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I think one of the ways that 
organizations build trust is by 

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how they come back from a 
mistake, whether it was the CEO 

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did something incredibly 
boneheaded, or maybe the 

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organization has been caught in 
a lie or caught in a scandal or 

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just they didn't plan 
appropriately for the needs of 

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their audiences. 
Hello, and welcome to design, 

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adjacent the podcast that talks 
about the Nexus of design both 

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today. 
And tomorrow, I'm your host Ben 

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yet Johnson. 
And today, our guest is a 

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Content strategist, business 
leader entrepreneur, and 

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all-around advocate for trust. 
Our Guest today is Margo 

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Bluestein, Margo is one of the 
most preeminent voices in 

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content strategy in the industry
today, she is the author of In 

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strategy at work real-world 
stories to strengthen every 

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interactive project. 
So use the principle of 

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appropriate ink, a brand and 
content, strategy, consultancy 

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based in Boston as a speaker and
strategic advisor. 

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She is worked with marketing and
brand teams across a range of 

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organizations, for the past two 
decades. 

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Many of the leading brands of 
consumer products, education and

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Technology are spaces in which 
he's worked. 

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She is the creator of brand 
sword developed a Popular 

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message architecture. 
Architecture driven approach to 

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content strategy today. 
She's taught and offers lectures

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around the world on brand driven
content, strategy, and designing

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for trust. 
And that's what brings her to 

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Designed adjacent today. 
Her most recent publication is 

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trustworthy, how the smartest 
Brands, beat cynicism, and 

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Bridge. 
The trust gackt and content 

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today, I like to Welcome to our 
podcasts. 

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Marga, thank you so much. 
It is such a pleasure to have 

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you here. 
You we were talking earlier. 

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How this conversation happens? 
Really full circle. 

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I first met you through your 
work with content strategy and 

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thinking about web and 
interactive spaces for 

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organizations then then to see 
your exploration of trust and 

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then this examination of how 
design can have a space in are 

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really in my role. 
Now, aiga, and my previous role 

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at BBB dealing, with trust these
subjects have always been at 

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this Nexus content, trust in 
design strategy. 

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So as we started, I'd love To 
just what brought you along this

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path. 
How did you end up at this Nexus

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of trust and design? 
Well, I think like so many of us

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have faced over the past few 
years, wherever you are in your 

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design, career things have been 
a little bit unsettled different

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and I think for me going back, 
maybe six seven years now, I was

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noticing how things were 
starting to change in the 

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political arena in media, that 
covered politics, where it used 

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to be that if we caught upon 
Addition in a lie that would 

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Scuttle their campaign or just 
kind of catching any sort of big

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thought leader or Big Brand 
organization. 

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It'll I or in a state of 
hypocrisy kind of scuttle the 

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brand and undermine the brand 
experience, the customers 

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experience and I wondered if the
problems that I was seeing in 

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the political sphere where that 
didn't really seem to be 

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happening anymore on either side
of the aisle. 

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I wondered if those issues would
affect my clients as well, 

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because I largely don't work 
with politicians or with 

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political organizations too 
much. 

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As client me, my clients are 
more in retail and Healthcare 

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and pharmaceuticals and Dida be 
areas. 

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And I wondered if some of those 
issues around cynicism and how 

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people were reacting or not 
reacting to problems in 

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leadership and deceit, if they 
would affect those organizations

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to turns out, yes, they do all 
those Is that we see around 

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around cynicism where people 
were saying like you can't trust

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any politician, they all lie to 
you but doesn't matter. 

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Whatever new information comes 
out, I'm still going to vote the

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way I vote some of those same 
Trends in thinking were 

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affecting my clients to. 
So that's when I started digging

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in to figure out why. 
And what was happening for 

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brands that are able to get past
customer, cynicism or cynicism 

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among among voters or donors or 
consumers? 

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Yes, and so that's what kind of 
motivated me to look at this 

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path of, if a brand needs to 
design its way past cynicism, 

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what is on the other side of 
that? 

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And it turns out on the other 
side of cynicism is trust. 

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But it's interesting. 
We talk about our relationships 

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in Brands today and using the 
term cynicism. 

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We think about Brands can have 
the history of brands have been 

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around about 100 years and kind 
of grew out of advertising. 

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And in many ways, it was 
self-interested for the space. 

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But we've seen Brands evolve 
over the years, through 

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advertising in the 50s and 60s, 
and 70s, 80s and going forward, 

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we're all of a sudden, our 
relationship started to change 

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with the Brand's where it became
less about an Enterprise selling

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goods and more about a human 
connected experience. 

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We think about Brands, how have 
you seen that play out in our 

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expectations with Brands today. 
It's interesting that you map 

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out that that kind of trend 
where we've gone from 

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interactions with the The big 
nameless faceless Corporation to

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now expecting that kind of more 
interpersonal, communication 

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more that human touch. 
I've been reading this wonderful

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book from Chip. 
Kidd it came out, maybe, like 

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six seven years ago. 
I want to say It's called Go a 

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kids spell Ki DD after chip Kidd
guide to graphic design. 

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Yeah. 
He's all about that. 

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Double entendre which I 
definitely appreciate a kid's 

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guide to graphic design and it 
breaks down principles and 

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graphic design, particularly 
related to two. 

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Doing and how you establish a 
brand visually and verbally. 

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And there, he points out in the 
very beginning of the book, this

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evolution of Brands, going from 
how we, how we relate to them. 

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As those nameless faceless 
entities that maybe are 

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represented like a signature or 
in sort of like a graphic Motif.

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Now we're expecting something 
more more human and Humane, but 

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before all of that, we also 
expected something more more 

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human. 
So many Brands grew out of the 

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interpersonal. 
Animal relationship. 

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You established a brand your 
sense of it, based on your 

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relationship, maybe with the 
cobbler to whom you brought your

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shoes or the fruit seller or the
Taylor that you always used you 

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could associate them with things
like BB quality or delivery or 

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consistency of product or 
innovation. 

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Those are the same kinds of 
principles that Brands try to 

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evoke now maybe it's about being
Scrappy and creative or maybe 

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about being resilient and 
responsible and long. 

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Lasting and established, 
whatever those different 

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qualities are. 
As they develop kind of a 

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message architecture to guide 
branding. 

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It's really the thing that I 
think has evolved is just the 

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outward face of the brand, our 
goals on establishing those 

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principles and communicating 
them clearly and consistently. 

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I don't think those goals have 
changed, but now we have more 

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channels through which to 
communicate so certainly more 

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areas in which we need to be 
consistent. 

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Whether it's on Twitter or Or 
Pinterest or Tick-Tock or in 

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print or ever. 
And I think along with that now 

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there is more of an expectation 
from consumers to have an 

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immediate response from the 
brands with which they interact 

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understanding from those brands 
that they're going to get a more

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tailored specific relevant 
experience. 

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And I think it's in that 
expectation of relevance rather 

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than a generic interaction that 
brand see the benefit in 

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becoming more personal in 
signing off with somebody. 

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Name on the last week that you 
get from them that type of 

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thing, right? 
It's interesting in our world 

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today, that successful business 
interactions are really 

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successful human interactions. 
Yes. 

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And kind of our conversation, 
you know, we start off with 

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Brands. 
It's a set list of feature sets 

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and benefits that we talked 
about kind of quality, we can 

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provide these spaces but now 
we've evolved in that our 

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expectations with those 
interactions as you mentioned, 

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listening to your words and 
describing it, I love it, your 

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words became more human. 
As you talked about the But what

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people expect with the 
credibility that we expect the 

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brand as the extension of, as 
the company of the product to 

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almost behave as though we're 
interacting with another person.

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Yeah. 
And I think that now is a great 

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time for organizations to lean 
into that idea of what it means 

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to be more human to, to present 
the human face of an 

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organization, whether it's by 
naming and introducing more 

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people on their website and 
crediting more people more 

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individuals with The different 
products and and content that is

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presented on their site, whether
it's in blog posts or are 

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talking about, who was the team 
that worked on the latest 

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product, who was the lead 
engineer, who's the lead 

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animator, all those types of 
things or by simply letting that

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that human side that is not 
Flawless. 

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But has flaws and foibles 
letting that Human Side lead 

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because I think that's where 
we're able to establish trust 

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through vulnerability that 
corporations don't always have 

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corporations. 
Don't always want to be 

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vulnerable. 
Honorable they want to fling out

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that kind of false bravado but 
when people talk, we can talk 

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about our own personal Evolution
and learning processes and what 

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not. 
But let's talk a bit more about 

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that vulnerability as it relates
to expectations because we think

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about it and you mentioned this 
in your book at the end that our

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brand relationships are really a
kind of agreement between us in 

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the brand, but I wonder in 
today's world in which we have 

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these agreements, but the world 
above us around us and beneath 

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our feet are always So there's 
that change the term of the 

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agreement and where Brands may 
think that they have a great 

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relationship but the world 
changes, how do Brands respond 

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to that change in expectation of
agreement? 

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I think we have to interrogate. 
What is that agreement about? 

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What are we agreeing to is it 
that we're as consumers or as 

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designers engaging with 
consumers representing a brand? 

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Are we promising them Perfection
where we promising them that we 

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will always get things right out
of the gate. 

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Our product roadmap is going to 
anticipate So Pate your every 

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need and we're going to 
constantly anticipate economic 

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conditions that influence those 
needs. 

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Because if that's what your 
company is promising, I think 

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you need to find a new company 
because that is untenable and 

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Fantastical. 
But I think if we instead say 

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well what our consumers, expect 
and what we can promise is 

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something more of an asymptote 
toward Perfection that we are 

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constantly making steps to 
improve to reward Improvement. 

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We're a learning organization. 
What we rolled out was pretty 

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good, but we're going to keep 
getting it better that I think 

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demonstrates respect. 
That's I think the agreement 

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that we have with our audiences 
that we're not going to abandon 

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products. 
We're not going to roll out a 

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Blog only to no longer have an 
editorial calendar. 

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That can support it in six 
months. 

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We're not going to launch new 
products or benefits and abandon

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our Legacy audience. 
I think that speaks more to to 

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respect and I think it also 
speaks to a kind Of evolution 

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and vulnerability. 
That is manageable any 

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organization that promises too 
much Perfection, that leads with

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bravado is going to fall on its 
face. 

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So it's interesting. 
You say that I think about some 

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of the big Classic Brands that 
have built themselves into that 

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corner, you know? 
So how do you as Legacy brand 

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and what we won't name the 
guilty for our conversation 

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today? 
But as a legacy brand in the 

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world is dynamically changing. 
What advice do you have for 

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free? 
Also working on a legacy brand, 

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you know, which is often, I've 
had friends and colleagues. 

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When you work on a really 
successful Legacy brand, one of 

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the biggest challenge you have, 
is that immediate history of 

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success history of success or 
maybe history of things you 

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need. 
You now feel like you need to 

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deny and say that was never 
something with which we want to 

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be Associated. 
Come on. 

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So I think we see both things 
going on. 

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I think in any organization that
has that long history you've got

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a lot of baggage to bring on but
I think there's always That 

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opportunity to say you thought 
you knew us then and you like 

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this or maybe you didn't like 
us. 

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Well, watch what's coming next? 
And I would say that any 

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organization that is so enamored
with their history that they are

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calcified and refused to move 
Beyond. 

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It is not going to continue to 
enjoy success. 

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I think it's the organizations 
whether it's a startup that it's

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continuing that it has invested 
in learning from its broad 

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audience. 
Not just being so in love with 

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the ideas of it. 
Investors or the ideas of its 

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CEO. 
I think any organization that is

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committing to to learn from its 
audience and whether they are a 

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start-up or an organization with
a 100-year history can continue 

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to evolve and that's what our 
customers TR4, that's what they 

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champy. 
And they want to see us evolve 

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with the times whether it's 
rolling out new products or 

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putting a new stake in the 
ground around, social issues, 

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that demonstrates an 
organization's Connection and 

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evolution. 
So we talk about what's on the 

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other side. 
Being trust, one of the things 

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that that emerges is the notion 
of communities that are based in

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driven by trust that fall into 
the brand that create kind of a 

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loyalty loop with this Basin 
are. 

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How can Brands today Foster 
these deeper Community 

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connections? 
I think, for a brand to be 

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relevant, you need to be where 
your audience is. 

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And I think that's something 
that anybody in user research 

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knows. 
And I think that's something 

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that anybody in designed knows, 
if you're if you're making 

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different visual references 
through your work, you want to 

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be calling on things that will 
be relevant to your audience. 

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And I think when it comes to how
Brands engage in community 

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around different, social issues,
the same thing and I mean, 

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granted for a long time. 
There's been that perspective in

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business that business should 
stay out of politics, but we 

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know that stance is a mark of 
privilege. 

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It's saying I'm above of these 
issues that may be affecting my 

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customers. 
And itself is a political 

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statement in itself is so more 
and more we've seen and I mean, 

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the Edelman trust survey proves 
this out. 

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A lot of other surveys have 
proven this out more and more 

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customers are saying that they 
do want to know the political, 

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viewpoints the Investments, the 
perspectives of the c.e.o. of 

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the organizations that they are 
choosing to support through. 

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Through their purchases, through
their spending habits. 

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And I think for any kind of 
brand to engage in an authentic 

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way where they're not just their
customers. 

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But with their Community, if 
they're using that word, that 

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means going to and learning 
about and getting involved with 

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sponsoring things investing in 
the issues that are important to

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your audience. 
And yeah, that may alienate some

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customers. 
One of the examples that I share

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in trustworthy is from pens, 
he's the the spice Merchants 

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based in the Midwest, I think 
they've got stores in many 

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metros now. 
Certainly around the u.s. and 

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how when they've made their 
politics known. 

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Yeah, they do alienate some 
customers, they get some 

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strongly worded emails but year 
over year, since they've been 

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doing that, their sales have 
increased 50% year-over-year, 

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and that's because they've been 
able to expand Their audience. 

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When you make your politics, 
know when you make your values 

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visible. 
That's how your audience finds 

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you. 
It can be through design 

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choices. 
It can be through the Content, 

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you and stories you tell on your
site and what you emphasize it 

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can be making those those 
donations, those politics 

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explicit as well. 
So I think there are many ways 

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there for organizations to 
enrich the interaction with 

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their communities. 
In an authentic way, you know 

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you made this comment a couple 
times you mention the word 

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design choices. 
So we're going to Pivot on that 

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and go deep into come the world 
of a designer and one of the 

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chapters in the book, I love 
you. 

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Look at The tension between 
Fidelity of information and 

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abstraction, and the space in 
which designers have tons of 

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information in front of them. 
All the complexity we have in 

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the world and our task with the 
opportunity and the 

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responsibility of turning that 
into something meaningful, to 

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build a relationship talk a bit 
about that challenge of having 

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all of the information and 
figuring out how to present it 

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in a way that actually credible 
in builds a relationship and 

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Trust. 
Oh, those are Two distinct 

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issues. 
Making the presentation of 

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information or maybe we could 
say the information that you 

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derived from the data if you 
want to call up that data 

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information knowledge, wisdom, 
Continuum making it credible and

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faithful to the original data or
content and also making it 

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trustworthy and useful and 
usable. 

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I think those are distinct 
issues. 

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One of my favorite examples for 
this is looking at the world of 

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exhibit design because I think 
this is really the task. 

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That exhibit curators designers 
what they face as far as how to 

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tell a credible and Youthful 
story, looking at the objects 

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that they acquire or have on 
loan from other museums. 

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And I think being able to tell a
credible story starts with 

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looking at the information that 
you have the data on which you 

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can draw disabled, what is the 
point of all this? 

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There's a lot of it and I'm not 
going to expect my audience if 

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it's in the case of a museum 
exhibit where Dealing with a 

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moving audience, maybe different
age levels, and different 

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heights. 
Maybe you've got like little 

323
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kids as well as adults. 
You've got some information 

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screened on the wall. 
As captions other things that 

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are in display cases. 
Maybe big painting smaller 

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sculptures and that people 
moving around it. 

327
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Well, you can play with 
different aspects of curation 

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that are really kind of playing 
with the idea of curation as 

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creation. 
Are you creating new meaning 

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from the content that you have 
through? 

331
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Juxtaposition and Arrangement, 
and what you decide to include 

332
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vs. 
Exclude, what's big and 

333
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prominent and in the center of a
room or for that matter has a 

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lot of white space around it on 
a web page. 

335
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What deserves the caption with 
with detailed alt text and what 

336
00:18:38,300 --> 00:18:41,700
maybe gets omitted. 
How do you decide what to 

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emphasize in that? 
That helps create a new story 

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and I think that's how exhibit 
designers create new knowledge 

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by bringing people through a 
space. 

340
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And helping them absorb new 
information from what they have 

341
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decided to include versus 
exclude what they've decided to 

342
00:19:00,300 --> 00:19:03,800
emphasize. 
I think that's also how 

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designers responsibly create new
meaning. 

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When you're looking at, maybe 
the variety of content types, 

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you have what shows up in high 
contrast and what you allow to 

346
00:19:14,600 --> 00:19:17,400
kind of Fade Into the background
figuratively. 

347
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Or literally did your room font 
choice and color scheme. 

348
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And what not? 
And I think, Those choices 

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around how we decide, what 
deserves big storytelling, how 

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00:19:28,900 --> 00:19:32,200
we decide what deserves to be 
featured, what we choose to 

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emphasize, and what we D 
emphasize, that gets back to the

352
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idea of credibility, are we 
making our stories credible? 

353
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And then are we making them 
useful in the service of 

354
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creating? 
It may be empowering a more 

355
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confident audience that can make
better decisions based on 

356
00:19:51,300 --> 00:19:54,600
whatever they're trying to do. 
In interacting with a website or

357
00:19:54,600 --> 00:19:58,000
in picking up a piece of print 
collateral, are we helping them 

358
00:19:58,000 --> 00:20:00,900
answer questions and 
self-educate that's really the 

359
00:20:00,900 --> 00:20:05,400
opportunity that designers have 
as storytellers as creators of 

360
00:20:05,400 --> 00:20:07,800
new knowledge. 
I was going to ask you, what 

361
00:20:07,800 --> 00:20:11,600
role did you see today of the 
power of Storytelling as it 

362
00:20:11,600 --> 00:20:14,300
relates to building trust? 
And we talked a lot about 

363
00:20:14,300 --> 00:20:18,900
creating stories, but the role 
of Storytelling in taking it one

364
00:20:18,900 --> 00:20:22,800
step further to establish trust,
I think when we throw a Around 

365
00:20:22,800 --> 00:20:25,700
that terb storytelling 
especially in marketing and 

366
00:20:25,700 --> 00:20:28,400
content circles up a lot. 
I think it's up there with 

367
00:20:28,400 --> 00:20:31,800
transparency and empathy and 
everybody's like, well, it is 

368
00:20:31,800 --> 00:20:34,300
empathy and nobody really knows 
anymore. 

369
00:20:34,800 --> 00:20:37,600
How much is it just compassion 
that we're serving up and maybe 

370
00:20:37,600 --> 00:20:41,200
that's enough to, but going back
to the idea of Storytelling, we 

371
00:20:41,200 --> 00:20:45,800
throw that term around a lot and
I think when we unpack the value

372
00:20:45,800 --> 00:20:50,500
of telling stories Beyond just, 
hey anecdotes maybe do establish

373
00:20:50,500 --> 00:20:53,900
a little bit of empathy or they 
say Oh you had that experience? 

374
00:20:53,900 --> 00:20:57,600
I did too. 
So we must share something in 

375
00:20:57,600 --> 00:21:00,500
common and maybe I can trust 
that about you because we have 

376
00:21:00,500 --> 00:21:04,600
that common experience. 
I think what story and 

377
00:21:04,600 --> 00:21:09,400
storytelling also allows us is 
the ability to sprinkle in 

378
00:21:09,400 --> 00:21:14,200
details that make an experience 
or makeup product or an idea or 

379
00:21:14,200 --> 00:21:18,600
a service more plausible so that
we can say, I do believe what 

380
00:21:18,600 --> 00:21:21,800
you're serving up whether it's a
political candidate in which I 

381
00:21:21,800 --> 00:21:24,400
should believe. 
Leave or an idea in which I 

382
00:21:24,400 --> 00:21:28,200
could believe or a product that 
you're saying, would be just 

383
00:21:28,200 --> 00:21:30,800
right for me. 
Well, well, tell me why what are

384
00:21:30,800 --> 00:21:32,700
the, what are the things about 
me? 

385
00:21:32,800 --> 00:21:36,100
That you might know that you 
could sprinkle in that feel 

386
00:21:36,100 --> 00:21:38,000
relevant? 
That feel relatable. 

387
00:21:38,100 --> 00:21:41,100
And I think that's what 
storytelling allows us to do. 

388
00:21:41,100 --> 00:21:45,600
Put something in context, in a 
context, that more people can 

389
00:21:45,600 --> 00:21:48,800
understand. 
How do you think that this 

390
00:21:48,800 --> 00:21:52,400
understanding can Empower this 
next generation of designers, 

391
00:21:52,600 --> 00:21:54,800
He's working on next generation 
problems. 

392
00:21:55,200 --> 00:21:58,500
I guess I know I was just kind 
of maligning it but maybe this 

393
00:21:58,500 --> 00:22:02,900
is where empathy comes in 
because I think as we look at 

394
00:22:02,900 --> 00:22:07,900
the evolution of design over the
past say 100 some years. 

395
00:22:07,900 --> 00:22:12,700
So if we start out kind of pre 
Bauhaus and look at design 

396
00:22:12,800 --> 00:22:18,500
around Brands and designing 
products to support human usage 

397
00:22:18,500 --> 00:22:22,000
in human experience. 
A lot of the thinking in there, 

398
00:22:22,000 --> 00:22:26,200
a lot of the Choices in there, 
have been driven by genius, 

399
00:22:26,200 --> 00:22:30,900
designers, genius, companies 
companies, the had a great idea 

400
00:22:30,900 --> 00:22:34,300
that they wanted to put out into
the world or an individual 

401
00:22:34,300 --> 00:22:37,100
designer that wanted to put 
something out into the world or 

402
00:22:37,100 --> 00:22:40,100
a brand that wanted to look a 
certain way or say something 

403
00:22:40,100 --> 00:22:42,800
different. 
And I think those choices 

404
00:22:43,000 --> 00:22:46,600
sometimes have been great but 
they haven't always addressed. 

405
00:22:46,600 --> 00:22:51,200
The most pressing problems, may 
be the most common problems of 

406
00:22:51,200 --> 00:22:54,100
their audiences. 
Not to say that we don't need 

407
00:22:54,100 --> 00:22:57,000
some of those things or look 
back and say, wasn't that great.

408
00:22:57,000 --> 00:23:00,600
Didn't that look great? 
Let's, let's all applaud for 

409
00:23:00,600 --> 00:23:03,800
that signage, or that poster 
toaster. 

410
00:23:03,800 --> 00:23:08,400
I think that the coming 
generation of designers has more

411
00:23:08,400 --> 00:23:13,400
of an opportunity to engage with
compassion and maybe this is 

412
00:23:13,400 --> 00:23:15,900
where we distinguish between 
compassion and empathy and 

413
00:23:15,900 --> 00:23:19,200
empathy says, I can relate to 
your needs because I have those 

414
00:23:19,200 --> 00:23:24,600
needs to we've learned by really
Interrogating representation and

415
00:23:24,600 --> 00:23:27,100
design and saying like hey you 
know, if we're making a product 

416
00:23:27,100 --> 00:23:29,500
that needs to meet the needs of 
everyone, maybe we need people 

417
00:23:29,500 --> 00:23:33,000
on the team that look more like 
everyone that have more of an 

418
00:23:33,000 --> 00:23:35,000
age range that represents 
everyone. 

419
00:23:35,300 --> 00:23:38,200
So maybe we say that, you don't 
need empathy. 

420
00:23:38,200 --> 00:23:42,000
But God sure, we always engage 
in with compassion that says, I 

421
00:23:42,000 --> 00:23:45,900
can relate to you, not because I
share your experiences, but 

422
00:23:45,900 --> 00:23:48,700
rather I can relate to you 
because you're a fellow human, 

423
00:23:48,700 --> 00:23:52,400
that deserves my respect. 
So I think it's bringing 

424
00:23:52,600 --> 00:23:58,100
Continuing to have in bringing 
respect for our audiences and 

425
00:23:58,200 --> 00:24:01,500
engaging with the full breadth 
of our audiences Thinking, 

426
00:24:01,500 --> 00:24:03,800
Beyond ourselves and thinking, 
there's going to be people using

427
00:24:03,800 --> 00:24:07,300
this that are not like me but I 
can still work toward meeting 

428
00:24:07,300 --> 00:24:10,200
their needs. 
I think it's engaging in that 

429
00:24:10,200 --> 00:24:12,100
way. 
That's really the opportunity 

430
00:24:12,300 --> 00:24:15,400
for design moving forward. 
Really the call to action for 

431
00:24:15,400 --> 00:24:18,000
design. 
And yes, a powerful way to think

432
00:24:18,000 --> 00:24:19,800
about it. 
I have a question for you 

433
00:24:19,800 --> 00:24:22,000
though. 
Is there hope for Brands? 

434
00:24:22,000 --> 00:24:25,600
Who don't Get it right? 
Is there space after brands that

435
00:24:25,600 --> 00:24:29,200
may make missteps or struggle 
with this transition? 

436
00:24:29,600 --> 00:24:32,700
What advice would you have for 
Brands to get at it again? 

437
00:24:34,600 --> 00:24:38,800
I'm an optimist, I know that is 
true because I wear contact 

438
00:24:38,800 --> 00:24:43,100
lenses, but and I've worn 
glasses for more than 30 years 

439
00:24:43,100 --> 00:24:46,200
and every time I fall asleep 
with my contact lenses, and when

440
00:24:46,200 --> 00:24:49,900
I wake up the next day, my first
thought is not, I forgot to take

441
00:24:49,900 --> 00:24:53,300
out my contacts, but rather my 
vision must have Miraculously 

442
00:24:53,300 --> 00:24:58,100
repaired while I slept. 
So I'm an optimist and I do 

443
00:24:58,100 --> 00:25:02,200
believe there is always an 
opportunity for not necessarily 

444
00:25:02,200 --> 00:25:06,700
reinvention but certainly for 
repair and repentance and 

445
00:25:06,700 --> 00:25:09,100
evolution. 
And I think that idea of 

446
00:25:09,100 --> 00:25:12,800
repentance through acknowledging
what you did wrong 

447
00:25:12,800 --> 00:25:16,000
acknowledging, how you could 
have been better and how you're 

448
00:25:16,000 --> 00:25:19,500
not going to make that mistake 
again and then Evolution 

449
00:25:19,500 --> 00:25:22,800
actively changing. 
I think there is Always an 

450
00:25:22,800 --> 00:25:25,300
opportunity for that with smart 
organizations. 

451
00:25:25,300 --> 00:25:29,200
And I think one of the ways that
organizations build trust is by 

452
00:25:29,300 --> 00:25:33,500
how they come back from a 
mistake, whether it was the CEO 

453
00:25:33,500 --> 00:25:37,100
did something incredibly 
boneheaded or maybe the 

454
00:25:37,100 --> 00:25:41,300
organization has been caught in 
a lie or caught in a scandal or 

455
00:25:41,300 --> 00:25:44,300
just they didn't plan 
appropriately for the needs of 

456
00:25:44,300 --> 00:25:47,400
their audiences. 
One of the, my favorite examples

457
00:25:47,400 --> 00:25:51,300
in the book comes from Ted, the 
wonderful video platform. 

458
00:25:51,300 --> 00:25:55,900
The many of us Way too much time
watching it's when they faced an

459
00:25:55,900 --> 00:25:58,200
issue. 
A few years ago where some of 

460
00:25:58,200 --> 00:26:02,000
their most popular videos they 
realized contained, faulty 

461
00:26:02,000 --> 00:26:05,200
content, faulty ideas, spurious 
content, maybe they were ideas 

462
00:26:05,200 --> 00:26:08,100
that have been disproven by 
other people in the scientific 

463
00:26:08,100 --> 00:26:11,600
Community or they were popular 
videos that were great when they

464
00:26:11,600 --> 00:26:15,200
came out, but the science that 
they featured had evolved, and 

465
00:26:15,200 --> 00:26:18,100
they were no longer accurate. 
They were still getting a lot. 

466
00:26:18,100 --> 00:26:21,000
A lot of traffic. 
The problem was folks in the 

467
00:26:21,008 --> 00:26:24,000
scientific community. 
Were pointed fingers at Ted and 

468
00:26:24,000 --> 00:26:27,400
saying this is great, it's 
popular but it's junk, it's junk

469
00:26:27,400 --> 00:26:29,000
science. 
What are they going to do about 

470
00:26:29,000 --> 00:26:30,600
it? 
These people are idiots to still

471
00:26:30,600 --> 00:26:34,400
have it up there and their brand
was really taking a hit and they

472
00:26:34,400 --> 00:26:37,400
could have looked the other way.
They could have quietly taken 

473
00:26:37,400 --> 00:26:41,400
those videos off the site. 
They could have any confronted 

474
00:26:41,400 --> 00:26:43,900
people publicly and said, look, 
you know, we're not some sort of

475
00:26:43,900 --> 00:26:46,400
like Clearinghouse for 
scientific research. 

476
00:26:46,400 --> 00:26:48,900
Yeah, some things may be wrong 
but it's not our problem. 

477
00:26:49,100 --> 00:26:52,300
Many organizations would take 
them not our problem. 

478
00:26:52,500 --> 00:26:58,500
Of approach and instead they 
leaned into basically their 

479
00:26:58,500 --> 00:27:01,800
mistakes and they said, yeah, 
this is a problem. 

480
00:27:02,000 --> 00:27:05,300
They convened, a group of some 
of their harshest critics to 

481
00:27:05,300 --> 00:27:08,200
say, what do you recommend? 
What do you what do you think 

482
00:27:08,200 --> 00:27:10,300
about this? 
What do you think the big risks 

483
00:27:10,300 --> 00:27:11,500
are? 
What are some different ways 

484
00:27:11,500 --> 00:27:15,000
that we could approach it? 
And by engaging in that process 

485
00:27:15,000 --> 00:27:18,700
of prototyping in public, may be
engaging in some code design, 

486
00:27:18,700 --> 00:27:22,300
there to solicit ideas and take 
them in turn. 

487
00:27:22,400 --> 00:27:25,700
Colonel and evolve. 
They ended up bringing some new 

488
00:27:25,700 --> 00:27:29,100
content types into their CMS and
then onto the front end of their

489
00:27:29,100 --> 00:27:33,600
site that offer disclaimers, 
some that would redirect people 

490
00:27:33,700 --> 00:27:38,400
or give them the opportunity to 
redirect to a more updated video

491
00:27:38,400 --> 00:27:41,600
or more up-to-date video on the 
same topic if the science had 

492
00:27:41,600 --> 00:27:43,700
evolved. 
So they offered those different 

493
00:27:43,700 --> 00:27:47,400
content types and showed how 
they were willing to accept 

494
00:27:47,400 --> 00:27:51,600
criticism continue to evolve to 
prototype in public, and the 

495
00:27:51,600 --> 00:27:54,900
process of doing That helped 
change some of their harshest 

496
00:27:54,900 --> 00:27:57,900
critics than into some of their 
strongest Champions. 

497
00:27:58,300 --> 00:28:01,100
I think we see this at a lot of 
organizations when they're 

498
00:28:01,100 --> 00:28:05,200
willing to evolve, when they're 
willing to First, say we messed 

499
00:28:05,200 --> 00:28:09,000
up, let's explain what happened.
Let's respect our audience so 

500
00:28:09,000 --> 00:28:10,600
much. 
We're going to tell them why 

501
00:28:10,600 --> 00:28:13,500
this happened and what we're 
going to do about it. 

502
00:28:13,600 --> 00:28:15,600
And then we're going to commit 
to doing those things. 

503
00:28:16,000 --> 00:28:21,300
We see how those organizations 
can evolve mature and come out 

504
00:28:21,400 --> 00:28:24,200
on top. 
With an even stronger support 

505
00:28:24,200 --> 00:28:27,100
from Their audience is. 
We think about kind of the 

506
00:28:27,100 --> 00:28:31,400
evolutions of brand, simple 
question, but defining one, how 

507
00:28:31,400 --> 00:28:34,600
would you define a brand today 
in 2022? 

508
00:28:34,700 --> 00:28:38,400
How would you define a brand? 
I think it's the reflection of 

509
00:28:38,400 --> 00:28:42,200
an organization that lives in 
the hearts and minds of its 

510
00:28:42,200 --> 00:28:44,200
audience. 
It is that reflection though, 

511
00:28:44,200 --> 00:28:47,900
that that mirror image and 
sometimes mirrors are distorted 

512
00:28:47,900 --> 00:28:51,000
their distorted by, you know, 
the weather or damage that 

513
00:28:51,000 --> 00:28:54,300
they've suffered or just other. 
Things around them so that 

514
00:28:54,300 --> 00:28:57,900
reflection is not always what 
you'd like to see and it lives 

515
00:28:57,900 --> 00:29:01,300
in the hearts and minds of your 
audience, not necessarily your 

516
00:29:01,300 --> 00:29:06,500
target audience, not just them, 
but everyone around them to 

517
00:29:06,500 --> 00:29:09,400
maybe a much broader group than 
you realize, I think the 

518
00:29:09,400 --> 00:29:13,700
opportunity for Brands and I use
the term broadly to mean 

519
00:29:13,900 --> 00:29:17,900
organizations that are b2c big 
retailers. 

520
00:29:17,900 --> 00:29:21,300
Small companies, governmental 
entities institutions. 

521
00:29:21,400 --> 00:29:24,500
I think the Opportunity is to 
address. 

522
00:29:24,500 --> 00:29:28,400
The problem of cynicism, the 
loss of confidence that your 

523
00:29:28,400 --> 00:29:31,300
audience is suffering. 
Maybe not just an interactions 

524
00:29:31,300 --> 00:29:34,800
with you, but in all of their 
experiences right now in the 

525
00:29:34,800 --> 00:29:39,800
world and to step into that void
and work to bolster their 

526
00:29:39,800 --> 00:29:44,000
confidence, to help them feel 
like they can engage in a more 

527
00:29:44,000 --> 00:29:48,000
Savvy way with the world, around
them to evaluate sources of 

528
00:29:48,000 --> 00:29:51,500
information, and determine 
high-quality sources of 

529
00:29:51,500 --> 00:29:54,200
information. 
So that they can self educate 

530
00:29:54,200 --> 00:29:57,800
and become that much smarter. 
Because if we can help rebuild 

531
00:29:57,800 --> 00:30:02,300
their sense of confidence in 
themselves, we also gained their

532
00:30:02,300 --> 00:30:05,400
sense of confidence in the 
organizations that we represent 

533
00:30:05,400 --> 00:30:08,800
and that's how we regain their 
sense of trust. 

534
00:30:08,800 --> 00:30:12,000
And I say that it's an 
opportunity for Brands to step 

535
00:30:12,000 --> 00:30:16,700
into that void because over the 
past several years, people have 

536
00:30:16,700 --> 00:30:20,800
grown more and more cynical 
because we've seen hypocrisy and

537
00:30:20,800 --> 00:30:24,800
deceit in Al's of government and
for organizations that we 

538
00:30:24,800 --> 00:30:29,700
thought we knew and we've seen 
little to no repercussions for 

539
00:30:29,700 --> 00:30:33,600
that, kind of Deceit and people 
have turned away from those 

540
00:30:33,600 --> 00:30:36,000
institutions. 
Maybe it was the paper of record

541
00:30:36,000 --> 00:30:40,300
or organization that they grew 
up knowing or government itself.

542
00:30:40,300 --> 00:30:42,300
They turned away from those 
institutions. 

543
00:30:42,300 --> 00:30:45,700
They've turned more inward to 
say, you know what looks right, 

544
00:30:45,800 --> 00:30:48,200
but seems right probably is what
is right? 

545
00:30:48,200 --> 00:30:52,500
And they've grown more and more 
cynical but I think we can So 

546
00:30:52,500 --> 00:30:57,100
tap into their sense of hope 
because people still do believe 

547
00:30:57,100 --> 00:31:00,300
that if they scroll a little bit
further, go a little bit further

548
00:31:00,300 --> 00:31:04,100
down that YouTube Hulk they can 
be a little bit smarter, a 

549
00:31:04,100 --> 00:31:07,000
little bit better, maybe a 
little bit more well organized 

550
00:31:07,000 --> 00:31:09,800
we can tap into that sense of 
hope and possibility because 

551
00:31:09,900 --> 00:31:13,600
cynics look the world as it is 
and say that it is worse 

552
00:31:14,000 --> 00:31:19,200
designers and writers. 
We are we are Builders of Brands

553
00:31:19,200 --> 00:31:22,700
and brainstorms and we look at 
the world as it is and say say 

554
00:31:22,800 --> 00:31:27,300
it can be better and I think any
organization can help rebuild 

555
00:31:27,300 --> 00:31:29,900
that sense of trust and 
confidence so that it will be 

556
00:31:29,900 --> 00:31:33,600
better. 
I love your point here in. 

557
00:31:33,700 --> 00:31:36,000
There's one of your chapters 
that you open up with just the 

558
00:31:36,000 --> 00:31:40,400
simple statement that cynicism 
is cheek and hope takes work and

559
00:31:40,400 --> 00:31:42,100
kind of this build an 
investment. 

560
00:31:42,200 --> 00:31:45,200
I also read for speaking 
something that struck me that I 

561
00:31:45,200 --> 00:31:48,600
think is really powerful to put 
a point on is that no one 

562
00:31:48,600 --> 00:31:52,200
experiences, your brand by 
itself that your brand is in, 

563
00:31:52,400 --> 00:31:54,000
Context with the world around 
you. 

564
00:31:54,300 --> 00:31:57,800
And if there's a relationship or
a crisis and trust that your 

565
00:31:57,800 --> 00:32:01,200
audience, your consumers, having
it can be reflected off of your 

566
00:32:01,200 --> 00:32:02,900
brand. 
It can be what they're having 

567
00:32:02,900 --> 00:32:06,000
with the brand next to them, 
which were part of that context 

568
00:32:06,200 --> 00:32:09,900
and understanding, you know, the
power and the responsibility 

569
00:32:09,900 --> 00:32:13,300
that you have in that space, you
know, we talked a bit about 

570
00:32:13,300 --> 00:32:16,800
designers roles and leaders and 
brand builders and creators. 

571
00:32:17,100 --> 00:32:21,500
There's a bit of agency whether 
articulated are not that we 

572
00:32:21,500 --> 00:32:24,300
have. 
In taking Our Brands and our 

573
00:32:24,300 --> 00:32:27,100
organizations forward with trust
in the book. 

574
00:32:27,100 --> 00:32:30,400
I know you had a couple examples
where you talk about designers 

575
00:32:30,400 --> 00:32:34,000
being able to navigate things 
like complexity and anxiety, and

576
00:32:34,000 --> 00:32:38,200
spaces, using the tools of our 
profession and trade in these 

577
00:32:38,200 --> 00:32:41,500
very meaningful, direct ways to 
create new opportunities for 

578
00:32:41,500 --> 00:32:42,800
trust. 
Yeah. 

579
00:32:42,800 --> 00:32:46,700
And I think to your point that 
our work exists in a bigger 

580
00:32:46,700 --> 00:32:50,700
context, I think that can be a 
daunting thing, but I think it's

581
00:32:50,700 --> 00:32:54,200
also thing that should give us. 
A sense of possibility. 

582
00:32:54,200 --> 00:32:58,000
It means that no one's job is 
irrelevant. 

583
00:32:58,100 --> 00:33:02,800
Whether you are the junior 
copywriter or the design, 

584
00:33:02,800 --> 00:33:06,900
intern, or the creative 
director, or chief creative 

585
00:33:06,900 --> 00:33:11,300
officer, or anyone in between, 
and regardless of your industry,

586
00:33:11,300 --> 00:33:13,000
as well. 
I know, I spoke with a lot of 

587
00:33:13,008 --> 00:33:16,000
friends, over the course of the 
past couple of years that were 

588
00:33:16,100 --> 00:33:18,000
kind of in different points of 
Despair. 

589
00:33:18,000 --> 00:33:20,800
Basically saying, you know, I 
don't work as a designer in 

590
00:33:20,800 --> 00:33:25,400
healthcare, or For the CDC. 
How much does my work really 

591
00:33:25,400 --> 00:33:27,900
even matter? 
This point and I wanted to say, 

592
00:33:27,900 --> 00:33:31,100
to all of them and maybe that's 
what I was saying with with 

593
00:33:31,100 --> 00:33:34,700
trustworthy to all of them. 
Yeah, it does matter. 

594
00:33:34,800 --> 00:33:38,400
It matters a whole lot because 
if it's in the interactions with

595
00:33:38,400 --> 00:33:42,700
your product or your small part 
of the website, that someone 

596
00:33:42,700 --> 00:33:47,000
feels a little bit, smarter more
confident, more like, I know 

597
00:33:47,000 --> 00:33:49,900
exactly what I need to do so 
that I can feel safe moving 

598
00:33:49,900 --> 00:33:52,200
through this experience or 
making this decision. 

599
00:33:52,400 --> 00:33:55,600
And then that's a feeling that 
they can take into all other 

600
00:33:55,600 --> 00:33:57,800
parts of their lives. 
That's a feeling that they can 

601
00:33:57,800 --> 00:33:59,500
take to other moments in their 
day. 

602
00:33:59,600 --> 00:34:01,700
And I think that's an incredible
thing. 

603
00:34:01,700 --> 00:34:05,700
I think that is the, that's the 
thing that we owe our users that

604
00:34:05,700 --> 00:34:08,600
sense of empowerment and it can 
come through better 

605
00:34:08,600 --> 00:34:13,300
instructional, copy more 
anticipatory pop-ups that meet 

606
00:34:13,300 --> 00:34:16,800
their needs without being 
annoying or without distracting 

607
00:34:16,800 --> 00:34:20,800
them from purpose. 
It can be through information in

608
00:34:20,800 --> 00:34:24,900
diagrams that Allow them to feel
more accomplished, more able to 

609
00:34:24,900 --> 00:34:27,900
meet their own. 
Needs more oriented towards self

610
00:34:27,900 --> 00:34:30,300
service. 
And I think if you can do that, 

611
00:34:30,300 --> 00:34:34,600
if you can clarify information, 
rather than obfuscating things, 

612
00:34:34,600 --> 00:34:38,000
if you could help people move 
through a complex decision by 

613
00:34:38,000 --> 00:34:39,600
streamlining, some of that 
information. 

614
00:34:39,600 --> 00:34:41,900
We're talking about like 
abstracting information a little

615
00:34:41,900 --> 00:34:45,199
bit before and making decisions 
around what to emphasize and 

616
00:34:45,199 --> 00:34:48,900
what is not quite so important. 
I think if you can do that it's 

617
00:34:48,900 --> 00:34:52,000
a service that helps people 
bring that sense of confidence. 

618
00:34:52,300 --> 00:34:56,600
It's into may be all the more 
high pressure parts of their day

619
00:34:56,600 --> 00:34:59,500
as well. 
These are really incredible way 

620
00:34:59,500 --> 00:35:02,200
to think about where we are in 
this moment where we are sir, 

621
00:35:02,200 --> 00:35:06,700
profession that hope takes work 
and there's lots of work for us 

622
00:35:06,700 --> 00:35:10,200
to do. 
And yes, it's been such a 

623
00:35:10,200 --> 00:35:13,000
pleasure Margo to spend at 
looking at can't believe our 

624
00:35:13,000 --> 00:35:17,200
time has flown by but it's such 
a pleasure to watch your 

625
00:35:17,200 --> 00:35:20,100
exploration and the care and 
research that you went into 

626
00:35:20,100 --> 00:35:24,200
thinking about this intersection
of Of the future of brand of 

627
00:35:24,200 --> 00:35:28,400
Hope, trust and design. 
And I encourage everyone to add 

628
00:35:28,400 --> 00:35:31,200
trustworthy. 
How the smartest Brands beat 

629
00:35:31,200 --> 00:35:34,700
cynicism and build the trust Gap
to the reading list, for those 

630
00:35:34,700 --> 00:35:37,700
who are designers who are 
leaders who creative thinkers 

631
00:35:37,700 --> 00:35:40,700
Margo's done an incredible job 
of pulling together and really 

632
00:35:40,700 --> 00:35:43,800
putting a focus on what our 
challenges and opportunities are

633
00:35:43,800 --> 00:35:47,100
for tomorrow. 
So Margo I thank you as a 

634
00:35:47,100 --> 00:35:51,100
strategist. 
As a Content leader as a trust 

635
00:35:51,100 --> 00:35:54,200
advocate. 
And as a design advocate for 

636
00:35:54,200 --> 00:35:57,300
joining us today for this 
episode of design adjacent, 

637
00:35:57,500 --> 00:35:59,300
thank you. 
Thank you so much. 

638
00:35:59,300 --> 00:36:02,700
This is a lot of fun and I thank
you all for joining us for a 

639
00:36:02,708 --> 00:36:06,200
design adjacent. 
Check us next time when we look 

640
00:36:06,200 --> 00:36:08,200
at the intersection of design 
both today. 

641
00:36:08,200 --> 00:36:10,800
And tomorrow, I'm your host, Ben
EF Johnson. 

642
00:36:10,900 --> 00:36:14,700
Thank you show notes for this. 
Episode will be available on AIG

643
00:36:14,700 --> 00:36:17,600
a.org. 
Please subscribe to our show on 

644
00:36:17,600 --> 00:36:22,000
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play Spotify or wherever you get

645
00:36:22,000 --> 00:36:26,200
your Podcasts aiga is designed 
adjacent podcasts and its 

646
00:36:26,200 --> 00:36:29,500
contents. 
Are the copyright of aiga the 

647
00:36:29,500 --> 00:36:33,900
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design All Rights Reserved, any 

648
00:36:33,900 --> 00:36:37,600
redistribution or reproduction 
of part or all of the contents 

649
00:36:37,600 --> 00:36:41,300
in any form is prohibited 
without aig's Express written 

650
00:36:41,300 --> 00:36:44,600
permission. 
My name is Li Xian zhuang until 

651
00:36:44,600 --> 00:36:45,100
next time.
