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I found, you know, this old shoe
box was full of vintage earrings

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and it started there, you know, 
sort of like late 70s, early 

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80s, you know, these kind of big
chunky earrings. 

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They could not believe that 
somebody would just like get rid

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of these earrings and I could 
snap them up for nothing because

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my pocket money was so proud. 
On your vintage trawls you must 

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come across quite a lot of real 
fur. 

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Where are you at on that? 
You know, London is a place 

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where people still dress up and 
they like to make an effort. 

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And I think this is the beauty 
of fashion, that you can 

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transform yourself. 
You can, you know, be whoever 

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you feel like that day you want 
to be. 

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Well, I do believe that clothing
does hold energy, you know, from

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the previous owner. 
And I think that's why in some 

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cultures it's not custom to wear
vintage precisely out of this 

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reason. 
Today I'm going on a style 

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journey with the vintage 
curator, brand consultant and 

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the founder of Atelier Meyer, 
the wonderful Carmen Haid. 

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Hello and welcome, Carmen. 
Hi, Amanda. 

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It's so lovely to see you. 
We work together on my brand's 

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25th anniversary. 
Absolutely. 10 years on and the 

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world of fashion is in a totally
different place. 

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And I just wondered, you know, 
you're so on the pulse of the 

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fashion world, and I just 
wondered what your thoughts are 

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on where it is at right now. 
It's so funny you say this 

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because I don't consider myself 
on the pulse at all because I 

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don't follow trends. 
Actually, this has always been 

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my thing, but for some reason 
I've kind of spot them sometimes

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or I just naturally go, my 
instinct goes, you know, hence I

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think that's why I like vintage 
and I've always been an avid 

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collector of vintage fashion and
that's kind of my, my thing. 

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But when you ask me to state of 
the fashion today, to be honest,

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I follow it of course still 
because I, I, I'm very 

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interested still. 
However, I don't think you can 

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compare it to anything that you 
and I know or, or we have lived 

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through because the world has 
changed essentially completely. 

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The way the seasonality, the 
designers, the Dave, the star 

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designers sort of is gone. 
I mean, there's still a few 

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around, you know, I wish I would
see more women in creative 

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director roles, to be very 
honest. 

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We we need that because 
sometimes, even though I respect

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the work of all these wonderful 
creative directors very much, I 

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think we need women to dress 
women like you have done so 

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successfully. 
I still, you know, I still have 

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quite a lot of your beautiful 
knitwear. 

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You're tailoring your Oh, that 
that. 

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Really, really pleases me. 
But I, you know, I think of you 

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as being a wonderful brand 
consultant. 

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I know that vintage is your 
thing, but I think you have a 

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way of really understanding 
brands and I just, I just sort 

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of wondered what drives that? 
Where does that come from? 

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I think it's, it's curiosity, 
you know, for instance, when I 

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dove into your world and 
everything about your DNA and 

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your style and your vision. 
And that's I think it's also why

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I've kind of always worked in 
house for the big fashion houses

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exclusively because I feel like 
I had that's luxury. 

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I specialized in luxury. 
And luxury for me is taking 

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time, taking time to delve into 
that brand, understand the 

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vision of the creative director 
of the founder, understand the 

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story, the heritage, go into the
archives. 

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I I find more depths there. 
Because you started out with 

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which brand? 
So it's sort of well fell into 

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my lap in a way. 
I mean, we create our own, we 

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create our own destinies. 
But I, I did start at Isa 

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Laurent, but it was kind of by 
coincidence because I just moved

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to London. 
It was, you know, in the late 

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90s and I was studying and I 
felt I needed to have a job 

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during the day. 
And then I sort of was walk 

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walking up and down newborn St. 
and distributing my CV and and 

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then they needed APR assistant 
at Yves Salon. 

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And I had no idea what even PR 
meant exactly. 

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It just sounded very glamorous. 
And he said, OK, well, Salon, I 

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think I can work for that. 
And then he ended up to be, you 

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know, a job for the next 15 
years that I, you know, public 

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relations and communications I 
love very much. 

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Yeah. 
You were way ahead of the curve 

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when you created a Telemire. 
That was back in 2007. 

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Seven, I mean sort of vintage 
was being bought by designers 

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for. 
Archive exactly. 

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I had several designer friends 
who can't often raided my 

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wardrobe and say Arcana borders.
And you know, I take an elephant

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from this. 
And I mean, we've been doing 

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this for many, many decades and 
years to get inspired by vintage

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and inspired by object and 
architecture. 

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But I felt after working for the
corporate world and seeing, you 

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know, going through the 90s turn
of the century to see how much 

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budget one fashion show 
consumes, how much money spent 

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on one collection. 
I just felt like, you know, 

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that's repeated in so many 
cycles. 

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And I felt this unsustainable 
and kind of growing up in 

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Austria, which was one of the 
first countries to be fining 

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people if you don't recycle 
properly. 

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I kind of grew up with this 
mindset and I came here to 

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England and I was like, wow, 
people don't even recycle 

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properly. 
And then it, you know, had my 

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experience in the fashion 
industry and I was just like, 

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wow, this is there's so much 
waste going on. 

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Why don't we look what we 
already have, produce less and 

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use the existing and give it a 
new twist. 

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And I couldn't find, quite 
frankly, anything remotely 

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interesting online in Europe. 
It was all kind of, we had real,

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real in America, but there was 
nothing in Europe of the like. 

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And then Natalie Massinet 
started Neta Porte and she was a

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big mentor and icon for me. 
And I thought, wow, we should do

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this with vintage. 
And so I I started 

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ataliemaya.com with that in 
mind. 

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Where were you sourcing back 
then? 

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I mean, literally, I, I would go
to fairs, I would go to dealers 

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and then, you know, would travel
around as well. 

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And people would sort of, you 
know, word by mouth. 

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And people started then and say,
oh, you know, my aunt has 

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inherited. 
I have this whole attic full of 

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vintage Celine and I don't wear 
it anymore. 

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My daughter doesn't want it. 
You know, can you do something 

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with it? 
And sometimes I felt it came 

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across the most incredible 
collections and places that you 

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would not not necessarily 
associate with. 

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For instance, I went to Beirut. 
It was one of my missions to 

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sort of educate people in places
where maybe vintage was not 

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necessarily available. 
So I started to doing this trunk

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show concept, which you know, 
very well too. 

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And I took the, the, the brand 
actually to the Middle East, 

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which but you know, we're 
talking about 10-15 years ago. 

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I mean, nobody would go, oh, 
it's vintage fashion to Dubai or

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Bahrain or Qatar. 
And anyway, I went and I went to

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Beirut and I found the most 
extraordinary, you know, or 

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couture closets in, in Beirut, 
you know, from the heyday from, 

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you know, people and they were 
absolutely sophisticated 

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collectors. 
And I found treasures. 

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What? 
If, if I would say to you, what 

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is the best treasure you've ever
found, what would it be? 

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Gosh, it's hard to see because 
I've come across quite a few. 

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But you know, sometimes you'd go
to, you know, I mean, I had to 

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go to some grim places, but 
there was one lady in 

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particular. 
I remember she was a French lady

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in England. 
So in the countryside, the house

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almost falling apart and it was 
going there. 

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It was literally out of movies. 
She had taxidermy everywhere 

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and, and she was living there by
herself. 

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She's in the mid 80s and she had
this closet full, full of 

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jackets and, and, and I kind of 
sifted through and I found an 

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original Paul Poiret. 
Coat. 

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I I, I, I pulled it out and just
like, Oh yeah, you know, do do 

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you remember this guy called 
Paul Prore? 

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I just bought it because of the 
button. 

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I was like, Oh my God, this is a
museum feature. 

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No, she said, Are you sure you 
don't want to keep yourself? 

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Oh, no, you can have it. 
So I was, you know, it ended up 

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in a museum and I had it, of 
course, valued and, you know, 

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gone, you know, properly checked
by experts. 

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So where do you take something 
like that to get it 

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authenticated or checked? 
Well, I mean, the, there is a 

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fantastic specialist here that I
love to go to is Carrie Taylor. 

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Yes, very well. 
The auction, exactly. 

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She runs the auctions for many 
years and she, I think she's one

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of the best experts here in 
England, for instance. 

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But you have people like this in
France, you have, you know, in 

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Italy as well. 
Now you've sort of you've 

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expanded Atelia Meyer, haven't 
you, into lifestyle and 

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entertainment and scene setting.
Were interestingly enough, you 

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know, funnily enough. 
So when I launched Atelier 

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Maiso, which was inspired by my 
late grandmother and she was in 

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the Otkutu seamstress during the
Viennese Secession movement, 

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which is the movement just 
before Bauhaus. 

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And it was sort of a collective 
of artists, glass makers, 

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textile designers, architects, 
you name it really. 

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And, and amongst them were, for 
instance, Gustav Klimt, who who 

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is very famous for his 
paintings. 

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But you know, he did a kitchen 
before he was painting. 

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Actually, my kitchen in my house
in London is inspired by Gustav 

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Klimt. 
Yes. 

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And I didn't know that for 
instance. 

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But you know, there was this 
extraordinary band of artists 

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and they created this movement 
and they sort of, they called it

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Davina Workstadt, like a 
workshop, Viennese workshop. 

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And they had some extraordinary 
projects like the Secession, you

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know, secessionist peered 
architecture that you find in 

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Switzerland, in Austria, 
etcetera, throughout Germany as 

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well. 
And it had a very famous for 

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these bold graphic lines. 
And I thought it was so 

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avant-garde for that time. 
They did this incredible bespoke

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projects that you can see all 
around the world now. 

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And in fact they tried to do a 
Veena Berkshot in New York. 

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It did not succeed. 
But so lot kind of Long story 

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short, my grand, my late 
grandmother was sort of part of 

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this movement. 
And so I'm, I grew up spending 

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time in her utterly and she was 
this odd couture seamstress and 

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00:10:48,280 --> 00:10:50,080
she was specialised in evening 
wear. 

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So I grew up dressing my Barbie 
dolls with leftover fabrics. 

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And, you know, she would take me
to a fashion show and that sort 

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of was my inspiration to go into
fashion. 

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00:11:01,040 --> 00:11:05,600
And, but when you look back at 
the Viennese Secession, it was 

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sort of a lifestyle brand 
because it was a 360° view of 

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how you lead your life. 
You know, everything designed 

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from the furniture, from the 
ergonomic ways of its position. 

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And, and, and I just felt when 
it was time for me to follow my 

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00:11:25,240 --> 00:11:30,000
family around the world and I 
had to sort of create new homes 

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00:11:30,640 --> 00:11:35,160
every other year and I was 
looking into vintage furniture 

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00:11:35,160 --> 00:11:39,440
and I was got really excited 
about that, actually quite more,

200
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you know, more and more than 
fashion. 

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00:11:43,360 --> 00:11:46,640
And and then I thought, OK, 
well, that's, that's could be a 

202
00:11:46,640 --> 00:11:49,760
business. 
And and that's when I changed 

203
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the direction from Italy, Maya 
fashion, vintage fashion to 

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vintage objects and furniture. 
Beautiful, beautiful. 

205
00:11:57,720 --> 00:12:01,520
Now this beautiful candle that 
you've bought me here, tell me 

206
00:12:01,520 --> 00:12:06,240
about the origins of this. 
Well, I love this candle. 

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00:12:06,240 --> 00:12:10,560
So this is a collaboration with 
a fellow friend and artist. 

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00:12:10,560 --> 00:12:14,560
Her name is Lawrence Leonard and
she has a brand called LRNCE. 

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00:12:14,800 --> 00:12:17,600
She's a ceramicist, but she 
actually did start with fashion.

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00:12:17,600 --> 00:12:20,200
Funny enough, a lot of people 
maybe think that she always was 

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00:12:20,200 --> 00:12:23,480
in furniture and and ceramics, 
but she she has an amazing 

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00:12:23,480 --> 00:12:26,400
workshop in Marrakech and I'm a 
big fan of her work. 

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00:12:26,400 --> 00:12:31,280
And so I, as part of the, the 
new direction of Atili Maya, I 

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00:12:31,280 --> 00:12:34,360
developed my own home fragrance 
and room scent. 

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00:12:34,360 --> 00:12:38,320
And so this is a new edition, 
which is a candle that we're, 

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00:12:38,520 --> 00:12:40,840
we're launching now. 
And you're one of the first 

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00:12:40,840 --> 00:12:42,440
people to have it. 
Thank you. 

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00:12:42,560 --> 00:12:44,640
And it's, you know, it's, it's 
lovely. 

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00:12:44,640 --> 00:12:50,080
It's, but I love about it. 
I mean, so Lars incorporated the

220
00:12:50,080 --> 00:12:52,600
idea of the Atili Maya 
secessionist. 

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00:12:52,600 --> 00:12:55,760
So this is her design, but we 
had a mood board and she gave a 

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complete free rein. 
So she came up with this and 

223
00:12:58,400 --> 00:13:01,080
it's all hand painted, hand 
glazed and and bad in her 

224
00:13:01,080 --> 00:13:02,800
facilities and factory in 
Marrakech. 

225
00:13:03,320 --> 00:13:06,280
And it's limited edition. 
And so I thought it was just a 

226
00:13:06,280 --> 00:13:08,440
nice thing to have in the 
collection. 

227
00:13:08,440 --> 00:13:10,120
Have a candle. 
It's gorgeous. 

228
00:13:10,120 --> 00:13:12,680
It's all organic, it's all 
sourced in Morocco, it's all 

229
00:13:12,680 --> 00:13:15,800
sourced by women. 
So I'm a big advocate for 

230
00:13:15,800 --> 00:13:23,760
women's businesses also for 
using local local versus having 

231
00:13:23,760 --> 00:13:25,760
it produced in China or 
somewhere. 

232
00:13:25,800 --> 00:13:27,480
Around the world, Yeah. 
Yeah. 

233
00:13:27,800 --> 00:13:29,200
What? 
What next? 

234
00:13:29,200 --> 00:13:30,800
You've got this lovely 
collaboration. 

235
00:13:31,080 --> 00:13:34,320
You're expanding your footprint 
really of a 10. 

236
00:13:34,720 --> 00:13:38,760
Fashion to objects and furniture
was sort of an easy progression,

237
00:13:39,520 --> 00:13:43,600
natural. 
And and now funnily enough, it's

238
00:13:43,600 --> 00:13:46,760
kind of pulling me into two 
directions. 

239
00:13:47,920 --> 00:13:51,400
One is continuing with the 
vintage sourcing, which is an 

240
00:13:51,400 --> 00:13:55,200
ongoing thing, but it's more 
sort of more bespoke projects. 

241
00:13:55,200 --> 00:13:57,200
You know, let's say you come 
round and say, oh, I have this 

242
00:13:57,200 --> 00:13:59,920
office, I need to furnish it in 
vintage, you know, give me a 

243
00:13:59,920 --> 00:14:01,920
call. 
I'm happy to, to organise that 

244
00:14:01,920 --> 00:14:03,560
for you. 
So I have a lot of projects like

245
00:14:03,560 --> 00:14:07,840
this bespoke, but I have and 
then so I have this showroom in 

246
00:14:07,840 --> 00:14:11,880
Marrakech which people come and 
see and they say, oh, you know, 

247
00:14:12,000 --> 00:14:15,720
and my home there too. 
And people come in and say, oh, 

248
00:14:15,720 --> 00:14:18,000
I love you so far. 
Where can I buy this and that? 

249
00:14:18,360 --> 00:14:23,080
So I kind of do more Pittsburgh 
interior projects as well, and 

250
00:14:23,120 --> 00:14:25,440
also a little bit more 
hospitality for nearly enough. 

251
00:14:26,080 --> 00:14:28,360
You know, people come and they 
say, oh, can you help me, you 

252
00:14:28,360 --> 00:14:30,840
know, organise this event? 
And I say, oh gosh, I've done 

253
00:14:30,840 --> 00:14:33,440
this a long time ago, but you 
know that it comes back and I do

254
00:14:33,440 --> 00:14:34,320
enjoy it. 
I have you're. 

255
00:14:34,320 --> 00:14:37,280
Really good at it curating those
events. 

256
00:14:37,680 --> 00:14:41,040
I love it. 
I love I'm a people's person and

257
00:14:41,040 --> 00:14:43,880
I love to create good 
vibrations. 

258
00:14:43,880 --> 00:14:47,920
And you know that of course you 
need to have a good selection of

259
00:14:48,360 --> 00:14:51,840
people or friends, but it's so 
much more than that, right? 

260
00:14:51,840 --> 00:14:55,000
It's it's the how do you? 
I mean you are the perfect 

261
00:14:55,000 --> 00:14:56,520
example. 
Oration. 

262
00:14:56,680 --> 00:15:00,200
Right, exactly decoration, it's 
how you enter the room. 

263
00:15:00,200 --> 00:15:02,120
How does it smell? 
How is the light? 

264
00:15:02,120 --> 00:15:04,000
Are there flowers? 
Is there food? 

265
00:15:04,000 --> 00:15:06,200
You know, it's kind of this 
awareness. 

266
00:15:06,200 --> 00:15:10,200
And so I quite, I quite like to,
to be this, this great of 

267
00:15:10,480 --> 00:15:14,320
vibrations, good vibrations. 
I love that it took you to 

268
00:15:14,320 --> 00:15:18,120
Marrakech. 
Well, originally I went to 

269
00:15:18,120 --> 00:15:19,520
Marrakech for the very first 
time. 

270
00:15:19,520 --> 00:15:24,320
I think it was like 93 or 
something like that for a job. 

271
00:15:24,320 --> 00:15:28,120
I was very young. 
I was working as a model then as

272
00:15:28,120 --> 00:15:31,040
well, and it was quite funny 
because I came there with a 

273
00:15:31,040 --> 00:15:35,000
photographer, Semi Hart, who is 
a wonderful photographer in 

274
00:15:35,000 --> 00:15:37,360
Germany right now. 
He does a lot of interesting 

275
00:15:37,360 --> 00:15:39,280
work, so he's still around as 
well. 

276
00:15:39,960 --> 00:15:43,000
And so I went with him for the 
very first time and I thought, 

277
00:15:43,000 --> 00:15:46,080
wow, what is an incredible 
universe I've discovered here. 

278
00:15:46,080 --> 00:15:48,440
I was mesmerised. 
It was sort of like always those

279
00:15:48,440 --> 00:15:51,240
fairy tale books that I've read 
when I was a child. 

280
00:15:52,080 --> 00:15:54,560
And then I thought, OK, if I 
have the opportunity, I'd like 

281
00:15:54,560 --> 00:15:57,600
to come back. 
And then over the years, I was 

282
00:15:57,600 --> 00:16:02,320
invited many times back to 
events like birthdays or 

283
00:16:02,560 --> 00:16:04,680
parties. 
And then also when I started to 

284
00:16:04,680 --> 00:16:07,680
work for Yves Laurent. 
Then of course, the big heritage

285
00:16:07,680 --> 00:16:12,360
of Mrs. Celeron was in Marrakech
and in Morocco, and you can see 

286
00:16:12,360 --> 00:16:14,800
it's through his collection. 
But also, you know, that was 

287
00:16:14,800 --> 00:16:16,240
definitely a big inspiration 
too. 

288
00:16:16,240 --> 00:16:20,920
And then when it was time for me
to buy, I did buy in Morocco and

289
00:16:20,920 --> 00:16:23,520
I not regret it. 
I can only highly recommend it. 

290
00:16:24,040 --> 00:16:26,920
Now today we're going on a style
journey and it's your style 

291
00:16:26,920 --> 00:16:30,400
journey, so talk me through what
you're wearing. 

292
00:16:30,880 --> 00:16:36,800
OK, so I'm the vintage queen in 
terms of, you know, funnily 

293
00:16:36,800 --> 00:16:40,840
enough, this is Vintage Cellar. 
Also the jacket. 

294
00:16:41,200 --> 00:16:42,160
What? 
Vintage. 

295
00:16:42,160 --> 00:16:43,960
Roughly what? 
The 1970s. 

296
00:16:43,960 --> 00:16:46,840
It's like a Belarus collection. 
The jacket. 

297
00:16:47,280 --> 00:16:51,360
This Also I love the Paisley's. 
You know Paisley I think you 

298
00:16:51,360 --> 00:16:54,040
know I and I'm worried all the 
time and never goes out of 

299
00:16:54,040 --> 00:16:57,040
fashion. 
Yeah, Paisley's. 

300
00:16:57,480 --> 00:17:00,720
And then these cuffs, I remember
we did a collaboration with this

301
00:17:00,720 --> 00:17:05,359
fantastic designer called 
Catherine Alexander and she made

302
00:17:05,359 --> 00:17:10,760
this plexiglass cuffs and we I 
collected broaches, vintage 

303
00:17:10,760 --> 00:17:12,319
broaches. 
I think this is a Christian Dior

304
00:17:12,319 --> 00:17:14,119
broach. 
This is another maybe Shriner 

305
00:17:14,640 --> 00:17:18,960
and it's costume jewellery, but 
it's done in the 50s and 40s and

306
00:17:19,640 --> 00:17:21,960
not many people wear Brotas 
anymore, do they? 

307
00:17:22,720 --> 00:17:25,640
And I just thought because I'm a
big, I like big jewellery, 

308
00:17:25,640 --> 00:17:29,080
chunky and the cuffs. 
And so you, you put it on and 

309
00:17:29,080 --> 00:17:31,040
it's immediately dressy and it's
a one off. 

310
00:17:31,040 --> 00:17:34,760
And those are so, yes. 
Do you still do pieces like 

311
00:17:34,760 --> 00:17:37,360
that? 
I mean, I can always expand 

312
00:17:37,360 --> 00:17:39,880
again into fashion and 
accessories, but at the moment 

313
00:17:39,880 --> 00:17:42,600
you know, you have to follow you
are exactly I mean. 

314
00:17:43,120 --> 00:17:46,640
So and then you. 
Are so then I have this and then

315
00:17:46,640 --> 00:17:50,120
so I have this ring I wear this 
is a little bit my uniform 

316
00:17:50,120 --> 00:17:54,400
sometimes this ring is actually 
Swarovski, but really long time 

317
00:17:54,400 --> 00:17:58,560
ago and I love it. 
And then this ring, it's a very 

318
00:17:58,560 --> 00:18:01,360
special ring. 
This one has been given to me by

319
00:18:01,360 --> 00:18:07,720
Mrs. Salon, and it was, there's 
a tradition in France called 

320
00:18:07,720 --> 00:18:13,240
Saint Catherine's Day. 
And so if you are 25 years old 

321
00:18:13,240 --> 00:18:17,640
or under 25 and not unmarried 
and you work for an old couture 

322
00:18:17,640 --> 00:18:20,760
house on Saint Catherine's Day, 
there's a ceremony. 

323
00:18:20,760 --> 00:18:23,760
You've got to wear a hat in all 
of this and you'll be given a 

324
00:18:24,080 --> 00:18:28,640
present from the designer. 
So this was the ring. 

325
00:18:28,640 --> 00:18:31,520
It's a glass ring that never 
went into production. 

326
00:18:31,520 --> 00:18:34,440
Now fab. 
It's the most glorious colour 

327
00:18:34,440 --> 00:18:37,320
though, isn't it? 
I love it and I feel like it's 

328
00:18:37,320 --> 00:18:39,760
pretty. 
It gives me it brings me luck. 

329
00:18:39,760 --> 00:18:42,800
Yes, and joy too. 
I mean luck and joy. 

330
00:18:42,800 --> 00:18:46,080
And yeah, so just yeah. 
Good vibes. 

331
00:18:46,120 --> 00:18:47,320
Good vibes. 
Exactly. 

332
00:18:47,320 --> 00:18:49,000
And he has survived all these 
years. 

333
00:18:49,000 --> 00:18:50,160
And what a lovely. 
Story. 

334
00:18:50,160 --> 00:18:51,920
Yeah. 
Yeah, goodness. 

335
00:18:52,320 --> 00:18:54,920
So you're sorry to interrupt, 
but you see, This is why I like 

336
00:18:54,920 --> 00:18:58,120
Vintage as well, because there's
always a little story attached. 

337
00:18:58,120 --> 00:19:00,680
Totally agree, Right. 
Totally agree. 

338
00:19:00,920 --> 00:19:02,600
Yeah. 
Is there anything you wouldn't 

339
00:19:02,600 --> 00:19:05,720
buy? 
Vintage If your skin feels like 

340
00:19:05,720 --> 00:19:08,000
it's changed overnight, you're 
not alone. 

341
00:19:08,400 --> 00:19:12,160
What used to work suddenly 
doesn't, and new concerns like 

342
00:19:12,160 --> 00:19:15,560
fine lines, dark spots or 
breakouts appear. 

343
00:19:16,240 --> 00:19:19,280
Our skin evolves and our 
routines should too. 

344
00:19:20,200 --> 00:19:23,320
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dermatologist design 

345
00:19:23,560 --> 00:19:27,120
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346
00:19:27,120 --> 00:19:30,640
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347
00:19:30,640 --> 00:19:34,600
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348
00:19:34,600 --> 00:19:39,360
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349
00:19:40,040 --> 00:19:43,680
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350
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351
00:19:47,560 --> 00:19:50,640
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352
00:19:50,880 --> 00:19:55,240
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353
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354
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355
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356
00:20:06,280 --> 00:20:14,360
just £4.99 with code SD Glow. 
I mean underwear maybe you know,

357
00:20:15,280 --> 00:20:19,000
and swimwear. 
I mean, I do have a swimwear if 

358
00:20:19,000 --> 00:20:23,080
it's unworn, but sometimes you 
can find amazing swimwear, you 

359
00:20:23,080 --> 00:20:25,080
know, 60s shapes. 
Just, you know, for design, 

360
00:20:25,080 --> 00:20:30,240
again, for for archive. 
Shoes are a bit particular as 

361
00:20:30,240 --> 00:20:32,720
well. 
Again, if they're unworn, you 

362
00:20:32,720 --> 00:20:34,080
know. 
Yes, but shoes? 

363
00:20:34,280 --> 00:20:38,440
Shoes are trickier I think too 
because of your foot molds into 

364
00:20:38,440 --> 00:20:43,280
a shoe and. 
Well, I do believe that clothing

365
00:20:43,280 --> 00:20:46,440
does hold energy, you know, from
the previous owner. 

366
00:20:46,440 --> 00:20:51,080
And I think that's why in some 
cultures, it's not custom to 

367
00:20:51,080 --> 00:20:53,160
wear vintage precisely out of 
this reason. 

368
00:20:53,480 --> 00:20:56,360
But when I had Atilia Meyer, I 
did work with the Feng shui 

369
00:20:56,360 --> 00:21:00,080
specialist to sort of Feng shui 
all the garments and to bring 

370
00:21:00,080 --> 00:21:03,440
the equilibrium back into those 
items. 

371
00:21:03,440 --> 00:21:07,080
And, and we did have the Feng 
shui certificate and it did work

372
00:21:07,080 --> 00:21:09,400
well. 
But you know, you, I'm sure you 

373
00:21:09,400 --> 00:21:12,080
have these, these these 
situations when you have a dress

374
00:21:12,080 --> 00:21:14,640
and say, oh, I've always, you 
don't know what to wear and you 

375
00:21:14,640 --> 00:21:17,400
put it on and you have always 
had a good time in this dress. 

376
00:21:17,400 --> 00:21:20,960
Yeah. 
No, it it's true now you grew up

377
00:21:20,960 --> 00:21:24,680
in Austria. 
Yes, in Innsbruck from the Alps.

378
00:21:24,680 --> 00:21:26,880
I'm from the Alps. 
So you're a good skier? 

379
00:21:27,560 --> 00:21:31,040
I hope so, yeah. 
Maybe better enough for a ski 

380
00:21:31,080 --> 00:21:33,960
these days. 
Were you, were you very aware of

381
00:21:33,960 --> 00:21:35,240
your parents? 
Style. 

382
00:21:35,640 --> 00:21:40,320
I think my parents, they enjoy 
fashion, but they're not into it

383
00:21:40,320 --> 00:21:42,680
the way I am. 
You know, I think sort of maybe 

384
00:21:42,680 --> 00:21:45,160
jumped a generations. 
My parents are really into 

385
00:21:45,160 --> 00:21:48,800
academic fields and they're very
much into the books and, and, 

386
00:21:48,800 --> 00:21:51,720
and that's absolutely fine, but 
I think more after my 

387
00:21:51,720 --> 00:21:55,960
grandmother was sort of, you 
know, she lived and breathed 

388
00:21:55,960 --> 00:21:58,400
fashion. 
And did she make clothes for 

389
00:21:58,400 --> 00:21:59,160
you? 
She did. 

390
00:21:59,160 --> 00:22:03,160
She did make clothes. 
She actually made me a lot of 

391
00:22:03,160 --> 00:22:04,280
clothes. 
Clothes. 

392
00:22:04,520 --> 00:22:07,640
My first clothes that I, you 
know, in Austria when I went to 

393
00:22:07,640 --> 00:22:12,080
school, I had to wear dandle. 
Can you I have it on my list of 

394
00:22:12,080 --> 00:22:13,280
questions? 
Believe. 

395
00:22:13,280 --> 00:22:17,720
That I Did you wear dandles? 
Well, I did wear dandel in 

396
00:22:17,720 --> 00:22:20,920
primary school, definitely, and 
it on my first day to school, I 

397
00:22:20,920 --> 00:22:22,880
was very proud. 
You know, an April did it whole 

398
00:22:22,880 --> 00:22:24,040
thing feel. 
Good. 

399
00:22:24,320 --> 00:22:26,440
Yes, I mean, it's the national 
dress. 

400
00:22:26,480 --> 00:22:29,160
Yeah, and how do you feel 
wearing a dandel? 

401
00:22:29,160 --> 00:22:32,840
Now it's quite funny. 
I mean, it feels a bit more like

402
00:22:32,840 --> 00:22:34,560
dress up nowadays. 
Does it? 

403
00:22:34,560 --> 00:22:37,320
Yes. 
Do you remember that first 

404
00:22:37,320 --> 00:22:40,560
outfit that your grandmother 
made you, that you put on and 

405
00:22:40,560 --> 00:22:49,080
you just felt transformed? 
Yes, it was a little red dress 

406
00:22:49,240 --> 00:22:53,960
with white polka dots and he had
sort of lace on the bottom and 

407
00:22:55,000 --> 00:22:57,440
it was a dress and she took me 
to a fashion show and I felt 

408
00:22:57,440 --> 00:22:59,720
like $1,000,000 and it felt so 
special. 

409
00:22:59,720 --> 00:23:02,400
How old were you? 
I don't know, maybe 40? 

410
00:23:02,960 --> 00:23:07,040
My God, five, yes. 
Do you think that was a light 

411
00:23:07,040 --> 00:23:10,480
bulb moment for you in terms of 
the transformative power of 

412
00:23:10,480 --> 00:23:13,840
clothes? 
Absolutely, because I could see 

413
00:23:13,840 --> 00:23:16,480
also clients would come to the 
atelier would always hide, you 

414
00:23:16,480 --> 00:23:19,040
know, they they have usually 
evening dresses they would hide 

415
00:23:19,480 --> 00:23:23,040
behind, you know, dig there 
underneath the Stockman dummy, 

416
00:23:23,040 --> 00:23:26,680
the display in inside the skirt 
and then just peek out to see. 

417
00:23:26,680 --> 00:23:29,720
And I could see, you know, 
complete transformation from the

418
00:23:29,720 --> 00:23:33,000
plane woman that arrived to when
she put on the evening gown, for

419
00:23:33,000 --> 00:23:34,200
instance. 
And then she would completely 

420
00:23:34,200 --> 00:23:36,640
look like a Princess. 
I love these Princess moments. 

421
00:23:36,640 --> 00:23:41,840
Hang on a tick you were hiding? 
Yes, under a Stockman dummy with

422
00:23:41,840 --> 00:23:44,040
a a skirt on it or a dress on 
it. 

423
00:23:44,040 --> 00:23:46,440
Sometimes when my my grandmother
had fittings, yes. 

424
00:23:46,440 --> 00:23:47,680
And you? 
Would just peep out. 

425
00:23:47,680 --> 00:23:50,240
Yes. 
Oh my God, what a glorious 

426
00:23:50,760 --> 00:23:52,480
thought. 
God, how lovely. 

427
00:23:54,480 --> 00:23:58,280
So do you remember though the 
first piece of second hand 

428
00:23:58,280 --> 00:24:01,320
clothing that you bought? 
I think it was, I mean, 

429
00:24:01,320 --> 00:24:04,440
clothing, I think it started 
with me more with accessories 

430
00:24:04,680 --> 00:24:08,040
because we used to go to Italy 
for, for the summer and there 

431
00:24:08,040 --> 00:24:10,960
were lots of little markets and 
you'd find that, you know, 

432
00:24:10,960 --> 00:24:13,160
sometimes lots of tap, but I 
just loved it. 

433
00:24:13,680 --> 00:24:16,960
And, and, and I found, you know,
this old shoe box was full of 

434
00:24:16,960 --> 00:24:20,280
vintage earrings and it started 
there, you know, sort of like 

435
00:24:20,280 --> 00:24:23,080
late 70s, early 80s, you know, 
these kind of big chunky 

436
00:24:23,080 --> 00:24:24,280
earrings. 
They could not believe that 

437
00:24:24,280 --> 00:24:26,680
somebody would just like get rid
of these earrings and I could 

438
00:24:26,680 --> 00:24:29,600
snap them up for nothing because
my pocket money was so proud. 

439
00:24:29,840 --> 00:24:34,240
So that was 1 moment. 
And then clothing, I think 

440
00:24:34,240 --> 00:24:37,840
because it's not so custom in 
Austria to wear second hand 

441
00:24:37,840 --> 00:24:40,160
clothes. 
That's why I said, you know, 

442
00:24:40,160 --> 00:24:42,960
it's more the cultures, like if 
you, if you have to wear second 

443
00:24:42,960 --> 00:24:46,440
hand clothes, that means that 
you probably must be poor. 

444
00:24:46,440 --> 00:24:49,120
You can't afford something new. 
You know, that was sort of like 

445
00:24:49,120 --> 00:24:52,720
the idea how you grow up. 
Of course, it's changed now too.

446
00:24:53,640 --> 00:24:57,360
So actually vintage clothing 
itself only discovered in 

447
00:24:57,360 --> 00:24:59,120
London. 
Really. 

448
00:24:59,120 --> 00:25:01,000
Yeah. 
Portobello bro. 

449
00:25:01,000 --> 00:25:03,280
I was going to say where. 
You know, all those little 

450
00:25:03,280 --> 00:25:06,720
markets, Littlesfield East and 
you know I would go to all this 

451
00:25:07,160 --> 00:25:10,280
markets every weekend and I just
loved it. 

452
00:25:10,280 --> 00:25:17,280
I remember I bought one, it was 
a 44 fur leopard print coat that

453
00:25:17,280 --> 00:25:20,640
I still have today and it's sort
of quite rock'n'roll very 70s. 

454
00:25:20,640 --> 00:25:24,600
So kind of very chamber in, you 
know, that kind of look still 

455
00:25:24,600 --> 00:25:27,480
works today. 
So you bought this fabulous 

456
00:25:27,800 --> 00:25:32,760
leopard print faux fur on your 
vintage trawls you must come 

457
00:25:32,760 --> 00:25:38,360
across quite a lot of real fur. 
Where are you at on that? 

458
00:25:38,800 --> 00:25:40,960
Well, look, I'm an animal 
lovers, right? 

459
00:25:40,960 --> 00:25:45,000
I love I love animals. 
So I would never wear fur where 

460
00:25:45,360 --> 00:25:47,560
an animal has been deliberately 
killed for this. 

461
00:25:47,560 --> 00:25:50,760
Like a new fur. 
Now vintage fur again, you know,

462
00:25:50,760 --> 00:25:54,440
if it's there already, you know?
Yeah, I use it. 

463
00:25:54,600 --> 00:25:56,280
What? 
Would you say is the most 

464
00:25:56,280 --> 00:25:58,640
exciting piece you've ever 
found? 

465
00:25:59,760 --> 00:26:05,120
Maybe 1 of Gabrielle Chanel's 
dresses that she had in her own 

466
00:26:05,120 --> 00:26:07,680
collection. 
With her personal collection. 

467
00:26:07,680 --> 00:26:11,080
Yes, and she there was a 
actually, I think again, it's a 

468
00:26:11,080 --> 00:26:13,480
museum piece that ended up in a 
museum. 

469
00:26:15,760 --> 00:26:20,480
I think it in Canada. 
It was a skyline dress. 

470
00:26:21,280 --> 00:26:22,960
It's it's called the Skyline 
Dress. 

471
00:26:22,960 --> 00:26:24,240
And it was. 
Can you explain? 

472
00:26:24,240 --> 00:26:25,880
That it was a little black 
dress. 

473
00:26:26,520 --> 00:26:30,640
And so it was the New York 
skyline sort of projected onto 

474
00:26:30,640 --> 00:26:33,480
the dress. 
And, you know, it was fringe. 

475
00:26:33,480 --> 00:26:37,320
And, you know, it was very 1930s
and very, very Chanel. 

476
00:26:37,320 --> 00:26:39,640
And obviously from her personal 
collection. 

477
00:26:39,680 --> 00:26:43,440
And it was a rare find. 
And when you come across a find 

478
00:26:43,440 --> 00:26:47,840
like that, do you approach a 
museum and say, are you 

479
00:26:47,840 --> 00:26:50,720
interested in acquiring this? 
What's the process? 

480
00:26:51,080 --> 00:26:55,000
Because I did usually back in 
the day, I used to do a weekly 

481
00:26:55,000 --> 00:26:58,760
mail out and I had museums on 
my, my mailing list. 

482
00:26:58,760 --> 00:27:02,840
And so sometimes I would get, 
you know, I would get calls from

483
00:27:02,840 --> 00:27:05,000
that. 
But let's say if I found a piece

484
00:27:05,000 --> 00:27:08,440
like this, yes, I would make 
sort of calls to certain people 

485
00:27:08,440 --> 00:27:10,760
that I knew that they were 
looking or they were building a 

486
00:27:10,760 --> 00:27:13,400
collection. 
You know, there was also a work 

487
00:27:13,400 --> 00:27:16,880
with the Hamburg Museum in 
Seoul, for instance, for a 

488
00:27:16,880 --> 00:27:19,480
number of pieces as well. 
So yes. 

489
00:27:19,760 --> 00:27:22,400
So sometimes it would give these
people a qualifier before it 

490
00:27:22,400 --> 00:27:25,800
would go in the mailing list. 
Where are the best sources in 

491
00:27:25,800 --> 00:27:28,480
your opinion for vintage 
shopping? 

492
00:27:29,720 --> 00:27:34,000
I would say markets, still 
markets, private people, 

493
00:27:34,000 --> 00:27:36,720
collectors. 
There's some wonderful stores 

494
00:27:36,720 --> 00:27:40,480
now everywhere I can find, you 
know, in in the UK, lots of 

495
00:27:40,480 --> 00:27:44,240
amazing vintage stores now also 
in France. 

496
00:27:44,240 --> 00:27:49,200
I like to go in Belgium and 
America, of course, amazing as 

497
00:27:49,200 --> 00:27:51,120
well. 
You can find in New York, in LA,

498
00:27:51,120 --> 00:27:54,280
amazing vintage in LA, Palm 
Beach, I love it. 

499
00:27:54,280 --> 00:27:57,880
You know, I mean sort of places 
also Dallas, TX, all of those 

500
00:27:58,920 --> 00:28:02,200
places you can find incredible 
pieces. 

501
00:28:02,280 --> 00:28:05,280
Anything in particular that's 
trending in the vintage world at

502
00:28:05,280 --> 00:28:07,600
the moment? 
See, I don't really look at it. 

503
00:28:08,400 --> 00:28:10,320
I don't look at. 
It no, but I just wonder 

504
00:28:10,320 --> 00:28:13,640
because, you know, I, I would 
imagine that then pushes the 

505
00:28:13,640 --> 00:28:17,240
price up, you know, if it's, if 
it's really popular. 

506
00:28:18,000 --> 00:28:21,120
It affects the, you know, the 
current affairs kind of 

507
00:28:21,120 --> 00:28:23,600
influenced the vintage, the 
trend of vintage. 

508
00:28:23,840 --> 00:28:26,560
You know, I remember, you know, 
with Versace, for instance, you 

509
00:28:26,560 --> 00:28:29,080
know, there was a whole movement
with Versace and everyone was 

510
00:28:29,080 --> 00:28:32,440
like, OK, we find it. 
Then Fendi, then Karl Lagerfeld.

511
00:28:32,680 --> 00:28:36,200
You know, it depends, you know, 
if somebody passes away or 

512
00:28:36,200 --> 00:28:39,760
changes direction, then there is
always a good hint that that 

513
00:28:39,760 --> 00:28:44,320
could become next. 
I've just come across, it's 

514
00:28:44,320 --> 00:28:47,040
funny, I went to this vintage 
fair the other week and I 

515
00:28:47,040 --> 00:28:49,280
bought, I don't know what I was 
thinking. 

516
00:28:50,160 --> 00:28:52,640
I don't know when I'm going to 
wear it, but it was this 

517
00:28:52,640 --> 00:28:57,960
beautiful Strass mask out of 
Strass rhinestones. 

518
00:28:58,240 --> 00:29:00,120
Yes, exactly. 
It's like, wow. 

519
00:29:00,680 --> 00:29:02,920
But it's not. 
You know, you everyday go to the

520
00:29:02,920 --> 00:29:07,880
shopping to put on your Strass 
mask, but the occasion will 

521
00:29:07,880 --> 00:29:09,840
come. 
And then when I bought the mask,

522
00:29:09,880 --> 00:29:12,840
the lady's like, oh, he was so 
on trend. 

523
00:29:12,840 --> 00:29:15,600
Because now this next movie is 
coming out, it's all about 

524
00:29:15,600 --> 00:29:17,400
masks. 
You'll see in January, February,

525
00:29:17,400 --> 00:29:21,000
there will be no masks. 
OK, great confirmation of 

526
00:29:21,000 --> 00:29:24,320
backing a trend. 
Have you ever bought something 

527
00:29:24,560 --> 00:29:29,400
sort of with a Telia Meyer in in
mind and just sort of totally 

528
00:29:29,400 --> 00:29:31,960
fallen in love with it and 
thought, no, I can't sell that? 

529
00:29:33,400 --> 00:29:35,480
Yes, it happens to me many 
times. 

530
00:29:35,480 --> 00:29:38,160
And then you have to think, do 
you want to have a business or 

531
00:29:38,160 --> 00:29:39,680
do you want to be a collector? 
Yeah. 

532
00:29:40,160 --> 00:29:43,000
Right, Yeah. 
I mean, is your own wardrobe 

533
00:29:43,680 --> 00:29:49,800
quite concise or is it huge? 
Well, look, I mean after being 

534
00:29:49,800 --> 00:29:53,320
in fashion for so long and 
working for this incredible 

535
00:29:53,320 --> 00:29:58,200
brands that I've accumulated 
quite a lot of clothing and 

536
00:29:58,200 --> 00:30:01,040
accessories. 
And also I've been given, I get 

537
00:30:01,040 --> 00:30:05,240
given a lot of pieces as well. 
And I have beautiful designer 

538
00:30:05,240 --> 00:30:08,800
friends that I want to support 
and I have supported all these 

539
00:30:08,800 --> 00:30:12,000
years. 
So yes, you do end up having 

540
00:30:12,000 --> 00:30:15,280
quite, I mean, I end up having 
quite a large wardrobe, but I 

541
00:30:15,280 --> 00:30:20,720
did sell as well. 
And in the end, you only wear a 

542
00:30:20,720 --> 00:30:24,360
certain contingent on regular 
pieces. 

543
00:30:24,360 --> 00:30:28,080
But I have to say, you know, 
London is a place where people 

544
00:30:28,080 --> 00:30:30,800
still dress up and they like to 
make an effort. 

545
00:30:30,800 --> 00:30:33,440
And I think this is the beauty 
of fashion that you can 

546
00:30:33,440 --> 00:30:37,040
transform yourself. 
You can, you know, be whoever 

547
00:30:37,040 --> 00:30:42,400
you feel like that day you want 
to be and, and get into that 

548
00:30:42,400 --> 00:30:44,480
mood with clothing and 
accessories. 

549
00:30:44,480 --> 00:30:46,240
And so it's nice to have that 
choice. 

550
00:30:46,640 --> 00:30:48,960
You know, for instance, yes, I 
could have sold this blouse long

551
00:30:48,960 --> 00:30:50,520
time ago, but you know, I still 
wear it. 

552
00:30:50,520 --> 00:30:55,280
I do wear my things. 
I mean, talking of London, you 

553
00:30:55,280 --> 00:30:58,160
have homes in London, Paris, 
Marrakech. 

554
00:30:59,080 --> 00:31:04,080
Are you a different Carmen 
stylistically in London, Paris, 

555
00:31:04,320 --> 00:31:08,560
Paris and Marrakech? 
I love that in London you can 

556
00:31:09,320 --> 00:31:12,720
unshamingly be yourself. 
Nobody kind of judges you, even 

557
00:31:12,720 --> 00:31:15,800
if you make a handstand in the 
metro or I don't know, if you 

558
00:31:15,800 --> 00:31:19,000
make it literally like maybe the
bats and eyelid here. 

559
00:31:19,560 --> 00:31:21,880
Now in France it's slightly 
different. 

560
00:31:22,160 --> 00:31:25,880
And also in France it's sort of 
like a bit of a, a uniform in 

561
00:31:25,880 --> 00:31:28,840
terms of like, you know, the 
base trench, the white shirts, 

562
00:31:28,840 --> 00:31:32,200
you know, they're kind of like 
classic, which I love. 

563
00:31:32,880 --> 00:31:35,720
But I also like I'm a bit more 
eccentric than that and like to 

564
00:31:35,720 --> 00:31:38,400
have a pop of colour and make it
a bit more quirky. 

565
00:31:38,880 --> 00:31:44,720
So I did maybe dress down a 
little bit more in France and 

566
00:31:44,720 --> 00:31:47,440
dress up more here. 
And then in Morocco, for 

567
00:31:47,440 --> 00:31:52,760
instance, it's more like the 
Bohemian look going on. 

568
00:31:53,400 --> 00:31:59,120
And I suppose and so are you in 
vintage in Morocco or are you in

569
00:31:59,120 --> 00:32:03,560
local designers? 
Both there's there, there's 

570
00:32:04,240 --> 00:32:08,240
incredible talent in Morocco 
when it comes to craftsmanship 

571
00:32:08,400 --> 00:32:11,200
and as far as also fashion, you 
know we do. 

572
00:32:11,200 --> 00:32:14,560
There was also Fashion Trust 
Arabia we'd we held last year in

573
00:32:14,560 --> 00:32:18,240
Morocco, in Marrakech and it was
a testament as well. 

574
00:32:18,240 --> 00:32:20,160
I mean, it was the year of 
cultural exchange. 

575
00:32:20,160 --> 00:32:22,080
Why this happened? 
But also because there's a lot 

576
00:32:22,080 --> 00:32:23,840
of talent coming out of this 
region. 

577
00:32:24,320 --> 00:32:27,920
And to answer your question, I 
like to support local designers.

578
00:32:27,920 --> 00:32:31,120
I think they're fabulous and 
really need to be championed and

579
00:32:31,560 --> 00:32:33,600
have a good shout out at the 
same time. 

580
00:32:33,600 --> 00:32:35,920
I love my vintage SO and it kind
of works. 

581
00:32:35,920 --> 00:32:40,040
So I always mix and match. 
Do you have any fabulous vintage

582
00:32:40,040 --> 00:32:42,040
Sagaron kaftans? 
I do. 

583
00:32:43,040 --> 00:32:44,560
You. 
Are a lucky girl. 

584
00:32:44,560 --> 00:32:45,160
I do. 
I have. 

585
00:32:45,160 --> 00:32:47,400
Also, do you remember Thea 
Porter? 

586
00:32:47,440 --> 00:32:49,640
Yes, Yes, I have one of hers as 
well. 

587
00:32:49,640 --> 00:32:52,080
We kind of like, read with, 
like, brocade. 

588
00:32:52,320 --> 00:32:54,560
I mean, they're lovely, really 
lovely pieces. 

589
00:32:54,560 --> 00:32:56,680
Yeah. 
But how lovely that you have the

590
00:32:56,680 --> 00:32:59,800
place to wear them. 
Exactly. 

591
00:32:59,800 --> 00:33:02,760
And it's it's nicer to wear them
sometimes than to have them in a

592
00:33:02,760 --> 00:33:09,320
museum, don't you think? 
Yes, but I think I, I love I in 

593
00:33:09,320 --> 00:33:13,200
fact, I had this conversation 
with Leo earlier that he said 

594
00:33:13,200 --> 00:33:15,800
he, you know, had been bought 
some white sneakers, very 

595
00:33:15,800 --> 00:33:18,120
special ones by his wife and who
didn't dare wear them. 

596
00:33:18,120 --> 00:33:21,720
And I said you cannot save your 
best till tomorrow because we 

597
00:33:21,720 --> 00:33:23,200
don't know if we're going to be 
here tomorrow. 

598
00:33:23,680 --> 00:33:27,200
Wear it, love it, enjoy it. 
I think it's really, really 

599
00:33:27,200 --> 00:33:30,160
important. 
Why do you think you really 

600
00:33:30,160 --> 00:33:34,880
discovered your style DNA? 
I think throughout the 20s and 

601
00:33:34,880 --> 00:33:37,680
having always worked for a 
brand, so I was always 

602
00:33:37,680 --> 00:33:41,240
representing that brand. 
So I was always embodying that 

603
00:33:41,240 --> 00:33:46,080
woman and I could identify 
myself very well with the seller

604
00:33:46,080 --> 00:33:50,040
or brand, for instance, or 
Celine or, or yours. 

605
00:33:52,600 --> 00:33:55,760
But it was also a bit more 
wardrobe building then, right? 

606
00:33:55,760 --> 00:33:58,960
You know, I, I had to build 
whatever, you know, the cashmere

607
00:33:58,960 --> 00:34:02,480
sweater in the different colours
or the blouse, the pussy bow 

608
00:34:02,520 --> 00:34:05,280
blouse in different colours. 
And you know, you need to have a

609
00:34:05,280 --> 00:34:07,120
blazer, you need to have one 
leopard print. 

610
00:34:07,120 --> 00:34:11,199
And I don't know, just so now 
once you have all of this, it's 

611
00:34:11,199 --> 00:34:14,440
a bit more sort of like what 
works for my lifestyle. 

612
00:34:15,000 --> 00:34:20,400
And that has changed as well 
because over the years, I used 

613
00:34:20,400 --> 00:34:23,159
to go and dress up every day in 
the office and we'd have high 

614
00:34:23,159 --> 00:34:25,639
heels and it would commute in 
high as I would go. 

615
00:34:26,000 --> 00:34:28,040
I mean, that was normal. 
I wouldn't even have a second 

616
00:34:28,040 --> 00:34:29,920
pair of shoes. 
I mean, I wouldn't even think 

617
00:34:29,920 --> 00:34:32,880
about this twice now. 
But back then, this was how it 

618
00:34:32,880 --> 00:34:35,040
was done. 
And also we do you remember we 

619
00:34:35,040 --> 00:34:36,520
had dressed on Fridays? 
Yeah. 

620
00:34:36,960 --> 00:34:40,000
Dressed on Fridays. 
Where is dressed on Friday. 

621
00:34:40,000 --> 00:34:43,400
That's everyday now. 
Spoiler So exactly. 

622
00:34:43,400 --> 00:34:47,639
So I think now we go more from 
the morning to the evening. 

623
00:34:47,639 --> 00:34:55,400
So my style DNA is now more 
utility, practical, go from 

624
00:34:55,400 --> 00:34:58,080
morning to evening. 
But still, you know, 

625
00:34:58,640 --> 00:35:01,520
comfortable, elegant, 
effortless. 

626
00:35:01,520 --> 00:35:04,040
You try all of those things and 
try. 

627
00:35:04,160 --> 00:35:07,040
Yeah, yeah. 
Yeah, do you have a style icon? 

628
00:35:08,600 --> 00:35:11,720
Yes, I have many. 
Give me a couple. 

629
00:35:13,960 --> 00:35:17,520
I love Lulu de le Feliz, yes, 
very much. 

630
00:35:18,560 --> 00:35:25,600
She was, for me, incredible in 
terms of her mix of colour and 

631
00:35:25,760 --> 00:35:28,960
the resources that she just, 
yeah, fantastic. 

632
00:35:29,240 --> 00:35:33,040
I love Diane from Furstenberg. 
I love Marisa Berenson. 

633
00:35:35,280 --> 00:35:38,840
I see all of those women in you,
yes. 

634
00:35:39,200 --> 00:35:42,640
It's very kind. 
Yeah. 

635
00:35:42,640 --> 00:35:45,360
I think it all of that. 
You know, Audrey Hepburn I love,

636
00:35:45,360 --> 00:35:47,960
but I think, you know, Audrey 
happened, for instance. 

637
00:35:47,960 --> 00:35:49,760
She's so classic and so 
wonderful. 

638
00:35:49,760 --> 00:35:53,120
But sometimes it's it's not 
right in this day and age 

639
00:35:53,120 --> 00:35:55,640
anymore because we have all sort
of moved on. 

640
00:35:55,680 --> 00:35:56,600
Yeah. 
Yeah. 

641
00:35:56,880 --> 00:35:58,840
You've given me a whole load of 
words. 

642
00:35:58,840 --> 00:36:01,200
Let's let's refine it down to 
three. 

643
00:36:01,680 --> 00:36:04,680
But is it maybe heritage? 
Yes. 

644
00:36:04,680 --> 00:36:07,280
I because I like vintage or 
vintage or heritage. 

645
00:36:07,280 --> 00:36:09,720
I like when something has a 
provenance, when it's a story. 

646
00:36:11,560 --> 00:36:15,400
Craftsmanship, well made, good 
materials, interesting 

647
00:36:15,400 --> 00:36:21,800
techniques and maybe opulent. 
Yeah, yeah, kind of, you know. 

648
00:36:23,080 --> 00:36:25,000
Absolutely no. 
I love that. 

649
00:36:25,000 --> 00:36:27,760
I have, sort of. 
I love the minimalist, but it's 

650
00:36:27,760 --> 00:36:31,040
not quite me. 
Yeah, it, it never was. 

651
00:36:31,280 --> 00:36:33,240
It never was. 
But I I love that. 

652
00:36:35,400 --> 00:36:40,440
What would you say is the secret
to staying stylish as the years 

653
00:36:40,440 --> 00:36:43,280
creep by? 
I think, you know, when people 

654
00:36:43,280 --> 00:36:45,960
say, oh, you haven't changed now
I think it's a compliment, you 

655
00:36:45,960 --> 00:36:48,720
know, because it means I haven't
changed in all these years. 

656
00:36:49,000 --> 00:36:51,240
But I think it's a secret, 
actually, Yeah. 

657
00:36:51,280 --> 00:36:54,760
Wear vintage that you can wear 
again and again because people 

658
00:36:54,760 --> 00:36:57,160
see you in the same clothes and 
they see, OK, well, she hasn't 

659
00:36:57,160 --> 00:36:59,960
changed. 
The same haircut haven't 

660
00:36:59,960 --> 00:37:00,720
changed. 
I have. 

661
00:37:00,840 --> 00:37:04,600
I I was not brave enough. 
I love these really short, 

662
00:37:04,600 --> 00:37:07,200
stylish haircuts sometimes. 
And, you know, sometimes I tell 

663
00:37:07,200 --> 00:37:11,160
my children I want to have this,
like, super Japanese cut Bob is 

664
00:37:11,160 --> 00:37:12,720
the fringe. 
And it's like, don't. 

665
00:37:12,960 --> 00:37:15,640
And then again, I said, you 
know, I've stuck to my haircut. 

666
00:37:15,640 --> 00:37:17,800
And I think that's probably also
one of the reasons. 

667
00:37:18,280 --> 00:37:23,120
And I think I just don't care so
much anymore what other people 

668
00:37:23,120 --> 00:37:25,440
think. 
Isn't that liberating? 

669
00:37:25,560 --> 00:37:27,560
And it's so liberating. 
I love it. 

670
00:37:27,680 --> 00:37:30,440
Yeah. 
What is date night, Carmen? 

671
00:37:30,440 --> 00:37:36,680
Wearing a little dress from a 
little vintage dress, maybe Gila

672
00:37:36,680 --> 00:37:38,960
Roche. 
I like, you know, they did in 

673
00:37:38,960 --> 00:37:41,680
the 70s, like some really cool 
cut pieces. 

674
00:37:41,680 --> 00:37:43,920
They can cut them something and 
modify them. 

675
00:37:43,920 --> 00:37:47,880
Sometimes I cut them. 
There's a little cool high heel 

676
00:37:48,520 --> 00:37:52,560
little slinky bag. 
And what heels do you choose to 

677
00:37:52,560 --> 00:37:54,560
wear? 
Because if you're, you're 

678
00:37:54,600 --> 00:38:00,880
generally in vintage, yes, but 
but so who, which designers are 

679
00:38:00,880 --> 00:38:02,960
you reaching for in terms of 
heels? 

680
00:38:03,640 --> 00:38:06,160
As I said, shoes. 
I try not to be vintage if I 

681
00:38:06,160 --> 00:38:08,400
don't have to. 
So one of my favourite shoe 

682
00:38:08,400 --> 00:38:11,680
designers is Isa Tapia. 
She's a friend of mine in New 

683
00:38:11,680 --> 00:38:15,600
York and she makes the most 
extraordinary comfortable shoes.

684
00:38:15,600 --> 00:38:18,240
And there's I, I actually wear 
them now. 

685
00:38:18,840 --> 00:38:23,000
Look, I wear them now, but these
are just flats. 

686
00:38:23,000 --> 00:38:27,120
But I have, you know, different 
sizes and yeah, so she's one of 

687
00:38:27,120 --> 00:38:30,760
my 2:00 to go shoe designer, one
of them. 

688
00:38:31,080 --> 00:38:35,280
Yeah, yeah, and chill out. 
Stay at home, Carmen Wearing. 

689
00:38:35,280 --> 00:38:38,360
What? 
I'm under wakely cashmere. 

690
00:38:40,640 --> 00:38:43,120
What? 
Would you say you reach for when

691
00:38:43,120 --> 00:38:47,040
you want to feel empowered? 
Well, first of all, it's the 

692
00:38:47,040 --> 00:38:51,000
state of inner power for me. 
That's where it starts. 

693
00:38:51,000 --> 00:38:54,200
Yeah. 
And it's feeling centered, 

694
00:38:54,600 --> 00:38:58,120
feeling aligned in yourself and 
then when you in terms of 

695
00:38:58,120 --> 00:39:00,520
fashion. 
So can I just stop you there? 

696
00:39:00,840 --> 00:39:05,480
So do you have any rituals to 
bring you to that place? 

697
00:39:05,880 --> 00:39:08,840
Yes, it's breath work. 
It's breathing. 

698
00:39:08,840 --> 00:39:12,760
It's meditation that usually 
centers me. 

699
00:39:12,880 --> 00:39:18,200
And of course, yoga, because I 
always think, you know, aligned 

700
00:39:18,200 --> 00:39:21,600
body is that, you know, flexible
mind, a flexible body, flexible 

701
00:39:21,600 --> 00:39:23,160
mind. 
Yeah. 

702
00:39:23,680 --> 00:39:26,760
And that very, I mean, we all 
intertwine this all energy. 

703
00:39:27,280 --> 00:39:29,520
So that for sure. 
And then when it comes to 

704
00:39:29,520 --> 00:39:32,240
fashion, I think colour, A touch
of colour always gives you 

705
00:39:32,240 --> 00:39:33,800
power. 
You know, especially in this 

706
00:39:33,800 --> 00:39:36,160
grey weather, it's nice to wear 
colour. 

707
00:39:36,520 --> 00:39:40,200
I love also jackets. 
It's kind of, you know, the the 

708
00:39:40,200 --> 00:39:44,960
standard power uniform for 
women, but it still works. 

709
00:39:45,920 --> 00:39:47,800
And I think also a really good 
heel. 

710
00:39:47,880 --> 00:39:49,640
Yeah. 
Love high heels. 

711
00:39:49,920 --> 00:39:52,400
Do you have? 
One particular jacket that is 

712
00:39:52,400 --> 00:39:58,040
your go to real power jacket. 
Not one in particular, but I 

713
00:39:58,040 --> 00:39:59,880
would say all the Ceylon 
jackets, yeah. 

714
00:40:00,520 --> 00:40:02,440
Yeah, they're so exquisitely 
cut. 

715
00:40:02,440 --> 00:40:07,000
Up and I think also Tere Migler 
did some extraordinary Tere 

716
00:40:07,040 --> 00:40:10,560
Migler fantastic, you know that 
really model Alaia of course, 

717
00:40:10,560 --> 00:40:13,880
you know, I mean some you know, 
there's some really Balma as 

718
00:40:13,880 --> 00:40:16,120
well, you know, and there's some
really extraordinary. 

719
00:40:16,440 --> 00:40:19,520
Yeah, power, proper armours, 
jackets, aren't they? 

720
00:40:19,800 --> 00:40:24,360
Yeah, because I think men have 
Savile Row and that's armour. 

721
00:40:24,520 --> 00:40:27,560
It's absolutely physique. 
Changing, absolutely, Yeah, 

722
00:40:27,640 --> 00:40:29,440
absolutely. 
And it's in a mindset as well. 

723
00:40:29,840 --> 00:40:33,200
Totally, yes. 
Is Asia consideration of how you

724
00:40:33,200 --> 00:40:34,920
dress? 
No. 

725
00:40:35,240 --> 00:40:38,400
No, I have. 
I mean, I've never thought. 

726
00:40:38,400 --> 00:40:43,240
Oh, now I'm at this age, I have 
to, I have to stop wearing mini.

727
00:40:43,240 --> 00:40:46,120
I have to, I have to dress like 
more Madame that day. 

728
00:40:46,640 --> 00:40:54,200
I think it's more the opposite. 
You know, maybe as I get older I

729
00:40:54,200 --> 00:40:58,160
want to be less Madame. 
When you are in your 20s, you 

730
00:40:58,160 --> 00:41:00,600
are kind of fun to be grown up 
and you want to have all these 

731
00:41:00,600 --> 00:41:04,200
like high heels and, you know, I
mean, and then when you are sort

732
00:41:04,200 --> 00:41:07,480
of like getting a bit older and 
it's like, actually I'm quite 

733
00:41:07,480 --> 00:41:09,760
happy in a jumpsuit now and some
trainers. 

734
00:41:10,000 --> 00:41:13,440
You sort of almost want to be 
cooler now than you did back 

735
00:41:13,440 --> 00:41:16,920
then, I find. 
Yes yes, and it's kind of 

736
00:41:16,920 --> 00:41:20,200
naturally as well also because 
you know I'm not life is not 

737
00:41:20,200 --> 00:41:22,520
just actually you're not running
around in high heels all day 

738
00:41:22,520 --> 00:41:26,240
long Exactly exactly thanks God 
how do you. 

739
00:41:26,240 --> 00:41:30,600
Feel if the fashion industry is 
actually catering to the silver 

740
00:41:30,600 --> 00:41:33,520
pound. 
Well, I think frankly, it needs 

741
00:41:33,520 --> 00:41:38,440
to be more catered for because I
think the the all the pound is 

742
00:41:38,440 --> 00:41:42,280
growing and we're still very 
style conscious. 

743
00:41:42,800 --> 00:41:46,880
And I think that kind of is an 
industry that needs to, you 

744
00:41:46,880 --> 00:41:48,960
know, the fashion industry needs
to address it more. 

745
00:41:49,440 --> 00:41:51,760
I would say so. 
And rather than just, oh, you 

746
00:41:51,760 --> 00:41:54,600
know, have another suit or 
another jacket because we don't 

747
00:41:54,600 --> 00:41:56,840
want to wear a suit and jacket, 
yes. 

748
00:41:57,640 --> 00:42:00,520
Is your wardrobe phenomenally 
organised? 

749
00:42:01,240 --> 00:42:06,280
Now that I've moved a bunch of 
times, it is, it's kind of, I 

750
00:42:06,280 --> 00:42:09,680
tried to color coordinate my 
wardrobe and I've learned that 

751
00:42:09,680 --> 00:42:13,360
from my friend Sylvie Chutney, 
who has an incredible vintage 

752
00:42:13,360 --> 00:42:15,840
store in Paris called Thanks God
and my VIP. 

753
00:42:16,880 --> 00:42:21,920
And her store is color 
coordinated down to the tee and 

754
00:42:21,920 --> 00:42:24,920
I love it. 
And it kind of it's a bit of 

755
00:42:24,920 --> 00:42:27,760
like the rainbow, which colour 
of the rainbow I am in today and

756
00:42:27,760 --> 00:42:30,800
that kind of mood. 
Pulls you through just literally

757
00:42:30,800 --> 00:42:33,640
colour coordinated? 
Or is it colour coordinated in 

758
00:42:33,640 --> 00:42:39,040
blouses, trousers, jackets? 
Well, I mean the shorter ones 

759
00:42:39,040 --> 00:42:42,640
are together and then the longer
garments and one yes. 

760
00:42:42,640 --> 00:42:47,040
And then of course I have the 
the winter gear and ski and all 

761
00:42:47,040 --> 00:42:49,800
of that in separate. 
Do you ever suffer from too many

762
00:42:49,800 --> 00:42:50,840
homes? 
Itis. 

763
00:42:51,800 --> 00:42:55,960
Yes, I wish I have. 
To my son, Laurent Blouse. 

764
00:42:56,080 --> 00:42:59,120
I do, and sometimes it's the 
most frustrating thing when you 

765
00:42:59,120 --> 00:43:01,400
really know what you want to 
wear and it's in a different 

766
00:43:01,400 --> 00:43:05,400
place. 
His first world problem to have.

767
00:43:05,920 --> 00:43:08,440
Totally. 
Would you say you've had a worst

768
00:43:08,440 --> 00:43:12,640
fashion moment? 
I don't really remember the 

769
00:43:12,640 --> 00:43:15,200
worst fashion moment in the 
sense that I was dressed 

770
00:43:15,200 --> 00:43:19,400
inappropriately. 
However, what I do remember when

771
00:43:19,400 --> 00:43:24,000
we went to, you know, these 
sample sales all the time back 

772
00:43:24,000 --> 00:43:27,760
in the back in the 20s, they 
were every 5 minutes was a 

773
00:43:27,760 --> 00:43:31,120
sample sale from Manolo Blahnik 
or I don't know, you know, 

774
00:43:31,440 --> 00:43:33,440
Chanel. 
And so we would Jimmy, too. 

775
00:43:33,640 --> 00:43:37,640
So first up, Carmen. 
So I will go there and buy the 

776
00:43:37,640 --> 00:43:41,720
shoes and they were not even my 
size and they had just made them

777
00:43:41,720 --> 00:43:45,760
fit and they were, you know, I 
don't know, 37 1/2 and I said 

778
00:43:46,040 --> 00:43:48,040
never fit me in my life, but 
they fit. 

779
00:43:48,560 --> 00:43:52,080
I made them fit just to look 
good. 

780
00:43:52,080 --> 00:43:57,320
Also, I remember even some kind 
of, you know, Roger Bevier 

781
00:43:57,320 --> 00:43:59,360
shoes, kind of the belly shoe 
style. 

782
00:43:59,440 --> 00:44:04,240
You like super too big. 
I put tissue paper in the front 

783
00:44:04,600 --> 00:44:06,640
so I could fit. 
I mean, my toes were all like 

784
00:44:06,640 --> 00:44:10,480
buckled up like, you know, but 
so uncomfortable. 

785
00:44:10,480 --> 00:44:13,640
I did suffer just to have the 
perfect two. 

786
00:44:13,840 --> 00:44:15,360
I mean, I would never do that 
again. 

787
00:44:15,360 --> 00:44:18,720
But you know, back then, that's 
kind of what I did sometimes. 

788
00:44:19,120 --> 00:44:20,080
I love that. 
Yeah. 

789
00:44:20,320 --> 00:44:22,920
Let's talk about travel. 
You're someone who travels a 

790
00:44:22,920 --> 00:44:25,120
lot. 
Do you pay particular attention 

791
00:44:25,120 --> 00:44:29,440
to your airport? 
Look, no, because I think it's 

792
00:44:29,440 --> 00:44:32,520
every time you step outside the 
house, it's kind of you look 

793
00:44:32,520 --> 00:44:34,720
outside the house or you look at
inside the house. 

794
00:44:34,720 --> 00:44:37,440
I don't think about airport 
dressing in that sense. 

795
00:44:37,680 --> 00:44:43,320
Now if it's I always like to put
together and I usually wear the 

796
00:44:43,320 --> 00:44:46,480
same make up and the same hair 
and you know, wherever I got. 

797
00:44:46,480 --> 00:44:48,800
Record I've never seen you not 
put together. 

798
00:44:49,880 --> 00:44:52,520
Thank you. 
It goes both ways, but that's 

799
00:44:52,520 --> 00:44:54,400
what I'm saying, You know, I'm 
not really dressing up for the 

800
00:44:54,400 --> 00:44:55,800
plane. 
I think that we used to do this 

801
00:44:55,800 --> 00:44:58,720
in the olden days and now I just
want to be comfortable, probably

802
00:44:58,720 --> 00:45:02,400
have like a cashmere, you know, 
I have my always my eye mask. 

803
00:45:02,800 --> 00:45:07,200
I can sleep anywhere, a bit more
like this. 

804
00:45:07,200 --> 00:45:10,080
But I always want to look put 
together. 

805
00:45:10,480 --> 00:45:12,960
Yeah. 
Good Acker, Bad acker. 

806
00:45:13,880 --> 00:45:15,840
I think I've become pretty good 
in packing now. 

807
00:45:16,240 --> 00:45:20,360
And your luggage is by who? 
It's Remova. 

808
00:45:21,200 --> 00:45:25,360
It's Remova. 
It's, I should say Louis Vuitton

809
00:45:25,360 --> 00:45:28,000
because I do have some old Louis
Vuitton cases, but I don't 

810
00:45:28,000 --> 00:45:31,400
travel like that anymore. 
No, I mean I'm, I'm I. 

811
00:45:31,440 --> 00:45:33,000
Think I feel a bit embarrassed 
now. 

812
00:45:33,000 --> 00:45:37,040
Beautiful cases that I used to 
love travelling with and now a 

813
00:45:37,040 --> 00:45:41,880
you know they wouldn't arrive on
the carousel and B they are 

814
00:45:41,880 --> 00:45:44,040
heavier than your luggage 
allowance. 

815
00:45:44,040 --> 00:45:45,720
Exactly. 
Exactly. 

816
00:45:45,920 --> 00:45:47,000
Why? 
They make a good piece of 

817
00:45:47,000 --> 00:45:48,080
furniture though. 
Exactly. 

818
00:45:48,280 --> 00:45:52,840
Yeah. 
Do you ever buy new? 

819
00:45:54,120 --> 00:45:55,520
Really. 
Yeah. 

820
00:45:55,520 --> 00:45:58,440
And I'm also, you know, do you 
remember Tiffany Dark? 

821
00:45:58,640 --> 00:46:01,520
Yes, who? 
I'm a bit advocate for her sub 

822
00:46:01,520 --> 00:46:03,120
stack that she's writing, you 
know. 

823
00:46:03,120 --> 00:46:06,680
She's 5 new items a year. 
Yes, something like that. 

824
00:46:06,720 --> 00:46:10,680
I have to say she's right. 
Yeah, she's right in many things

825
00:46:10,680 --> 00:46:13,400
that she says. 
And I I tried to do this rule. 

826
00:46:14,040 --> 00:46:16,080
Actually, it's easy to do it 
sometimes. 

827
00:46:16,080 --> 00:46:18,680
As the woman with a huge 
wardrobe. 

828
00:46:18,760 --> 00:46:21,000
But that's why I'm saying it's 
easy for me to say because I 

829
00:46:21,000 --> 00:46:24,120
have now everything. 
I don't need to buy more, I need

830
00:46:24,120 --> 00:46:26,320
to shed, shed more. 
That's it. 

831
00:46:26,640 --> 00:46:29,280
Who on the High Street do you 
think is doing a good job? 

832
00:46:30,080 --> 00:46:32,680
Well, I do think Zara is doing a
good job. 

833
00:46:36,320 --> 00:46:38,840
I'm not a big advocate of fast 
fashion. 

834
00:46:38,840 --> 00:46:41,360
Yeah, that's my thing. 
That's why I've never sort of 

835
00:46:41,360 --> 00:46:44,000
worked in High Street and looked
at it properly. 

836
00:46:44,120 --> 00:46:47,000
I mean, I've, you know, I love 
the top shop of the, of the, of 

837
00:46:47,000 --> 00:46:51,000
the, you know, back in the day. 
I'm just not a big fan of High 

838
00:46:51,000 --> 00:46:53,600
Street personally. 
But Zara from all of them I 

839
00:46:53,600 --> 00:46:57,680
think is doing a great. 
Job Guilty Secret Most expensive

840
00:46:57,680 --> 00:47:02,640
item of clothing that you have 
bought Don't necessarily have to

841
00:47:02,640 --> 00:47:06,200
tell me the price tag. 
I think it was like my wedding 

842
00:47:06,200 --> 00:47:10,880
dress. 
I mean, maybe not expecting, you

843
00:47:10,880 --> 00:47:12,520
know, but. 
Who was it by? 

844
00:47:13,200 --> 00:47:17,720
Was actually Alba Elba's Oh. 
Dreamy. 

845
00:47:18,840 --> 00:47:21,840
And was it ready to wear or was?
It no, he made it for me. 

846
00:47:21,840 --> 00:47:27,080
It was custom and it was it was 
really, you know, the time when 

847
00:47:27,360 --> 00:47:33,000
it did this rhinestones on Tull 
and it was sort of it was silk, 

848
00:47:33,000 --> 00:47:37,920
raw silk Tull and then and had 
black and white striped 

849
00:47:38,920 --> 00:47:41,760
beautiful bow. 
It was a super long veil. 

850
00:47:42,440 --> 00:47:45,760
So that you know, he said to me,
come and you have to have a 

851
00:47:45,760 --> 00:47:48,880
veil. 
That's the most romantic thing 

852
00:47:48,880 --> 00:47:52,160
and he needs to be long. 
And so here we go. 

853
00:47:52,160 --> 00:47:55,200
He made me this extraordinary 
veil and the shoes together with

854
00:47:55,200 --> 00:47:58,640
Pete and the whole thing. 
And this was during his time at 

855
00:47:58,640 --> 00:48:01,200
Saint MO. 
No, he left salon all the time. 

856
00:48:01,200 --> 00:48:03,880
He was not at salon for very 
long, but he went to Lanva. 

857
00:48:04,360 --> 00:48:07,600
So he this was. 
He was at Lanva, but he did not 

858
00:48:07,600 --> 00:48:10,360
have a bridal collection. 
I think what I was probably his 

859
00:48:10,360 --> 00:48:12,160
first or second bride that he 
did. 

860
00:48:12,640 --> 00:48:15,960
And then I also said to him, I 
think you should do a bridal 

861
00:48:16,040 --> 00:48:18,560
section and he started bridal 
sectioning, which went very 

862
00:48:18,560 --> 00:48:19,960
well. 
Inspired by you. 

863
00:48:19,960 --> 00:48:22,800
I'm not quite sure what I was 
the reason, but you know. 

864
00:48:23,320 --> 00:48:25,800
Now I know you're a champion of 
sustainable fashion. 

865
00:48:26,080 --> 00:48:29,200
What do you do with your clothes
when you've had enough of them? 

866
00:48:29,840 --> 00:48:33,800
I either passed them on to 
someone that I love and not know

867
00:48:33,800 --> 00:48:36,600
that wants to cherish it, or I 
sell it. 

868
00:48:37,480 --> 00:48:40,920
I'll give it away. 
Which resale platforms do you 

869
00:48:40,920 --> 00:48:44,240
find particularly effective? 
I like this dear collective. 

870
00:48:46,160 --> 00:48:49,880
I also like rental platforms 
like her for instance. 

871
00:48:50,600 --> 00:48:53,600
What is the oldest piece in your
wardrobe? 

872
00:48:55,000 --> 00:48:58,400
I think it's for my late, it's 
for my great grandmother or for,

873
00:48:58,440 --> 00:49:01,920
you know, for my, you know, 
heirloom pieces. 

874
00:49:04,400 --> 00:49:09,520
I have coats and I have gloves 
and I have umbrellas. 

875
00:49:09,520 --> 00:49:12,120
I have even these amazing 
umbrellas that they used to do 

876
00:49:12,120 --> 00:49:15,440
in the, in, in last century 
where you'd, you know, when 

877
00:49:15,440 --> 00:49:18,640
women still had umbrellas and 
long skirts in Europe and you'd 

878
00:49:18,640 --> 00:49:23,760
open up the umbrella and inside 
you have little roses and. 

879
00:49:24,520 --> 00:49:27,640
Floral motifs and they've. 
And with you have that, you 

880
00:49:27,640 --> 00:49:31,080
know, a leather handle, very 
sheeple handmade. 

881
00:49:31,320 --> 00:49:33,240
And they haven't perished. 
No. 

882
00:49:33,600 --> 00:49:35,520
Wow. 
That's extraordinary. 

883
00:49:35,760 --> 00:49:39,480
I mean, I do not to tell. 
I do not tend to have used them 

884
00:49:39,480 --> 00:49:41,680
now. 
And probably not open them up 

885
00:49:41,680 --> 00:49:42,920
too much. 
Correct. 

886
00:49:42,920 --> 00:49:45,160
But you know, I mean, they're 
actually museum pieces. 

887
00:49:45,160 --> 00:49:47,720
But yes, I do have those and 
then gloves because it was a 

888
00:49:47,720 --> 00:49:50,680
time when ladies would wear 
gloves, right? 

889
00:49:50,680 --> 00:49:54,880
I mean, when when my my late 
grandmother passed, she had so 

890
00:49:54,880 --> 00:49:56,640
many gloves and the matching 
hats and. 

891
00:49:56,640 --> 00:50:00,520
People don't mind too, but I, I 
looked at them the other day 

892
00:50:00,520 --> 00:50:01,800
because I was doing a big turn 
out. 

893
00:50:03,240 --> 00:50:08,600
My, my grandmother's hands were 
minute, so narrow, so narrow. 

894
00:50:08,920 --> 00:50:11,720
I mean, I, I thought, OK, I'll 
just slide this on. 

895
00:50:11,800 --> 00:50:14,440
Oh no. 
And I don't have big hands, but 

896
00:50:14,440 --> 00:50:18,400
my God, they had such slender. 
Their whole body if you look at 

897
00:50:18,400 --> 00:50:21,360
the beds, if you go to museums 
and you look at the beds and the

898
00:50:21,640 --> 00:50:24,360
and the the living rooms, I mean
everything is so tiny. 

899
00:50:24,360 --> 00:50:27,600
It's like almost for a child. 
It's just body size has changed 

900
00:50:27,600 --> 00:50:28,920
over the years. 
So what we? 

901
00:50:28,960 --> 00:50:29,800
Eat. 
So true. 

902
00:50:29,800 --> 00:50:32,280
Modified food. 
Different genes. 

903
00:50:33,600 --> 00:50:36,840
Let's spin on some quick fire 
questions, fashion advice that 

904
00:50:36,840 --> 00:50:38,800
you'd give your 20 year old 
self. 

905
00:50:40,160 --> 00:50:43,440
Just be confident and authentic 
to yourself. 

906
00:50:44,520 --> 00:50:48,160
Fashion trend or era that you'd 
most like to see make a 

907
00:50:48,160 --> 00:50:51,240
comeback? 
60s and 70s. 

908
00:50:52,560 --> 00:50:56,920
Fashion or beauty trend that you
would consign to room one O 1 

909
00:50:58,680 --> 00:51:02,560
Crocs? 
Well, that was my next question.

910
00:51:02,960 --> 00:51:05,880
I mean, I don't know how you 
even can walk in those things. 

911
00:51:08,080 --> 00:51:12,320
Your last impulse buy? 
Probably another pair of my 

912
00:51:12,320 --> 00:51:17,120
earrings because I do collect 
these earrings and these are, 

913
00:51:17,520 --> 00:51:21,120
these are called Sun Ray 
Earrings by Bellmax. 

914
00:51:21,480 --> 00:51:25,400
And she has a gallery just 
opposite Clarities and which has

915
00:51:25,400 --> 00:51:29,280
the most extraordinary jewelry. 
She does also art and sculpture.

916
00:51:29,280 --> 00:51:30,640
It comes from a sculpture 
background. 

917
00:51:30,960 --> 00:51:34,240
I've been collecting these for 
so many years and because they 

918
00:51:34,240 --> 00:51:36,840
remind me of marbles. 
Yes, yeah. 

919
00:51:37,240 --> 00:51:39,640
And some of them are semi 
precious stones, some of them 

920
00:51:39,640 --> 00:51:43,200
are vintage pearls. 
And yeah, it's dangerous to go 

921
00:51:43,200 --> 00:51:47,440
there. 
Your views on tattoos. 

922
00:51:48,320 --> 00:51:53,120
I don't judge people. 
I prefer to be neutral. 

923
00:51:54,360 --> 00:51:55,920
Beauty treatment You couldn't 
give up. 

924
00:51:57,480 --> 00:52:05,240
Massage high end or High Street?
High end, darling Bling or bare 

925
00:52:06,680 --> 00:52:09,600
bling? 
Minimalism or maximalism? 

926
00:52:10,080 --> 00:52:14,480
Maximalism, Couture or charity 
shop Both. 

927
00:52:15,400 --> 00:52:16,960
Crocs. 
Cute or puke? 

928
00:52:18,440 --> 00:52:28,040
No absolutely puke Sneakers or 
stilettos, base bags or shoes. 

929
00:52:29,120 --> 00:52:31,080
I can't. 
I need pace. 

930
00:52:32,600 --> 00:52:40,720
Boyfriends or wide legs, Wide 
leg, Bodycon or boho, boho, 

931
00:52:41,200 --> 00:52:46,280
sports, Lux or rock chick? 
Rock chick, Red carpet or relax 

932
00:52:47,400 --> 00:52:49,600
Red carpet? 
Trend or style? 

933
00:52:50,240 --> 00:52:53,720
Style, colour or monochrome? 
Why? 

934
00:52:53,720 --> 00:52:55,960
That's a difficult one because I
like base. 

935
00:52:56,640 --> 00:53:02,160
Experimental or uniform 
Experimental cashmere or cotton 

936
00:53:02,640 --> 00:53:13,600
cashmere, Trilby or Tracy. 
Tracy order or editor card base.

937
00:53:14,080 --> 00:53:19,360
Charity shop or resale base. 
Shapewear or sexy lingerie? 

938
00:53:19,360 --> 00:53:22,360
Sexy. 
Lingerie, tights, stockings or 

939
00:53:22,360 --> 00:53:28,760
hold UPS. 
Combination bikini or one piece 

940
00:53:29,000 --> 00:53:31,840
bikini? 
And finally, traditional last 

941
00:53:31,840 --> 00:53:34,520
question at the end of the day, 
what do you or don't you wear in

942
00:53:34,520 --> 00:53:38,880
bed? 
Wow, my own skin. 

943
00:53:41,960 --> 00:53:45,000
Love that Carmen, thank you so 
much. 

944
00:53:45,000 --> 00:53:49,480
So so much for having me. 
To go on this style journey with

945
00:53:49,480 --> 00:53:51,120
you. 
I would ask you all these 

946
00:53:51,120 --> 00:53:52,040
questions now.
