1 00:00:00,600 --> 00:00:04,640 Tonight we go back, way back, to the days when life was simple, 2 00:00:04,640 --> 00:00:09,520 exciting and full of flavour. Cadbury's Aztec bars in your 3 00:00:09,520 --> 00:00:14,640 pocket, salty monkey nuts in a paper bag and a full tank of 4 00:00:14,640 --> 00:00:19,400 petrol that felt like a tiger roaring under the bonnet. 5 00:00:40,560 --> 00:00:43,920 And tonight, I'm taking you back when you kicked a ball in the 6 00:00:43,920 --> 00:00:47,760 street in your brand new brogues, dreaming big, listening 7 00:00:47,760 --> 00:00:51,160 to the radio and singing along with Grey and Bonnie's 8 00:00:51,160 --> 00:00:53,720 Supergirl. These were the sounds and the 9 00:00:53,720 --> 00:00:57,520 moments that defined a generation, the little sparks 10 00:00:57,520 --> 00:01:01,040 that made every day extraordinary. 11 00:01:29,360 --> 00:01:34,440 This morning to you. But girl, unless I knew God, I 12 00:01:34,440 --> 00:01:36,920 can take care of myself. I'm a man. 13 00:01:36,920 --> 00:01:40,760 I can take it. I'm don't you. 14 00:01:40,760 --> 00:01:43,920 I can take care of myself and wake up you and me. 15 00:01:43,920 --> 00:01:53,160 I'm the man. You're my hope of heart. 16 00:01:54,000 --> 00:02:02,720 I'm not going to cry. And you won't break every world, 17 00:02:03,760 --> 00:02:08,320 but I'm going to show you, girl, that I can take care of myself. 18 00:02:08,720 --> 00:02:14,160 Oh man, I can take it. I will show I can take care of 19 00:02:14,160 --> 00:02:16,920 myself. And without you, I'll make it. 20 00:02:16,920 --> 00:02:38,520 I'm going. Now the word how you do all of 21 00:02:40,160 --> 00:02:41,000 that and your brother. Yeah. 22 00:02:41,120 --> 00:02:48,960 How you way to shut me down and your friends all do that. 23 00:02:50,160 --> 00:02:54,000 I need no money to bring. I can take care of myself. 24 00:02:54,000 --> 00:02:56,600 I'm a man. I can take it. 25 00:02:57,760 --> 00:03:01,040 I'm going to. I can take care of myself. 26 00:03:01,040 --> 00:03:02,320 You will talk to you and make it. 27 00:03:02,360 --> 00:03:03,520 I'm for me. I can take care of myself. 28 00:03:04,240 --> 00:03:47,360 I can. And of course, it's all about 29 00:03:47,360 --> 00:03:48,720 the music. The soul. 30 00:03:48,720 --> 00:03:52,360 Not just any soul, but the Northern Soul that got hearts 31 00:03:52,360 --> 00:03:55,880 racing, feet flying and the dance floor alive. 32 00:03:55,880 --> 00:03:59,680 From Manchester to Stoke. Tonight we're digging out those 33 00:03:59,680 --> 00:04:01,880 rare grooves. The records that made nights 34 00:04:01,920 --> 00:04:04,960 unforgettable. The tracks you chase, the songs 35 00:04:04,960 --> 00:04:10,000 that defined your teenage years. The energy, the passion and the 36 00:04:10,000 --> 00:04:13,960 joy of discovery. Music that felt like it was made 37 00:04:14,600 --> 00:04:33,000 just for you. My darling, there's my heart. 38 00:04:33,000 --> 00:04:33,560 You're here. I'm crying. 39 00:04:33,560 --> 00:04:36,280 Oh, my darling, can't you hear me? 40 00:04:36,560 --> 00:04:38,240 I won't. You need me. 41 00:04:39,040 --> 00:04:46,480 Oh, my darling, you must know I need your soul now. 42 00:04:46,640 --> 00:04:53,840 I'm afraid I can't go on it's life without you, darling, So 43 00:04:53,840 --> 00:05:00,400 much more than I can bear. Oh, I need your precious love. 44 00:05:00,800 --> 00:05:03,760 And I don't know how I'm going to make it from him. 45 00:05:04,840 --> 00:05:09,320 Oh, mighty darling, that's my heart. 46 00:05:10,120 --> 00:05:18,000 You hear a fright. Oh, mighty darling, it's so 47 00:05:18,320 --> 00:05:28,040 Hardy His first name died. Oh, my darling, you become a 48 00:05:28,040 --> 00:05:33,280 heaven, and I can't break it. Oh, my darling. 49 00:05:34,520 --> 00:05:38,600 Never gets so lonely. Just can't take it now. 50 00:05:38,600 --> 00:05:44,760 I'm afraid I can't go on. It's life without you, darling. 51 00:05:45,560 --> 00:05:47,520 It's tearing me down. Me down. 52 00:05:47,680 --> 00:05:50,160 Shadow rubber. Whoa. 53 00:05:50,200 --> 00:05:55,360 I find myself this wishing for the feel of your lips, touch of 54 00:05:55,360 --> 00:06:01,400 your hand. Oh my darling, that's my heart 55 00:06:01,520 --> 00:06:09,800 you hear on Friday. Oh my darling, there's no hearty 56 00:06:09,840 --> 00:06:33,320 first and die. No, I'm afraid I can't go on. 57 00:06:34,280 --> 00:06:40,040 It's like without you, darling. It's just like trying to bend it 58 00:06:40,120 --> 00:06:44,200 up. I feel so long and grimless and 59 00:06:44,920 --> 00:06:47,720 there's no solution. I just got to have you. 60 00:06:47,720 --> 00:06:55,560 Oh my God, that's my heart. You hear a crying. 61 00:06:56,640 --> 00:07:02,640 Oh my God, that's all Hardy. This wasn't dying. 62 00:07:02,640 --> 00:07:14,120 Oh my God, that's my heart. You hear a crying. 63 00:07:15,160 --> 00:07:21,000 Oh my God, that's all Hardy. This wasn't dying. 64 00:07:28,520 --> 00:07:32,640 Jackie Lee's Oh my Darling isn't just a song, it's a reminder of 65 00:07:32,640 --> 00:07:37,400 why Northern Soul wasn't only about rarity, but about passion. 66 00:07:37,640 --> 00:07:42,400 Each record carries a story, each note demands attention, and 67 00:07:42,400 --> 00:07:47,520 Jackie Lee's voice is a perfect example of that understated 68 00:07:47,520 --> 00:07:48,120 magic. You. 69 00:07:49,200 --> 00:07:54,200 Know dancing is a part of life. It's one of the thrills of young 70 00:07:54,200 --> 00:07:59,280 America, and Young America has been responsible for setting 71 00:07:59,280 --> 00:08:01,040 most of the world's dance creams. 72 00:08:01,800 --> 00:08:06,960 We get the twist, the monkey, the duck, and now we're going to 73 00:08:06,960 --> 00:08:08,960 do the skate. So come on, stop it. 74 00:08:08,960 --> 00:08:13,800 All right, we go. Here we go. 75 00:08:15,680 --> 00:08:20,440 Now there's that beat and I must dance. 76 00:08:20,520 --> 00:08:25,080 Oh, yeah. Now there's that rhythm that 77 00:08:25,080 --> 00:08:27,520 puts me in a trim. Oh, yeah. 78 00:08:28,600 --> 00:08:31,680 Now that beat and that rhythm just keeps building up. 79 00:08:32,200 --> 00:08:34,440 It's too hot for me to slow down. 80 00:08:36,000 --> 00:08:40,720 I feel what happened and I'm the time I'm to dance with that. 81 00:08:42,200 --> 00:08:47,120 Now there's that groove that makes me want to move high. 82 00:08:47,280 --> 00:08:52,920 Yeah, now that groove is filled with soul and I can't help but 83 00:08:52,920 --> 00:08:57,080 lose control 'cause that feet and that rhythm just keep 84 00:08:57,560 --> 00:09:00,560 filling that up. It's too hot for me to slow 85 00:09:00,680 --> 00:09:03,520 down. I'll be I'm filled with 86 00:09:03,560 --> 00:09:08,400 happiness and I'll be their mom to live with that. 87 00:09:08,400 --> 00:09:12,840 And now music is such an attraction to move my feet into 88 00:09:12,880 --> 00:09:16,800 my first reaction, 'cause that's the only way to get done is 89 00:09:17,840 --> 00:09:19,920 watch me now as I go into action. 90 00:09:20,000 --> 00:09:27,840 Now I'll let you again. And that rhythm too high and 91 00:09:28,200 --> 00:09:31,760 music make you feel like I do. You gotta dance too. 92 00:09:32,800 --> 00:09:37,280 All right, 'cause my feet and that arimal just keep feeling 93 00:09:38,000 --> 00:09:42,760 it's too high for me to slow down and my feet are filled with 94 00:09:42,800 --> 00:09:47,880 happiness and I'm going to do that. 95 00:09:49,360 --> 00:09:55,000 Hey, you know, I feel great. All right, I'm going to do that. 96 00:09:55,760 --> 00:10:02,160 Hey now. Picture this, the mid 70's. 97 00:10:02,160 --> 00:10:05,360 The air is thick with anticipation, the dance floor 98 00:10:05,360 --> 00:10:09,400 alive with movement and a rhythm pounding through the speakers 99 00:10:09,720 --> 00:10:14,000 that makes your heart skip and your feet move before your mind 100 00:10:14,320 --> 00:10:18,080 can catch up. The rhythm, that irresistible Dr 101 00:10:18,320 --> 00:10:22,880 comes courtesy of Richard Temple and the track, that beating 102 00:10:22,920 --> 00:10:25,120 rhythm. It's a slice of soul that 103 00:10:25,120 --> 00:10:30,800 captures the energy, the flare and the sheer joy of the era. 104 00:10:31,000 --> 00:10:35,240 It was recorded in the mid 60s, but only finding its audience on 105 00:10:35,240 --> 00:10:38,320 the Northern Soul circuit a decade later. 106 00:10:38,560 --> 00:10:42,040 This is the music that crossed oceans, bridging the streets of 107 00:10:42,040 --> 00:10:46,560 Detroit, Philadelphia, and Chicago with hidden basements, 108 00:10:46,560 --> 00:10:49,920 all nighters, and the Mecca ballrooms of the North. 109 00:10:50,360 --> 00:10:53,760 Tonight we're going to dive into these grooves, exploring the 110 00:10:53,760 --> 00:10:58,440 stories behind the artists, the clubs where their sounds became 111 00:10:58,440 --> 00:11:02,760 legends, and the culture that transformed small, pressing 112 00:11:02,760 --> 00:11:06,440 records into national obsessions. 113 00:11:18,160 --> 00:11:22,600 Everything that you care 'cause I can see right through 114 00:11:22,960 --> 00:11:25,880 everything that you do. Don't play games. 115 00:11:26,240 --> 00:11:29,640 Don't you dare. Since I'm not a child, I don't 116 00:11:29,640 --> 00:11:33,600 do things that I used to. You're accustomed to playing 117 00:11:33,600 --> 00:11:36,760 around every girl that you know, baby. 118 00:11:38,920 --> 00:11:47,320 You're accustomed to having your way everywhere that you go to 119 00:11:47,520 --> 00:11:53,160 return all the love that you are asking, baby. 120 00:11:54,040 --> 00:11:57,680 Unless you think that you deserve all the things that I 121 00:11:58,360 --> 00:12:00,760 can give you, I need a guy that I can trust every little into my 122 00:12:00,920 --> 00:12:01,920 heart, baby. I need a guy who will give all 123 00:12:01,920 --> 00:12:05,000 his love. I'm all the storm heart, baby, 124 00:12:05,000 --> 00:12:07,440 Don't bet you don't. You retain. 125 00:12:17,640 --> 00:12:19,240 Don't pretend, Don't you pretend. 126 00:12:19,280 --> 00:12:29,320 No, no, no, no, no, no, no, no, no, no, no, no, no, no, baby. 127 00:12:29,320 --> 00:12:32,200 Don't pretend 'cause you know that you don't have to ever 128 00:12:32,440 --> 00:12:35,640 spare my feelings. I'm a big girl. 129 00:12:36,280 --> 00:12:40,040 I face backs. I don't have to put up all your 130 00:12:40,040 --> 00:12:45,800 double dealings in your hues. Go wasting the time stumbling 131 00:12:45,880 --> 00:12:50,320 around you while you feel around trying to make up your mind or 132 00:12:50,360 --> 00:12:57,840 what you're going to do. Baby, don't pretend, don't you 133 00:12:57,840 --> 00:13:00,520 pretend. Don't pretend, don't you? 134 00:13:00,880 --> 00:13:10,530 No, no, no, no, no, no, no, no, no, no, baby, No, no, no, no, 135 00:13:11,090 --> 00:13:23,960 no, no, no. And tonight, the soul. 136 00:13:23,960 --> 00:13:27,720 Not just any soul. This is the sound of discovery. 137 00:13:27,720 --> 00:13:31,520 The records you didn't hear on the radio, the ones you've found 138 00:13:31,520 --> 00:13:34,960 in the back rooms, record shops and the all nighters. 139 00:13:35,280 --> 00:13:37,640 That was the bells and don't pretend. 140 00:13:37,960 --> 00:13:42,280 Pure Northern Soul energy, bright harmonies, driving rhythm 141 00:13:42,640 --> 00:13:47,960 and that irresistible bounce that fills the floor in seconds. 142 00:13:58,840 --> 00:14:03,240 The night you left me, all I did was cry. 143 00:14:05,000 --> 00:14:12,360 All I had was these super news since you said goodbye now party 144 00:14:13,080 --> 00:14:19,000 super news, Heartache souvenirs. The handkerchief I wipe my 145 00:14:19,000 --> 00:14:22,680 cheers with it's a heartache souvenir. 146 00:14:23,960 --> 00:14:27,200 But just thank good luck. I cried on. 147 00:14:27,200 --> 00:14:34,680 It's a heartache souvenir. All these things, a heart ex 148 00:14:34,920 --> 00:14:40,880 souvenir. All these things, a heart ex 149 00:14:40,880 --> 00:14:57,560 souvenir. I'm going to put these souvenirs 150 00:14:58,840 --> 00:15:03,040 in. My heart is trapped to remind me 151 00:15:03,080 --> 00:15:08,800 of the heartaches and the nights I cried the truth. 152 00:15:08,800 --> 00:15:12,320 Thank the Lord I cried on the handkerchief. 153 00:15:12,440 --> 00:15:19,040 I wipe my tears with. All these things, a heartache 154 00:15:19,040 --> 00:15:25,360 souvenir. All these things, a heartache 155 00:15:25,360 --> 00:15:37,960 souvenir. All these things a heartache 156 00:15:37,960 --> 00:15:44,320 souvenirs, a chespank pillow. All these things a heartache 157 00:15:44,320 --> 00:15:46,360 souvenirs the chespank handkerchief. 158 00:15:47,000 --> 00:15:52,760 All these things a heartache souvenirs, the chespank pillow. 159 00:15:53,440 --> 00:15:58,200 All these things, a heartache, Souvenirs, the chespank. 160 00:16:03,640 --> 00:16:06,520 From the bounce and sparkle of the bells, we're moving to 161 00:16:06,520 --> 00:16:08,360 something deeper, something heavier. 162 00:16:08,760 --> 00:16:13,440 That was William Powell with Heartache Souvenirs, a voice 163 00:16:13,440 --> 00:16:17,080 full of ache, a groove that moves slow and steady, and a 164 00:16:17,080 --> 00:16:20,560 soul record that doesn't shout. It pulls you in. 165 00:16:20,880 --> 00:16:23,600 This is the other side of Northern Soul. 166 00:16:23,840 --> 00:16:26,840 Not just movement. Emotion, not just rhythm. 167 00:16:27,400 --> 00:16:30,360 Good feeling. The kind of record that stills 168 00:16:30,360 --> 00:16:35,200 the floor, changes a mood and reminds you why this music 169 00:16:35,200 --> 00:17:00,440 mattered. I don't think 170 00:17:15,260 --> 00:17:36,630 she had what to do. She's got it. 171 00:18:31,220 --> 00:19:03,380 None. It's got a smooth groove, a warm 172 00:19:03,380 --> 00:19:07,100 vocal, and that steady soul rhythm that keeps the floor 173 00:19:07,100 --> 00:19:10,900 moving without forcing it. A record that doesn't chase you, 174 00:19:10,940 --> 00:19:15,900 it carries you, and this is the sound of confidence, of soul 175 00:19:15,900 --> 00:19:19,060 that knows exactly what it's doing. 176 00:19:29,960 --> 00:19:40,040 We're going to lie and tomorrow we're going to play. 177 00:19:40,280 --> 00:19:52,200 Now we're going to lie. Hey, tomorrow we're going to 178 00:19:52,960 --> 00:19:58,000 play down. You irritate a lot of work. 179 00:19:58,160 --> 00:20:04,240 You need a road bed for now, go ready, you know. 180 00:20:04,240 --> 00:20:08,000 But this one won't make unless the captain's got it from there. 181 00:20:10,240 --> 00:20:21,600 And tomorrow we're going to play now. 182 00:20:24,240 --> 00:20:34,640 And tomorrow we're going to play now. 183 00:20:37,480 --> 00:20:41,760 Half a leaner. Oh, yeah, She had a daughter. 184 00:20:41,760 --> 00:20:46,080 Oh, she ran a smoke pass down by the border head. 185 00:20:47,600 --> 00:20:51,000 Yeah. Havolina, 00, daughter. 186 00:20:51,000 --> 00:21:05,800 She ran a smoke now stop by the water, the way the wind is cold, 187 00:21:05,800 --> 00:21:10,920 we won't sheave in it. Shout right behind me now Daddy 188 00:21:10,960 --> 00:21:14,520 now went wrong, we won't sheave in it. 189 00:21:16,800 --> 00:21:36,760 And tomorrow we go to play. Now we're all alive all night. 190 00:21:39,600 --> 00:21:42,880 And tomorrow we're going to sleep now, I said. 191 00:21:43,280 --> 00:21:47,400 Tomorrow we're going to sleep now, I said tomorrow, tomorrow, 192 00:21:48,160 --> 00:21:52,800 tomorrow, tomorrow, tomorrow. We're going to sleep now. 193 00:22:08,760 --> 00:22:13,400 We're in the 60s now, the real 60s Northern style, when soul 194 00:22:13,400 --> 00:22:17,160 wasn't fashion, it was identity. You had to get in the bath to 195 00:22:17,160 --> 00:22:21,720 shrink your Lee Coopers, scrub them raw to fade quicker. 196 00:22:22,280 --> 00:22:27,800 There was red Barrel on the bar, Harrison jackets, Crombie coats. 197 00:22:28,040 --> 00:22:30,520 This wasn't style. This was uniform. 198 00:22:30,760 --> 00:22:33,560 It was Stax and Atlantic on the turntable. 199 00:22:33,760 --> 00:22:37,360 It was going to a go go. It was Mooney. 200 00:22:37,360 --> 00:22:41,560 Mooney, Aretha, JJ Jackson, Levi Stubbs. 201 00:22:42,040 --> 00:22:46,600 Voices that carry power, pain, joy and truth. 202 00:22:46,960 --> 00:22:51,760 And running through it all, that pulse, that heartbeat, the thing 203 00:22:51,760 --> 00:22:55,920 that held it all together. Sweet soul music. 204 00:23:24,520 --> 00:23:34,960 Baby, someday maybe you'll say. Way to hold you in my heart. 205 00:23:34,960 --> 00:23:38,800 Show me all your charms. Help me. 206 00:23:39,680 --> 00:23:52,570 I love you too. Promise that you won't go. 207 00:23:53,850 --> 00:24:37,640 Baby, Baby, someday, you'll say. Help me, I love you so promise. 208 00:25:04,960 --> 00:25:07,800 Tonight, it's all about the 1960s. 209 00:25:07,800 --> 00:25:12,800 It was stateside record label souped up Mini Coopers, frothy 210 00:25:12,800 --> 00:25:20,440 coffee, tins of Brasso on the shelves. 5 Park Dr #6 And if you 211 00:25:20,440 --> 00:25:25,080 were really flush, it would be Benson and Henge's king size 212 00:25:25,560 --> 00:25:31,360 Green Shield stamps and the iconic Ready steady go. 213 00:25:56,480 --> 00:26:06,600 Some people say wait until tomorrow, but tomorrow might 214 00:26:06,600 --> 00:26:13,120 breathe more sorrow. So far, when you say stay your 215 00:26:13,120 --> 00:26:18,040 Mother Day, the pain won't be today. 216 00:26:32,680 --> 00:26:41,640 I'll go on to ski and I'll go on the way for as long as let us 217 00:26:41,680 --> 00:26:48,120 hope I don't have to stay my love for you and that. 218 00:26:48,600 --> 00:26:51,320 So will you please, please try to stay back? 219 00:26:57,320 --> 00:27:05,400 Yes, I will. Yes, I will. 220 00:27:24,840 --> 00:27:29,320 I'm going to love you every day going to love you. 221 00:27:30,200 --> 00:27:35,040 Come on baby, back a road dooming on a phone. 222 00:27:35,120 --> 00:27:39,000 Come back to have a love one. Family is going to take a little 223 00:27:39,120 --> 00:27:42,760 time so I'll just have patience and wait and see. 224 00:27:43,560 --> 00:27:46,320 It's the girl I need so badly. Will never leave me. 225 00:27:46,560 --> 00:27:54,720 Baby, I love you. Baby, I need you. 226 00:27:58,720 --> 00:28:01,440 And that was from Rarity and Reputation. 227 00:28:01,600 --> 00:28:06,040 And we move into promise, into warmth, into commitment. 228 00:28:06,040 --> 00:28:08,880 Soul. That was Edward Hamilton with 229 00:28:09,080 --> 00:28:12,160 I'm going to Love You. Pure, deep soul. 230 00:28:12,240 --> 00:28:14,680 Tender, honest and full of feeling. 231 00:28:14,960 --> 00:28:17,560 A voice that doesn't perform, it confesses. 232 00:28:17,840 --> 00:28:20,960 A record that doesn't rush. It connects. 233 00:28:21,200 --> 00:28:24,240 This is the side of the scene people forget. 234 00:28:24,600 --> 00:28:30,280 Not just dancers and DJs, but emotion, memory and meaning. 235 00:28:30,560 --> 00:28:35,840 The kind of record that didn't just fill floors, it stayed with 236 00:28:35,840 --> 00:29:01,240 people. There's some money alone when 237 00:29:01,320 --> 00:29:07,000 you're trying to make it all alone and you've got nothing 238 00:29:07,160 --> 00:29:10,560 right in your corner to spin my side. 239 00:29:10,640 --> 00:29:16,440 Now all it takes is to let out the whole life, to make this 240 00:29:17,160 --> 00:29:23,160 world too hard, to get the child up the stream. 241 00:29:50,800 --> 00:30:36,020 The. I. 242 00:31:05,920 --> 00:31:34,010 The. Probably one of the best dance 243 00:31:34,010 --> 00:31:37,210 records of the 1960's, The Young Hearts. 244 00:31:37,720 --> 00:31:41,680 I'm talking about the 60s we're retracing, revisiting and we're 245 00:31:41,680 --> 00:31:44,480 talking about what happened in the 60s, as well as the 246 00:31:44,480 --> 00:31:48,880 fantastic soul music and Northern Soul music. 247 00:31:49,200 --> 00:31:54,120 We're talking about Prince of Wales cheques, tonic suits, MIDI 248 00:31:54,120 --> 00:31:58,080 skirts and chokers, blackjacks and penny arrows. 249 00:31:58,360 --> 00:32:01,520 Blow football. Can't forget Old Spice 250 00:32:01,560 --> 00:32:05,800 aftershave. Fred Perry's black Blazers, red 251 00:32:05,880 --> 00:32:10,680 or a yellow trim all the way round and button down collars. 252 00:32:10,800 --> 00:32:16,760 Ben Sherman, Jtex and brollies like Steed in The Avengers. 253 00:32:17,160 --> 00:32:22,000 Patrick Mcgoohan, The Prisoner. Questions without answers and 254 00:32:22,000 --> 00:32:26,680 messages without instructions and M appeal. 255 00:32:27,200 --> 00:32:45,720 Modern Britain on the screen. When you first came around the 256 00:32:45,760 --> 00:32:52,040 neighbourhood. Came around the neighbourhood. 257 00:32:52,320 --> 00:32:58,720 You look so good. Tell you how I feel now. 258 00:32:58,720 --> 00:33:05,800 You know my lovers feel deaf. You gotta do what you gotta do. 259 00:33:06,200 --> 00:33:09,680 Come on and do what you gotta do. 260 00:33:09,880 --> 00:33:13,960 And when you do, baby, you will be mine. 261 00:33:14,600 --> 00:33:18,040 Oh, baby, you're gonna be mine too. 262 00:33:18,040 --> 00:33:25,080 Little girl, I asked you to be my girl every day, every year. 263 00:33:26,640 --> 00:33:30,520 But you keep telling me you just can't say. 264 00:33:30,720 --> 00:33:34,160 You just. Oh, yeah, That is just one 265 00:33:34,320 --> 00:33:38,400 reason why you have almost another guy. 266 00:33:38,880 --> 00:33:42,080 Dad, you gotta do what you gotta do. 267 00:33:42,120 --> 00:33:47,800 You gotta do what you gotta do. And when you do, when you do. 268 00:33:47,800 --> 00:33:53,840 When you do, when you do. Oh, you're gonna be mine. 269 00:34:02,640 --> 00:34:07,120 Oh, you know, I'll just do right and give you everything you want 270 00:34:07,960 --> 00:34:11,560 to do right now. You everything up the thing 271 00:34:11,719 --> 00:34:15,679 twice before running back right to him. 272 00:34:16,320 --> 00:34:17,719 You gotta give him back his ring. 273 00:34:17,719 --> 00:34:20,239 Tell him that it does something. Nothing. 274 00:34:22,360 --> 00:34:24,199 Yeah. You gotta do what? 275 00:34:40,080 --> 00:34:44,199 We also had Monty Python's Flying Circus, stone dance 276 00:34:44,199 --> 00:34:49,600 floors, bent bicycle wheels. Outside all the discos, it was 277 00:34:49,719 --> 00:34:55,199 Blue Eyed Soul, Chris Farlow, Wayne Fontana and British voices 278 00:34:55,199 --> 00:34:59,440 wrapped in American rhythm and the places the clubs really 279 00:34:59,440 --> 00:35:02,800 mattered. The Blue Note, the Ambassadors, 280 00:35:03,040 --> 00:35:08,480 the Mojo, the Flamingo. And it was basement, cellar, 281 00:35:08,480 --> 00:35:13,800 sweat, music and movement. And then quietly, underneath it 282 00:35:13,800 --> 00:35:19,200 all, Dave Goldin Soul City import boxes and not forgetting 283 00:35:19,200 --> 00:35:23,600 the phrase, Keep the faith. Not a phrase, a belief system, a 284 00:35:23,600 --> 00:35:26,440 code moving through the underground light. 285 00:35:26,520 --> 00:35:29,880 A quiet storm. No noise, no headlines, no 286 00:35:29,880 --> 00:35:31,400 approval. Just soul. 287 00:35:31,400 --> 00:35:34,320 Just music. And just people who knew they 288 00:35:34,320 --> 00:35:37,600 were part of something before it had a name. 289 00:35:38,000 --> 00:35:41,720 And tonight, hopefully, I've told that story through the 290 00:35:41,720 --> 00:35:44,720 records, through the rhythm and through the soul. 291 00:35:54,240 --> 00:35:59,160 Guess I'll be moving on. I'm tired of being blue. 292 00:35:59,200 --> 00:36:07,160 Now you get used to being love only 'cause I'm fed over you. 293 00:36:07,280 --> 00:36:19,400 Now you know you're just a fool. You've got yourself to blame, 294 00:36:21,280 --> 00:36:23,360 baby. Isn't it just the shame now? 295 00:36:32,400 --> 00:36:37,440 After I've gone on, You're going to feel it too loud. 296 00:36:40,280 --> 00:36:45,200 I treated you so very good, like no one else would do. 297 00:36:45,680 --> 00:36:56,320 Now you know you're just gonna. You made our love again. 298 00:36:57,520 --> 00:37:00,640 I said a baby. Isn't it just a shame? 299 00:37:00,840 --> 00:37:07,760 Now wait till tomorrow. Me. 300 00:37:09,720 --> 00:37:15,960 You'll be going straight No more tomorrow. 301 00:37:17,160 --> 00:37:19,600 Goodbye. I've got to go. 302 00:37:20,480 --> 00:37:23,720 I just can't wait. Oh no. 303 00:37:53,240 --> 00:38:01,280 You know, you're just a, you play losing gay, my sin, a baby. 304 00:38:01,520 --> 00:38:07,200 And it's just a shame. Oh, it's a shame. 305 00:38:20,520 --> 00:38:25,440 From the rare imports to Warren 40 fives, from movement to 306 00:38:25,440 --> 00:38:29,000 meaning, This was soul, Northern style. 307 00:38:29,360 --> 00:38:33,440 And if you were there, you know, you don't remember the charts, 308 00:38:33,440 --> 00:38:37,720 you remember the nights, you don't remember the labels, you 309 00:38:37,720 --> 00:38:42,080 remember the feeling. So keep the faith, keep the 310 00:38:42,080 --> 00:38:47,400 record spinning, and keep the memory alive, because this music 311 00:38:47,760 --> 00:38:50,640 never left us, we just carried it forward. 312 00:38:51,280 --> 00:39:12,960 Until the next time, bye. Bye. 313 00:39:17,840 --> 00:39:22,120 If you're wondering if my love is true, real is true, and I'll 314 00:39:22,560 --> 00:39:33,480 give a few of you were my lover this fall is right on me. 315 00:39:33,560 --> 00:39:43,200 Told you may roar anywhere, but my lover will be right there. 316 00:40:21,000 --> 00:40:32,200 I'm a share with you, my lover. They don't compare so don't 317 00:40:32,400 --> 00:40:37,440 worry. I guarantee you only you, only 318 00:40:37,440 --> 00:40:46,400 one of you is pointing right at you. 319 00:40:46,400 --> 00:40:49,440 I'll sit in my lover before.