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Welcome back. 
And tonight I'm asking the 

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question, what makes Northern 
Soul Northern? 

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So what makes Northern Soul 
Northern? 

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Is it the sound, those driving 
beats, the relentless tempo 

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records built for movement, not 
radio? 

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Is it the place from the dance 
floors of Wigan Casino to the 

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back rooms and ballrooms 
scattered across the industrial 

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north? 
Or is it something deeper? 

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When you need me anytime baby, 
don't you hesitate. 

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Just call my same old number and
then just wait. 

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Give me just a minute or two. 
I'll be right there to see about

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you, see about you, baby. 
Just like Johnny. 

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Just like Johnny. 
Just like Johnny. 

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Just like Johnny. 
Let's me. 

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Hey, hey, hey. 
No need to be an old song only. 

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And this is all fun. 
Just call me darling and I'll be

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home. 
Run. 

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Give me just a minute or two. 
I'll be out there to see about 

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you. 
I'll see about you. 

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Play. 
Yeah. 

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I'll be just like Johnny on the 
Star. 

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Just like Johnny on the Star. 
Just like Johnny. 

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Just need me. 
I make the highways. 

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That's what they call me. 
Give me just a minute or two to 

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rescue you. 
Just like Johnny. 

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Just like Johnny. 
Just like Johnny. 

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For those who never stood on a 
packed dance floor at 3:00 AM, 

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never felt the opening bars of 
the right track hit like a 

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heartbeat and never heard a room
erupt at the drop of a needle, 

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Northern Soul can feel like a 
mystery. 

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Who was Frank Wilson? 
How did these impossibly rare 

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American records, pressed in 
tiny numbers thousands of miles 

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away, end up becoming sacred 
objects in Britain? 

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And perhaps the biggest question
of all, what makes Northern Soul

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Northern? 
Don't say that I've been there, 

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never taking you nowhere but 
aside everything that I even 

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accuse me of being. 
And I'm true. 

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I still love you, baby. 
But you've got me training 

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behind my Give me a plane a 
ride, darling me, please relax. 

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Cut to yourself. 
Open your eyes. 

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Baby can't see that I know what 
else to eat ever since the day. 

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The story, as it's often told, 
begins with Dave Golden, late 

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1960s in London, inside his 
shop, Soul City. 

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The capital's trendsetters are 
chasing the newest sounds. 

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Fresh Imports chart hits the 
next big thing from across the 

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Atlantic. 
But something unusual keeps 

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happening. 
Week after week. 

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Young people with northern 
accents, sharp eyes, purpose in 

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their stride, walk in, asking 
for something completely 

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different, Not the new, not the 
fashionable. 

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They want forgotten records, 
obscure American Soul singles, 

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tracks already disappearing into
history and golden. 

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He clocks it, and he gives them 
a name, a section in his shop 

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labelled simply Northern Soul. 
And many places hide. 

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I'm a smiler and many faces 
hide. 

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If you're wondering if my love 
is true, it's true. 

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And I'll give a few of you world
My love is right on me. 

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Don't you may roar anywhere, but
my lover will be right there. 

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And my love will never, never 
die, Never die. 

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Tell me why were my lover? 
It's for this ride on me. 

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I'm fit. 
You is my joy to see. 

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I love only you, my dear. 
No matter if you're away from 

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me. 
My love is true. 

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No little. 
Can't you see that little girls?

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I miss you With you my lover. 
They don't compare so don't 

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worry, I guarantee you. 
But really, the label only tells

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you what it's called, It doesn't
really explain why it happened. 

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And to understand that, you've 
got to leave London behind and 

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head north, back to a Britain 
where the skyline wasn't glass 

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and steel towers, but mills, 
foundries and pit heads. 

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Try under, say that I love you, 
I love you, I love you baby, 

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That I'd never never you without
you baby. 

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You better be a little patient, 
baby. 

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It's nothing but a harmless 
flirtation and that she can't 

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confare with me, but it's 
something I don't want about I 

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guys to do and try to undine 
that I love you, I love you, I 

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love you baby. 
That you win win. 

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We have a baby. 
It's not that you're not good 

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too baby. 
You're even better than she 

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looks baby, and the thing that 
is you for baby 'cause I always 

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need to love and soul me stand I
happy and try to under that I 

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love you, I love you, I love you
baby that you we we will have a 

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baby. 
My baby, 'cause I always enjoy 

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loving song. 
Please stand by me and try to 

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understand that I love you. 
I love you I love you baby. 

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That you way way above a baby. 
That you sleepy love me. 

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The north of England in the 
1960s and 70s was still the 

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industrial engine of the country
and if you were young, working 

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class and living there, your 
path was often laid out. 

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School, work, factory, repeat. 
No gap years, no trust funds, no

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finding yourself. 
So when the weekend came, it 

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really mattered. 
Now, down in London, youth 

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culture shifted fast. 
Monster hippies in the blink of 

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an eye. 
But up north something different

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happened. 
They held on to the beat. 

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The sharp suits softened, maybe,
but the music stayed fast, 

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urgent and danceable. 
I used to sit around with my 

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head hanging down. 
I'm feeling sad and so blue 

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because I'm lonely for you, you,
you. 

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I brought them all just for you,
darling. 

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You're my whole world around 
you. 

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I refuse. 
I refuse to be lonely baby. 

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To be lonely baby. 
I refuse to be lonely baby. 

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Slowly but surely I had to get 
over you. 

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And then I realised just what I 
had to do. 

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Have to get you out of my mind. 
Start my life with me. 

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That's what I've got to do. 
I refuse. 

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I refuse to be lonely, baby. 
To be lonely, baby. 

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I refuse to be lonely baby. 
I refuse to be lonely baby. 

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From that day on 
I have got to forget. 

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You forget, only regret I have. 
I still love you, lonely, and 

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you always on my mind. 
I refuse you. 

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I refuse to be lonely baby. 
Lonely baby. 

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I refuse to be lonely, baby. 
I refuse to be lonely, baby. 

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I refuse to be lonely, baby. 
I feel to be lonely, baby. 

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I feel to be lonely. 
Oh, I be lonely, lonely. 

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Never be lonely. 
I don't know. 

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I'm lonely, lonely, baby. 
I won't be lonely. 

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Because you see, life up north 
really wasn't about drifting 

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away. 
It was about release. 

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No LSD daydreams, no sitting in 
fields watching the wheel go by.

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This was all night, dancing, 
sweat, spins, backdrops. 

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Hours on a sprung floor chasing 
a rhythm that never LED up. 

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And here's the twist. 
That music, the heartbeat of 

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Northern Soul, it wasn't British
at all. 

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It came from places like 
Detroit, Philadelphia and 

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Chicago. 
I know you want me. 

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I know I wish you success. 
How will I understand your love 

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for him? 
It's like my love for you, love 

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for you, Your love for him. 
It's like my love like my lover 

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for you all baby. 
It's a wasting of the time rope 

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and it's hope is being. 
It doesn't stand to reason. 

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I know if the food is too, that 
you get up yourself and there's 

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nothing you can leave. 
Your love for you, it's like my 

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love for you. 
I'm young. 

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Your love for you, it's like my 
love, Like my love for you. 

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I'll be there. 
Oh, don't eat nothing that one 

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bad. 
But you made-up your man and 

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there's nothing you can do. 
Your love for him. 

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It's like my love for you, love 
for you, your love for you. 

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Get your tear that I really love
you baby. 

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Now those American cities were 
industrial cities, working class

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cities, places that in many ways
mirrored the north of England. 

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Different continents, but the 
same energy. 

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Then they were the venues, 
ballrooms, dance halls, places 

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built decades earlier for 
workers to unwind, now worn, 

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slightly crumbling, but perfect.
They were cheap to hire, big 

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enough to move and, crucially, 
free from trends because in the 

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North, no one cared what was 
fashionable in London. 

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When I'm not around, Try to make
you live without me. 

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Lose the love that went down. 
But I can't excuse that made of 

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me. 
What means all right will never 

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be wrong. 
Tell them where we go live. 

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Tell them that I know where I 
know. 

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I'm bringing you down. 
I'm. 

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I'm on the roadside of town. 
I'm bringing you down. 

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I'm on the roadside of town. 
You're trans. 

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You're talking about me. 
You say you won't live without 

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me inside. 
I hope you won't live without 

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me. 
In the north of England they 

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cared about the record, the 
temple, the rarity and the 

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feeling, and no one captured 
that better than Wigan Casino 

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from 1973. 
It became the beating heart of 

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the scene and all night a temple
to soul music. 

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Not glamorous, not polished, but
real. 

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Gonna go be a mountain way up 
high. 

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Gotta get away from this cruel 
world. 

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Gonna leave everything, 
everything including my girl. 

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My girl gonna go be a mountain 
way up high. 

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I'm going to look for freedom of
the mountain time. 

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If I don't find anything I'm on 
my way to the moon. 

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The garden world will be seen 
this soon. 

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Going to build me the mountain 
way apart. 

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Can you tell me what to say? 
Say to my mother and father? 

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Just do, brother, do. 
Come on, let me hear what you 

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got to say. 
It better be good because I'm on

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my way. 
When I will say no Glory 

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Hallelujah. 
And at the Wigan casino, dishes 

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like Ruswin Stadley at the 
freedom to dig deeper, play 

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rarer and push further while the
London clubs chase the trends. 

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Wigan, Magic in the grooves and 
of course Northern Soul didn't 

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stay in the north forever. 
Places like the 100 Club carried

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the torch in the capital and 
today the scene stretches across

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the UK and far beyond. 
But its identity that's still 

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rooted in something very 
specific. 

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Working class energy, obsessive 
record collecting, and a dance 

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floor culture built on escape, 
not image. 

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So what makes Northern Soul 
northern? 

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It's not the geography, it's 
graft. 

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It's community. 
It's the idea that after a long,

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hard week, you earn your moment,
one record at a time, one dance 

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at a time, until the lights come
up and reality kicks back in. 

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Man, oh man, I'm trying hard as 
I can just to make you 

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understand that my heart is 
breaking, the love is left. 

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I'm all by myself, like my heart
is on the shell and I'm bad and 

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00:26:48,240 --> 00:26:51,400
shaking. 
What shall I do? 

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I'm in a order to share. 
Now I'm feeling somebody come on

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00:27:00,760 --> 00:27:07,320
and tell me what to love you. 
I need to know Him. 

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I know Love's need love just 
simple my PP and you're thinking

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not just forget nobody her love 
can be found if I just look 

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around I know she's in town. 
I'm going to jump on the 

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childhood which I do too little 
man and I hide in all that he 

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00:27:32,520 --> 00:27:36,800
shall now and don't feel real. 
Nobody. 

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Come on and tell me what she's 
like to do. 

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00:27:59,880 --> 00:28:06,920
The all sweet love is simple, 
up, above, up, whatever you're 

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thinking of, just forget about 
it. 

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Her love can be found if I just 
look around. 

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I know she's in town. 
I'm going to jump on the 

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Charlie. 
What should I do? 

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Just get my love back and I hide
it. 

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All that is shine now and I feel
hurt to lose somebody. 

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Come on and tell me what should 
I do? 

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00:28:47,840 --> 00:28:50,200
So what makes Northern so 
Northern? 

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It's not just the records 
pressed in places like Detroit 

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or Chicago. 
It's not just the venues like 

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Wigan Casino where the music 
found its home, it's the people.

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It's the dancers who gave those 
records live, the DJs who 

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searched endlessly for the next 
undiscovered gem, and the 

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communities that turned 
forgotten songs into timeless 

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anthems. 
Northern Soul isn't just 

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something you listen to, it's 
something you live. 

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And once you've felt it, it 
never really leaves you. 

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Until the next time, bye bye. 
Love is blind, love is blind 

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00:30:01,360 --> 00:30:08,680
that I can see and I open up my 
heart girl, open up my heart. 

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You made us love me and I tell 
myself it I'm never look again. 

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And now that you gone away and I
just. 

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I I just can't even. 
I just can't. 

228
00:31:12,800 --> 00:31:20,320
I just can't win. 
So I walk through the land with 

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00:31:20,360 --> 00:31:25,640
the harmless steel. 
I know when I'm feeling baby 

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00:31:27,680 --> 00:31:41,120
that love is me. 
I just don't believe that.

