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Welcome back to Style DNA. 
We've just wrapped up an 

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incredible season 8, and before 
we dive into an exciting new 

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season, I wanted to take a 
moment to look back. 

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This episode is a celebration of
the highlights of the season, 

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reliving the moments that really
stood out when my guests shared 

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insights, transparency and at 
times, hilarity. 

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Whether you've been listening 
since day one or you're just 

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joining us now, this is the 
perfect chance to experience the

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best of season 8. 
Style DNA Season 9 will be 

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launching in mid-september, with
a fabulous mix of guests in 

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store. 
In the meantime, I hope you 

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enjoy this episode. 
Oh, and please do me a favour 

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and hit the subscribe button if 
you haven't already. 

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Thank you. 
What do you reach for when you 

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not feeling your shiniest best 
and you just want to feel 

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empowered? 
I think a suit. 

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I do love a suit. 
There's something about that 

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that you, you know, just makes 
you feel, yeah, I can do this. 

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You know, get your makeup on, 
get out, get up. 

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Because the minute you start 
sort of, I'm not going to do 

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that. 
And not allowing yourself a get 

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out, you know, there's many days
where I think I can't do this. 

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It's bloody hard. 
Let's be honest about what a 

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journey looked like. 
This looks like it is really 

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hard. 
You know, there are times when I

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think, can I do this? 
Oh, stop it. 

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Well, you there are. 
And I think, you know, to say 

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that that isn't true would be a 
lie. 

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Would be to say, oh, every day I
just think I'm wonderful and 

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powerful and I can do it is 
absolutely not the case. 

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It's. 
Well, I think that's inspiring 

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and incredibly honest. 
It's really hard and really 

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lonely sometimes. 
Yeah, it is bloody lonely. 

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It is. 
And sometimes you think I am. 

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You know, I'm exhausted. 
I can't do it all. 

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Can I do it? 
You know, the difference between

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somebody that can then go again 
is being able to reason with 

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yourself. 
It's an it's an inner battle, I 

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think. 
And you have to be able to dig 

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deep and say, right, I'm going 
to deliver this. 

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I'm going to get it over the 
line one way or another. 

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And that's, you know, that's a 
learning curve. 

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Where did that grit come from? 
I guess from my parents, you 

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know, they, they both, you know,
did what they did from scratch. 

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They both worked really hard. 
They both became the best in 

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what they did. 
And I think I watched them 

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deliver that in circumstances in
some areas that were very 

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difficult. 
And I thought, right, you know, 

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I'm, I, I want to give back to 
that. 

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I want to be independent. 
I don't want to be, you know, 

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relying on them. 
I've my turn now. 

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I've got to take the baton here 
and I've got to deliver this. 

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But I do think, again, I've 
worked with many people, I've 

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watched many people go on 
different journeys and I think 

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you either do have that or you 
don't. 

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I think it's very difficult to 
if you don't have it. 

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People cap out, they cap out at 
different stages and they can't 

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dig as deep. 
I've, I've learnt that and 

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realised that now you are, you 
are different. 

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You are I, I am different. 
Otherwise, you, you know you. 

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There are things you can do that
other people can't. 

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Fluidity in fashion is not just 
a section in a department store.

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Fluidity isn't created by an 
entrance light flashing unisex 

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in some ugly bubble font wedged 
between the hyper stereotypical 

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men's section and straight leg 
jeans and flannels and the 

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women's section with lingerie 
and skirts. 

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Fluidity is a way of being, a 
way of expressing yourself 

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authentically, and a way of 
holding yourself in the purest 

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and highest regard. 
It's not rooted in gender and 

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certainly not rooted in unisex 
clothes. 

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It's weird to hear someone read 
it back to you. 

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In your dreams, what would the 
retail landscape look like? 

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We're really. 
Talking dreams now. 

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Gender fluid, yeah. 
Yeah, I mean, I, I think it 

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would be the fact that it 
wouldn't be so like segregated 

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by gender, by category. 
I think it's hard because I've 

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had a lot of conversations and I
don't wanna like shout outs, 

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department stores that have 
explained to me why, you know, 

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there's a women's floor, why 
there's a men's floor. 

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Especially as well with, you 
know, the different kind of 

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people that come in during the 
summer into London that are 

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maybe from a different, you 
know, culture or background that

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wouldn't feel comfortable 
shopping alongside someone of 

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the opposite gender. 
So I've heard all the kind of 

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different arguments for why it 
doesn't exist. 

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I think for me it, it just, I, I
can't fully understand even 

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hearing all this kind of 
feedback, why it doesn't? 

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Because when I look at the 
people that I dress, I look at 

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my friends, I look at my 
partner's friends, like 

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everyone's grabbing a blazer 
from someone's wardrobe, A 

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blouse, you know, maybe your 
husband's going to grab that 

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blouse off you. 
Like it's, it's such a more 

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fluid way that the customers 
actually shopping. 

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So I don't understand why we 
haven't been able to kind of be 

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like, OK, fine, we can respect 
obviously cultural backgrounds. 

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We can respect people, you know,
maybe wanting to have their own 

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spaces so they don't have to be 
alongside a gender if it dis 

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aligns with them culturally. 
But I just think like it's 2025,

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we need to kind of move on to 
the space where we are all 

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shopping much more fluidly. 
I think when I talk to a lot of 

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people on like all night 
platforms, they say that they 

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have like their men's clients, 
you know, sometimes even 60% 

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since seasons buying other 
pieces that are in the women's 

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women's category. 
So I think, you know, people are

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just scared of change. 
And I also know that the behind 

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the scenes actually cost quite a
bit of money to change the kind 

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of storefronts and the 
different. 

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I'm not a web guy, so I'm going 
to sound like I don't know what 

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I'm talking about here, but all 
these kind of backup house 

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details that they're like, yeah,
well, it cost 100K. 

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We don't really want to do that 
right now. 

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Fashion's in a tight spot. 
Like so many people know right 

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now, we don't want to put the 
investment there. 

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Let's just put a blanket term on
a campaign where a guy and a 

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girl are wearing the same thing.
So I think there's a lot of kind

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of blanketing over this idea of 
fluidity where actually like not

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a lot of people are doing the 
kind of like legwork to really 

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go for. 
And trust me, also, like even 

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now working at a French fashion 
house, like it's, it's 

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complicated because it is, you 
know, a major financial 

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investment. 
And also it's a risk at a time 

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where right now people are 
trying to, you know, look at how

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many movies are coming out that 
are the same thing 4567, you 

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know, everyone's trying to take 
the more safe route. 

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And I get that, but people just 
don't want to take chance. 

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Would you say that your styles 
changed through the decades? 

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I. 
I so you're only 33. 

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So yes, over the past three 
decades, yes, over the past, I 

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think I've become more confident
in dressing like me as opposed 

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to dressing like I'm supposed to
dress. 

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Has that been quite freeing? 
Oh, yes. 

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And also, as I'm so pleased you 
said earlier, anybody saying 

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that you can't do that or you 
can't do this because of your 

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age, Shut up. 
Oh, wear what do you want? 

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Somebody the other day spoke to 
me about somebody that is in the

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public eye who was photographed 
wearing a very short skirt. 

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And they said, oh, do you think 
that she'd learn? 

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And I said, learn what? 
And they got such a shock that 

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my and they said, well, come on,
she's in those that age. 

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I said I think she looks 
absolutely wonderful and I 

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applaud her for wearing what she
wants. 

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And, and actually this happened 
years ago. 

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So when I first met my husband, 
we've been together 20 years and

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we were on holiday in Italy and 
there was a woman walking 

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through the street who had on a 
bra top and a a sort of Saronghy

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skirt. 
But it had Belle, you know, when

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you the the bell belts, you know
what I mean? 

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They were sort of jingling. 
Yeah. 

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And she had flip flops on that 
were jingling. 

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And I was looking at her. 
My husband said, why are you 

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staring? 
And I said, she looks fantastic.

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And then I heard my say myself 
say isn't it great that she 

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dresses like that for her at her
age? 

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And then I stopped myself and I 
said, I'm never saying that 

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again. 
Yeah. 

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And she was, she was probably, I
would say she was probably in 

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her late 70s, eighties. 
Oh, wow. 

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She was amazing and she looked 
incredible. 

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So that was there. 
I stopped. 

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I, I actually meant it as a 
compliment. 

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I didn't mean it in a cruel way.
And and he said why? 

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Why you? 
What's the matter? 

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I said I must never say that 
again. 

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Yeah. 
Because she just looked great. 

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Looked fabulous. 
Yeah. 

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You said you were married in the
late 70s. 

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Yes. 
Describe your wedding dress to 

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me. 
Oh, my gosh. 

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Thank you. 
And I don't think I've ever 

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talked about this. 
My wedding dress was from 

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Kensington Market. 
Find any pictures? 

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Oh, no, there are. 
No, because there was no social 

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media. 
Also, he was on stage in a show 

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called Elvis at the time. 
I was on stage in the West End 

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in a play called Once a 
Catholic. 

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We only had the day off. 
We had our reception at the 

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Astoria in the West End, which 
is now being pulled down. 

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My wedding dress was from a. 
Do you remember the label 

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Forbidden fruit? 
I think you're too young, damn 

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it. 
Those who are in my age group 

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will remember forbidden fruit 
again. 

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They came in from India. 
They were big, heavy velvet 

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dresses with a sort of Amanda, 
you'd know how to describe this.

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It was like a a plate that had 
embroidery on and from the 

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embroidery fell these folds. 
So velvet smoked like it was 

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smoked around this template 
basically. 

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And the back was all heavily 
bleated velvet with bell 

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sleeves. 
Must have weighed a ton. 

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It would snap hangers, those 
sheet plastic hangers, but you 

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never needed to hang it because 
there was no way it would come. 

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A deep red, really deep red. 
Oh, I need a picture of God. 

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I'm going to try and find you 
one. 

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And then a skull cap, A beaded 
skull cap because I had very 

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long hair. 
Also from Kensington. 

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Oh no, it might have been from 
Antiquarius. 

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Oh, I think the skull cap was 
from Antiquarius. 

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And then Chelsea girl kitten 
heeled boots. 

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What a mishmash of style, truly.
I thought I looked wonderful. 

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Fashion has always been a sort 
of like mask. 

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I think, especially growing up, 
it's very much, it can be a bit 

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of a status thing. 
You want to feel cool, you know,

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whether when I was 12 and I 
wanted to buy skater jeans from 

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roads, do you know what I mean? 
Or Vans, you know, I think there

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was that. 
And so I was probably liked 

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fashion for the wrong reasons 
for a lot for a long time. 

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But it's probably only again in 
the last year or two that I've 

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found what suits me and felt 
started to actually take more 

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care in my wardrobes and my 
outfit. 

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So a big part I think of like, 
let's say, manifesting your 

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higher self or stepping into 
your most empowered self. 

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I think such a big part of this 
is about the way that you dress.

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And again, so I keep referring 
to the book, but in step AI talk

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about dressing the part as part 
of this way that you can show up

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as your future self. 
And alongside that big part of 

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the manifestation journey is 
letting go. 

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So it's letting go of all things
that don't serve you. 

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So whether it's bad habits, 
behaviours, people, but I think 

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also the kind of clothes that 
don't represent who you are 

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anymore or who you want to 
become. 

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So big thing that I did like a 
year and a half ago, but now I 

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do it all the time, is I would 
do mass wardrobe clear outs with

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each piece. 
I would ask myself, would my 

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future self really wear this? 
Like think about the person I 

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want to become. 
Are they stepping out the house 

225
00:10:59,920 --> 00:11:03,000
wearing this? 
And so that was really big for 

226
00:11:03,000 --> 00:11:04,960
me. 
So I started doing that, but I'm

227
00:11:04,960 --> 00:11:08,120
still evolving and still pushing
myself further and further 

228
00:11:08,120 --> 00:11:10,520
because I've had a habit 
recently of wearing my Ugg 

229
00:11:10,520 --> 00:11:14,240
slippers every day. 
And I've got to stop. 

230
00:11:14,240 --> 00:11:19,000
Because you've now gone on to 
create Rosie's Midlife 

231
00:11:19,000 --> 00:11:22,000
Reinvention Retreats. 
Yeah, Yeah. 

232
00:11:22,000 --> 00:11:26,120
And that that came about from 
having the courage to share my 

233
00:11:26,160 --> 00:11:31,720
own story because I felt that I 
needed to be honest about what I

234
00:11:31,720 --> 00:11:33,240
had gone through. 
Hello. 

235
00:11:33,240 --> 00:11:35,160
And the reason why I was 
leaving. 

236
00:11:35,240 --> 00:11:39,160
And I think that's a very 
powerful, well story. 

237
00:11:39,160 --> 00:11:41,800
I wasn't doing a service to 
other women. 

238
00:11:41,800 --> 00:11:46,200
If I am just contributing to 
this narrative that I'm nailing 

239
00:11:46,200 --> 00:11:49,720
life at all stages and now I've 
decided to be a coach and that's

240
00:11:49,720 --> 00:11:52,480
going to go brilliantly because 
it really wasn't that 

241
00:11:52,480 --> 00:11:55,760
straightforward. 
It was a complete storm at times

242
00:11:57,160 --> 00:12:00,400
to get through. 
And I, I felt like as soon as I 

243
00:12:00,400 --> 00:12:04,200
was able to just be honest about
that, the response that I got 

244
00:12:04,200 --> 00:12:06,960
was huge. 
So many women writing to me. 

245
00:12:06,960 --> 00:12:11,240
I did a piece in the Telegraph 
all about it and I wasn't ready 

246
00:12:11,240 --> 00:12:13,840
to do it for quite a while after
it happened. 

247
00:12:14,360 --> 00:12:17,760
And when I did do it, I mean, 
the first time I wrote the piece

248
00:12:17,760 --> 00:12:21,440
myself and I just absolutely 
lost it in tears the first time 

249
00:12:21,440 --> 00:12:23,880
that I wrote it because it was 
all still there. 

250
00:12:24,440 --> 00:12:27,680
But then I wrote that piece 4 
times through and that was like 

251
00:12:27,720 --> 00:12:28,680
therapy. 
Yeah. 

252
00:12:28,800 --> 00:12:32,680
Because by the time I then sent 
it off, I was like, I'm fine 

253
00:12:32,680 --> 00:12:35,640
with this Now I understand it. 
I was interesting. 

254
00:12:35,640 --> 00:12:38,840
That was sort of part of your, 
probably part of your grieving 

255
00:12:38,840 --> 00:12:42,600
process for the, the Rosie I had
been. 

256
00:12:42,600 --> 00:12:43,360
Yeah. 
Yeah. 

257
00:12:43,360 --> 00:12:45,720
And that's OK. 
You know, to feel like that 

258
00:12:45,960 --> 00:12:51,680
loot, I think it's phenomenally 
breathing and probably lighting 

259
00:12:51,680 --> 00:12:56,320
and your toes are held so to the
fire and it's frightening at 

260
00:12:56,360 --> 00:13:02,960
times and yeah, you feel like a 
complete novice, but what a 

261
00:13:02,960 --> 00:13:04,240
privilege. 
Yes. 

262
00:13:04,280 --> 00:13:07,720
And And always, as we touched 
upon earlier when we were 

263
00:13:07,720 --> 00:13:10,240
chatting, it leads to a period 
of growth. 

264
00:13:10,760 --> 00:13:14,520
And actually the most 
challenging, hardest moments are

265
00:13:14,560 --> 00:13:16,680
really the ones that are going 
to make us. 

266
00:13:17,040 --> 00:13:19,920
And it's so worth remembering 
that if you are going through 

267
00:13:19,920 --> 00:13:24,600
something that when you're that 
down, the only way is up and you

268
00:13:24,600 --> 00:13:27,000
were going to rise again like a 
phoenix and it's going to be 

269
00:13:27,000 --> 00:13:30,200
even better than it was. 
Is that one particular person 

270
00:13:30,200 --> 00:13:34,560
woman that you look at and you 
think, God, I love her style. 

271
00:13:34,640 --> 00:13:40,200
Every single look she wears is 
just perfect. 

272
00:13:40,200 --> 00:13:45,200
I think I take a lot of 
inspiration in the clean, the 

273
00:13:45,200 --> 00:13:49,080
cleanliness and the clean lines 
of her style and the the classic

274
00:13:49,360 --> 00:13:53,640
nature of how she dresses from 
the Princess of Wales. 

275
00:13:53,640 --> 00:13:57,800
I think that she just epitomises
timeless elegance. 

276
00:13:57,920 --> 00:14:01,280
It's so I really want to say 
that it's it's safe because she 

277
00:14:01,280 --> 00:14:03,600
wears such bold colours 
sometimes as well. 

278
00:14:03,600 --> 00:14:06,640
But I think she provides a lot 
of inspiration that can be taken

279
00:14:06,640 --> 00:14:10,560
away and replicated on many 
different budgets. 

280
00:14:10,840 --> 00:14:14,600
And I think that that's a really
unique way to have personal 

281
00:14:14,600 --> 00:14:18,360
style where you can take that 
and a simple black coat that she

282
00:14:18,360 --> 00:14:21,280
could wear can be replicated in 
so many different budgets. 

283
00:14:21,280 --> 00:14:23,800
And I really like that. 
I mean, how do you feel about 

284
00:14:23,800 --> 00:14:28,720
the recent announcement of her 
Kensington Palace saying that 

285
00:14:29,120 --> 00:14:33,840
they're not going to release the
brands that she's wearing? 

286
00:14:34,040 --> 00:14:36,600
I think that information will 
come out easily anyway. 

287
00:14:36,600 --> 00:14:42,440
There are so many pages 
dedicated to finding her style 

288
00:14:42,600 --> 00:14:46,120
that I often find out from those
kinds of pages before it's even 

289
00:14:46,120 --> 00:14:49,200
released. 
I think what they're potentially

290
00:14:49,200 --> 00:14:51,280
trying to do is to just keep 
that focus. 

291
00:14:51,960 --> 00:14:54,720
But again, I don't think any of 
these things are set in stone 

292
00:14:54,720 --> 00:14:58,720
and they may change their mind, 
but there we'll still find out. 

293
00:14:58,720 --> 00:15:02,280
We'll still know. 
The fact of the matter is A, 

294
00:15:02,560 --> 00:15:07,360
Editors know exactly what she's 
wearing because their eye is in 

295
00:15:07,360 --> 00:15:12,240
and and B, if they don't, AI 
will soon be telling them. 

296
00:15:13,120 --> 00:15:15,200
Would you say you've had a worst
fashion moment? 

297
00:15:16,120 --> 00:15:19,320
I'm sure there's been heaps, but
one that was particularly 

298
00:15:19,320 --> 00:15:22,520
embarrassing. 
I this was a long time ago. 

299
00:15:22,520 --> 00:15:24,720
I must have been a junior editor
or something like that. 

300
00:15:24,720 --> 00:15:28,760
And I can remember buying this 
quite conceptual Acne Studios 

301
00:15:28,800 --> 00:15:32,760
dress on sale. 
I always used to hop into, I 

302
00:15:32,760 --> 00:15:35,040
don't know if you remember start
boutique that was in East 

303
00:15:35,040 --> 00:15:37,160
London. 
Yes, it was such a little hot 

304
00:15:37,160 --> 00:15:40,640
spot and, and I can remember, 
yeah, it was very cool. 

305
00:15:40,800 --> 00:15:43,560
But it was kind of very 
delicate, intricately sewn 

306
00:15:43,560 --> 00:15:46,600
together pieces of chiffon. 
And I wore it into work one day.

307
00:15:46,600 --> 00:15:48,720
I was on the tube, hopped off at
Tottenham Court Road. 

308
00:15:48,720 --> 00:15:51,040
This lovely girl came up to me, 
tapped me on the shoulder and 

309
00:15:51,040 --> 00:15:53,120
she said I think there's 
something wrong with your dress.

310
00:15:53,680 --> 00:15:56,760
And I think I I was a bit kind 
of eye rolly and like she just 

311
00:15:56,760 --> 00:15:58,840
doesn't understand Zachary's 
studious. 

312
00:16:00,360 --> 00:16:03,280
It's a real idiot. 
And then she was like, no, 

313
00:16:03,280 --> 00:16:05,640
seriously, that. 
And I kind of looked behind me 

314
00:16:05,640 --> 00:16:09,000
and one of the chiffon panels 
had completely come undone. 

315
00:16:09,000 --> 00:16:14,120
And so my bum and my knickers 
grayed out on the tube platform.

316
00:16:15,160 --> 00:16:18,240
So that was definitely a rescue 
mission that needed to happen. 

317
00:16:19,160 --> 00:16:21,960
So that was probably one of my 
most embarrassing. 

318
00:16:21,960 --> 00:16:23,520
But good girl. 
I know. 

319
00:16:23,600 --> 00:16:25,640
How lovely. 
How lovely. 

320
00:16:26,560 --> 00:16:31,360
We first met at a party that I 
hosted in my May 1st order. 

321
00:16:31,360 --> 00:16:33,480
I was wearing a leather dress. 
Yeah. 

322
00:16:33,760 --> 00:16:37,040
And it was one of my favorite, 
favorite outfits. 

323
00:16:37,040 --> 00:16:39,320
And I remember feeling so chic 
in it. 

324
00:16:39,760 --> 00:16:42,200
And I was so honoured that you 
dressed me. 

325
00:16:42,200 --> 00:16:45,520
Oh, and I, I lived for that 
outfit. 

326
00:16:45,520 --> 00:16:49,680
Oh, gorgeous. 
You've talked quite openly about

327
00:16:49,680 --> 00:16:53,120
being a bit lost before or you 
discovered manifesting. 

328
00:16:53,160 --> 00:16:58,040
So let's talk about how your 
style has evolved during your 

329
00:16:58,040 --> 00:17:02,280
manifesting journey. 
Honestly, I am mortified by 99% 

330
00:17:02,280 --> 00:17:05,160
of the outfits that I have worn 
in the fast honest. 

331
00:17:05,200 --> 00:17:08,119
Oh my God, no, honestly, they 
were awful. 

332
00:17:08,119 --> 00:17:10,000
And I don't, I think I don't 
feel sad about it. 

333
00:17:10,000 --> 00:17:14,240
It's like I laugh at it, but I 
really didn't know how to dress 

334
00:17:14,280 --> 00:17:17,040
for myself. 
And I think that I think because

335
00:17:17,040 --> 00:17:22,680
my priority was male attention, 
because I felt I had no self 

336
00:17:22,680 --> 00:17:26,400
worth, I didn't think that I 
would ever be successful in my 

337
00:17:26,400 --> 00:17:28,359
own right. 
I didn't think I would be good 

338
00:17:28,359 --> 00:17:30,240
enough to have a like good 
career. 

339
00:17:30,240 --> 00:17:32,760
I didn't feel I just didn't feel
good enough full stop. 

340
00:17:32,760 --> 00:17:37,040
So I felt as I was only as 
worthy as the man I was with. 

341
00:17:37,480 --> 00:17:40,440
And so for me, attracting men 
was a real priority. 

342
00:17:40,440 --> 00:17:43,600
And it's couldn't be further 
from the truth now, but it was 

343
00:17:43,600 --> 00:17:45,480
then. 
And so I think in that really 

344
00:17:45,480 --> 00:17:48,600
impacted my dressing and that I 
probably dressed, I just think I

345
00:17:48,840 --> 00:17:52,520
dress in a way that was not 
chic. 

346
00:17:52,520 --> 00:17:56,880
It wasn't demure, it wasn't it 
wasn't cool. 

347
00:17:57,000 --> 00:17:59,600
I think it was a bit tacky, but 
I think that was so reflective 

348
00:17:59,600 --> 00:18:04,920
of where I was in my life. 
And so I think that my style 

349
00:18:04,920 --> 00:18:08,760
growth has been really about 
aligning myself with who I am 

350
00:18:08,760 --> 00:18:11,160
now and representing me in a 
different way. 

351
00:18:11,160 --> 00:18:14,880
Was I still like to dress 
feminine and you know, because 

352
00:18:15,120 --> 00:18:19,160
because I work a lot, I don't 
get many opportunities to feel 

353
00:18:19,160 --> 00:18:23,160
like sexy or feminine or do you 
know? 

354
00:18:23,160 --> 00:18:26,360
So actually when I have an 
opportunity to, I love it 

355
00:18:26,360 --> 00:18:28,840
because actually it's only 
through wearing like a really 

356
00:18:28,840 --> 00:18:32,400
amazing dress or outfit, I can 
express that side of myself. 

357
00:18:32,400 --> 00:18:35,840
Boyfriends or wide legs? 
Stop. 

358
00:18:38,920 --> 00:18:42,200
Oh my goodness. 
I'm going to have to say 

359
00:18:42,200 --> 00:18:44,440
boyfriends, aren't I? 
Because I'm engaged. 

360
00:18:44,440 --> 00:18:46,880
No, boyfriends are wide leg 
jeans. 

361
00:18:47,080 --> 00:18:51,760
Oh my God, stop it. 
No, I'm so embarrassed. 

362
00:18:52,440 --> 00:18:55,480
You want me now? 
I'm going to go over. 

363
00:18:55,480 --> 00:18:58,520
You must have thought. 
Why is she laughing so hard? 

364
00:18:58,720 --> 00:19:01,800
I thought you meant being in a 
relationship or like like wide 

365
00:19:01,800 --> 00:19:04,840
legs having open, like having 
sex all the time. 

366
00:19:05,360 --> 00:19:09,920
I can't, no, I'm really hard. 
I'm going to take the blazer off

367
00:19:11,640 --> 00:19:13,840
boyfriend or what? 
I can't. 

368
00:19:14,600 --> 00:19:17,800
I love that. 
That's why I was like, I can't 

369
00:19:17,800 --> 00:19:20,160
believe you. 
You just asked that question, 

370
00:19:20,160 --> 00:19:22,520
asked you if you want your legs 
open and do you know why? 

371
00:19:22,520 --> 00:19:24,720
I pause. 
I was like, have you asked every

372
00:19:24,720 --> 00:19:26,880
single guest that and what have 
they? 

373
00:19:28,000 --> 00:19:35,560
Yes, jeans, I can't denim, denim
boyfriend I will stick with 

374
00:19:35,560 --> 00:19:37,800
boyfriend. 
Oh, kind of heart. 

375
00:19:38,920 --> 00:19:44,680
Boyfriend, boyfriend, fiance 
denim and in friend jeans. 

376
00:19:45,280 --> 00:19:51,680
Yeah, but on that note of rings 
and and gemstones, do you think 

377
00:19:51,680 --> 00:19:53,720
they hold energy? 
Do you know the funny? 

378
00:19:53,720 --> 00:19:56,320
Thing is an emerald. 
Yeah, I think Emerald is always 

379
00:19:56,320 --> 00:19:58,840
thought to be unlucky. 
I love them, I know. 

380
00:19:58,840 --> 00:20:00,680
People love them. 
They're very strange sayings, 

381
00:20:00,680 --> 00:20:03,520
emeralds because they, they, 
they, they can be much played 

382
00:20:03,520 --> 00:20:05,720
around with, you know, and what 
you get is not. 

383
00:20:07,000 --> 00:20:10,760
What you'll, what you bought 
quite often and they're very, 

384
00:20:11,280 --> 00:20:13,240
they're very brittle. 
So they break very easily. 

385
00:20:13,240 --> 00:20:15,480
And I think the reason I thought
I was unlucky really is because 

386
00:20:15,480 --> 00:20:18,400
they break so much and can break
so much. 

387
00:20:18,680 --> 00:20:21,360
And also because they can be, 
you know, they can be oiled, 

388
00:20:21,360 --> 00:20:23,760
they can be, you know, filled. 
They can be all sorts of things.

389
00:20:24,080 --> 00:20:28,320
And I, I think they're such a 
sort of subtle thing that unlike

390
00:20:28,320 --> 00:20:31,240
dams, which are really fairly 
sort of standard in that you can

391
00:20:31,240 --> 00:20:34,440
say certain colours, certain 
weights, certain clarity and all

392
00:20:34,440 --> 00:20:36,600
that sort of stuff with 
emeralds, that they're 

393
00:20:36,600 --> 00:20:38,960
incredibly subjective. 
You know, it's down to the 

394
00:20:38,960 --> 00:20:41,680
person. 
And the difference between quite

395
00:20:41,680 --> 00:20:45,520
a good emerald and a good 
emerald and a good emerald and a

396
00:20:45,520 --> 00:20:47,920
great emerald is so vast in 
price. 

397
00:20:47,920 --> 00:20:50,760
Yeah, that I always think, you 
know, I say well away from them 

398
00:20:50,760 --> 00:20:53,000
because I don't really, I mean, 
I, if somebody wants to get an 

399
00:20:53,000 --> 00:20:55,720
emerald, get one. 
But it's always my subjective 

400
00:20:56,440 --> 00:21:00,040
decision on what I think I like 
is not normally about price, but

401
00:21:00,040 --> 00:21:03,440
I do that with diamonds as well.
I mean, I like, you know, I like

402
00:21:03,440 --> 00:21:05,800
stones that that and it sounds 
weird. 

403
00:21:05,800 --> 00:21:06,960
You were saying do they have any
energy? 

404
00:21:06,960 --> 00:21:09,920
But do they have I I think they 
have this sort of, they 

405
00:21:10,240 --> 00:21:14,000
certainly have a character and 
you can find a really beautiful 

406
00:21:14,000 --> 00:21:19,560
stone even amongst quite sort 
of, you know, non expensive 

407
00:21:19,560 --> 00:21:23,080
stones, you can find these 
extraordinary sort of beautiful 

408
00:21:23,080 --> 00:21:25,920
things. 
And that that's really my what I

409
00:21:25,920 --> 00:21:28,480
like to. 
Do you have been on the most 

410
00:21:28,480 --> 00:21:33,520
unbelievable trajectory since 
you launched your brand in 2008?

411
00:21:34,280 --> 00:21:38,240
And I just would love to go back
to pre 2008. 

412
00:21:38,240 --> 00:21:40,640
What was the inspiration? 
You know, I had a varied 

413
00:21:40,840 --> 00:21:45,080
upbringing where I I sort of 
lived on a farm, but my mother 

414
00:21:45,080 --> 00:21:48,600
was a fashion designer. 
So so I grew up with a very sort

415
00:21:48,600 --> 00:21:51,760
of rural upbringing but but with
the fashion as well. 

416
00:21:51,760 --> 00:21:56,080
And I think that sort of moulded
who I was. 

417
00:21:56,080 --> 00:21:58,720
I ended up going to the 
agricultural college instead of 

418
00:21:58,720 --> 00:22:01,320
fashion college, which is a 
story we might talk about later.

419
00:22:01,320 --> 00:22:07,560
But when I was there, I was 
going to events where we were 

420
00:22:07,560 --> 00:22:11,600
all standing in the same outfit,
which I thought was really odd 

421
00:22:11,720 --> 00:22:14,560
because in no other point in 
your life would you sort of go 

422
00:22:14,560 --> 00:22:17,200
to a, a dinner party or 
somebody's house, think we're 

423
00:22:17,200 --> 00:22:20,760
all wearing the same jacket. 
So I was looking, I was looking 

424
00:22:20,760 --> 00:22:24,720
at, you know, groups of people, 
large groups of people and 

425
00:22:24,720 --> 00:22:26,960
thinking, gosh, there must be, 
there must be a market for 

426
00:22:26,960 --> 00:22:29,920
creating something here that 
that people can feel good in 

427
00:22:29,960 --> 00:22:32,080
applicable and, and have 
something different to wear. 

428
00:22:32,080 --> 00:22:35,600
So really that's what gave me 
the inspiration to think I'm 

429
00:22:35,600 --> 00:22:37,640
going to create product 
initially, which was for those 

430
00:22:37,640 --> 00:22:40,040
country events, you know, even 
things like going to the West 

431
00:22:40,040 --> 00:22:42,720
London shooting school. 
I would see people pulling up in

432
00:22:42,720 --> 00:22:45,400
their Bentleys in a Chanel 
jacket and then putting on 

433
00:22:45,400 --> 00:22:48,080
something that was really I 
could, I could see that they 

434
00:22:48,080 --> 00:22:51,120
felt like it was a downgrade. 
It was, it was like, oh, I've 

435
00:22:51,320 --> 00:22:53,680
got to put this on. 
And I thought, wow, there must 

436
00:22:53,680 --> 00:22:56,760
be, we must be able to cater for
these people and for myself, 

437
00:22:56,760 --> 00:22:59,320
because I thought, I want to, 
what do I want to wear? 

438
00:22:59,400 --> 00:23:04,880
My law teacher at the time said 
to me, I should probably leave. 

439
00:23:05,240 --> 00:23:07,600
You were just clearly more 
interested, I think. 

440
00:23:07,600 --> 00:23:09,000
Yeah. 
And I kept saying, oh, you know,

441
00:23:09,000 --> 00:23:10,200
I've got this idea. 
I've got this idea. 

442
00:23:10,200 --> 00:23:13,840
Anyway, you know, I wrote a 
business plan and I, and I 

443
00:23:13,840 --> 00:23:15,080
pitched it to my parents as 
well. 

444
00:23:15,080 --> 00:23:16,920
I said, look, I think I'll, you 
know, I want to leave. 

445
00:23:16,920 --> 00:23:20,280
And what does that look like? 
And where they said, well, it 

446
00:23:20,280 --> 00:23:22,840
looks like a lot of hard work 
very quickly. 

447
00:23:22,840 --> 00:23:26,320
They both run their own 
businesses and, but, but said, 

448
00:23:26,320 --> 00:23:29,320
you know, if you want to do it, 
then that's your, your choice. 

449
00:23:29,320 --> 00:23:32,000
So started in a very small way, 
tiny. 

450
00:23:32,000 --> 00:23:34,400
I had a 2m stand at Badminton 
Horse Trials. 

451
00:23:34,680 --> 00:23:37,760
You know, it was smaller than 
this table really to get a 

452
00:23:37,760 --> 00:23:39,760
customer in, we had to go out of
the stand. 

453
00:23:39,760 --> 00:23:44,840
It was that small and I had 25 
mini skirts and that was it 

454
00:23:44,840 --> 00:23:46,920
really. 
And your vision was always 

455
00:23:46,920 --> 00:23:49,120
country clothing? 
Initially, Yes. 

456
00:23:49,120 --> 00:23:52,640
So initially it was that market 
that that inspired me to do what

457
00:23:52,640 --> 00:23:54,240
I do. 
And actually I'm in a way I'm 

458
00:23:54,240 --> 00:23:56,760
really grateful I did go down 
that route because I would never

459
00:23:56,760 --> 00:24:01,320
have seen that white space and 
that I suppose that gap in the 

460
00:24:01,320 --> 00:24:04,520
market at that time. 
One of your most iconic styles 

461
00:24:04,520 --> 00:24:09,600
is your gorgeous long tassel 
boot, particularly loved and 

462
00:24:09,600 --> 00:24:13,320
worn for many years by our 
beautiful Princess of Wales. 

463
00:24:14,440 --> 00:24:20,160
Do you know how she came to own 
a pair of your boots in the 1st 

464
00:24:20,160 --> 00:24:22,040
place? 
Were you aware that she did or 

465
00:24:22,040 --> 00:24:25,400
was the first you saw when you 
saw a fabulous picture of her 

466
00:24:25,680 --> 00:24:27,800
looking great in country 
clothing? 

467
00:24:28,800 --> 00:24:33,600
I think that the first time I 
met Kate and her mother was at 

468
00:24:33,600 --> 00:24:36,760
Spirit of Christmas where she 
bought a pair of boots. 

469
00:24:37,280 --> 00:24:40,880
She obviously liked them a lot 
and wore them again and again. 

470
00:24:41,160 --> 00:24:44,960
But it was that moment when 
there was an image that went 

471
00:24:44,960 --> 00:24:50,760
viral of her wearing the boots 
the day that they got engaged. 

472
00:24:50,800 --> 00:24:53,440
Gorgeous. 
And that went viral all over the

473
00:24:53,440 --> 00:24:56,040
world. 
And she'd had the boots for 

474
00:24:56,040 --> 00:24:59,280
quite a long time by then. 
And did your website crash? 

475
00:24:59,280 --> 00:25:02,280
Did you sell hundreds of pairs 
overnight? 

476
00:25:02,280 --> 00:25:04,400
I'm not sure if I even had a 
website then. 

477
00:25:05,080 --> 00:25:06,960
I didn't have a shopping 
website. 

478
00:25:07,560 --> 00:25:11,120
It was very early on, but I had 
a wholesale website. 

479
00:25:11,120 --> 00:25:13,480
And did the phones ring off the 
hook? 

480
00:25:13,480 --> 00:25:16,560
Yes, they did. 
And she continues to wear them 

481
00:25:16,560 --> 00:25:19,600
to this day. 
Yeah, and I have to say, I have 

482
00:25:19,600 --> 00:25:22,480
a pair. 
They are fancy forever. 

483
00:25:22,480 --> 00:25:24,560
They last forever. 
They look great. 

484
00:25:24,560 --> 00:25:26,760
There's something, I mean, I 
love a good pair of wellies, but

485
00:25:26,760 --> 00:25:31,320
there's something about that 
long tassel boot that just looks

486
00:25:31,320 --> 00:25:35,040
a bit chic or a bit more 
feminine than than a good old 

487
00:25:35,040 --> 00:25:37,840
pair of wellies. 
Now, not many designers can 

488
00:25:37,840 --> 00:25:41,360
claim that their first client 
was someone as globally famous 

489
00:25:41,360 --> 00:25:42,720
as Harry Styles. 
A. 

490
00:25:42,800 --> 00:25:44,760
How did that connection come 
about? 

491
00:25:44,760 --> 00:25:47,360
B. 
More importantly, what did you 

492
00:25:47,360 --> 00:25:50,080
wear for that first meeting? 
Oh my God, it was such a fun 

493
00:25:50,080 --> 00:25:52,120
outfit. 
I was at Center Saint Martins in

494
00:25:52,120 --> 00:25:54,960
my bachelor's degree. 
I was doing fashions design and 

495
00:25:54,960 --> 00:25:57,800
marketing as the course and the 
tutor who no longer works there 

496
00:25:57,920 --> 00:26:01,160
would always be like, this is 
costume like, what is this like?

497
00:26:01,160 --> 00:26:03,800
I don't get it. 
And I remember the day I had my 

498
00:26:03,800 --> 00:26:08,560
meeting with Harry Styles was my
was a crit and this teacher was 

499
00:26:08,560 --> 00:26:11,800
like, like the most you're ever 
going to be in your career as 

500
00:26:11,800 --> 00:26:14,120
someone's assistant. 
And that's all you should hope 

501
00:26:14,120 --> 00:26:16,520
for because this is costume. 
I don't get it. 

502
00:26:16,520 --> 00:26:18,600
Like, and I remember kind of 
laughing. 

503
00:26:18,600 --> 00:26:19,760
It's just like, why are you 
laughing? 

504
00:26:19,760 --> 00:26:22,280
And it's like, well, I have a 
meeting with a really important 

505
00:26:22,280 --> 00:26:23,520
person and I'm running quite 
late. 

506
00:26:23,520 --> 00:26:25,680
I need to go. 
And contacts of that meeting was

507
00:26:25,680 --> 00:26:28,320
Harry Lambert, the extraordinary
stylist kind of was the first 

508
00:26:28,320 --> 00:26:29,920
real person to support me on 
Instagram. 

509
00:26:29,920 --> 00:26:32,560
He started pulling my work when 
it was literally me glue gunning

510
00:26:32,560 --> 00:26:34,640
hats together. 
He saw this thing from the white

511
00:26:34,640 --> 00:26:36,200
show, which was, I think it 
happens in the center Saint 

512
00:26:36,200 --> 00:26:38,640
Martin's where I think everyone 
gets a couple meters of white. 

513
00:26:38,640 --> 00:26:41,360
It's like fleece. 
It's really cheap fabric. 

514
00:26:41,360 --> 00:26:44,200
And the whole point is to kind 
of push the limits of what you 

515
00:26:44,200 --> 00:26:46,800
can do with all the same meters 
of fabric and this kind of white

516
00:26:46,800 --> 00:26:48,440
color. 
And we did the show, He saw the 

517
00:26:48,440 --> 00:26:50,160
piece, he pulled it, and it kind
of started this beautiful 

518
00:26:50,160 --> 00:26:52,280
relationship. 
So he kind of over those kind of

519
00:26:52,280 --> 00:26:54,280
couple months kind of was like, 
oh, I'm working with this new 

520
00:26:54,280 --> 00:26:55,560
client. 
I think he'd be great. 

521
00:26:55,760 --> 00:26:58,320
I kind of knew it was Harry 
Styles, didn't really kind of 

522
00:26:58,320 --> 00:27:01,640
fully know, but he kind of was 
like just work on some ideas, 

523
00:27:01,640 --> 00:27:03,240
references. 
I was looking at Jimi Hendrix, I

524
00:27:03,240 --> 00:27:05,720
was looking at David Bowie's, 
looking at my Jagger, just 

525
00:27:05,720 --> 00:27:08,200
again, the people that I was 
obsessed with at that time 

526
00:27:08,200 --> 00:27:10,320
myself, I was wearing gold 
leather flares, pussy bow 

527
00:27:10,320 --> 00:27:13,400
blouses that kind of became a 
uniform a year later from that 

528
00:27:13,400 --> 00:27:16,320
pink picture in the bathroom 
that kind of set up what I was. 

529
00:27:16,320 --> 00:27:18,480
I remember I went from that 
critique where I was told I'll 

530
00:27:18,480 --> 00:27:21,400
never be more than assistant 
went to the Apollo and 

531
00:27:21,400 --> 00:27:23,160
Hammersmith. 
I was wearing silver leather 

532
00:27:23,160 --> 00:27:25,920
flares with white silk pouring 
out the bottom kind of on the 

533
00:27:25,920 --> 00:27:29,000
side seams. 
I was wearing like a Dior. 

534
00:27:29,040 --> 00:27:31,240
No, sorry, it wasn't Dior. 
It was a Gucci blouse that I 

535
00:27:31,240 --> 00:27:33,880
bought from Oxfam, but it was 
the one that employees wear. 

536
00:27:33,880 --> 00:27:36,520
So on the label was Gucci. 
It says employee in bigger 

537
00:27:36,520 --> 00:27:39,520
letters. 
And then this fox for red floor 

538
00:27:39,520 --> 00:27:43,880
length for fox isn't fake like 
like foe not fox foe for red 

539
00:27:43,880 --> 00:27:46,680
coat that was floor length. 
And I remember just wearing that

540
00:27:46,680 --> 00:27:48,640
with a lot of eyeliner on. 
And I had like kind of my 

541
00:27:48,840 --> 00:27:52,400
shortish long messy blonde Bobby
kind of hairstyle. 

542
00:27:52,400 --> 00:27:55,720
And I remember getting to like 
the Apollo and I was like, Oh my

543
00:27:55,720 --> 00:27:58,520
God, wait, how do where do I go?
And I remember just walking up 

544
00:27:58,520 --> 00:28:01,240
to this woman and I was like, 
I'm here to see Harry Styles. 

545
00:28:01,280 --> 00:28:03,040
And she was like, yeah, so is 
everyone else. 

546
00:28:03,040 --> 00:28:05,640
I was like, I'm his designer. 
And I remember she kind of 

547
00:28:05,640 --> 00:28:07,080
looked me up and down. 
I was like, OK. 

548
00:28:07,080 --> 00:28:09,160
And then like led me back. 
And everyone was like, who is 

549
00:28:09,160 --> 00:28:10,040
that? 
Who is she? 

550
00:28:10,120 --> 00:28:11,400
Who are they? 
Where are they going? 

551
00:28:11,400 --> 00:28:13,400
And kind of going back. 
And I remember I was kind of 

552
00:28:13,400 --> 00:28:15,760
greeted by the team, had my 
first meeting with Harry and 

553
00:28:15,760 --> 00:28:18,520
Harry. 
And it just went really 

554
00:28:18,520 --> 00:28:20,160
amazingly. 
I have like a crayon in my bag. 

555
00:28:20,160 --> 00:28:23,040
And I was literally drawing on 
my little sketch paper and it 

556
00:28:23,040 --> 00:28:25,840
was just really wonderful. 
And I think I'd really hold that

557
00:28:25,840 --> 00:28:27,800
whole experience really dear to 
my heart because I think if I 

558
00:28:27,800 --> 00:28:31,920
didn't have that moment with 
him, God knows where my brand 

559
00:28:31,920 --> 00:28:34,000
would be now. 
I think I would have hopefully, 

560
00:28:34,080 --> 00:28:35,680
you know, worked with other 
people, but. 

561
00:28:35,880 --> 00:28:41,440
But do you remember that first 
moment that you put something on

562
00:28:41,440 --> 00:28:45,040
and it felt really good and it 
changed how you felt about 

563
00:28:45,040 --> 00:28:48,080
yourself? 
I don't actually think I fully 

564
00:28:48,080 --> 00:28:53,360
understood the impact of a good 
outfit, no matter what that is, 

565
00:28:53,360 --> 00:28:57,200
whether that's a comfy pair of 
pyjamas or whether that's an 

566
00:28:57,200 --> 00:29:00,120
outfit like I'm wearing today. 
I don't think I understood the 

567
00:29:00,160 --> 00:29:06,040
actual impact on my well-being 
until COVID. 

568
00:29:06,720 --> 00:29:11,320
And when there was no reason to 
go anywhere and we were all sort

569
00:29:11,320 --> 00:29:14,200
of faced with that opportunity 
to just stay in our pyjamas all 

570
00:29:14,200 --> 00:29:17,960
day and getting up and not 
getting dressed. 

571
00:29:18,400 --> 00:29:22,800
I quickly realized how much of 
an impact that had on my 

572
00:29:22,800 --> 00:29:24,360
well-being. 
And now this is something in a 

573
00:29:24,360 --> 00:29:27,360
lesson that I again talk about 
in my book, Evergreen, but also 

574
00:29:27,680 --> 00:29:33,000
practice daily is this element 
of taking real care in what I'm 

575
00:29:33,000 --> 00:29:38,440
wearing on a day-to-day basis, 
whether that is my pyjamas or my

576
00:29:38,440 --> 00:29:41,640
outfit for the day. 
And it shows a level of 

577
00:29:41,640 --> 00:29:44,720
investment in myself. 
It's less about other people and

578
00:29:44,720 --> 00:29:49,640
what they think about my outfit.
It's more about the investment 

579
00:29:49,640 --> 00:29:53,960
in myself that I'm making in 
what I'm wearing. 

580
00:29:53,960 --> 00:29:56,080
And it shows. 
It's almost telling myself that 

581
00:29:56,080 --> 00:29:59,200
I'm worth dressing up for, if 
that makes sense. 

582
00:29:59,200 --> 00:30:02,600
I I, I love that you grew up in 
Essex. 

583
00:30:02,600 --> 00:30:06,240
You live in Essex and there are 
some fairly pejorative 

584
00:30:06,240 --> 00:30:09,480
stereotypes attached to the term
Essex girls. 

585
00:30:09,480 --> 00:30:12,840
Yeah. 
Would you say any of those apply

586
00:30:12,840 --> 00:30:16,200
to you? 
So yes, a fake tan and a lash. 

587
00:30:16,200 --> 00:30:19,880
I like a a subtle lash. 
Is it like short dresses, mini 

588
00:30:19,880 --> 00:30:23,000
dresses? 
I mean, the body con dress is 

589
00:30:23,720 --> 00:30:26,120
whatever you want it to be, 
really. 

590
00:30:26,120 --> 00:30:29,200
I wouldn't say that you are 
typically, no. 

591
00:30:29,760 --> 00:30:35,280
I think joining a show like The 
Only Way is Essex, I knew that I

592
00:30:35,280 --> 00:30:43,360
wasn't all boobs and tight 
dresses and I knew that I had a 

593
00:30:43,360 --> 00:30:46,760
slightly different style and I 
really honed in on that. 

594
00:30:46,760 --> 00:30:50,960
I mean, talking of that, how, 
how did you cope with the 

595
00:30:50,960 --> 00:30:54,440
wardrobe needs for that? 
Do they, does the show help you?

596
00:30:54,440 --> 00:30:58,960
Do you do it totally yourself? 
Do they give you some assistance

597
00:30:58,960 --> 00:31:01,080
and budget. 
And how does it work? 

598
00:31:01,080 --> 00:31:04,160
No budget. 
It's all completely done 

599
00:31:04,200 --> 00:31:07,600
yourself. 
And because it's a reality show 

600
00:31:07,600 --> 00:31:09,600
and they want to film you. 
Yeah. 

601
00:31:09,600 --> 00:31:12,800
I was told once to glam up. 
Yeah. 

602
00:31:12,960 --> 00:31:14,800
What? 
Too many white tanks and jeans. 

603
00:31:14,800 --> 00:31:21,200
I was wearing just like an LBD. 
And the exec was like, I thought

604
00:31:21,200 --> 00:31:23,440
you was going to bring more, 
more glam. 

605
00:31:24,280 --> 00:31:26,840
And I kind of understand. 
I understood what he meant 

606
00:31:26,840 --> 00:31:30,400
because he was like, we're only 
filming this, you're cropped, 

607
00:31:30,880 --> 00:31:34,360
we're not seeing anything. 
So I definitely felt the 

608
00:31:34,360 --> 00:31:37,080
pressure to do more on shoot 
days and things like that. 

609
00:31:37,080 --> 00:31:38,520
They obviously provide the 
clothes. 

610
00:31:38,520 --> 00:31:42,200
But yeah, now I actually love to
glam up, but it's a different 

611
00:31:42,200 --> 00:31:45,840
kind of glam to what was seen as
glam on TOWIE. 

612
00:31:45,840 --> 00:31:50,280
Like I love doing a red carpet. 
This is a conversation that I, I

613
00:31:50,360 --> 00:31:56,800
sort of keep having at the 
moment is my generation just 

614
00:31:56,800 --> 00:32:01,080
don't wanna look like our 
grannies and don't and and feel 

615
00:32:01,080 --> 00:32:05,840
slightly insulted that we're not
actually being marketed to you 

616
00:32:06,320 --> 00:32:08,840
as much as we could be. 
Honestly, I think this is the 

617
00:32:08,840 --> 00:32:11,520
wonderful thing about who what 
wears that within any of our 

618
00:32:11,520 --> 00:32:14,120
features. 
You might see someone in a trend

619
00:32:14,120 --> 00:32:15,800
piece, for example, we might 
have a Gen. 

620
00:32:15,800 --> 00:32:19,040
Z girl in there who's into St. 
wear, but then you could also 

621
00:32:19,040 --> 00:32:23,160
have someone fabulous who's 60 
plus and loves tailoring. 

622
00:32:23,480 --> 00:32:26,520
And I think we try with all of 
our content to not consider that

623
00:32:26,520 --> 00:32:28,680
it's an age that we're 
targeting. 

624
00:32:28,680 --> 00:32:32,160
It's a type of person. 
It's someone who's interested in

625
00:32:32,160 --> 00:32:35,040
fashion or beauty and it kind of
doesn't matter. 

626
00:32:35,200 --> 00:32:38,880
You know, I think the idea of 
how to wear such and such when 

627
00:32:38,880 --> 00:32:43,600
you're 50, it's quite offensive.
It's and it's dated And I I just

628
00:32:43,600 --> 00:32:48,320
think that that message of it's 
not about your age, it's about 

629
00:32:48,320 --> 00:32:54,720
your approach is is so important
to be hammering home to my age 

630
00:32:54,720 --> 00:33:00,360
group because that's inspiring. 
Yeah rather than to stop. 

631
00:33:00,360 --> 00:33:04,320
Yeah yes, exactly. 
On that note, what does the 

632
00:33:04,320 --> 00:33:09,200
craziest Commission that you 
were ever commissioned to 

633
00:33:09,200 --> 00:33:11,720
create? 
I'm not asking who it was. 

634
00:33:12,040 --> 00:33:14,640
If, as a Julie, you're somewhere
between a sort of gynecologist 

635
00:33:14,640 --> 00:33:16,200
and a banker. 
And a hairdresser. 

636
00:33:16,200 --> 00:33:17,360
And a. 
Hairdresser, you know, you share

637
00:33:17,360 --> 00:33:20,160
all the secrets, you know, and 
you somebody's seen walking out 

638
00:33:20,160 --> 00:33:22,800
of your shop, You know, if 
you're a gynecologist, people 

639
00:33:22,800 --> 00:33:24,000
are saying you're right for it. 
Yeah. 

640
00:33:24,560 --> 00:33:26,680
You must have a lot of those 
secrets. 

641
00:33:26,960 --> 00:33:29,760
So it's. 
But you know, some have been, 

642
00:33:30,280 --> 00:33:34,760
you know, would be almost too, 
too, too unusual to describe, 

643
00:33:34,760 --> 00:33:37,040
should we say. 
I want too intimate to. 

644
00:33:37,040 --> 00:33:41,480
Try try me a. 
Lot of below the waist jewelry 

645
00:33:41,920 --> 00:33:46,120
one way or the other and and 
items that might be used below 

646
00:33:46,120 --> 00:33:48,080
the waist size. 
You didn't have to fit them. 

647
00:33:48,160 --> 00:33:50,920
I didn't have to fit them. 
No, no, no. one-size-fits-all. 

648
00:33:50,920 --> 00:33:53,200
I think it makes these these 
cases. 

649
00:33:54,080 --> 00:33:55,640
But we've made some 
extraordinary things. 

650
00:33:55,640 --> 00:33:58,640
I mean, I had this this text 
amount when I was over in Texas 

651
00:33:58,720 --> 00:34:02,400
and yet another appallingly 
inept trip. 

652
00:34:03,400 --> 00:34:05,880
This man came up to me and sort 
of slapped me on the back in a 

653
00:34:05,880 --> 00:34:07,720
way which I sort of recovered 
about a week later. 

654
00:34:07,720 --> 00:34:14,199
You know, he wanted a yellow 
rose for his his girlfriend and 

655
00:34:14,199 --> 00:34:18,639
he had a wife very angry and, 
and he pointed her out. 

656
00:34:19,159 --> 00:34:21,800
He didn't actually introduce me 
to her, but pointed right And 

657
00:34:21,800 --> 00:34:24,239
she looked fearsome. 
I realised that this needed to 

658
00:34:24,239 --> 00:34:26,920
be done very discreetly, 
otherwise he was going to die 

659
00:34:26,920 --> 00:34:30,639
terrible death. 
But he called his his new 

660
00:34:30,639 --> 00:34:34,920
sweetheart, the Yellow Rose of 
Texas, and I said, yes, there's 

661
00:34:34,920 --> 00:34:36,600
a song there. 
Somebody went, yeah, yeah, there

662
00:34:36,600 --> 00:34:39,639
is a song already. 
And I went really well anyway, 

663
00:34:39,800 --> 00:34:43,239
which of course was forgetting 
in some parts of the world, you 

664
00:34:43,239 --> 00:34:47,000
really can't, yeah, you can't 
use RNA of any sort anyway. 

665
00:34:47,080 --> 00:34:48,360
So. 
So I had to make this yellow 

666
00:34:48,360 --> 00:34:54,080
rose brooch, yellow diamond, but
it had to have a a box that 

667
00:34:54,080 --> 00:34:57,800
opened up those is, you know, 
things like this is way before 

668
00:34:58,320 --> 00:35:02,560
any kind of any kind of even CDs
and things. 

669
00:35:02,560 --> 00:35:04,840
So there was no kind of, you 
know, electric device you could 

670
00:35:04,840 --> 00:35:05,760
do. 
So we had to have this thing 

671
00:35:05,760 --> 00:35:10,040
made that played the yellow rose
of Texas when you opened it and 

672
00:35:10,040 --> 00:35:12,920
had a secret compartment that 
open slid open, had a picture of

673
00:35:12,920 --> 00:35:17,600
her in, in her natural state, as
it were, but a rather sort of 

674
00:35:17,600 --> 00:35:19,920
exotic natural state in those 
days. 

675
00:35:19,920 --> 00:35:22,200
Of course, you didn't come on on
that mercifully didn't come on a

676
00:35:22,200 --> 00:35:24,520
telephone came in this sort of 
bright envelope. 

677
00:35:24,520 --> 00:35:29,040
And he sort of shuffled over my 
way and I went, oh God, which I 

678
00:35:29,040 --> 00:35:30,680
had to travel back to. 
I thought, I know I'm going to 

679
00:35:30,680 --> 00:35:33,120
get stopped. 
This is where I get stopped and 

680
00:35:33,120 --> 00:35:35,280
I have to say yellow rays of 
Texas and it's going to sound 

681
00:35:35,280 --> 00:35:40,840
like some terrible euphemism for
some awful kind of deviant 

682
00:35:40,840 --> 00:35:43,000
behaviour. 
Anyway, I had to put this 

683
00:35:43,000 --> 00:35:47,440
together for him and but it 
involved really for the first 

684
00:35:47,440 --> 00:35:53,360
time for me a dozen different 
Craftsman who were not hard and 

685
00:35:53,360 --> 00:35:57,000
fast jewellery Craftsman said. 
I mean, they said the man that 

686
00:35:57,000 --> 00:36:01,360
made The Who made the music box 
was literally a Swiss guy that 

687
00:36:01,360 --> 00:36:02,280
made those little things.
