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Welcome to aiga is fireside 
chat. 

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Thank you for joining us. 
Before we begin our fireside 

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chat, a few quick housekeeping 
notes. 

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This session is being recorded 
and will be available for 

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viewing post-event. 
We are also live streaming to 

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our followers on LinkedIn and 
Facebook. 

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Please connect with us and share
your thoughts, the Hashtags with

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this. 
Fireside are aoj design and 

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future of design. 
Now, it is my pleasure to 

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welcome, Vinnie at Johnson & 
J's, executive director today is

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against Rusev. 
Steroids, vice president brand 

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creative for Sesame Workshop, 
any holiday, greetings, everyone

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and Welcome to our last Fireside
of this year. 

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We're going to explore 
leadership in design and we 

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thought what better way to end 
our year with a way in which 

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many of us began our year in 
thinking about creativity and 

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Innovation from the start. 
It only takes these words to 

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bring a smile to minis face. 
Face face it. 

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Sunny day sweeping the clouds 
away on my way to where the air 

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is sweet. 
Just the mention of those words,

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bring back fond memories of our 
childhood of our Parenthood of 

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our experience. 
That bring a delight to our 

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face. 
So today we're going to have as 

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our guest none. 
Other than Teresa Fitzgerald who

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serves as the VP of creative 
brand for Sesame Workshop. 

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The education nonprofit behind 
the educational organization 

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that we love Sesame Street, she 
leads the in-house brand, 

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creative team, which is 
dedicated with this mission of 

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helping kids grow stronger, 
smarter and kinder. 

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Theresa has spent a career 
developing creative to entertain

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and educate, and engage young 
minds prior to Sesame. 

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She oversaw design and branding 
vision from Nickelodeon Snoopy 

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and peanut Scholastic Mattel and
National Geographic. 

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She's been an Adjunct professor 
in New York at NYU teaching 

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design and working with 
educational team members at the 

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Smithsonian cooper-hewitt 
supporting design in the 

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classroom. 
She's been a guest speaker at 

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all of the leading design 
schools. 

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She's always been committed to 
problem-solving mind evolving 

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and pulling it down to the Bears
essence of creativity. 

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So today, I'd like to welcome to
reach of his journal to our 

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fireside chat. 
Thank you. 

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My friend. 
Yeah, nice intro. 

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Well, it's good to have you have
you have to have a good intro. 

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So I, you know I say it injects 
quits there's so many times when

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you hear those lyrics and it 
kind of sums up with the break 

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point of, can you Tell me how to
get how to get to Sesame Street.

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So, I'm a dad. 
So I'm allowed in this season to

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have a ton of dad puns in this 
conversation, okay? 

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So we want to start off with 
your design journey. 

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And the big question is, how did
you come to this role? 

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You've been at Sesame Street for
over a decade? 

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How did you end up at Sesame 
Street? 

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First, I want to thank you for 
having me, and it's kind of a 

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nice week to wind down with a 
celebrating design and 

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creativity. 
Um, so I grew up in Upstate New 

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York, in a family, big family, 
where creativity was celebrated,

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you know, we were all encouraged
to make paint draw all the 

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things, and I knew at a young 
age, I wanted to be an artist. 

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You know, I wanted to be maybe 
an illustrated children's book 

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illustrator, I just loved 
children's book, illustration. 

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So all the all the way through 
high school, I was always 

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drawing. 
And when it came to pick a 

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college of study, I went to 
Rochester Institute of 

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Technology which, you know, for 
me was a minute was a great 

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selection is a strong design 
College. 

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You know, design, a strong 
design education. 

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I'm very different than 
children's book illustration 

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where I was Just, you know, 
Swiss modern by house thinking 

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so it's really that combination 
of you know love of character 

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and story telling and then 
getting introduced to corporate 

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identity and Design Systems that
brought me to New York City. 

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And I've continued to all my 
jobs have been working for kids,

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working for kids in the 
entertainment field. 

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Field working with characters 
and story telling. 

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So it's really been kind of a 
straight path for me. 

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Oh, whoa. 
You know, they say a say that 

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was many times we have 
conversations and we talked 

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about the Securities routes baby
come in. 

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But, you know, I love our 
conversations about you having 

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this fake Focus. 
You knew you wanted to work with

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kids. 
That's right. 

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You should then design. 
So you get a chance to work with

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some of the Most beloved 
characters in our world. 

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How is that on the day to day to
wake up and work with characters

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that we all can recite their 
name songs and can draw them 

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from memory and think about the 
colors and where we were, when 

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we first learned how to count, 
right? 

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I mean, so I've worked with a 
lot of characters. 

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So, you know, one of the first 
ones that I did was I worked at 

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Scholastic working on children's
books, illustrating and 

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designing. 
There's books at Scholastic and 

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then working United feature 
Syndicate directly with Charles 

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Schulz and Snoopy and the 
Peanuts Gang and so really 

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working with art and designing, 
with his characters, which was 

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really exciting to work directly
with him. 

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And then going to Nickelodeon 
where, you know, they the 

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content they create is so fun 
and dynamic working there during

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the the big ears of SpongeBob 
and Dora and the Rugrats which 

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was, you know, having the strong
characters and then creating 

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Brands around those characters 
and and now working at Sesame 

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Workshop where the Muppets have 
a 50 Year, you know, there 

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they've been on TV for 50 years.
And there's such like you said, 

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such a strong connection with 
those characters. 

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So not only capturing the 
Delight in the personality of 

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those characters, but then 
creating Brands systems and You 

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know, Design Systems that work 
across all the platforms. 

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So my team and I have the great 
privilege of working with a kind

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of small in-house team. 
We have designers sculptors 

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character designers, 
illustrators and animators, and 

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in every platform, every medium,
you need the characters to 

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communicate. 
Who they are, which, you know, 

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true to their personality, in 
each area to work on consumer 

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products and educational, 
materials and games. 

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You know, we have a range of 
audiences. 

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We create content for kids for 
families, for B2B, for fans for 

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donors. 
So, So we're constantly 

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harnessing that love of the 
characters and creating content 

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for different audiences. 
What do you find is the biggest 

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challenge of having, you know, 
such history with the 

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characters. 
But you're always finding these 

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fresh ways for the characters of
show up in our lives. 

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I think about your Partnerships 
with Lego, your Partnerships 

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with bomb bus with the socks. 
The game is entirely New Life to

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this character library that we 
already know. 

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But what do you find the most 
challenging or the most 

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inspirational part of that? 
So, I mean the most 

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inspirational part is it's a 
purpose-driven organization. 

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So as a non-profit as really 
with the gold in improve the 

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lives of kids that after a long 
career working with kids 

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content, it's really rewarding 
to have purpose I'd patch. 

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So it's not just Eating 
delighted joy and Delight. 

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It's really, then also having it
connect to Value, you know, 

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really having social impact, 
somehow connected to everything.

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We do part of the challenges 
constantly. 

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Evolving the characters in new 
ways in New in new design, 

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expressions in news stories 
while staying true to To who 

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they are. 
So I feel like people who love 

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our brand. 
I mean, they know they'll let us

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know if we think we go too far. 
Like if we feel like we're 

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stretching our characters too 
far or it doesn't feel right but

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Sesame from the beginning, it's 
been an experiment. 

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It was an experiment to use 
media to educate and it's still 

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where we push ourselves is to 
identify. 

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Identify the needs of kids and 
then create content to improve 

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their lives. 
It's I want to call out, you 

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know, really one of the moments.
It's been just incredible for 

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for the work, you're doing and 
your team and look at some of 

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the stats that have come in. 
It's amazing. 

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That 75 percent of parents have 
a deep trust and Sesame Street, 

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and that's higher than our trust
value. 

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In any other entertainment or 
preschool Brandt, But it won't 

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leave it there. 
I will then make you blush a bit

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and quote from the Wall Street 
Journal in moments of Crisis, 

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people often gravitate to 
institutions they trust. 

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It goes back to that 75% and few
American institutions are more 

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trusted than Sesame Street. 
We talking about preparing and, 

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and navigating the brand for 
where your audience and 

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community and kids need you, one
of the things that I thought was

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really powerful was the way that
Sesame Street stepped up. 

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In this last 24 months, as we've
all been in this moment of 

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pandemic crisis, but really 
embraced parents and kids. 

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We talked a little bit about 
what that meant for you is a 

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brand. 
Yeah, sure, I mean, again from 

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the beginning, from the, they 
called it an experiment, right? 

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It was the first show of can 
think of the 1969. 

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The founders thought that they 
would harness the the Of 

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Television to educate in it. 
It seems so common now but that 

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was really a revolutionary idea 
at the time is using using 

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television to educate kids. 
And from the beginning they used

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celebrities and parodies and 
kind of content that's written 

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on a couple levels so that 
parents and kids could watch 

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Watch together because they they
learned over time that the 

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learning is much better when 
kids and adults watched, you 

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know, watch TV together Co 
viewing so. 

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Well kids may not be aware of 
who the celebrities are or what 

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the parodies are. 
Getting at, that was a way to 

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have the parents day and view 
with the kids during the last 

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two years. 
When covid, you know, first 

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first, you know, when it was 
spreading clearly disruptor and 

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all our worlds. 
But especially for parents of 

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young children for education 
purposes and then it just 

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explaining difficult, abstract 
ideas to kids. 

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So taking these important issues
and writing them in a way that 

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If they can make sense to, you 
know, three-year-old, right? 

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So that is what the Muppets 
that's, that is really what the 

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Muppets are so good at is taking
this complex information and 

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right thing in a way that is 
digestible for kids, and then 

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parents can have bigger 
conversations around these 

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difficult topics. 
So we rush to create content, 

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what we called caring for each 
other and Was around, you know, 

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why do you need to wear a mask? 
Can you hug your grandmother? 

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You know, all the things that a 
little a little kid would you? 

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No wonder about why these 
changes are happening. 

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And then we went into the summer
of social unrest which has 

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really again changed, our 
culture, changed our 

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conversations and it really 
tapped into our roots of 

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address. 
Saying racial Justice really 

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bringing in creating content to 
help explain these difficult 

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moments. 
I know way that, you know, gives

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parents language and it gives 
kids understanding of, you know,

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how we want to live. 
I it's, you know, it's 

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remarkable when you think about 
it, all of those cold viewing 

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experiences that I know, 
Remember a my family from being 

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a kid on the other side and 
being a parent, it's passing 

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through, you know, at Sesame 
Workshop. 

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You always had a history of 
having leading into these 

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important and challenging 
conversations with story and 

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character. 
You know, if the heart of the 

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design in space in there, over 
the last, you've been with me 

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for about we will check the 
saying before but 12 years cut. 

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Yeah, and your team is 
responsible for creating. 

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My son is super excited about 
this one. 

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I told him that It that your 
team has a hand in helping to 

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shape the creation of new 
Muppets. 

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That's alright, I'll talk about 
some of the recent Muppets and 

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their role as both agents of 
understanding and storytellers 

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sir. 
So again, you know, so much of 

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what we do now is really based 
on those early experiments 

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experiments. 
So, everything we do at Sesame 

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is purpose-driven and what 
happens is, Is the Educators and

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researchers identify the needs 
of kids. 

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They really go out and say, what
are we struggling with then? 

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And they look at the current 
cast, you know, our regular 

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character that we have and the 
people on the show and to see 

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like, oh can we chat? 
Can we reach this audience and 

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these these topics of need with 
our current cast and And there 

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are times we cannot and so we 
that, you know, the Creative 

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Group works with research and 
education. 

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And we get the criteria of what 
we're trying to solve and then 

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they content as written and 
there's a decision to possibly 

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make a new Muppet. 
And this happens. 

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Sesame Street is an 
international program. 

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We have over 30 co-productions 
around the Old. 

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So we've been doing this again 
over our whole history. 

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We have a show in South Africa, 
that's 20 years old and that new

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Muppets were created for that, 
show at that time. 

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It was when HIV, there was a one
in four people had HIV. 

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So they created a muppet that 
had HIV that could teach 

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tolerance and understanding, 
which was something In their 

241
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culture in the Middle East where
you know, girls education is, is

242
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a challenge. 
We've created girl Muppets to 

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encourage and model education 
for girls. 

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So over time, we often will 
create a new Muppet if there's a

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need and there's a story that 
can't be told through our our 

246
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existing cast. 
So With the recent current 

247
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events and social justice, we 
found we need more friends than 

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our neighborhood that can, you 
know, help tell some of our 

249
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stories. 
So we created Gabriella, and to 

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mirror and their new Muppet that
were that are in, they were in a

251
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special called The Power of we. 
And it's part of an initiative. 

252
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We're doing really to talk about
About social justice while we 

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have a history of being a 
diverse neighborhood, somewhere.

254
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Everyone's welcome, we found 
that this new era we needed to 

255
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be more direct and to have more 
direct conversations. 

256
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Being kind is fundamental to who
we are, but we needed more than 

257
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kindness. 
We need language to explain You 

258
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know, where we are and how we 
want to grow. 

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And then there's also the west 
and Elijah who was created for, 

260
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you know, additional content and
they're on the show. 

261
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So, we also just had a special 
over Thanksgiving called, see us

262
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coming together where we had 
Korean Muppet, who was a new new

263
00:19:08,900 --> 00:19:12,100
eight-year-old, girl, Girl, 
who's new to the neighborhood 

264
00:19:12,500 --> 00:19:16,600
and helps? 
You know, she is talking about 

265
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her background. 
So how you know, it's amazing, 

266
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just the scope of the work to 
you have. 

267
00:19:24,500 --> 00:19:27,000
How do you Foster and continue 
people? 

268
00:19:27,000 --> 00:19:29,000
Get excited about this Rich 
collaboration. 

269
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I think you said so wait, what 
is the question? 

270
00:19:33,200 --> 00:19:36,000
But how do you how do you keep 
people excited about 

271
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collaborating at this level? 
If you have a hyper level of 

272
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collaboration we do we have we 
have over 700 Partners around 

273
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the world. 
That either work with consumer 

274
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products or sponsorships. 
And like you said, I think the 

275
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power of The brand and the deep 
emotional connection. 

276
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People have to the characters is
a magnet for a possibility and 

277
00:20:11,800 --> 00:20:16,000
for these different 
collaborations. 

278
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So, you know, it's a combination
of people come to us as a 

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00:20:22,900 --> 00:20:25,600
non-profit. 
There's there's certain 

280
00:20:25,600 --> 00:20:31,700
limitations on how we can 
present ourselves Different than

281
00:20:32,700 --> 00:20:35,700
you know, right? 
Then you know, I'm more 

282
00:20:35,700 --> 00:20:39,500
commercial company. 
So often Partnerships come to 

283
00:20:39,500 --> 00:20:42,800
us. 
It's hard for us to shop around 

284
00:20:43,400 --> 00:20:47,400
right chefs. 
Yeah, but it's it seems that, 

285
00:20:47,400 --> 00:20:49,300
you know, as we've talked and 
we've seen the Partnerships, 

286
00:20:49,500 --> 00:20:52,600
you're always doing ones that 
reinforce the mission that you 

287
00:20:52,600 --> 00:20:54,800
can see why these Partnerships 
make sense. 

288
00:20:55,500 --> 00:20:58,000
Yeah, it looks like the 
character arak, you know, we 

289
00:20:58,000 --> 00:20:59,700
don't see Cookie Monster outside
of him. 

290
00:21:00,600 --> 00:21:02,700
Yeah, that's right. 
And we always say that the 

291
00:21:02,700 --> 00:21:07,800
characters, you know, while they
may, if we do our job, well, we 

292
00:21:07,800 --> 00:21:12,500
partner with care with brands 
that both Brands get the list 

293
00:21:13,200 --> 00:21:18,900
from from their strengths. 
But we always say the characters

294
00:21:18,900 --> 00:21:24,300
don't do business like they are 
always model, they do not sell 

295
00:21:24,300 --> 00:21:30,300
products, they do not promote, 
you know, Commerce, They are 

296
00:21:30,300 --> 00:21:32,900
always, you know, Elmo's the 
three and a half year old 

297
00:21:32,900 --> 00:21:35,800
monster so he's always throwing 
a half years old. 

298
00:21:35,800 --> 00:21:39,300
He doesn't know. 
Right, you know, he doesn't know

299
00:21:39,300 --> 00:21:42,900
anything outside of his world 
and what doesn't have a favorite

300
00:21:42,900 --> 00:21:45,400
car, but he's promoting, he 
does. 

301
00:21:45,400 --> 00:21:48,000
I don't know. 
I don't believe he does get the 

302
00:21:48,000 --> 00:21:50,400
do now. 
Do you have a favorite Muppet 

303
00:21:51,300 --> 00:21:52,500
to? 
Oh my goodness. 

304
00:21:52,600 --> 00:21:54,600
I've been asked that question so
many times this week. 

305
00:21:54,600 --> 00:21:58,200
So I have a, I have a handful 
that are my favorite. 

306
00:21:58,200 --> 00:22:02,900
So definitely a Grover. 
That's probably a little kid. 

307
00:22:02,900 --> 00:22:05,700
I remember reading. 
There's a monster at the end of 

308
00:22:05,708 --> 00:22:07,200
the book. 
It's good fun. 

309
00:22:07,300 --> 00:22:10,600
And yeah, it's a polar alert for
those who watch and who don't 

310
00:22:10,600 --> 00:22:13,100
know, Grover's the monster at 
the end of the book 

311
00:22:15,100 --> 00:22:18,600
mind-blowing, I know you didn't 
see that one coming but those 

312
00:22:18,600 --> 00:22:22,300
are incredible. 
I I love a be in terms of kind 

313
00:22:22,300 --> 00:22:26,100
of young new characters. 
My daughter really appreciated 

314
00:22:26,100 --> 00:22:28,200
that. 
You know, growing up. 

315
00:22:28,200 --> 00:22:32,400
I loved I Love Snuffy and I love
the fact. 

316
00:22:32,400 --> 00:22:36,100
You know I remember the 
conversations about you know 

317
00:22:36,100 --> 00:22:39,800
teaching kids that he wasn't 
imaginary friend that he was 

318
00:22:39,800 --> 00:22:44,500
real and that that space to go 
into it and the ways in which, 

319
00:22:45,000 --> 00:22:47,500
you know, Sesame and the brand 
work through those 

320
00:22:47,500 --> 00:22:49,500
conversations. 
So those are my favorites. 

321
00:22:49,500 --> 00:22:53,000
I do love the classic ones. 
I love the monsters that have no

322
00:22:53,000 --> 00:22:55,200
names that are just random 
monsters. 

323
00:22:56,500 --> 00:22:58,600
Yeah, we call them everything 
muffin. 

324
00:22:58,600 --> 00:23:01,000
Muppets. 
Now I have a name for them. 

325
00:23:01,000 --> 00:23:02,400
They were random monsters in my 
house. 

326
00:23:02,400 --> 00:23:05,000
Yeah, that's right. 
But I love them. 

327
00:23:05,200 --> 00:23:07,300
But how about you? 
I, you're probably not allowed 

328
00:23:07,300 --> 00:23:11,700
to have a favorite. 
I have a fan Grover, see that? 

329
00:23:11,700 --> 00:23:13,000
Yeah. 
We hang out together. 

330
00:23:13,200 --> 00:23:14,000
Yeah. 
No. 

331
00:23:14,000 --> 00:23:15,700
I love Grover. 
I think he's so goofy. 

332
00:23:15,700 --> 00:23:20,300
And then I also am a fan, a big 
bird. 

333
00:23:21,300 --> 00:23:25,100
Yes. 
And I think my favorite new one 

334
00:23:25,100 --> 00:23:27,400
is. 
Conger and enough, she no 

335
00:23:27,600 --> 00:23:29,000
longer. 
Is it really funny? 

336
00:23:29,400 --> 00:23:32,500
Oh, seat now get to spend more 
time if figure out the wonderful

337
00:23:32,500 --> 00:23:35,100
space in there. 
So when you think about 

338
00:23:35,300 --> 00:23:39,200
Innovation, what's next for you 
and your team, what do you, what

339
00:23:39,200 --> 00:23:44,100
do you thinking about? 
I think the Innovation for us 

340
00:23:44,100 --> 00:23:48,800
comes with continue continuing 
with the formula that works. 

341
00:23:48,800 --> 00:23:51,700
So it's Muppets. 
We always are, like, Muppets 

342
00:23:51,700 --> 00:23:55,600
media and my mission. 
It's those, those three things 

343
00:23:55,600 --> 00:24:01,500
are Are the three four elements 
that make, you know, make the 

344
00:24:01,508 --> 00:24:05,200
Brand's. 
But then it's always looking for

345
00:24:05,200 --> 00:24:07,600
new Partnerships that amplify 
it. 

346
00:24:08,000 --> 00:24:19,800
So We right now as a designer as
brand creative we are investing 

347
00:24:19,900 --> 00:24:23,100
in really lifting the brand 
creative. 

348
00:24:23,300 --> 00:24:29,700
We're working with a lot of 
external agencies right now. 

349
00:24:29,700 --> 00:24:35,900
We're working with open, Scott's
do well, the agency and he are 

350
00:24:35,900 --> 00:24:45,300
we've been updating our brand 
book Which is now going to be a 

351
00:24:45,400 --> 00:24:52,000
deep web site for a Sesame 
Street and linking Sesame Street

352
00:24:52,000 --> 00:24:55,500
with it, you know, providing all
the information with the assets.

353
00:24:55,800 --> 00:25:00,900
So it's that it's the onboarding
of the Heritage, the mission, 

354
00:25:01,200 --> 00:25:07,300
the culture, and then, you know,
all the elements that go into 

355
00:25:07,300 --> 00:25:12,400
branding the logos. 
You know how Do my pet 

356
00:25:12,400 --> 00:25:17,200
photography. 
How to how do you do the 

357
00:25:17,200 --> 00:25:18,900
writing? 
What is the tone? 

358
00:25:19,300 --> 00:25:25,400
What are they attributes? 
We are creating Sesame, Street 

359
00:25:25,400 --> 00:25:30,500
and Sesame, Workshop, motion 
branding, something we've never 

360
00:25:30,500 --> 00:25:37,200
really had our history with 
working with PBS is, we would 

361
00:25:37,200 --> 00:25:40,500
give our content to a 
distributor and they would put 

362
00:25:40,500 --> 00:25:46,700
it In their Brand. 
Packaging in the complex media 

363
00:25:46,700 --> 00:25:50,600
landscape globally. 
We need to package our content 

364
00:25:50,600 --> 00:25:52,900
more than we have in the past, 
okay? 

365
00:25:53,500 --> 00:25:59,700
So that it's recognizable. 
So that that you know it can 

366
00:25:59,700 --> 00:26:03,000
stand out of the Clutter of so 
much content. 

367
00:26:03,000 --> 00:26:05,300
There's so much content for kids
now. 

368
00:26:06,800 --> 00:26:11,600
So we're creating brand systems 
there we Are just in the 

369
00:26:11,608 --> 00:26:14,500
process. 
We work with Smith's design on 

370
00:26:15,400 --> 00:26:20,000
updating our consumer products, 
packaging system, that's a 

371
00:26:20,000 --> 00:26:25,800
global system that again, works 
with over 500 Partners around 

372
00:26:25,800 --> 00:26:28,500
the world. 
It has to adapt up to 12 

373
00:26:28,500 --> 00:26:32,100
languages. 
It's hard and soft goods and 

374
00:26:32,100 --> 00:26:38,100
e-commerce. 
So we're just what its gonna 

375
00:26:38,100 --> 00:26:39,500
save me. 
You speak about this really 

376
00:26:39,500 --> 00:26:42,400
complex web. 
Of all of the content assets and

377
00:26:42,408 --> 00:26:44,700
design resources. 
I've seen ask the question 

378
00:26:44,700 --> 00:26:47,100
again, in terms of story arc and
characters. 

379
00:26:47,500 --> 00:26:51,700
How much Transfer. 
An interaction takes place 

380
00:26:51,800 --> 00:26:55,400
between story, our Civic with 
the 30 properties that you have 

381
00:26:55,600 --> 00:26:56,900
in different countries and 
spaces. 

382
00:26:56,900 --> 00:27:01,900
There are a lot of what we may 
experience here in the US that 

383
00:27:01,900 --> 00:27:04,800
passes over the South Africa and
back and forth or their stories 

384
00:27:04,800 --> 00:27:10,000
that are kind of amplify or 
localized and other characters 

385
00:27:10,000 --> 00:27:12,700
that follow through. 
Now that's it, that is a great 

386
00:27:12,700 --> 00:27:17,400
question. 
I mean where we are looking at, 

387
00:27:18,700 --> 00:27:22,000
Creating content that works 
globally, okay? 

388
00:27:22,900 --> 00:27:28,300
But that doesn't replace 
Regional content that is 

389
00:27:28,300 --> 00:27:32,400
specific to that region and to 
those Muppets that speak to that

390
00:27:32,400 --> 00:27:36,700
audience. 
So we're trying to get more 

391
00:27:36,700 --> 00:27:44,200
intentional of creating Global 
content that can be used across 

392
00:27:44,200 --> 00:27:47,600
different territories and then 
continued to make regional 

393
00:27:47,600 --> 00:27:50,300
content. 
That really speaks to that 

394
00:27:50,300 --> 00:27:57,400
audience but it is a complex 
system because if you you know 

395
00:27:57,400 --> 00:28:03,100
if we have Elmo do something 
here in the in the state's you 

396
00:28:03,100 --> 00:28:11,100
know, will that work in Germany 
or Japan or you know China South

397
00:28:11,100 --> 00:28:17,400
Africa you know it's it is a 
matrix and that's why I talked 

398
00:28:17,400 --> 00:28:20,800
about that brand. 
Website that we have is it's 

399
00:28:20,800 --> 00:28:25,600
really a central. 
You know, we haven't had a 

400
00:28:25,600 --> 00:28:30,300
central service for our Global 
Partners to work with so we're 

401
00:28:30,300 --> 00:28:36,600
really growing how we 
communicate and standardize our 

402
00:28:37,000 --> 00:28:41,900
our brand so that when we ask 
people to stretch it you know 

403
00:28:41,900 --> 00:28:46,500
and it's really the excellent 
Partners we have help. 

404
00:28:47,200 --> 00:28:52,400
Keep us, fresh innovate us but 
we need to stay true to the 

405
00:28:52,400 --> 00:28:55,900
roots. 
So we've been investing in how 

406
00:28:55,900 --> 00:28:59,300
to make that, you know, easier 
and more consistent. 

407
00:28:59,700 --> 00:29:01,900
I think that's, you know, that's
a really powerful lesson for 

408
00:29:01,900 --> 00:29:04,200
those listening. 
How you're right at the front 

409
00:29:04,200 --> 00:29:07,000
lines of dealing with that 
creative tension between 

410
00:29:07,000 --> 00:29:11,100
Innovation, Innovation and 
Legacy and you can see the pull 

411
00:29:11,100 --> 00:29:14,000
and when you guys hit it 
spot-on, we you know you have 

412
00:29:14,000 --> 00:29:16,800
something new but it's still is 
fresh and refreshing. 

413
00:29:16,900 --> 00:29:21,700
Is that the message the message?
So, when you think about, you 

414
00:29:21,700 --> 00:29:25,700
know, making kids smarter, how 
how are you working with 

415
00:29:25,700 --> 00:29:29,900
Educators these days as as 
educator as education, evolves, 

416
00:29:30,500 --> 00:29:34,100
how our Educators role in the 
content creation, evolving for 

417
00:29:34,100 --> 00:29:38,600
you? 
so everything we do is really 

418
00:29:38,600 --> 00:29:42,900
begins and I feel like ends with
education, I mean the the 

419
00:29:42,900 --> 00:29:47,500
beginning is, they identify the 
needs, they identify the 

420
00:29:47,500 --> 00:29:52,800
curriculum and then it goes to 
this, this system of the 

421
00:29:52,800 --> 00:29:58,900
creative takes it and and, you 
know, has to deliver on that but

422
00:29:59,000 --> 00:30:04,200
have to do it with delight and 
humor so it doesn't feel so it 

423
00:30:04,208 --> 00:30:07,400
doesn't I feel like we always 
say, it doesn't feel like eat 

424
00:30:07,400 --> 00:30:12,300
your broccoli, it feels like 
you're actually having fun food,

425
00:30:12,300 --> 00:30:14,800
you know, you put it doesn't 
feel like punishing. 

426
00:30:15,500 --> 00:30:18,900
I mean, I like broccoli. 
Just so, you know, I like 

427
00:30:18,900 --> 00:30:21,100
broccoli, too. 
I know. 

428
00:30:21,100 --> 00:30:23,800
I know that Cookie Monster also 
eats vegetables. 

429
00:30:23,900 --> 00:30:25,700
That's right. 
That's right, that's right. 

430
00:30:26,000 --> 00:30:31,400
There are sometimes food but so 
I think with education, I mean 

431
00:30:31,400 --> 00:30:34,100
again because we're an 
educational nonprofit and 

432
00:30:34,100 --> 00:30:36,900
everything. 
Us to deliver on that whether 

433
00:30:36,900 --> 00:30:42,800
you feel it or not. 
It's really the Partnerships we 

434
00:30:42,800 --> 00:30:48,700
have and how we can stretch that
content, you know, or the new 

435
00:30:48,700 --> 00:30:51,200
stories. 
I mean again you know our Comer 

436
00:30:51,300 --> 00:30:55,500
coming together. 
Content is really talking about 

437
00:30:55,700 --> 00:30:59,700
social justice and how we can 
help kids and parents and Care 

438
00:31:00,000 --> 00:31:03,200
takers have language to answer 
questions. 

439
00:31:03,200 --> 00:31:11,300
And and You know, grow grow the 
culture really well. 

440
00:31:11,900 --> 00:31:15,600
One of the Hallmarks of great 
design and great designers is 

441
00:31:15,600 --> 00:31:19,900
empathy and I know through the 
work that you're doing in making

442
00:31:19,900 --> 00:31:22,400
students Kinder and more 
empathetic. 

443
00:31:22,800 --> 00:31:25,300
Can I say that you're actually 
helping us grow future 

444
00:31:25,300 --> 00:31:28,700
designers? 
Amazing, you know, we think 

445
00:31:28,700 --> 00:31:32,600
about no, it's true, it's true, 
you know, being a better 

446
00:31:32,600 --> 00:31:37,200
listener being Areas about the 
other experience. 

447
00:31:37,700 --> 00:31:41,100
Yeah, so our fun questions of 
this. 

448
00:31:41,100 --> 00:31:43,300
So we're going into the holiday,
season's end of the year. 

449
00:31:44,200 --> 00:31:45,600
What are you? 
My friend looking forward to 

450
00:31:45,600 --> 00:31:50,700
doing the next couple of weeks. 
Aha, we were just talking about.

451
00:31:50,700 --> 00:31:55,100
That's right. 
So due to the current spike, it 

452
00:31:55,100 --> 00:31:58,700
seems like holiday plans are a 
little more simple than they 

453
00:31:58,700 --> 00:32:01,900
were. 
So I am hoping to work on some 

454
00:32:01,900 --> 00:32:06,000
creative projects here. 
In Brooklyn. 

455
00:32:07,100 --> 00:32:11,700
So one of the things I've taken 
almost more that's one of the 

456
00:32:11,700 --> 00:32:15,500
things I like to do over the 
last two years that I've started

457
00:32:15,500 --> 00:32:19,600
to wilt. 
And so what I love about it is 

458
00:32:19,600 --> 00:32:24,400
taking a very modern simple 
approach, kind of this, the 

459
00:32:24,400 --> 00:32:28,700
Swiss, you know, modern design 
and combining it with like the 

460
00:32:28,700 --> 00:32:36,500
classic craft of quilting. 
And there's something really 

461
00:32:36,500 --> 00:32:41,600
satisfying, it after being 
unzoom all week, being in 

462
00:32:41,600 --> 00:32:46,100
conversations all week and being
on the computer, there's 

463
00:32:46,100 --> 00:32:51,700
something really soothing about 
making, you know, touching 

464
00:32:51,700 --> 00:32:56,000
materials and experimenting with
shapes. 

465
00:32:56,500 --> 00:32:59,300
I'm going to share what my 
daughter has been working on. 

466
00:32:59,300 --> 00:33:02,000
And so, we're going to finish 
this over holiday break. 

467
00:33:02,200 --> 00:33:04,400
Yeah, we can see that we're 
working on this side. 

468
00:33:04,700 --> 00:33:07,700
This is the Lego Sesame Street. 
That's right. 

469
00:33:07,700 --> 00:33:10,200
Unit set that my daughter has 
been building and we're going to

470
00:33:10,200 --> 00:33:12,500
take some time over break to 
work on together. 

471
00:33:12,600 --> 00:33:15,600
Well, that's amazing. 
So it's as we said before, it's 

472
00:33:15,600 --> 00:33:17,600
Sesame provides, these 
opportunities for us, to 

473
00:33:17,600 --> 00:33:20,800
continue to grow and learn and 
as a family. 

474
00:33:21,100 --> 00:33:25,200
Now, I asked a bit about, you 
know, your team as you think 

475
00:33:25,200 --> 00:33:29,200
about your team going into the 
new year, how are you all 

476
00:33:29,300 --> 00:33:33,800
working together better in this 
new way of work? 

477
00:33:34,700 --> 00:33:39,500
Look, I'm so glad you asked 
about my team because I am in 

478
00:33:39,500 --> 00:33:44,600
their one of their, they're a 
team of talent there. 

479
00:33:44,600 --> 00:33:50,400
It's really such a great group, 
there's creative talent, but 

480
00:33:50,400 --> 00:33:57,600
they all have huge hearts and 
big kindness for each other and 

481
00:33:58,100 --> 00:34:03,100
generosity in in their creative 
and how they work together. 

482
00:34:04,300 --> 00:34:07,100
And And so your question is how 
are we working together? 

483
00:34:07,500 --> 00:34:13,800
I think we've adapted nicely to 
this time of working remotely. 

484
00:34:14,300 --> 00:34:18,000
Moving into this you know the 
lockdown in 2020. 

485
00:34:18,000 --> 00:34:25,600
We were not a remote company at 
all and we we have adapted and 

486
00:34:25,600 --> 00:34:30,400
actually I mean honestly the 
going back to the office will be

487
00:34:32,100 --> 00:34:34,500
you know, it'll be an adjustment
now. 

488
00:34:35,699 --> 00:34:39,900
I mean for me I think I miss a 
little bit of the 

489
00:34:41,500 --> 00:34:45,000
cross-pollination. 
You can get by being in a room 

490
00:34:45,000 --> 00:34:48,300
and sharing ideas and and just 
the energy. 

491
00:34:50,300 --> 00:34:54,199
But, you know, I think in some 
ways we get more done at home, 

492
00:34:55,100 --> 00:34:56,800
it's interesting. 
You know, you talk about the 

493
00:34:56,800 --> 00:34:59,900
energy, well, that's where 
Sesame Street started and the 

494
00:34:59,900 --> 00:35:02,300
workshop model with the 
children's television Workshop. 

495
00:35:02,300 --> 00:35:03,600
We're bringing everyone 
together. 

496
00:35:03,800 --> 00:35:06,200
That's right. 
I'm storming and creating ideas.

497
00:35:06,400 --> 00:35:08,300
Yeah. 
And now we have this new world. 

498
00:35:08,300 --> 00:35:11,400
So you've got this tension of 
creating new ideas and new 

499
00:35:11,400 --> 00:35:16,300
spaces. 
Well, as we look into 2022, what

500
00:35:16,300 --> 00:35:19,900
encouraged me to do you have for
the rest of your designers? 

501
00:35:20,900 --> 00:35:25,000
Out there in the world. 
Well, first of all I hope 

502
00:35:25,000 --> 00:35:34,300
everyone has a restful holiday. 
I think, you know, II know it's 

503
00:35:34,300 --> 00:35:39,000
been an exhausting year. 
I mean, I know at Sesame 

504
00:35:39,000 --> 00:35:42,400
Workshop. 
We have had the Good Fortune of 

505
00:35:42,700 --> 00:35:47,700
expanding and growing and lots 
of opportunity. 

506
00:35:48,400 --> 00:35:52,000
We're constantly working on I'm 
things we haven't done before 

507
00:35:53,800 --> 00:35:58,300
and what that means is people 
are tired, you know, they need a

508
00:35:58,308 --> 00:36:03,900
long winter break, they really. 
So I hope they get that and time

509
00:36:03,900 --> 00:36:08,500
with their families. 
I do look forward. 

510
00:36:08,600 --> 00:36:11,200
I mean, again, the first six 
months to the year, we have a 

511
00:36:11,200 --> 00:36:15,900
lot of exciting brand projects 
that will be finishing, will be 

512
00:36:15,900 --> 00:36:19,000
sharing with partners and 
implementing. 

513
00:36:20,400 --> 00:36:28,400
And we're creating a lot of, you
know, a lot of style guides and 

514
00:36:28,400 --> 00:36:31,300
then working with Partnerships 
to get those style guides 

515
00:36:31,300 --> 00:36:38,000
bringing them to life. 
So I think one of the challenges

516
00:36:38,000 --> 00:36:41,300
we're growing we're not enough 
for this. 

517
00:36:41,300 --> 00:36:44,900
Still a growing resources, but 
we're growing responsibilities, 

518
00:36:45,100 --> 00:36:49,300
right? 
So we've been asking everyone to

519
00:36:49,300 --> 00:36:57,200
stretch and hopefully our 
operations grow to meet 

520
00:36:57,200 --> 00:37:05,300
immediately expanded work 
because it is We're we're, we're

521
00:37:05,300 --> 00:37:07,200
asking a lot of the creative 
team. 

522
00:37:08,000 --> 00:37:11,900
Well, I will speak for all of 
the notes that I received in 

523
00:37:11,900 --> 00:37:14,100
emails, and we announced that we
were going to be talking with 

524
00:37:14,100 --> 00:37:18,900
you and sesame that the world is
ready and open to receive the 

525
00:37:18,900 --> 00:37:22,600
stretch for one of the most 
beloved Brands and collections 

526
00:37:22,600 --> 00:37:25,400
of characters. 
It's been fun to have all of the

527
00:37:25,400 --> 00:37:29,000
responses and people talking 
about how much Sesame and and 

528
00:37:29,000 --> 00:37:31,700
most recently, your work has 
meant to them and to the design 

529
00:37:31,700 --> 00:37:32,700
community. 
A T-cell. 

530
00:37:33,200 --> 00:37:36,800
I'd like to thank you for 
joining us for this Fireside. 

531
00:37:36,800 --> 00:37:39,400
It's hard to believe that there 
were already at the end. 

532
00:37:41,000 --> 00:37:46,800
Once again our guest today has 
been magic maker Storyteller, 

533
00:37:48,200 --> 00:37:53,200
future design Creator, team 
leader award winning creative 

534
00:37:53,200 --> 00:37:57,400
leader, Theresa Fitzgerald Thank
you for joining us. 

535
00:37:57,400 --> 00:38:00,900
Thank you for, for your 
leadership and sesame and giving

536
00:38:00,900 --> 00:38:06,600
us all Delight learning and care
to look forward to Thank you so 

537
00:38:06,600 --> 00:38:10,100
much. 
We'll catch up next time. 

538
00:38:10,100 --> 00:38:12,400
I can't wait to see what the 
Muppets do next. 

539
00:38:13,000 --> 00:38:17,700
All right. 
Well, will say happy new year. 

540
00:38:18,000 --> 00:38:21,500
Happy New Year and thank you all
for joining us for our fireside 

541
00:38:21,500 --> 00:38:23,400
chat. 
This has been leadership in 

542
00:38:23,400 --> 00:38:24,700
design. 
Thank you.

