Tonight's episode is dedicated to the deep cuts, the rare soul,
obscure soul, and the forgotten sides of the music we live for.
Tonight this. No chartist, no mainstream
rotation, just buried gems, dusty 40 fives and voices that
time almost lost. This is where collectors dig,
DJs search and real soul heads listen.
Welcome to a journey into the shadows of soul music, where the
rare becomes essential. Hey, I don't want security.
I just want you to save love for me, and that's enough.
That's enough. That's enough.
I don't want Gloria fame.
I just want you to take on my name and that's enough.
That's enough. That's enough, darling.
That's enough. Go there, baby.
Go for me. I don't want to wait until June.
I know before I hear that. A way until I save it to me, the
love way. We would marry now if I had my
way. I want to be a million.
I am. I just want you to love and
that's enough. If you learn, everything is all
right. What I need, darling, is you
learn. Don't need to wait until you go
out here. That'll wait until I gave this
to me. Let my baby move my house if I
had my way. I want you to be a million.
I have. I just want you to love me
again. And that's enough, baby.
That's enough. That's enough, baby.
That's enough. This one's a true deep soul gem,
Roscoe Robinson, And that's enough.
It's Southern rooted, Gospel trained and emotionally raw.
Robinson's voice sits right in that space between pain and
restraint, where soul feels lived in, not polished.
This isn't crossover. This isn't commercial.
This is private press, energy, Duke, Joint feeling and Late
Night soul. A record for collectors, not
charts. Rare, obscure, and absolutely
essential. If you can't kiss, my lips go
away. They should be kissed.
And when I've been away, you can't show that I've been
missed. Be on your way no more.
Oh, you're not the guy for me. You're not the guy for me.
You can't fill my heart with all my wildest dreams.
Feel my eager arms and don't know what it means.
Be on our way, little boy. You're not the guy for me.
I want a kind of guy that'll
take me by the hell and make me believe I'm here.
I'm leave that kind of guy, that very special guidance.
Show me or show me what real love is the truth.
Lasting love is far too much to ask.
Loving only me is far too great a task.
Beyond the way, little boy. Oh, you're not a guy for me.
You're not a guy for me. Shut up.
Be on your way, boy. You're not a guy for me.
This is pure class control and
quiet authority. Ernestine Anderson with You're
Not the Guy for me. Not heartbreak, soul, self
respect, soul. No drama, no pleading, just
certainty. And of course composure.
Just train phrasing and soul delivery and a voice that
doesn't need to raise itself to make a point.
Rare groove energy with adult emotion.
It's sophisticated, obscure and beautifully underrated.
You know, life, it's a funny, funny thing.
You know, everybody believes that Love Is All about money,
but you know the strong believer that love, true love, is from
the heart of the soul. I must come days of the whole.
I think of all the time that we had her all when I got there, I
found my legs all along. I worked so hard.
I don't fool around, don't hang up on my face.
I don't stand a whale. She can ever walk away, she
know. I walk around with my head all
night. I can't sleep, can't eat.
Happen to be bad situation. Girl, you left me here.
Just back home. Take my hand, take my heart.
Get locked up, then leave me alone.
I worked so hard just to see you there.
Now you want to turn your back and just walk away.
She's gone. Well, well, well.
Well, all right. Oh, heaven.
Can't you heal me? Bleed until you got to have you
back? Girl, I don't.
I don't know. I'm out of plane and lying.
I'm out of shame. Wreck mama's lakes.
What's the world feel like me? Have a room.
Now that's the Hamilton movement and a track course.
She's Gone. This is Detroit's soul in its
purest emotional form. The Hamilton movement with She's
Gone is raw, honest and unpolished in the best way.
Heartbreak without theatrics, just feeling.
This isn't Motown gloss and this is St level soul, small label
energy and of course a real life story and the voices that sound
like experience. It's a deep cut that never
crossed over, never needed charts, just truth in the
groove. And it's rare, obscure, and
heavy with soul. Turn my house into a home to
make me feel I'm not alone. I'm not afraid.
Yeah. Yeah.
Oh, time to go. First better half.
I'm the empty one. That you taught me how everyone
leads to wake each and every morning inside a dream.
Good Hope you kiss me. Kiss me Toshi.
Her heart. Heart.
Change my life, change my life. Change the way I feel.
Take my love. Come on and make me lie, baby.
Whatever you wear. Yeah, yeah, yeah, yeah.
We have. Of all you survey.
Yeah. I might be here to help you to
get you away. Everyone alone is had a dreamer.
Change my life. Come on.
Change my life, baby. Change the way I feel.
Yeah, yeah, yeah. Take my love.
Come on, man. My life, baby.
Whatever you want. When I do baby.
A very underrated group. That's a spectrum and they were
a Philadelphia based male vocal group who emerged in the early
1970s rooted in gospel harmony traditions and the city's rich
Doo wop and church singing culture.
Their sound really blended tight vocal arrangements, spiritual
phrasing and smooth urban soul, placing them firmly in the
lineage of East Coast harmony groups rather than funk or disco
driven acts. They were discovered and signed
to Atlantic Records in the early 1970s, a major move that gave
them professional production and studio Polish, but they never
received the commercial push due to bigger Philly names of that
era. Their music sat in a space
between deep soul and sophisticated harmony, which
made them respected by musicians and collectors but overlooked by
the mainstream. Radio If.
You found yourself another man, you better get kept to yourself.
And if you found yourself another guy, you better get wise
and realise that everyone get on nothing here and find me a chick
to help me get older. You 'cause I'll go food and two
can do the same thing too. And if you found yourself
another boy, you better get him to yourself.
And if you found yourself another toy, you better get wise
in real life. And I know you went out there
and you found somebody else. Somebody.
Friends waking you, baby. I'm little Rob.
I can do the same thing too. I got one more thing I want to
tell you, baby. I know you think you're pretty
sharp, so if you want to play rough, well I can play your game
baby, till you've had enough because I know food I can play
as well as you. Wow, great harmonies, the
fabulous dynamics. And they were an American soul
group rooted in the post civil rights era of black cultural
expression when soul music really shifted from love songs
towards identity, pride and self-awareness.
Their music really sits firmly in the message.
Soul tradition, records that weren't just for dancing, but
for thinking. Wait just a minute.
You was waiting for you. I was blind by your magic and
all the spells you had me in. But they're fading away.
And now it's different for me. Yeah.
There's no escape in my position.
Something they had to give. Baby.
I know there's a space between us.
No, love, you're trying to do like so I want it away and away.
It's time to let go because you're trying to be down when
you're tracking a guy. Be in a permission to make a
move that makes me happy. You can call it my frustration,
or you can call it what you will.
Things have to change between you and me.
I only ask for your forgiveness. I gave it all I had to give.
I know there's a space between US and the Lord can build upon
you. It's so hard on the way.
It's time to land up, 'cause you're dragging me down and
you're like, you're dragging me down, you're dragging me down.
All right, all right, Get me down, get me down.
All right. Come on, baby.
Down, down, down, down, down, down.
I don't want to go down. We're halfway through tonight's
journey into rare and obscure soul, A world of records that
didn't make the charts but made the collector's heartbeat
faster. From Roscoe Robinson's raw
emotion to Ernestine Anderson's smooth sophistication, and also
the Hamilton movement's heartbreak grooves and a
spectrum's Philly harmonies, every track tells the story.
If you want some loving, you will.
I give it to you. And if you want some her get
you, I give it to you. What happened, baby?
That's not something to teach us.
Yeah, I will be seeing you. You know what I would get just
to get up to comfort your baby and make you knock it.
Wow, what I want baby I'm overseeing.
That's a little bit of this.
The Charmaines. They were an American female
vocal trio formed in Cincinnati, OH in the early 1960s.
They were rooted in the city's vibrant R&B and soul scene.
They emerged as one of Cincinnati's leading girl groups
during the height of the Seoul and R&B era, a time when
independent labels and regional clubs were incubators for raw
vocal talent. You say you want my love, but
you don't want my things. I don't want the true God.
I don't want to be a never want to you all right?
You know you won't be dreaming in my mind.
So baby, let your heart get with it.
I don't want to be another one of your best, all right?
You don't know what to do. Don't make me leave my mind.
But you don't want to think better when the please don't
lose. I don't want to be another one
of your best. I'm who you can lose, baby, Baby
don't they miss, You can lose. Smooth yet heartfelt, this track
really blends emotion with classic soul craftsmanship.
The kind of song that moves you quietly but powerfully embodies
that rare collectors with soul. Every note a lesson in feeling,
and every phrase unforgettable. Has anybody seen my baby?
A little girl about 5 foot 2. She was asking running away
headed down on Heartbreak Ave. I'm offering a beer to anyone
with the lead or clue. So if you if you see my baby.
So if you, if you see my baby. All you gotta do is notify the
Lord's house and found they know how to reach me there.
All right, bring her to the world.
Please don't let her go. I broke her heart and made her
cry. That's the reason why she ran
away. But I haven't seen her since
that day. So if you if you see my baby, do
a favour for a lonely man. Tell her.
The I believe it, I've got it
now. I have it, I have it.
There's chicken now. Every boss been saying got a
station, not the local animal just in case you might have
caught a plane. I know she didn't pack a bag of
suitcase, so she couldn't plan to go too far.
If you if you see my baby. So if you, if you see my baby.
No matter where you are, nor by the Lord's and by they know how
they wish me there already. Bring her to the Lord.
Please don't let her go nowhere. Got to find my baby.
Got to find my. Well, thanks for joining me
tonight on this journey through rare and obscure soul.
From hidden gems to forgotten classics, we've dug through the
crates and brought these voices back to life.
Until the next time, bye bye. Turn back, farm around, let your
little chick walk by. I'm taking her away from the
barnyard. She's just right to ride.
She's so fine. I'm so glad you're mine.
I'm telling all you fellows I know what's on your mind.
I don't blame you for drooling. Really can't blame you for
trying. She's so fine.
I'm so glad you mine. I'm glad you mine.
Now I'm glad you mine. You guys are kind of loving,
baby. That makes me glad you're mine.
You made me want a shot. Do you, baby?
I'm glad you're mine. You're so fine.
So glad you're mine. I don't need sugar in the carpet
when she just touched a cup. I'm telling you man is sweet
enough when she just stirs up. She's so fine.
I'm so glad you lie. I'm glad you mine out.
You don't have to consider yourself no more baby go ahead
your mind. I might be a lot size and
country boy baby go to glad your mind.
You have to write your mind baby go glad your mind.
You don't pull up my dog Mama baby go glad your mind.