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Welcome to Style DNA, the 
podcast I created to uncover the

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lives behind the looks of your 
favorite well known faces and 

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help unveil their style DNA. 
As a designer, I've always been 

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inspired by the premise that 
wearing the right pieces should 

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make you feel the best version 
of yourself, gorgeous and 

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confident, and that these pieces
should be designed and crafted 

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for longevity. 
I'm delighted to share that this

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episode is supported by Karen 
Millen, a brand that has a 42 

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year legacy in the world of 
fashion. 

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Their commitment to affordable 
luxury and making investment 

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pieces accessible has truly 
stood the test of time. 

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Whether you're searching for a 
timeless winter coat that will 

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serve you for years to come or 
an elegant evening dress, you'll

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find both classic and modern 
designs that are perfect for 

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refreshing your wardrobe for the
season ahead online at 

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karenmillen.com, head over to my
Instagram for a link to a 

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special treat for listeners. 
Today I'm going on a sartorial 

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journey with Karen Millen OBE. 
Karen founded her eponymous 

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brand, Karen Millen with her 
husband Kevin Stanford in 1981. 

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With a £100 loan, they purchased
100 metres of white cotton, 

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which she whipped up into 
stylish shirts and they sold 

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party style to friends. 
From this they gradually grew a 

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retail empire, founded on their 
commitment to affordable luxury 

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and making investment pieces 
accessible. 

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In 2004 they sold Caran Millen 
to Mosaic Fashions under an spa 

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for £100 million. 
The terms of the spa prevented 

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Caran Millen from using her name
in connection with any similar 

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businesses or competition in the
future. 

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She later challenged this in 
court and lost. 

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She swivelled and followed her 
love of interiors, culminating 

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and creating an online interiors
business called homemonger.com. 

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In 2019, the Boohoo Group bought
the Karen Millen brand, and in 

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2022, in a full circle moment 
and in an attempt to inject some

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of the original DNA back into 
the brand, Karen was invited to 

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create the Founder Collection, a
capsule collection of 30 

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signature pieces. 
The huge popularity of the first

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collection saw her invited to 
create a second collection, 

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which launches this week. 
Congratulations. 

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Hello, and welcome. 
Hello. 

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God, what a journey you've been 
on. 

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How does it feel returning to 
Karen Millen? 

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It's really exciting actually. 
Yeah, you're right. 

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I have been on a journey, not an
easy one and minds, but yeah, I 

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feel really empowered again now.
Just being back doing what I, 

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you know, know so well and love.
I feel re re energized now. 

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Time is right. 
So it's been great. 

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What was it like when you picked
up the phone to Karen Millen? 

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Or did they e-mail? 
What was the What was the 

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approach? 
Yeah, it wasn't a phone call as 

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such. 
A few people when they first 

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bought the company had mentioned
to me or e-mail be saying, you 

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know, they're really keen to 
talk to you if you're interested

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to, you know, go back and do 
some work with them. 

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And I was like at that point, 
no, I don't think so. 

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They're taken, you know, they're
an online business anyway, so I 

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knew the stores were closed, 
which really broke my heart, I'm

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honest. 
So I wasn't too happy at the 

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time and it wasn't really until 
two or three years later when 

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things are settled down and my 
own personal life was going in a

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different direct or coming out 
of a difficult time and I 

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started feeling very keen to get
back into the industry again. 

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It's something that's always 
been there obviously, but. 

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I did fall out of love with it 
for for a while and particularly

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when we sold in 2004 because I 
was just exhausted by the whole 

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journey and not only that, the 
fact that I'd gone through a 

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separation with my partner who 
was partnering the business as 

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well. 
So it was an exhausting time and

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and I just sort of turned my 
back on the industry. 

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So 20 years on, I just feel 
ready to get a tow back in. 

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And I mean on that point, it is 
a relentless industry isn't it? 

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I know we're just starting to 
chat about it before recording, 

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but but actually. 
Yeah, I mean, because you start 

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and you're on a treadmill, it's 
never ending. 

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The moment you finish one 
collection on to the next. 

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And as you said, you know, you 
start introducing accessories 

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and things like that. 
And it just. 

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I mean, it's endless, but it's 
fun. 

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And I think the great thing 
about it is the fact that you 

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get. 
A new season to start all over 

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again. 
So it's constantly changing and 

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that's what gives you the the 
excitement, I think, to keep you

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going. 
But at the end of the day, you 

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know, alongside everything else 
that you're going through, 

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whether it's personal things, 
having children, all those 

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things, they, you know, take the
toll. 

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And I think by the end of the 20
years, you know, that that had 

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had taken its toll with me 
personally. 

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And so, yeah, it was a good time
for me to exit. 

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Really. 
But now got your mojo back. 

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And now I'm ready to go back. 
Has it? 

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Has it Exactly, Has it felt a 
bit sort of ducked to water? 

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Do you you feel straight back 
into it and sort of really 

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excited about? 
It I was excited but really 

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apprehensive as well because 
obviously I'm, you know going 

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back into an industry that I've 
been absent from for 20 years. 

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So it was like, can I do this, 
You know, have things really 

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changed that much and. 
You know, how will I be received

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by the other members of the 
team? 

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So there's all these things 
going on. 

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And, you know, no, I never 
really doubted myself personally

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in terms of my creativity. 
That was always there. 

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And I think if you're a creative
person, you know, you don't stop

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being creative. 
Yeah. 

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So that side of it didn't bother
me. 

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It wasn't a worry. 
It was just more how would I be 

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received? 
But I have to say, you know, I 

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got in there and they were. 
As nice as anything, you know, 

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they were just so almost 
subservient, you know? 

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And that, and I was like, Oh 
yeah, I would think there'd be 

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in awe of the woman that created
this wonderful. 

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Brand they were, but I probably 
I I don't know. 

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I didn't know how how it would 
be. 

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But when I realized now that 
most of them are. 

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Some of them weren't even born 
when we started. 

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Wow. 
And so I think when you inject 

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some of the stories back as well
to them of how it was that 

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really excites them and they 
love to engage with the things, 

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you know how it was when we 
started and and and the the 

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journey that we went through and
the DNA and the DNA you are that

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they give her a. 
Yeah, that they actually can put

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a, you know, a face to the name.
There is a person and and there 

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is adna there that they're 
trying to, you know. 

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Recreate has have the design 
processes changed a lot from 

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when you stepped out. 
They have for me personally, I I

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think as a company when we 
started we were quite unusual. 

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I don't think many tell me about
that. 

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Well, we we were literally doing
everything. 

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So it was like an Italia really,
where I was designing, we were. 

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Producing our own patterns. 
We were doing our own samples in

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house and then they would go off
to the factories, so but that's 

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very that's a very designer 
approach it isn't it it. 

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Was and and it is because it 
doesn't happen and it. 

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I don't think it happened then, 
but that's how we used to run 

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our company and I think that's 
what gave us our point of 

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difference because we were 
designer LED business and 

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bringing in affordable clothes, 
design clothes to the High 

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Street. 
And that's, you know, how we 

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built our reputation, I think, 
really. 

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So we were able to, you know, go
through that journey from start 

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to finish and have total 
control, which was amazing. 

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Yeah, amazing. 
I get frustrated now because you

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know things are not done that 
way now and that's one of the 

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things I find difficult to 
control, working with the team 

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that you know, they're doing 
everything from a specification 

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sheet and I can't work from, so 
there's no 12. 

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There's no 12. 
There's nothing like that and I 

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need to sort of. 
And feel and and and see 

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something on a on a stand or or 
a body and so I'm having to get 

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used to that way of working but 
it and it is frustrating because

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when you're getting samples back
you know there's silly mistakes 

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or they haven't followed all of 
the instructions. 

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And you know for me I just think
what a waste of time. 

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You know, if we could sort the 
problems out or deal with it in 

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house here, then surely there 
will be. 

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Be be more efficient? 
Class efficient? 

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Yes, it feels like be. 
So much backwards and forwards, 

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yeah, it feels like a waste of 
time and resources. 

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I think so. 
I mean, that's how I feel. 

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But you know, because does it 
come back? 

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You know, it goes out as a spec,
A specification. 

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Does it come back as a sample 
or? 

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Well as a sample and then you 
tweak from. 

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That so then it will go back 
again probably for. 

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One or two more samples after 
that, yeah. 

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And sometimes there's just not 
time to get it right. 

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So, you know, you just have to 
hope and pray that there's, you 

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know, the amendments that you 
made will get through to them at

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the other end. 
So it's quite nerve wracking 

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actually at the end of it when 
you're actually signing off on 

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something to say, yeah, good to 
go because, you know, sometimes 

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you don't see it, yes. 
And sometimes those really 

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critical pieces, if if those 
have to get dropped because 

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they're not right that, then the
essence goes, doesn't it? 

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Yeah, it does. 
And in fact, I think that may 

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happen with something that's 
just gone through on this last 

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collection, so let's hope not. 
I hope not, because it'll be a 

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shame. 
But yeah, so those things can 

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happen. 
And particularly because this 

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next collection is time 
collection. 

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It's only 20 pieces, so you 
know, to lose one piece would be

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a shame. 
A real shame. 

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Gosh. 
So you've had to be really 

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edited and disciplined. 
Do you have full creative 

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control over the Founder 
collection? 

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I do, actually. 
I mean, in fact, that was the 

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other thing that was quite 
strange is that they didn't 

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really give me too much of A 
brief. 

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It was almost like, do what you 
want. 

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I'm like, oh, can you just guide
me a little bit, You know, tell 

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me what you know, what you want 
me to do. 

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So it was fairly open, brief to 
start with. 

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And then this next one, I think 
it was easy because they said to

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me, you know, we need a 
November, December collection. 

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It's 20 pieces. 
So for me straight away it was 

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like evening wear, no brainer, 
really party so and because I 

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love tailoring, it had to 
incorporate, you know, the tuts 

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and that kind of thing. 
So for me that was a dream. 

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You've actually touched on my 
next question because I wondered

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whether you had approached this 
collection from a personal 

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perspective, sort of as to what 
you would wear yourself or did 

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you put your Karen Millen hat on
in the design? 

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Yeah, that's interesting because
it is quite different actually 

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and particularly I I guess you 
know 20 years on we do change 

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our stuff slightly and I'm, I'm 
that much older for a star, but 

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so, so yes, I have put a lot of 
me into to this collection. 

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So tailoring is quite 
predominant throughout, which is

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something that has been part of 
me from a long. 

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As I can remember really in 
fact, which is a lovely story. 

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One of the first manufacturers 
we used in London here when we 

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first got going, when we 
actually found some 

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manufacturers aside of the out 
workers that we were originally 

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using, was a tailoring factory 
in Peckham. 

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And there was an old Polish guy 
there, Mr. Stone, who was so 

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sweet and he took me under his 
wing really, and taught me all 

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the things I needed to know 
about Taylor and. 

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And so I think that was another 
reason why the tailoring element

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was really strong throughout the
collections, really so. 

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But I've always loved to wear a 
jacket. 

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I was going to say there's 
nothing more transformative than

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a really beautifully cut jacket.
I agree. 

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I mean, even in menswear, I'd 
still love, love a suit. 

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Yeah, I love a jacket. 
And a jacket. 

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I mean, how would you describe 
that original Karen Millen woman

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was always. 
Very much a lifestyle rather 

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than an age, although. 
And I mean we like to sort of 

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00:12:38,080 --> 00:12:41,840
like see it as a mother daughter
type thing really. 

227
00:12:41,840 --> 00:12:44,520
So it was much more about the 
person rather than the age. 

228
00:12:45,920 --> 00:12:49,880
Very much a work career minded 
woman but like to socialise as 

229
00:12:49,880 --> 00:12:51,280
well. 
So very strong. 

230
00:12:51,800 --> 00:12:53,960
I I always thought of her as a 
power woman. 

231
00:12:53,960 --> 00:12:55,800
Yeah. 
And I think because of the 

232
00:12:55,800 --> 00:13:00,000
suiting and the that element of 
it, we did very well throughout 

233
00:13:00,000 --> 00:13:04,600
the city selling you know 
tailoring to to women in you 

234
00:13:04,600 --> 00:13:08,400
know those kinds of jobs. 
I think it did did gain that 

235
00:13:08,400 --> 00:13:13,760
reputation. 
Just to give me a sneak peek on 

236
00:13:13,760 --> 00:13:17,120
the Founder collection because 
it will launch the day this 

237
00:13:17,120 --> 00:13:20,840
podcast gets released. 
So tell me about your favorite, 

238
00:13:20,840 --> 00:13:22,720
favorite piece of the 
collection. 

239
00:13:23,560 --> 00:13:26,160
Oh, I don't know. 
I I like, it's so 

240
00:13:26,160 --> 00:13:28,680
interchangeable, which is what I
like to include with all my 

241
00:13:29,040 --> 00:13:31,760
electricity. 
So it's it's very monochrome 

242
00:13:31,760 --> 00:13:34,800
black and white with neutrals 
and then a little bit of 

243
00:13:34,800 --> 00:13:38,520
metallic thrown in. 
So everything sort of changes. 

244
00:13:38,520 --> 00:13:41,600
You can change, you know, the 
the jackets with the pants and 

245
00:13:41,600 --> 00:13:43,760
things like that to create 
different looks. 

246
00:13:43,760 --> 00:13:47,040
So as much as it's an evening 
wear collection, there are lots,

247
00:13:47,040 --> 00:13:49,880
lots of parts within that that 
you can wear during the day. 

248
00:13:50,120 --> 00:13:52,680
And even the fact that I've got 
a long skirt in there with a 

249
00:13:52,680 --> 00:13:56,080
tail on it, you know, in the 
black and white with a belt, 

250
00:13:56,400 --> 00:14:00,520
it's very much great evening 
skirt that can be worn with 

251
00:14:01,720 --> 00:14:05,880
there's like a little Cape, kind
of Bolaro type. 

252
00:14:06,200 --> 00:14:10,720
Jacket slips over your 
shoulders, waist, coats and all 

253
00:14:10,720 --> 00:14:13,360
works really well with it. 
But the fact that the skirt I'm 

254
00:14:13,360 --> 00:14:15,720
loving, you know these long 
skirts during the day with boots

255
00:14:15,720 --> 00:14:19,360
and things and AT shirt. 
Yeah, so you know, I don't think

256
00:14:19,360 --> 00:14:21,480
there's anything in there that 
you couldn't wear during the day

257
00:14:21,480 --> 00:14:25,080
even there's like a tux coat 
that you could just throw over a

258
00:14:25,080 --> 00:14:27,840
pair of white pants during the 
day and black shoes or 

259
00:14:27,840 --> 00:14:31,680
something. 
So you know, it's there's lots 

260
00:14:31,680 --> 00:14:34,120
of favorite pieces. 
Oh, I can't wait to see it 

261
00:14:34,120 --> 00:14:36,800
probably. 
You know, the last collection 

262
00:14:37,320 --> 00:14:40,760
had more, I guess a bit more 
typical caramel and pieces in 

263
00:14:40,760 --> 00:14:43,440
it. 
This has got a lot more of me in

264
00:14:43,440 --> 00:14:46,920
it, so I would wear pretty much 
everything great. 

265
00:14:47,680 --> 00:14:51,400
Now today we're here to talk 
about style, your style. 

266
00:14:52,200 --> 00:14:55,200
How did you decide what you were
going to put on to come here 

267
00:14:55,200 --> 00:14:58,560
today? 
I didn't think too long about it

268
00:14:58,560 --> 00:15:00,000
and you never know with the 
weather, do you? 

269
00:15:00,000 --> 00:15:04,720
So I knew I had to walk, but so 
it was going to be flats and it 

270
00:15:04,720 --> 00:15:06,360
was just. 
Don't think about it. 

271
00:15:06,680 --> 00:15:09,560
The black roll neck, black 
trousers and black coat. 

272
00:15:09,880 --> 00:15:12,520
It's a uniform, isn't it? 
And the mirror, you are really 

273
00:15:12,520 --> 00:15:15,040
weird. 
I know it's the uniform in the 

274
00:15:15,040 --> 00:15:16,800
fashion industry. 
It really is. 

275
00:15:16,800 --> 00:15:20,240
I I often think of that uniform 
because for me, when I was 

276
00:15:20,240 --> 00:15:23,600
designing it, I I actually 
needed to put on a bit of a 

277
00:15:23,600 --> 00:15:27,560
uniform in the morning so that 
all I could focus on was the 

278
00:15:27,560 --> 00:15:31,680
colour, the design that I I just
didn't even have to think about.

279
00:15:31,680 --> 00:15:37,080
Exactly my And so actually, in a
weird way, I'm enjoying getting 

280
00:15:37,080 --> 00:15:40,000
dressed more myself now. 
Yeah, I done when I was 

281
00:15:40,000 --> 00:15:40,920
designing. 
Yeah, yeah. 

282
00:15:40,920 --> 00:15:43,360
No, I agree with that. 
But it was the other thing that 

283
00:15:43,360 --> 00:15:47,400
makes me laugh about this whole 
black uniform type thing is did 

284
00:15:47,400 --> 00:15:49,560
you ever go to Premier Vision 
and you sort of like walk down 

285
00:15:49,560 --> 00:15:54,320
there and it was a sea of black,
Absolutely twice a year for 

286
00:15:54,480 --> 00:15:55,680
three days. 
I love. 

287
00:15:55,680 --> 00:15:58,400
That event and I actually, I 
think I'm going to go back just 

288
00:15:58,400 --> 00:16:00,240
for the fun of it. 
Do you know what I was thinking 

289
00:16:00,240 --> 00:16:03,880
that the other day is just just 
that, those sort of football 

290
00:16:03,880 --> 00:16:07,680
pitch size? 
It was exhibition of just 

291
00:16:08,600 --> 00:16:10,240
exhausting but. 
Fantastic. 

292
00:16:10,240 --> 00:16:14,480
Yeah, Now you grew up in Kent. 
Were you surrounded by fashion 

293
00:16:14,480 --> 00:16:16,640
and style? 
From a young age, No, not at 

294
00:16:16,680 --> 00:16:19,880
all. 
No, I don't know really where 

295
00:16:19,880 --> 00:16:24,040
that came from. 
I mean, no, none of my family 

296
00:16:24,040 --> 00:16:27,720
were in that industry. 
Or do you remember, though, your

297
00:16:27,720 --> 00:16:32,520
first I call it your sartorial 
memory, that moment that you 

298
00:16:32,520 --> 00:16:35,880
thought, oh, this really makes 
me feel good? 

299
00:16:35,960 --> 00:16:38,000
Or it really doesn't make me 
feel good? 

300
00:16:38,000 --> 00:16:41,080
I know this is a I've been 
thinking about this question and

301
00:16:41,200 --> 00:16:44,120
it's a really hard one to answer
because I can't actually 

302
00:16:44,120 --> 00:16:47,760
remember one moment. 
I feel like I was born with this

303
00:16:48,360 --> 00:16:52,480
within my veins and I've always 
been interested in in clothes 

304
00:16:52,480 --> 00:16:58,080
right from a young age, so I 
used to watch my mum sew. 

305
00:16:59,600 --> 00:17:02,680
And really, I think through the 
lack of of money she used to 

306
00:17:02,680 --> 00:17:06,599
make our clothes, my sister and 
myself, So if they were like we 

307
00:17:06,599 --> 00:17:10,119
come from like quite a big 
family, both parents had big 

308
00:17:10,119 --> 00:17:13,240
families so it was quite a few 
weddings going on and we'd have 

309
00:17:13,240 --> 00:17:16,480
the odd holiday which my mum 
might make something new to 

310
00:17:16,480 --> 00:17:18,640
wear, so. 
I kind of remember her always 

311
00:17:18,640 --> 00:17:22,200
sewing, but I was always very 
instrumental in in what it was 

312
00:17:22,200 --> 00:17:23,680
that she was going to make for 
us. 

313
00:17:23,680 --> 00:17:26,000
I was going to say, were you 
very involved in that process? 

314
00:17:26,000 --> 00:17:29,240
And until the point came when I 
could actually make my own, but 

315
00:17:29,240 --> 00:17:33,800
I also used to have my dolls 
that I dress my my Cindy doll, I

316
00:17:33,800 --> 00:17:36,400
would always dress and make her 
clothes. 

317
00:17:36,600 --> 00:17:39,720
So it was something that was 
built in me from a young age and

318
00:17:39,720 --> 00:17:44,440
actually from a frustration of 
being small and not having 

319
00:17:45,040 --> 00:17:47,960
access to. 
Fashionable clothes at that time

320
00:17:47,960 --> 00:17:51,480
because you know, we we didn't 
have what's available now. 

321
00:17:51,480 --> 00:17:54,240
It was very limited. 
You know, we would have to go up

322
00:17:54,240 --> 00:17:57,360
to Lewisham or something to CN 
as to buy something that was 

323
00:17:57,360 --> 00:18:02,400
like fairly, you know, on trend.
And for me, as I say, I was 

324
00:18:02,400 --> 00:18:04,960
quite small so nothing really 
fitted me. 

325
00:18:05,240 --> 00:18:08,120
So it was a lot of it was out of
frustration for not being able 

326
00:18:08,120 --> 00:18:11,360
to afford or find something that
I that was fashionable, that I 

327
00:18:11,360 --> 00:18:15,560
liked so. 
Yeah, I guess it was way back 

328
00:18:15,560 --> 00:18:16,880
then. 
And then even going through 

329
00:18:16,880 --> 00:18:21,160
school, my secondary school, I 
would, I think it must have 

330
00:18:21,160 --> 00:18:24,280
been, I guess, around about 
punk, the punk era. 

331
00:18:24,600 --> 00:18:28,040
So for me that was quite 
revolutionary in terms of, wow, 

332
00:18:28,040 --> 00:18:29,640
these people look really 
different. 

333
00:18:29,640 --> 00:18:32,600
I I kind of love it. 
Not to the extent that I loved 

334
00:18:32,600 --> 00:18:36,800
all the music, but I just loved 
the the freedom to dress the way

335
00:18:36,800 --> 00:18:39,440
that people were dressing it. 
And so I touched on that 

336
00:18:39,440 --> 00:18:40,920
personally, my friend and I 
would. 

337
00:18:41,640 --> 00:18:44,720
You know, have our dark lipstick
and we have our pink plastic 

338
00:18:44,720 --> 00:18:47,680
mats on and, you know, masses of
safety. 

339
00:18:47,880 --> 00:18:51,280
Pins everywhere. 
So, so got into that trend and 

340
00:18:51,280 --> 00:18:54,400
and really from that just 
continued. 

341
00:18:55,440 --> 00:18:58,640
So yeah, I just knew then it was
and I suppose I used to go to 

342
00:18:58,640 --> 00:19:02,280
school and and my teachers were 
like, you know, that's not, you 

343
00:19:02,280 --> 00:19:04,440
know, conforming to the uniform,
you know. 

344
00:19:05,000 --> 00:19:07,720
So I left my hair a bit of a 
different colour or, you know, 

345
00:19:07,720 --> 00:19:10,160
be asymmetric or something 
different. 

346
00:19:10,600 --> 00:19:12,680
And they'd frown upon me. 
But do you know what was really 

347
00:19:12,680 --> 00:19:14,560
sweet? 
My headmistress at the time 

348
00:19:15,840 --> 00:19:18,440
could see this within me, could 
see this passion within me. 

349
00:19:18,440 --> 00:19:20,360
And she was very prim and 
proper. 

350
00:19:20,960 --> 00:19:24,000
And as she'd sit in her her 
office, and she would have a 

351
00:19:24,000 --> 00:19:28,080
stack of vogues and she would 
always give me her vogue that 

352
00:19:28,080 --> 00:19:31,440
she'd finished with. 
So I've got vogues that date 

353
00:19:31,440 --> 00:19:35,960
back to the 76, So I started 
collecting them after that. 

354
00:19:36,840 --> 00:19:39,800
So yeah, way back then I was 
always interested. 

355
00:19:40,240 --> 00:19:42,560
How amazing. 
I bumped into a very old school 

356
00:19:42,560 --> 00:19:45,360
friend the other day and she 
said, my God, I remember you 

357
00:19:45,360 --> 00:19:48,040
were always at the back of the 
geography class with a Vogue. 

358
00:19:49,560 --> 00:19:52,320
My parents would really love 
hearing that. 

359
00:19:55,520 --> 00:19:59,360
But I read that you were you 
loved creating shirts. 

360
00:19:59,360 --> 00:20:04,720
Now we both know enough about 
this to know that a shirt is not

361
00:20:04,720 --> 00:20:08,520
the easiest piece to create. 
What's that about? 

362
00:20:08,600 --> 00:20:10,240
Well. 
I did. 

363
00:20:10,240 --> 00:20:12,400
I don't know why. 
I kind of mastered the art of 

364
00:20:12,760 --> 00:20:14,920
making shirts for some reason. 
Like you say, they're quite 

365
00:20:14,920 --> 00:20:15,960
tricky. 
It's amazing. 

366
00:20:16,000 --> 00:20:19,000
I tempted it now. 
I'd I'd struggle, but I just 

367
00:20:19,000 --> 00:20:20,720
went. 
Really complex, yeah. 

368
00:20:20,720 --> 00:20:23,320
And then it just so happened 
that I saw this. 

369
00:20:23,320 --> 00:20:24,960
I was. 
I don't even know where I was, 

370
00:20:24,960 --> 00:20:28,320
but I was somewhere and there 
was this box with these remnant 

371
00:20:28,320 --> 00:20:32,880
fabric outside the door and it 
was all this sea island cotton 

372
00:20:32,880 --> 00:20:34,560
or stripe cock. 
Gorgeous. 

373
00:20:34,560 --> 00:20:37,320
I just got to have that, you 
know, that's got shirts written 

374
00:20:37,320 --> 00:20:40,120
all over it. 
So that kind of pushed me into 

375
00:20:40,120 --> 00:20:41,520
making these shirts just for 
friends. 

376
00:20:41,520 --> 00:20:44,120
So that was basically the first 
thing that I did once I'd left 

377
00:20:44,720 --> 00:20:46,520
college. 
And then did you use the Sea 

378
00:20:46,520 --> 00:20:49,560
Island cotton in other pieces 
other than shirts? 

379
00:20:50,160 --> 00:20:53,560
I don't think I did at the time.
I think, you know, it was quite 

380
00:20:53,560 --> 00:20:56,320
narrow, wasn't it? 
Yeah, she's always quite narrow.

381
00:20:57,320 --> 00:21:01,800
So, no, I think that's what led 
us on to buying this white 

382
00:21:01,800 --> 00:21:03,360
cotton. 
That was the next stage. 

383
00:21:03,360 --> 00:21:06,400
Well, we got the opportunity and
it's, you know, 100 meters or 

384
00:21:06,400 --> 00:21:09,880
whatever, but this cotton gave 
me the opportunity to actually 

385
00:21:10,160 --> 00:21:15,280
produce a very bland collection.
But it's sold. 

386
00:21:15,280 --> 00:21:18,280
That's it. 
It got me started in the lens or

387
00:21:18,760 --> 00:21:21,720
you know, my mum then said, you 
know, let's do a close party at 

388
00:21:21,720 --> 00:21:24,760
the house. 
Oh, I love that. 

389
00:21:24,760 --> 00:21:26,640
I know. 
I mean, I love it now as well. 

390
00:21:26,640 --> 00:21:30,840
By the time it's like I know. 
And I was so shy and so she was 

391
00:21:30,840 --> 00:21:34,720
so keen for me to get out and do
something after leaving college.

392
00:21:35,120 --> 00:21:37,320
And I was really quite scared 
about going out into the 

393
00:21:37,320 --> 00:21:39,720
industry. 
I felt really, you know, I I 

394
00:21:39,720 --> 00:21:43,400
come from a small town in Kent 
and I I wasn't really moving in 

395
00:21:43,400 --> 00:21:46,880
those circles and I I just felt 
I didn't know where to go. 

396
00:21:46,880 --> 00:21:50,160
But she was really encouraging 
me to go into little boutiques 

397
00:21:50,160 --> 00:21:53,800
and say you know, you know, with
a little collection and try to 

398
00:21:53,800 --> 00:21:55,680
sell, which I did in some little
places. 

399
00:21:55,680 --> 00:21:58,480
We ended up selling to some 
little boutiques, independent 

400
00:21:58,480 --> 00:22:01,120
boutiques and we did market 
stores and all the things that 

401
00:22:01,120 --> 00:22:03,360
you do, you know when you're 
trying to get things off the 

402
00:22:03,360 --> 00:22:05,360
ground. 
So the closed parties were 

403
00:22:05,360 --> 00:22:09,400
something that became a regular 
thing for the next two years, 

404
00:22:09,400 --> 00:22:11,600
really until we actually opened 
our first shop. 

405
00:22:12,000 --> 00:22:14,880
It's interesting, isn't it, the 
fashion industry, Because so 

406
00:22:14,880 --> 00:22:20,520
often, yes, talent is hugely, 
hugely important. 

407
00:22:20,520 --> 00:22:25,120
It's an indelible part of of 
success, but also actually 

408
00:22:25,120 --> 00:22:29,960
having the balls to go out there
and say this is what I do and I 

409
00:22:29,960 --> 00:22:34,240
believe in it and I love it. 
That for me, was the hardest. 

410
00:22:34,240 --> 00:22:35,000
What is it? 
And it is. 

411
00:22:35,000 --> 00:22:39,480
And I think, yeah, I totally 
agree with you. 

412
00:22:39,480 --> 00:22:42,960
And I think I'm lucky in the 
fact that I met Kevin because 

413
00:22:43,000 --> 00:22:47,400
had it not been for him, I would
never have done what I've done 

414
00:22:47,400 --> 00:22:51,000
and achieve what we achieved and
vice versa probably. 

415
00:22:51,000 --> 00:22:53,520
Yeah. 
So we were very compatible in 

416
00:22:53,520 --> 00:22:55,840
the sense that we brought 
different things to the table. 

417
00:22:56,040 --> 00:22:57,560
Yeah. 
And it worked. 

418
00:22:59,040 --> 00:23:02,640
We'll chapeau to that. 
I mean we both had a very hands 

419
00:23:02,640 --> 00:23:05,520
on approach to the start of our 
businesses by the sounds of 

420
00:23:05,520 --> 00:23:08,600
things, sort of serving 
customers all days and day and 

421
00:23:08,600 --> 00:23:10,560
then making clothes all night at
the weekend. 

422
00:23:11,120 --> 00:23:15,680
Do you remember how your style 
evolved personally through that 

423
00:23:15,680 --> 00:23:20,280
time? 
Yeah. 

424
00:23:20,280 --> 00:23:25,360
Well, I guess it was a case of 
what one was, what fabrics we 

425
00:23:25,440 --> 00:23:28,440
could get a hold of. 
So we were dictated a little bit

426
00:23:28,440 --> 00:23:31,720
by that. 
But I think also at that time we

427
00:23:31,720 --> 00:23:34,640
were lucky in the sense that it 
was the 80s. 

428
00:23:34,720 --> 00:23:38,320
Everything was quite big and 
baggy, so big shoulders. 

429
00:23:38,920 --> 00:23:42,120
I'd done some patent cutting at 
college, so I knew the basics, 

430
00:23:42,120 --> 00:23:45,520
but I wasn't great on grading. 
But the idea that everything was

431
00:23:45,520 --> 00:23:49,200
quite loose meant that I could. 
I lost my way through everything

432
00:23:49,520 --> 00:23:51,680
and managed to do things one 
size. 

433
00:23:51,720 --> 00:23:56,200
I love that. 
So, so we did and I, you know it

434
00:23:56,280 --> 00:23:59,600
it worked for a while until 
things I started wanting to sort

435
00:23:59,600 --> 00:24:01,680
of you know get into the 
tailoring side of things. 

436
00:24:01,680 --> 00:24:04,520
And that's when I took on a 
pattern cutter and I gave her 

437
00:24:04,520 --> 00:24:08,200
the most complicated of jackets 
to do to start with and bless 

438
00:24:08,200 --> 00:24:10,920
her, she was young herself and 
had only recently come out of 

439
00:24:11,760 --> 00:24:14,200
college, university. 
And anyway, I challenged her. 

440
00:24:14,200 --> 00:24:16,960
She did it and and she stayed 
with us for a long time. 

441
00:24:16,960 --> 00:24:18,240
And the rest is his. 
Yeah. 

442
00:24:18,240 --> 00:24:22,200
So. 
I only mentioned that because I 

443
00:24:22,200 --> 00:24:26,440
I think there's sort of this was
a particular chapter in your 

444
00:24:26,440 --> 00:24:30,360
life and sometimes the different
chapters in our lives lead us to

445
00:24:30,360 --> 00:24:34,640
different sartorial choices. 
It certainly has changed, I 

446
00:24:34,640 --> 00:24:40,480
think in terms of, you know, say
go through the punk era to the 

447
00:24:40,480 --> 00:24:44,800
80s and you know, I went through
that whole Japanese sort of 

448
00:24:44,800 --> 00:24:50,480
stage and the Belgium speech. 
And it's been, although I've 

449
00:24:50,480 --> 00:24:58,160
always had a great love of kind 
of utilitarian kind of wear and 

450
00:24:58,160 --> 00:25:02,680
vintage, a lot of that. 
I think probably because, again,

451
00:25:02,840 --> 00:25:05,120
not being able to afford 
designer clothes or, you know, 

452
00:25:05,120 --> 00:25:08,600
expensive clothes. 
So I'd shop in thrift clothes 

453
00:25:09,040 --> 00:25:12,160
stores. 
But that hones your eye. 

454
00:25:12,440 --> 00:25:16,280
Yeah, definitely. 
And that was a little bit of 

455
00:25:16,280 --> 00:25:22,080
upcycling then because there 
would be some surplus where the 

456
00:25:22,240 --> 00:25:25,000
army surplus, that type of thing
and then you make them your own 

457
00:25:25,000 --> 00:25:28,720
that and yeah, actually Lawrence
Corner was a go to play out then

458
00:25:29,720 --> 00:25:31,880
and was so cool. 
So you kind of like, and I've 

459
00:25:31,880 --> 00:25:38,080
always been quite androgynous in
my style most of the way 

460
00:25:38,080 --> 00:25:42,160
through, apart from my I did 
have a little phase which I 

461
00:25:42,160 --> 00:25:44,160
don't know if you'll come on to,
so I don't want to say too much.

462
00:25:44,600 --> 00:25:47,640
Yeah, certainly. 
Say, say, you know, I think when

463
00:25:47,640 --> 00:25:51,720
we sold the company and and you,
you find yourself with, you 

464
00:25:51,720 --> 00:25:56,320
know, wealthy and you're able to
afford all those things that you

465
00:25:56,360 --> 00:25:57,720
couldn't do before. 
Yeah. 

466
00:25:57,880 --> 00:26:01,520
And I found myself being amongst
people that dress differently. 

467
00:26:01,520 --> 00:26:04,520
Maybe they were more glamorous 
and they were, and that's how I 

468
00:26:04,640 --> 00:26:08,120
ended up dressing, a bit more 
glamorous, which really me. 

469
00:26:08,360 --> 00:26:11,520
Were you spending a lot of money
at the time on your clothes? 

470
00:26:11,520 --> 00:26:13,280
Do you think as a result of 
that? 

471
00:26:13,280 --> 00:26:16,560
Yeah, I guess I was. 
I could afford to buy more 

472
00:26:16,560 --> 00:26:19,600
expensive clothes, so I bought 
more clothes, but the style of 

473
00:26:19,600 --> 00:26:22,320
the clothing got a bit more 
glitzy, if you see what I mean? 

474
00:26:22,320 --> 00:26:25,040
It was a little bit. 
It wasn't really true to my 

475
00:26:25,040 --> 00:26:27,320
character. 
I felt almost like I was having 

476
00:26:27,320 --> 00:26:30,920
an added body experience that's 
particularly fascinating on it. 

477
00:26:31,240 --> 00:26:32,760
I think, you know, where was I 
going with that? 

478
00:26:32,760 --> 00:26:35,400
It's not really me who. 
Was that who was that person 

479
00:26:35,520 --> 00:26:38,080
actually on that? 
Because I felt like I needed to 

480
00:26:38,080 --> 00:26:40,560
be doing that. 
I felt almost like, well, you're

481
00:26:40,560 --> 00:26:42,720
you're, you know, you're a 
wealthy woman now. 

482
00:26:42,720 --> 00:26:45,360
You should be, you know, 
dressing this way and behaving 

483
00:26:45,360 --> 00:26:48,080
this way. 
So I kind of went on that that 

484
00:26:48,080 --> 00:26:51,600
journey with other people around
me and but when I look back and 

485
00:26:52,000 --> 00:26:56,800
that was just so not me. 
But I know you went through a 

486
00:26:56,800 --> 00:26:59,800
particularly unpleasant court 
case because when you were 

487
00:26:59,800 --> 00:27:04,080
fighting for the right to use 
your name and I wondered how did

488
00:27:04,080 --> 00:27:08,320
you you dress to empower 
yourself in court to. 

489
00:27:08,320 --> 00:27:11,040
That's interesting. 
Yeah, I bought a couple of new 

490
00:27:11,040 --> 00:27:13,560
pieces actually purposely poor. 
Where from? 

491
00:27:16,600 --> 00:27:21,000
I bought a couple of dresses. 
God, I can't even remember who 

492
00:27:21,000 --> 00:27:22,920
the one of them was. 
A mosquito, actually. 

493
00:27:24,600 --> 00:27:26,280
Would you say they were power 
pieces? 

494
00:27:26,640 --> 00:27:29,520
I definitely bought them with 
the, you know, with that kind of

495
00:27:29,520 --> 00:27:32,840
in mind that they, they made me 
feel quite empowered. 

496
00:27:32,840 --> 00:27:36,480
Yeah, quite structured and you 
know, just strong. 

497
00:27:36,920 --> 00:27:40,600
So yeah, there was definitely an
element of my mindset thinking I

498
00:27:40,600 --> 00:27:44,560
have to go in here. 
Feeling in control and strong 

499
00:27:45,280 --> 00:27:49,160
didn't really help me much, but.
Well, it helped you at the time.

500
00:27:49,160 --> 00:27:50,960
It made me get, you know, I got 
through it. 

501
00:27:51,840 --> 00:27:55,440
As the founder of an eponymous 
brand, did you ever feel the 

502
00:27:55,440 --> 00:28:00,000
pressure to dress the part, to 
be seen as the embodiment of the

503
00:28:00,000 --> 00:28:05,200
brand? 
I think during the time there 

504
00:28:05,200 --> 00:28:09,400
wasn't that many occasions when 
we actually socialized, but 

505
00:28:09,400 --> 00:28:13,800
particularly on these events 
where people would know who you 

506
00:28:13,800 --> 00:28:16,440
are. 
So I was very much that those 20

507
00:28:16,440 --> 00:28:19,920
years were very much working, 
being a mother and just getting 

508
00:28:19,920 --> 00:28:22,760
on with the job. 
So it wasn't really until I came

509
00:28:22,760 --> 00:28:25,800
out of it, but I actually 
started going to events and 

510
00:28:25,800 --> 00:28:28,600
became a bit more recognized. 
People didn't know what I looked

511
00:28:28,600 --> 00:28:32,360
like. 
But, but the whole landscape of 

512
00:28:32,360 --> 00:28:34,960
fashion has changed, I would 
say. 

513
00:28:35,040 --> 00:28:37,960
Yeah, since that era to where it
is now. 

514
00:28:38,000 --> 00:28:39,960
Yeah, I think you're right. 
I think it probably has. 

515
00:28:40,280 --> 00:28:43,800
And so the pressure now, yeah, I
do feel the pressure to be 

516
00:28:45,120 --> 00:28:49,360
obviously to dress well if I'm 
going on occasion or whatever. 

517
00:28:49,640 --> 00:28:54,080
I do feel that you're being 
judged so that and I, you know, 

518
00:28:54,080 --> 00:28:57,000
it makes you understand the 
pressure that some of these, you

519
00:28:57,000 --> 00:28:59,600
know, well known people are 
under at times when they have to

520
00:28:59,600 --> 00:29:03,040
do the red carpet and all these 
things because you know, people 

521
00:29:03,040 --> 00:29:06,800
are ready to put you down at the
moment. 

522
00:29:07,040 --> 00:29:10,560
Out of interest, being a a 
fashion person, do you find 

523
00:29:10,560 --> 00:29:15,000
yourself reading what someone is
wearing? 

524
00:29:16,320 --> 00:29:20,040
Reading as in. 
Just sort of not judging, but 

525
00:29:20,040 --> 00:29:22,440
reading. 
You have an opinion. 

526
00:29:22,440 --> 00:29:25,920
Yes. 
And you know, I don't look at 

527
00:29:25,920 --> 00:29:29,960
these things and I don't, I 
don't watch these things that 

528
00:29:29,960 --> 00:29:31,760
often, you know, the Baftas or 
whatever. 

529
00:29:32,040 --> 00:29:34,640
I might glimpse something 
that's, you know, there's a 

530
00:29:34,640 --> 00:29:37,480
magazine or something on 
Instagram or something. 

531
00:29:37,480 --> 00:29:39,480
Social media. 
And I might look at it and 

532
00:29:39,480 --> 00:29:42,440
think, oh, I wouldn't have put 
that on you or whatever. 

533
00:29:43,000 --> 00:29:45,880
You know, there's some of them 
are quite shocking and then 

534
00:29:45,880 --> 00:29:48,760
others are great. 
But you know, that's a lot of 

535
00:29:48,760 --> 00:29:50,000
it's down to the stylist, isn't 
it? 

536
00:29:50,000 --> 00:29:52,400
Because you know, most of them 
just wear what their stylists 

537
00:29:52,400 --> 00:29:54,320
tell them and sometimes they 
don't always get it right. 

538
00:29:54,760 --> 00:29:57,640
It's a pressure, huge pressure, 
huge pressure. 

539
00:29:57,640 --> 00:30:01,360
Me, you know, you have to take 
in consideration all the 

540
00:30:01,360 --> 00:30:05,480
elements of yourself and and you
know your age, your size and and

541
00:30:05,760 --> 00:30:08,160
trying to sort of enhance the 
best parts of you. 

542
00:30:08,160 --> 00:30:10,720
And as you get older, I think it
becomes a little bit harder as 

543
00:30:10,720 --> 00:30:13,360
well. 
Yes, but I think. 

544
00:30:13,680 --> 00:30:16,920
We know who we are. 
We do it more, I mean. 

545
00:30:16,920 --> 00:30:20,520
As we get older what would you 
what would your advice be to 

546
00:30:21,360 --> 00:30:25,160
similar age women who are 
struggling a little bit with 

547
00:30:25,720 --> 00:30:29,000
sort of knowing who they are. 
Yeah I but I think even for the 

548
00:30:29,000 --> 00:30:31,840
likes of us I don't know about 
you but for me even going in 

549
00:30:31,840 --> 00:30:35,320
though in through those 
transitions of age, not that you

550
00:30:35,360 --> 00:30:37,520
it's like a right one minute 
you're that and then you're 

551
00:30:37,520 --> 00:30:39,680
that. 
It is a slow transition and 

552
00:30:39,680 --> 00:30:44,000
sometimes you have to check 
yourself and think actually, can

553
00:30:44,000 --> 00:30:48,200
I do that anymore or should I be
doing this or what actually does

554
00:30:48,200 --> 00:30:50,120
suit me? 
So sometimes it's a good idea 

555
00:30:50,120 --> 00:30:52,480
just to go and and try things 
you've never tried before. 

556
00:30:53,040 --> 00:30:56,120
I I totally agree. 
And then I'm a big fan of a a 

557
00:30:56,120 --> 00:30:59,560
wardrobe selfie or a, you know, 
a mirror selfie. 

558
00:30:59,560 --> 00:31:02,600
And then looking at it and 
thinking, yes, I've done that 

559
00:31:02,640 --> 00:31:05,280
recently. 
Actually, what should that woman

560
00:31:05,280 --> 00:31:07,960
be wearing? 
Yeah, I I did this the other day

561
00:31:07,960 --> 00:31:11,360
actually. 
And I I looked at it again a few

562
00:31:11,360 --> 00:31:13,720
days on, actually. 
I was like, oh God, no, no. 

563
00:31:13,920 --> 00:31:16,880
It's it's quite useful though I 
I always think sort of. 

564
00:31:17,440 --> 00:31:20,400
I find it easier to look at 
something in the third person 

565
00:31:20,840 --> 00:31:22,560
sometimes. 
I always used to design and 

566
00:31:22,560 --> 00:31:26,120
mirror it with a mirror. 
I'd like to look at the design 

567
00:31:26,120 --> 00:31:29,240
in the mirror rather than 
straight on. 

568
00:31:29,240 --> 00:31:32,000
If yeah, if I agree, yeah, but 
yeah. 

569
00:31:32,000 --> 00:31:35,720
I think you have to experiment a
bit. 

570
00:31:35,720 --> 00:31:39,760
But I think as you get older you
there's certain things you want 

571
00:31:39,760 --> 00:31:41,280
to cover up. 
Yeah. 

572
00:31:41,520 --> 00:31:45,840
And it's about finding your the 
best parts and trying to, you 

573
00:31:45,840 --> 00:31:48,960
know, embrace those parts, Yeah.
Good answer. 

574
00:31:49,600 --> 00:31:52,440
Do you have a huge archive of 
Karen Mills? 

575
00:31:52,720 --> 00:31:55,560
No. 
Oh yeah, I wish I had. 

576
00:31:57,040 --> 00:32:03,080
I've got a huge archive of 
clothes which I've always been 

577
00:32:03,080 --> 00:32:07,640
reluctant to get rid of because 
as my children or my daughter 

578
00:32:07,640 --> 00:32:10,800
probably would say when she 
says, oh, well, do you need. 

579
00:32:11,440 --> 00:32:13,680
It's all, you know, I need it 
for reference. 

580
00:32:13,680 --> 00:32:15,800
I might need it for reference 
one day, you know. 

581
00:32:16,240 --> 00:32:19,920
And I'm so pleased I've kept it 
now and I had the luxury of 

582
00:32:19,920 --> 00:32:22,640
having the space to do that, but
not so much now. 

583
00:32:22,880 --> 00:32:25,320
So I've had everything in boxes 
and things, so it's more 

584
00:32:25,320 --> 00:32:26,920
difficult. 
But recently I've been going 

585
00:32:26,920 --> 00:32:29,160
through it again and you're 
finding things that you've 

586
00:32:29,160 --> 00:32:30,360
forgotten you have and it's 
great. 

587
00:32:30,360 --> 00:32:31,960
It feels like you've just got a 
new wardrobe. 

588
00:32:33,440 --> 00:32:36,000
But yes, going back to have a 
caramel in pieces. 

589
00:32:36,000 --> 00:32:40,520
I've got, I've got quite a few 
pieces, but nowhere near as me 

590
00:32:40,520 --> 00:32:45,040
as I'd like to have had. 
And if only you knew what was 

591
00:32:45,040 --> 00:32:49,080
going to happen, you would have 
hung on to a few, I think. 

592
00:32:49,400 --> 00:32:52,240
I think people that work for us 
probably got more more than what

593
00:32:52,240 --> 00:32:56,000
I've got in my wardrobe. 
You know, I know that some of my

594
00:32:56,000 --> 00:33:00,040
old customers have way more. 
Amanda Wakeley Than I do, Yeah, 

595
00:33:00,040 --> 00:33:02,000
exactly. 
Which I I find really in 

596
00:33:02,000 --> 00:33:06,200
duration as well, but I do have 
any fact that was another funny 

597
00:33:06,200 --> 00:33:07,920
story. 
I've got a couple of really old 

598
00:33:07,920 --> 00:33:13,280
pieces that when we very first 
started, so back in the 80s, and

599
00:33:13,280 --> 00:33:15,200
I I took them into the office 
the other day. 

600
00:33:15,200 --> 00:33:17,800
And and as I say, some of the 
guys that are so young and 

601
00:33:17,800 --> 00:33:19,320
they're like, oh, my God, what 
did that? 

602
00:33:19,320 --> 00:33:20,600
This is amazing. 
Yeah. 

603
00:33:21,160 --> 00:33:24,040
And one of the pieces that I'd 
actually had made myself. 

604
00:33:24,240 --> 00:33:25,400
Oh, lovely. 
So, yeah. 

605
00:33:25,400 --> 00:33:26,720
And they got the old labels on 
them. 

606
00:33:27,080 --> 00:33:30,560
Oh, that label's really cool. 
We should do the label again. 

607
00:33:31,880 --> 00:33:34,800
So yeah, I mean, it's nice to 
have kept a few other pieces, 

608
00:33:34,800 --> 00:33:37,280
but I wish I'd got more. 
Do you have a style icon? 

609
00:33:38,440 --> 00:33:41,760
I've always quite admired Cate 
Blanchett because she's just, 

610
00:33:42,440 --> 00:33:44,520
she rocks it. 
She just rocks everything. 

611
00:33:44,520 --> 00:33:48,320
She's that chameleon that just 
can be so cool in any part she 

612
00:33:48,320 --> 00:33:51,680
plays. 
And yeah, she's just so cool, 

613
00:33:51,680 --> 00:33:56,120
so, so cool. 
I have to say, I do like Daphne 

614
00:33:56,120 --> 00:34:00,720
Guinness because she just is the
master at being, I don't know, 

615
00:34:00,720 --> 00:34:05,000
just having fun really. 
She's she's got that well 

616
00:34:05,400 --> 00:34:08,600
ability just to be who, you 
know, play dress up, really. 

617
00:34:09,080 --> 00:34:11,080
I mean, who wouldn't want to 
play dress up like she does? 

618
00:34:11,320 --> 00:34:15,840
You can, you can see how she's 
been amused again and again 

619
00:34:15,840 --> 00:34:19,159
because she's got this beautiful
silhouette and this 

620
00:34:19,159 --> 00:34:23,440
extraordinary hair and spirit. 
Yeah, she's just unique really, 

621
00:34:24,080 --> 00:34:27,320
so that I do admire her and I I 
look at her and think, wow, you 

622
00:34:27,320 --> 00:34:32,600
know, she's she's cool. 
If someone were to describe your

623
00:34:32,600 --> 00:34:37,480
style DNA in three words, what 
would you want those words to 

624
00:34:37,480 --> 00:34:40,760
be? 
Shall we say contemporary like 

625
00:34:40,760 --> 00:34:43,679
today? 
Almost classic contemporary, but

626
00:34:43,679 --> 00:34:48,360
I like a bit of rock chick and I
like that androgynous look. 

627
00:34:48,360 --> 00:34:52,199
Really so. 
From from what I know of you, I 

628
00:34:52,199 --> 00:34:55,239
think that really sums you up. 
Yeah, love that. 

629
00:34:55,239 --> 00:34:58,640
Do you have one item of clothing
that means the most to you? 

630
00:34:59,520 --> 00:35:03,560
I've had a few pieces probably 
over the years, but there's one 

631
00:35:03,560 --> 00:35:06,400
or two pieces that you, you keep
in your wardrobe and they just 

632
00:35:06,400 --> 00:35:10,360
keep coming back out and they 
still work and that's always 

633
00:35:10,360 --> 00:35:12,560
amazing. 
I mean, I've got a particularly 

634
00:35:13,600 --> 00:35:16,360
amazing black Gucci dress from 
Tom Ford days. 

635
00:35:16,760 --> 00:35:20,000
It's so classic, but the fabrics
beautiful and the cut is it's. 

636
00:35:20,000 --> 00:35:23,640
Coming will be sublime and I can
put that on when I can squeeze 

637
00:35:23,640 --> 00:35:25,640
into it and actually put on a 
little bit of weight at the 

638
00:35:25,640 --> 00:35:29,480
moment. 
So it's left on in in the closet

639
00:35:29,480 --> 00:35:31,840
at the moment. 
But it is one of those dresses 

640
00:35:31,840 --> 00:35:34,720
that you know, I know I can put 
on and feel $1,000,000. 

641
00:35:35,680 --> 00:35:37,920
Do you think you ever had a 
worst fashion moment? 

642
00:35:38,080 --> 00:35:41,680
Yes. 
We're going to share it what I 

643
00:35:41,680 --> 00:35:44,040
was talking about earlier in 
that sense that I kind of 

644
00:35:44,040 --> 00:35:49,760
drifted off into this world of 
glamour that wasn't really me. 

645
00:35:50,280 --> 00:35:52,480
I mean, yeah, of course I like 
nice jewellery. 

646
00:35:52,480 --> 00:35:55,360
I like to sort of wear a bit of 
bling from time to time, but I 

647
00:35:55,360 --> 00:36:00,160
probably was dressing in a way 
that just didn't really suit my 

648
00:36:00,160 --> 00:36:02,520
personality. 
I was just trying to be 

649
00:36:03,040 --> 00:36:06,240
something I wasn't or or trying 
to be what I thought I should be

650
00:36:06,440 --> 00:36:08,320
because I'd suddenly come into 
wealth. 

651
00:36:09,760 --> 00:36:14,320
And do you think that aged you 
out of interest? 

652
00:36:14,320 --> 00:36:17,000
Was that less public than you 
are now? 

653
00:36:17,000 --> 00:36:18,760
Yeah, definitely. 
I mean, I have. 

654
00:36:18,760 --> 00:36:20,880
I'm not saying I dress like that
all the time, but, you know, if 

655
00:36:20,880 --> 00:36:24,920
it was an occasion I'd I'd find 
I'd be dressing up, you know, 

656
00:36:25,200 --> 00:36:28,600
differently to what I would. 
I think I'd lost my coolness. 

657
00:36:28,640 --> 00:36:30,360
Yeah. 
And did you change your hair 

658
00:36:30,360 --> 00:36:33,160
with that? 
Yes. 

659
00:36:33,680 --> 00:36:37,040
Or even more flow dried and blow
dried and that and interesting, 

660
00:36:37,600 --> 00:36:39,400
interesting, and you're 
wrinkling your nose. 

661
00:36:39,720 --> 00:36:41,920
I know it. 
Just I cringe at that. 

662
00:36:41,920 --> 00:36:44,960
And when I look at photographs, 
I'm thinking, who is that? 

663
00:36:46,280 --> 00:36:50,040
Isn't it funny though? 
I mean, you know, our clothes do

664
00:36:50,040 --> 00:36:52,320
really tell a story. 
They do do. 

665
00:36:55,160 --> 00:36:57,680
You ever have a big old clear 
out of your wardrobe? 

666
00:36:58,600 --> 00:37:02,640
I'm trying to do that now 
because as I say, I do have 

667
00:37:02,640 --> 00:37:06,760
quite a quite a lot and it tends
to be in boxes a lot at the 

668
00:37:06,760 --> 00:37:11,040
moment and I'm sort of 
transitioning between where I'm 

669
00:37:11,040 --> 00:37:13,360
going to be. 
So there's lots of change. 

670
00:37:13,360 --> 00:37:16,760
So it's very difficult to 
actually organize anything. 

671
00:37:17,440 --> 00:37:21,160
But I am trying to get rid. 
I'm trying to edit now and 

672
00:37:21,160 --> 00:37:26,400
think, OK, what are these 
pieces, you know, am I going to 

673
00:37:26,400 --> 00:37:29,720
wear them again? 
Maybe not, but is there 

674
00:37:29,720 --> 00:37:32,280
something of relevance that I 
can use from keeping them? 

675
00:37:32,760 --> 00:37:35,440
If it's no, then we have to get 
rid of it. 

676
00:37:35,720 --> 00:37:38,160
So I try to. 
Doubt it because oh absolutely. 

677
00:37:38,240 --> 00:37:40,760
Yeah, It's a great feeling. 
And not just with clothing. 

678
00:37:40,760 --> 00:37:43,280
It's with furniture and all your
bits and pieces around you. 

679
00:37:43,760 --> 00:37:48,400
Let's talk about travel. 
Do you pay particular attention 

680
00:37:48,400 --> 00:37:51,400
to what your airport look is 
going to be, what you're going 

681
00:37:51,400 --> 00:37:54,120
to travel in? 
That's so now than I used to. 

682
00:37:55,400 --> 00:37:58,800
I go for comfort more than 
anything and practicalities. 

683
00:37:59,280 --> 00:38:02,360
So I suppose my main thing is 
don't worry about because I 

684
00:38:02,360 --> 00:38:03,560
don't want to have to take 
about. 

685
00:38:03,560 --> 00:38:05,680
I thought that off would happen 
so that's a no no. 

686
00:38:05,680 --> 00:38:08,120
So basically that cuts out jeans
and everything else. 

687
00:38:08,400 --> 00:38:13,600
So I generally go to something 
that's like a tracky type panel 

688
00:38:13,600 --> 00:38:17,840
or something that's comfortable.
So it is trousers because I live

689
00:38:17,840 --> 00:38:19,680
in trousers most of the time 
anyway. 

690
00:38:20,120 --> 00:38:21,640
Your comfort really more than 
anything. 

691
00:38:21,640 --> 00:38:25,280
And when I'm packing I am much 
more edited about obviously 

692
00:38:25,280 --> 00:38:26,920
depending where I'm going and 
how long for. 

693
00:38:26,920 --> 00:38:30,800
But you know that whole weight 
issue is a big thing, so I try 

694
00:38:30,800 --> 00:38:34,440
to be quite strict. 
It's the shoes that sort of can 

695
00:38:34,560 --> 00:38:38,240
add you know weight and space. 
So I try to be a bit more 

696
00:38:38,240 --> 00:38:39,800
limited about what I'm wearing 
and. 

697
00:38:40,120 --> 00:38:41,560
I was going to say, are you a 
good Packer? 

698
00:38:41,560 --> 00:38:44,320
Bad Packer, I would say. 
I'm a fairly good Packer and 

699
00:38:44,320 --> 00:38:47,120
I've got it down to quite a good
art now really. 

700
00:38:47,120 --> 00:38:49,320
And how do you deal with the 
shoe thing? 

701
00:38:49,320 --> 00:38:51,640
Because I think that is a real 
art. 

702
00:38:51,640 --> 00:38:54,480
Because I. 
I think shoes can be really 

703
00:38:54,480 --> 00:38:57,720
transformative, definitely. 
And I think they're really 

704
00:38:57,720 --> 00:39:01,480
important that they are. 
And I it does depend where 

705
00:39:01,480 --> 00:39:03,320
you're going because obviously 
if you're going somewhere where 

706
00:39:03,320 --> 00:39:06,680
you need heels, you definitely 
want some flats as well. 

707
00:39:06,680 --> 00:39:08,400
So you've got to have a 
combination of something that 

708
00:39:08,400 --> 00:39:11,280
works with across all of the 
things that you're taking with 

709
00:39:11,280 --> 00:39:13,600
you. 
So I do try to lay out and think

710
00:39:13,600 --> 00:39:17,320
about, OK, what are my 
occasions, what do I need. 

711
00:39:17,560 --> 00:39:21,040
So I will in my mind sort of try
and lay out those items and 

712
00:39:21,040 --> 00:39:24,960
decide what shoes are going to, 
you know, I'll be able to use, 

713
00:39:25,960 --> 00:39:27,720
you know, throughout that 
collection. 

714
00:39:27,920 --> 00:39:32,120
So 3 pairs of shoes probably 
would be my next. 

715
00:39:32,400 --> 00:39:35,120
Good girl. 
I mean, I'd take more if I 

716
00:39:35,120 --> 00:39:40,320
could, but. 
In terms of your wardrobe, what 

717
00:39:40,320 --> 00:39:43,400
do you feel, if anything, that 
you have an excessive amount of 

718
00:39:45,080 --> 00:39:48,800
everything? 
No, no, I think probably. 

719
00:39:49,320 --> 00:39:50,520
I was quite shocked when I 
pulled out. 

720
00:39:50,520 --> 00:39:53,360
My summer went through a lot of 
my boxes and I pulled out all 

721
00:39:53,360 --> 00:39:55,920
these jackets and they're mainly
black. 

722
00:39:55,920 --> 00:39:58,080
Of course. 
I looked and I thought, my God, 

723
00:39:58,080 --> 00:40:00,120
I'll never need to buy another 
black jacket again. 

724
00:40:00,120 --> 00:40:02,840
There's just so many here. 
But of course you still. 

725
00:40:02,840 --> 00:40:05,920
I was going to say. 
And then and then that is then 

726
00:40:05,920 --> 00:40:08,040
we something. 
You haven't got that perfect. 

727
00:40:08,040 --> 00:40:10,000
Yeah, new black jacket. 
Just appeared. 

728
00:40:10,000 --> 00:40:12,800
So I did and but you know, I 
used to buy a lot of handbags 

729
00:40:13,360 --> 00:40:15,520
because I was never really big 
on. 

730
00:40:15,600 --> 00:40:18,680
Although I love shoes, I've got 
big feet and I'm only little. 

731
00:40:19,080 --> 00:40:23,080
So I was always conscious of my 
footwear and unlimited by what I

732
00:40:23,080 --> 00:40:25,360
would wear, and I didn't want to
draw attention to them. 

733
00:40:25,360 --> 00:40:28,400
So I thought, well OK, forget 
the shoes, I'll just it will all

734
00:40:28,400 --> 00:40:31,160
be about the bag. 
So I used to buy a lot of bags. 

735
00:40:31,440 --> 00:40:36,120
OK, so guilty secret. 
What is the most expensive item 

736
00:40:36,360 --> 00:40:39,520
that you've ever bought? 
I'm not asking the price tag, 

737
00:40:39,520 --> 00:40:42,400
but clothing. 
No, it could be an accessory. 

738
00:40:43,320 --> 00:40:45,120
Sounds like it could be an 
accessory. 

739
00:40:45,840 --> 00:40:48,040
It would have been jewelry, 
probably watches and jewelry. 

740
00:40:48,040 --> 00:40:49,880
They would have been the most 
expensive. 

741
00:40:50,480 --> 00:40:56,600
But clothing, probably, probably
coats. 

742
00:40:56,840 --> 00:41:00,760
I've bought some expensive coats
I did buy and which I was gutted

743
00:41:00,760 --> 00:41:02,840
about. 
Once I bought a fur coat and 

744
00:41:02,840 --> 00:41:04,480
lost it. 
Well, it was stolen in a 

745
00:41:04,480 --> 00:41:07,120
cloakroom. 
Have you ever justified an 

746
00:41:07,120 --> 00:41:09,480
expensive purchase with pounds 
per wear? 

747
00:41:09,960 --> 00:41:12,440
Always. 
Yeah. 

748
00:41:12,480 --> 00:41:15,640
Absolutely, I mean. 
Value for money. 

749
00:41:15,640 --> 00:41:18,360
If you're wearing it all the 
time, it's cheap. 

750
00:41:19,640 --> 00:41:22,560
So what's your approach to 
sustainable fashion? 

751
00:41:22,560 --> 00:41:24,920
I. 
Think I've always been conscious

752
00:41:24,920 --> 00:41:29,240
of not wasting because you know,
I grew up in a family that that 

753
00:41:29,240 --> 00:41:31,400
we had little and and we had to 
make do. 

754
00:41:31,400 --> 00:41:35,920
So I've always been conscious of
not wasting things and certainly

755
00:41:35,920 --> 00:41:39,520
now as I say, I'm recycling in 
my wardrobe and I'm having a lot

756
00:41:39,520 --> 00:41:41,680
of fun with it. 
So I I love doing that, and I 

757
00:41:41,680 --> 00:41:44,200
love to see that. 
You know, the younger generation

758
00:41:44,200 --> 00:41:49,120
are more aware of this now and 
there's a lot more recycling and

759
00:41:49,120 --> 00:41:52,440
upcycling going on. 
What would you say is the oldest

760
00:41:52,440 --> 00:41:54,760
piece in your wardrobe? 
Well, it was probably one of 

761
00:41:54,760 --> 00:41:57,000
those Karen Milan pieces that I 
was just talking about. 

762
00:41:57,320 --> 00:42:01,440
I think it probably is. 
I think this, this dress that I 

763
00:42:01,440 --> 00:42:04,240
pulled out, I think that must 
be, it's got to be. 

764
00:42:05,200 --> 00:42:06,400
It's got to be the oldest thing 
in. 

765
00:42:07,680 --> 00:42:10,080
Great. 
Let's just turn on to some quick

766
00:42:10,080 --> 00:42:13,080
fire questions. 
What fashion advice would you 

767
00:42:13,080 --> 00:42:19,280
give your 20 year old self? 
Oh, I just be yourself. 

768
00:42:20,200 --> 00:42:23,000
Good one. 
True to yourself, which fashion 

769
00:42:23,000 --> 00:42:25,400
trend would you most like to see
make a comeback do? 

770
00:42:28,680 --> 00:42:30,040
You know, everything comes back,
doesn't it? 

771
00:42:30,040 --> 00:42:31,760
Really? 
I'm loving the fact that the 70s

772
00:42:31,760 --> 00:42:35,320
is back at the moment. 
What's the 70s? 

773
00:42:35,600 --> 00:42:39,280
What fashion or beauty trend 
would you consign to Room 101? 

774
00:42:41,440 --> 00:42:44,840
Probably. 
Oh, those big bows of the 80s, 

775
00:42:45,280 --> 00:42:48,920
big bows and puffball skirts. 
You were going to say puffles 

776
00:42:50,920 --> 00:42:52,960
because? 
Yeah, there's some horrendous 

777
00:42:52,960 --> 00:42:56,040
pictures of of some of the 
earlier collections actually 

778
00:42:56,040 --> 00:42:57,720
with these big bows on them and 
taffeta. 

779
00:42:57,720 --> 00:43:00,560
And that's like, you know, the 
whole Diana wedding days. 

780
00:43:00,560 --> 00:43:05,080
It's like, thanks, what was your
last impulse spy? 

781
00:43:07,600 --> 00:43:11,680
Probably probably be shaped 
shoes now, boots shoes, because 

782
00:43:11,840 --> 00:43:17,160
because I am actually upcycling,
recycling, I'm wearing a lot of 

783
00:43:17,160 --> 00:43:21,680
my old clothes shoes. 
I'm heavy on my shoes so you do 

784
00:43:21,680 --> 00:43:25,200
need to replace them. 
So I think that would be my my 

785
00:43:25,840 --> 00:43:29,560
go to at the moment views on 
tattoos. 

786
00:43:29,960 --> 00:43:36,760
Love them blow dry or manicure. 
Oh, blow dry, High end or High 

787
00:43:36,760 --> 00:43:38,000
Street. 
Well, actually saying that I 

788
00:43:38,000 --> 00:43:43,760
don't know both, both was sorry,
what was the high end or High 

789
00:43:43,760 --> 00:43:47,120
Street? 
Or high end minimalism or 

790
00:43:47,120 --> 00:43:50,040
maximalism. 
Minimalism. 

791
00:43:50,040 --> 00:43:55,160
That thing with the math 
sometimes Crocs. 

792
00:43:55,240 --> 00:44:03,160
Q No sneakers or stilettos? 
Both sports lux or rock'n'roll? 

793
00:44:05,240 --> 00:44:07,840
I do a bit of both, but I 
suppose mine more rock'n'roll 

794
00:44:08,360 --> 00:44:12,360
glamour grunge. 
Again, it's baldry, really. 

795
00:44:12,360 --> 00:44:16,080
Sort of the bit of both crosses 
over skinnies or boyfriends. 

796
00:44:17,280 --> 00:44:18,960
I think I'm more boyfriends, 
really. 

797
00:44:19,320 --> 00:44:22,720
Trend or style or style? 
Definitely. 

798
00:44:23,080 --> 00:44:25,960
Color or monochrome? 
Monochrome. 

799
00:44:26,800 --> 00:44:27,440
Little. 
Plain. 

800
00:44:27,600 --> 00:44:30,840
Plain. 
Experimental or uniform. 

801
00:44:31,480 --> 00:44:33,680
Good at both. 
Cashmere or cotton? 

802
00:44:34,000 --> 00:44:36,120
Both. 
Order or editor? 

803
00:44:37,840 --> 00:44:42,000
Order shapewear or sexy 
lingerie. 

804
00:44:44,040 --> 00:44:46,960
Again, a bit of both there 
because I find it really hard to

805
00:44:46,960 --> 00:44:50,600
get in shapely underwear to fit.
I mean, you all comfort, don't 

806
00:44:50,600 --> 00:44:52,360
you? 
At the end of the day, bikini or

807
00:44:52,360 --> 00:44:56,000
one piece. 
Bikini Beanie or baseball cap, 

808
00:44:56,840 --> 00:45:00,000
Beanie. 
And finally, at the end of the 

809
00:45:00,000 --> 00:45:03,160
day, what do you or don't you 
wear in bed? 

810
00:45:04,920 --> 00:45:08,640
Usually I love my pajamas. 
I do love to get into pair of 

811
00:45:08,640 --> 00:45:12,840
cotton pajamas or silk pajamas, 
but often nothing. 

812
00:45:13,120 --> 00:45:17,280
But I like to get ready for bed 
earlier, so sort of minching 

813
00:45:17,280 --> 00:45:20,360
around in pet pajamas is is 
probably my fave. 

814
00:45:21,920 --> 00:45:25,920
What a pleasure to go on this 
style journey with you today. 

815
00:45:26,040 --> 00:45:27,400
Thank you. 
I'm talking about. 

816
00:45:27,400 --> 00:45:28,600
Style Thank you, don't we.
