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Now, someone once said about 
Northern Soul, if you need to 

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ask, you'll never know. 
And that really says everything.

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It's more than just music. 
It's a feeling, a belonging, and

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if you're in it, you'll 
understand it completely. 

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If you're not, it's almost 
impossible to explain. 

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From its beginnings in the late 
1960s and early 70s, it was a 

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underground movement. 
Just a handful of clubs 

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predominantly in the north of 
England driving something very 

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special. 
Places like Wigan Casino, the 

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Twisted Wheel, The Torch, Black 
Bull, Mecca. 

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These weren't just venues, they 
were institutions. 

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People travelled the length and 
breadth of the country to be 

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there chasing sounds you simply 
couldn't hear anywhere else. 

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The way I feel you're just don't
know baby how hard it is oh to 

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be so much as love and thought 
so lean on I tell you a lie you 

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be so sad. 
But when you give on everything 

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you can oh it makes me feel so 
bad. 

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You're just don't know. 
Oh, I can't understand that, 

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baby. 
The nights I cried, just the 

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painting slides inside and you 
can't imagine, baby, how you 

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break my pride. 
But I'm so excited of myself and

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I can't say no one else 'cause I
know I love you still and I know

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I'm always. 
You ain't got no idea. 

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You just don't know. 
I can't say no to it, baby. 

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You don't know baby. 
I know you don't know, baby. 

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It's more than a notion, baby. 
Everybody, you're mad. 

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Ain't Holly Aeroplan that you 
late baby fell through on you? 

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Oh, now what's better off for 
heart. 

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But I can't withhold it all. 
It's hard, but it's down away. 

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You know the spirit ain't down. 
It's more than I can bear. 

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You just don't know. 
Oh, I can't understand. 

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And play this. 
Just learn to play my soul. 

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And those sounds, rare in 
American soul records, pressed 

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in small numbers, often 
forgotten in their own country, 

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became the heartbeat of the UK 
youth movement. 

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Fast forward to today, and 
Northern Soul has become a 

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worldwide phenomenon. 
You hear tracks in TV adverts, 

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see compilation CDs everywhere, 
and even find Northern Soul 

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dance schools popping up across 
the globe. 

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But despite the global reach, 
the essence hasn't changed. 

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It's still about discovery, 
still about rarity, and still 

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about that moment when a record 
drops and only a handful of 

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people in the room truly know 
what it is. 

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Our Lord. 
In a wilderness you came alone 

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to end my loneliness. 
Once I have no inspiration, 

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You're over My salvation. 
Yeah, my salvation. 

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00:05:27,720 --> 00:05:32,200
You gave me love. 
Like in the brain. 

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Now I got home. 
The world, the future brain. 

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00:05:46,320 --> 00:06:25,480
Yeah. 
Yeah, baby, the sky was great 

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until you came along. 
No more Rolling dead. 

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The best I ever go. 
Y'all have no real invasion. 

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You'll know why. 
My fabasion. 

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00:07:04,320 --> 00:07:08,440
Now when we talk about 
collecting Northern Soul, we 

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have to talk about price because
just when you think the market 

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00:07:12,480 --> 00:07:17,160
is peaked, it goes up again. 
Take records like Ginette by 

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Wade Flemons or the track have 
just played you what a track it 

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is. 
Salvation by Robert Thomas. 

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These aren't just records 
anymore, they're artefacts. 

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Prices have more than quadrupled
in some cases, and when a copy 

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00:07:34,080 --> 00:07:39,080
surfaces, it becomes a battle. 
Serious collectors just don't 

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00:07:39,080 --> 00:07:42,400
hesitate. 
Of course, many dealers now 

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operate online. 
Platforms like eBay have changed

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the landscape completely, but 
alongside that you've got the 

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specialist dealers running their
own auctions, sometimes weekly. 

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These are curated, trusted, and 
for many collectors, they're the

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gold standard. 
How many more years are you 

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gonna wreck my life? 
How many more years are you 

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gonna wreck my life When you 
treat me, baby? 

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00:08:41,679 --> 00:08:55,600
Gonna wreak my life? 
How many more time are you gonna

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treat me like you do? 
How many more time are you gonna

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treat me like you do to all my 
money baby. 

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All of my loving too. 
I'm old and brave. 

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Got no place to go Bowling Green
got no place to go. 

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You got yourself a youngster. 
Can't stand me. 

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No more going down in the 
cellar, going together, all of 

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00:10:09,480 --> 00:10:22,640
my flow, going down in the 
cellar, going together, all of 

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my flow. 
And where I go, baby, nobody 

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knows. 
Nobody knows. 

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00:11:03,240 --> 00:11:06,800
Now, in terms of demand, the 
traditional oldies still 

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dominate the sounds that fill 
Wigan Casino, the Twisted Wheel,

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The Torch and Blackpool Mecca. 
They're still absolutely in 

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00:11:15,680 --> 00:11:19,520
demand, still packing dance 
floors every weekend. 

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00:11:19,760 --> 00:11:21,680
But the scene hasn't stood 
still. 

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00:11:21,880 --> 00:11:27,080
The styles people want have 
widened, R&B has surged in 

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popularity and now you'll hear 
earlier Blues influence records 

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finding their place alongside 
the classics. 

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00:11:35,800 --> 00:11:39,720
Artists like John Lee Hooker, 
Howling Wolf, Sony Boy, 

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Williamson, names really rooted 
in Blues history and now part of

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00:11:45,200 --> 00:11:48,640
the broader Northern Soul 
listening experience. 

90
00:12:09,600 --> 00:12:17,680
I'm writing this letter just to 
let you know things ain't 

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getting new. 
Well, if you find somebody new, 

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then there's a light I can move.
But if you're playing on hurting

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pain, come on, hold on it 
please. 

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Ain't no indeed. 
I'm only indeed. 

95
00:12:44,320 --> 00:12:49,080
And sometimes things can be. 
Roll a heart. 

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00:12:49,080 --> 00:12:53,720
Go to sleep. 
But now I see the light and I'm 

97
00:12:54,040 --> 00:13:01,680
sorry if I hate you. 
See the tease days outside and 

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00:13:04,480 --> 00:13:25,120
prove that I still love you. 
Now I see the light, and I'm 

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sorry if I have. 
You see the tease things outside

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that proof that I still love 
you. 

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You make me before you think 
about the sheep, I mean, and the

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tease that I cry. 
Traditionally, most North and 

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Seoul records sat between 1964, 
1968, but those barriers have 

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00:14:27,880 --> 00:14:33,400
moved late 60s and into the 70s.
What we now call crossover as 

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firmly embedded itself into the 
scene. 

106
00:14:36,480 --> 00:14:39,600
These records carry a slightly 
more modern production, 

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sometimes smoother, sometimes 
more polished, but they earn 

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their place. 
Some of these have become 

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outright classics, including 
Ruby Andrews Just Loving You, 

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00:14:51,760 --> 00:14:56,160
Celeste Hardy and You're Gone 
and A Tracker played you 

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Previously Guitar Ray and You're
Gonna Wreck My Life. 

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00:15:00,760 --> 00:15:06,320
But now I'm selecting a classic 
song from that era, and this is 

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Hamilton Moments. 
She's gone. 

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You know, life, it's a funny, 
funny thing. 

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You know, everybody believes 
that Love Is All about money, 

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but you know the strong believer
that love, true love, is from 

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the heart of the soul. 
Time has come, days are gone. 

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I think of all the time that we 
had a wrong the Apple soul 

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inside. 
I don't fool around. 

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I walk around with my head all 
night. 

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I can't sleep, I can't eat. 
Happen to be bad situation. 

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Girl, you left me here. 
Just take my hand, take my 

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heart. 
Get a locked activity. 

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Leave me alone. 
I work so hard just to see you 

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there. 
Now you want to turn your back. 

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00:16:54,760 --> 00:16:57,000
And just one more way she's 
gone. 

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00:16:57,800 --> 00:17:14,640
Well, well, well, 
well. 

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00:17:18,640 --> 00:17:24,280
Oh, heaven. 
Can't you heal me? 

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Bleed until you got to have your
back? 

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00:17:32,960 --> 00:17:37,160
Girl, I don't. 
I don't know. 

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I'm not a plane. 
They're lying. 

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I'm not a shame back, Mama. 
Mistakes. 

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What's the world feel like 
me? 

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00:18:11,200 --> 00:18:15,200
If you're a collector, geograhy 
really matters because Northern 

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00:18:15,200 --> 00:18:18,360
Soul collecting has always been 
about sourcing records from 

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specific American cities and 
labels, and right at the centre 

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of that is Detroit. 
Detroit is absolutely pivotable,

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home of Tam, the Motown and a 
whole network of associated 

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00:18:31,960 --> 00:18:36,520
labels, Gordie Soul, VIP, Anna 
Harvey. 

140
00:18:36,760 --> 00:18:40,760
Alongside those you've got 
Richtic, Revilla, Golden World 

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labels that produced incredible 
music outside the mainstream 

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00:18:47,120 --> 00:18:50,120
spotlight. 
These Detroit pressings, 

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especially the lesser known, 
places a pure gold for 

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collectors. 
Then you move to Chicago. 

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Will you let me have all of your
loving and affection? 

146
00:19:12,640 --> 00:19:16,400
Yeah. 
Will you give me your heart and 

147
00:19:16,400 --> 00:19:22,280
leave it under my protection? 
Yeah, if you will. 

148
00:19:22,280 --> 00:19:27,040
I want you to be my wife. 
If you will, I'll love you for 

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the rest of my life. 
Hand it over, hand it over, hand

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00:19:35,880 --> 00:19:40,560
it over and I'll give my love to
you. 

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00:19:41,320 --> 00:19:46,840
Yeah, give it to me now, honey. 
Please don't wait until 

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tomorrow. 
No, give it to me now. 

153
00:19:51,880 --> 00:19:55,480
Put it awkward. 
Only bring me sorrows. 

154
00:19:56,280 --> 00:19:59,800
Yeah. 
Say you need my arms around you 

155
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every night, baby. 
Please tell me everything's all 

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right. 
Hand it over. 

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00:20:08,000 --> 00:20:14,560
Have it all over, I need it now.
Have it all over and I'll give 

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my love to you. 
I will give you everything. 

159
00:20:22,120 --> 00:20:29,000
If you would only say yes, I 
would try to buy you springs. 

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00:20:29,680 --> 00:20:35,960
If it only meant your happiness,
let me know you know where I 

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stand. 
Tell me now if you really want 

162
00:20:38,720 --> 00:20:39,920
me. 
Yeah. 

163
00:20:41,000 --> 00:20:47,440
I will be a happy man if you 
would really love me sincerely. 

164
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Come on, baby. 
Take me. 

165
00:20:50,600 --> 00:20:52,360
All right? 
I know. 

166
00:20:52,560 --> 00:20:55,320
Mama. 
This has got to be the night to 

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have it over. 
Have it over. 

168
00:20:56,280 --> 00:21:07,800
All right, Have it over and I'll
hand it up to you. 

169
00:21:09,240 --> 00:21:12,280
Hand it all over. 
I need your kids. 

170
00:21:13,120 --> 00:21:15,640
Hand it all over. 
That's what I have. 

171
00:21:16,400 --> 00:21:22,400
So I hand it over, right? 
Now, of course, the big city 

172
00:21:22,400 --> 00:21:25,960
soul sound an artist like Chuck 
Jackson and Maxine Brown 

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recording on labels like 
Sceptre, Wandum, Musicor. 

174
00:21:29,800 --> 00:21:34,480
Sophisticated, polished, 
emotional records brought a 

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00:21:34,680 --> 00:21:36,840
different dimension to the 
scene. 

176
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And on the West Coast, Los 
Angeles had labels like Door, 

177
00:21:41,280 --> 00:21:46,240
while New Jersey contributed its
own distinct flavour through a 

178
00:21:46,240 --> 00:21:51,640
network of smaller imprints. 
But each city, each label, each 

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00:21:51,640 --> 00:21:56,760
pressing, it all mattered. 
Because every record tells the 

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story. 
But here's the thing. 

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00:21:59,120 --> 00:22:01,520
Northern Soul isn't just about 
the past. 

182
00:22:01,880 --> 00:22:06,400
Even today, newly recorded vinyl
is breaking through onto the 

183
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scene, and when it does, it can 
explode in value almost 

184
00:22:11,800 --> 00:22:22,200
overnight. 
I stand here before you. 

185
00:22:24,800 --> 00:22:32,640
Don't turn me away. 
I know I was wrong now and I'm 

186
00:22:32,640 --> 00:22:37,520
here to stay. 
Now baby, give me one more 

187
00:22:37,520 --> 00:22:42,280
chance to be yours to the day I 
die and I try. 

188
00:22:43,360 --> 00:22:48,320
I'll try baby. 
I try happy outside. 

189
00:22:50,480 --> 00:22:55,360
I know that you're facing me as 
all turns you down. 

190
00:22:57,840 --> 00:23:02,600
Just do what you want to me, but
don't shut me up. 

191
00:23:02,600 --> 00:23:09,640
I may not be able to give you 
all a thing that our money can 

192
00:23:09,640 --> 00:23:12,640
buy, but I'll try. 
I'll try baby. 

193
00:23:12,680 --> 00:23:22,680
I'll try thought, I'll try. 
How can I show you that my love 

194
00:23:22,680 --> 00:23:35,840
is true to satisfy you? 
Just give me your love there. 

195
00:23:35,840 --> 00:23:41,240
Give me your love there. 
Don't make me way, Don't make me

196
00:23:41,320 --> 00:23:44,080
away. 
Just tell me you want me. 

197
00:23:44,120 --> 00:23:47,960
Tell me you want me more. 
Is too late baby. 

198
00:23:49,480 --> 00:23:54,160
Now baby, I don't even know if I
can just be your kind of guy. 

199
00:23:55,600 --> 00:23:57,080
But I try. 
I'll try, 

200
00:24:14,400 --> 00:24:19,440
baby. 
I'll try, I'll try baby. 

201
00:24:19,440 --> 00:24:21,200
I'll try baby. 
Now, baby, I don't even know if 

202
00:24:21,400 --> 00:24:25,120
I can just be your kind of guy. 
What? 

203
00:24:29,840 --> 00:24:46,600
I'll try, I'll try baby. 
I'll try now baby. 

204
00:24:46,800 --> 00:24:54,480
I'll try baby baby. 
Now that track really is a 

205
00:24:54,480 --> 00:24:59,120
modern recording, but rooted 
deeply in that classic sound, 

206
00:24:59,120 --> 00:25:01,920
and collectors are all over 
them. 

207
00:25:02,560 --> 00:25:04,720
Another one making serious 
waves. 

208
00:25:04,760 --> 00:25:07,680
And I'm going to play this now 
because I think it's a fantastic

209
00:25:07,680 --> 00:25:13,000
track, is by Billy Bird and it's
called Lost in the Crowd. 

210
00:25:31,040 --> 00:25:37,120
I'm lost in the crowd. 
I feel the need to cry. 

211
00:25:37,120 --> 00:25:41,720
I laugh. 
I don't know where to go. 

212
00:25:44,040 --> 00:25:49,160
I don't see no one I know at the
party. 

213
00:25:49,400 --> 00:25:54,000
We had a good day. 
Lots of people were there. 

214
00:25:54,000 --> 00:26:00,160
They were free to man and they 
told you and there for my best 

215
00:26:00,200 --> 00:26:01,040
friend. 
And she did. 

216
00:26:02,320 --> 00:26:05,240
Oh yes she did. 
Yes she did. 

217
00:26:06,720 --> 00:26:11,560
Oh yes she did. 
If I can understand. 

218
00:26:14,120 --> 00:26:18,840
I think I feel much better, 
little girl. 

219
00:26:19,560 --> 00:26:24,600
I thought me and you now our 
love, but last forever. 

220
00:26:27,000 --> 00:26:31,800
Don't you never either bother to
tell me. 

221
00:26:31,880 --> 00:26:37,440
Give up a little white life. 
And now I'm walking through the 

222
00:26:37,440 --> 00:26:41,960
crowd. 
I don't see no one but you 

223
00:26:44,600 --> 00:26:46,120
there. 
I lost the crowd. 

224
00:26:48,600 --> 00:26:53,480
I feel the need to cry out loud.
I'm so loud. 

225
00:26:53,480 --> 00:27:01,600
I'm still to cry. 
I feel the need to cry out loud.

226
00:27:01,600 --> 00:27:07,320
Then they told you had left with
my best friend. 

227
00:27:07,480 --> 00:27:10,120
Yes, you did, boy. 
Yes, you did. 

228
00:27:10,400 --> 00:27:12,320
Yes, you did, boy. 
Yes, you did. 

229
00:27:13,720 --> 00:27:16,600
You're happy, baby boy. 
Yes, you did. 

230
00:27:29,400 --> 00:27:32,560
And as we close tonight, from 
the packed dance floors of the 

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00:27:32,560 --> 00:27:37,640
North to record boxes, auctions 
and collections spread across 

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00:27:37,640 --> 00:27:40,960
the world, Northern Soul is 
still burning. 

233
00:27:41,120 --> 00:27:45,680
It lives in the grooves of those
rare 40 fives, in the stories 

234
00:27:45,680 --> 00:27:50,360
behind every label and pressing,
and in the people who continue 

235
00:27:50,600 --> 00:27:55,160
to search, play and preserve it.
Because this scene was never 

236
00:27:55,160 --> 00:27:59,480
just about nostalgia. 
It's about discovery, it's about

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00:27:59,560 --> 00:28:03,680
passion. 
And above all, it's about the 

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00:28:03,680 --> 00:28:07,560
music. 
Until the next time, bye bye. 

239
00:28:11,600 --> 00:28:22,800
I 
love you, I love you, I love 

240
00:28:22,800 --> 00:28:26,600
you. 
If you ask me forever, I would 

241
00:28:26,600 --> 00:28:32,200
be if you were my own guitar. 
If you wanted to hear another 

242
00:28:32,480 --> 00:28:36,440
music I would get all the angels
to play a ha ha. 

243
00:28:37,440 --> 00:28:43,680
If you asked for a class of 
water, I would run over rivers 

244
00:28:43,680 --> 00:28:47,480
Drive. 
If you won't plant someone in 

245
00:28:47,560 --> 00:28:51,080
the hell, I would Gris for this.
The thumb died before. 

246
00:29:00,640 --> 00:29:04,920
I love you, I love you, I love 
you. 

247
00:29:08,080 --> 00:29:14,640
If you wanted my life it would 
be OK. 

248
00:29:15,680 --> 00:29:18,600
All I love around you are. 
Hold on. 

249
00:29:20,200 --> 00:29:28,520
Day before yesterday, you're my 
dear, my ambition, my reason for

250
00:29:28,520 --> 00:29:35,000
living this day. 
You're the alpha and only that. 

251
00:29:35,360 --> 00:29:50,400
Love is up to say because I love
you, I love 

252
00:30:16,720 --> 00:30:26,400
you, I love you. 
OK 'cause my love, the crown you

253
00:30:26,400 --> 00:30:32,840
walked on and the floor 
yesterday, you're my lady. 

254
00:30:33,360 --> 00:30:37,840
Open my hand been shut. 
My reasons are burning in this 

255
00:30:37,880 --> 00:30:43,760
day you'll be Alba and old me 
love. 

256
00:30:44,120 --> 00:30:46,640
There's nothing left to say 
because.