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Today, I'm going on a sartorial 
Journey with journalist and 

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author, Dylan Jones, Obe Dylan, 
studied Chelsea School of Art 

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and then sent Martin School of 
Art. 

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He was the award-winning editor 
of GQ magazine and has won the 

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British Society of magazine 
editors editor of the Year 

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award, a record 11 times. 
In 2013, he was the recipient of

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the mark, Fox her award under 
his editorship the magazine. 

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One over 80 Awards, a former 
editor. 

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At ID, the face Arena, The 
Observer and the Sunday Times. 

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He's a former media columnist 
for the guardian. 

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A former columnist for the 
independent, and is the author 

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of the Sunday Times. 
Bestseller, David Bowie alive. 

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And a New York Times bestseller.
Jim Morrison Darkstar, as well 

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as 25 other books, including his
recently published. 

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Blecch faster than a cannonball,
1995 and all that he was 

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executive producer of the 2020. 
BBC, One show Idris Elba meets 

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Paul McCartney and produced, a 
four-part series of the 80s for 

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BBC, Two last Autumn and 2022. 
He launched a Film Production 

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Company Beacon films with Maggie
Todd from Disney. 

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I'm exhausted, Dylan. 
That is the most unbelievable 

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career to date. 
So, thank you for making the 

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time today. 
Very nice to see You, it's great

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to see you too. 
Really is. 

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So maybe we should start with 
what's your earliest sartorial 

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memory. 
When did you first realize the 

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impact of clothes when I was 12 
years old? 

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And like, a lot of people from 
my generation, I saw David Bowie

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on top of the pox and it's when 
he performed star, man, and it 

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was a summer, I think of June, 
or July 1972. 

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And at that point, top of the 
pops of probably watched by 12 

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and a half 13 million people, 
which is then it was a sort of 

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25% of the population of the UK.
But I think if you were an 

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impressionable teenager like I 
was the time you felt that David

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Bowie was talking directly to 
you. 

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I thought he was talking 
directly to me and that's a very

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important part of that 
generation, very important part 

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of pop culture. 
And David Bowie was introduced 

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to many people's lives through 
that through that performance to

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two things. 
The first thing is, I remember 

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the last time, the last 
significant conversation I had 

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with my father before he died, 
would have been Christmas that 

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12 13 years ago. 
And he asked me what I was 

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doing. 
And I said, well, Bob line, I'm 

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doing this book. 
I'm doing this book on David 

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Bowie's appearance on top of the
pops. 

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He said, really, and he let me 
Wang on About this, you know, 

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and I was talking about the 
music and the emotional Paul and

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the color and the lights and 
everything, and you let me talk 

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after about 10 minutes. 
He said, you do realize we had a

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black and white television, 
don't you? 

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So. 
So a lot of this stuff that we 

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remember from our path is sort 
of received information, but to 

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go to your go back to your 
question, after we'd all seen 

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that extraordinary performance 
on top of the pots. 

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Some people wanted to dress like
David Bowie. 

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Some people wanted to buy his 
record. 

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Some people wanted to go and see
him in concert. 

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I wanted his hair. 
So, a couple of days later I 

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summoned up called the courage 
to call around the various, I 

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think they were called unisex 
hair salons. 

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At the time, I was 12 years old,
but Brave thing to do it's not 

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brave but I mean it's an unusual
thing to do but a 12 year old 

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boy. 
So I call up all these unisex 

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islands and said, I'd like to 
come in and have a David Bowie 

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haircut. 
And for all the very young 

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people who are listening to your
podcast, obviously at the time, 

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it he had a shock of Flame flame
here, which was very, very 

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unusual. 
No one knew what I was talking 

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about apart from one person, 
said come in. 

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So the Saturday sort of ten days
later. 

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I went into this hair shape and 
with a picture of David Bowie. 

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Say, I want to look like that a 
color picture. 

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Clearly. 
Yeah. 

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I said, I want orange hair like 
that and I had long. 

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Okay. 
I like to the shoulder length 

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hair. 
That was really thin. 

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Yeah. 
And the guy just said not going 

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to work. 
It's not going to work. 

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I see you can use. 
Is there anything you can do? 

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So he started cutting and I left
the salon looking like Dave Hill

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who was in slave. 
So my first attempt at being 

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fashionable for the failed 
dismally, but that was the first

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time I understood really the 
power of fashion and also the 

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power of a man wearing Wearing 
clothes that had a very powerful

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effect on people. 
And dude, after you'd had the 

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hair done, did you? 
Read the second-hand shops and 

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try and pull together? 
The David Bowie, look, not 

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really. 
But I think it made me aware. 

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That clothes were very 
important. 

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Plus, we were all reaching the 
age of puberty girls. 

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Peer pressure school, and so 
people were starting to dress in

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particular ways anyway. 
The other thing that people 

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always forget is that you can't 
just replicate something because

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no one had any money. 
No. 

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Exactly. 
On that. 

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You would like, you say, you'd 
go to junk shop so you'd cut 

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things, you'd wear sparkly 
socks, you do all these little 

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things to try and create some 
kind of look, without look 

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trying, not to look ridiculous. 
And we didn't have the benefit 

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of the High Street and all of 
the fast fashion labels that the

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kids do not Now we had to be a 
lot more creative back then. 

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Yeah. 
And I kind of think we were and 

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that became even more apparent. 
Couple of years later when punk 

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happened, and when that 
happened, that was again, a 

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another kind of seismic shop pop
culturally, and it overnight, 

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not overnight over appeared 
about six months, seriously 

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change the way that a lot of 
young people dressed. 

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Including myself who went from 
being a sort of long haired lay 

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about to someone who was at 
Chelsea, School of Art, around 

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the corner with short hair and 
leather jackets, and all that 

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kind of stuff. 
You know, I was going to say 

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when you, then had your major 
clubbing days from from what I 

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understand. 
Do you remember your clubbing? 

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Looks at the time? 
Oh, I mean, I mean, I I did a 

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lot of clubbing, probably too 
much. 

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I probably spent 10 years in 
nightclubs, and yes, I spent a 

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fortune on clothes. 
It was all about dressing up. 

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It was the decade of late, 70s, 
to late 8, it was all about 

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dressing up. 
I wore some, how many 

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extraordinary things? 
In fact, I've kept a few things,

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most of them, I had a rail at 
least to live in Brixton, in a 

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small flat and I had a rail of 
clothes and I had a bus stop 

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with my girlfriend 1984, and she
still Who had keys that the 

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flats I came in? 
Oh no. 

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Ya know what did she do? 
Everything? 

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No, I walked in the flat was not
much bigger. 

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What should you don't? 
Why don't, why don't we talk 

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about? 
It was like twice the size of 

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this desk, very small bed, rail 
of clothes, and she'd been there

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for like a couple of hours and 
she's literally cut up 

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everything Galliano hamnett. 
Even in our do, all of this 

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stuff, just cut up as weejun, 
loafers all it was Bin bags, 

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full of all. 
These little I should have kept 

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the labels. 
Actually, I was going to say, 

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did you wear any of the partly 
Shred? 

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The only thing that was left was
a black ma-1 flying jacket, a 

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pair of Katherine hamnett 
trousers, and the local authors 

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that I was wearing, but I 
remember about seven six or 

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seven years ago. 
I got two daughters 12, 21 ones,

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24, and the year, when Georgia 
my you Younger daughter was 

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allowed to go to school without 
wearing a uniform. 

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Obviously, they all get very, 
you know, they put a lot of 

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attention on what they wear to 
go to school. 

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So one morning, I'm letting her 
out of the house and she's I 

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think 16 And she's wearing black
Emma. 

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One flight jacket. 
Once his shirt, no, no, it is 

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all her clothes black with black
and then one flying jacket. 

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White T-shirt, Levi's 501s a 
logo belt Gucci on it, white 

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socks and a pair of Oxblood 
looks loafers. 

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And I looked at her and I said 
you're not going to believe this

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but in 1986 I was wearing. 
Exactly same clothes. 

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She was horrified. 
Oh but that must You've been 

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such a cool moment for you and 
seeing your beautiful daughter 

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wearing that look, but, in, in a
contemporary way. 

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Well, I thought so, but she, she
just thought it was the worst 

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thing in the world. 
She was mortified. 

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So I found a picture that been 
in a magazine. 

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And then last night, she came 
after, and I showed it to, and I

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said, look, you said, I look 
nothing like ridiculous. 

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And, of course, will you in a 
school uniform? 

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Yeah, yeah, my probably was, 
although, I Got thrown out of 

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school for not wearing a school 
uniform. 

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I seem to remember because I've 
never thought I'd be D being 

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particularly interested in 
clothes. 

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But looking back in answering 
your questions. 

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I think I probably have been, 
but I remember why I was thrown 

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out of school because I was 
wearing, it would have been 75, 

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Oxford bags, green pinstripe 
Oxford bags, spoon shoes, a 

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shirt with a butterfly collar, 
Little sort of repeated pattern 

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of a French cafe scene. 
So you went from this crazy, 

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clubbing world into the magazine
world. 

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Yeah. 
How did that impact on your 

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style? 
I mean, you must have evolved 

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your style quite rapidly or not.
Not really because for the first

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ten years when I was working ID 
and then the face and Arena you 

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were working in an environment, 
which is independent. 

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Shushing, you were working with 
the same people. 

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You were going out with in the 
evening, it was all about clubs 

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and music and fashion and style,
and what-have-you culture. 

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So it really changed. 
When I the beginning of the 90s,

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I stopped working magazines and 
went to work in newspapers and I

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just thought this is the this is
a different world. 

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A as a journalist you're not 
really taking seriously unless 

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you do work. 
For paper, at least for a 

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certain period of time and 
that's what I always used to 

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tell the young guys came to work
for me. 

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I said, you've done this, you've
had the best training in this 

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world. 
Now, you need to go off and do 

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something in newspapers and I 
think that's still the case. 

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And did you have to change your 
style when you went to work for 

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newspapers? 
Then I didn't have to but I 

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changed but I chose to yeah. 
So I wore suits. 

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Yeah. 
And that's pretty much what I've

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worn ever since is a suit 
dapper. 

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Delete, I think of you as Dapper
Dylan and then so from papers to

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Conde Nast, I always think of 
sort of condé Nast Vogue house. 

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It's quite a it's quite a hotbed
of style as you would imagine it

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to be. 
Did, did that change your style 

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at all? 
I don't think. 

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So. 
In fact, when we launched about 

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12 know, 11 years ago, we 
launched men's week. 

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Which was quite an exciting 
thing to do at the time Caroline

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Rush see over the BSC in myself 
launch men's week and for about 

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four or five years, it was very 
successful and invariably at the

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beginning of fashion week there 
would be and they'll always 

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Japanese for some reason they'd 
be there know what had always be

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a couple and they come and want 
to do an in an interview and 

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their question would always be. 
They'd always ask the question 

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like what's your style regime? 
Something like this? 

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And I say, what I get up in the 
morning, I put a white shirt on 

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a blue suit pair of black shoes 
and then I walk to work and they

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were invariably disappointed. 
So, but yeah, I wore suits. 

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I mean, I suppose what happened 
is that I migrated to sell 40 

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because I'd started having suit 
made for me when I was 24 and 

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this wasn't out of any 
particular adherence to style, 

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it was because in the 80s if you
bought a suit Shoot, they were 

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really boxy, they're all double 
breasted very boxy and of course

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I was skinny and it just looked 
like someone had thrown a tent 

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over a been called. 
So to, actually wear something. 

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I had to go and get something 
made. 

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So I started, I started quite 
young. 

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So 24 was when I first started 
having suits me, who did you go 

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to them? 
I went to a man called Jack 

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each. 
Yeah. 

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00:13:42,100 --> 00:13:45,100
In Harrow, who made suit for 
Teddy, boys? 

226
00:13:45,500 --> 00:13:48,700
Have fantastic. 
And it did you go to him in 

227
00:13:48,700 --> 00:13:50,800
Harrow? 
James or, yeah. 

228
00:13:50,900 --> 00:13:54,900
And I'd go there and I look like
a freak from nightclubs and I 

229
00:13:54,900 --> 00:13:59,200
surrounded by all these Teddy, 
Boys, quite elderly in quite 

230
00:13:59,200 --> 00:14:03,700
rough, and it was an experience.
And then after that, I went to a

231
00:14:03,700 --> 00:14:09,400
guy called Chris Rocco, in 
kentish town, who had a tailor 

232
00:14:09,400 --> 00:14:13,900
called Phillips, who was an 
ex-boxer and he made suits, for 

233
00:14:13,900 --> 00:14:16,900
Spandau Ballet for Wham, for 
lots of people, lots of pop 

234
00:14:16,900 --> 00:14:20,100
stars time, what George Michael 
Used to do George. 

235
00:14:20,100 --> 00:14:23,000
Michael used to go to this shop 
in South Molton Street was which

236
00:14:23,000 --> 00:14:27,600
was called bizarre and he used 
to ask if he can borrow a lot of

237
00:14:27,608 --> 00:14:29,400
clothes with a view to buying 
something. 

238
00:14:29,400 --> 00:14:31,900
So what he would do is he'd 
borrow all these clothes, you 

239
00:14:31,900 --> 00:14:34,800
buy a couple of things to keep 
them happy and you get any get 

240
00:14:34,800 --> 00:14:36,100
Chris, a copy. 
All this stuff. 

241
00:14:36,100 --> 00:14:38,800
No. 
Yeah it was very much that era 

242
00:14:38,800 --> 00:14:39,700
though. 
It wasn't it? 

243
00:14:39,700 --> 00:14:41,400
Yeah. 
Fantastic. 

244
00:14:41,900 --> 00:14:43,500
Whose style would you really 
reach? 

245
00:14:43,500 --> 00:14:46,000
Do you say I'm very 
conservative? 

246
00:14:46,000 --> 00:14:49,400
I I like old school. 
Cool. 

247
00:14:50,700 --> 00:14:55,000
Traditional Hollywood glamour. 
I think that that's a period 

248
00:14:55,000 --> 00:14:59,500
that you can't really beat. 
It's when it's when traditional 

249
00:14:59,500 --> 00:15:06,100
role models were fashionable. 
And regardless of anyone, 

250
00:15:06,100 --> 00:15:11,200
sexuality and it was a, it was 
formal and it was about dressing

251
00:15:11,200 --> 00:15:15,600
well for a purpose and I like 
that, I like dressing up things.

252
00:15:15,600 --> 00:15:19,400
Whether it's a charity do or a 
date or not anymore. 

253
00:15:19,400 --> 00:15:23,200
Obviously, But I was going to 
say they know the wife. 

254
00:15:23,900 --> 00:15:26,300
It's a I think that's important.
Yeah. 

255
00:15:26,300 --> 00:15:30,400
I think that the ability to be 
individual, these days is 

256
00:15:30,400 --> 00:15:32,900
obviously too kind of 
exponential and it's fantastic 

257
00:15:32,900 --> 00:15:36,400
but people have freedom to wear 
what they like and do what they 

258
00:15:36,400 --> 00:15:38,200
like. 
But I do think that there's a 

259
00:15:38,200 --> 00:15:41,400
formality about dressing well, 
particularly for men, which is 

260
00:15:41,700 --> 00:15:44,500
important. 
I totally agree. 

261
00:15:44,900 --> 00:15:48,300
I mean it's interesting you 
mentioned that because obviously

262
00:15:49,300 --> 00:15:54,300
the I'll and fashion world has 
evolved hugely hugely, and 

263
00:15:54,300 --> 00:15:59,700
you've got sort of celebrities, 
you know, on the catwalks now to

264
00:15:59,700 --> 00:16:05,200
really intertwined, you've got 
reality TV stars, they're, you 

265
00:16:05,208 --> 00:16:08,300
know, walking, the recent 
Balenciaga show. 

266
00:16:09,300 --> 00:16:14,500
What are your thoughts on that? 
Um, what on celebrities now 

267
00:16:15,300 --> 00:16:18,400
becoming part of the Fashion 
World? 

268
00:16:18,800 --> 00:16:19,800
I think fine. 
I mean it. 

269
00:16:19,900 --> 00:16:25,700
Is that thing is develop its I 
think that the the red carpet I 

270
00:16:25,708 --> 00:16:28,300
was talking about this with my 
business partner, the other day 

271
00:16:30,200 --> 00:16:34,200
as you said, was that he worked 
for Disney for a very long time 

272
00:16:34,200 --> 00:16:36,600
and we're talking about the 
importance of red carpet. 

273
00:16:36,600 --> 00:16:39,600
The thing is, if you have a good
red carpet event, that's your 

274
00:16:39,600 --> 00:16:41,600
marketing campaign. 
Now, you don't need anything 

275
00:16:41,600 --> 00:16:44,900
else, and you actually don't 
need to employ photographers, 

276
00:16:44,900 --> 00:16:48,400
either need a red carpet event 
and you have Instagram, and 

277
00:16:48,400 --> 00:16:50,200
that's kind of it. 
And that's your That's your 

278
00:16:50,200 --> 00:16:53,000
marketing. 
What do I think about it? 

279
00:16:53,000 --> 00:16:55,100
I'm not sure. 
I think it's just a natural. 

280
00:16:55,100 --> 00:16:58,800
Evolution of the way that 
various Industries have changed,

281
00:16:59,600 --> 00:17:02,800
its the introduction of new 
technologies into this world. 

282
00:17:03,000 --> 00:17:08,800
And in some respects, it's made 
Commerce e, easier it's made, 

283
00:17:08,800 --> 00:17:15,900
publicity easier. 
And I, and working having spent 

284
00:17:15,900 --> 00:17:21,700
a lot of time working with young
designers, young designers, who 

285
00:17:21,700 --> 00:17:26,900
would Bust a gut in spend every 
penny they had in order to put 

286
00:17:26,900 --> 00:17:29,300
on a fashion show. 
In fact often I would say don't 

287
00:17:29,300 --> 00:17:31,600
do a show. 
Yeah just put it into your 

288
00:17:31,900 --> 00:17:33,400
business. 
You don't need a shirt. 

289
00:17:33,400 --> 00:17:37,000
Yeah but obviously they're very 
proud and they wanted to be part

290
00:17:37,000 --> 00:17:40,500
of the whole system but even 
though it's tougher now for 

291
00:17:40,500 --> 00:17:44,000
younger designers, I think that 
things like Instagram, social 

292
00:17:44,000 --> 00:17:49,700
media, and general have enabled 
them to to to use media in a 

293
00:17:49,700 --> 00:17:52,300
different and cheaper way. 
And that's good. 

294
00:17:52,400 --> 00:17:56,200
It is, I think That's great. 
I mean, and can I just quickly 

295
00:17:56,200 --> 00:17:59,200
ask you, Kanye West, we sent 
goings-on. 

296
00:17:59,500 --> 00:18:04,800
Well, everything that I've read 
is appalling and everything that

297
00:18:04,800 --> 00:18:07,900
I've read, totally negates, 
anything that he's done before. 

298
00:18:08,000 --> 00:18:10,600
I mean, I can't say because I 
haven't heard him say these 

299
00:18:10,600 --> 00:18:14,600
things to me, but everything 
that has been mediated so far, 

300
00:18:14,800 --> 00:18:18,500
leads me to think that this is a
side of his personality, the 

301
00:18:18,500 --> 00:18:23,700
ugly side of his personality, 
which like, I say, Kind of 

302
00:18:23,700 --> 00:18:27,700
negates any amazing creativity 
that he possesses. 

303
00:18:27,900 --> 00:18:31,400
Yes, it's a shame, isn't it? 
It's a terrible shame. 

304
00:18:31,400 --> 00:18:35,700
Yeah, just talking about male 
artists musicians. 

305
00:18:35,700 --> 00:18:40,500
Creatives if you could pick 
three, who would you consider to

306
00:18:40,500 --> 00:18:45,200
be the most stylish or 
inspirational performers before 

307
00:18:45,200 --> 00:18:48,900
most creatives? 
I think that Bowie we've already

308
00:18:48,900 --> 00:18:51,900
talked about. 
I think that Harry Styles is 

309
00:18:51,900 --> 00:18:55,000
really carrying the flag Big. 
But also I think you can't 

310
00:18:55,000 --> 00:18:57,800
ignore someone like me. 
Jagger Mick. 

311
00:18:57,800 --> 00:19:01,500
Jagger was cool in his teens, 
his 20th, pretty much. 

312
00:19:01,500 --> 00:19:04,800
Every decade I took my daughter 
to see the stones in the summer 

313
00:19:04,800 --> 00:19:08,000
last last year. 
And they'd never seen them 

314
00:19:08,000 --> 00:19:12,400
before and they just thought it 
was one of the best concerts 

315
00:19:12,400 --> 00:19:15,800
I've ever seen principally. 
Because of his Jag has energy 

316
00:19:15,900 --> 00:19:18,900
and the fact that you're very 
comfortable and I think in order

317
00:19:18,900 --> 00:19:23,500
to be stylish particularly, if 
you're a performer, you Have to 

318
00:19:23,500 --> 00:19:25,500
be comfortable if you're not 
comfortable. 

319
00:19:25,700 --> 00:19:28,300
You just look like someone's 
giving you some stuff to wear. 

320
00:19:28,600 --> 00:19:31,200
Yes. 
I've always felt very strongly. 

321
00:19:31,200 --> 00:19:35,900
You've got to really own your 
clothes and if you don't you 

322
00:19:36,200 --> 00:19:39,300
feel uncomfortable and people 
around, you feel uncomfortable? 

323
00:19:39,500 --> 00:19:46,400
Yeah, I mean someone like 
Someone like Jay Z has that 

324
00:19:46,400 --> 00:19:48,900
confidence. 
Yes we did an event with him 

325
00:19:48,900 --> 00:19:54,000
once again and he was just very 
very cool and I think it's that 

326
00:19:54,000 --> 00:19:57,600
thing that cool is such a 
commodity these days. 

327
00:19:58,500 --> 00:20:01,000
And actually it's that goes back
to that whole thing. 

328
00:20:01,000 --> 00:20:02,300
You've got it or you haven't got
it. 

329
00:20:02,308 --> 00:20:03,500
Yeah. 
You can't buy it. 

330
00:20:03,500 --> 00:20:06,400
Can you? 
Well, we are in it in an 

331
00:20:06,400 --> 00:20:10,600
industry. 
Where You can buy it, but it 

332
00:20:10,600 --> 00:20:12,400
doesn't always work. 
Yeah. 

333
00:20:12,500 --> 00:20:18,000
That's the point. 
Anyone who you look at that, you

334
00:20:18,000 --> 00:20:21,100
think, or that's really not 
working. 

335
00:20:21,100 --> 00:20:26,400
That's really try too hard. 
Yeah, like, you're not going to 

336
00:20:26,408 --> 00:20:31,000
be drawn on that. 
No, I mean, I think a lot of, a 

337
00:20:31,008 --> 00:20:33,500
lot of entertainers, a lot of 
pop stars. 

338
00:20:36,000 --> 00:20:37,900
Dressed. 
But I mean, I think I remember 

339
00:20:37,900 --> 00:20:45,000
when we shot Ed Sheeran for the 
cover of GQ years ago, and I 

340
00:20:45,000 --> 00:20:47,600
said we were going to do this 
and the, the features team just 

341
00:20:47,600 --> 00:20:49,300
looked at me. 
Like, I was an idiot. 

342
00:20:50,700 --> 00:20:52,900
This is, there's no way you can 
make him look cool. 

343
00:20:52,900 --> 00:20:55,500
And actually, I think, I think 
we did in the end, but I'm not 

344
00:20:55,500 --> 00:21:00,100
sure to what great aim because 
he's because he's thing is 

345
00:21:00,100 --> 00:21:01,800
looking like Oscar, isn't it? 
Yeah. 

346
00:21:01,800 --> 00:21:04,200
So, you know, yeah. 
But he owns that. 

347
00:21:04,600 --> 00:21:08,300
Yeah, yeah, it's quite a lot. 
That's why it's you're right 

348
00:21:08,300 --> 00:21:09,300
there. 
You're right. 

349
00:21:09,300 --> 00:21:13,600
They're coming back to Brands 
and Tailors and who are you 

350
00:21:13,600 --> 00:21:16,500
really rating on Savile Row 
right now? 

351
00:21:16,600 --> 00:21:22,400
Because I think Savile Row is 
this glorious Global Hub, of 

352
00:21:22,600 --> 00:21:25,700
brilliant, craftsmanship and 
skill. 

353
00:21:26,300 --> 00:21:30,100
And I I just don't think there's
anywhere like it in the world. 

354
00:21:30,100 --> 00:21:32,900
And I'd be really interested to 
hear your opinion because you 

355
00:21:33,100 --> 00:21:36,800
have been so immersed. 
First in the men's style world 

356
00:21:36,800 --> 00:21:42,800
for the last several decades. 
Well, I think that now, even 

357
00:21:42,800 --> 00:21:49,400
though covid has has thrown up 
so many challenges, not least 

358
00:21:49,400 --> 00:21:53,300
because it's made it impossible 
for people to do trunk shows, 

359
00:21:53,300 --> 00:21:55,300
which is where they make a lot 
of their money. 

360
00:21:55,300 --> 00:21:58,500
As you know, I actually think 
that there's more of a Level 

361
00:21:58,500 --> 00:22:00,800
Playing Field. 
Now, in several Rosen, has ever 

362
00:22:00,800 --> 00:22:05,500
been before and I think the 
issue now is Team trade back, I 

363
00:22:05,508 --> 00:22:09,000
mean, during during freeze week 
because of the dollar London was

364
00:22:09,000 --> 00:22:13,000
Awash with Americans that it 
felt like some sort of semblance

365
00:22:13,000 --> 00:22:17,900
of normalcy, but it, but it has 
been challenging. 

366
00:22:18,200 --> 00:22:25,200
But even 20 years ago, I think 
there were such a sort of clash 

367
00:22:25,200 --> 00:22:30,100
between old-school Savile Row 
and the and, and the new boys 

368
00:22:30,100 --> 00:22:33,500
like Oswald. 
And Richard James, I don't think

369
00:22:33,500 --> 00:22:37,000
that's the case anymore. 
Be more and I think and I think 

370
00:22:37,000 --> 00:22:44,900
it's possible to have a really 
genuine traditional Savile Row 

371
00:22:44,900 --> 00:22:53,900
experience whether you whether 
you're in Anderson a Shepherd or

372
00:22:54,700 --> 00:22:58,400
Richard James or Oswald or ever.
I mean, I don't think there's a 

373
00:22:58,408 --> 00:23:02,400
person I know on Savile Row, 
whoo-hoo a I don't like and be I

374
00:23:02,400 --> 00:23:06,100
don't have any respect for They 
all work, fantastically hard, 

375
00:23:07,200 --> 00:23:11,300
they're all really good at their
jobs and they're and they're all

376
00:23:12,200 --> 00:23:15,100
not the last Bastion because I 
think there's been a certain 

377
00:23:15,100 --> 00:23:18,600
amount of regeneration but they 
are flying a flag British 

378
00:23:18,600 --> 00:23:21,500
craftsmanship and creativity 
which I think is fantastic. 

379
00:23:21,500 --> 00:23:23,200
Yeah, I couldn't agree with you 
more. 

380
00:23:23,200 --> 00:23:25,500
I think it's absolutely 
wonderful. 

381
00:23:25,900 --> 00:23:28,700
I always think of you as Dapper 
Dylan. 

382
00:23:29,300 --> 00:23:34,100
When do you feel that that 
you're you really nailed your 

383
00:23:34,200 --> 00:23:38,800
Your look that you have. 
Now I think through I just think

384
00:23:38,800 --> 00:23:45,200
through repetition and I think 
that if you are in the media and

385
00:23:45,200 --> 00:23:52,400
you're visible, I think you need
a certain kind of look just to 

386
00:23:52,600 --> 00:23:56,600
for recognition. 
See if you and you do TV and 

387
00:23:56,600 --> 00:24:00,600
stuff. 
And and so I tended to look the 

388
00:24:00,600 --> 00:24:06,200
same, I tended to wear things 
which Were very very similar 

389
00:24:06,200 --> 00:24:08,700
because I think you kind of 
confuse people. 

390
00:24:08,800 --> 00:24:12,500
And also if you're representing 
a brand which I was that brand 

391
00:24:12,500 --> 00:24:16,800
very much felt like I suppose I 
tried to dress like the brand. 

392
00:24:16,900 --> 00:24:19,400
Yeah. 
Which is navy blue suit white 

393
00:24:19,400 --> 00:24:21,100
shirt. 
I mean it's not very interesting

394
00:24:21,400 --> 00:24:22,800
but I think it's the way you do 
it. 

395
00:24:23,000 --> 00:24:25,500
It I was going to say it is is 
the detail, isn't it? 

396
00:24:25,500 --> 00:24:28,000
The devils in the detail. 
Your beautiful pocket scarf that

397
00:24:28,000 --> 00:24:31,800
you've got on the first day. 
You didn't go into Vogue house. 

398
00:24:31,800 --> 00:24:33,400
Yeah. 
Do you remember what you put on 

399
00:24:33,400 --> 00:24:37,000
that morning? 
Well, it would have been a you 

400
00:24:37,000 --> 00:24:41,300
talking about covid because 
because the thing is, we had, I 

401
00:24:41,300 --> 00:24:45,400
left, we had covid, we had 
locked down and then I sort of 

402
00:24:45,400 --> 00:24:47,700
left Conde Nast a year after 
that. 

403
00:24:48,200 --> 00:24:52,400
So the thing is, we were already
conditioned to not working and 

404
00:24:52,400 --> 00:24:56,300
dressing in a particular way and
I think that helped in many 

405
00:24:56,300 --> 00:25:00,300
respects because I think that we
have a house in Wales and, yes, 

406
00:25:00,300 --> 00:25:01,100
it can be. 
Yeah. 

407
00:25:01,100 --> 00:25:04,600
And I think the tendency there 
is to kind of go Farrell You 

408
00:25:04,600 --> 00:25:08,600
know, it's like I cannot imagine
a feral Dylan. 

409
00:25:08,700 --> 00:25:11,300
What does a feral? 
Dylan look like in Wales, I'd be

410
00:25:11,300 --> 00:25:13,800
fascinated to know. 
What is it? 

411
00:25:13,800 --> 00:25:15,700
That? 
Is it, the Tweed version that 

412
00:25:15,700 --> 00:25:20,200
I'm seeing two, I don't hear a 
bad person. 

413
00:25:21,000 --> 00:25:25,000
I don't, I don't dress up and I 
don't think I dress up in 

414
00:25:25,000 --> 00:25:27,000
London. 
I think I have a uniform, but in

415
00:25:27,000 --> 00:25:31,000
the country it's everything's 
about practicality. 

416
00:25:31,000 --> 00:25:34,000
You know, this, it's about you 
where the the clothes that are 

417
00:25:34,200 --> 00:25:37,800
Appropriate for what you're 
doing, whether you're chopping 

418
00:25:37,800 --> 00:25:40,300
wood or going for a walk, so no 
Kashmir. 

419
00:25:41,100 --> 00:25:46,100
Okay, yeah. 
Got quite a catch me, got you, 

420
00:25:46,200 --> 00:25:50,400
got you, and do you have a 
writing uniform? 

421
00:25:50,400 --> 00:25:52,100
Do you have something not a 
uniform? 

422
00:25:52,100 --> 00:25:56,900
But something that you put on 
when you say, okay, I'm going to

423
00:25:56,900 --> 00:26:02,200
really focus on writing today, 
which you do obviously a lot. 

424
00:26:02,400 --> 00:26:04,000
But is there something that you 
feel? 

425
00:26:04,400 --> 00:26:07,000
You have that sort of you come 
back to again. 

426
00:26:07,000 --> 00:26:10,400
And again, I think that's a 
really interesting question and 

427
00:26:10,400 --> 00:26:12,700
never been asked that before. 
Well, that's good. 

428
00:26:13,000 --> 00:26:16,700
I think actually thinking about 
it, I think that there is a 

429
00:26:16,700 --> 00:26:22,800
sense of, I mean, I'm lucky that
I can write, I find it easy to 

430
00:26:22,800 --> 00:26:26,000
write anywhere, I can write in 
the back of a cab, or on a bus 

431
00:26:26,100 --> 00:26:29,200
or that is at such a skill, but 
and a gift. 

432
00:26:29,300 --> 00:26:32,800
But I think that I think that's 
a very really interesting point 

433
00:26:32,800 --> 00:26:34,000
that you make. 
I think it is. 

434
00:26:34,200 --> 00:26:36,200
Important. 
But when I'm at home, I actually

435
00:26:36,500 --> 00:26:37,900
do that. 
I think you have to, you have 

436
00:26:37,900 --> 00:26:41,900
to, you have to get up. 
Yeah, which is a bit, you know, 

437
00:26:41,900 --> 00:26:45,800
not every writer a writer gets 
up because a lot of writers 

438
00:26:45,800 --> 00:26:47,700
write in their PJs or they're 
dressing gown. 

439
00:26:47,700 --> 00:26:50,500
I think you need to dress. 
I think you need to be formal, I

440
00:26:50,500 --> 00:26:50,900
think. 
Yeah. 

441
00:26:50,900 --> 00:26:54,300
I mean I would I'd I think 
that's a. 

442
00:26:54,500 --> 00:26:57,400
I think that's very important 
because you need to be engaged. 

443
00:26:57,400 --> 00:26:59,200
I think so. 
You're not just in your Loro 

444
00:26:59,200 --> 00:27:02,600
Piana Kashmir, trakis. 
I'm not going to tell you. 

445
00:27:06,800 --> 00:27:09,200
Fundamentally. 
Who would you say you dress for?

446
00:27:10,400 --> 00:27:16,100
It depends. 
Sometimes I dress for no one if 

447
00:27:16,100 --> 00:27:21,200
I'm out. 
I think the answer to that if 

448
00:27:21,200 --> 00:27:26,000
you respect the social 
situation, And you respect the 

449
00:27:26,000 --> 00:27:30,400
orthodoxes of what you're doing.
If I'm going to the cinema, I'm 

450
00:27:30,400 --> 00:27:32,400
not going to be as smart as I 
am. 

451
00:27:32,400 --> 00:27:34,900
If I'm coming here or going to 
the meeting. 

452
00:27:34,900 --> 00:27:38,800
I'm going to after this, or I'm 
going to a lunch, it's like, 

453
00:27:39,200 --> 00:27:42,000
okay the answer is you dress for
the venue. 

454
00:27:42,800 --> 00:27:47,900
So if I'm going to the, if I'm 
going to Scott or a good 

455
00:27:48,000 --> 00:27:52,300
upmarket fancy restaurant, I 
will dress at that restaurant. 

456
00:27:52,400 --> 00:27:55,200
But if I go to my local, 
Argentinian Cafe. 

457
00:27:55,300 --> 00:27:57,700
I'm not I'm probably not going 
to look like this because you 

458
00:27:57,700 --> 00:28:05,300
know Gauchos but interesting in 
this time of real gender 

459
00:28:05,300 --> 00:28:09,500
fluidity. 
Yeah and I think some brilliant 

460
00:28:09,500 --> 00:28:13,800
things going on out there. 
Are you ever tempted to be a 

461
00:28:13,800 --> 00:28:17,000
little bit more experimental, a 
little bit more feminine? 

462
00:28:17,000 --> 00:28:20,900
Even I've done all that, but do 
it again now that you've got all

463
00:28:20,900 --> 00:28:23,700
these, nobody wants to see an 
old guy do that. 

464
00:28:24,600 --> 00:28:26,100
No. 
But I mean, I, I did. 

465
00:28:26,100 --> 00:28:30,100
All right, I spent a decade in 
nightclubs, wearing makeup 

466
00:28:30,100 --> 00:28:34,000
wearing dresses doing all that 
stuff and I had a fantastic time

467
00:28:34,000 --> 00:28:36,700
but I don't think my kids want 
to see me do that. 

468
00:28:39,200 --> 00:28:41,800
Probably not. 
I think, I think kids really do 

469
00:28:41,800 --> 00:28:44,400
struggle with them. 
Their parents, having done. 

470
00:28:44,400 --> 00:28:47,900
What they've they are now doing.
Don't mean is bad enough if I 

471
00:28:47,900 --> 00:28:51,700
post something on Instagram that
they don't like I literally and 

472
00:28:51,700 --> 00:28:55,600
NS later, saying, take it Down, 
you're being ridiculous. 

473
00:28:56,700 --> 00:28:59,600
There's like judgmental, I love 
it. 

474
00:28:59,600 --> 00:29:07,000
You this sort of Ordinary People
awful and what was your view on 

475
00:29:07,100 --> 00:29:10,600
the Harry Styles in a dress 
Vogue cover? 

476
00:29:11,100 --> 00:29:14,400
Oh, I Harry Styles can do no 
wrong in my eyes. 

477
00:29:15,000 --> 00:29:17,400
I think he's a nice person, he's
a great person. 

478
00:29:17,700 --> 00:29:21,300
He's a good pop star. 
Literally everything about him 

479
00:29:21,300 --> 00:29:27,000
is fantastic and I think I know 
Harry a bit and when I In very 

480
00:29:27,000 --> 00:29:29,900
well in the early days. 
And I saw him recently on 

481
00:29:29,900 --> 00:29:33,800
holiday in the summer and I 
think that there is a test that 

482
00:29:33,800 --> 00:29:37,100
most most famous people have 
arrested develop. 

483
00:29:37,700 --> 00:29:41,100
So if you become famous at 17, 
you're probably going to stay 17

484
00:29:41,100 --> 00:29:44,400
for the rest of your life 
because you're surrounded by 

485
00:29:44,400 --> 00:29:47,700
people who are treating 
interesting, mural, and I think 

486
00:29:47,800 --> 00:29:52,700
often people who achieve success
later in life tend to be more 

487
00:29:52,700 --> 00:29:57,500
even-handed and more balanced. 
Because they're not that and 

488
00:29:57,500 --> 00:29:59,300
they are not surrounded by 
sycophants. 

489
00:29:59,900 --> 00:30:02,600
However, there are few 
exceptions and I think he is 

490
00:30:02,600 --> 00:30:09,300
certainly one because he is such
a grounded person and he treats 

491
00:30:09,300 --> 00:30:12,800
people with respect and yeah, 
he's a nice guy. 

492
00:30:12,800 --> 00:30:16,300
I mean, he deserves his success 
but the way that he's driven 

493
00:30:16,300 --> 00:30:19,000
menswear, it's fantastic. 
I think a great iconic 

494
00:30:19,100 --> 00:30:21,500
fantastic. 
And I think it's rather sad when

495
00:30:21,500 --> 00:30:27,300
he gets criticized as a straight
man for I'm wearing a dress and 

496
00:30:27,800 --> 00:30:31,800
really the whole gender fluidity
me too. 

497
00:30:31,800 --> 00:30:36,200
I think he there is nothing that
he does in that world in terms 

498
00:30:36,200 --> 00:30:38,900
of presentation. 
That is a that is a misstep. 

499
00:30:38,900 --> 00:30:41,300
I think he's brilliant. 
Do you have a style icon? 

500
00:30:42,200 --> 00:30:45,500
I don't think so. 
You were talking earlier about 

501
00:30:45,500 --> 00:30:48,800
the Hollywood greats. 
I mean, in terms of a of a 

502
00:30:48,800 --> 00:30:54,000
creative person, I think David 
Bowie remains my sort of 

503
00:30:54,000 --> 00:30:58,400
lodestar just because He came 
into my life at a time when I 

504
00:30:58,400 --> 00:31:04,100
was very impressionable. 
And I think he, he returned any 

505
00:31:04,100 --> 00:31:09,500
sort of investment that we made 
in him just by being constantly 

506
00:31:09,500 --> 00:31:12,500
creative and having an 
extraordinary public creative 

507
00:31:12,500 --> 00:31:15,000
life. 
So I'd say it was Bowie, not 

508
00:31:15,100 --> 00:31:19,100
necessarily Sartori Lee, but he 
is the he is the person who's 

509
00:31:19,100 --> 00:31:21,300
probably had the most influence 
on my life. 

510
00:31:21,300 --> 00:31:23,500
He must have had so much fun 
writing that book. 

511
00:31:23,600 --> 00:31:30,600
It was, it was great fun. 
Because I, as well as wanting to

512
00:31:30,600 --> 00:31:35,300
immerse myself more in his world
because I knew him quite well. 

513
00:31:36,500 --> 00:31:39,900
You wanted. 
I wanted to to do it 

514
00:31:39,900 --> 00:31:43,800
respectfully as well as it being
very journalistic. 

515
00:31:44,000 --> 00:31:49,300
But it was quite difficult 
because the, I think the reason 

516
00:31:49,300 --> 00:31:51,500
the book was so successful is 
that it? 

517
00:31:51,500 --> 00:31:53,700
Is it because it had 150 voices 
in. 

518
00:31:53,700 --> 00:31:57,800
It wasn't just my voice. it was 
150 people who would knew him in

519
00:31:57,800 --> 00:32:01,900
a particular way, or right, his 
life, and some of those people I

520
00:32:01,908 --> 00:32:05,000
knew very well but not all of 
them and I think the first 

521
00:32:06,600 --> 00:32:08,800
Communication. 
You have with someone is really 

522
00:32:08,800 --> 00:32:11,800
important because I was writing 
this book just after he died. 

523
00:32:12,400 --> 00:32:15,700
So I'm writing to you Amanda and
I'm saying you knew David Bowie 

524
00:32:15,700 --> 00:32:17,500
very. 
Well, I'd like to interview you 

525
00:32:17,500 --> 00:32:21,900
for this project what I say to 
you then it basically makes you 

526
00:32:21,900 --> 00:32:25,000
decide whether you're going to 
stick or twist. 

527
00:32:25,500 --> 00:32:28,800
Do I want to do this or do I do?
But that first approach was 

528
00:32:28,800 --> 00:32:32,200
very, very important and 
convincing someone that I was 

529
00:32:32,200 --> 00:32:37,200
coming from a good place which I
was and With Bowie being such a 

530
00:32:37,300 --> 00:32:40,700
style icon. 
Really we you very conscious of 

531
00:32:40,700 --> 00:32:43,500
what you will when you met him. 
Oh God? 

532
00:32:43,500 --> 00:32:46,300
Yeah, yeah, complete. 
So don't take me through that 

533
00:32:46,300 --> 00:32:50,000
process. 
When was the first time you met 

534
00:32:50,000 --> 00:32:52,200
him? 
First time I met him was in a 

535
00:32:52,200 --> 00:32:56,300
house party. 
I think in Portobello Road 

536
00:32:56,300 --> 00:32:59,000
during the port of the, during 
the Notting Hill, Carnival with 

537
00:32:59,000 --> 00:33:01,400
a friend of mine called Cynthia,
who worked on absolute 

538
00:33:01,400 --> 00:33:03,900
beginners? 
Who had this party? 

539
00:33:04,300 --> 00:33:08,200
And as he as he as he walked 
into this party, I was having my

540
00:33:08,200 --> 00:33:13,100
head shaved over a singer. 
I thought really. 

541
00:33:13,100 --> 00:33:20,100
Now now for every subsequent 
time your course you take a lot 

542
00:33:20,100 --> 00:33:24,300
of care and do you remember what
you wore that first time that 

543
00:33:24,300 --> 00:33:27,200
you will probably not because 
you had your head over the site?

544
00:33:27,200 --> 00:33:32,000
I remember the first time I met 
Bryan Ferry which was I've been 

545
00:33:32,000 --> 00:33:34,900
at, we'd had this party in a 
place called lipstick Studios. 

546
00:33:34,900 --> 00:33:38,700
Remember lipstick stupidly 
Bigfoot of photographic Studios 

547
00:33:38,700 --> 00:33:42,400
back in the 80s and I was in a, 
is on a Saturday night. 

548
00:33:42,400 --> 00:33:45,600
And I remember I was meant to be
interviewing Bryan Ferry in his 

549
00:33:45,600 --> 00:33:48,900
management office and the Kings 
Road, which I think was called 

550
00:33:48,900 --> 00:33:53,100
EG at the time. 
But of course I hadn't gone home

551
00:33:54,800 --> 00:33:56,900
so I pitched up to this 
interview. 

552
00:33:57,000 --> 00:34:01,000
Not only, did I not have a 
recorder but I was still dressed

553
00:34:01,000 --> 00:34:03,400
but and I remember you these 
trousers. 

554
00:34:03,400 --> 00:34:05,400
I was very in the Made For Me by
a guy called. 

555
00:34:05,400 --> 00:34:08,699
Toby Anderson used to be in Funk
politan. 

556
00:34:08,699 --> 00:34:13,100
He was going through a period of
designing clothes with for a 

557
00:34:13,107 --> 00:34:16,300
brand called Atlas and he'd made
me these trousers. 

558
00:34:16,300 --> 00:34:20,800
And they were trousers that were
kind of made up of swatches. 

559
00:34:21,600 --> 00:34:24,600
Yellow that every two inches 
with a different type of fabric 

560
00:34:24,900 --> 00:34:26,300
Patchwork. 
Exactly. 

561
00:34:26,300 --> 00:34:28,900
Yeah. 
And I remember sitting down with

562
00:34:28,900 --> 00:34:33,000
a furious hangover in this 
office, about to interview. 

563
00:34:33,000 --> 00:34:34,600
Brian ferrill, I'd never met 
before. 

564
00:34:34,600 --> 00:34:39,900
Who was someone? 
I also idolized as a boy and he 

565
00:34:39,900 --> 00:34:41,500
did. 
Look at me and I think he was 

566
00:34:41,500 --> 00:34:43,800
quite disconcerted by my 
condition. 

567
00:34:44,100 --> 00:34:47,300
He looked at my trousers and 
said, those are the most amazing

568
00:34:47,300 --> 00:34:50,400
trousers I've ever seen and 
that's all, I remember. 

569
00:34:51,500 --> 00:34:54,100
Remember anything else? 
He told, you think he meant it? 

570
00:34:54,100 --> 00:34:56,600
Okay. 
No, I don't care. 

571
00:34:58,800 --> 00:35:02,700
Turning turning all the way 
around where now, inhabiting 

572
00:35:02,700 --> 00:35:07,000
this Ultra digital world and the
metaverse. 

573
00:35:07,200 --> 00:35:11,100
What's your view in terms of 
designer clothing on the 

574
00:35:11,100 --> 00:35:14,200
metaverse? 
Hmm, I'm not sure what you mean,

575
00:35:14,900 --> 00:35:21,200
that brands are designing an FTS
and clothing to sell. 

576
00:35:21,400 --> 00:35:23,700
Great, why not on the matter? 
But I think it's great. 

577
00:35:23,700 --> 00:35:29,300
I think, why not? 
I think that there are I mean, I

578
00:35:29,300 --> 00:35:32,700
think when people criticize 
things like this, I think they 

579
00:35:32,700 --> 00:35:36,700
always criticize it from a 
commercial point of view, but 

580
00:35:36,700 --> 00:35:41,000
also people buy clothes and 
invest in consumer goods for a 

581
00:35:41,200 --> 00:35:43,800
for many different reasons. 
And they usually do it to feel 

582
00:35:43,800 --> 00:35:47,500
good. 
And I think that if you if 

583
00:35:47,500 --> 00:35:53,100
buying clothes for a mythical 
person for an avatar or whatever

584
00:35:53,400 --> 00:35:55,600
in a digital space, makes you 
feel good. 

585
00:35:55,600 --> 00:35:57,600
Then, why not, why why shouldn't
you do that? 

586
00:35:57,600 --> 00:36:00,000
You might The kind of person as 
acrophobia. 

587
00:36:00,000 --> 00:36:02,300
You might not think you're 
particularly good-looking, or 

588
00:36:02,300 --> 00:36:05,100
you might any of these things? 
I think it's absolutely fine. 

589
00:36:05,400 --> 00:36:11,500
I mean, does allow a window onto
a different world that you 

590
00:36:11,500 --> 00:36:14,900
might, you know, you're probably
may not be able to go and buy a 

591
00:36:14,908 --> 00:36:19,100
Dodge Gabbana suit or whatever, 
but your avatar can wear it. 

592
00:36:19,200 --> 00:36:21,600
But also your avatar might 
display the kind of 

593
00:36:21,600 --> 00:36:25,500
characteristics that you don't 
feel equipped to you, might be 

594
00:36:25,500 --> 00:36:28,500
more flamboyant. 
You might be having A completely

595
00:36:28,500 --> 00:36:30,600
different sexual. 
Like you might be anything and 

596
00:36:30,600 --> 00:36:33,600
that's empowering and I think 
that's great, and it's creative.

597
00:36:33,700 --> 00:36:36,300
Yeah, and and fun. 
Yeah, we need to find something 

598
00:36:36,300 --> 00:36:38,400
to disagree on. 
We do their weight. 

599
00:36:39,200 --> 00:36:42,800
Well, it's not gonna be this one
because you brilliantly created 

600
00:36:42,800 --> 00:36:46,300
the GQ men of the Year Awards, 
which I just think was, you 

601
00:36:46,300 --> 00:36:48,400
know, really Visionary and 
clever. 

602
00:36:48,400 --> 00:36:51,200
And, you know, coming back to 
talking about those red carpet 

603
00:36:51,200 --> 00:36:54,700
moments. 
Yeah, how did you decide as 

604
00:36:54,800 --> 00:36:57,700
editor what you were going to 
wear? 

605
00:36:58,500 --> 00:37:01,500
Year after year. 
After year, I usually wore the 

606
00:37:01,500 --> 00:37:05,600
sponsor. 
Very good answer. 

607
00:37:06,600 --> 00:37:07,400
Yeah. 
I mean AE. 

608
00:37:07,400 --> 00:37:10,500
Where the sponsor? 
But be you want to look good. 

609
00:37:10,500 --> 00:37:14,800
But also what you don't want to 
do is outshine, someone famous. 

610
00:37:14,800 --> 00:37:16,300
Yeah you just don't want to do 
that. 

611
00:37:16,400 --> 00:37:19,500
I went to this thing that we're 
involved with in New York Giants

612
00:37:19,500 --> 00:37:25,400
and the host came on, it came on
and evening suit. 

613
00:37:25,800 --> 00:37:29,100
And black scarf that I will get,
he Basically had a big scarf 

614
00:37:29,100 --> 00:37:32,100
like that and it was like rapped
and it's basically saying I'm 

615
00:37:32,100 --> 00:37:33,500
here. 
Hi. 

616
00:37:33,500 --> 00:37:35,800
And you don't want to do that. 
No you don't to do that. 

617
00:37:35,800 --> 00:37:38,900
You want to. 
It's like a never outshine. 

618
00:37:38,900 --> 00:37:43,200
The master, I remember old boss 
of mine said me with giving 

619
00:37:43,800 --> 00:37:48,300
advice and he said, don't ya? 
Someone's in charge so just let 

620
00:37:48,300 --> 00:37:51,100
them be be in charge and I think
when you're surrounded by a lot 

621
00:37:51,100 --> 00:37:58,600
of very famous people, some of 
whom have fragile egos, Also 

622
00:37:58,600 --> 00:38:01,400
surrounded by all their PR 
people who have even more 

623
00:38:01,400 --> 00:38:06,200
fragile, egos then you just have
to be slightly just treat people

624
00:38:06,200 --> 00:38:07,400
with respect. 
Yes. 

625
00:38:07,700 --> 00:38:09,600
Yeah I think that's that's so 
true. 

626
00:38:10,100 --> 00:38:14,800
Did you ever use a high-profile 
event to support a new designer 

627
00:38:15,100 --> 00:38:21,600
to want to wear a new designer? 
I would wear, I would always try

628
00:38:21,600 --> 00:38:24,800
and we're young British 
designers. 

629
00:38:24,800 --> 00:38:28,100
If I thought, they were 
appropriate for me to wear I 

630
00:38:28,100 --> 00:38:32,500
mean, there's lots of designers 
that we championed the that I 

631
00:38:32,500 --> 00:38:34,100
wouldn't work because I would 
look ridiculous. 

632
00:38:34,100 --> 00:38:36,300
And I think they would think I 
look ridiculous. 

633
00:38:36,300 --> 00:38:37,600
They wouldn't reflect well on 
them. 

634
00:38:37,900 --> 00:38:39,900
I mean, someone like Charles 
Jeffrey, who makes amazing 

635
00:38:39,900 --> 00:38:41,100
clothes. 
I'm not going to waste it 

636
00:38:41,100 --> 00:38:44,500
because I'm gonna look 
ridiculous, but I but I love his

637
00:38:44,500 --> 00:38:47,100
stuff and I think he's very, 
very clever but I would do it to

638
00:38:47,100 --> 00:38:51,400
support several brands or 
designers like all of the 

639
00:38:51,400 --> 00:38:55,000
Sweeney where I'd it was 
something that was more 

640
00:38:55,000 --> 00:38:56,700
appropriate. 
Yeah, I mean you must have been 

641
00:38:56,700 --> 00:39:01,600
targeted by Many Brands to wear 
them, that must have been quite 

642
00:39:01,600 --> 00:39:03,500
an. 
I would imagine there would have

643
00:39:03,500 --> 00:39:06,800
been bags. 
Full of couldn't possibly 

644
00:39:06,800 --> 00:39:09,800
confident comment. 
Now, I don't think you were dyed

645
00:39:09,800 --> 00:39:12,600
the well I tried I tried. 
Hey ho. 

646
00:39:12,800 --> 00:39:16,700
I mean you thing is if you are 
in that industry and I think 

647
00:39:16,700 --> 00:39:21,700
it's the same now as it was then
people fall over themselves to 

648
00:39:21,707 --> 00:39:25,200
give you stuff and they're 
basically doing it because it's 

649
00:39:25,200 --> 00:39:27,800
a kind of it's a it's a soft 
bribe. 

650
00:39:28,000 --> 00:39:30,800
But but that's business, but I 
think you're a mug. 

651
00:39:30,800 --> 00:39:33,200
If you wear something for 
commercial reasons, I mean, you 

652
00:39:33,200 --> 00:39:36,200
wear it with you like it. 
You know, would you say, you had

653
00:39:36,200 --> 00:39:40,000
a worst fashion moment? 
Oh God, how long have you got? 

654
00:39:40,000 --> 00:39:45,100
Ya, however, long, you've got a 
few of the things I kept, I 

655
00:39:45,100 --> 00:39:48,000
didn't keep much because like, 
like, like I say most of it was 

656
00:39:48,000 --> 00:39:53,600
cut up, but I've kept a few 
things, I kept my hard times 

657
00:39:53,600 --> 00:40:01,800
genes which They wanted them for
a viene exhibition in the 80s 

658
00:40:02,100 --> 00:40:06,600
about four or five years ago. 
The most remarkable thing about 

659
00:40:06,600 --> 00:40:09,300
them was ahead of 28-inch waist.
Oh my God. 

660
00:40:09,300 --> 00:40:11,500
I know. 
Imagine tiny. 

661
00:40:11,600 --> 00:40:15,400
But then they came back clean 
because the whole point of 

662
00:40:15,400 --> 00:40:17,500
wearing these things that they 
there's a study stood up on 

663
00:40:17,500 --> 00:40:20,400
their own didn't a and they came
back dry, clean them. 

664
00:40:20,400 --> 00:40:25,300
Oh, no dry-cleaning jeans. 
Did I had I had some old Vivian 

665
00:40:25,300 --> 00:40:32,000
Westwood pirate top. 
But the thing that my younger 

666
00:40:32,000 --> 00:40:35,000
daughter light more than 
anything else and now she wears 

667
00:40:35,000 --> 00:40:38,800
it was a jacket by Josh Bonnet 
which is former checked it with 

668
00:40:39,000 --> 00:40:43,300
fake fur collar, Talons metal, 
Talons of the back and it had is

669
00:40:43,300 --> 00:40:49,300
Gigolo on the back, silver 
plastic, did you keep all, have 

670
00:40:49,300 --> 00:40:52,000
you kept through the, through 
the years? 

671
00:40:52,000 --> 00:40:54,500
All of these wonderful. 
I've seen a lot of them. 

672
00:40:55,800 --> 00:41:02,100
I I now have a Quite a large 
Wardrobe full of about 120 suits

673
00:41:02,100 --> 00:41:06,000
of which I probably wear for. 
Well, what do you do with 

674
00:41:06,300 --> 00:41:08,000
things? 
When you've had enough of them? 

675
00:41:08,000 --> 00:41:10,400
Do you charity shop? 
Do you? 

676
00:41:10,400 --> 00:41:12,400
I keep them. 
I'm a terrible order. 

677
00:41:12,800 --> 00:41:15,600
And do you spring clean your 
wardrobe. 

678
00:41:15,600 --> 00:41:21,100
Do you edit and, or is it all in
the one wardrobe? 

679
00:41:21,200 --> 00:41:26,000
I think that and I think men 
traditionally are a bit like 

680
00:41:26,000 --> 00:41:30,900
this is that I have And I 
probably have more clothes than 

681
00:41:31,000 --> 00:41:33,100
most men. 
I know most of my friends 

682
00:41:33,100 --> 00:41:35,400
anyway, but I tend to wear the 
same things. 

683
00:41:36,100 --> 00:41:38,800
Yeah, I tend to where there's 
probably a half a dozen suits, 

684
00:41:38,800 --> 00:41:44,800
so we're half dozen jackets. 
I've got, I've got yards of suit

685
00:41:45,000 --> 00:41:50,100
of shirts and I probably wear 
six of them and they're these 

686
00:41:50,100 --> 00:41:53,300
their spread collar, white Tommy
Hilfiger shirts because I like 

687
00:41:53,300 --> 00:41:56,100
them. 
So, most of the stuff I have in 

688
00:41:56,100 --> 00:41:57,800
my wardrobe, I don't need and 
do. 

689
00:41:57,900 --> 00:42:01,100
When should probably get rid of 
under the girls, raid it all the

690
00:42:01,100 --> 00:42:03,200
time and but I love that. 
Don't you do? 

691
00:42:03,200 --> 00:42:08,700
It really is one of the last 
things I got sent GQ was this 

692
00:42:08,700 --> 00:42:15,200
amazing, Versace robe, really, 
extravagant black yellow 

693
00:42:15,200 --> 00:42:17,300
blockade. 
It was found that they squabbled

694
00:42:17,300 --> 00:42:20,700
over at night with my name on 
there, but it was so bling, it 

695
00:42:20,700 --> 00:42:22,800
was brilliant. 
They didn't scrub away, stole 

696
00:42:22,800 --> 00:42:26,700
it, I mean, I've got no idea 
where it is. 

697
00:42:27,900 --> 00:42:30,200
I love it. 
I love the thought of the girls 

698
00:42:30,200 --> 00:42:34,800
in these beautiful male clothes.
Well, actually I think that's 

699
00:42:34,800 --> 00:42:39,700
interesting in Georgia went to a
ball recently in Paris and I 

700
00:42:39,700 --> 00:42:42,300
love the way that they took. 
I've given them a lots of old 

701
00:42:42,300 --> 00:42:44,500
suits and they wear it in the 
kind of smoking way. 

702
00:42:44,600 --> 00:42:47,800
Oh, but that's a fantastic. 
And it really elegant, beautiful

703
00:42:47,800 --> 00:42:50,400
tailored suit and they've got 
height. 

704
00:42:50,400 --> 00:42:53,400
Haven't they got girls? 
Yeah, let's talk about travel. 

705
00:42:54,000 --> 00:42:57,700
Do you pay particular attention 
to? 

706
00:42:58,100 --> 00:43:02,100
What your airport look is going 
to be 2? 

707
00:43:02,400 --> 00:43:04,600
Yes, I'd like to say I don't but
I do. 

708
00:43:04,600 --> 00:43:05,900
Yeah. 
And we're how do you how do you 

709
00:43:05,900 --> 00:43:09,700
like to look in the airport in 
the hope of getting an upgrade 

710
00:43:11,900 --> 00:43:15,600
always turn up? 
You're smart, you're polite and 

711
00:43:15,600 --> 00:43:19,000
let's see what happens says the 
man probably with the gold for 

712
00:43:19,000 --> 00:43:20,400
life. 
Be a card. 

713
00:43:20,400 --> 00:43:23,900
I would imagine because you must
have done a lot of traveling. 

714
00:43:23,900 --> 00:43:28,200
Like like you if we've yeah with
II like travel and also So I 

715
00:43:28,200 --> 00:43:31,100
always maintained that I did 
travel a lot. 

716
00:43:31,700 --> 00:43:35,800
In fact, I travel a lot, still, 
but I think it, if you are lucky

717
00:43:35,800 --> 00:43:39,400
enough to do it, it pays 
dividends because it gives your 

718
00:43:39,400 --> 00:43:42,100
work contact. 
Completely micro micro 

719
00:43:42,100 --> 00:43:45,800
completely and Hiroshi in your 
in a little bubble here and you 

720
00:43:45,800 --> 00:43:48,800
think it's actually important 
but you go over there and it's 

721
00:43:48,800 --> 00:43:50,700
not as important. 
If you think you realize that 

722
00:43:50,700 --> 00:43:53,900
it's a tiny tiny bubble that 
you've just burst out of it. 

723
00:43:53,900 --> 00:43:56,200
Yeah. 
Are you I would imagine from 

724
00:43:56,200 --> 00:43:59,500
what you've just said about 
You'll fall favorite suits and 

725
00:43:59,500 --> 00:44:01,900
your sixth favorite shirt. 
So you're probably a pretty good

726
00:44:01,900 --> 00:44:04,400
Packer do all of those just go 
straight into. 

727
00:44:04,400 --> 00:44:09,100
I didn't used to be when I used 
to, when I first got together 

728
00:44:09,100 --> 00:44:13,900
with the woman who became my 
wife, I would I would go on 

729
00:44:13,900 --> 00:44:17,400
holiday with at least two 
suitcases, full of stuff. 

730
00:44:17,400 --> 00:44:21,600
I'm never going to work and she 
still edits will will go on 

731
00:44:21,600 --> 00:44:23,000
holiday now. 
And she said you're not going to

732
00:44:23,008 --> 00:44:24,900
wear that that that that that 
that. 

733
00:44:25,100 --> 00:44:28,700
And so now I'm much better and I
can I can Actually go for a 

734
00:44:28,700 --> 00:44:30,700
three-week holiday and take hand
luggage. 

735
00:44:30,800 --> 00:44:33,100
Which brand? 
Would you say is your guilty 

736
00:44:33,100 --> 00:44:35,500
secret? 
Oh, I've never believed in 

737
00:44:35,500 --> 00:44:38,300
guilty Secrets like music, if 
you like something, you like 

738
00:44:38,300 --> 00:44:42,000
just do it. 
I remember when I joined Conde, 

739
00:44:42,000 --> 00:44:45,900
Nast, if I was on the stairs in 
Vogue house, like 20, odd years 

740
00:44:45,900 --> 00:44:50,300
ago, and you, and you met a 
friend of yours and I'd say I 

741
00:44:50,300 --> 00:44:51,900
like your skirt. 
Where is it from? 

742
00:44:53,900 --> 00:44:56,400
And they said a change. 
They said, time always topped up

743
00:44:56,400 --> 00:45:00,200
shop, there would be a Picture 
of embarrassment and pride 

744
00:45:00,500 --> 00:45:03,600
embarrassment that they've been 
caught out shopping cheap and 

745
00:45:03,600 --> 00:45:06,500
pride because they bought 
something that someone had like.

746
00:45:06,700 --> 00:45:09,000
Now I don't think there's any 
embarrassment at all. 

747
00:45:09,000 --> 00:45:12,000
No, not not a trend, and nor 
should it be. 

748
00:45:12,400 --> 00:45:16,300
But if you had to choose one 
brand to wear for the rest of 

749
00:45:16,300 --> 00:45:21,900
your life, what would it be? 
Well, actually the brand I like,

750
00:45:22,800 --> 00:45:26,100
The most at the moment and the 
brand that I think is doing 

751
00:45:26,100 --> 00:45:31,100
really clever things in mixing 
form, formality with him with 

752
00:45:31,100 --> 00:45:34,300
them. 
Informality is Brunello 

753
00:45:34,300 --> 00:45:39,000
cucinelli. 
I washing Lee expensive. 

754
00:45:39,000 --> 00:45:41,300
Eye-watering losses. 
But beautiful. 

755
00:45:41,300 --> 00:45:45,000
Yeah. 
And it's very Italian and it's a

756
00:45:45,000 --> 00:45:50,800
bit sort of it. 
Is it sort of town and country? 

757
00:45:50,900 --> 00:45:53,800
Yeah, I think. 
Think that's a really smart way 

758
00:45:53,800 --> 00:45:54,900
to go. 
Yeah. 

759
00:45:55,000 --> 00:45:59,300
And it's beautifully executed in
the finest of Yarns. 

760
00:45:59,300 --> 00:46:02,700
And yes, I got some great 
clothes and actually their 

761
00:46:02,700 --> 00:46:06,400
Footwear is really good too and 
also I think it's the kind of 

762
00:46:06,400 --> 00:46:10,100
thing for me who you're going to
find this hard to believe, but 

763
00:46:10,100 --> 00:46:13,400
I'm over 30 you. 
It's a kind of thing that you 

764
00:46:13,400 --> 00:46:17,700
can wear as a mature man and not
feel like you're kind of running

765
00:46:17,700 --> 00:46:19,100
to catch up. 
Do you have a high Street 

766
00:46:19,100 --> 00:46:22,600
favorite? 
I used to I mean we used to go 

767
00:46:22,600 --> 00:46:26,400
when the kids were very young, 
we would go to stay with the 

768
00:46:26,400 --> 00:46:30,700
in-laws, who had a house in 
Spain, and we would go there two

769
00:46:30,700 --> 00:46:33,100
or three times a year. 
And one of the first things I 

770
00:46:33,100 --> 00:46:37,500
would do, I'd go, we go. 
We make a trip to Zara spend the

771
00:46:37,500 --> 00:46:39,700
minted. 
This is a terrible thing to say,

772
00:46:39,700 --> 00:46:42,700
not because of the brand, but 
because of the tool of turnover,

773
00:46:43,000 --> 00:46:46,500
I'd spend 200 euro and I get a 
load of clothes for all of us 

774
00:46:46,500 --> 00:46:49,300
and they were all fine and we'd 
wear them for a couple of weeks 

775
00:46:49,300 --> 00:46:52,000
and you probably never will And 
I mean, that's the inherent 

776
00:46:52,000 --> 00:46:53,700
problem with fashion and 
fashion. 

777
00:46:53,700 --> 00:46:57,300
Of course, we know that, but I 
did used to think, when I took 

778
00:46:57,300 --> 00:47:01,500
notice of it and Sarah was a 
really, really good brand and 

779
00:47:01,500 --> 00:47:07,000
Massimo dutti, it's okay. 
I think Massimo dutti is 

780
00:47:07,000 --> 00:47:09,800
probably trying to do what 
Brunello cucinelli does. 

781
00:47:09,800 --> 00:47:13,100
Well, yes. 
But I do say that multiples of. 

782
00:47:13,200 --> 00:47:14,100
Yeah. 
Yes. 

783
00:47:14,200 --> 00:47:20,200
Talking about sustainability. 
And how fashion is is made you. 

784
00:47:20,300 --> 00:47:23,500
Do you ever find yourself 
thinking about the person that's

785
00:47:23,500 --> 00:47:27,300
actually made your item of 
clothing that you're putting on?

786
00:47:27,300 --> 00:47:31,300
I think it's impossible not to. 
Now I remember having these 

787
00:47:31,300 --> 00:47:37,100
conversations about 20 years ago
and I think we all paid lip 

788
00:47:37,100 --> 00:47:40,700
service to it and we all knew it
was important but I don't think 

789
00:47:40,700 --> 00:47:43,700
any of us really cared or any 
really knew anything about it, 

790
00:47:44,000 --> 00:47:47,000
but I think as we've seen 
manufacturing change 

791
00:47:47,000 --> 00:47:52,800
geographically Over the years, 
just moving around the somewhere

792
00:47:52,800 --> 00:47:59,700
cheaper in terms of instruction.
I think it's very difficult not 

793
00:47:59,700 --> 00:48:06,200
to The problem is that you're in
an industry which has built-in 

794
00:48:06,200 --> 00:48:10,200
obsolescence fashion by by its 
very Nature. 

795
00:48:10,200 --> 00:48:14,800
By by dint of what it is is all 
about obsolescence. 

796
00:48:15,000 --> 00:48:18,700
It's in, it's out. 
Isn't that a problem? 

797
00:48:18,700 --> 00:48:21,600
Is that less sofa men's? 
Do you feel well? 

798
00:48:21,600 --> 00:48:28,100
Yes, and no because now I would 
say that menswear is it is as 

799
00:48:28,100 --> 00:48:33,200
interesting from an aesthetic 
point of view, And has as much 

800
00:48:33,200 --> 00:48:37,800
variety as women does. 
So actually I think that as 

801
00:48:37,800 --> 00:48:42,600
womenswear so I think that I 
think women's when menswear have

802
00:48:42,600 --> 00:48:45,200
the same faults actually in that
respect. 

803
00:48:45,200 --> 00:48:49,900
So as menswear has become more 
ubiquitous and more successful 

804
00:48:49,900 --> 00:48:53,100
over the last couple Generations
so it's an inherent problem. 

805
00:48:53,200 --> 00:48:55,100
I won't ask you the next 
question then. 

806
00:48:55,300 --> 00:48:57,800
Do you have anyone you ever buy 
vintage? 

807
00:48:58,700 --> 00:49:00,100
Well stuff. 
Yes. 

808
00:49:00,300 --> 00:49:03,000
Old stuff. 
Yeah. 

809
00:49:03,500 --> 00:49:04,100
Yeah. 
I do. 

810
00:49:04,800 --> 00:49:13,100
Favorite haunts. 
I like old old sort of belstaff 

811
00:49:13,100 --> 00:49:15,500
barber stuff like country stuff.
Yeah. 

812
00:49:15,500 --> 00:49:17,300
And where do you? 
But where do you find that? 

813
00:49:17,400 --> 00:49:22,100
There's a brilliant place in. 
Hey, hail why are we have a 

814
00:49:22,100 --> 00:49:24,700
house? 
It's got a vintage store. 

815
00:49:27,500 --> 00:49:30,900
Becky Baines face. 
Which is fantastic, mainly for 

816
00:49:30,900 --> 00:49:33,200
women. 
But they have the of benzene. 

817
00:49:33,400 --> 00:49:35,900
I don't really, I'm not a great 
consumer. 

818
00:49:37,000 --> 00:49:40,300
I don't go shopping for clothes.
It's it's when you're in a 

819
00:49:40,308 --> 00:49:43,400
particular place and you see 
something, you buy it. 

820
00:49:43,600 --> 00:49:46,500
The only time I can remember 
really doing it that we were in 

821
00:49:46,600 --> 00:49:49,800
in on holiday in Rome a couple 
of years ago and for some 

822
00:49:49,800 --> 00:49:53,000
reason, I got the shopping bag 
and I just spent an absolute 

823
00:49:53,000 --> 00:49:56,400
Fortune but pair of who buys 
pink, trousers on holiday. 

824
00:49:57,200 --> 00:49:59,600
You notice I didn't wear those 
for Today, I'm really glad you 

825
00:49:59,607 --> 00:50:03,400
didn't really glad you didn't, 
you have one item of clothing, 

826
00:50:03,400 --> 00:50:05,000
that really means the most to 
you. 

827
00:50:05,000 --> 00:50:08,300
I think that the, I mean, the 
couple of things I've kept from 

828
00:50:08,300 --> 00:50:11,800
the 80s, I mean, that that 
Vivienne Westwood pirate top, 

829
00:50:11,800 --> 00:50:15,900
which is 43 years old. 
And actually, one of my kids is 

830
00:50:15,900 --> 00:50:17,500
going. 
I don't know where it is. 

831
00:50:17,500 --> 00:50:20,500
But yeah, I have some affection 
for that because it's because 

832
00:50:20,800 --> 00:50:24,700
because it is old and I was 
younger, then, and it was fun. 

833
00:50:25,100 --> 00:50:28,400
But I think, uh, I think I 
wouldn't call it affection but 

834
00:50:28,500 --> 00:50:30,600
Things. 
I like the things I wear all the

835
00:50:30,600 --> 00:50:32,100
time. 
Yeah. 

836
00:50:32,300 --> 00:50:37,300
And I think that nowadays, I'll 
wear a very smart jacket, or 

837
00:50:37,300 --> 00:50:40,600
more shirt, some good shoes and 
a pair of jeans. 

838
00:50:40,600 --> 00:50:45,800
And I like it's like it's that 
Hardy perennial like, finding 

839
00:50:45,800 --> 00:50:48,800
the perfect pair of jeans, and 
where is your perfect pair of 

840
00:50:48,800 --> 00:50:50,900
jeans from? 
It's Always Somewhere different,

841
00:50:51,000 --> 00:50:54,800
really? 
Yeah, I used to love silver tag,

842
00:50:54,800 --> 00:50:57,500
lie, Levi's. 
And then they changed. 

843
00:50:57,900 --> 00:51:01,700
And then you Find another one 
and then they change and it's 

844
00:51:01,700 --> 00:51:05,800
weird because you're because 
you're one's body changes your 

845
00:51:05,800 --> 00:51:10,000
body, you get. 
So my body is very different 

846
00:51:10,000 --> 00:51:13,100
from what it was 10 years ago. 
So, so not in your 28-inch 

847
00:51:13,600 --> 00:51:16,100
waist. 
Fortunately not so. 

848
00:51:16,100 --> 00:51:19,500
I think my life. 
Sartori Libby, Sartori Lee has 

849
00:51:19,500 --> 00:51:22,600
been a constant struggle to find
the perfect pair of jeans and 

850
00:51:22,600 --> 00:51:25,300
what are you in today. 
These are Ralph Lauren actually 

851
00:51:25,400 --> 00:51:30,200
they only cost 1 million pounds.
Actually, I was giving them. 

852
00:51:30,200 --> 00:51:34,800
What can I say on that note? 
Let's go to some quick fire 

853
00:51:34,800 --> 00:51:39,500
questions, high-end or High 
Street, high-end Savile Row or 

854
00:51:39,500 --> 00:51:42,600
off the peg Savile Row. 
What minimalism? 

855
00:51:44,000 --> 00:51:49,200
I knew the answer minimalism 
will maximalism, why I think a 

856
00:51:49,200 --> 00:51:53,000
bit of both actually choked out.
I'm going to interrupt you and 

857
00:51:53,400 --> 00:51:55,600
tell you a story. 
I went to a fancy dress party 

858
00:51:55,600 --> 00:51:58,800
runs, right? 
I forgot to ask you about Fancy 

859
00:51:58,800 --> 00:52:02,200
dress say, well this is the 
question about 15 years ago went

860
00:52:02,200 --> 00:52:04,100
to a fancy dress party and some 
place. 

861
00:52:04,600 --> 00:52:07,100
Some private member's Club off 
the Strand, it was someone's 

862
00:52:07,100 --> 00:52:09,200
birthday. 
Fancy dress, don't remember what

863
00:52:09,200 --> 00:52:11,400
I was wearing. 
But anyway, there was this guy 

864
00:52:11,400 --> 00:52:14,200
who looked ridiculous. 
You had like a, you know, it's 

865
00:52:14,200 --> 00:52:18,000
crazy suit on big shirt. 
Look mental. 

866
00:52:18,900 --> 00:52:21,200
And I said, who if you come as 
he said, I come as the editor of

867
00:52:21,200 --> 00:52:28,900
GQ, oops. 
And did you tell And who you 

868
00:52:28,900 --> 00:52:29,900
were course? 
I did. 

869
00:52:30,100 --> 00:52:32,000
Yeah. 
And what was his reaction after?

870
00:52:32,500 --> 00:52:35,000
So, minimalism will maximalism 
both both. 

871
00:52:35,000 --> 00:52:37,200
Yeah, but about one awful. 
Bog off 00. 

872
00:52:37,500 --> 00:52:40,100
Buy one get one free. 
Why would you know, come on 

873
00:52:41,300 --> 00:52:44,700
Crocs cute help you? 
Oh, no, that's a couple of fence

874
00:52:45,800 --> 00:52:49,700
Sports Luxe or rock and roll. 
Probably sports like signing 

875
00:52:49,800 --> 00:52:55,000
Flamel grunge, Glam jeans or 
chinos jeans trendle style, 

876
00:52:55,300 --> 00:52:59,500
style color, and monochrome 
monochrome, Pattern or plain 

877
00:52:59,700 --> 00:53:02,700
plain experimental or uniform 
uniform. 

878
00:53:02,800 --> 00:53:07,500
Cashmere cotton always Kashmir 
border or editor aren't terrible

879
00:53:07,500 --> 00:53:11,700
order charity show for resale. 
Probably both actually budgie 

880
00:53:11,700 --> 00:53:14,400
Smugglers or board shorts. 
That's a really personal 

881
00:53:14,400 --> 00:53:16,900
question. 
Well, you're very glad I've 

882
00:53:16,900 --> 00:53:19,400
taken out the one about briefs 
or boxers. 

883
00:53:19,400 --> 00:53:24,100
Then I never Budgy Smugglers. 
So your board short, man. 

884
00:53:24,400 --> 00:53:28,000
I mean, budgie Smugglers, when I
was much younger and much 

885
00:53:28,000 --> 00:53:30,700
thinner, No, no problem but it 
was the 70s. 

886
00:53:31,700 --> 00:53:35,400
Yeah, you know, and finally 
beanie or Baker, Boy. 

887
00:53:39,200 --> 00:53:43,400
Thank you, boy, and one very 
last question. 

888
00:53:43,500 --> 00:53:46,300
At the end of the day, what do 
you or don't you? 

889
00:53:46,300 --> 00:53:50,200
We're in bed again. 
As naked as the day, you were 

890
00:53:50,200 --> 00:53:56,600
born Dylan Jones what a treat, 
and what a pleasure to spend 

891
00:53:56,600 --> 00:54:00,100
this time chatting with you 
about all things sartorial. 

892
00:54:00,200 --> 00:54:06,100
Thank you, pleasure. 
I hope you're enjoying the 

893
00:54:06,100 --> 00:54:08,900
podcast. 
If you are, please leave a 

894
00:54:08,900 --> 00:54:12,300
review and hit the Subscribe 
button, see you next week.

