1 00:00:00,360 --> 00:00:04,520 Tonight's episode is dedicated to the deep cuts, the rare soul, 2 00:00:04,520 --> 00:00:10,080 obscure soul, and the forgotten sides of the music we live for. 3 00:00:33,000 --> 00:00:35,760 Tonight this. No chartist, no mainstream 4 00:00:35,800 --> 00:00:41,240 rotation, just buried gems, dusty 40 fives and voices that 5 00:00:41,240 --> 00:00:44,960 time almost lost. This is where collectors dig, 6 00:00:45,160 --> 00:00:48,400 DJs search and real soul heads listen. 7 00:00:48,760 --> 00:00:54,200 Welcome to a journey into the shadows of soul music, where the 8 00:00:54,400 --> 00:01:11,800 rare becomes essential. Hey, I don't want security. 9 00:01:12,360 --> 00:01:16,400 I just want you to save love for me, and that's enough. 10 00:01:19,280 --> 00:01:26,800 That's enough. That's enough. 11 00:01:35,640 --> 00:01:38,120 That's enough. I don't want Gloria fame. 12 00:01:38,640 --> 00:01:42,840 I just want you to take on my name and that's enough. 13 00:01:45,680 --> 00:01:47,680 That's enough. That's enough, darling. 14 00:01:47,680 --> 00:01:53,320 That's enough. Go there, baby. 15 00:01:53,320 --> 00:02:04,640 Go for me. I don't want to wait until June. 16 00:02:05,440 --> 00:02:10,520 I know before I hear that. A way until I save it to me, the 17 00:02:10,720 --> 00:02:15,520 love way. We would marry now if I had my 18 00:02:15,680 --> 00:02:19,000 way. I want to be a million. 19 00:02:19,040 --> 00:02:23,800 I am. I just want you to love and 20 00:02:23,800 --> 00:02:41,680 that's enough. If you learn, everything is all 21 00:02:41,680 --> 00:02:44,720 right. What I need, darling, is you 22 00:02:44,720 --> 00:02:55,600 learn. Don't need to wait until you go 23 00:02:55,600 --> 00:02:58,520 out here. That'll wait until I gave this 24 00:02:58,520 --> 00:03:04,720 to me. Let my baby move my house if I 25 00:03:04,720 --> 00:03:10,120 had my way. I want you to be a million. 26 00:03:10,120 --> 00:03:13,720 I have. I just want you to love me 27 00:03:13,720 --> 00:03:15,720 again. And that's enough, baby. 28 00:03:18,560 --> 00:03:20,200 That's enough. That's enough, baby. 29 00:03:22,200 --> 00:03:46,960 That's enough. This one's a true deep soul gem, 30 00:03:46,960 --> 00:03:49,600 Roscoe Robinson, And that's enough. 31 00:03:49,760 --> 00:03:54,080 It's Southern rooted, Gospel trained and emotionally raw. 32 00:03:54,360 --> 00:03:58,840 Robinson's voice sits right in that space between pain and 33 00:03:58,840 --> 00:04:02,680 restraint, where soul feels lived in, not polished. 34 00:04:02,880 --> 00:04:05,680 This isn't crossover. This isn't commercial. 35 00:04:05,920 --> 00:04:10,960 This is private press, energy, Duke, Joint feeling and Late 36 00:04:10,960 --> 00:04:13,840 Night soul. A record for collectors, not 37 00:04:13,840 --> 00:04:18,079 charts. Rare, obscure, and absolutely 38 00:04:18,079 --> 00:04:31,240 essential. If you can't kiss, my lips go 39 00:04:31,240 --> 00:04:32,720 away. They should be kissed. 40 00:04:32,720 --> 00:04:37,280 And when I've been away, you can't show that I've been 41 00:04:37,280 --> 00:04:38,560 missed. Be on your way no more. 42 00:04:38,560 --> 00:04:48,200 Oh, you're not the guy for me. You're not the guy for me. 43 00:04:50,560 --> 00:04:54,600 You can't fill my heart with all my wildest dreams. 44 00:04:55,400 --> 00:04:59,400 Feel my eager arms and don't know what it means. 45 00:04:59,400 --> 00:05:06,920 Be on our way, little boy. You're not the guy for me. 46 00:05:07,040 --> 00:05:15,400 You're not the guy for me. I want a kind of guy that'll 47 00:05:15,400 --> 00:05:19,920 take me by the hell and make me believe I'm here. 48 00:05:22,360 --> 00:05:26,680 I'm leave that kind of guy, that very special guidance. 49 00:05:26,680 --> 00:05:36,680 Show me or show me what real love is the truth. 50 00:05:36,920 --> 00:05:40,400 Lasting love is far too much to ask. 51 00:05:41,320 --> 00:05:45,240 Loving only me is far too great a task. 52 00:05:45,280 --> 00:05:53,640 Beyond the way, little boy. Oh, you're not a guy for me. 53 00:05:53,640 --> 00:05:54,920 You're not a guy for me. Shut up. 54 00:06:07,000 --> 00:06:14,440 Be on your way, boy. You're not a guy for me. 55 00:06:15,200 --> 00:06:32,280 You're not a guy for me. This is pure class control and 56 00:06:32,320 --> 00:06:36,000 quiet authority. Ernestine Anderson with You're 57 00:06:36,000 --> 00:06:40,000 Not the Guy for me. Not heartbreak, soul, self 58 00:06:40,000 --> 00:06:43,960 respect, soul. No drama, no pleading, just 59 00:06:43,960 --> 00:06:46,760 certainty. And of course composure. 60 00:06:47,320 --> 00:06:51,600 Just train phrasing and soul delivery and a voice that 61 00:06:51,600 --> 00:06:55,000 doesn't need to raise itself to make a point. 62 00:06:55,440 --> 00:06:59,000 Rare groove energy with adult emotion. 63 00:06:59,280 --> 00:07:04,920 It's sophisticated, obscure and beautifully underrated. 64 00:07:08,280 --> 00:07:11,560 You know, life, it's a funny, funny thing. 65 00:07:13,960 --> 00:07:18,960 You know, everybody believes that Love Is All about money, 66 00:07:21,880 --> 00:07:26,440 but you know the strong believer that love, true love, is from 67 00:07:26,440 --> 00:07:34,600 the heart of the soul. I must come days of the whole. 68 00:07:36,400 --> 00:07:42,760 I think of all the time that we had her all when I got there, I 69 00:07:42,800 --> 00:07:54,720 found my legs all along. I worked so hard. 70 00:07:55,400 --> 00:07:59,640 I don't fool around, don't hang up on my face. 71 00:08:01,040 --> 00:08:04,040 I don't stand a whale. She can ever walk away, she 72 00:08:04,200 --> 00:08:23,080 know. I walk around with my head all 73 00:08:23,600 --> 00:08:27,440 night. I can't sleep, can't eat. 74 00:08:29,080 --> 00:08:34,200 Happen to be bad situation. Girl, you left me here. 75 00:08:34,400 --> 00:08:39,880 Just back home. Take my hand, take my heart. 76 00:08:41,120 --> 00:08:44,080 Get locked up, then leave me alone. 77 00:08:45,120 --> 00:08:47,760 I worked so hard just to see you there. 78 00:08:49,200 --> 00:08:51,640 Now you want to turn your back and just walk away. 79 00:08:52,120 --> 00:08:56,200 She's gone. Well, well, well. 80 00:09:10,000 --> 00:09:16,240 Well, all right. Oh, heaven. 81 00:09:19,240 --> 00:09:25,240 Can't you heal me? Bleed until you got to have you 82 00:09:25,280 --> 00:09:30,640 back? Girl, I don't. 83 00:09:31,240 --> 00:09:34,840 I don't know. I'm out of plane and lying. 84 00:09:37,240 --> 00:09:40,520 I'm out of shame. Wreck mama's lakes. 85 00:09:41,920 --> 00:09:56,120 What's the world feel like me? Have a room. 86 00:10:07,040 --> 00:10:10,000 Now that's the Hamilton movement and a track course. 87 00:10:10,000 --> 00:10:13,200 She's Gone. This is Detroit's soul in its 88 00:10:13,320 --> 00:10:17,880 purest emotional form. The Hamilton movement with She's 89 00:10:17,880 --> 00:10:22,480 Gone is raw, honest and unpolished in the best way. 90 00:10:22,840 --> 00:10:26,120 Heartbreak without theatrics, just feeling. 91 00:10:26,360 --> 00:10:31,520 This isn't Motown gloss and this is St level soul, small label 92 00:10:31,560 --> 00:10:37,720 energy and of course a real life story and the voices that sound 93 00:10:37,720 --> 00:10:41,520 like experience. It's a deep cut that never 94 00:10:41,520 --> 00:10:46,280 crossed over, never needed charts, just truth in the 95 00:10:46,280 --> 00:10:49,840 groove. And it's rare, obscure, and 96 00:10:49,960 --> 00:11:28,400 heavy with soul. Turn my house into a home to 97 00:11:28,480 --> 00:11:36,800 make me feel I'm not alone. I'm not afraid. 98 00:11:36,960 --> 00:11:37,480 Yeah. Yeah. 99 00:11:37,720 --> 00:11:46,080 Oh, time to go. First better half. 100 00:11:49,200 --> 00:11:58,000 I'm the empty one. That you taught me how everyone 101 00:11:58,240 --> 00:12:03,360 leads to wake each and every morning inside a dream. 102 00:12:06,200 --> 00:12:15,800 Good Hope you kiss me. Kiss me Toshi. 103 00:12:16,720 --> 00:12:19,360 Her heart. Heart. 104 00:12:19,640 --> 00:12:23,680 Change my life, change my life. Change the way I feel. 105 00:12:27,000 --> 00:12:31,400 Take my love. Come on and make me lie, baby. 106 00:12:31,400 --> 00:12:37,320 Whatever you wear. Yeah, yeah, yeah, yeah. 107 00:12:37,360 --> 00:12:40,120 We have. Of all you survey. 108 00:12:45,720 --> 00:12:48,160 Yeah. I might be here to help you to 109 00:12:48,160 --> 00:13:12,240 get you away. Everyone alone is had a dreamer. 110 00:13:24,080 --> 00:13:26,240 Change my life. Come on. 111 00:13:26,360 --> 00:13:29,000 Change my life, baby. Change the way I feel. 112 00:13:30,120 --> 00:13:32,800 Yeah, yeah, yeah. Take my love. 113 00:13:33,680 --> 00:13:36,480 Come on, man. My life, baby. 114 00:13:36,480 --> 00:13:49,800 Whatever you want. When I do baby. 115 00:13:57,200 --> 00:14:02,040 A very underrated group. That's a spectrum and they were 116 00:14:02,040 --> 00:14:06,240 a Philadelphia based male vocal group who emerged in the early 117 00:14:06,240 --> 00:14:11,760 1970s rooted in gospel harmony traditions and the city's rich 118 00:14:12,040 --> 00:14:14,440 Doo wop and church singing culture. 119 00:14:14,800 --> 00:14:18,920 Their sound really blended tight vocal arrangements, spiritual 120 00:14:18,920 --> 00:14:24,200 phrasing and smooth urban soul, placing them firmly in the 121 00:14:24,600 --> 00:14:29,640 lineage of East Coast harmony groups rather than funk or disco 122 00:14:29,800 --> 00:14:32,280 driven acts. They were discovered and signed 123 00:14:32,280 --> 00:14:37,720 to Atlantic Records in the early 1970s, a major move that gave 124 00:14:37,720 --> 00:14:42,800 them professional production and studio Polish, but they never 125 00:14:42,800 --> 00:14:47,360 received the commercial push due to bigger Philly names of that 126 00:14:47,480 --> 00:14:49,760 era. Their music sat in a space 127 00:14:49,760 --> 00:14:53,640 between deep soul and sophisticated harmony, which 128 00:14:53,640 --> 00:14:59,200 made them respected by musicians and collectors but overlooked by 129 00:14:59,200 --> 00:15:00,880 the mainstream. Radio If. 130 00:15:09,920 --> 00:15:16,200 You found yourself another man, you better get kept to yourself. 131 00:15:17,680 --> 00:15:23,880 And if you found yourself another guy, you better get wise 132 00:15:23,880 --> 00:15:30,160 and realise that everyone get on nothing here and find me a chick 133 00:15:30,280 --> 00:15:37,040 to help me get older. You 'cause I'll go food and two 134 00:15:37,040 --> 00:15:44,640 can do the same thing too. And if you found yourself 135 00:15:45,000 --> 00:15:49,680 another boy, you better get him to yourself. 136 00:15:49,680 --> 00:15:57,120 And if you found yourself another toy, you better get wise 137 00:15:57,920 --> 00:16:01,160 in real life. And I know you went out there 138 00:16:02,040 --> 00:16:05,400 and you found somebody else. Somebody. 139 00:16:05,440 --> 00:16:09,200 Friends waking you, baby. I'm little Rob. 140 00:16:10,240 --> 00:16:15,120 I can do the same thing too. I got one more thing I want to 141 00:16:15,120 --> 00:16:17,560 tell you, baby. I know you think you're pretty 142 00:16:17,560 --> 00:16:21,880 sharp, so if you want to play rough, well I can play your game 143 00:16:21,880 --> 00:16:24,280 baby, till you've had enough because I know food I can play 144 00:16:24,520 --> 00:16:43,240 as well as you. Wow, great harmonies, the 145 00:16:43,240 --> 00:16:46,360 fabulous dynamics. And they were an American soul 146 00:16:46,360 --> 00:16:51,320 group rooted in the post civil rights era of black cultural 147 00:16:51,520 --> 00:16:55,760 expression when soul music really shifted from love songs 148 00:16:55,760 --> 00:16:59,760 towards identity, pride and self-awareness. 149 00:16:59,840 --> 00:17:03,320 Their music really sits firmly in the message. 150 00:17:03,320 --> 00:17:07,880 Soul tradition, records that weren't just for dancing, but 151 00:17:07,960 --> 00:17:43,970 for thinking. Wait just a minute. 152 00:17:45,800 --> 00:17:51,360 You was waiting for you. I was blind by your magic and 153 00:17:51,440 --> 00:17:55,720 all the spells you had me in. But they're fading away. 154 00:17:56,880 --> 00:17:58,560 And now it's different for me. Yeah. 155 00:18:00,080 --> 00:18:02,160 There's no escape in my position. 156 00:18:03,480 --> 00:18:07,640 Something they had to give. Baby. 157 00:18:07,720 --> 00:18:09,880 I know there's a space between us. 158 00:18:09,880 --> 00:18:18,320 No, love, you're trying to do like so I want it away and away. 159 00:18:21,080 --> 00:18:29,880 It's time to let go because you're trying to be down when 160 00:18:37,040 --> 00:18:40,840 you're tracking a guy. Be in a permission to make a 161 00:18:40,840 --> 00:18:46,440 move that makes me happy. You can call it my frustration, 162 00:18:46,880 --> 00:18:49,720 or you can call it what you will. 163 00:18:49,760 --> 00:18:54,160 Things have to change between you and me. 164 00:18:55,920 --> 00:19:01,400 I only ask for your forgiveness. I gave it all I had to give. 165 00:19:03,480 --> 00:19:06,000 I know there's a space between US and the Lord can build upon 166 00:19:06,560 --> 00:19:07,440 you. It's so hard on the way. 167 00:19:07,560 --> 00:19:12,560 It's time to land up, 'cause you're dragging me down and 168 00:19:12,640 --> 00:19:23,680 you're like, you're dragging me down, you're dragging me down. 169 00:19:42,160 --> 00:19:56,400 All right, all right, Get me down, get me down. 170 00:19:56,480 --> 00:20:00,400 All right. Come on, baby. 171 00:20:27,280 --> 00:20:36,320 Down, down, down, down, down, down. 172 00:20:39,960 --> 00:21:06,760 I don't want to go down. We're halfway through tonight's 173 00:21:06,760 --> 00:21:11,480 journey into rare and obscure soul, A world of records that 174 00:21:11,480 --> 00:21:15,120 didn't make the charts but made the collector's heartbeat 175 00:21:15,120 --> 00:21:17,680 faster. From Roscoe Robinson's raw 176 00:21:17,680 --> 00:21:23,600 emotion to Ernestine Anderson's smooth sophistication, and also 177 00:21:23,840 --> 00:21:28,280 the Hamilton movement's heartbreak grooves and a 178 00:21:28,320 --> 00:21:33,720 spectrum's Philly harmonies, every track tells the story. 179 00:21:40,040 --> 00:21:43,480 If you want some loving, you will. 180 00:21:43,480 --> 00:21:48,480 I give it to you. And if you want some her get 181 00:21:49,000 --> 00:21:50,760 you, I give it to you. What happened, baby? 182 00:21:50,760 --> 00:21:58,760 That's not something to teach us. 183 00:21:58,920 --> 00:22:29,920 Yeah, I will be seeing you. You know what I would get just 184 00:22:29,920 --> 00:22:33,960 to get up to comfort your baby and make you knock it. 185 00:22:34,080 --> 00:22:47,630 Wow, what I want baby I'm overseeing. 186 00:22:57,960 --> 00:23:29,570 That's a little bit of this. 187 00:23:53,320 --> 00:23:56,440 The Charmaines. They were an American female 188 00:23:56,440 --> 00:24:02,640 vocal trio formed in Cincinnati, OH in the early 1960s. 189 00:24:02,840 --> 00:24:08,240 They were rooted in the city's vibrant R&B and soul scene. 190 00:24:08,520 --> 00:24:12,400 They emerged as one of Cincinnati's leading girl groups 191 00:24:12,680 --> 00:24:16,800 during the height of the Seoul and R&B era, a time when 192 00:24:16,920 --> 00:24:22,120 independent labels and regional clubs were incubators for raw 193 00:24:22,120 --> 00:24:36,240 vocal talent. You say you want my love, but 194 00:24:39,120 --> 00:24:43,320 you don't want my things. I don't want the true God. 195 00:24:45,600 --> 00:24:51,280 I don't want to be a never want to you all right? 196 00:24:59,160 --> 00:25:04,640 You know you won't be dreaming in my mind. 197 00:25:04,680 --> 00:25:07,200 So baby, let your heart get with it. 198 00:25:10,520 --> 00:25:16,680 I don't want to be another one of your best, all right? 199 00:25:25,520 --> 00:25:33,880 You don't know what to do. Don't make me leave my mind. 200 00:26:00,280 --> 00:26:05,480 But you don't want to think better when the please don't 201 00:26:05,600 --> 00:26:08,960 lose. I don't want to be another one 202 00:26:09,160 --> 00:26:15,720 of your best. I'm who you can lose, baby, Baby 203 00:26:15,720 --> 00:26:32,680 don't they miss, You can lose. Smooth yet heartfelt, this track 204 00:26:32,680 --> 00:26:36,280 really blends emotion with classic soul craftsmanship. 205 00:26:36,520 --> 00:26:41,440 The kind of song that moves you quietly but powerfully embodies 206 00:26:41,440 --> 00:26:46,600 that rare collectors with soul. Every note a lesson in feeling, 207 00:26:47,000 --> 00:27:01,480 and every phrase unforgettable. Has anybody seen my baby? 208 00:27:02,520 --> 00:27:08,920 A little girl about 5 foot 2. She was asking running away 209 00:27:09,800 --> 00:27:18,760 headed down on Heartbreak Ave. I'm offering a beer to anyone 210 00:27:18,920 --> 00:27:24,440 with the lead or clue. So if you if you see my baby. 211 00:27:25,400 --> 00:27:32,160 So if you, if you see my baby. All you gotta do is notify the 212 00:27:32,360 --> 00:27:37,120 Lord's house and found they know how to reach me there. 213 00:27:37,160 --> 00:27:40,720 All right, bring her to the world. 214 00:27:43,240 --> 00:27:50,080 Please don't let her go. I broke her heart and made her 215 00:27:50,560 --> 00:27:54,080 cry. That's the reason why she ran 216 00:27:54,360 --> 00:28:01,840 away. But I haven't seen her since 217 00:28:02,000 --> 00:28:06,400 that day. So if you if you see my baby, do 218 00:28:07,720 --> 00:28:09,800 a favour for a lonely man. Tell her. 219 00:28:10,040 --> 00:28:46,200 Tell her. The I believe it, I've got it 220 00:28:46,280 --> 00:28:49,680 now. I have it, I have it. 221 00:28:49,680 --> 00:28:53,880 There's chicken now. Every boss been saying got a 222 00:28:53,880 --> 00:28:58,680 station, not the local animal just in case you might have 223 00:28:59,040 --> 00:29:03,560 caught a plane. I know she didn't pack a bag of 224 00:29:03,720 --> 00:29:07,720 suitcase, so she couldn't plan to go too far. 225 00:29:09,200 --> 00:29:15,680 If you if you see my baby. So if you, if you see my baby. 226 00:29:16,320 --> 00:29:23,320 No matter where you are, nor by the Lord's and by they know how 227 00:29:23,560 --> 00:29:25,440 they wish me there already. Bring her to the Lord. 228 00:29:26,560 --> 00:29:35,440 Please don't let her go nowhere. Got to find my baby. 229 00:29:37,840 --> 00:29:50,480 Got to find my. Well, thanks for joining me 230 00:29:50,480 --> 00:29:54,160 tonight on this journey through rare and obscure soul. 231 00:29:54,160 --> 00:29:58,040 From hidden gems to forgotten classics, we've dug through the 232 00:29:58,040 --> 00:30:01,840 crates and brought these voices back to life. 233 00:30:02,520 --> 00:30:16,080 Until the next time, bye bye. Turn back, farm around, let your 234 00:30:16,080 --> 00:30:20,840 little chick walk by. I'm taking her away from the 235 00:30:20,840 --> 00:30:24,600 barnyard. She's just right to ride. 236 00:30:25,200 --> 00:30:30,280 She's so fine. I'm so glad you're mine. 237 00:30:36,720 --> 00:30:42,400 I'm telling all you fellows I know what's on your mind. 238 00:30:43,600 --> 00:30:48,920 I don't blame you for drooling. Really can't blame you for 239 00:30:48,920 --> 00:30:51,160 trying. She's so fine. 240 00:30:52,760 --> 00:30:58,040 I'm so glad you mine. I'm glad you mine. 241 00:30:58,040 --> 00:31:04,960 Now I'm glad you mine. You guys are kind of loving, 242 00:31:04,960 --> 00:31:08,600 baby. That makes me glad you're mine. 243 00:31:10,960 --> 00:31:12,760 You made me want a shot. Do you, baby? 244 00:31:12,760 --> 00:31:19,440 I'm glad you're mine. You're so fine. 245 00:31:21,320 --> 00:31:31,880 So glad you're mine. I don't need sugar in the carpet 246 00:31:33,040 --> 00:31:39,080 when she just touched a cup. I'm telling you man is sweet 247 00:31:39,120 --> 00:31:44,320 enough when she just stirs up. She's so fine. 248 00:31:45,840 --> 00:31:51,560 I'm so glad you lie. I'm glad you mine out. 249 00:31:56,960 --> 00:32:01,240 You don't have to consider yourself no more baby go ahead 250 00:32:01,280 --> 00:32:05,320 your mind. I might be a lot size and 251 00:32:05,320 --> 00:32:08,760 country boy baby go to glad your mind. 252 00:32:10,680 --> 00:32:15,760 You have to write your mind baby go glad your mind. 253 00:32:17,400 --> 00:32:22,680 You don't pull up my dog Mama baby go glad your mind.