

514
00:30:24,600 --> 00:30:26,840
Oh, no, you're talking about. 
I'm talking about like moving, 

515
00:30:27,000 --> 00:30:31,000
like moving and operating 
primarily from there. 

516
00:30:31,360 --> 00:30:34,880
Oh, that's your question. 
Yeah, yeah, that was. 

517
00:30:34,880 --> 00:30:39,040
Those Oh, I see. 
It's like how all those like 

518
00:30:39,080 --> 00:30:41,040
Alti artists always. 
Yeah, you blow up. 

519
00:30:41,120 --> 00:30:44,000
You blow up. 
And you, you, you, you hop on a 

520
00:30:44,040 --> 00:30:45,680
train. 
I mean on a plane, sorry. 

521
00:30:45,800 --> 00:30:49,320
Or a train. 
No, I don't think Bien should 

522
00:30:49,320 --> 00:30:52,200
move. 
I think that will slow him down.

523
00:30:52,360 --> 00:30:53,440
Oh, OK. 
Norway. 

524
00:30:53,560 --> 00:30:59,160
Yeah. 
I, I mean, because there hasn't 

525
00:30:59,160 --> 00:31:04,720
been like as much uptake of his 
music internationally as there 

526
00:31:04,760 --> 00:31:08,960
is here. 
So I think if they look at the 

527
00:31:08,960 --> 00:31:12,720
analytics and they begin to see 
that shift and they're like, 

528
00:31:12,720 --> 00:31:16,920
wow, there's so many people 
listening to his music in the UK

529
00:31:16,920 --> 00:31:20,480
for example, then maybe you'd 
think about it and it's 

530
00:31:20,480 --> 00:31:22,560
consistent. 
And they've looked at this like 

531
00:31:22,560 --> 00:31:24,600
for a period of time, like 2 
years. 

532
00:31:26,880 --> 00:31:30,040
Then maybe it's something to 
consider though. 

533
00:31:30,040 --> 00:31:33,520
I look at Bien's numbers. 
Let me just look at Bien. 

534
00:31:33,760 --> 00:31:37,240
If I look at where his music is 
mostly listened to, it's going 

535
00:31:37,240 --> 00:31:43,120
to be in East Africa. 
And so I would be a bit hesitant

536
00:31:43,120 --> 00:31:46,080
to make that move. 
Yeah, his music is listened to 

537
00:31:46,080 --> 00:31:50,080
in Nairobi, Lagos, Dar es 
Salaam, Kampala and Abuja. 

538
00:31:50,920 --> 00:31:53,320
So I don't know. 
I don't know if I would be 

539
00:31:53,320 --> 00:31:55,600
willing to like do that at the 
end. 

540
00:31:55,600 --> 00:31:58,000
I think it will slow him down, 
genuinely. 

541
00:31:58,560 --> 00:32:02,480
But that's something to 
consider, something to consider 

542
00:32:02,480 --> 00:32:04,640
if they look at the analytics 
and it makes sense. 

543
00:32:05,440 --> 00:32:07,040
But me personally, no, I 
wouldn't do it. 

544
00:32:07,440 --> 00:32:11,280
Yeah, OK, cool. 
Well, that's advice from AFAM. 

545
00:32:13,280 --> 00:32:16,360
Bien, Yeah, yeah. 
Because he clearly needs advice 

546
00:32:16,360 --> 00:32:17,680
from me about his music. 
Oh. 

547
00:32:17,680 --> 00:32:18,840
Come on. 
It's you though, right? 

548
00:32:18,880 --> 00:32:20,120
It's you. 
It's you. 

549
00:32:20,120 --> 00:32:22,920
Mr. Mr. The boy. 
Now it's the boy, man. 

550
00:32:22,920 --> 00:32:25,640
Yeah, yeah, yeah, yeah. 
Listen, listen. 

551
00:32:25,680 --> 00:32:28,400
But I. 
We need to stop this trend. 

552
00:32:28,440 --> 00:32:30,360
I'm tired of you. 
I'm tired of this trend. 

553
00:32:30,920 --> 00:32:31,920
I'm tired. 
Of this trend. 

554
00:32:32,160 --> 00:32:33,200
We need to do. 
You don't. 

555
00:32:33,280 --> 00:32:37,240
Know why, boy? 
The boy that's such a. 

556
00:32:37,240 --> 00:32:38,600
White thing. 
No, no, no, no. 

557
00:32:38,760 --> 00:32:41,000
It's the boy. 
It is quite, it's quite 

558
00:32:41,000 --> 00:32:42,520
narcissistic. 
I'm not gonna lie. 

559
00:32:43,800 --> 00:32:45,000
Let me see. 
Let me see. 

560
00:32:45,000 --> 00:32:47,600
How do I tie narcissism to the 
next? 

561
00:32:47,840 --> 00:32:49,080
You can't. 
It's OK. 

562
00:32:49,280 --> 00:32:51,440
You know, it's OK to just 
introduce what we're talking 

563
00:32:51,440 --> 00:32:53,000
about next. 
There doesn't have to be some 

564
00:32:53,000 --> 00:32:56,840
really cool over engineer segue.
I can. 

565
00:32:57,400 --> 00:33:00,520
No, actually, I can't tie 
narcissism to the next thing I 

566
00:33:00,520 --> 00:33:04,440
want to talk about Kekobo. 
Talk about a narcissistic 

567
00:33:04,680 --> 00:33:10,680
organization. 
No, but seriously. 

568
00:33:10,920 --> 00:33:14,440
But all right. 
No no no, that's actually a 

569
00:33:14,440 --> 00:33:16,640
great transition, but shout out 
to myself. 

570
00:33:16,640 --> 00:33:25,960
High 5. 
So anyway, Kekobo, they are 

571
00:33:26,480 --> 00:33:31,040
scumbags, but primarily what I 
want to talk about them is 

572
00:33:31,040 --> 00:33:37,480
because they are finally 
granting the other three CMOS 6 

573
00:33:37,480 --> 00:33:41,160
month licenses after the High 
Court ruling, which by the way, 

574
00:33:41,360 --> 00:33:44,800
they will refuse like, well not 
refuse, but they kind of like 

575
00:33:44,800 --> 00:33:49,560
did not seem like they were 
interested in going along with 

576
00:33:49,560 --> 00:33:52,840
the ruling. 
And I believe that all came out 

577
00:33:52,840 --> 00:33:59,320
of camps appeal against Kekobo 
issuing the license to PAV risk 

578
00:33:59,360 --> 00:34:04,960
and PAV risk only. 
So guys, if you're sitting down,

579
00:34:05,360 --> 00:34:09,719
you need to be standing up for 
this news because our CMOS will 

580
00:34:09,760 --> 00:34:15,360
be dedicatedly collecting the 
royalties for us on our behalf. 

581
00:34:15,520 --> 00:34:21,400
Again, don't stand up for this 
SO. 

582
00:34:22,280 --> 00:34:27,920
Essentially for me, I feel like 
this news just means nothing or 

583
00:34:27,920 --> 00:34:33,679
it means something for like the 
high tier artists like the BNS 

584
00:34:34,000 --> 00:34:38,679
or like the high earning like 
gospel artists who actually get 

585
00:34:38,679 --> 00:34:44,520
paid their royalties. 
For the regular artist, this 

586
00:34:44,520 --> 00:34:47,760
means absolutely nothing. 
In fact, our lives will be 

587
00:34:47,920 --> 00:34:50,199
unchanged by this. 
This is just. 

588
00:34:50,199 --> 00:34:53,600
Like there is no difference in 
my life whether you guys are 

589
00:34:53,960 --> 00:34:57,560
supposedly correct. 
Hey, correcting are supposedly 

590
00:34:57,560 --> 00:35:01,120
collecting royalties or not. 
You in Kenya for how long? 

591
00:35:01,120 --> 00:35:05,280
So apparently hey, yeah bro 5 
weeks. 

592
00:35:05,280 --> 00:35:06,360
Man. 
Oh man. 

593
00:35:08,440 --> 00:35:13,200
And these are funny, bro. 
There's a funny, there's a funny

594
00:35:13,200 --> 00:35:16,760
trend that was going on on 
TikTok about like your actual 

595
00:35:16,760 --> 00:35:19,240
like. 
Oh yeah, I've seen that. 

596
00:35:19,240 --> 00:35:20,400
I've seen that. 
I know what you're talking 

597
00:35:20,400 --> 00:35:21,400
about. 
When, when? 

598
00:35:21,400 --> 00:35:22,880
When Your accent. 
You know what I'm talking about.

599
00:35:23,920 --> 00:35:25,240
Yeah, when your. 
Accent slips out. 

600
00:35:25,240 --> 00:35:27,200
The South African ones are 
hilarious. 

601
00:35:27,200 --> 00:35:29,640
Oh my goodness, South African 
Jamaica, take that. 

602
00:35:29,640 --> 00:35:35,320
Man, that's so funny. 
So Jacobo now are pretending to 

603
00:35:35,320 --> 00:35:38,200
be strict because they've put 
some guidelines. 

604
00:35:38,200 --> 00:35:42,040
So they're like all three CMOS 
must account for royalties 

605
00:35:42,120 --> 00:35:46,040
collected between 4th June 2024 
and 4th April 2025. 

606
00:35:46,880 --> 00:35:50,400
There should be a detailed 
distribution plan that's 

607
00:35:50,400 --> 00:35:54,520
submitted to Kekobo adhering to 
the 7030 distribution. 

608
00:35:54,680 --> 00:35:57,120
And then there should be 
evidence of compliance with this

609
00:35:57,120 --> 00:36:00,040
rule that's provided within 
three months of the license 

610
00:36:00,040 --> 00:36:01,760
issuance and blah, blah, blah, 
blah, blah. 

611
00:36:01,760 --> 00:36:04,920
I feel like Kekobo are trying to
sound like they're doing their 

612
00:36:04,920 --> 00:36:07,640
job. 
Like, yo, yeah, I mean like we 

613
00:36:07,640 --> 00:36:10,200
are enforcing. 
The rules, this is like whole 

614
00:36:10,200 --> 00:36:12,440
time when you get caught, when 
you get caught doing something 

615
00:36:12,440 --> 00:36:14,240
you're not supposed to do and 
then your parents are in the 

616
00:36:14,240 --> 00:36:17,600
room and then now you have to 
overcompensate and now you're 

617
00:36:17,600 --> 00:36:19,800
even looking at the siblings 
like, no, no, no, that's not how

618
00:36:19,800 --> 00:36:21,040
you do it. 
Remember how you're supposed to 

619
00:36:21,040 --> 00:36:22,480
do it. 
And then you're even showing 

620
00:36:22,480 --> 00:36:24,720
them going extra. 
It's OK, Kobo is doing this is 

621
00:36:24,720 --> 00:36:30,160
so yo, listen, at some point we 
will have a point to all this 

622
00:36:30,160 --> 00:36:33,000
CMO drama. 
At some point there will be a 

623
00:36:33,000 --> 00:36:35,080
point to all of this. 
While we're right now we're just

624
00:36:35,080 --> 00:36:37,440
we're just recording everything 
that's going on. 

625
00:36:37,440 --> 00:36:40,560
But at some point there will be 
a positive. 

626
00:36:40,560 --> 00:36:43,520
No, some it only. 
No, no, but it only ends it. 

627
00:36:44,280 --> 00:36:49,200
It only ends if if people like 
if there's Mandamano with 

628
00:36:49,200 --> 00:36:51,960
artists, that's the only way it 
ends. 

629
00:36:52,840 --> 00:36:56,200
I'm being so for real. 
Like if we figure out ways to 

630
00:36:56,200 --> 00:37:03,360
stifle the CMOS from just 
benefiting from us because I see

631
00:37:03,360 --> 00:37:06,440
all these things even there was 
like a whole thing about how 

632
00:37:06,440 --> 00:37:10,560
there was a fake letter for 
Ezekiel Mutua like being 

633
00:37:10,560 --> 00:37:13,760
dismissed from MCSK. 
And apparently it's somebody who

634
00:37:13,760 --> 00:37:17,600
used to be in the board and he 
was salty and was doing this and

635
00:37:17,600 --> 00:37:19,360
that. 
And you look at the way all 

636
00:37:19,360 --> 00:37:24,680
these people fight over this 
CMOS and it's because there is 

637
00:37:24,680 --> 00:37:28,560
so much to gain in the video 
because this, this. 

638
00:37:29,080 --> 00:37:33,640
So I'm just saying like there's 
still so much money and there is

639
00:37:33,640 --> 00:37:37,080
so much money actually being 
collected by these societies 

640
00:37:37,600 --> 00:37:42,040
that it's worth fighting for. 
And that's why we see them 

641
00:37:42,040 --> 00:37:46,600
fighting so hard about it. 
I think the only way this ends 

642
00:37:46,600 --> 00:37:51,240
is if we realize that all these 
games being played are for their

643
00:37:51,240 --> 00:37:53,840
own benefits. 
And by there, I mean like the 

644
00:37:53,840 --> 00:37:57,800
CMOS and the people who are the 
CEO's of this company, of this 

645
00:37:57,800 --> 00:38:01,400
whatever organizations. 
Like once we realize that 

646
00:38:01,400 --> 00:38:05,840
they're just playing around with
our money, then we all stand up 

647
00:38:05,840 --> 00:38:11,200
and we figure out ways to like, 
I don't know, get in between the

648
00:38:11,200 --> 00:38:16,920
process of them and the 
collection of our money money. 

649
00:38:17,480 --> 00:38:20,240
Then we will make some real 
progress. 

650
00:38:20,640 --> 00:38:22,840
Other than that, everything is 
just fluff. 

651
00:38:23,160 --> 00:38:26,640
It doesn't matter who takes who 
to court and who becomes the 

652
00:38:26,640 --> 00:38:28,360
news. 
And. 

653
00:38:28,560 --> 00:38:33,920
Whether it doesn't matter if 
Prisk changes its name to PAV 

654
00:38:33,920 --> 00:38:37,480
Risk and then changes its name 
to PAV, PAV risk and PAV Risk 

655
00:38:37,480 --> 00:38:39,960
Risk who? 
No it does not matter. 

656
00:38:40,160 --> 00:38:43,040
Like, they could do everything 
in their power to like, rebrand,

657
00:38:43,120 --> 00:38:46,080
land and change and say we're 
doing something different. 

658
00:38:46,480 --> 00:38:50,680
We just need to like all like 
put pressure on them. 

659
00:38:50,680 --> 00:38:55,040
I mean, I I saw physically, 
yeah, I saw, I saw a news report

660
00:38:55,040 --> 00:38:56,960
where and I don't know how 
traitors. 

661
00:38:56,960 --> 00:39:00,720
But then a news part of the EACC
being after is he killed mutual 

662
00:39:00,720 --> 00:39:06,960
for giving himself 22 million 
like as a salary for the for for

663
00:39:06,960 --> 00:39:09,360
a year. 
Like his salary was supposed 

664
00:39:09,360 --> 00:39:13,560
supposedly one for 480 and he 
bumped that up to like 1.1 

665
00:39:13,560 --> 00:39:17,120
million or something like that, 
giving himself 100,000 monthly 

666
00:39:17,120 --> 00:39:19,160
for entertainment allowance and 
things like that. 

667
00:39:19,920 --> 00:39:23,560
We don't know how true. 
That is 100% increment. 

668
00:39:24,040 --> 00:39:26,360
Yeah, but it's stuff like that. 
That's if. 

669
00:39:26,360 --> 00:39:28,880
If that's true, then that's 
ridiculous, right? 

670
00:39:29,120 --> 00:39:32,360
That's ridiculous because then 
the artist gets a 2000 shillings

671
00:39:32,360 --> 00:39:36,360
in PESA at the end of the year. 
And it's not Ezekiel's song that

672
00:39:36,440 --> 00:39:37,640
was playing on the radio, was 
it? 

673
00:39:38,440 --> 00:39:41,520
It's ridiculous. 
I think we just need to have 

674
00:39:41,520 --> 00:39:43,040
Amanda. 
Yeah, there needs, there needs 

675
00:39:43,040 --> 00:39:45,640
to be a change and there needs 
to be a real effort by the 

676
00:39:45,640 --> 00:39:47,680
artists to to try and figure it 
out. 

677
00:39:48,080 --> 00:39:52,400
And when you say Mandamano, it's
also like in the mentality of 

678
00:39:52,400 --> 00:39:54,840
the artists, like you can't just
sit around and say, oh, well, 

679
00:39:54,840 --> 00:39:57,440
like this is it, right? 
This is this is sort of what 

680
00:39:57,440 --> 00:40:01,360
we've been dealing with. 
But then to figure out how to 

681
00:40:01,560 --> 00:40:04,000
push for that. 
So hopefully we do hopefully, 

682
00:40:04,240 --> 00:40:07,760
hopefully at some point, it 
might take a little bit more 

683
00:40:07,760 --> 00:40:12,560
now, but then hopefully we get 
to the point where artists 

684
00:40:12,560 --> 00:40:18,040
actually feel the need to care 
about this stuff past just the 

685
00:40:18,040 --> 00:40:20,200
conversations, because there's a
lot of conversations about it, 

686
00:40:20,200 --> 00:40:23,040
but just past the. 
I think once people, once people

687
00:40:23,040 --> 00:40:26,080
see how much money these guys 
collect because they collect a 

688
00:40:26,080 --> 00:40:29,480
lot of money, then it will 
become real. 

689
00:40:29,760 --> 00:40:33,440
If they see how much people, how
much they collect, and you're 

690
00:40:33,440 --> 00:40:37,960
able to track it and you see how
much of that is yours, Yeah, Now

691
00:40:37,960 --> 00:40:40,120
it gets serious. 
Now people wake up in the 

692
00:40:40,120 --> 00:40:43,520
morning at 5:00 AM to go camp 
outside of offices. 

693
00:40:46,560 --> 00:40:47,800
Yeah. 
Shout out. 

694
00:40:47,800 --> 00:40:49,480
No, no, no. 
Shout out to them. 

695
00:40:49,960 --> 00:40:52,080
No. 
No, we're not shouting them out.

696
00:40:53,040 --> 00:40:54,840
Is there something opposite of a
shout out? 

697
00:40:56,080 --> 00:40:57,480
That's what they're giving the 
CMOS man. 

698
00:40:58,040 --> 00:41:01,760
Calling out, I, I think a call 
out is like the opposite of a 

699
00:41:01,760 --> 00:41:05,520
shout out. 
So we're calling out all CMOS, 

700
00:41:05,600 --> 00:41:11,880
Kobo being number one shout out.
So I wanted to no, no, I wanted 

701
00:41:11,880 --> 00:41:14,320
to talk about Doondo just 
slightly. 

702
00:41:15,440 --> 00:41:21,400
So Doondo put out like a press 
release saying that they're 

703
00:41:21,400 --> 00:41:24,520
launching A strategic review 
that could lead to change in 

704
00:41:24,520 --> 00:41:28,600
ownership, merger, strategic 
investor or other consolidation.

705
00:41:28,920 --> 00:41:33,840
And I read the article in depth 
and I came out more confused 

706
00:41:33,840 --> 00:41:36,840
than when I started reading the 
article because I didn't really 

707
00:41:36,840 --> 00:41:39,920
understand. 
So for me, it just looks like 

708
00:41:39,920 --> 00:41:45,560
this is, yeah, what's the why? 
And I think the why is I think 

709
00:41:45,560 --> 00:41:49,920
1:00, it's an advertisement for 
because it, I think they're 

710
00:41:49,920 --> 00:41:52,920
trying to like, yeah, yeah, 
yeah. 

711
00:41:53,160 --> 00:41:55,360
Because I think they're looking 
for new investors. 

712
00:41:56,080 --> 00:42:00,080
They always never lack the 
chance to kind of mention how 

713
00:42:00,080 --> 00:42:04,560
much revenue they're making and 
also their increased subscriber 

714
00:42:04,560 --> 00:42:07,880
growth and monthly average users
and stuff like that. 

715
00:42:10,120 --> 00:42:15,240
Second thing was they called out
our Telcom services. 

716
00:42:16,080 --> 00:42:19,960
They kind of mentioned that 
they've had a slight dip in 

717
00:42:19,960 --> 00:42:25,880
their revenue estimations 
because they are relying or 

718
00:42:25,880 --> 00:42:35,360
7075% of Mudundo's revenue comes
from the Telcom institutions. 

719
00:42:35,640 --> 00:42:39,080
I think we know which ones there
are, wink wink. 

720
00:42:39,400 --> 00:42:46,880
And it's and I think it's, it's 
based off of the fact that most 

721
00:42:46,880 --> 00:42:54,240
Kenyans don't use credit cards, 
debit cards and don't use that 

722
00:42:54,240 --> 00:42:58,520
like so we don't pay for 
subscriptions as much as like 

723
00:42:58,520 --> 00:43:01,440
the West does. 
So they kind of figured out this

724
00:43:01,440 --> 00:43:04,800
new model and they're like even 
that new model that we figured 

725
00:43:04,800 --> 00:43:08,600
out, it's not paying so much. 
So I found out a bit worrying 

726
00:43:09,200 --> 00:43:13,680
and I mean we talked about the 
whole IFPI report recently and 

727
00:43:13,680 --> 00:43:19,360
how shameful it is for Africa to
only be generating in quotes 

728
00:43:19,360 --> 00:43:27,000
$100 million while the rest of 
the world generates 26 or $29 

729
00:43:27,000 --> 00:43:33,680
billion, right. 
So now some if streaming or 

730
00:43:33,680 --> 00:43:37,320
people are not purchasing 
subscriptions and then even the 

731
00:43:37,320 --> 00:43:39,880
only way that we really 
interface with these things 

732
00:43:40,280 --> 00:43:47,360
using telecom services wink, 
wink is not working. 

733
00:43:47,800 --> 00:43:52,840
Then what is how how do we get 
people to pay for music in our 

734
00:43:52,840 --> 00:43:54,760
country? 
So that was the second thing 

735
00:43:54,760 --> 00:43:58,400
that stood out to me, like it 
was those two things, one, 

736
00:43:58,400 --> 00:44:01,680
that's trying to sell this 
company and two, we might have a

737
00:44:01,680 --> 00:44:04,960
huge problem if ever telecom 
services are not paying. 

738
00:44:05,080 --> 00:44:11,120
Yeah, Dundo is Dundo is heavily 
reliant on telecom services and 

739
00:44:11,120 --> 00:44:13,960
the rest of the streaming world 
is sort of moving away from 

740
00:44:13,960 --> 00:44:16,920
that. 
Like it's still a struggle 

741
00:44:16,920 --> 00:44:19,280
paying, I think it's slightly 
better, but then paying for 

742
00:44:19,280 --> 00:44:25,040
Spotify and like Netflix with M 
Pesa, like that's still really 

743
00:44:25,120 --> 00:44:27,800
it's it's not as straightforward
and sometimes it doesn't work. 

744
00:44:28,000 --> 00:44:30,320
Yeah. 
And so I feel like sometimes I 

745
00:44:30,320 --> 00:44:34,160
feel like I'm doing those the 
way they're operating just 

746
00:44:34,160 --> 00:44:38,880
doesn't just doesn't work well 
with the streaming, with the way

747
00:44:38,880 --> 00:44:40,760
the world is going in terms of 
consumption. 

748
00:44:40,880 --> 00:44:43,480
And that might be an issue for 
them where they might have to 

749
00:44:43,480 --> 00:44:47,480
like I, I know they started what
in 20, was it 13? 

750
00:44:47,480 --> 00:44:52,560
I think maybe that that model 
that they have held on, that 

751
00:44:52,560 --> 00:44:57,200
they build identity around that 
might need to shift and maybe 

752
00:44:57,200 --> 00:45:00,800
that's partly what is in their 
mind with this whole 

753
00:45:00,800 --> 00:45:03,360
restructuring. 
Of course, that's a speculation,

754
00:45:03,360 --> 00:45:08,080
but I don't know. 
It's it's it's interesting. 

755
00:45:08,080 --> 00:45:10,640
It'll be interesting to see how 
they move on again, just because

756
00:45:10,640 --> 00:45:13,600
of their reliance on the telcos 
and if that's still going to 

757
00:45:13,600 --> 00:45:15,600
continue. 
But yeah, this does look like a 

758
00:45:16,960 --> 00:45:21,120
it looks like the the the 
pointing fingers out in the 

759
00:45:21,120 --> 00:45:27,280
open, like the warning the 
telcos like, hey, you'll get 

760
00:45:27,280 --> 00:45:31,960
yourself straight. 
Some What do Kenyans spend money

761
00:45:31,960 --> 00:45:36,000
on? 
So oh man, I was yo, I was about

762
00:45:36,000 --> 00:45:38,640
to be. 
Let me relax because this is how

763
00:45:38,640 --> 00:45:40,920
you get cancelled in society. 
What? 

764
00:45:41,320 --> 00:45:43,640
Why? 
I was about to set you up. 

765
00:45:43,640 --> 00:45:45,800
I was about. 
To just jump, jump out of the 

766
00:45:45,800 --> 00:45:47,680
window and just say something 
crazy. 

767
00:45:47,880 --> 00:45:52,320
What do people family? 
Food. 

768
00:45:52,520 --> 00:45:53,480
Family. 
OK. 

769
00:45:53,480 --> 00:45:54,640
Food. 
Food. 

770
00:45:55,080 --> 00:45:55,960
Yeah. 
Food. 

771
00:45:57,520 --> 00:45:59,200
What? 
OK, But when we're talking about

772
00:45:59,640 --> 00:46:03,040
recreation and what do Kenyans 
spend money on? 

773
00:46:04,520 --> 00:46:05,680
Oh, that's an interesting 
question. 

774
00:46:05,680 --> 00:46:09,760
Because the reason I ask is 
because like how do we con? 

775
00:46:09,760 --> 00:46:15,920
How how would you convince a 
like Kenyans and mass to 

776
00:46:15,920 --> 00:46:19,160
purchase music? 
Or is it even possible? 

777
00:46:20,240 --> 00:46:25,720
That's something that is I think
that's that's another one 

778
00:46:25,760 --> 00:46:30,560
another thing where my cultural 
answer comes if, if, if we make 

779
00:46:30,560 --> 00:46:36,520
culture important, consuming of 
our own culture important, then 

780
00:46:36,560 --> 00:46:39,680
we might start valuing consuming
culture as a whole. 

781
00:46:40,120 --> 00:46:42,680
I mean, yeah, consuming culture 
as a whole in whatever, whatever

782
00:46:42,680 --> 00:46:44,760
form it's presented to us. 
And music is 1. 

783
00:46:45,120 --> 00:46:50,560
So, but other than that, like 
just to make, I just, I feel 

784
00:46:50,560 --> 00:46:56,240
like we're not primed to make 
music subscriptions and all that

785
00:46:56,240 --> 00:47:01,560
other stuff like the common, 
common way of consuming this 

786
00:47:01,560 --> 00:47:02,320
stuff. 
I don't know. 

787
00:47:02,320 --> 00:47:04,680
It's just, I get why you're 
asking. 

788
00:47:04,760 --> 00:47:06,840
I just, I don't have like the 
answer for that. 

789
00:47:06,840 --> 00:47:09,680
I'm not sure. 
Man, because I could have. 

790
00:47:09,720 --> 00:47:12,800
There's so many. 
What do I think? 

791
00:47:12,800 --> 00:47:18,200
Yeah, Imagine a world where all 
the matatus, right? 

792
00:47:18,400 --> 00:47:22,840
Because every, every Kenyan will
spend money on transport, right?

793
00:47:22,960 --> 00:47:27,960
Yeah. 
So imagine a world where you had

794
00:47:28,280 --> 00:47:33,560
Spotify sponsored matatus, Apple
Music sponsor sponsored matatus 

795
00:47:34,240 --> 00:47:37,000
and all the all this about the 
above. 

796
00:47:37,320 --> 00:47:41,560
And then now you had like 
matatus that only played abenton

797
00:47:41,560 --> 00:47:44,400
or matatus that only played 
trap, or matatus that only 

798
00:47:44,400 --> 00:47:46,200
played drill and this and that 
and the that. 

799
00:47:46,200 --> 00:47:48,760
But that only was a percentage 
of the community, right? 

800
00:47:49,920 --> 00:47:53,400
Yes, exactly, but then a 
percentage of the money that 

801
00:47:53,720 --> 00:47:58,520
comes from the. 
Then if you had a way to monitor

802
00:47:58,800 --> 00:48:05,640
how much music is played, like 
in a day, for example, in a 

803
00:48:05,640 --> 00:48:07,880
matatu that only plays drill 
music, right? 

804
00:48:08,040 --> 00:48:10,920
Let's say there's a matatu that 
primarily plays like, just like 

805
00:48:10,920 --> 00:48:14,200
Kenyan drill can have Brooklyn 
boys and all that stuff, right? 

806
00:48:14,400 --> 00:48:18,720
And then a percentage of the 
fair goes to remunerating like 

807
00:48:18,720 --> 00:48:22,160
the artists through the 
streaming platforms. 

808
00:48:23,040 --> 00:48:25,520
That's what I'm like. 
Because how else are you going 

809
00:48:25,520 --> 00:48:30,240
to make Kenyans pay for music in
a way that wouldn't be too like 

810
00:48:30,560 --> 00:48:33,680
intrusive? 
Yeah, yeah, yeah, yeah, yeah. 

811
00:48:34,280 --> 00:48:37,920
And that's such a far fetched 
idea that would never happen. 

812
00:48:37,920 --> 00:48:40,640
I'm just trying to think about 
like how. 

813
00:48:40,960 --> 00:48:43,040
Even in stores, you know how 
like when you're walking to like

814
00:48:43,040 --> 00:48:50,000
a like a supermarket and they're
playing like EDM, like it starts

815
00:48:50,040 --> 00:48:52,160
making, making, probably making 
it. 

816
00:48:52,720 --> 00:48:56,680
All of this only works if we're 
able to properly and to go back 

817
00:48:56,680 --> 00:48:59,920
to our whole CMO commercial, if 
you're able to properly collect 

818
00:48:59,920 --> 00:49:02,840
revenue for the songs. 
If not the even the whole matatu

819
00:49:02,840 --> 00:49:04,480
thing does doesn't it falls 
apart. 

820
00:49:04,680 --> 00:49:08,360
But then like if you go to a 
mall or whatever you wherever 

821
00:49:08,360 --> 00:49:10,480
you go and they're paying, 
they're playing music outside, 

822
00:49:10,480 --> 00:49:11,800
right? 
And you make it mandatory that 

823
00:49:11,800 --> 00:49:15,720
the specific amount of of music 
has to be local, has to be 

824
00:49:15,720 --> 00:49:17,640
Kenyan, you know, whatever genre
it is. 

825
00:49:18,040 --> 00:49:23,040
And then and now that's, that's 
an easier way for us to consume 

826
00:49:23,160 --> 00:49:24,440
and then figure out a way. 
Yeah. 

827
00:49:24,440 --> 00:49:27,640
But the question is not just 
figuring out a way how how that 

828
00:49:27,640 --> 00:49:30,320
works with the artist and the 
consumer and how the consumer 

829
00:49:30,600 --> 00:49:35,640
ends up paying for that by just 
being in the space without 

830
00:49:35,640 --> 00:49:37,920
having to introduce like really 
weird things like taxes and 

831
00:49:37,920 --> 00:49:41,080
whatnot, which is we don't need 
any more of those, right? 

832
00:49:41,080 --> 00:49:45,520
With bro, I'm telling the person
who figures out how to harness 

833
00:49:45,600 --> 00:49:49,920
this is going to be so rich 
because bro, it's just like this

834
00:49:49,920 --> 00:49:52,520
should make it. 
Free like like like Bitcoin 

835
00:49:53,080 --> 00:49:55,240
don't. 
OK, so how do you monetize? 

836
00:49:55,280 --> 00:50:01,080
How do you how do you monetize 
free attention? 

837
00:50:01,080 --> 00:50:07,120
Like, because listen, if some 
if, if, if the biggest music was

838
00:50:07,120 --> 00:50:11,640
put on YouTube, right? 
Or let's say was put on YouTube 

839
00:50:11,640 --> 00:50:14,320
for Kenyans, right? 
Let's say Travis Scott released 

840
00:50:14,320 --> 00:50:19,480
a song and it was on YouTube and
we just monitor how many Kenyans

841
00:50:19,480 --> 00:50:22,880
would listen to that, like a lot
of Kenyans would because it's 

842
00:50:22,880 --> 00:50:25,080
free, right? 
But if it's on the streaming 

843
00:50:25,080 --> 00:50:27,560
subscriptions, that number is 
very limited. 

844
00:50:27,760 --> 00:50:33,120
So like, it's not like we don't 
consume things, we consume 

845
00:50:33,120 --> 00:50:35,320
things and we consume things a 
lot. 

846
00:50:35,520 --> 00:50:40,120
Like Kenyans consume a lot of 
media, but usually we like to 

847
00:50:40,120 --> 00:50:44,080
consume a lot of media on free 
platforms or we'll figure out 

848
00:50:44,080 --> 00:50:48,120
two ways to pirate. 
So how do we? 

849
00:50:48,880 --> 00:50:52,640
And and that's not a problem 
because even like we saw, that's

850
00:50:52,640 --> 00:50:58,880
how Spotify was incepted by them
pirating a lot of music using 

851
00:50:58,880 --> 00:51:02,040
Pirate Bay in well as it's 
Sweden or wherever. 

852
00:51:02,320 --> 00:51:08,080
So how do we shift that 
narrative or how do we monetize 

853
00:51:08,120 --> 00:51:11,440
free? 
How do we monetize attention? 

854
00:51:11,440 --> 00:51:13,840
That's a very, that's a very, 
very important question. 

855
00:51:14,320 --> 00:51:18,000
Because that's because, because 
because I'm genuinely speaking, 

856
00:51:18,240 --> 00:51:23,000
I don't see a future even in the
next 10 years where you can 

857
00:51:23,000 --> 00:51:29,360
convince me that the average 
Kenyan will want to spend $10 a 

858
00:51:29,360 --> 00:51:32,800
month to pay for music. 
I mean, I feel like if the 

859
00:51:32,880 --> 00:51:35,640
economy changes. 
Yes, I don't see that. 

860
00:51:35,640 --> 00:51:37,120
No. 
But if the economy changes, I 

861
00:51:37,160 --> 00:51:40,400
feel like it would, it would 
open up more people to do that, 

862
00:51:40,400 --> 00:51:43,920
I think, and it will shift the 
the yes, the percentage is 

863
00:51:44,120 --> 00:51:48,480
upward. 
But some realistically speaking,

864
00:51:49,200 --> 00:51:54,440
do you see these projections? 
We can't just go off projection 

865
00:51:54,560 --> 00:51:58,360
because obviously, yes, if, if, 
if our country was all of a 

866
00:51:58,360 --> 00:52:05,680
sudden like just like we were in
an economically splendid place, 

867
00:52:05,880 --> 00:52:09,600
like for sure, like people will 
have more disposable income to 

868
00:52:09,600 --> 00:52:13,000
spend more things than just like
survival. 

869
00:52:13,280 --> 00:52:15,400
But I'm talking about being 
realistic. 

870
00:52:15,600 --> 00:52:19,040
I don't see it happening even in
the next 15 years where the 

871
00:52:19,120 --> 00:52:24,480
average keyword average Kenyan 
is comfortable spending $10 a 

872
00:52:24,480 --> 00:52:29,240
month or you know, on 
subscriptions for music, you 

873
00:52:29,240 --> 00:52:31,960
know what I mean? 
Like I just don't see it. 

874
00:52:32,400 --> 00:52:36,280
So we need a solution to that. 
We need a solution to that 

875
00:52:36,280 --> 00:52:40,080
because the more we, the longer 
we don't have a solution, the 

876
00:52:40,080 --> 00:52:45,960
less people will invest into 
our, our sector and then the 

877
00:52:45,960 --> 00:52:50,760
less money will be able to 
generate as a result. 

878
00:52:51,120 --> 00:52:54,280
And that just means that across 
the board that the artists 

879
00:52:54,280 --> 00:52:57,440
aren't going to like benefit or 
become like mega stars. 

880
00:52:57,720 --> 00:53:02,640
Or we might have situations like
you posed earlier of artists 

881
00:53:02,640 --> 00:53:08,560
seeing their potential as being 
better elsewhere and then moving

882
00:53:08,960 --> 00:53:13,560
and trying to like, make it in 
America or the UK, for example, 

883
00:53:13,560 --> 00:53:16,720
You know, which is what all 
these guys kind of whisked. 

884
00:53:16,720 --> 00:53:21,520
They're basically based 
elsewhere, bro. 

885
00:53:21,520 --> 00:53:24,760
We need to figure it out man. 
We do. 

886
00:53:25,400 --> 00:53:29,520
I'm sure there's some brilliant 
minds that could get, get on on 

887
00:53:29,520 --> 00:53:35,920
this and, and use the systems 
that we have the, the, the, you 

888
00:53:35,920 --> 00:53:38,400
know, like, like we said, 
telecommunication is a really 

889
00:53:38,400 --> 00:53:41,000
big part of people's lives, 
especially in terms of commerce 

890
00:53:41,000 --> 00:53:42,560
with like M PESA and things like
that. 

891
00:53:42,560 --> 00:53:47,040
So using just the systems that 
we have in place already to try 

892
00:53:47,040 --> 00:53:54,400
and figure out how to make it 
work for art and artists, that's

893
00:53:54,400 --> 00:53:56,520
important. 
Clearly it's not working with M 

894
00:53:56,520 --> 00:53:59,240
pesa as we've seen with Mulundo 
so. 

895
00:53:59,960 --> 00:54:04,720
Yeah, yeah. 
I don't know, I don't know this 

896
00:54:04,720 --> 00:54:08,560
is the problem and whoever I may
say, whoever finds this solution

897
00:54:08,560 --> 00:54:12,480
and finds it in kind for all the
other African countries, 

898
00:54:12,960 --> 00:54:16,520
billionaire might even be going 
into the non trillions. 

899
00:54:16,640 --> 00:54:19,400
That's that's exaggeration, but 
you will make a lot of money, 

900
00:54:19,720 --> 00:54:24,280
trust me. 
Anyway bro, until the labels 

901
00:54:24,280 --> 00:54:28,560
come and buy you out and then 
back to square 1, is there 

902
00:54:28,560 --> 00:54:30,080
something else? 
Back to square what? 

903
00:54:30,440 --> 00:54:32,360
Get into music. 
I don't think there's anything. 

904
00:54:32,840 --> 00:54:35,280
Yells yells. 
Get into new music. 

905
00:54:35,560 --> 00:54:40,480
New music. 
I have a little bit of a of a 

906
00:54:41,600 --> 00:54:45,240
short. 
I don't call it a rant because I

907
00:54:45,240 --> 00:54:48,040
don't sound I don't want to 
sound like I'm I'm hitting on 

908
00:54:48,040 --> 00:54:53,520
this gentleman. 
But the OG, the OG dropped the 

909
00:54:53,520 --> 00:54:58,280
book of Jones Volume. 
Is it volume 1st chapter? 

910
00:54:58,280 --> 00:55:02,040
I was going to say volume one 
first chapter #1 I had 

911
00:55:02,080 --> 00:55:04,960
absolutely no idea that 
Calligraph was dropping an 

912
00:55:04,960 --> 00:55:08,080
album. 
And I usually would excuse that.

913
00:55:08,160 --> 00:55:11,160
That's true. 
I usually would excuse that. 

914
00:55:11,480 --> 00:55:16,480
But it seems like that's been 
like a thing for him where like 

915
00:55:16,480 --> 00:55:21,080
a week before or less than a 
week before you see a billboard 

916
00:55:21,520 --> 00:55:23,400
with his picture on. 
It's talking about his dropping 

917
00:55:23,400 --> 00:55:25,760
an album. 
I feel like he just need. 

918
00:55:26,920 --> 00:55:33,800
I feel like he needs. 
This is going to sound bad. 

919
00:55:34,000 --> 00:55:37,720
I totally don't mean it in a bad
way, but you're not too big of 

920
00:55:37,720 --> 00:55:43,000
an artist to do a roll out like 
and prepare your fans for. 

921
00:55:43,000 --> 00:55:47,800
What you have, you don't think 
you don't think Carly Cartel 5 

922
00:55:47,800 --> 00:55:51,880
was part of his roll out? 
Kyle Katel in that. 

923
00:55:51,880 --> 00:55:55,920
Way now that we look at things. 
It OK, now that I look at it, 

924
00:55:55,920 --> 00:56:00,440
yes, it was part of his rollout,
but there's also an art in in 

925
00:56:00,440 --> 00:56:03,480
the rollout, right? 
So Kyle Katel was cool, but Kyle

926
00:56:03,480 --> 00:56:06,480
Katel is sort of has sort of has
a life on its own. 

927
00:56:06,960 --> 00:56:10,120
It can exist outside of his 
project and no one would would, 

928
00:56:10,120 --> 00:56:12,400
would would think twice about 
it, right. 

929
00:56:12,400 --> 00:56:13,880
Of course, he included in his 
project. 

930
00:56:14,200 --> 00:56:17,240
It's an 11 minute song that I 
think the average number of 

931
00:56:17,240 --> 00:56:21,160
songs is around like 3 minutes, 
53 minutes, 3 minutes, 4 

932
00:56:21,160 --> 00:56:24,280
minutes, right. 
So it definitely stands out 

933
00:56:24,280 --> 00:56:29,320
within the project and it does 
not completely communicate what 

934
00:56:29,400 --> 00:56:32,560
the book of Jones first chapter 
is about, right. 

935
00:56:32,560 --> 00:56:36,440
So I just I in just my opinion, 
I feel like maybe he could do 

936
00:56:36,440 --> 00:56:39,360
more in terms of just doing a 
release. 

937
00:56:39,520 --> 00:56:42,640
He's one of the artists, like a 
lot of younger, the newer 

938
00:56:42,640 --> 00:56:46,360
rappers look up to right. 
And maybe there could be a 

939
00:56:46,360 --> 00:56:49,600
better way to communicate his 
projects and just like, like 

940
00:56:52,000 --> 00:56:54,160
prepare your fines, man. 
Like it's you need to prepare 

941
00:56:54,160 --> 00:56:55,560
your fines for what you have 
coming. 

942
00:56:56,480 --> 00:56:57,800
But apart from that, yeah man, 
so. 

943
00:56:57,840 --> 00:57:02,040
OK, I'm going to say I'm going 
to say the first time he 

944
00:57:02,160 --> 00:57:08,560
publicly mentioned on at least 
on Instagram was on the 10th of 

945
00:57:08,560 --> 00:57:11,640
March where he was like big 
announcement loading. 

946
00:57:11,640 --> 00:57:15,040
Keep streaming Cardi Cartel 5 
Yeah, so that's the 10th of 

947
00:57:15,040 --> 00:57:18,200
March. 
When did this project come out? 

948
00:57:18,800 --> 00:57:21,400
So I don't know what. 
So guys, I'm going to just 

949
00:57:21,560 --> 00:57:25,400
preface this by I'm I'm not the 
biggest Calligraph fan out 

950
00:57:25,400 --> 00:57:26,880
there. 
So, well, you didn't just say it

951
00:57:26,960 --> 00:57:31,400
is. 
Follow his career that much, so 

952
00:57:31,400 --> 00:57:34,480
I don't know how much he put he 
did in terms of posting about 

953
00:57:34,480 --> 00:57:36,160
like something coming or 
whatever. 

954
00:57:36,280 --> 00:57:38,520
No, but even though, though, 
like you know, like when when 

955
00:57:38,520 --> 00:57:41,200
there's an album roll out, 
somehow it gets to you like you 

956
00:57:41,200 --> 00:57:44,120
can, you know that there's a 
project releasing somehow, like 

957
00:57:44,480 --> 00:57:48,280
it's it's, it's engineered, it's
crafted in a way that it carries

958
00:57:48,280 --> 00:57:50,400
in conversation, even 
conversations too. 

959
00:57:50,560 --> 00:57:53,280
And that's the aim of it, right,
In terms of the singles you put 

960
00:57:53,280 --> 00:57:56,520
out and the visuals and whatever
you do is to carry it further 

961
00:57:56,520 --> 00:58:00,920
than your usual fans. 
Would you the line of your usual

962
00:58:00,920 --> 00:58:03,800
fans, like further than that, 
that line and you just don't 

963
00:58:03,800 --> 00:58:05,400
hear anything. 
It's almost, it's almost like a 

964
00:58:05,400 --> 00:58:08,880
surprise drop every single time.
And that's something that we 

965
00:58:08,880 --> 00:58:13,320
need to do better, I think. 
And also the art of picking a 

966
00:58:13,320 --> 00:58:17,880
single I think is something that
we also should focus on and just

967
00:58:17,880 --> 00:58:21,480
being more intentional about the
type of singles that we pick for

968
00:58:21,480 --> 00:58:26,120
projects and things like that. 
But yeah, that's my that's just 

969
00:58:26,120 --> 00:58:28,920
my little rant on that because a
lot of people are checking for 

970
00:58:28,920 --> 00:58:32,520
calligraphs, music, obviously. 
It's just that sometimes I feel 

971
00:58:32,520 --> 00:58:34,480
like maybe he could present it a
little better. 

972
00:58:34,920 --> 00:58:36,240
But apart from that, how? 
Did you? 

973
00:58:36,400 --> 00:58:41,600
How did you find the music? 
Yeah, 10 songs, a couple of, you

974
00:58:41,600 --> 00:58:46,920
know, big names on there. 
He had, of course, he did the 

975
00:58:46,920 --> 00:58:50,800
the the colleague Ali Cartel, 
which had a bunch of people on 

976
00:58:50,800 --> 00:58:52,400
it. 
He had files from Nigeria on 

977
00:58:52,400 --> 00:58:55,120
their Mudica. 
Dex is on there, is on there. 

978
00:58:57,080 --> 00:59:00,600
Timmy, Timmy Blanco is on there 
as well, a couple of other 

979
00:59:00,600 --> 00:59:06,200
people with productions from 
Vince, DJ Prod Luigi is on there

980
00:59:06,200 --> 00:59:07,680
a couple of times and a few 
other people. 

981
00:59:07,680 --> 00:59:10,640
So yeah, that's cool. 
In terms of the projects, I 

982
00:59:10,640 --> 00:59:15,200
don't know, didn't really he's a
big enough. 

983
00:59:15,240 --> 00:59:17,360
I didn't. 
Think all your ear has No. 

984
00:59:18,640 --> 00:59:21,680
First time, no. 
He's a big enough artist that I 

985
00:59:21,680 --> 00:59:24,120
just expect more from him and I 
don't want that sound harsh. 

986
00:59:24,720 --> 00:59:28,920
I just think he can if he locks 
in properly like I feel like he 

987
00:59:28,920 --> 00:59:31,400
can, I feel like the quality 
could go up. 

988
00:59:31,600 --> 00:59:34,160
There's a thing that he they 
keep doing with the mixing that 

989
00:59:34,520 --> 00:59:36,800
I was telling you that just 
frustrates me in terms of like 

990
00:59:37,240 --> 00:59:39,640
and he's done it not just here, 
but he's done it in previous 

991
00:59:39,640 --> 00:59:42,720
songs where his reverb almost 
sounds very mono. 

992
00:59:42,760 --> 00:59:46,360
It's it just, it's like a 
signature sound for him at this 

993
00:59:46,360 --> 00:59:47,640
point, right? 
Because he's done it a lot. 

994
00:59:47,640 --> 00:59:52,600
But then it just, it's hard to 
gel his vocal with the beat sort

995
00:59:52,600 --> 00:59:59,560
of with that kind of with that 
style of mixing, you know. 

996
01:00:00,280 --> 01:00:02,240
So that's, that's, that's 
something that kind of threw me 

997
01:00:02,240 --> 01:00:03,360
off. 
It makes it difficult to listen 

998
01:00:03,360 --> 01:00:06,280
to when there's just like 
there's a presence of River just

999
01:00:06,280 --> 01:00:08,560
behind him. 
You know River was supposed to 

1000
01:00:08,560 --> 01:00:10,480
be almost inconspicuous if it's 
not creative. 

1001
01:00:11,480 --> 01:00:14,880
And just createspace for. 
Rather than they, they just put 

1002
01:00:14,880 --> 01:00:18,080
them. 
So guys, so this is production 

1003
01:00:18,080 --> 01:00:21,200
one-on-one. 
So sometimes so not production, 

1004
01:00:21,200 --> 01:00:24,680
but mixing engineering. 
So what people will do, right? 

1005
01:00:25,040 --> 01:00:27,960
So just to try and break it 
down. 

1006
01:00:28,120 --> 01:00:33,160
If so, reverb is like I think in
layman's term would be like the 

1007
01:00:33,440 --> 01:00:35,000
echo. 
Is it echo? 

1008
01:00:35,360 --> 01:00:37,680
Yes, it's an echo. 
It is echo. 

1009
01:00:37,720 --> 01:00:41,320
That's not like a long echo that
will sound like a delay, but 

1010
01:00:41,320 --> 01:00:44,920
it's just like the the echo that
you hear that makes your voice 

1011
01:00:44,920 --> 01:00:47,160
sound kind of like. 
Like you're in a room, like, you

1012
01:00:47,160 --> 01:00:49,640
know when you enter empty room, 
like walk into a bathroom, you 

1013
01:00:49,640 --> 01:00:52,280
know you're in a bathroom just 
because of how your voice sounds

1014
01:00:52,280 --> 01:00:53,000
and changes. 
Yeah. 

1015
01:00:53,640 --> 01:00:57,160
Explaining things is actually 
not as easy as you think. 

1016
01:00:57,160 --> 01:00:59,600
Yeah, for us, because it's 
something that we're. 

1017
01:00:59,800 --> 01:01:02,360
Used to with the technicality. 
Yeah, it's something we're very 

1018
01:01:02,400 --> 01:01:04,720
used to that it's like, all 
right, how do I. 

1019
01:01:04,720 --> 01:01:06,200
So basically. 
Yeah. 

1020
01:01:06,400 --> 01:01:10,920
What Sam is saying is they so 
instead of So what they're doing

1021
01:01:10,920 --> 01:01:16,560
with calligraphs vocal is they 
are just putting the reverb like

1022
01:01:16,560 --> 01:01:21,240
which is viewed as an effect. 
They're just putting it on his 

1023
01:01:21,240 --> 01:01:29,120
entire vocal, which drowns out 
like his sound in some way and 

1024
01:01:29,120 --> 01:01:31,880
also doesn't blend well. 
It doesn't. 

1025
01:01:31,920 --> 01:01:35,120
Blend well and that's the issue.
Because reverb is what most 

1026
01:01:35,120 --> 01:01:40,240
people do is they'll add reverb 
so they'll have calligraphs, 

1027
01:01:40,240 --> 01:01:43,040
vocal as a separate. 
So what you're supposed to do 

1028
01:01:43,040 --> 01:01:46,960
when you're mixing vocals, you 
have somebody's vocals kind of 

1029
01:01:46,960 --> 01:01:51,600
dry as a separate thing, and 
then you add the effect as a 

1030
01:01:51,600 --> 01:01:54,760
separate thing. 
And then you blend them 

1031
01:01:55,280 --> 01:01:58,720
separately so that now they 
merge in the middle. 

1032
01:01:58,880 --> 01:02:03,320
And then now you kind of 
determine how much you want it 

1033
01:02:03,320 --> 01:02:08,840
to sound more like the dry 
version and have some of the wet

1034
01:02:08,840 --> 01:02:13,240
elements or like the what you'd 
call like the affected elements 

1035
01:02:13,240 --> 01:02:17,560
such as the river, instead of 
just taking the dry version and 

1036
01:02:17,560 --> 01:02:21,320
completely plunging it in water.
And then like hoping for the 

1037
01:02:21,320 --> 01:02:25,240
best, you know what I mean? 
Instead, you, yeah, instead you 

1038
01:02:25,240 --> 01:02:29,000
kind of want the, you'll want 
the effect to be like an 

1039
01:02:29,000 --> 01:02:31,880
addition. 
And then now in your ears, it 

1040
01:02:31,880 --> 01:02:34,120
sounds like it's blended, but 
actually it's. 

1041
01:02:34,120 --> 01:02:34,960
Separate. 
Yeah, yeah. 

1042
01:02:35,280 --> 01:02:36,760
Yeah, yeah, the vocal is just 
so. 

1043
01:02:36,880 --> 01:02:38,800
So that's what we're trying to 
describe. 

1044
01:02:39,000 --> 01:02:42,400
Yeah, but sorry, hold on before 
you continue. 

1045
01:02:42,600 --> 01:02:45,920
And just shortly, I think, and 
that's has been part of my 

1046
01:02:45,920 --> 01:02:51,240
critique is, is I really do wish
we create a culture of just 

1047
01:02:51,240 --> 01:02:53,760
having now I don't know who 
makes this project and 

1048
01:02:53,760 --> 01:02:54,880
everything. 
So I'm not really talking about 

1049
01:02:54,880 --> 01:02:57,400
this, but just in general is 
just having people, especially 

1050
01:02:57,400 --> 01:03:03,120
your projects, your albums, 
having them mixed by not a part 

1051
01:03:03,120 --> 01:03:06,240
time engineer, you know, but 
like, but someone who knows 

1052
01:03:06,720 --> 01:03:10,360
about sonics and just how to 
make things blend and what and 

1053
01:03:10,360 --> 01:03:15,800
the culture and the sound of of 
of the region, just how to make 

1054
01:03:15,800 --> 01:03:18,440
that work Well. 
I think a lot of the projects we

1055
01:03:18,440 --> 01:03:23,960
have might sound, they probably 
will sound much better if 

1056
01:03:23,960 --> 01:03:27,400
they're engineered a lot better 
if we step away from the the 

1057
01:03:27,400 --> 01:03:29,640
person who recorded it is the 
one who's going to engineer it. 

1058
01:03:29,640 --> 01:03:31,960
That's true, you know. 
That's true. 

1059
01:03:32,680 --> 01:03:34,080
That's true. 
But yeah, man, shout out to 

1060
01:03:34,520 --> 01:03:36,320
paragraph man. 
Congratulations on the release. 

1061
01:03:37,440 --> 01:03:42,320
That's what we've said hard way.
I'm not going to lie. 

1062
01:03:42,640 --> 01:03:48,000
Hey, listen, I listen to six 
songs out of 10 and I can't say 

1063
01:03:48,000 --> 01:03:52,960
I heard anything that inspired 
like, I don't know, maybe I'm 

1064
01:03:53,160 --> 01:03:55,800
because maybe I'm the worst 
person to ask because I'm not a 

1065
01:03:55,800 --> 01:03:59,840
big calligraph fan. 
I don't know, I just his music 

1066
01:03:59,840 --> 01:04:03,560
doesn't it doesn't move me. 
So maybe I'm already starting 

1067
01:04:03,560 --> 01:04:04,080
from a? 
Point. 

1068
01:04:04,080 --> 01:04:05,680
He's probably not your 
demographic. 

1069
01:04:05,720 --> 01:04:07,560
Yeah, it's probably not your 
demographic. 

1070
01:04:07,560 --> 01:04:11,040
But it's just, it's just not for
me. 

1071
01:04:11,880 --> 01:04:15,080
I'm sorry, but like I listen. 
But I don't take any shout out 

1072
01:04:15,080 --> 01:04:17,120
though. 
I was in the middle of shouting 

1073
01:04:17,120 --> 01:04:18,880
him out and they took it. 
He took away his. 

1074
01:04:18,880 --> 01:04:20,840
Shout out to Vince and the beat 
by the way. 

1075
01:04:20,920 --> 01:04:24,360
Yeah, and and cut it off and 
everyone was involved in this 

1076
01:04:24,360 --> 01:04:27,560
project. 
Yeah, yeah, yeah, yeah. 

1077
01:04:28,080 --> 01:04:29,120
What else? 
What else? 

1078
01:04:29,120 --> 01:04:31,200
What else? 
What else? 

1079
01:04:31,200 --> 01:04:37,920
Ben Sol and Vigena Baru Baru VB 
released Kao Tamu Flanny Lovely 

1080
01:04:38,320 --> 01:04:44,720
Chris Geiger and said oh 
enlisted in Dovuku for Mazara. 

1081
01:04:44,960 --> 01:04:48,600
And I think I honestly feel like
Chris Geiger and said are going 

1082
01:04:48,600 --> 01:04:49,520
to come out to that project 
soon. 

1083
01:04:49,520 --> 01:04:51,760
I think I think said oh 
mentioned that in one of his 

1084
01:04:51,760 --> 01:04:54,480
interviews that they're working 
on a full length project. 

1085
01:04:54,480 --> 01:04:59,440
So and they've been releasing 
music steadily for a while now. 

1086
01:04:59,440 --> 01:05:04,720
So very much looking forward to 
what that's going to sound like 

1087
01:05:04,720 --> 01:05:08,480
and when it's coming. 
Hopefully it's soon. 

1088
01:05:10,000 --> 01:05:11,800
Yeah. 
Who else released the music? 

1089
01:05:11,800 --> 01:05:16,200
Steph Capella teamed up with the
GR exclamation point and hook 

1090
01:05:17,240 --> 01:05:21,480
again for Head Up, which was 
cool. 

1091
01:05:21,840 --> 01:05:23,960
And yeah, it's just some 
rapping. 

1092
01:05:24,440 --> 01:05:25,600
I like it when Steph Capella 
raps. 

1093
01:05:25,600 --> 01:05:28,320
I think he needs to log in into 
that a little bit more. 

1094
01:05:28,320 --> 01:05:31,640
He sort of veered off into an 
Afrobeat bag. 

1095
01:05:33,240 --> 01:05:34,680
But yes, it's good to have you 
back, Steph. 

1096
01:05:34,680 --> 01:05:36,800
Good to have you back. 
What else? 

1097
01:05:37,200 --> 01:05:38,800
Brookwood. 
Brookwood. 

1098
01:05:39,000 --> 01:05:41,400
Brookwood and yeah, just 
Brookwood. 

1099
01:05:41,400 --> 01:05:43,840
I think there's a bear group. 
They released a song called 

1100
01:05:44,280 --> 01:05:48,520
Songa. 
What else? 

1101
01:05:48,520 --> 01:05:52,800
I'm trying to see what else? 
And Nelson Boru did a couple of 

1102
01:05:52,800 --> 01:05:58,640
drops, Janja and another one. 
I can't remember the name, but 

1103
01:05:58,640 --> 01:06:00,600
yeah, I think those are the ones
I really paid attention to. 

1104
01:06:01,240 --> 01:06:11,600
OK, OK, OK, what did I listen to
Joe face? 

1105
01:06:11,600 --> 01:06:15,040
I foolish and Fidel raid. 
I don't know too much about 

1106
01:06:15,040 --> 01:06:18,760
Fidel raid, but they released a 
song called Chill Guy. 

1107
01:06:22,440 --> 01:06:24,600
You've kind of said everything 
I've Oh yeah. 

1108
01:06:25,000 --> 01:06:27,840
EXO released a song called 
Breathe. 

1109
01:06:28,720 --> 01:06:35,400
Shout out to EXO as always 1 * 3
It's Deco and Shakina Karen. 

1110
01:06:35,800 --> 01:06:41,840
I believe Deco was one of the 
artists in the in the. 

1111
01:06:42,280 --> 01:06:45,040
The show, the competition, The 
rapping competition. 

1112
01:06:45,120 --> 01:06:46,400
What is it called? 
Yeah, yeah, yeah. 

1113
01:06:46,720 --> 01:06:48,320
What was it called again? 
I've already. 

1114
01:06:48,640 --> 01:06:51,080
I've already forgot. 
Oh, gorilla. 

1115
01:06:51,080 --> 01:06:52,160
No gorilla. 
Gorilla. 

1116
01:06:52,160 --> 01:06:54,400
Yeah, yeah, yeah, yeah. 
She was. 

1117
01:06:54,400 --> 01:06:55,480
Saved us. 
Yeah. 

1118
01:06:55,640 --> 01:06:58,440
Imagination to deco. 
Yeah, yeah. 

1119
01:06:58,440 --> 01:07:00,600
Shout out to Deco Shakinakaran 
release. 

1120
01:07:00,600 --> 01:07:01,880
Music too. 
Just because you didn't win 

1121
01:07:01,880 --> 01:07:03,040
doesn't mean you shouldn't 
release for. 

1122
01:07:03,040 --> 01:07:06,760
Sure, man. 
Shakinakaran looks like she's 

1123
01:07:06,760 --> 01:07:10,280
been ignored by Diana Cords. 
I kind of saw that coming. 

1124
01:07:11,440 --> 01:07:15,480
What in the beef? 
Yeah, the proposed some very one

1125
01:07:15,480 --> 01:07:17,680
sided beef. 
Yeah, it's a proposed. 

1126
01:07:20,840 --> 01:07:24,480
That's such a no, I'm sorry. 
That's a proposed. 

1127
01:07:24,480 --> 01:07:27,480
Beef is so sad. 
That's so sad. 

1128
01:07:27,560 --> 01:07:31,240
Don't you see how sad that is? 
It's terrible to get ignored in 

1129
01:07:31,240 --> 01:07:32,960
a beef too. 
Like that's the worst thing. 

1130
01:07:32,960 --> 01:07:36,600
Imagine you like just gearing up
your all and spending all night 

1131
01:07:36,600 --> 01:07:39,600
right in the fire as this track.
See that's happened to Joe 

1132
01:07:39,600 --> 01:07:42,320
Burden. 
Joe Burden versus Drake man bro 

1133
01:07:42,320 --> 01:07:44,400
came out it's. 
Really, Joe Burden was a lot of 

1134
01:07:44,400 --> 01:07:46,640
people, if you're looking at it 
like I was living with everybody

1135
01:07:46,720 --> 01:07:47,960
that you know and you play to 
him. 

1136
01:07:49,000 --> 01:07:51,960
That's so sad man. 
Imagine if you write, you spend 

1137
01:07:51,960 --> 01:07:56,840
like 3 days writing three songs 
and then you just get ignored. 

1138
01:07:57,120 --> 01:08:00,600
Premier would feel so bad and 
then you can't beef about it. 

1139
01:08:00,760 --> 01:08:03,840
Because like, but you're working
when you're working with your 

1140
01:08:03,840 --> 01:08:06,480
song, you'd have to be working 
your song to that person's like 

1141
01:08:06,480 --> 01:08:08,880
house front door ringing the 
bell, then they open like, yo, 

1142
01:08:08,880 --> 01:08:09,480
you heard this? 
Oh. 

1143
01:08:10,320 --> 01:08:12,640
Man. 
Yo, here's a distract I made 

1144
01:08:12,640 --> 01:08:14,000
against I'm actually. 
Terry. 

1145
01:08:14,520 --> 01:08:17,080
Oh man, sorry. 
Anyway, it's cool. 

1146
01:08:17,680 --> 01:08:22,080
Important to to mention the 
very, very, very Kenyan pink 

1147
01:08:22,080 --> 01:08:24,960
pant. 
Yes, thank you. 

1148
01:08:24,960 --> 01:08:27,479
Tonight. 
She's Kenyan, Sam. 

1149
01:08:27,479 --> 01:08:28,040
Is she? 
She was. 

1150
01:08:28,040 --> 01:08:32,160
Releasing she I think she did a 
TikTok where she was she did 

1151
01:08:32,160 --> 01:08:35,160
something about saying like 
cursing in front of like an 

1152
01:08:35,240 --> 01:08:36,520
African mom or something like 
that. 

1153
01:08:36,880 --> 01:08:38,880
I remember I saw it. 
So I was like, oh, wait, yeah, 

1154
01:08:39,120 --> 01:08:41,680
she actually tries to identify 
yes, maybe maybe it's marketing.

1155
01:08:41,920 --> 01:08:43,800
Maybe it's marketing. 
Maybe you've beat. 

1156
01:08:43,880 --> 01:08:45,319
It's. 
Not it's the apple. 

1157
01:08:45,479 --> 01:08:48,760
It's the it's not bad. 
She's carried. 

1158
01:08:48,800 --> 01:08:53,760
So I'm taking it a win is a win.
But yeah, I think the song 

1159
01:08:56,240 --> 01:08:58,200
you're Pink Panthers if you're 
listening to this right now 

1160
01:09:00,800 --> 01:09:05,160
anyway. 
So there's this song I want to I

1161
01:09:05,160 --> 01:09:09,200
want to shout out that I think 
was the one that stood out to me

1162
01:09:10,160 --> 01:09:14,319
the most. 
And it's by this new kid on the 

1163
01:09:14,319 --> 01:09:19,840
block is called 30 Atheni. 
I haven't heard too much about 

1164
01:09:19,840 --> 01:09:23,520
him, but he's on the come up. 
He released a song with YBW 

1165
01:09:23,520 --> 01:09:28,880
Smith called Bonapetite. 
And yeah, man, we were eating 

1166
01:09:28,880 --> 01:09:31,160
good this week with that song. 
Banging. 

1167
01:09:31,560 --> 01:09:34,160
Love the sample too bro look 
very simple formula. 

1168
01:09:34,160 --> 01:09:37,120
The way he says, but it's the 
way he says. 

1169
01:09:37,160 --> 01:09:39,640
Bro, look, it's so catchy. 
I don't know why. 

1170
01:09:39,640 --> 01:09:42,040
Why is it catchy? 
I don't know, I don't know. 

1171
01:09:42,040 --> 01:09:46,080
But yeah, it's a very good beat 
and I like the flow switch UPS 

1172
01:09:46,080 --> 01:09:47,520
too. 
While he was rapping so. 

1173
01:09:48,240 --> 01:09:54,560
Yeah, so anyway, when I shout 
out to 30, man looks like he has

1174
01:09:54,800 --> 01:09:56,920
a promising career in front of 
him. 

1175
01:09:57,120 --> 01:10:01,560
So Sam, if you would allow me, 
I'd love to play the song Bon 

1176
01:10:01,560 --> 01:10:04,040
Appetit. 
Bro. 

1177
01:10:04,040 --> 01:10:07,640
Look, I don't know what bridge 
means. 

1178
01:10:07,800 --> 01:10:10,880
Am I aging myself by saying I 
don't know what bridge means? 

1179
01:10:11,240 --> 01:10:13,080
Maybe he'll explain to. 
Me in my. 

1180
01:10:13,120 --> 01:10:17,120
Sense to this? 
Yeah, maybe I am, but anyway, 

1181
01:10:17,680 --> 01:10:21,240
yeah, here's Bon Appetit by 30 
and YBW Smith. 

1182
01:10:23,160 --> 01:10:37,080
Bro look. 
Look. 

1183
01:12:08,480 --> 01:12:48,560
For free. 
Bro look, 

1184
01:13:07,240 --> 01:13:12,160
that was Bon Appetit by 30 and 
YBW Smith. 

1185
01:13:12,480 --> 01:13:14,640
Bro look. 
Banger. 

1186
01:13:15,400 --> 01:13:17,200
That shit was fire. 
That shit was fireman. 

1187
01:13:18,040 --> 01:13:23,200
The sample like Sam said was was
insane and the way they just 

1188
01:13:23,200 --> 01:13:25,680
were interchanging on the beat 
anyway. 

1189
01:13:25,680 --> 01:13:31,520
Bro episode 125 bro we're 
already 1/4 away. 

1190
01:13:31,800 --> 01:13:34,200
OK, fine, I just caught myself 
being. 

1191
01:13:34,360 --> 01:13:36,720
Sentimental for no reason? 
No. 

1192
01:13:36,720 --> 01:13:39,080
Reason at all? 
It's in my blood. 

1193
01:13:39,160 --> 01:13:40,600
It's in my blood. 
It's. 

1194
01:13:40,600 --> 01:13:42,840
Sentimentalism is what you 
suffer from. 

1195
01:13:42,840 --> 01:13:45,960
It's just. 
But Sam, it's in my blood. 

1196
01:13:45,960 --> 01:13:47,640
Why don't you want me to be who 
I? 

1197
01:13:47,640 --> 01:13:51,960
Am. 
It's just, it's just on, on, on 

1198
01:13:53,000 --> 01:13:55,160
goodness. 
Like you can't help yourself. 

1199
01:13:55,160 --> 01:13:59,120
It's who I am, it's who I am. 
I just realized be different 

1200
01:13:59,120 --> 01:14:03,840
that we're 1/4 away to 200. 1/4 
look at, look at the milestones 

1201
01:14:03,840 --> 01:14:05,520
we're talking about 1/4 away to 
200. 

1202
01:14:05,720 --> 01:14:11,480
How is that significant now? 
In my mind, it is very 

1203
01:14:11,480 --> 01:14:15,840
significant and I want to thank 
you guys for listening to the 

1204
01:14:15,840 --> 01:14:18,520
podcast. 
As always, I like to end the 

1205
01:14:18,520 --> 01:14:20,640
podcast. 
If you're new here with the 

1206
01:14:20,640 --> 01:14:23,440
three C's and what are those 
that you ask? 

1207
01:14:23,440 --> 01:14:27,560
Well, these are guidelines that 
I've kind of set for myself, but

1208
01:14:27,560 --> 01:14:32,320
I want to share with you guys as
well because life is a journey 

1209
01:14:32,320 --> 01:14:36,040
and I'm not perfect in these 
things and I hope to improve in 

1210
01:14:36,040 --> 01:14:38,840
them and I hope that you guys 
can improve in them as well. 

1211
01:14:39,040 --> 01:14:45,760
So #1 if you're an artist or in 
any career, you have to be 

1212
01:14:45,760 --> 01:14:48,320
confident. 
So confidence sells. 

1213
01:14:48,320 --> 01:14:51,240
That's what people pick up on. 
If people feel like you're 

1214
01:14:51,240 --> 01:14:56,480
confidence, confident about your
art, they will listen to what 

1215
01:14:56,480 --> 01:14:58,960
you have to say. 
So always be confident. 

1216
01:14:59,480 --> 01:15:03,600
Consistency is key. 
Like whoever came up with that 

1217
01:15:03,600 --> 01:15:07,600
saying is so right because 
ultimately you can be semi 

1218
01:15:07,600 --> 01:15:12,280
decent at what you do, but if 
you're consistent I think it's 

1219
01:15:12,280 --> 01:15:17,080
even better than than the person
who's supremely talented but 

1220
01:15:17,080 --> 01:15:20,320
only puts out stuff like once in
a while. 

1221
01:15:20,320 --> 01:15:22,520
You know what I mean? 
I think the person who is 

1222
01:15:22,520 --> 01:15:28,720
working hard and is consistent 
at their at their craft has more

1223
01:15:29,440 --> 01:15:34,000
potential in my eyes. 
I think they they eventually 

1224
01:15:34,000 --> 01:15:37,920
breakthrough the mold more often
than the very talented people 

1225
01:15:37,920 --> 01:15:43,320
when it comes to the real world.
And lastly, craft, always work 

1226
01:15:43,320 --> 01:15:47,600
on your craft. 
I think every day you can 

1227
01:15:47,600 --> 01:15:51,080
dedicate some time to working on
your on your craft. 

1228
01:15:51,080 --> 01:15:55,320
Like, you know, I understand 
that everybody's days are packed

1229
01:15:55,480 --> 01:15:58,840
and everyone has things that 
they're doing, but even 5 

1230
01:15:58,840 --> 01:16:02,040
minutes, that's all I'm asking 
for 5 minutes of your time. 

1231
01:16:02,040 --> 01:16:05,480
I sound like I am on the door 
trying to sell you something. 

1232
01:16:05,760 --> 01:16:10,040
But listen literally like if you
have 5 minutes in your day to 

1233
01:16:10,040 --> 01:16:13,920
spare to learn how to do 
something new or learn how to do

1234
01:16:13,920 --> 01:16:20,160
something that progresses your 
chosen career path, then you 

1235
01:16:20,160 --> 01:16:23,520
could spend those 5 minutes to 
doing that. 

1236
01:16:23,520 --> 01:16:29,480
And those 5 minutes will add up 
at the end of the year, for 

1237
01:16:29,480 --> 01:16:32,360
example. 
So those are the three season. 

1238
01:16:32,360 --> 01:16:38,200
I hope they help you man. 
Some some some help. 

1239
01:16:39,320 --> 01:16:43,440
You, yeah. 
That was another episode. 

1240
01:16:45,720 --> 01:16:50,400
Yes, yes, it was, I was just 
going to ask, I was going to say

1241
01:16:50,600 --> 01:16:53,160
there's something that you had 
brought up earlier. 

1242
01:16:53,880 --> 01:16:57,520
I've been I've been on TikTok 
and there's one guy, I don't 

1243
01:16:57,520 --> 01:16:59,440
even know if he has a name on 
there, just one of those TikTok 

1244
01:16:59,760 --> 01:17:05,120
accounts that like just give 
life advice and it's just slaps 

1245
01:17:05,120 --> 01:17:07,480
you. 
And it's something that you, I 

1246
01:17:07,480 --> 01:17:08,960
guess when we were talking 
before the podcast you had 

1247
01:17:08,960 --> 01:17:12,160
mentioned is sometimes I think 
our brain finds ways to 

1248
01:17:12,160 --> 01:17:15,720
complicate things again, because
of anxiety and just 

1249
01:17:17,240 --> 01:17:19,560
unwillingness to move forward 
with life. 

1250
01:17:20,360 --> 01:17:24,280
But the solutions that people 
are seeking are very, very 

1251
01:17:24,280 --> 01:17:28,080
often, very, very often simple. 
It's not as complicated as we 

1252
01:17:28,080 --> 01:17:33,200
make it. 
Sometimes the, the, the path to 

1253
01:17:33,800 --> 01:17:37,600
what success, whatever the 
success is to you is a lot 

1254
01:17:37,600 --> 01:17:39,760
easier than we think it is. 
It just requires discipline, 

1255
01:17:41,120 --> 01:17:45,160
discipline and intentionality. 
So that's a really good thing to

1256
01:17:45,520 --> 01:17:49,960
remember as an artist. 
Artists tends to have very, very

1257
01:17:49,960 --> 01:17:55,200
big goals, lofty, lofty ideas of
where they should be in life and

1258
01:17:55,200 --> 01:17:57,240
what they should achieve and 
their legacy and stuff like 

1259
01:17:57,240 --> 01:17:58,440
that. 
And sometimes it just seems very

1260
01:17:58,440 --> 01:18:02,120
overwhelming, especially even 
for me. 

1261
01:18:02,440 --> 01:18:11,440
But the path to that is made 
easier by motion. 

1262
01:18:11,600 --> 01:18:15,720
And just what's the easiest 
solution you can go by, go by 

1263
01:18:15,720 --> 01:18:20,280
and don't, don't worry about 
fearing wondering if you've 

1264
01:18:20,280 --> 01:18:23,120
picked the wrong path and 
whatever, whatever it is, just 

1265
01:18:23,120 --> 01:18:26,760
just pick something and go for 
it and adjust along the way. 

1266
01:18:26,960 --> 01:18:30,920
Adjust along the way. 
It sounds simple and trivial, 

1267
01:18:30,920 --> 01:18:34,280
but it's it works. 
It works. 

1268
01:18:35,720 --> 01:18:42,160
Yeah, that's that. 
All right, with those wise words

1269
01:18:42,600 --> 01:18:47,920
from Sam and we catch you guys 
and the tick tock guy. 

1270
01:18:47,920 --> 01:18:54,360
We will catch you guys on 
episode 126. 

1271
01:18:54,360 --> 01:18:55,240
We out.
