1 00:00:02,960 --> 00:00:05,200 Hello and welcome to the program UFO Warning. 2 00:00:05,240 --> 00:00:08,160 In this episode, we're talking about the spaceman of Ocean 3 00:00:08,160 --> 00:00:10,480 Beach. That's correct, the spaceman of 4 00:00:10,840 --> 00:00:13,200 Ocean Beach. Now, this article comes to us 5 00:00:13,200 --> 00:00:17,640 from pointloma-obmonthly.com. You know, when you talk about 6 00:00:17,640 --> 00:00:20,480 the world of UFOs and the UFO phenomena, there's lots of 7 00:00:20,480 --> 00:00:22,360 interesting and eccentric characters. 8 00:00:22,360 --> 00:00:25,080 And this week I just wanted to talk about this one right here. 9 00:00:25,360 --> 00:00:28,040 If you go to the site and I'll have the links at the Kofi and 10 00:00:28,040 --> 00:00:30,160 the Locals website, they've got a picture of this fellow. 11 00:00:30,520 --> 00:00:34,680 I'm an older guy with a long Gray beard and and a suit, Jack 12 00:00:34,680 --> 00:00:35,960 and all. It's a picture from Clair back 13 00:00:35,960 --> 00:00:39,360 in 1992. It says did Clint really visit 14 00:00:39,360 --> 00:00:42,040 the 5th dimensional world realist Spore? 15 00:00:42,440 --> 00:00:45,680 Did he really seek colors? Not in our color spectrum. 16 00:00:45,960 --> 00:00:49,240 Did he really channel a realist Sporian artist Judge for 17 00:00:49,240 --> 00:00:50,800 yourself. And this is written by Eric 18 00:00:50,800 --> 00:00:54,000 Dunville dated November 15th 2023. 19 00:00:54,360 --> 00:00:58,000 One thing we learned in this space last month is that they 20 00:00:58,000 --> 00:01:02,040 are most definitely out there. The UAP that is identified error 21 00:01:02,040 --> 00:01:05,760 phenomena in the NHI, non human intelligence. 22 00:01:06,120 --> 00:01:09,800 Nothing new of course Clint. Gary was saying the same thing 23 00:01:10,120 --> 00:01:13,440 60 years ago. Repeatedly and frequently, Clint 24 00:01:13,440 --> 00:01:17,160 had first hand information. He hadn't just seen a UFO. 25 00:01:17,160 --> 00:01:20,360 He'd been to real estate sport twice in 1965. 26 00:01:20,360 --> 00:01:23,960 Every kid on the beach in OB knew that Clint loved to tell 27 00:01:23,960 --> 00:01:27,320 that story and many others. These weren't generic stories 28 00:01:27,320 --> 00:01:28,920 about little green men, by the way. 29 00:01:29,200 --> 00:01:31,800 No creepy Gray space aliens either. 30 00:01:31,800 --> 00:01:34,360 Of course. This is in 1965, prior to the, 31 00:01:34,720 --> 00:01:36,440 you know, the groovin 60s and 70s. 32 00:01:36,440 --> 00:01:38,520 I suppose things were a little different back then. 33 00:01:38,760 --> 00:01:40,840 The real Esporians were tall and beautiful. 34 00:01:40,840 --> 00:01:43,560 They came in peace. There's was a message of love 35 00:01:43,560 --> 00:01:45,840 and unity. Naturally they worried about the 36 00:01:45,840 --> 00:01:48,080 foibles and follies of the people of Earth. 37 00:01:48,480 --> 00:01:51,480 Obviously if you wanted to go with them when they came back, 38 00:01:51,480 --> 00:01:55,000 you needed the space number. Everybody knew that too, and the 39 00:01:55,000 --> 00:01:58,240 only guy giving out space numbers was Clint Carey. 40 00:01:58,440 --> 00:02:01,440 Even if you didn't care about going to realist for and just 41 00:02:01,440 --> 00:02:04,600 wanted to be cool, you still needed a space number. 42 00:02:04,920 --> 00:02:07,520 As a 10 year old, I certainly wasn't trying to be cool, and I 43 00:02:07,520 --> 00:02:10,400 don't know if I really believe the story about realist for I 44 00:02:10,400 --> 00:02:12,200 guess I figured it could have happened. 45 00:02:12,400 --> 00:02:15,840 But either way I would have been beyond stoked to have had a 46 00:02:15,840 --> 00:02:19,400 space #1 summer. My buddy's cute teeny bopper's 47 00:02:19,400 --> 00:02:22,480 sister did get a space number, and we were both tremendously 48 00:02:22,480 --> 00:02:25,320 impressed. Lucky Duck, we said This might 49 00:02:25,320 --> 00:02:28,680 have been simply the perception of 1/4 grader, but Spaceman, as 50 00:02:28,680 --> 00:02:32,320 the kids called him, seemed to prefer older girls in bikinis to 51 00:02:32,520 --> 00:02:34,520 sandy little boys. Go figure. 52 00:02:34,520 --> 00:02:37,840 It was so unfair. You got to get a feeling for 53 00:02:37,840 --> 00:02:40,000 this guy. Even back then, there seemed to 54 00:02:40,000 --> 00:02:44,080 have been some real interesting people involved in the UFO 55 00:02:44,080 --> 00:02:46,360 phenomena. I never did get a space number, 56 00:02:46,360 --> 00:02:49,320 and I can't say I really knew Spaceman, but I remember him 57 00:02:49,320 --> 00:02:51,840 vividly. San Diego union columnist Frank 58 00:02:51,840 --> 00:02:54,760 Rhodes liked to fill a few inches with Spaceman storage 59 00:02:54,760 --> 00:02:58,840 occasionally, and in August 1966, he reported an Ocean Beach 60 00:02:58,840 --> 00:03:02,640 housewife telling him that Spaceman was like a Pied Piper. 61 00:03:02,840 --> 00:03:04,880 The kids on the beach just adored him. 62 00:03:04,960 --> 00:03:07,280 He told them stories about his years in outer space. 63 00:03:07,520 --> 00:03:11,000 When I read that recently I thought to myself, aha, my 64 00:03:11,000 --> 00:03:13,360 memory remains at least partially intact. 65 00:03:13,680 --> 00:03:15,400 That is exactly how I remembered it. 66 00:03:15,640 --> 00:03:17,640 The 1960s were a very different time. 67 00:03:18,000 --> 00:03:20,840 This was in the pre hippie era, when there may have been a 68 00:03:20,920 --> 00:03:23,320 greater tolerance of eccentric characters. 69 00:03:23,680 --> 00:03:27,160 I never heard It suggested that Clint was a creep and occasional 70 00:03:27,160 --> 00:03:30,520 if well meaning wino perhaps, and he could certainly create 71 00:03:30,520 --> 00:03:33,840 trouble for himself. In a 1966 instance that Rhodes 72 00:03:33,840 --> 00:03:37,360 described, Clint was spending a little downtime in the county 73 00:03:37,360 --> 00:03:40,760 lock up on a burglary beef. Probably a misunderstanding, but 74 00:03:40,760 --> 00:03:43,280 Clinton didn't have the grand to post bail. 75 00:03:43,800 --> 00:03:46,920 Thousands of little children will suffer while I'm in here, 76 00:03:46,920 --> 00:03:48,760 he reportedly told Judge Robert O'Connor. 77 00:03:49,040 --> 00:03:50,400 Maybe dozens. Anyway. 78 00:03:50,680 --> 00:03:53,840 You might not be surprised to learn that Spaceman was known to 79 00:03:53,840 --> 00:03:56,720 embellish. I do not remember Spaceman when 80 00:03:56,720 --> 00:03:59,520 I was a teenager. He was around but not on my 81 00:03:59,520 --> 00:04:02,200 radar. I was out of College in 1977 82 00:04:02,200 --> 00:04:05,440 when Bob Oaks turned up at our yard sale on Delmar Ave. one 83 00:04:05,440 --> 00:04:08,200 Saturday. I never parted ways with any 84 00:04:08,200 --> 00:04:11,000 records on purpose, particularly jazz records, so I don't know 85 00:04:11,000 --> 00:04:14,480 how the topic came up, but Bob told me that if I dug the jazz, 86 00:04:14,480 --> 00:04:18,320 I ought to show up at his place down by the pier on Sunday 87 00:04:18,320 --> 00:04:21,560 evening. Bob was a well known local read 88 00:04:21,560 --> 00:04:24,680 man and famously hosted a recurring Sunday jam session. 89 00:04:25,200 --> 00:04:27,320 I did make it down to Bob's little cottage on the Cliff the 90 00:04:27,320 --> 00:04:29,720 next day, and that's when I saw Spaceman again. 91 00:04:30,160 --> 00:04:32,640 An old timer was playing Trombone and the guys were 92 00:04:32,640 --> 00:04:35,160 calling him Spacey. I didn't put it together right 93 00:04:35,160 --> 00:04:36,680 away. It had been quite a while. 94 00:04:37,000 --> 00:04:38,880 I hadn't even known Clint was a musician. 95 00:04:39,160 --> 00:04:41,800 Of course, when I was a kid. I didn't know he was a painter 96 00:04:41,800 --> 00:04:43,920 either. Greg, long way knew that would 97 00:04:43,920 --> 00:04:47,360 be Commander Greg to you. My friends all thought Clint was 98 00:04:47,360 --> 00:04:48,960 just a weird old man, Craig told me. 99 00:04:49,320 --> 00:04:50,880 But I always knew he was an artist. 100 00:04:51,520 --> 00:04:53,680 They were friends for the next 26 years. 101 00:04:53,680 --> 00:04:56,400 The rest of Clint's life. Craig refers to himself as 102 00:04:56,400 --> 00:04:59,640 Spaceman agent, and occasionally as the son of Spaceman. 103 00:04:59,960 --> 00:05:02,320 Clint conferred on Greg the title to Commander. 104 00:05:02,400 --> 00:05:04,440 Impressive, no? You'd think a guy like that 105 00:05:04,440 --> 00:05:07,120 would have a better than average space number, wouldn't you? 106 00:05:07,680 --> 00:05:12,080 How's X IB/23 grab you? Trust me, That's a dandy. 107 00:05:12,360 --> 00:05:17,360 Clint himself was XIB 2 XIB. One, of course, was reserved for 108 00:05:17,360 --> 00:05:19,680 the creator. Craig collects Spaceman's 109 00:05:19,680 --> 00:05:22,440 artwork and if you have a space, the original he'd love to chat 110 00:05:22,440 --> 00:05:24,480 with you. Clint was born in Maine and grew 111 00:05:24,480 --> 00:05:27,400 up in South Pasadena. He took the toady, the trombone 112 00:05:27,400 --> 00:05:29,360 in high school and found he had a knack for it. 113 00:05:29,600 --> 00:05:32,920 Following his graduation, Clint played with several traveling 114 00:05:32,920 --> 00:05:35,200 dance bands, sometimes known as Chico Carey. 115 00:05:35,640 --> 00:05:39,800 One morning in 1929 in his hotel room, Daybreak following and 116 00:05:39,800 --> 00:05:43,280 after Hours, Jam station at a Mexico City chop sewage joint 117 00:05:43,280 --> 00:05:46,040 plant had a life changing metaphysical event. 118 00:05:46,520 --> 00:05:49,200 He recalled that all these beautiful, fantastic etheric 119 00:05:49,200 --> 00:05:51,200 colors came into the room in every direction. 120 00:05:51,520 --> 00:05:53,560 They came in through the keyhole, through the cracks in 121 00:05:53,560 --> 00:05:56,560 the door and wall, through the pipes where the heat came in, 122 00:05:56,760 --> 00:05:59,840 coming in the window, coming out the window and swirling around. 123 00:06:00,120 --> 00:06:02,720 These were colors that were out of this world that I had never 124 00:06:02,720 --> 00:06:04,840 seen before. Colors that were not in our 125 00:06:04,840 --> 00:06:07,080 color spectrum. That wasn't all. 126 00:06:07,360 --> 00:06:10,640 Clint had the overwhelming feeling that more than callers, 127 00:06:10,800 --> 00:06:13,800 something or somebody, what he referred to as a profound 128 00:06:13,800 --> 00:06:16,480 presence, had come to visit him in that hotel room. 129 00:06:16,720 --> 00:06:19,720 The caller seemed to be talking to him, but not audibly. 130 00:06:20,120 --> 00:06:22,720 Thought forms and ideas were being transmitted directly into 131 00:06:22,720 --> 00:06:25,720 his head, and he was suddenly overwhelmed with the feeling of 132 00:06:25,720 --> 00:06:27,320 falling in love. For the first time. 133 00:06:27,760 --> 00:06:30,400 Clinton couldn't see or hear anybody, but he had been 134 00:06:30,400 --> 00:06:32,920 engulfed by a euphoric spiritual high. 135 00:06:33,360 --> 00:06:35,280 Now, this is something that we do hear sometimes from these 136 00:06:35,280 --> 00:06:37,400 people have connections with these UFOs. 137 00:06:38,080 --> 00:06:40,520 I'm not sure what that's all about, but you kind of get the 138 00:06:40,520 --> 00:06:43,040 feel here. Clint Strauss is this kind of 139 00:06:43,040 --> 00:06:47,520 eccentric, almost a little bit creepy guy sometimes passing out 140 00:06:47,520 --> 00:06:51,000 space numbers to teenage girls. But then he tells you how it all 141 00:06:51,000 --> 00:06:56,440 started many decades before when he had this otherworldly contact 142 00:06:56,440 --> 00:06:58,600 in his opinion. It goes on and says, what do you 143 00:06:58,600 --> 00:07:00,400 think, craziest thing you ever heard? 144 00:07:00,400 --> 00:07:02,360 Just that tight then because it gets Wilder. 145 00:07:02,560 --> 00:07:04,240 And no, I'm not making this stuff up. 146 00:07:04,560 --> 00:07:06,960 This part of the story can be found and it's slender volume 147 00:07:06,960 --> 00:07:10,480 titled Spaceman Volume One, The life story of one of the world's 148 00:07:10,480 --> 00:07:13,560 great painters is told to Linda Wilson, 1988. 149 00:07:14,840 --> 00:07:17,240 This is a short version. Clint was in the middle of what 150 00:07:17,240 --> 00:07:19,800 might now be referred to as a Type 2 encounter. 151 00:07:20,120 --> 00:07:24,040 The profound presence seem to be seem to coalesce into a group of 152 00:07:24,040 --> 00:07:27,680 beings, at least that it was at least that was his impression 153 00:07:28,080 --> 00:07:31,640 and their communication still via telepathic thoughts became 154 00:07:31,640 --> 00:07:34,600 more specific, more like words he could understand. 155 00:07:34,960 --> 00:07:38,080 Clint was informed that his visitors were from 1/5 156 00:07:38,080 --> 00:07:41,480 dimensional world known as Realospore and they had some 157 00:07:41,480 --> 00:07:44,800 plans for the young musician. They hadn't forced me to do 158 00:07:44,800 --> 00:07:47,800 anything, he said, but they had caused things to happen that 159 00:07:47,800 --> 00:07:51,120 made me come to Mexico City. It was a certain place he wanted 160 00:07:51,120 --> 00:07:54,120 me to be at the time. They wanted me to be there, and 161 00:07:54,120 --> 00:07:56,640 they had certain things they wanted me to do. 162 00:07:57,000 --> 00:08:00,560 They wanted Clint to sell his trombone, take a train out to 163 00:08:00,560 --> 00:08:05,440 the coastal town of Kalima near Manzanolia, and start painting. 164 00:08:05,680 --> 00:08:07,720 Just a slight career course correction. 165 00:08:08,240 --> 00:08:11,040 Clint was enjoying his fudging career as a professional museum 166 00:08:11,360 --> 00:08:14,120 and was initially reluctant to consider selling his horn. 167 00:08:14,440 --> 00:08:17,480 However, he recalled that he felt such an overwhelming love 168 00:08:17,480 --> 00:08:20,400 for his new friends that his overriding attention became to 169 00:08:20,400 --> 00:08:22,960 do as they wished. The real historians told Clint 170 00:08:23,280 --> 00:08:25,240 that he wouldn't need his trombone anymore. 171 00:08:25,240 --> 00:08:27,360 Anyway. We're going to make a great 172 00:08:27,360 --> 00:08:30,440 painter out of you, he, he remembers being told. 173 00:08:31,000 --> 00:08:33,120 You have a natural ability to become one. 174 00:08:33,440 --> 00:08:35,799 You'll probably have to teach yourself how to paint, but 175 00:08:35,799 --> 00:08:38,320 that's all right, because some of the greatest painters in the 176 00:08:38,320 --> 00:08:42,280 world were self-taught. So now he's met these guys, 177 00:08:42,520 --> 00:08:44,120 these aliens, as he perceives them. 178 00:08:44,440 --> 00:08:46,600 They've told him that he's no longer going to be a musician, 179 00:08:46,600 --> 00:08:49,240 but he's going to be a painter. All this happened in just a few 180 00:08:49,240 --> 00:08:51,520 minutes. Clint did it as he had been 181 00:08:51,520 --> 00:08:54,440 directed over the next 18 months, benefiting from the 182 00:08:54,440 --> 00:08:58,560 patronage of the mysterious Senior Alvarez and Kalima, 183 00:08:58,840 --> 00:09:02,120 possibly another contactee. Clint became a painter. 184 00:09:02,560 --> 00:09:05,120 Here we will advance the narrative a cool quarter of a 185 00:09:05,120 --> 00:09:08,040 century. Living in Hollywood in 1955, 186 00:09:08,280 --> 00:09:10,880 Clint considered himself a primitive abstractionist. 187 00:09:11,160 --> 00:09:14,560 His work was well regarded. His art was displayed in quite a 188 00:09:14,560 --> 00:09:17,320 few galleries, and he had several exhibitions under his 189 00:09:17,320 --> 00:09:19,960 belt. Had he been the 1st President of 190 00:09:19,960 --> 00:09:21,600 the Hollywood Association of Artists? 191 00:09:21,760 --> 00:09:23,480 Maybe. He made his living as a 192 00:09:23,480 --> 00:09:25,880 restauranteur for a number of years, and he was known to paint 193 00:09:25,880 --> 00:09:28,560 portraits on Commission. Do any of those portraits 194 00:09:28,560 --> 00:09:30,120 remain? None as turned up? 195 00:09:30,400 --> 00:09:33,720 Upon moving to a studio in South Pasadena in 1957, Clint began 196 00:09:33,720 --> 00:09:36,840 picking up some good vibrations. He recalled having a series. 197 00:09:37,520 --> 00:09:41,080 He recalled having a series of very strange experiences, mostly 198 00:09:41,080 --> 00:09:44,080 in the form of vibrations that seemingly penetrated to the 199 00:09:44,080 --> 00:09:46,720 depths of his body, and a strange awareness of some 200 00:09:46,720 --> 00:09:49,360 intangible something that he couldn't quite put his fingers 201 00:09:49,360 --> 00:09:51,640 on. Clint began to paint in a 202 00:09:51,640 --> 00:09:54,840 completely different style. Through a phenomenon he later 203 00:09:54,840 --> 00:09:57,920 termed meta telepathy. He seemed to be acting as a 204 00:09:57,920 --> 00:10:00,160 physical conduit for someone else. 205 00:10:00,480 --> 00:10:04,080 One evening, Clint hopped in his car with the notion of dropping 206 00:10:04,080 --> 00:10:07,320 in on a friend who had a cabin in the desert outside Joshua 207 00:10:07,320 --> 00:10:08,960 Tree. She wasn't home. 208 00:10:09,320 --> 00:10:11,920 What transpired next was the first of Clint's physical 209 00:10:11,920 --> 00:10:15,520 encounters with highly evolved representatives of the planet 210 00:10:15,760 --> 00:10:18,440 Real Spore. A cup of coffee, a blinding 211 00:10:18,440 --> 00:10:21,840 flash of light, and Clint found that he was not alone in the 212 00:10:21,840 --> 00:10:23,840 desert. He was asked if he'd like to 213 00:10:23,840 --> 00:10:27,440 take a ride, so he went. It was an enormous craft, a mile 214 00:10:27,440 --> 00:10:30,240 long, 10 levels, and beautiful to behold. 215 00:10:30,560 --> 00:10:33,520 Clint wasn't knocked out per SE, but his consciousness was 216 00:10:33,520 --> 00:10:37,000 suspended while his metaphysical vibration was altered and he was 217 00:10:37,080 --> 00:10:41,240 acclimated to the speedy Ripple Asperian mode of travel. 218 00:10:41,960 --> 00:10:43,360 Well, that's wild. So he starts off here. 219 00:10:43,360 --> 00:10:47,760 He has this almost like an epiphany, where he says he makes 220 00:10:47,760 --> 00:10:51,600 these extra dimensional creatures some people might call 221 00:10:51,600 --> 00:10:54,000 spiritual. He's been painting for a while, 222 00:10:54,320 --> 00:10:58,440 and then years later he ends up on this spaceship with the same 223 00:10:58,440 --> 00:11:00,240 people, the same entities, rather. 224 00:11:00,600 --> 00:11:03,400 How quickly did they travel? Millions of miles per second? 225 00:11:03,480 --> 00:11:05,880 His host treated Clint with love and kindness and communicated 226 00:11:05,880 --> 00:11:08,520 with him telepathically. He brought up the speed of light 227 00:11:08,520 --> 00:11:11,760 thing and was astounded to learn that the real esporeans, light 228 00:11:11,760 --> 00:11:14,760 doesn't travel at all. It only seems to travel to those 229 00:11:14,760 --> 00:11:16,800 of us stuck here in the third dimension. 230 00:11:17,160 --> 00:11:20,840 To them, light is evolved by the principle of reflection and is a 231 00:11:20,840 --> 00:11:24,280 symbol of understanding. So where is real sport you might 232 00:11:24,280 --> 00:11:25,800 be wondering? Clint was told. 233 00:11:25,800 --> 00:11:28,280 It is in the neighborhood of the Regal star system. 234 00:11:28,720 --> 00:11:32,200 A four-star cluster that appears to us is a bright star in the 235 00:11:32,200 --> 00:11:35,640 constellation of Orion. Regal is Orion's left foot or 236 00:11:35,640 --> 00:11:38,440 left knee, depending on how you draw the Great hunter or giant, 237 00:11:38,760 --> 00:11:40,560 as he's referred to in some cultures. 238 00:11:40,800 --> 00:11:45,240 By our reckoning, Regal is some 860 light years from our sun, 239 00:11:45,240 --> 00:11:47,280 and real Spore is right around there. 240 00:11:47,280 --> 00:11:50,640 But in the 5th dimension, on the right of Real Spore, Clint found 241 00:11:50,640 --> 00:11:54,120 out that his impromptu jaunt to Joshua Tree in the middle of the 242 00:11:54,120 --> 00:11:58,040 night had been no mere whim. He also learned that his recent 243 00:11:58,040 --> 00:12:01,560 unusual series of paintings had been the work of real sporting 244 00:12:01,560 --> 00:12:04,400 artist Azora, for whom Clint had been a channel. 245 00:12:04,880 --> 00:12:07,720 Well, I'd like to tell you that a few of what is known as the 246 00:12:07,840 --> 00:12:10,160 Azora series have been preserved somewhere. 247 00:12:10,480 --> 00:12:12,600 Such as. Sadly not the case. 248 00:12:13,080 --> 00:12:15,760 Looks like this guy was into some really crazy abstract 249 00:12:15,760 --> 00:12:18,280 psychedelic art. Typical stuff from the 70s 250 00:12:18,280 --> 00:12:20,520 really. Clint claimed to have been on 251 00:12:20,520 --> 00:12:23,840 real sport for maybe five days total over 2 visits. 252 00:12:24,160 --> 00:12:28,000 It was a gigantic, fantastically beautiful world, many times 253 00:12:28,320 --> 00:12:31,040 larger than our sun. The color spectrum there is 254 00:12:31,040 --> 00:12:33,080 twice what we can perceive and already mentioned. 255 00:12:33,480 --> 00:12:36,960 Everything is huge on realist war, massive plants and flowers, 256 00:12:36,960 --> 00:12:40,960 gigantic and intelligent animals and birds, some of whom also 257 00:12:40,960 --> 00:12:42,840 communicated with Clint telepathically. 258 00:12:43,200 --> 00:12:47,720 He experienced no foul odors or harsh noises, no crime or 259 00:12:47,720 --> 00:12:51,480 malfeasance, no strife, no government, no war, no dog poop 260 00:12:51,480 --> 00:12:53,960 on the lawn. It was thoroughly lovely. 261 00:12:54,160 --> 00:12:57,720 Clint's guide was a big guy, maybe 9 feet tall, known as 262 00:12:57,720 --> 00:13:00,880 Baldosaur. The baldestor wasn't a strictly 263 00:13:00,880 --> 00:13:04,640 a guy as we think of it, because real esporeans are a homogeneous 264 00:13:04,640 --> 00:13:07,400 race into which male and female do not factor. 265 00:13:07,680 --> 00:13:10,960 They were rather darkly complected with shimmering 266 00:13:10,960 --> 00:13:14,800 silvery hair, but it was a fantastic array of colors that 267 00:13:14,800 --> 00:13:16,400 really moved the needle for Clint. 268 00:13:16,720 --> 00:13:19,840 Returning to earth, Clint began to paint what he had experienced 269 00:13:19,840 --> 00:13:22,720 on real Espore. He tried to paint that which he 270 00:13:22,720 --> 00:13:26,120 could not describe verbally. Many paintings I have executed 271 00:13:26,120 --> 00:13:29,440 since my physical contacts were also done by caller telepathy, 272 00:13:29,440 --> 00:13:31,720 Clint recounted. The instructions being 273 00:13:31,720 --> 00:13:34,400 transmitted from real support enabled me to execute these 274 00:13:34,400 --> 00:13:38,200 paintings almost automatically. Clint began to add fluorescent 275 00:13:38,200 --> 00:13:40,240 paint to his detailed and beautiful fantasies. 276 00:13:40,560 --> 00:13:43,920 The visual impact and depth that fluorescent colors add to an 277 00:13:43,920 --> 00:13:48,080 image are really only visible and appreciated under black 278 00:13:48,080 --> 00:13:50,520 light. Clint never painted using a 279 00:13:50,520 --> 00:13:53,200 black light. Clint arrived on Ocean Beach in 280 00:13:53,200 --> 00:13:56,920 1963. He was befriended by Bob Oaks 281 00:13:56,920 --> 00:13:59,400 and continued to paint. He began telling people about 282 00:13:59,400 --> 00:14:01,440 his experiences. He found a ready audience and 283 00:14:01,440 --> 00:14:05,400 became a minor local celebrity. Clint appeared on the Bob Dylan 284 00:14:05,400 --> 00:14:08,440 Reaches Philbin shows and was interviewed several times by 285 00:14:08,800 --> 00:14:11,360 Larry Himmel. Clint's behavior became more 286 00:14:11,360 --> 00:14:14,120 erratic as he grew older, and though he sustained long 287 00:14:14,120 --> 00:14:17,400 productive periods of sobriety, the the bottle was not his 288 00:14:17,400 --> 00:14:19,560 friend. He would wear out his welcome 289 00:14:19,560 --> 00:14:23,040 and find himself on the street. If you saw what I saw on Real 290 00:14:23,040 --> 00:14:26,000 Sport and then came back to this Dre world, you would take a 291 00:14:26,000 --> 00:14:26,920 drink. Do, he said. 292 00:14:28,040 --> 00:14:29,720 Blind. In his later years due to 293 00:14:29,720 --> 00:14:33,440 misadventure, Clint passed away just 30 years ago in October 294 00:14:33,440 --> 00:14:36,280 1993. He led quite a life. 295 00:14:36,720 --> 00:14:39,280 An excellent selection of Clint's original artwork remains 296 00:14:39,280 --> 00:14:42,360 on display in the black light lounge of the Kilowatt Tap Room 297 00:14:42,720 --> 00:14:47,320 on Cable St. in Ocean Beach. It is a rotating exhibit on loan 298 00:14:47,320 --> 00:14:49,120 from the collection of Greg Long Way. 299 00:14:49,640 --> 00:14:53,040 If you drop in, be sure to pick up a pair of 3D shades from a 300 00:14:53,040 --> 00:14:56,600 little basket there. Those corny shades add 6 to 12 301 00:14:56,600 --> 00:14:59,280 inches in depth to some of those fantastic paintings. 302 00:14:59,640 --> 00:15:01,760 I can't imagine Clint would have anticipated that. 303 00:15:01,760 --> 00:15:04,800 Woody, if you have an original Clint Curry, you are encouraged 304 00:15:04,800 --> 00:15:07,480 to contact Greg. Then it has his Gmail. 305 00:15:07,480 --> 00:15:09,880 There definitely an interesting character. 306 00:15:10,120 --> 00:15:12,240 A lot of these people, it seems like they come back with their 307 00:15:12,240 --> 00:15:14,640 abduction stories are interesting characters. 308 00:15:14,640 --> 00:15:17,160 Now a lot of these people that we hear about today, the 309 00:15:17,160 --> 00:15:21,160 abduction stories they have are quite ominous. 310 00:15:21,720 --> 00:15:25,880 They seem to undergo a lot of procedures and have things done 311 00:15:25,880 --> 00:15:28,600 to them that aren't very nice. But Clint Carey on the other 312 00:15:28,600 --> 00:15:32,440 hand claims that he had a wonderful time there in the in 313 00:15:32,440 --> 00:15:36,360 the planet, real spare in the 5th dimension. 314 00:15:36,960 --> 00:15:39,600 And he created this pictures to tell us about it. 315 00:15:39,600 --> 00:15:42,960 And the strange thing about them is he's doing this stuff with 316 00:15:43,960 --> 00:15:46,640 paints that show up in black light, but he's not painting 317 00:15:46,640 --> 00:15:48,880 them in black light. And then like I say, you put the 318 00:15:48,880 --> 00:15:51,640 3D glasses on and they look even different. 319 00:15:51,640 --> 00:15:56,040 So he claimed that he was channeling these images through 320 00:15:56,040 --> 00:15:58,600 an artist on another planet in another dimension. 321 00:15:59,280 --> 00:16:02,560 And when you look at the pictures, you have to wonder how 322 00:16:02,720 --> 00:16:05,680 he ever came up with some of the ideas that he came up with. 323 00:16:06,280 --> 00:16:08,320 Until next time, this is UFO Warning. 324 00:16:08,760 --> 00:16:09,400 Over and out.