1 00:00:08,640 --> 00:00:11,640 Welcome to this Watch live. Hi, I'm Lydia Winters. 2 00:00:11,720 --> 00:00:14,360 And I'm Vu Bui. How does it feel? 3 00:00:14,360 --> 00:00:18,880 We are two days away from 100 episodes. 4 00:00:18,960 --> 00:00:20,840 It feels wild. What? 5 00:00:21,320 --> 00:00:23,240 I can't believe it actually. I'm very. 6 00:00:23,760 --> 00:00:27,320 I'm very shocked. You like 100 day projects? 7 00:00:27,320 --> 00:00:30,760 I do. It will be a episode 101 that 8 00:00:30,760 --> 00:00:33,480 I'm like, Oh no, no, I'm just kidding. 9 00:00:34,480 --> 00:00:38,000 'Cause it's been something that both you and I have done over 10 00:00:38,000 --> 00:00:42,480 the years, these different versions of daily projects, but 11 00:00:42,480 --> 00:00:45,880 this one doesn't have an ending. Yeah, that's true. 12 00:00:46,040 --> 00:00:49,240 That's the difference. It's not 100 day project, it's a 13 00:00:50,120 --> 00:00:51,840 I don't know, we go for the rest of our. 14 00:00:51,960 --> 00:00:52,520 Lives. Yeah. 15 00:00:54,480 --> 00:00:57,440 And it's too early in the morning to figure that answer 16 00:00:57,440 --> 00:01:00,520 out. But I do think it's nice to mark 17 00:01:00,520 --> 00:01:03,360 100 because that feels like something special. 18 00:01:03,480 --> 00:01:06,800 And also for all of these listeners who've been listening 19 00:01:06,800 --> 00:01:08,880 to us. Yeah, that many times. 20 00:01:08,880 --> 00:01:11,640 Yeah, yeah, yeah. I I think it's the the thing 21 00:01:11,640 --> 00:01:15,640 about doing it daily though is we got to 100 kind of faster 22 00:01:15,640 --> 00:01:20,840 than it feels right, you know, and also faster than you could 23 00:01:20,840 --> 00:01:24,600 prepare for. Yes, that's that's a bit true. 24 00:01:24,760 --> 00:01:27,960 There like there are other podcasts, like when they get to 25 00:01:27,960 --> 00:01:32,480 100 they do something huge like we could do like, I don't know, 26 00:01:32,480 --> 00:01:34,960 a watch collab or something. But we're like, we're going to 27 00:01:34,960 --> 00:01:36,920 get to another hundred this year. 28 00:01:37,120 --> 00:01:40,280 So, well, yeah, two more hundred this year. 29 00:01:40,280 --> 00:01:42,400 So no, we're not doing big things. 30 00:01:42,480 --> 00:01:46,880 No, no, it's too too quick. Someone said, oh, is your AP 31 00:01:46,880 --> 00:01:48,960 Royal Oak to celebrate 100 episodes? 32 00:01:48,960 --> 00:01:53,160 And I was like, absolutely not. I cannot celebrate the hundreds 33 00:01:53,160 --> 00:01:55,480 that way. No, no, no. 34 00:01:55,480 --> 00:01:59,120 We can't go through two big celebrations like that a year. 35 00:01:59,240 --> 00:02:01,960 No, but well, 3. Oh yeah. 36 00:02:02,120 --> 00:02:04,880 Yeah, it's like. Well, it's like 240 episodes a 37 00:02:04,880 --> 00:02:05,800 year. OK. 38 00:02:05,800 --> 00:02:08,440 It's 240. Yeah, I was thinking of every 39 00:02:08,440 --> 00:02:11,000 day. I was thinking of 365, but you 40 00:02:11,000 --> 00:02:13,120 all know I don't math, so there we go. 41 00:02:13,360 --> 00:02:15,360 Or work. On the weekends, which is nice. 42 00:02:16,000 --> 00:02:18,800 So we went to the movies last weekend. 43 00:02:18,800 --> 00:02:21,480 Yes. And this was prompted by me, 44 00:02:21,520 --> 00:02:26,640 which I would say in our relationship I would maybe 45 00:02:26,640 --> 00:02:31,400 there's been like, I don't know, 5 movies I can think of that I 46 00:02:31,400 --> 00:02:35,440 was like, I want to go see this in the in in the theater. 47 00:02:35,440 --> 00:02:38,760 Two of them were the new Star Wars after seeing the first one 48 00:02:38,760 --> 00:02:42,840 in Theater Knives out. Oh yeah, knives out. 49 00:02:43,160 --> 00:02:45,320 Barbie. That was your well, but The 50 00:02:45,320 --> 00:02:46,600 thing is knives. Out and this. 51 00:02:46,680 --> 00:02:50,400 One Barbie and this one. It was like both of us really 52 00:02:50,400 --> 00:02:53,160 wanted to see, so it wasn't only you driving it. 53 00:02:53,200 --> 00:02:56,080 No, but I was like, I want to go to the theater to see this, 54 00:02:56,080 --> 00:02:58,960 which doesn't happen. Foo always wishes it to happen, 55 00:02:59,440 --> 00:03:01,840 and it has happened five times in 12 years. 56 00:03:02,280 --> 00:03:06,760 So you're welcome. Wow, you are really, really 57 00:03:06,760 --> 00:03:09,760 doing well. So OK, we went and watched the 58 00:03:09,760 --> 00:03:13,400 fall guy. Yes, it's starring Ryan Gosling 59 00:03:13,440 --> 00:03:18,960 and Emily Blunt. It is just very, very fun movie 60 00:03:19,200 --> 00:03:22,000 about like a kind of love letter to the stunt community. 61 00:03:22,000 --> 00:03:24,080 Yes. Which is really fun I. 62 00:03:24,080 --> 00:03:26,440 Thought it was really cool. It's directed by David Leach. 63 00:03:26,680 --> 00:03:29,760 He directed recently the the movie I really like that he 64 00:03:29,760 --> 00:03:33,200 directed was Bullet Train. He also did Deadpool 2, which 65 00:03:33,200 --> 00:03:37,480 was super fun. So he was a former stunt person, 66 00:03:37,840 --> 00:03:41,760 like stunt guy, grew up doing stunts, became a stunt 67 00:03:41,760 --> 00:03:44,240 coordinator. Like has been really involved in 68 00:03:44,240 --> 00:03:47,680 the stunt community. So it totally makes sense that 69 00:03:47,680 --> 00:03:51,360 he would do this movie that is essentially all about stunts. 70 00:03:51,360 --> 00:03:53,840 Yeah, I thought that that context really helped me. 71 00:03:53,840 --> 00:03:56,920 They actually had a little clip before the movie of him and Ryan 72 00:03:56,920 --> 00:04:02,000 Gosling chatting about the fact that he that that David did 73 00:04:02,000 --> 00:04:05,800 stunts before and that felt really nice because it it did, 74 00:04:06,200 --> 00:04:09,800 it felt more insider. I think that's like in any 75 00:04:09,880 --> 00:04:13,040 community and watches you're like, but do they love the 76 00:04:13,040 --> 00:04:14,960 watch? Do they know the watch? 77 00:04:14,960 --> 00:04:17,040 Do they leave? And like watches, you know you 78 00:04:17,040 --> 00:04:22,960 want to feel that someone who knows did the thing. 79 00:04:23,080 --> 00:04:28,600 So I immediately was more open to everything in the movie stunt 80 00:04:28,600 --> 00:04:32,320 wise because I was like he knows and I think that's it's very, 81 00:04:32,320 --> 00:04:35,880 very similar to watches. Yeah, and I what I liked about 82 00:04:35,880 --> 00:04:39,520 that little scene that came before the movie, which was kind 83 00:04:39,520 --> 00:04:43,160 of one of those fun, like turn off your phones type of of 84 00:04:43,160 --> 00:04:47,920 scenes, but but it provided context that you don't always 85 00:04:47,920 --> 00:04:49,720 get when you're going to see a movie. 86 00:04:49,800 --> 00:04:52,800 Yeah, and maybe sometimes you don't want that context, right, 87 00:04:53,120 --> 00:04:56,000 because sometimes you're just wanna be immersed in the story. 88 00:04:56,360 --> 00:04:59,960 But I do think it can be valuable to also understand why 89 00:04:59,960 --> 00:05:03,880 that story is being told at all. Yeah, that's what was fun about 90 00:05:03,880 --> 00:05:08,920 this. But it also gave us context to A 91 00:05:08,920 --> 00:05:14,120 tag Hoyer Carrera ad that we had seen called the Chase for 92 00:05:14,120 --> 00:05:16,240 Carrera. I think the Chase for Carrera, 93 00:05:16,680 --> 00:05:22,600 where David was the director in it and Ryan was doing a lot of 94 00:05:22,600 --> 00:05:26,240 stunts and like trying to steal a Carrera. 95 00:05:26,240 --> 00:05:30,160 Yeah, So a year ago, right, This ad comes out. 96 00:05:30,400 --> 00:05:35,240 We watched it when it came out and did not realize that it was 97 00:05:35,360 --> 00:05:38,040 kind of in partnership with the making of this movie. 98 00:05:38,600 --> 00:05:41,760 Like it. It, it is its own thing, stands 99 00:05:41,760 --> 00:05:43,720 alone. But then when you see both 100 00:05:43,720 --> 00:05:47,680 pieces, you realize, oh, this all kind of exists in the same 101 00:05:47,680 --> 00:05:48,680 world. Kind of. 102 00:05:49,160 --> 00:05:51,760 Because in the ad, Ryan Gosling's playing himself, 103 00:05:52,240 --> 00:05:59,000 Vanessa Bayer is playing this prop master and it I think there 104 00:05:59,000 --> 00:06:03,600 are just times when you see an ad where you just love it. 105 00:06:03,600 --> 00:06:06,680 I remember there was a chewing gum ad that came like during the 106 00:06:06,680 --> 00:06:10,800 pandemic, that every time I'd watch, I'd cry where they just 107 00:06:10,800 --> 00:06:12,560 nailed that ad. I I don't. 108 00:06:12,760 --> 00:06:15,400 I wish I had looked it up before this, but I'll I'll put a link 109 00:06:15,400 --> 00:06:18,600 to the ad. Do you remember anything about 110 00:06:18,600 --> 00:06:19,920 the ad? Yeah, yeah, yeah. 111 00:06:19,920 --> 00:06:22,360 OK Yeah. No 'cause I remember that part. 112 00:06:22,480 --> 00:06:23,640 It was like the feelings. Yeah. 113 00:06:23,680 --> 00:06:28,600 Yeah, it was people coming out for, you know, essentially the 114 00:06:28,640 --> 00:06:32,600 ad was like the end of the pandemic and it was there's a 115 00:06:32,600 --> 00:06:35,480 song that plays that's very iconic, but I don't want to give 116 00:06:35,480 --> 00:06:35,960 away. Too much? 117 00:06:35,960 --> 00:06:38,160 No. But it was kind of like, hey, 118 00:06:38,720 --> 00:06:44,240 after you chew this gum, you're free and, you know, run free. 119 00:06:44,600 --> 00:06:47,360 I, I, I I love that. I will put we'll link to it on 120 00:06:47,360 --> 00:06:50,480 the website. But this ad, I think is another 121 00:06:50,480 --> 00:06:56,040 one where it's self aware enough and it's funny enough and 122 00:06:56,040 --> 00:07:00,000 everyone who's in it just looks like they're having a great 123 00:07:00,000 --> 00:07:03,400 time. So it makes the ad really 124 00:07:03,400 --> 00:07:05,800 enjoyable. Like it doesn't feel like you're 125 00:07:05,800 --> 00:07:08,480 just being sold to. It actually feels like you're in 126 00:07:08,480 --> 00:07:11,520 on the joke. There's also, I think there is 127 00:07:11,520 --> 00:07:15,680 this wish fulfillment as again, watch collectors for all of us. 128 00:07:15,680 --> 00:07:19,800 We're like, I wish I was famous so people would give me watches 129 00:07:19,800 --> 00:07:23,640 all the time that I get to keep, you know, like. 130 00:07:24,080 --> 00:07:25,480 That's what you took away from it. 131 00:07:25,680 --> 00:07:26,720 Well, no. OK. 132 00:07:26,720 --> 00:07:30,040 So kind of, yeah. That that there's like this 133 00:07:30,040 --> 00:07:34,600 feeling that Ryan Gosling wants to keep this, you know, the 134 00:07:34,640 --> 00:07:37,760 prop, which is the Carrera that he was wearing for the ad and 135 00:07:37,760 --> 00:07:40,160 he's like running away with it. I don't know. 136 00:07:40,160 --> 00:07:44,280 There's something that to me felt like, yeah, you're like, I 137 00:07:44,280 --> 00:07:46,320 want to keep this. It's so cool. 138 00:07:46,320 --> 00:07:48,640 It's so special. I got to wear it. 139 00:07:49,200 --> 00:07:54,480 And also seeing a watch in all of these, you know, car chase 140 00:07:54,480 --> 00:07:59,560 scenes, jumping, you know, like it they because everyone was 141 00:07:59,560 --> 00:08:03,760 wearing A tag Hoyer too and they were doing lots of stunts. 142 00:08:03,800 --> 00:08:05,600 So then it just all feels very cool. 143 00:08:05,680 --> 00:08:09,080 Yeah, Vanessa Bayer is wearing that pink dial Carrera, which 144 00:08:09,080 --> 00:08:12,160 was really cool. I just felt it. 145 00:08:12,720 --> 00:08:16,240 It especially the way it it, it kind of unfolded for us having 146 00:08:16,240 --> 00:08:19,840 seen that ad, being interested in it because specifically tag, 147 00:08:20,040 --> 00:08:23,480 you know like and like in watches and then going to see 148 00:08:23,480 --> 00:08:27,960 the movie and then being like, oh, these two things are 149 00:08:27,960 --> 00:08:33,200 completely linked to each other and exist sort of in the same 150 00:08:33,280 --> 00:08:35,200 universe, which I thought was really cool. 151 00:08:35,360 --> 00:08:37,400 Yeah. So in the movie you have Emily 152 00:08:37,400 --> 00:08:41,039 Blunt and Ryan Gosling. They are, they have great 153 00:08:41,039 --> 00:08:42,400 chemistry. I don't want to give too much 154 00:08:42,400 --> 00:08:45,440 away because I actually wish I hadn't watched as many trailers 155 00:08:45,440 --> 00:08:48,480 because I knew a little too much or had seen some of the core 156 00:08:48,480 --> 00:08:51,480 scenes. I know Vu is always like, I'm 157 00:08:51,480 --> 00:08:54,240 not going to watch it. And I'm like, I like to read the 158 00:08:54,240 --> 00:08:58,080 ending before the beginning. So I'm a spoiler. 159 00:08:58,680 --> 00:08:59,440 I'm a spoiler. I. 160 00:08:59,480 --> 00:09:02,200 Feel like you've been better about not reading the ending of 161 00:09:02,200 --> 00:09:03,680 movies before? We watch them now. 162 00:09:04,560 --> 00:09:06,720 Depends on the movie. Oh, do you just not tell me that 163 00:09:06,720 --> 00:09:07,520 you're doing it? Yeah. 164 00:09:07,920 --> 00:09:10,560 If it's suspenseful, I just read the ending so I don't feel so 165 00:09:10,560 --> 00:09:13,800 stressed. Yeah, it's something for people 166 00:09:13,800 --> 00:09:15,960 to learn about me. It's a different approach. 167 00:09:16,080 --> 00:09:17,520 It is a different for different. Reasons. 168 00:09:18,400 --> 00:09:21,200 I'm like the one who's like looking around, like I know 169 00:09:21,360 --> 00:09:26,040 what's coming. That seems evil. 170 00:09:26,440 --> 00:09:29,480 No, I don't know. For me it just like De, stresses 171 00:09:29,480 --> 00:09:30,640 me a lot. That's fair. 172 00:09:30,720 --> 00:09:34,040 That's fair. But no, I I felt like the whole 173 00:09:34,200 --> 00:09:38,760 vibe of this movie makes the movie work better, right? 174 00:09:38,760 --> 00:09:42,080 Because sometimes you have a movie where the premise is so 175 00:09:42,080 --> 00:09:45,840 far fetched and the things that happened as it unfolds, it's 176 00:09:45,840 --> 00:09:49,320 just so ridiculous. And it annoys me because the 177 00:09:49,320 --> 00:09:52,880 tone of the movie is like, Oh no, this is this is all real. 178 00:09:53,360 --> 00:09:56,800 Whereas in this movie, the tone of the movie was you should 179 00:09:56,800 --> 00:09:59,720 suspend your disbelief and go along for the ride. 180 00:09:59,720 --> 00:10:02,880 It's going to be super fun, full of stunts, which. 181 00:10:03,040 --> 00:10:05,640 It was, which was really cool. Really, really fun. 182 00:10:05,920 --> 00:10:10,360 And it's funny. Yes, like, the humor was great. 183 00:10:10,440 --> 00:10:15,320 And there's an amazing watch throughout, you know, Obviously 184 00:10:15,320 --> 00:10:19,160 we're always looking at the wrists and it. 185 00:10:19,560 --> 00:10:22,960 It's funny how that played out though, because you're even 186 00:10:22,960 --> 00:10:26,760 you're way better than me at this at at spotting the wrist. 187 00:10:26,880 --> 00:10:29,240 Yes. And I would say actually, as I'm 188 00:10:29,240 --> 00:10:32,800 thinking about it now, I don't know that anyone else was 189 00:10:32,800 --> 00:10:38,000 wearing watches, so was Ryan The only one wearing? 190 00:10:38,000 --> 00:10:40,760 Was it like this is A tag? Carrera said. 191 00:10:41,480 --> 00:10:45,000 Please take off your watches and put them in the locked box. 192 00:10:45,240 --> 00:10:48,840 Interesting. Because unlike the the tag ad 193 00:10:49,000 --> 00:10:53,000 where you clearly see that everyone is wearing different 194 00:10:53,000 --> 00:10:58,680 models of tag Hoyer, in this one it really is his character is 195 00:10:58,680 --> 00:11:00,760 wearing a watch and you see it a lot. 196 00:11:00,800 --> 00:11:05,760 Yeah, and but OK, so it's the tag Hoyer Carrera chronograph, 197 00:11:05,760 --> 00:11:09,560 the 39mm, the glass box. That's what he's wearing for the 198 00:11:09,560 --> 00:11:11,840 whole film. And what I thought was 199 00:11:11,840 --> 00:11:14,720 interesting because I feel like they did a good job with this. 200 00:11:15,000 --> 00:11:18,320 Sometimes product placement feels so in your face and it 201 00:11:18,320 --> 00:11:21,840 just doesn't feel. We know it's not authentic, but 202 00:11:21,840 --> 00:11:23,760 you want to feel like it's authentic. 203 00:11:24,160 --> 00:11:28,960 And I felt like for the first half of the movie, The watch was 204 00:11:28,960 --> 00:11:34,240 out of focus in every shot where you'd think they'd just focus on 205 00:11:34,240 --> 00:11:37,280 the watch for just a moment. It was out of focus. 206 00:11:37,280 --> 00:11:41,560 And I'm like, oh, maybe this wasn't like, maybe there was no 207 00:11:41,560 --> 00:11:45,160 tie in. Maybe Tag didn't pay for this 208 00:11:45,880 --> 00:11:48,600 movie for their watch to be shown in the movie. 209 00:11:48,600 --> 00:11:51,760 And so Ryan Gosling's wearing it because he's an ambassador. 210 00:11:51,760 --> 00:11:53,800 But they're like, Nope, we're going to keep it blurry So you 211 00:11:53,800 --> 00:11:55,760 don't even know what it is. And then? 212 00:11:57,280 --> 00:12:00,200 There was like a perfect hero shot you. 213 00:12:00,200 --> 00:12:05,680 Could just hear Vu like and people are probably like, oh, 214 00:12:05,680 --> 00:12:07,480 why is he so excited about that scene. 215 00:12:07,480 --> 00:12:09,920 And he's like, I like that watch looks really good. 216 00:12:10,120 --> 00:12:12,920 You've been talking a lot about the glass box since. 217 00:12:12,920 --> 00:12:16,840 Yeah, I have I I think it really worked on me this this product 218 00:12:16,840 --> 00:12:17,840 placement really got. Me. 219 00:12:17,840 --> 00:12:21,320 Oh no, Ryan. Gosling looks so cool. 220 00:12:21,760 --> 00:12:24,040 I mean, he kind of always does, but in this movie? 221 00:12:24,040 --> 00:12:25,600 He just looked cool in every field. 222 00:12:25,880 --> 00:12:28,840 Yeah, he just looked. And he's not being a cool guy. 223 00:12:29,120 --> 00:12:31,240 No. He's actually like this kind of 224 00:12:31,240 --> 00:12:35,560 fun, like a little bit. He's a little derpy in this and. 225 00:12:36,400 --> 00:12:40,400 But he cool, yeah. So cool all the time. 226 00:12:40,640 --> 00:12:44,040 He's really nailed this type of character. 227 00:12:44,280 --> 00:12:49,360 Like he he, he he did so well. And seeing that watch on him did 228 00:12:49,560 --> 00:12:51,360 it. It made me, yeah. 229 00:12:51,360 --> 00:12:54,200 It made me like to watch more. But it is interesting because 230 00:12:54,200 --> 00:12:58,920 there was also that other was it Netflix movie The Gray Man that 231 00:12:58,920 --> 00:13:02,120 Ryan Gosling was in. Lots of hero shots of the watch 232 00:13:02,360 --> 00:13:04,480 too. And then you have other movies 233 00:13:04,480 --> 00:13:08,640 like Knives Out like The Glass Onion and and Daniel Craig is 234 00:13:08,640 --> 00:13:13,880 wearing The Omega. But I do think Tag is like, we 235 00:13:13,880 --> 00:13:17,160 have this ambassador Ryan Gosling. 236 00:13:17,320 --> 00:13:19,360 We've put all of our money into it. 237 00:13:19,440 --> 00:13:22,760 Barbie, you get 3 watches. You need to talk about time. 238 00:13:23,680 --> 00:13:26,120 You know, Gray man, lots of hero shots. 239 00:13:26,320 --> 00:13:30,240 This movie, the the main, like one of the main images, he's 240 00:13:30,240 --> 00:13:34,880 kind of like underneath a train or car and it's just all watch. 241 00:13:35,400 --> 00:13:38,680 And so it's very interesting to think of that. 242 00:13:38,680 --> 00:13:44,600 I also find it like to me when we looked at some of the Morgan 243 00:13:44,600 --> 00:13:47,280 Stanley numbers and I know there's like a lot of debate 244 00:13:47,280 --> 00:13:50,520 about whether or not those are very accurate. 245 00:13:51,000 --> 00:13:57,200 But you don't see tag like moving up in status like in how 246 00:13:57,240 --> 00:14:01,520 amount sold it seems like and I think that's kind of in 247 00:14:02,000 --> 00:14:05,960 opposition to this feeling that they're kind of everywhere. 248 00:14:06,080 --> 00:14:08,200 Yeah. I mean, but that's the thing 249 00:14:08,200 --> 00:14:11,240 about marketing, yeah. If you do it well, it makes you 250 00:14:11,240 --> 00:14:15,600 feel like everyone has A tag Carrera glass box. 251 00:14:15,600 --> 00:14:18,720 At least everyone who looks incredibly cool doing stunts in 252 00:14:18,720 --> 00:14:21,440 a movie. Well, yes, we know that one guy 253 00:14:21,600 --> 00:14:23,840 he likes to drive. It is. 254 00:14:24,200 --> 00:14:27,560 So we went and saw this watch and it was when the green dial 255 00:14:27,560 --> 00:14:29,600 came out. I didn't really love the green 256 00:14:29,880 --> 00:14:32,840 Intrusive bummer. No, it's a little too emeraldy 257 00:14:32,840 --> 00:14:35,840 for both of us. I do think this more like Gray. 258 00:14:35,840 --> 00:14:39,560 Black is super beautiful, very classy. 259 00:14:40,080 --> 00:14:42,600 I mean, it did also make me want one. 260 00:14:42,800 --> 00:14:45,200 I think whenever you see a watch, I'm not going to get one. 261 00:14:45,200 --> 00:14:47,120 But you know, yeah. Yeah, I'm not getting one 262 00:14:47,120 --> 00:14:47,920 either. I just. 263 00:14:48,400 --> 00:14:52,480 But there is a feeling when you see it, you're like this very 264 00:14:53,280 --> 00:14:56,480 fun again, fun. He's not like the cool guy 265 00:14:56,480 --> 00:15:00,760 versus like in Gray Man. He was more of the aloof. 266 00:15:00,880 --> 00:15:04,240 You know, in this one, he's fully open. 267 00:15:04,240 --> 00:15:06,680 He's, you know, like he's just he's. 268 00:15:06,760 --> 00:15:10,920 Emotionally vulnerable. And so you're like, I wanna be 269 00:15:10,920 --> 00:15:16,040 that adventurous, emotionally intelligent sweetheart named 270 00:15:16,040 --> 00:15:18,840 Ryan Gosling. And I obviously am gonna wear A 271 00:15:18,840 --> 00:15:19,960 tag. Yeah. 272 00:15:20,360 --> 00:15:24,080 What what I think is interesting is it seems like these past 273 00:15:24,080 --> 00:15:29,600 couple of years you've seen a lot more that when films are 274 00:15:29,600 --> 00:15:34,200 bringing in an actor, they're also bringing in the products 275 00:15:34,200 --> 00:15:36,200 that that actors. Yeah, that's true. 276 00:15:36,200 --> 00:15:38,760 That's very true. So, like, Ryan Reynolds has a 277 00:15:38,760 --> 00:15:42,680 gin company and basically it looks like if you put Ryan 278 00:15:42,680 --> 00:15:45,480 Reynolds in a movie now, you're gonna see his gin. 279 00:15:45,560 --> 00:15:47,680 Yeah. Like that's that sounded really 280 00:15:47,680 --> 00:15:50,840 gross. You're gonna see his his gin 281 00:15:50,840 --> 00:15:55,320 product drink. Being drunk on screen is what I 282 00:15:55,320 --> 00:15:57,320 meant. I don't know why you read weird 283 00:15:57,320 --> 00:16:01,640 things into that, but like, I think that's an interesting next 284 00:16:01,640 --> 00:16:03,760 phase. And if you look at this with Tag 285 00:16:03,760 --> 00:16:10,000 Hoyer, where not only did you know so Ryan, Ryan Gosling is in 286 00:16:10,000 --> 00:16:13,360 this movie, and so you get A tag Hoyer on his wrist for the 287 00:16:13,360 --> 00:16:20,200 movie, but also then Tag pays for this ad with much of the 288 00:16:20,200 --> 00:16:23,400 same people who are involved in making the movie director or the 289 00:16:23,400 --> 00:16:24,400 actor right. It. 290 00:16:24,400 --> 00:16:28,480 It's a very interesting thing and it feels like maybe this 291 00:16:28,480 --> 00:16:34,400 next phase of how they're going to do advertising just in 292 00:16:34,400 --> 00:16:36,480 general. Yeah, You're like I am the 293 00:16:36,480 --> 00:16:40,320 product and the product placement is on me, which is 294 00:16:40,320 --> 00:16:43,880 essentially like the Ryan Gosling method, which is then 295 00:16:44,400 --> 00:16:48,240 then you are placed as the product into the movie and the 296 00:16:48,240 --> 00:16:50,720 placement is the watch that you like you. 297 00:16:51,000 --> 00:16:53,760 It's a package deal, yeah. But so then does that start 298 00:16:53,760 --> 00:16:56,760 dictating the roles that these people? 299 00:16:56,760 --> 00:17:00,040 Yeah, I mean, it could be. You know, and they're like, what 300 00:17:00,040 --> 00:17:03,480 if they're doing a period piece? Someone probably saw a drive 301 00:17:03,640 --> 00:17:08,079 years ago with Ryan Gosling and they were like he needed a, you 302 00:17:08,079 --> 00:17:11,920 know, a cool chronograph that was sponsored, that was 303 00:17:11,920 --> 00:17:15,960 sponsored and paid for. Maybe that's how this this all 304 00:17:15,960 --> 00:17:18,040 came. About I would love to see more 305 00:17:18,040 --> 00:17:23,560 of this with, you know, female stars, because I do think we're 306 00:17:23,560 --> 00:17:26,720 naming a lot of men wearing cool watches. 307 00:17:27,119 --> 00:17:29,960 In movies. And then you see, OK, they're an 308 00:17:29,960 --> 00:17:31,640 ambassador. There's a clear link. 309 00:17:31,640 --> 00:17:37,280 And I just can't think of many women that that is happening to. 310 00:17:37,280 --> 00:17:40,480 So that's my that's my wish. More product placement, but put 311 00:17:40,480 --> 00:17:44,040 it on a woman. You're asking for more product 312 00:17:44,080 --> 00:17:45,680 I. Like to see a watch. 313 00:17:45,720 --> 00:17:49,040 I like to, if I'm watching a movie anyway, throw some 314 00:17:49,040 --> 00:17:51,760 beautiful watches in there and make it even better because I'm 315 00:17:51,760 --> 00:17:53,320 like they're an ambassador. I don't. 316 00:17:53,320 --> 00:17:55,960 I'm happy with that. It doesn't bother me at all. 317 00:17:57,000 --> 00:18:01,440 I completely agree. Hey, if you have been enjoying 318 00:18:01,440 --> 00:18:05,480 this podcast, please go give it a rating or even a review on 319 00:18:05,480 --> 00:18:08,360 your podcast app of choice. Well OK, Spotify only has 320 00:18:08,360 --> 00:18:10,400 ratings. The Apple podcast also has 321 00:18:10,400 --> 00:18:14,240 reviews, and we've been told this helps new people find the 322 00:18:14,240 --> 00:18:17,120 podcast, which would be nice. That would be nice, right before 323 00:18:17,120 --> 00:18:18,520 100. You're like, I'm very far 324 00:18:18,520 --> 00:18:22,360 behind. Have a great day everyone. 325 00:18:22,600 --> 00:18:24,200 Bye, bye.