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Hello, and welcome to AIG a 
fireside chat. 

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Thank you for joining us. 
Please connect with us, and 

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share your thoughts hashtags for
this Fireside or aiga design and

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future of design. 
It is my pleasure to welcome Ben

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ishak Johnson, aiga is executive
director and today's guest Britt

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Griffith chair of aiga s 2022, 
design conference, any Rick? 

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Thank you. 
Amy, and welcome all to our 

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fireside chat today. 
Today is an extremely special 

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one And I apologize. 
Now, we've got clouds covering 

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lights. 
Moving all around in DC, but I 

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want to start is really a Point 
of Departure, but you'll soon 

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learn that Rick is so much more 
Rick is by definition. 

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A graphic designer and master 
Letterpress printer, but Rick is

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so much more. 
He's an advocate for design, 

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he's really an Explorer in many 
ways. 

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His work is an area that 
exploration of History, 

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politics, Science, music ethics,
and it's focused on our world 

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today and the future, and it's 
relevant, he's known as a 

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passionate advocate, for design,
we've tapped him to serve as our

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chair of this year's design 
conference and Rick's journey is

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an incredible one. 
He was born and raised in South 

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East London and then immigrated 
to the u.s. in the late 80s 

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where he hung out in my hometown
of Washington d.c. and it's the 

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record store is if we date 
ourselves, the music places that

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turned him into graphic design, 
that turned them on the graphic 

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design and it was a short career
on Madison Avenue, that really 

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served once again, as a 
departure point as a launching 

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pad to fund his first practice 
and it's his love of design and 

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his partner that sustained him 
in his design, practice matter, 

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over the last two decades in 
Denver, and it's grown to be 

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Really Beyond definition design 
consultant, The Print Shop, 

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workshop, and Retail bookstore 
and in the Denver area I could 

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go on and on about Rick's 
service to community and focus 

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on Art and Design and the the 
power that he's taken from his 

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journey. 
So you think about him traveling

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all over the world. 
It's not a surprise today that 

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he's not joining us from Denver 
but he's joining us from 

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Switzerland today. 
So, I like to welcome to the 

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Fireside. 
My dear friend, And brother Rick

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Griffin. 
Welcome, thank you. 

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Nice to be here. 
Just keep my hands warm, right, 

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get ready to fire. 
You can keep it a little 

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differently. 
You're never in the same place 

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twice or the place that I expect
you and it's going to open up 

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that a when I when I really 
think about the way that you've 

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navigated the world, you're 
always somewhere different, but 

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it always feels right. 
Well, I do, go to the same place

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over and over and over again. 
It's kind of like a loop and 

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this is my fifth time to nozzles
Switzerland and and I definitely

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come back. 
But what I think you're getting 

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a is that like I do a lot of 
travel and the the idea of 

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traveling is also part of that 
sense of community, like, I 

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really enjoy the Letterpress 
Community, I really enjoy the 

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community of intellects that I'm
a part of. 

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And so I traveled to participate
in the lives of my friends and 

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also, I know that it's a safe 
place to get some work done if I

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need to. 
So behind me, there are several 

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19th century printing, presses. 
I mean, you know, there's 

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there's about seven printing 
presses in this particular 

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compounds that that my friend 
has, and so I can get Then if I 

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have to. 
But right now, this is this is 

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the work of the day. 
I want to give a quick shout-out

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to my friend, Megan who just had
a baby, who is just enjoying the

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new motherhood. 
So congratulations. 

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Megan the. 
Yeah, that's how I travel a lot.

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But I'm also like, I'm proud 
member of a lot of communities 

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science. 
So that is exciting to me to be 

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interloping. 
Let's talk. 

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A bit about community and 
Denver. 

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So it's a McCain's, your chosen 
Community, 20 years ago, you 

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know, starting matter. 
So so talk a bit about matter 

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because you are the only Design 
Studio manufacturing and 

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revolutionary bookstore in. 
Denver is a great way to 

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describe it. 
Yeah, when the studio was 

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founded in 1999, I had already 
been in Denver for a few years. 

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I had already gotten married and
I think we just began having 

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kids. 
So our first, our first child 

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was born and The idea behind 
matter, came with my original 

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business partner, Jason Otero, 
it came from the idea of just 

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stuff, relevance, you know, and 
the imperative to to be engaged.

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And I had already bought my 
first printing press at that 

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point in time. 
And so I was moving through the 

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paces of Basically like learning
how to run my first letter. 

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Press learning how to run my 
first, my first printing press 

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and and it seemed like a really 
good idea. 

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It was all born from the work of
Muriel Cooper who was in charge 

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of the visual language Lab at 
MIT who I had read about years 

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previous and was so inspired by 
her that. 

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I was like if graphic designers 
need to be close to the means of

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production in order. 
To understand typography. 

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Well then let's count me amongst
that and I'm going to get a 

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printing press, and I'm going to
try and unpack. 

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Why that was so true and then 
it's taken me. 20, something 

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years. 
So far too, kind of continue to 

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unpack that idea. 
But along the way we've made our

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own stationery products, we have
made prints and help have got 

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prints in for all sorts of 
purposes, including The purpose 

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of protesting Community. 
But then we also decided that 

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with my, with my current had a 
chance and we decided to create 

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a community focused, social 
justice book store that has 

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design in its and design at the 
center of it as well. 

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And so it's a design bookstore 
but it's also social justice 

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bookstore with books by and for 
and about Out, queer lives. 

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Black lives, divisionist lives 
and females Etc. 

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And so, that's that's our basis 
of action in Denver's. 

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The storefront is also a store. 
Is a bookstore. 

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Yeah, what was that? 
First reaction, we you involve 

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this concept, and you kind of 
rolled it out into into this 

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community space. 
Well, it is the I supposed to be

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action was pretty soft because 
no one knew what I was talking 

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about. 
It was like, I thought sweater 

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thinks you're introduced. 
It is like what do you do it 

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again? 
Yeah a lot of people were like 

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what are you doing again? 
And and they didn't have a real 

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reason to come by on till we 
through our famous annual 

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parties, where we would invite 
the entire community over to 

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look at The prints from that 
year and so on so forth. 

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And that's how we actually got 
reputation. 

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What's from throwing one party a
year, the second Friday of 

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December. 
And, and that's how people got 

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to know us, and that was pretty 
good. 

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It was really good times. 
We are on the fourth story of a 

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nightclub in downtown Denver and
the elevator that we had used to

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carry carriages, so it was huge 
was a huge alligator. 

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People would, you know, It's 
weird. 

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So you telling me that matter 
was the after-party matter was 

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the party. 
I'm you have to party. 

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Yeah. 
At one point. 

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So it you know when we think 
about kind of the value of 

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community and art together, what
are some of the lessons that 

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you've learned in your time at 
Denver? 

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You know, you start off with a 
song about me, but then things 

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evolve and grow, right? 
So what are some of the the 

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value that you've learned? 
I think, for me, the idea of of 

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learning from my community has 
shown up like a good example, 

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would be if you're going to run 
a bookstore, right? 

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You should probably think about 
hiring people who know how to 

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work a book store. 
Instead of just having your 

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designers, kinda gotta go 
downstairs and try and sell 

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books. 
So, so we definitely got a real 

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Shenanigans what it means to run
a bookstore and how it meets the

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Bold space and have Community. 
That's the biggest lesson I 

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think was that you really, you 
really don't have to run a 

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conventional design studio, 
right? 

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And this lesson, this lesson 
doesn't begin with me at all. 

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Begins with the very first 
examination of Design Studios of

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by that I came up with, I was 
looking at, but Miller and Ellen

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logs, and they're designed to 
Studio Design, lighting 

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research, and I was really 
compelled by what they were 

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doing, is Alters, as authors of 
books, and makers of products 

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and I'm continuously, so to fix 
it. 

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B, fi the work that they're the 
guys in Queens, Carlson Carlson 

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Bilko. 
Who are have an ice cream shop 

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inside of their Design Studio? 
That's open on weekends. 

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Well, I think that they also 
understand community at or super

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high level and that in Ridgewood
Queens, if you're on their 

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block, if you're a kid. 
On their blog, you know, them as

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the ice cream people, you don't 
necessarily know them as a 

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design studio. 
And so I think when there's a 

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problem to be solved, take a 
lead that of connection when 

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there's Community to be had 
designers, don't always know 

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what to do. 
But they are creative enough to 

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attempt new and interesting 
ideas. 

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And I think that that's the big 
lesson is that design can teach 

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us to hold space and Design. 
Teach does to use our creativity

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for more than just ourselves and
for our greater public good. 

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And I'm very excited to continue
to do that and encourage other 

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people to keep on doing it. 
Well, you know, it's we talked 

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about using design using our 
experience for public good. 

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It's a natural segue into our 
next conversation. 

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And I remember when we started 
talking and sharing our 

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viewpoints on this ideas, we 
were a handful of people who 

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thought this was possible. 
Remember that conversation about

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what if we could work and expand
Wiki. 

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And I remember being so excited 
in our conversations and it was 

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kind of our own little private, 
you do network of we could make 

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this happen. 
Now, skip ahead, 24 months, and 

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Rick I'm happy to help everybody
else. 

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Rick has an incredible part of 
us bringing together our aiga 

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with the Scholars Program and 
really allowing us to think 

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about how could we activate a 
community. in Dynamic ways that 

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we could both teach and train 
and Inspire and then encourage 

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others to teach and train and 
Inspire to build new knowledge 

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to talk a little bit about, you 
know, you shared with me some 

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for but what got you excited 
about the power of Wiki and 

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designers I immediately got 
excited because I took the wiki 

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training course during covid and
I experienced a couple of 

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librarians which you're going to
do. 

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If you take a Wiki training 
course you're going to 

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experience library and say are 
the backbone of this type of 

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work and some of the things that
really came up for me. 

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And this is, I mean, this is 
like a, how can I put it? 

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It's kind of like a birth and a 
rebirth and a now it's a 

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constant conversation about what
systems are in power and how do 

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we manage our own participation 
in these systems? 

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And it's impossible for me to 
see Wikipedia as anything, but 

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the world's largest resource, 
right? 

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For online research. 
And, and The concept that was 

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given to me was why don't we 
attempt to dilute the sort of 

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dominant authority of Wikipedia 
from being predominantly, you 

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know, white males and how can we
change that? 

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So that the resource is open to 
and relevant to other other 

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people that they can see 
themselves in the resource 

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called Wikipedia? 
And also they can add an edit 

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and contribute to it long term. 
And the only way to do that is 

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to take the training practice, 
have things to put into it, have

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have a criticism meaning, go 
into it edit. 

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It attempt to make something 
more true than it was originally

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to attempt to influence a topic 
or a theme or for biography 

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there. 
And so, my initial inspiration 

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was that the fact that we we as 
an organization, meaning I'm a 

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longtime member of aiga and will
that we as an institution kind 

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of suffered, some of the really 
interesting indignities of being

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being there at a time when the 
history wasn't told correctly, 

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right? 
That the aiga had an opportunity

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to change that. 
I was like, well, if I have this

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guy, been easier because you 
were fairly you and the job, 

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right? 
Right. 

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If I have this, I've been easy 
R, maybe Benny will take this 

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opportunity and start to walk 
work with it and walk with it 

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and see if we can change it and 
eventually we found the 

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resources and and the time to do
it but it was really one of 

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those things. 
I said it's a it's a it's an 

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easy project for me to conceive 
us because the teachers Wiki edu

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were so good and they were so 
amazing to learn from that. 

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I was like I would love to 
introduce other designers to 

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this since then I've learned 
that two of my could send 

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designers and teachers are now 
doing Library studies work. 

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And then the cohort that we were
working with several of them are

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still in community, still 
talking about how to change 

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Wikipedia and how to take that 
into the classroom. 

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So I'm pretty happy about what 
happened It's been amazing to 

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watch and the notes that we 
receive the articles that have 

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come up of those people are 
inspired by the work that we're 

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doing and our training other 
training and finding other 

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spaces. 
I know we're going to have 

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people coming together in 
Seattle as well. 

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Working on expanding biographies
as well and kind of the work 

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keeps on keeps on working. 
So you know, we ask this one 

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question and and we're putting 
questions together. 

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I can tell that it's kind of a 
perfect question. 

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Between Benny and Rick. 
And I'm just going to look down 

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and say it. 
The question is why design 

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followed by why not design? 
And I could tell that that was 

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kind of mediated in our, in our 
conversations with a meteorite 

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because I I can hear, I can hear
your voice saying, why? 

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And I can hear me saying, why 
not? 

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And vice versa and I was like, 
there's nothing else to the 

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question. 
Just as a prop for us to 

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discussion when we think about 
our world today, You know, why 

251
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why design? 
Why is the design powerful? 

252
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And the other counter question, 
why shouldn't it be included? 

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I think about and I want to 
extend just beyond just the 

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world today, but we think about 
creating futures Why not design 

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00:17:07,000 --> 00:17:12,099
is pretty easy case. 
And the why not? 

256
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There's a sign is because it has
participated in so many harmful 

257
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systems and has participated in 
so many ways to create the world

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that we have now something which
some people will call in this 

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heritance. 
That some people some people was

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still alive for its Creation in 
the sense of Newer systems that 

261
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marginalized people. 
And that's the fact that 

262
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people's lives negatively and 
design is an action, you know? 

263
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Oh, you know what, but this is 
cool because I wrote something 

264
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on this recently, It's right 
here. 

265
00:17:50,400 --> 00:17:53,000
All right, nice, I'll read out 
release from here. 

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I think this might answer to the
question or maybe create more 

267
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questions. 
Design might be the Human Action

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that participates in the 
creation of most things, 

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including products, curricula 
experiences, teams Frameworks, 

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00:18:10,800 --> 00:18:15,500
policies, and systems, 
significant at a global scale 

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protecting injuring or 
disrupting all life on this 

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planet. 
It these actions are defined by 

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the presence or absence of 
concerns and awareness of the 

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various systems. 
They encounter including systems

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of capital and finance labor and
human rights material, 

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resources, governments, and our 
ever-changing ecology these 

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systems and their various 
intersections should be an area 

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of vital concern for designers. 
And anyone else Else thinking 

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about how to proceed. 
This is an introduction to 

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having concerns for individuals,
negotiating with systems that 

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operate with assumptions about 
their impact and biased, in 

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their action. 
And and this document is a 

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00:19:05,000 --> 00:19:09,100
document that I just created 
like just before, I'd jumped on 

284
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the road for this trip but it's 
an expansion, it's an extension 

285
00:19:14,800 --> 00:19:17,600
of this ethics document that 
I've been working on for a few 

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00:19:17,600 --> 00:19:21,200
years and so This will come to 
Seattle. 

287
00:19:21,200 --> 00:19:23,500
I'll bring a stack of the now. 
We're going to add anything, you

288
00:19:23,500 --> 00:19:26,400
bring a bringing its I need one.
And yes. 

289
00:19:26,400 --> 00:19:34,200
Yeah the why not design is 
because it is so powerful and it

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00:19:34,200 --> 00:19:39,500
is being deployed without the 
greatest amount of care and the 

291
00:19:39,500 --> 00:19:42,900
greatest amount of concern and 
connections, specifically, the 

292
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idea of connection and 
collaboration. 

293
00:19:45,500 --> 00:19:49,600
And then why does ein is because
design also has the tools inside

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of itself to repair that. 
And when I say repair that, I 

295
00:19:53,000 --> 00:19:55,200
mean, repair the process by 
which things are made. 

296
00:19:55,200 --> 00:19:58,300
So that the more inclusive 
repair the mechanisms by, which 

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00:19:58,300 --> 00:20:01,100
things are made me write that 
they are looking at resource 

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00:20:01,100 --> 00:20:03,600
management at the center of most
things. 

299
00:20:03,600 --> 00:20:06,900
Instead of just that that sort 
of it's available and abundant 

300
00:20:06,900 --> 00:20:09,300
therefore we use it. 
And therefore we really look at 

301
00:20:09,300 --> 00:20:12,300
it, you know, things like that 
ideas like that. 

302
00:20:14,800 --> 00:20:22,700
And so, so it seems to me like 
designs can resolve the 

303
00:20:22,700 --> 00:20:28,200
challenges if it is deployed in 
a honest. 

304
00:20:29,500 --> 00:20:32,600
Collaborative and conscientious 
manner. 

305
00:20:33,300 --> 00:20:39,000
But if it is simply a growth 
mechanism, shut it down, shut it

306
00:20:39,000 --> 00:20:42,300
down, burn it down, I'm done. 
If it's only a mechanism for 

307
00:20:42,300 --> 00:20:44,000
growth, shut it down and burn it
down. 

308
00:20:45,500 --> 00:20:49,600
So, in, in our discussion, you 
mention of struck with the 

309
00:20:49,600 --> 00:20:52,900
notion of design and a 
reparative nature. 

310
00:20:53,000 --> 00:20:57,400
A restorative - and a 
replenishing Napier, how did you

311
00:20:57,400 --> 00:21:01,900
in your own life and practice? 
Find those moments to restore 

312
00:21:02,100 --> 00:21:08,500
and replenish. 
I mean, the first thing that 

313
00:21:08,500 --> 00:21:13,200
comes to mind is that like 
sometimes people ask this 

314
00:21:13,200 --> 00:21:15,100
question and like a job 
interview or something like? 

315
00:21:15,100 --> 00:21:18,200
Hey I think you blow off steam. 
Yeah, it's sort of like that's 

316
00:21:18,200 --> 00:21:22,100
not that, that can't be the 
can't be the most interesting 

317
00:21:22,100 --> 00:21:30,300
question, but when we talk about
repair and restore, I always 

318
00:21:30,300 --> 00:21:35,100
think that like if you've got a 
project, if you've got an idea 

319
00:21:35,100 --> 00:21:42,000
that's Worthy of doing that in 
the first place is net worthy of

320
00:21:42,000 --> 00:21:45,100
also looking at the history of 
that idea and to see whether or 

321
00:21:45,100 --> 00:21:50,500
not there is some action that 
restores power to the people 

322
00:21:50,500 --> 00:21:55,300
team were marginalized. 
Isn't there some opportunity to 

323
00:21:55,300 --> 00:21:58,500
repair damage? 
That things that have been done 

324
00:21:58,600 --> 00:22:01,600
previously? 
Like can we behave in a way? 

325
00:22:01,600 --> 00:22:05,900
That is both restorative and 
reparative as well as Something 

326
00:22:05,900 --> 00:22:10,900
that creates, right? 
Because like I said, growth you 

327
00:22:10,900 --> 00:22:13,100
could. 
I mean, you can count me out of 

328
00:22:13,100 --> 00:22:16,300
growth. 
But what you can Count Me In Too

329
00:22:16,600 --> 00:22:23,000
is repair and and you can Count 
Me In to you and action that 

330
00:22:23,000 --> 00:22:28,300
acknowledges people at all 
levels, instead of just 

331
00:22:28,300 --> 00:22:30,400
acknowledges people with 
capital. 

332
00:22:30,500 --> 00:22:37,900
And I think that like, what I do
Is I I try and think of how to 

333
00:22:37,900 --> 00:22:41,200
behave and how to have my family
behaved in my, my community 

334
00:22:41,200 --> 00:22:45,300
behave in ways that are 
collaborative and helpful 

335
00:22:45,300 --> 00:22:49,700
towards each other and so so, 
you know, it's a whole life, 

336
00:22:49,700 --> 00:22:54,500
it's a whole thing. 
But I think I think that's what 

337
00:22:54,500 --> 00:22:56,800
we train people in our community
to do. 

338
00:22:57,000 --> 00:23:00,100
And when I say that, I mean like
the people who are in our store,

339
00:23:00,100 --> 00:23:02,900
you know, like we have 
booksellers, we have Have 

340
00:23:02,900 --> 00:23:06,800
designers, we have our family, 
we have an impact on the planet.

341
00:23:06,800 --> 00:23:09,200
We have a, you know, we have 
things that we buy and sell and 

342
00:23:09,200 --> 00:23:13,000
do and we're really just looking
at how do we do it in a way? 

343
00:23:13,000 --> 00:23:17,500
That's really respectful of the 
places that we are. 

344
00:23:17,500 --> 00:23:21,900
The people that lives at. 
It doesn't prioritize Capital. 

345
00:23:23,800 --> 00:23:27,600
So you spoke a little bit about 
your Loop that sheriff, our 

346
00:23:27,600 --> 00:23:29,200
folks, what is, what is your 
Loop? 

347
00:23:29,200 --> 00:23:33,100
So if you start off in Denver, 
what's next, what's the What's 

348
00:23:33,100 --> 00:23:42,500
the Rick Journeys does? 
And you know, how to enter is a 

349
00:23:42,600 --> 00:23:44,700
location of the Batcave? 
I'm not asking for the secret 

350
00:23:44,700 --> 00:23:49,200
location of the Batcave. 
Just, let's just say that. 

351
00:23:49,200 --> 00:23:54,300
Like, I just got done with a 
meeting in the lawn, with 

352
00:23:54,300 --> 00:23:56,300
Letterpress printing. 
These, the metal press workers 

353
00:23:56,300 --> 00:24:00,900
group and I'm honored to be a 
part invited to that, it's where

354
00:24:01,000 --> 00:24:02,600
Letterpress printers from around
the world. 

355
00:24:02,800 --> 00:24:07,300
Get together and share and talk 
about printing and talking about

356
00:24:07,700 --> 00:24:11,300
their own situations and their 
various geographies have a good 

357
00:24:11,300 --> 00:24:19,200
friend, Marcos who's from Sao 
Paulo who came to Milan and the 

358
00:24:19,800 --> 00:24:22,000
set together. 
We did some collage together. 

359
00:24:22,000 --> 00:24:25,000
We worked, worked some things 
out and shared, we talked. 

360
00:24:26,300 --> 00:24:28,500
And we talked about politics and
we talked about other things 

361
00:24:28,500 --> 00:24:32,000
too, but you know, to be in 
community with people, and to be

362
00:24:32,000 --> 00:24:34,400
with people standing, We 
sometimes to meet their wives 

363
00:24:34,400 --> 00:24:36,200
and children. 
It's really just beautiful. 

364
00:24:37,800 --> 00:24:42,000
The destination before there was
Portugal. 

365
00:24:42,000 --> 00:24:44,500
There's the small community of 
people in Portugal and that I 

366
00:24:44,500 --> 00:24:52,800
care about deeply and I'm a, I'm
repairing with my partner, a 

367
00:24:52,800 --> 00:24:56,300
pile of rocks to be the place 
that we will eventually die. 

368
00:24:58,200 --> 00:25:01,100
And that's a really interesting 
project to do a construction 

369
00:25:01,100 --> 00:25:02,600
project in the country, don't 
live in. 

370
00:25:02,700 --> 00:25:05,500
In a language, you don't speak. 
That's like super challenging 

371
00:25:05,800 --> 00:25:11,100
but you've got that challenging 
us and then you know, various 

372
00:25:11,200 --> 00:25:15,500
workshops and things like that 
around Europe, because there are

373
00:25:15,800 --> 00:25:19,800
there are places out here that 
love to have inventive and 

374
00:25:19,800 --> 00:25:21,500
creative. 
Let's grenades to come the 

375
00:25:21,500 --> 00:25:24,700
workshops. 
And so I'll spend a couple of 

376
00:25:24,700 --> 00:25:29,600
months on the road every fall. 
And then in the spring of next 

377
00:25:29,600 --> 00:25:31,900
year, I actually am going to be 
stationary. 

378
00:25:32,000 --> 00:25:37,100
I'm going to be Lie. 
Still in party till Tennessee. 

379
00:25:38,000 --> 00:25:44,100
I was, I was awarded the Austin.
He covers chair positions for 

380
00:25:44,100 --> 00:25:48,500
the spring semester of 2823 and 
so I'll be teaching design 

381
00:25:48,500 --> 00:25:50,800
history at Austin, Peay State 
University. 

382
00:25:50,800 --> 00:25:55,300
And in Clarksville Tennessee, 
all makes things semester and so

383
00:25:55,300 --> 00:25:57,000
it just changes from year to 
year. 

384
00:25:57,900 --> 00:26:01,600
The loop is at, I love to come 
to Europe from back because 

385
00:26:01,600 --> 00:26:06,200
we're hoping that That we can 
establish like our final resting

386
00:26:06,200 --> 00:26:10,700
place if you will in Europe. 
I'm a British expatriates comes 

387
00:26:10,700 --> 00:26:14,200
to America and since brexit 
happens, I have to repatriate 

388
00:26:14,200 --> 00:26:16,600
myself to the continent in some 
way. 

389
00:26:16,600 --> 00:26:19,400
And so, you know, that's my 
biggest challenge right now is 

390
00:26:19,400 --> 00:26:22,900
to find options for my family 
and for myself to repatriate to 

391
00:26:22,908 --> 00:26:24,900
Europe weapon when I'm ready to 
die. 

392
00:26:24,900 --> 00:26:28,500
Because right now. 
America won't let me die with 

393
00:26:28,500 --> 00:26:32,600
anything. 
It's just terrible, it'll suck 

394
00:26:32,600 --> 00:26:33,400
up. 
The money out of me. 

395
00:26:33,400 --> 00:26:36,300
Pusher. 
Well, you'll have to keep me 

396
00:26:36,300 --> 00:26:39,200
posted on what happens in 
Portugal, but count me in on 

397
00:26:39,200 --> 00:26:41,200
visiting you next spring when 
you're still? 

398
00:26:41,900 --> 00:26:45,100
Yeah, absolutely, absolutely 
count me and I'm ready to roll. 

399
00:26:45,900 --> 00:26:48,700
So so we're good. 
We're going to mix it up a 

400
00:26:48,708 --> 00:26:53,300
little bit here and it's up, you
know, we're going to have our 

401
00:26:53,300 --> 00:26:57,800
very first, hyper visual 
fireside chat. 

402
00:26:58,800 --> 00:27:01,500
So yes. 
So we're going to have a few 

403
00:27:01,600 --> 00:27:03,700
rapid fire questions. 
Questions for you, my friend, I 

404
00:27:03,700 --> 00:27:05,000
think you might be ready for 
another. 

405
00:27:05,500 --> 00:27:07,700
Okay, let's go. 
Thank you. 

406
00:27:07,700 --> 00:27:10,700
Might be ready for it. 
So they're going to seem simple 

407
00:27:10,700 --> 00:27:13,100
and surface but nothing with us 
is ever simple. 

408
00:27:13,100 --> 00:27:16,800
So, we'll have fun with that. 
So, my first question for you 

409
00:27:18,700 --> 00:27:26,900
favorite visual artist Okay, so 
it's a super big problem space 

410
00:27:26,900 --> 00:27:33,900
because I've had this very long 
relationship with Casimir 

411
00:27:33,900 --> 00:27:41,000
malevich and and all of these 
tremendous artists that comes 

412
00:27:41,000 --> 00:27:43,700
from the Russian avant-garde 
which is roughly the turn of the

413
00:27:43,700 --> 00:27:48,000
century turn of the last century
into the into the 30s. 

414
00:27:48,400 --> 00:27:51,100
So I have a tremendous 
relationship with my A bitch. 

415
00:27:51,100 --> 00:27:53,500
And the reason why I have a 
tremendous relationship with 

416
00:27:53,500 --> 00:28:01,000
malevich is because malevich 
kind of captures a beautiful 

417
00:28:01,000 --> 00:28:04,900
piece of what is possible by 
talking about the non-objective 

418
00:28:04,900 --> 00:28:12,700
world and possible infusion of 
every feeling, right? 

419
00:28:12,700 --> 00:28:17,000
Every possible, human feeling 
into a piece of geometry because

420
00:28:17,000 --> 00:28:19,800
a piece of geometry is a very 
human element, right? 

421
00:28:19,800 --> 00:28:24,100
To be discovered. 
Sound support but malevich and 

422
00:28:25,400 --> 00:28:27,700
his progeny. 
Like all the people that came 

423
00:28:27,700 --> 00:28:31,200
from Russia that time. 
I still have tremendous things 

424
00:28:31,200 --> 00:28:34,900
to learn from them. 
And my work is deeply influenced

425
00:28:34,900 --> 00:28:38,200
by the kinds of questions that 
they were asking at the time 

426
00:28:38,200 --> 00:28:40,700
that communism was coming into 
play. 

427
00:28:40,700 --> 00:28:44,000
So really a lot of questions 
about class struggle, a lot of 

428
00:28:44,000 --> 00:28:48,900
questions about the proletariat 
and I really enjoy the allegory,

429
00:28:48,900 --> 00:28:53,500
like the idea that I'm working. 
In and enjoying a conversation 

430
00:28:53,500 --> 00:28:56,600
about class, struggle from 
another continent in another 

431
00:28:56,600 --> 00:28:58,900
country. 
But I'm also embedded in the 

432
00:28:58,900 --> 00:29:01,400
conversation about class 
struggle, where I live and work 

433
00:29:02,900 --> 00:29:06,400
awesome. 
So next question is favorite 

434
00:29:06,400 --> 00:29:15,400
design. see I told you these are
very straightforward questions 

435
00:29:16,400 --> 00:29:21,700
but that's sort of 
straightforward but hey So, 

436
00:29:21,700 --> 00:29:27,800
what's fair to say is that like 
having your awareness change, 

437
00:29:28,100 --> 00:29:32,300
right? 
About design is one of the most 

438
00:29:32,300 --> 00:29:35,400
exciting things that can happen 
and my awareness changed 

439
00:29:35,400 --> 00:29:41,200
profoundly when people started 
talking about and this is, It's 

440
00:29:41,200 --> 00:29:45,200
just got a lot to do with Silas 
Monroe of poly mode and it's got

441
00:29:45,200 --> 00:29:49,300
a lot to do with the by Park 
history course that that he ran 

442
00:29:49,300 --> 00:29:53,600
during pandemic and the guys at 
Pauline odor, amazing, the 

443
00:29:54,500 --> 00:29:59,000
people that they brought 
together The amount, the sheer 

444
00:29:59,000 --> 00:30:02,900
volume of people talented human 
beings that they brought 

445
00:30:02,900 --> 00:30:09,500
together for that course. 
I mean, everything that I 

446
00:30:09,500 --> 00:30:13,300
learned in that course changed 
my perspective. 

447
00:30:13,700 --> 00:30:17,900
And most importantly, I would 
say that, that was the second or

448
00:30:17,900 --> 00:30:20,100
third time that I got to meet 
sake. 

449
00:30:20,800 --> 00:30:24,300
Hmm. 
And the African alphabets book 

450
00:30:24,300 --> 00:30:27,500
started to take on new shape, 
for me, write the entire Their 

451
00:30:27,500 --> 00:30:32,200
conversation about stockings 
work and the African alphabets 

452
00:30:32,300 --> 00:30:36,500
project. 
I mean, really, I would just say

453
00:30:36,500 --> 00:30:40,800
this favorite design right now 
will tens down the the course, 

454
00:30:40,900 --> 00:30:44,900
the by POC, history course of 
poly mode from 2020. 

455
00:30:45,200 --> 00:30:47,900
That was done. 
It's an inexpensive course to 

456
00:30:47,900 --> 00:30:53,600
sign up for, but every lesson in
that course, changed my 

457
00:30:53,600 --> 00:30:57,800
perspective and change of my 
appreciation for So many 

458
00:30:57,800 --> 00:31:00,800
people's work. 
So I'm a lifetime learner. 

459
00:31:00,900 --> 00:31:03,500
I'm a lifelong learner. 
And so learning is always my 

460
00:31:03,500 --> 00:31:05,500
favorite thing. 
I think that's that's it, like 

461
00:31:05,500 --> 00:31:07,500
there. 
That's awesome. 

462
00:31:07,600 --> 00:31:11,100
And definitely shout-out to 
Silas who's a friend and 

463
00:31:11,100 --> 00:31:15,400
contributor for aiga as well. 
Here we go. 

464
00:31:16,200 --> 00:31:25,300
Favorite book quote. 
I can't say it on the air, it's 

465
00:31:25,300 --> 00:31:30,800
improper, but I will say this, 
the most important part of Allen

466
00:31:30,800 --> 00:31:35,700
ginsberg's howl is not 
necessarily just the poem, how 

467
00:31:35,900 --> 00:31:40,300
if you go to the back of the 
book, it's the next piece of 

468
00:31:40,300 --> 00:31:45,700
writing after how and it's one 
of my favorite things to read 

469
00:31:45,800 --> 00:31:51,000
because it's it's difficult to 
imagine Someone saying it 

470
00:31:51,000 --> 00:31:53,800
without yelling at at the top of
their lungs. 

471
00:31:53,900 --> 00:31:56,300
Right? 
And so, I love the idea of 

472
00:31:56,300 --> 00:32:01,600
reading someone's vitriol. 
Someone's absolutely possessed. 

473
00:32:01,800 --> 00:32:06,900
Bitterness, and anger, and so it
would be a portion of Allen 

474
00:32:06,900 --> 00:32:10,300
ginsberg's howl, okay. 
Which, which Every, Which every 

475
00:32:10,300 --> 00:32:12,400
person should own at least one 
copy outs. 

476
00:32:12,400 --> 00:32:16,000
And if you don't own several, 
you know, let's let's try and 

477
00:32:16,000 --> 00:32:17,600
get that. 
I'm going to try to make that 

478
00:32:17,600 --> 00:32:21,300
happen but they'll tell you what
a close Second is when you get 

479
00:32:21,300 --> 00:32:31,600
really really close. 
Second is Page 8 of flat land by

480
00:32:31,600 --> 00:32:35,000
Edwin Abbott Abbott. 
It's a book that's been in print

481
00:32:35,000 --> 00:32:39,700
since 1896. 
And it is a really interesting 

482
00:32:40,900 --> 00:32:45,200
sort of euclidean geometric 
Treatise but it's connected to 

483
00:32:45,200 --> 00:32:51,400
Victorian class structure and 
It's a brilliant, it's a 

484
00:32:51,400 --> 00:32:54,200
brilliant rough pieces of 
writing and it's been around for

485
00:32:54,200 --> 00:32:58,800
over 100 years and it's paid to 
8 is probably my favorite page 

486
00:32:58,800 --> 00:33:03,000
or, you know, depending on the 
part that you're the part that 

487
00:33:03,000 --> 00:33:05,000
you're in. 
But it's on the inhabitants of 

488
00:33:05,000 --> 00:33:09,200
flatland and it describes how 
people are seen as geometry. 

489
00:33:09,300 --> 00:33:11,100
So it's kind of exciting City. 
Cool. 

490
00:33:11,600 --> 00:33:14,300
Well, before I ask the next 
question, I'm going to share 

491
00:33:14,300 --> 00:33:19,100
this little aside because I I 
know you absolutely love books. 

492
00:33:19,400 --> 00:33:21,800
I know you Adore books. 
And I remember you said this to 

493
00:33:21,800 --> 00:33:24,200
me one time. 
I sent you a small, thank you 

494
00:33:24,200 --> 00:33:26,600
note and of the book and you 
called me up and you said how 

495
00:33:26,600 --> 00:33:29,800
bold and daring of you to send 
the book to the book guy? 

496
00:33:29,900 --> 00:33:35,000
Well played and that stay with 
me so warm, because I knew I was

497
00:33:35,000 --> 00:33:37,800
taking a risk, that you probably
already had this book or had an 

498
00:33:37,808 --> 00:33:41,500
opinion on this book or whatever
station there, but it felt right

499
00:33:41,500 --> 00:33:45,000
to send to you at that moment. 
And so, but the question for us 

500
00:33:45,000 --> 00:33:47,600
is, when did you first realize 
that you fell in love with 

501
00:33:47,600 --> 00:33:53,900
books? 
I was raised with my own 

502
00:33:53,900 --> 00:33:58,000
Encyclopedia set, it wasn't 
exactly the right year. 

503
00:33:58,000 --> 00:33:59,700
It was like a couple years 
earlier. 

504
00:33:59,700 --> 00:34:04,400
We weren't we weren't wealthy 
divide that dedication but I was

505
00:34:04,400 --> 00:34:08,600
raised with my own Encyclopedia 
set I was raised with a copy of 

506
00:34:08,699 --> 00:34:14,699
the Bible, the Quran and the 
Torah I was raised with Grey's 

507
00:34:14,699 --> 00:34:16,800
Anatomy. 
I was raised with so many 

508
00:34:16,900 --> 00:34:20,600
important books and my Pants. 
Just like many other black 

509
00:34:20,600 --> 00:34:25,100
parents would just say there's 
no such thing as board, go pick 

510
00:34:25,100 --> 00:34:30,900
up the book, right? 
And they also they also insisted

511
00:34:30,900 --> 00:34:34,800
that I read the complete works 
of Shakespeare Chaucer Dickens 

512
00:34:34,800 --> 00:34:40,600
and Bronte, okay? 
And so that happened in my like 

513
00:34:40,900 --> 00:34:43,800
early years to, I got that done 
before. 

514
00:34:43,800 --> 00:34:48,400
I was 12 years old and so 
everything like to me became 

515
00:34:48,900 --> 00:34:51,800
Either really weird language 
that I didn't completely 

516
00:34:51,800 --> 00:34:56,100
understand like Chaucer thing 
for it began to make sense. 

517
00:34:56,100 --> 00:34:58,900
By the time I was 12 or 13, 
which was Shakespeare because I 

518
00:34:58,900 --> 00:35:03,300
was going to the theater or it 
made immediate sense, which was 

519
00:35:03,300 --> 00:35:07,900
Bronte, who's, you know, writing
is totally accessible for all 

520
00:35:07,900 --> 00:35:12,500
ages and it's not an issue. 
And then my life has been, like 

521
00:35:12,500 --> 00:35:17,000
a dickensian novel, right? 
It's full of tragedy, and it's 

522
00:35:17,300 --> 00:35:21,600
misfortune And Fortune and 
bravery and all sorts of 

523
00:35:21,600 --> 00:35:25,800
experiences and people have come
into my life and my favorite, my

524
00:35:25,800 --> 00:35:29,200
favorite Dickens book is going 
to be The Life and Times of of 

525
00:35:29,200 --> 00:35:33,700
Nicholas Nickleby which, which 
is a really remarkable document 

526
00:35:33,800 --> 00:35:37,700
all by itself. 
But my life sometimes just feels

527
00:35:37,700 --> 00:35:43,500
quite dickensian, feels really 
connected to two story and to 

528
00:35:44,100 --> 00:35:47,700
love and loss. 
And you know you could say that 

529
00:35:47,800 --> 00:35:51,400
Dickens I have had an 
interesting template probably 

530
00:35:51,400 --> 00:35:54,200
influenced by Bollywood, you 
know, like by Indian 

531
00:35:54,200 --> 00:35:58,400
storytelling like massive 
narratives decade-long there it 

532
00:35:58,400 --> 00:35:59,700
is. 
You know, that's sort of thing 

533
00:35:59,900 --> 00:36:02,700
and being an English person. 
How could he not have been 

534
00:36:03,400 --> 00:36:06,500
influenced by Indian Indian 
poetry? 

535
00:36:06,900 --> 00:36:10,000
Right? 
Well the next space in one of 

536
00:36:10,000 --> 00:36:13,300
the connection points that we 
have is and your time in d.c. 

537
00:36:13,900 --> 00:36:18,000
was all about music. 
So give me your favorite song. 

538
00:36:18,000 --> 00:36:18,700
Lyric. 
Work. 

539
00:36:20,800 --> 00:36:23,500
Oh my gosh my favorite song 
lyric. 

540
00:36:23,500 --> 00:36:28,500
There's so many song lyrics so I
cannot say again because it's 

541
00:36:28,500 --> 00:36:30,100
tone. 
Absolutely filthy. 

542
00:36:30,400 --> 00:36:35,600
I can I say my favorite song, 
lyric on the air but I will say 

543
00:36:35,600 --> 00:36:39,400
it's from John Giorno and the 
song is called scum and sign. 

544
00:36:39,400 --> 00:36:42,000
And look at that, it's an 
amazing amazing song. 

545
00:36:42,400 --> 00:36:47,900
But but besides that the punk, 
the punk, anthems from the 80s, 

546
00:36:48,300 --> 00:36:56,200
you know, I there's a, there's a
band called marginal, man, and 

547
00:36:57,900 --> 00:37:04,000
this is really interesting 
because modulo man's drummer Is 

548
00:37:04,000 --> 00:37:11,400
Kenny on away who was the son of
former state state senator on 

549
00:37:11,400 --> 00:37:15,000
away. 
So, so because because of the 

550
00:37:15,000 --> 00:37:19,500
sea being what it was, sometimes
like the Senators kids were like

551
00:37:19,500 --> 00:37:25,300
punks and so canning was part of
the band but but what I found 

552
00:37:25,300 --> 00:37:28,100
sign up about this. 
Lyric was it's a simple lyric. 

553
00:37:28,100 --> 00:37:31,700
He goes if I say something that 
you don't like thinking about 

554
00:37:31,700 --> 00:37:44,300
it, I might be right. if I say 
something, Just just, just hear 

555
00:37:44,300 --> 00:37:46,600
me out, right? 
I just might know what I'm 

556
00:37:46,600 --> 00:37:51,900
talking about and it's kind of a
cool lyric and at the same time,

557
00:37:52,100 --> 00:37:55,300
it's asking for people to be 
better listeners of each other 

558
00:37:55,300 --> 00:37:57,500
but in a super Punk, Anthony 
sort of weight. 

559
00:37:57,500 --> 00:38:01,800
So you know, but but there's a 
lot of good songs in d.c. punk 

560
00:38:01,800 --> 00:38:06,300
rock but this but it's lyric 
also as long as we're talking 

561
00:38:06,300 --> 00:38:12,100
about music, this lyric Is is 
Top Notch for DC lyric. 

562
00:38:12,300 --> 00:38:17,500
It's MasterCard Visa American 
Express, I don't know nothing 

563
00:38:17,500 --> 00:38:20,200
about no credit cards because 
cash is the best. 

564
00:38:21,700 --> 00:38:24,400
We know that from course, 
talking about dolla, dolla be, 

565
00:38:25,500 --> 00:38:28,800
that's big talk that speak to me
from some Trouble Funk and so 

566
00:38:28,800 --> 00:38:32,400
that to me, you can't talk about
DC music without talking about 

567
00:38:33,300 --> 00:38:37,200
punk, rock and Trouble Funk. 
And so to me, those do just was 

568
00:38:37,200 --> 00:38:38,800
my big favorite Things right 
there. 

569
00:38:39,200 --> 00:38:42,900
I love that instinctively 
started by the lyric and without

570
00:38:42,900 --> 00:38:45,200
even thinking about it. 
My DC. 

571
00:38:45,200 --> 00:38:49,700
This always shows. 
Yeah, that's great. 

572
00:38:49,700 --> 00:38:53,700
I mean, how could you not love a
city that has its own musical 

573
00:38:53,700 --> 00:38:58,800
form, you know, the islands, 
d.c., you know, it wouldn't sell

574
00:38:58,800 --> 00:39:03,200
you really this days so your 
daughter alluded to your 

575
00:39:03,200 --> 00:39:05,300
Evolution. 
And so I'm going to ask this 

576
00:39:05,300 --> 00:39:07,200
question in that context. 
What? 

577
00:39:07,200 --> 00:39:09,100
Sparks your imagination Nation 
today. 

578
00:39:10,200 --> 00:39:11,500
It? 
What are the things you? 

579
00:39:11,800 --> 00:39:15,200
You've seen a lot. 
You've created a lot what? 

580
00:39:15,200 --> 00:39:29,100
Really Sparks your imagination 
today. um, it kind of Lights me 

581
00:39:29,100 --> 00:39:34,000
up when I see acts of courage. 
It can't. 

582
00:39:34,000 --> 00:39:36,600
It doesn't get any better than 
that watching someone else. 

583
00:39:36,600 --> 00:39:39,200
Be courageous watching someone 
else. 

584
00:39:39,200 --> 00:39:42,000
Speak truth to power watching 
someone else fight for someone 

585
00:39:42,000 --> 00:39:45,000
else, watching watching, people 
do Brave things. 

586
00:39:45,600 --> 00:39:48,400
It's the highest form of 
encouragement. 

587
00:39:50,200 --> 00:39:58,200
And so I've evolved through my 
own grief, I've evolved through 

588
00:39:58,200 --> 00:40:03,900
my own experience but I also am 
like witnessing acts of courage.

589
00:40:04,100 --> 00:40:12,000
I had a scale that just blows my
mind all the time so so it's it 

590
00:40:12,000 --> 00:40:17,100
doesn't just spark creativity. 
I mean it's Sparks like purpose,

591
00:40:17,300 --> 00:40:21,600
right? 
It's Martin's purpose and I 

592
00:40:21,700 --> 00:40:26,500
there's nothing higher It's so 
true and so powerful. 

593
00:40:27,100 --> 00:40:31,200
So as we wrap up, I'd love to 
ask you, what have been your 

594
00:40:31,200 --> 00:40:35,000
favorite Journeys? 
As of recently, you know, we 

595
00:40:35,000 --> 00:40:38,600
think about it, our life is a 
journey, but it's made up of 

596
00:40:38,600 --> 00:40:42,200
Journeys inside of Journeys. 
What what's one road that you've

597
00:40:42,200 --> 00:40:46,400
taken recently? 
That's that continued this love 

598
00:40:46,400 --> 00:40:48,600
of creativity inspiration. 
What's been your favorite 

599
00:40:48,600 --> 00:40:54,100
Journey? 
I'm still negotiating where I am

600
00:40:54,100 --> 00:40:58,200
with it because it's difficult 
but writing. 

601
00:40:58,900 --> 00:41:03,400
Hmm, I'm I'm learning how to 
write. 

602
00:41:04,700 --> 00:41:08,100
I know it sounds really silly 
because sometimes you think, 

603
00:41:08,100 --> 00:41:10,500
well how do you get by without 
writing? 

604
00:41:11,300 --> 00:41:15,400
But I think lots of this get by 
without writing and without 

605
00:41:15,400 --> 00:41:17,800
writing something serious 
without some writing, something 

606
00:41:18,100 --> 00:41:23,800
for other people's eyes and So 
right now I'm writing and I'm 

607
00:41:23,800 --> 00:41:28,400
learning how to write with and 
collaborate with with people in 

608
00:41:28,400 --> 00:41:31,500
writing. 
So this is my latest journey and

609
00:41:31,500 --> 00:41:36,500
I'm hoping that it opens up new 
doors and opportunities for me. 

610
00:41:38,500 --> 00:41:43,000
I'm not sure if we need any more
design critics but I do know 

611
00:41:43,000 --> 00:41:47,600
that the act of criticism is 
also I can act of observation 

612
00:41:47,600 --> 00:41:53,000
and caring and I like to see it 
as a way of thinking about, not 

613
00:41:53,000 --> 00:41:56,500
just what we will do, but what 
we have already done, you know. 

614
00:41:56,900 --> 00:42:01,000
So so I'm not sure if I, if I 
need to position myself as a 

615
00:42:01,000 --> 00:42:05,800
design critic of any kind, but I
do like to comment on and talk 

616
00:42:05,800 --> 00:42:10,300
about what I see. 
And what, I think the future 

617
00:42:10,300 --> 00:42:17,300
might be and to that end. 
I've kind of decided that like 

618
00:42:17,300 --> 00:42:21,700
over this next year, my lecture 
is called Old, what design might

619
00:42:21,700 --> 00:42:27,500
be, and, and it's has the same 
sort of front end of a of the 

620
00:42:27,500 --> 00:42:31,400
lecture. 
But each time I kind of swap in 

621
00:42:32,000 --> 00:42:36,200
two new projects and talk about 
two projects in a very sort of 

622
00:42:36,300 --> 00:42:40,300
Case Case, Study heavy way right
and try and help people see how 

623
00:42:40,300 --> 00:42:44,500
broad design is and how broad a 
design practice can be. 

624
00:42:45,000 --> 00:42:50,000
And so I'm kind of excited to 
share both big and small. 

625
00:42:50,200 --> 00:42:53,800
Projects, but things that are 
really Broad in their definition

626
00:42:53,800 --> 00:42:57,300
and how they fit into this line 
as as a practice as they could 

627
00:42:57,300 --> 00:42:58,900
into my practice. 
You know. 

628
00:42:59,200 --> 00:43:03,000
So writing is the biggest 
adventure of recent recent 

629
00:43:03,000 --> 00:43:04,800
years. 
Yeah, I was gonna ask you. 

630
00:43:04,800 --> 00:43:07,500
How have you, what advice do you
have for people from managing 

631
00:43:07,500 --> 00:43:11,200
that pivot from writing and 
ideas as a personal private 

632
00:43:11,200 --> 00:43:14,900
concern to flipping it to then 
open it up for others? 

633
00:43:14,900 --> 00:43:21,300
To be a part of Cuz I know 
you've been an act thinker 

634
00:43:21,300 --> 00:43:25,500
forever and so these ideas have 
been on the inside, but now 

635
00:43:25,500 --> 00:43:28,100
you're really kind of exploring 
and opening them up and sharing 

636
00:43:28,100 --> 00:43:36,900
them a bit more. 
I think, I think Michael Barrett

637
00:43:36,900 --> 00:43:42,300
said this once and it really, I 
really hope that close to me and

638
00:43:42,300 --> 00:43:45,200
that was like, don't be afraid 
to have mentors. 

639
00:43:45,900 --> 00:43:51,400
And my addition to that is and 
don't tell them that, they're 

640
00:43:51,400 --> 00:43:56,400
your mentors, just be good to 
each other in the relationship. 

641
00:43:56,600 --> 00:43:59,400
The m word, always freaks people
out, right? 

642
00:43:59,400 --> 00:44:02,100
When someone says that I'm 
supposed to be their Mentor, I 

643
00:44:02,108 --> 00:44:04,800
get freaked out a little bit, 
but if somebody To be in 

644
00:44:04,800 --> 00:44:09,500
community with me and spend time
with me and learn with me and be

645
00:44:09,500 --> 00:44:12,200
with me. 
I'm kind of okay with that but 

646
00:44:12,200 --> 00:44:16,300
the mentor thing kind of feels 
like a lot of responsibility, 

647
00:44:17,000 --> 00:44:20,500
don't be afraid to have them but
also you a little bit more 

648
00:44:20,500 --> 00:44:26,000
stealthy than just kind of jump 
up on their shit and be like you

649
00:44:26,008 --> 00:44:30,400
know I want you to be my 
favorite because because we need

650
00:44:30,400 --> 00:44:32,600
mentors. 
Everybody needs one. 

651
00:44:33,300 --> 00:44:36,500
I certainly am. 
I sit at the feet of the master 

652
00:44:36,500 --> 00:44:42,700
over and over and over again, 
but but I think it's like, don't

653
00:44:42,700 --> 00:44:45,600
let the process of getting a 
mentored assuage view from 

654
00:44:45,600 --> 00:44:49,300
having one just simply be in 
community, mood portal, and 

655
00:44:50,000 --> 00:44:53,800
quarter-point, recognizing those
moment than those people. 

656
00:44:53,800 --> 00:44:56,700
In our lives that serve in a 
mentorship moment, whether you 

657
00:44:56,700 --> 00:44:59,100
recognize it or not, you know, 
you go through the Journey. 

658
00:44:59,100 --> 00:45:02,700
You realize that that you've 
been having these conversations 

659
00:45:02,700 --> 00:45:06,400
that have been edifying and 
Enforcing and serving that 

660
00:45:06,400 --> 00:45:14,900
purpose about the label. 
Yeah, I mean I do think you have

661
00:45:14,900 --> 00:45:19,700
to, I do think you have to be in
service of the relationship. 

662
00:45:20,000 --> 00:45:25,400
I do think there is at least 
your own awareness, right? 

663
00:45:25,400 --> 00:45:33,500
Is important because, because it
can be, it can be extractive. 

664
00:45:33,500 --> 00:45:36,800
And, and it can be painful for 
other people. 

665
00:45:37,200 --> 00:45:41,300
So, so, having the awareness 
that, like, you are in a 

666
00:45:41,308 --> 00:45:45,800
relationship with Somebody in 
that, it is fueling you is good 

667
00:45:46,000 --> 00:45:49,300
and then being aware of how 
other people need fuel as well. 

668
00:45:49,300 --> 00:45:56,000
Is it maybe it's just maybe it's
just straight up old mentorship 

669
00:45:56,000 --> 00:46:00,400
but what it is that how they 
lose more subtle and less 

670
00:46:00,400 --> 00:46:07,500
extractive and more focused on 
like how we can be there for and

671
00:46:07,500 --> 00:46:12,600
with each other right? 
You know it's a balance It's I 

672
00:46:12,600 --> 00:46:15,900
mean I don't even like the word 
balanced because it's just what 

673
00:46:15,900 --> 00:46:17,800
people say when they want those 
things. 

674
00:46:18,000 --> 00:46:24,300
But but for me, it's like 
energetically super important to

675
00:46:24,300 --> 00:46:29,200
be both learning and teaching at
the same time, this is 

676
00:46:29,300 --> 00:46:31,300
incredible. 
We talked about bringing back 

677
00:46:31,300 --> 00:46:35,000
together and and reconnection 
relationship. 

678
00:46:35,000 --> 00:46:38,200
So, I think it's a perfect way 
to end to talk about our 

679
00:46:38,200 --> 00:46:40,100
upcoming design conference in 
Seattle. 

680
00:46:40,800 --> 00:46:45,100
That we Do you know, we talked 
about it a lot and felt that you

681
00:46:45,100 --> 00:46:48,400
were the perfect person to get 
us started in a generative way 

682
00:46:48,400 --> 00:46:52,700
as we come back together and 
moving and expanding our host 

683
00:46:52,700 --> 00:46:55,400
that we have along with yourself
and the work that we're doing in

684
00:46:55,400 --> 00:46:58,300
bringing people back in, we've 
gotten such kind of positive 

685
00:46:58,300 --> 00:47:02,600
feedback that people wanting 
this moment to get away from the

686
00:47:02,600 --> 00:47:05,200
screens and get back to coming 
together. 

687
00:47:05,500 --> 00:47:08,200
So what what are you looking 
forward to most? 

688
00:47:09,500 --> 00:47:14,800
Oh wait. 
I got good coffee for you. 

689
00:47:14,900 --> 00:47:18,600
I got that for you. 
I'm gonna need it. 

690
00:47:19,200 --> 00:47:24,800
I'm looking forward to being 
with with the community of 

691
00:47:24,800 --> 00:47:28,000
designers that AIG a kind of 
brings together. 

692
00:47:28,000 --> 00:47:30,600
I'm looking forward to that had 
no answer, no doubt about it. 

693
00:47:30,700 --> 00:47:35,000
I've only missed maybe three or 
four conferences in the last 25 

694
00:47:35,000 --> 00:47:45,800
years. right now, the idea of 
reconnect its It's pretty, we 

695
00:47:45,800 --> 00:47:49,200
Tail as a title goes. 
You know, I'm sure that there's 

696
00:47:49,200 --> 00:47:54,700
going to be 100 conferences 
called me connect, but I 

697
00:47:54,700 --> 00:47:58,800
couldn't say, you know, like the
title that I really want it and 

698
00:47:58,800 --> 00:48:02,700
put his competence which was you
know, last year we called the 

699
00:48:02,700 --> 00:48:05,300
conference a brief history of 
now, right? 

700
00:48:05,800 --> 00:48:09,200
And you know like I think this 
conference should be called now.

701
00:48:09,200 --> 00:48:19,700
What The concept of what we did 
last year by bringing, like a 

702
00:48:19,700 --> 00:48:24,300
really awesome group of people 
together to share, sort of 

703
00:48:24,500 --> 00:48:28,700
situationally how we've arrived 
at this place and sort of what 

704
00:48:28,700 --> 00:48:32,600
this place looks like. 
And what a reckoning on design 

705
00:48:32,600 --> 00:48:36,100
and design thinking looks like, 
and how people are sort of tired

706
00:48:36,100 --> 00:48:38,700
of Post-it notes to tell us how 
the world's going to be. 

707
00:48:39,200 --> 00:48:43,300
I mean, there's a bunch of that.
And now we're at the Next Level,

708
00:48:43,500 --> 00:48:47,900
it's a little bit more connected
to do. 

709
00:48:47,900 --> 00:48:50,600
You understand the long-term 
impact of your work? 

710
00:48:50,800 --> 00:48:53,200
Are you connected to your values
as a person? 

711
00:48:53,200 --> 00:48:56,900
And do you understand ethics? 
Even though the United States 

712
00:48:57,000 --> 00:49:01,600
has gone so far out of its way 
to disrupt any ethical 

713
00:49:01,600 --> 00:49:05,800
conversation that could occur 
right like do we have a 

714
00:49:05,800 --> 00:49:10,200
grounding for what we do as a 
community of people and as a 

715
00:49:10,208 --> 00:49:14,900
profession and I think that 
Because we're talking about time

716
00:49:15,200 --> 00:49:18,200
because we were talking about 
space because we're talking 

717
00:49:18,200 --> 00:49:21,900
about human beings. 
And because we're here to honor 

718
00:49:22,400 --> 00:49:26,600
again, like nothing happens 
without honoring my ancestors 

719
00:49:26,900 --> 00:49:32,100
and that yours because we're 
here to kind of do that. 

720
00:49:33,200 --> 00:49:36,000
I think that this conference is 
at a point in time where it's 

721
00:49:36,000 --> 00:49:41,100
like, okay what my aiga be able 
to create us to conversation, 

722
00:49:41,100 --> 00:49:44,000
that it is about leadership in 
the design now, right? 

723
00:49:44,300 --> 00:49:49,200
And how is leadership and design
everybody's business, right? 

724
00:49:49,300 --> 00:49:53,700
How one person's actions make a 
difference and how we connect to

725
00:49:53,700 --> 00:49:56,500
our values design, has its own 
set of values. 

726
00:49:56,700 --> 00:49:59,900
Whether we're aware of them or 
not design has its own set of 

727
00:49:59,900 --> 00:50:05,500
deeply held values spring and It
doesn't need to have the values 

728
00:50:05,500 --> 00:50:09,800
of late-stage capitalism, 
Infuse, it or direct it, or 

729
00:50:09,800 --> 00:50:13,000
manipulate it. 
And I think that at this 

730
00:50:13,000 --> 00:50:16,500
conference, what we're trying to
do is give designers as much 

731
00:50:16,600 --> 00:50:20,300
autonomy in this very 
complicated world as possible, 

732
00:50:20,600 --> 00:50:22,500
the chance to make their own 
decisions. 

733
00:50:22,700 --> 00:50:25,600
The chance to bring their 
practice into focus and their 

734
00:50:25,600 --> 00:50:29,100
purpose into focus. 
And so I know that the things 

735
00:50:29,100 --> 00:50:32,600
that I'm hoping to see and learn
from are going to do that for 

736
00:50:32,600 --> 00:50:35,300
me. 
Me or this is an incredible 

737
00:50:35,300 --> 00:50:39,300
amount of Talent on the table. 
Yeah and I really hope everybody

738
00:50:39,300 --> 00:50:43,100
else enjoys it to do because I'm
going to sessions to learn I'm 

739
00:50:43,100 --> 00:50:46,800
doing and you know I'm going to 
be attending to this as an 

740
00:50:46,808 --> 00:50:55,800
attendee not just as a person 
who's organizing That's a 

741
00:50:55,808 --> 00:50:58,900
perfect way to end our 
conversation today. 

742
00:50:58,900 --> 00:51:02,300
You just you just put it out 
there for free, but as I said, 

743
00:51:02,300 --> 00:51:05,600
it depart departure points. 
Thank you all for joining us. 

744
00:51:05,800 --> 00:51:11,700
Rick this has been incredible to
it's fun for me to share the 

745
00:51:11,700 --> 00:51:14,200
type of conversations that you 
and I have when it's just the 

746
00:51:14,200 --> 00:51:16,200
two of us with the rest of the 
world. 

747
00:51:17,100 --> 00:51:20,200
It's been. 
I think you just personally for 

748
00:51:20,600 --> 00:51:24,700
your support and Leadership. 
Worship and going with me, with 

749
00:51:24,700 --> 00:51:26,900
crazy ideas and share, with me. 
Crazy idea. 

750
00:51:26,900 --> 00:51:29,700
Is it as putting our crazy 
together and thinking that we 

751
00:51:29,700 --> 00:51:32,200
can change the world? 
Because that's the purpose of 

752
00:51:32,200 --> 00:51:35,500
design, as I said before, as a 
starting point. 

753
00:51:35,500 --> 00:51:39,000
Yes, Rick is the designer. 
Yes, he's a master of 

754
00:51:39,000 --> 00:51:45,600
Letterpress, but Rick is so much
more L teacher Challenger and 

755
00:51:45,600 --> 00:51:50,800
good strength. 
Yes, lifelong learner and 

756
00:51:50,800 --> 00:51:54,500
trouble making friends. 
Thank, you know, there's a, 

757
00:51:54,600 --> 00:51:57,300
there's a lyric that I want to 
put in your in your head just 

758
00:51:57,300 --> 00:52:01,400
before we leave. 
But he had, this is a most theft

759
00:52:01,400 --> 00:52:07,200
song and someone says Hey most 
what's hip hop going to be like 

760
00:52:07,200 --> 00:52:10,600
in the future? 
And most says you know it's 

761
00:52:10,600 --> 00:52:13,400
whatever we are in the future is
what hip-hop is going to be in 

762
00:52:13,400 --> 00:52:15,300
the future if we were smoked 
out. 

763
00:52:15,400 --> 00:52:18,200
It's going to be smoked out. 
If we're real, it's going to be 

764
00:52:18,200 --> 00:52:20,300
real. 
If we're together, we're going 

765
00:52:20,300 --> 00:52:22,800
to be together. 
And that's I mean in In some 

766
00:52:22,800 --> 00:52:27,400
sense, I really love this idea 
about design is a collection of 

767
00:52:27,400 --> 00:52:30,700
human beings of practice design.
All right, it's nothing more 

768
00:52:30,700 --> 00:52:32,900
than that. 
And when we get together, 

769
00:52:33,000 --> 00:52:36,300
hopefully what we'll do is we'll
find it how to do it in 

770
00:52:36,300 --> 00:52:39,600
community with other designers 
and also the planet and the 

771
00:52:39,608 --> 00:52:43,700
people to live on this planet. 
Well said that I say, amen. 

772
00:52:44,100 --> 00:52:48,700
And we look forward to seeing 
everybody in Seattle next month.

773
00:52:49,000 --> 00:52:51,000
Thank you all for joining us, 
Rick. 

774
00:52:51,000 --> 00:52:52,300
Thank you. 
As always. 

775
00:52:52,800 --> 00:52:57,300
If this has been a fireside chat
with aiga design, thank you all.

776
00:52:58,000 --> 00:52:58,500
Watch your mouth.
