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Hello and welcome to another 
episode of the AIGA Design 

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Podcast. 
My name is Lee Sean Huang, Co 

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Executive Director of Learning 
and Programs here at AIGA, the 

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professional association for 
design. 

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This season on the show we are 
exploring the theme of design 

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and performance and with me my 
Co host. 

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Hi everyone, I'm Julia 
Brontello, Design Competitions 

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and event Manager at AIGA. 
Our guest this episode is 

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Richard Moross. 
He is the founder and CEO of 

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MOO, which started as a business
card printing company back in 

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2006. 
And now MOO designs and sells a 

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whole range of useful branded 
things from notebooks to water 

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bottles, and they sell to 
customers all around the world. 

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MOO is currently one of the 
fastest growing print companies 

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in the world. 
It's grown from 35 employees in 

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2008 to over 450 employees 
today. 

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In our conversation with 
Richard, we're going to learn 

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more about his entrepreneurial 
journey and get his reflections 

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on the theme of this season's 
show design and performance. 

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Welcome, Richard. 
Thank you. 

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Great to be here. 
Yeah. 

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Thanks for tuning in. 
We'd like to start our 

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conversation on the topic of 
entrepreneurship. 

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And from there, we'll get to 
know more about you and your 

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company, MU. 
But we did a little bit of 

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research. 
On your website. 

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You say that the very best part 
of being an entrepreneur is 

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working with your team of 
unconventional and brilliant 

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people who inspire you each and 
every day. 

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You also mentioned in a 2008 
interview with The Economist 

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that before starting MU, you 
hadn't thought of yourself as an

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entrepreneur. 
You told The Economist quote, I 

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was driven by the power of an 
idea. 

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As soon as I had fully thought 
through the idea, I was 

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compelled to set up the 
business. 

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I had no choice but to take my 
life in this direction. 

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It became an act of self 
fulfillment, UN quote. 

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So with that context, Zack, 
could you tell us a bit more 

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about the origin story of MU? 
How you came to identify as an 

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entrepreneur through that 
journey? 

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Sure. 
It's the first time anyone has 

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fed a quote back to me in that 
way, so I have to have to, you 

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know, kind of think back to what
state of mind I was in at the 

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time. 
But no, the story is true and 

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the, the, the sentiment still 
rings true today. 

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And I, I think, you know, when I
started the business in its 

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first iteration, I was 25, I'd 
been working in a design 

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company. 
I'd done a bit of work in a tech

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start up and it was all about 
the idea. 

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I mean, the I, I, you know, 
becoming an entrepreneur was the

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method by which I would make the
idea real. 

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So I was about a passion for 
creating and the methodology was

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starting a business. 
The original idea was was very 

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different to what we do today. 
I guess every journey starts 

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with a single step and that was 
the single step. 

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And it was basically about how 
to create a market for business 

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cards for your social life. 
You know, there's a, you know, 

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500 year old industry of, of 
printing, a sort of 300 year old

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industry of printing business 
cards. 

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And, you know, for the history 
of time that had been for 

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professionals to give their 
information to other 

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professionals. 
But almost all technology at 

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some point, you know, finds its 
way into the hands of consumers 

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and consumers repurpose that for
their for their benefit. 

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It just struck me as very 
strange that there was this tool

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had been around for a long time,
super functional, you know, 

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doesn't require Wi-Fi or 
batteries, doesn't universally 

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understood how it works. 
Why would consumers not using 

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them? 
So that was the original the 

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original idea. 
The original idea of the 

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business was called pleasure 
cards. 

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We can get into that. 
Obviously a very strange 

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branding decision, but what I 
did to stand out and yeah, I 

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became sort of obsessed. 
You know, it was a a moment of 

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of passion for trying to make 
something happen and and became 

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an entrepreneur sort of as a 
result of that. 

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That's great. 
Yeah. 

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What curious about this pleasure
card name and how you got to 

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move. 
Maybe I can wrap it into the 

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next question, which is like 
this pivot. 

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So you started from business 
card printing and now you do a 

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diverse range of branded 
merchandise from notebooks, 

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water bottles, all sorts of 
things. 

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So can you talk about the pivot 
from pleasure cards to to move, 

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but also like expanding for your
your product line? 

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The pivots were very different 
and driven by different, 

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different things. 
But yeah, we can tackle them one

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or the other. 
So the pleasure cards didn't 

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work, right. 
There was no demand for this 

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product. 
People hated the name. 

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It was it was doomed to failure.
And however, there were little 

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things about the product. 
It was a print product that it 

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had some technologies that that 
we had invented and they seem 

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kind of cool. 
And this is 2004, 2005. 

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And at the same time as me 
totally failing to launch 

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pleasure cards, social networks 
were exploding, blogs were 

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exploding, Skype was coming onto
the market. 

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People were playing with 
technology in in new ways, in 

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social ways. 
So there was this, the pivot was

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let's find a way to try and get 
this social, you know, hardware 

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product to work with some of 
these social software products. 

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So the first pivot was into 
like, how can we find social 

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networks? 
How can we latch onto high 

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growth opportunities and kill 
pleasure cards dead? 

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But but kind of. 
Take some of. 

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The things that were really cool
about it and and work with some 

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of these social networks to 
bring it to life in a different 

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way. 
So that's how MU was was 

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initially born. 
I think once we'd proven that 

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out, we did, we did so we can 
talk about partnerships, we did 

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in the, the ways in which we 
grew the business. 

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But you know, ultimately we, you
know, we talked about our our 

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kind of mission today. 
It's about helping bring brands 

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to life, right? 
So we did that in a 28 by 70mm, 

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you know, rectangle in these 
little cards that we launched 

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with. 
You know, we did that very 

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successfully with business cards
and other things. 

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As we moved and expanded into 
paper, we were like, oh, there 

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are other challenges that we're 
quite interested in to you know,

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there's big markets in, in 
things like branded merchandise.

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How would we do that 
differently? 

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What would we do to to disrupt 
and innovate in those spaces? 

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So I guess it's a natural 
expansion and a natural 

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curiosity that we as 
entrepreneurs sort of have to 

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try and do that. 
And a great way to grow and 

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expand a business obviously is 
you seek other categories out. 

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But yeah, so two different 
pivots. 

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One was based on survival. 
Yeah. 

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This is dying. 
We have to change it. 

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The other based on on 
opportunity and actually kind of

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an enthusiasm for building and 
expanding and growing. 

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Right. 
So it sounds like you've like, 

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you know, we're learning from 
your potential customers 

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pivoting along the way, like as 
follow up. 

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I actually wanted to like rewind
a little bit more. 

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So folks have been talking about
print being dead for decades 

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now. 
It's mostly about like print 

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journalism and that's a whole 
different discussion. 

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But obviously there's still 
plenty of surfaces that we print

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on, whether for branded 
merchandise or packaging, all 

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sorts of stuff. 
So print is still big in that 

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sense, but it's perhaps 
considered a legacy industry, 

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although you have innovative and
MU in terms of your model. 

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But when you were starting up, 
how did you convince investors 

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to take a chance on a printing 
business? 

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So again, I think this is 
probably two other pivots to 

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talk about which are very 
interesting. 

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I think initially, you know, 
print has, as I said, since 

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Gutenberg had a business model, 
right? 

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You raw materials, you have 
machines and you're able to to 

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turn that into something super 
functional, super useful. 

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So when social networks were 
looking for a way to monetize 

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their business before the 
advertising models came along 

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and you know they kind of grew 
and grew from there, we were 

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talking to social networks and 
blogs and kind of these startup 

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businesses said we can help you 
sell this to your customers. 

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So you know some of the early 
ones we did a deal with Flickr 

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was our first deal. 
So it was, you know, 

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photographers who were using 
Flickr to share their photos 

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online, a lot of professional 
photographers. 

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So this was a way for Flickr to 
generate direct revenue and for 

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us to generate direct revenue 
from customers by putting their 

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photos on our on our products. 
We shared revenue with with 

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Flickr, with Yahoo who owned 
them at the time. 

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And then we just rolled that out
to blogging platforms. 

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And, you know, we did a deal 
with Bebo, if you remember that.

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Yeah. 
Yeah. 

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So young kids social Nets, a 
young person social Nets, we did

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it with with six apart and some 
of the kind of early blogging 

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software businesses. 
So you know, we tried in a lot 

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of different places. 
We did with Skype as well, you 

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know, kind of a way to share 
your Skype ID so that you could 

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easily communicate with people. 
So that that that was a very 

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easy sell to investors because 
we said we have a business model

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and you have all these social 
networks over here. 

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If we can go and do deals with 
them, we can bring them money, 

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we can bring ourselves. 
We were part of an ecosystem of 

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growing and exciting businesses 
with all the potential. 

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So that was the kind of first, 
first compelling narrative that 

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became apparent. 
I think now it's almost the 

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opposite of that in a sort of 
interesting way. 

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The value paper and printed 
products, when done for the 

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lowest possible cost and 
expressed as an item of 

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practically 0 value, are 
obsolete. 

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When you can send an e-mail at a
fraction of that cost and people

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are going to ignore it anyway, 
why make something that's a 

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commodity that people aren't 
going to see? 

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It's like spam right? 
No one reads spam and I think 

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people don't read junk mail that
gets put through your door at 

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the same time, because of all 
this spam, because of all this 

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digital, very low cost of 
digital communications, making 

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beautiful high quality physical 
things cuts through people 

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notice them. 
Oh, what's this nice card? 

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What's this nice gift that you 
bought me that you put kind of 

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the brand on? 
So I think in a world of a lot 

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of digital noise, analog is a is
a really powerful signal that 

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people can latch onto and use. 
So we're lucky that we're in the

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kind of high quality print, you 
know, the premium print end of 

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the spectrum. 
We care about those details and 

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we think we're quite good at, 
you know, discovering them and 

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innovating and making nice 
things. 

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That kind of stuff cuts through.
So we think, we think it's a for

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very different reasons. 
We're a highly sort of valuable 

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and investable Business Today 
because, you know, we make stuff

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that you can't send in an 
e-mail, you can't send to 10,000

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people with a touch of a button.
It has to be special, it has to 

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be valuable, it has to cut 
through. 

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So yeah, a lot of difference 
between those two eras in 20 

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years of time. 
Right. 

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Yeah. 
Yeah, it's been an interesting 

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journey to to to get from there 
to here. 

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Yeah, I love it. 
I love to hear your journey and 

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also like how you started your 
concert and where you are now. 

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That's great. 
That's great. 

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So Richard, referring back to 
the code that Rishan mentioned 

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earlier about your team being 
unconventional and brilliant 

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people. 
I'm also interested to hear more

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if you have any advice on how to
build a team and how, how do 

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you, how are you able to see 
those brilliant and 

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unconventional people in the 
hiring process? 

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And also how are you able to 
maintain the the culture of the 

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company when you're scaling from
35 people to 450 plus, right? 

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So, yeah, I mean, a few 
questions in there and I, I, I 

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don't know whether I have the 
right answer to any of them, but

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I can tell you my experience and
what we did and what worked and 

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what didn't work. 
The culture is obviously 

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extremely important and values 
are extremely important and 

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they're going to drive, you 
know, performance ultimately. 

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So you have to care about those 
things. 

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You have to focus on them. 
There have to be consequences, 

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good and bad, for people living 
the culture or not living the 

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culture. 
And the more that those are 

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codified and part of daily life,
you know, you'll see it 

234
00:11:27,760 --> 00:11:31,280
reflected in the performance of 
a business and in and you need 

235
00:11:31,280 --> 00:11:34,600
to see it in reflected in people
who rise and fall within your 

236
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organization. 
I think that what that culture 

237
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is, what those values are and 
how that comes to life is very 

238
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different when you're a ten 
person company, then you're 100 

239
00:11:44,360 --> 00:11:47,280
person company or a 400 person 
company or 1000 or 10,000. 

240
00:11:48,280 --> 00:11:51,920
And I think that doing it for 
the first time, I was helped. 

241
00:11:51,920 --> 00:11:54,400
I mean, the, the honest answer 
to the question is I don't think

242
00:11:54,400 --> 00:11:57,640
I'm greatly responsible for for 
the culture of the business Over

243
00:11:57,640 --> 00:12:00,200
the years, I think I've been 
helped by having experienced in 

244
00:12:00,200 --> 00:12:02,720
senior people around me. 
I'm probably personally 

245
00:12:02,720 --> 00:12:05,360
responsible for the heart of the
business, you know, like the 

246
00:12:05,360 --> 00:12:09,080
drum beat, but also like making 
sure we do things in the right 

247
00:12:09,080 --> 00:12:11,680
way, that things are aligned 
with my personal values. 

248
00:12:11,680 --> 00:12:13,400
You're as opposed to my 
professional values, you know, 

249
00:12:13,400 --> 00:12:16,320
like what I think things are, 
you know, morally, ethically 

250
00:12:16,320 --> 00:12:20,240
right to do or not. 
But I just had great people. 

251
00:12:20,240 --> 00:12:23,920
I was very we we had venture 
capital investors and still do. 

252
00:12:24,320 --> 00:12:27,920
They are extremely helpful at 
helping you attract talent, 

253
00:12:27,920 --> 00:12:29,720
helping you find them and 
convince them to come to the 

254
00:12:29,720 --> 00:12:31,800
business. 
Their endorsement helps you find

255
00:12:31,800 --> 00:12:34,480
people that would otherwise 
never come to your tiny business

256
00:12:34,480 --> 00:12:36,560
with no revenue. 
You know, I think it's a really 

257
00:12:36,920 --> 00:12:40,160
powerful and helpful things that
was extremely helpful. 

258
00:12:41,000 --> 00:12:44,000
And then as we've grown, I 
think, you know, the, the, the 

259
00:12:44,440 --> 00:12:46,840
whatever the quote of brilliant 
weirdos or whatever it was that 

260
00:12:46,920 --> 00:12:50,120
I may have said before was 
actually something along the 

261
00:12:50,120 --> 00:12:53,080
lines of what I had heard when I
worked for a design company 

262
00:12:53,080 --> 00:12:54,720
called Imagination here in 
London. 

263
00:12:55,640 --> 00:12:59,360
And I think in that they 
published a book many years ago 

264
00:13:00,160 --> 00:13:03,040
and I think that they had called
it brilliant weirdos or, you 

265
00:13:03,040 --> 00:13:05,800
know, kind of nerdy, something 
like that. 

266
00:13:05,800 --> 00:13:09,520
There was this nice combination 
of obviously talent, but, you 

267
00:13:09,520 --> 00:13:11,480
know, didn't fit into another 
into the box. 

268
00:13:11,480 --> 00:13:13,560
You know, that they weren't 
necessarily, you know, at 

269
00:13:13,840 --> 00:13:17,560
Harvard NBA, you know, that they
more of a Street Fighter type of

270
00:13:17,880 --> 00:13:20,920
mentality than a, you know, than
a super professional. 

271
00:13:21,840 --> 00:13:24,320
And and with that might come all
sorts of quirks and things, but 

272
00:13:24,320 --> 00:13:26,920
I think that those are 
characterful, you know, people 

273
00:13:26,920 --> 00:13:28,720
with, you know, diverse 
backgrounds. 

274
00:13:28,720 --> 00:13:30,960
You want people who have 
different experiences that they 

275
00:13:30,960 --> 00:13:34,720
can one joins the business, adds
to the flavour and the the kind 

276
00:13:34,720 --> 00:13:37,440
of diversity and the the quality
of the work. 

277
00:13:37,440 --> 00:13:40,400
So yeah, for the most part, it's
people have helped me along the 

278
00:13:40,400 --> 00:13:42,760
way and been very, very lucky to
have a strong team, you know, 

279
00:13:42,760 --> 00:13:45,760
throughout different team and 
doing different things, but but 

280
00:13:45,760 --> 00:13:46,440
always strong. 
Awesome. 

281
00:13:48,040 --> 00:13:51,560
Very cool. 
And Speaking of culture of the 

282
00:13:51,560 --> 00:13:54,400
company and so on, I was 
thinking like more on a personal

283
00:13:54,400 --> 00:13:58,000
note, I've been working remotely
pretty much fully remote for the

284
00:13:58,000 --> 00:14:01,360
past five years and before that 
was fully in person. 

285
00:14:01,720 --> 00:14:06,280
And now I've seen many companies
either going fully back to the 

286
00:14:06,280 --> 00:14:09,080
office or some still keeping the
hybrid model. 

287
00:14:10,280 --> 00:14:13,520
I know you have reached the 
moment where you're in the 

288
00:14:13,520 --> 00:14:15,720
hybrid work model. 
I wanted to hear more from you. 

289
00:14:16,120 --> 00:14:20,160
How do you keep this culture, 
the team spirit and create 

290
00:14:20,600 --> 00:14:23,840
making sure you create cohesion 
and that the communication is 

291
00:14:24,320 --> 00:14:28,600
smooth and still keeping and 
obtaining the the culture with 

292
00:14:28,720 --> 00:14:32,600
with such work model? 
It's very hard. 

293
00:14:33,440 --> 00:14:36,400
I think hybrid is the hardest. 
You know, you described it just 

294
00:14:36,400 --> 00:14:38,640
now. 
You know, it's very binary, 

295
00:14:38,840 --> 00:14:41,680
these worlds, either at home, 
you're at work. 

296
00:14:42,280 --> 00:14:44,600
To have a mix of those two 
things is hard because you need 

297
00:14:44,600 --> 00:14:47,000
to invest in both those things. 
You need to invest in the office

298
00:14:47,600 --> 00:14:51,200
and you need to invest in the 
the remote tools and you need to

299
00:14:51,200 --> 00:14:56,080
have some form of, you know, 
equitability across your teams 

300
00:14:56,080 --> 00:14:58,280
and your culture and your 
geographies and so on. 

301
00:14:58,400 --> 00:15:04,160
So I guess our final decision on
hybrid stems from the fact that 

302
00:15:04,160 --> 00:15:07,320
we make products that are for 
people to hand out in person. 

303
00:15:08,440 --> 00:15:11,040
They're physical things, right? 
They exist in the physical 

304
00:15:11,040 --> 00:15:12,520
world. 
They're not a software only 

305
00:15:12,520 --> 00:15:14,200
business. 
We do software manufacturing, 

306
00:15:14,200 --> 00:15:15,520
design. 
We do all of these things in 

307
00:15:15,520 --> 00:15:17,640
house. 
So as we design things for 

308
00:15:17,640 --> 00:15:20,600
customers that are physical that
are used to help customers to 

309
00:15:20,600 --> 00:15:22,920
network or to build their 
relationships in person. 

310
00:15:23,520 --> 00:15:25,640
I think it would be crazy for us
to be a virtual business. 

311
00:15:26,120 --> 00:15:29,240
And if you add the fact that we 
have factories and we have, you 

312
00:15:29,240 --> 00:15:32,800
know, physical goods flying 
through our business, I think we

313
00:15:32,800 --> 00:15:35,960
were always going to have an 
element of in person, what we 

314
00:15:35,960 --> 00:15:39,120
landed on was kind of 40% 
minimum. 

315
00:15:39,120 --> 00:15:41,640
So two days a week in the office
and the rest people can work 

316
00:15:41,640 --> 00:15:43,160
from. 
That's dependent on the type of 

317
00:15:43,160 --> 00:15:45,160
role that people have, but 
that's I'd say the average 

318
00:15:45,160 --> 00:15:47,080
across people who are not doing 
a factory job. 

319
00:15:47,080 --> 00:15:49,320
So that stands for, you know, 
people who are working in the 

320
00:15:49,320 --> 00:15:51,160
service teams, people who are 
working in design, people 

321
00:15:51,160 --> 00:15:54,120
working in engineering. 
We have a, a pretty big remote 

322
00:15:54,120 --> 00:15:56,080
population as well. 
I think I'm going to guess about

323
00:15:56,080 --> 00:15:58,520
80 or 100 people maybe are 
remote in the business. 

324
00:15:58,520 --> 00:16:02,200
So it's a, it's A and all of our
manufacturing people are in five

325
00:16:02,200 --> 00:16:06,040
days a week, you know, at least 
because they're, they have to 

326
00:16:06,040 --> 00:16:08,800
be. 
Can't run the machine from 

327
00:16:08,960 --> 00:16:12,440
remotely. 
So I think it's exactly, you 

328
00:16:12,440 --> 00:16:15,960
know, we'd have to buy everyone 
a new house to fill the machines

329
00:16:15,960 --> 00:16:17,160
in them, which would be 
impractical. 

330
00:16:17,160 --> 00:16:23,480
So I think that like it's like I
go to a gym sometimes I can work

331
00:16:23,480 --> 00:16:25,640
out at home. 
It's helpful, I think to have a,

332
00:16:26,120 --> 00:16:28,080
you know, if you use a trainer 
every once and often to help you

333
00:16:28,080 --> 00:16:30,400
perfect your form, I think going
to the office helps build that 

334
00:16:30,400 --> 00:16:34,640
in person. 
Mentoring and learning in person

335
00:16:34,640 --> 00:16:37,280
I think can be much easier. 
So we've settled on our ratio 

336
00:16:37,280 --> 00:16:39,640
that works for us today. 
That may change in in the 

337
00:16:39,640 --> 00:16:42,280
future, but I think we're pretty
happy with with where we are 

338
00:16:42,280 --> 00:16:44,440
with it. 
Great. 

339
00:16:45,080 --> 00:16:48,840
Yeah, that sounds great. 
Yeah, I wanted to take this 

340
00:16:48,920 --> 00:16:52,280
culture conversation in another 
direction as it relates back to 

341
00:16:52,280 --> 00:16:55,520
the brand at MOO. 
So I'm going to quote you again,

342
00:16:55,520 --> 00:17:00,560
but in 2021, there's an 
interview with you on the MOO 

343
00:17:00,560 --> 00:17:03,640
website. 
You mentioned back then that you

344
00:17:03,640 --> 00:17:06,720
didn't have a motto, but it 
seems that you've found one 

345
00:17:06,720 --> 00:17:09,520
since then. 
Maybe it's a motto, great design

346
00:17:09,520 --> 00:17:12,880
for everyone, which is something
you have on both the MOO website

347
00:17:12,880 --> 00:17:16,000
and your personal website. 
So can you tell us more about 

348
00:17:16,359 --> 00:17:19,000
this vision of great design for 
everyone and what that means for

349
00:17:19,000 --> 00:17:20,240
you? 
Sure. 

350
00:17:20,720 --> 00:17:23,280
So I would call it purpose, 
which is why if someone asked me

351
00:17:23,280 --> 00:17:26,040
about a motto and I would, it's 
like we don't have like a one 

352
00:17:26,040 --> 00:17:30,120
for all and all for one kind of 
Musketeers type motto. 

353
00:17:31,680 --> 00:17:34,080
Great design for everyone is 
something that form of words 

354
00:17:34,080 --> 00:17:36,840
that we came across and 
committed to in the first few 

355
00:17:36,840 --> 00:17:41,160
years of the business and it was
trying to express kind of the 

356
00:17:41,160 --> 00:17:43,960
DNA, the belief system of the 
business, like, you know, 

357
00:17:43,960 --> 00:17:46,080
believing in democracy or 
believing in whatever. 

358
00:17:47,720 --> 00:17:50,760
It's not a business strategy, 
it's not a it's not a mission 

359
00:17:50,760 --> 00:17:55,040
statement. 
It's much more, I suppose it's 

360
00:17:55,280 --> 00:17:57,480
well, I can, I can unpack it and
explain what it means to me. 

361
00:17:57,480 --> 00:18:00,240
But but we think of it as a kind
of a purpose and a belief 

362
00:18:00,240 --> 00:18:02,360
system. 
OK, so I can tell you where it 

363
00:18:02,360 --> 00:18:04,120
came from. 
So before I started the 

364
00:18:04,120 --> 00:18:07,680
business, I graduated from 
university in 2000. 

365
00:18:07,680 --> 00:18:10,640
I went to work for a design 
company 1st for a technology 

366
00:18:10,640 --> 00:18:12,840
company, the tech start up for a
couple of years. 

367
00:18:13,120 --> 00:18:15,080
Then I went to work for a design
company for a couple of years 

368
00:18:15,080 --> 00:18:17,760
and I founded new in 2004 after 
I've been worked for about four 

369
00:18:17,760 --> 00:18:23,440
years. 
And my sort of desire, what I 

370
00:18:23,440 --> 00:18:26,760
wanted to build and how I wanted
to build it was born out of 

371
00:18:26,760 --> 00:18:28,920
frustrations from both of those 
two worlds. 

372
00:18:28,920 --> 00:18:32,520
Initially, you know, I had loved
working in a tech business, but 

373
00:18:32,520 --> 00:18:35,360
it was all kind of everything 
was quite scruffy and, you know,

374
00:18:35,360 --> 00:18:37,800
not very functional. 
You know, it was the world's our

375
00:18:37,800 --> 00:18:39,960
oyster and technology's going to
eat everything. 

376
00:18:39,960 --> 00:18:42,840
And but it was, it wasn't 
particularly aesthetically 

377
00:18:42,840 --> 00:18:45,120
interesting to me. 
And then spending time in the 

378
00:18:45,120 --> 00:18:46,840
design world, everything's 
beautifully, excessively 

379
00:18:46,840 --> 00:18:48,840
interesting, but it might be 
very expensive. 

380
00:18:48,840 --> 00:18:52,080
It might be hard to think about 
how anyone could afford this 

381
00:18:52,080 --> 00:18:54,840
stuff. 
It was for an elite audience. 

382
00:18:55,480 --> 00:18:58,280
So great Design for everyone 
means that we believe in trying 

383
00:18:58,280 --> 00:19:01,040
to break down the boundaries of 
design like design can. 

384
00:19:01,120 --> 00:19:03,520
Design is a process, it's a 
product, it's an outcome. 

385
00:19:03,520 --> 00:19:05,440
It's a way of thinking a lot of 
different things. 

386
00:19:05,840 --> 00:19:07,920
But fundamentally, we want to 
use technology. 

387
00:19:07,920 --> 00:19:11,600
We want to use our manufacturing
innovation to make design more 

388
00:19:11,600 --> 00:19:14,040
accessible for people. 
That means maintaining standards

389
00:19:14,040 --> 00:19:16,520
and quality. 
That means innovating, but it 

390
00:19:16,520 --> 00:19:19,520
also means trying to lower the 
price, trying to lower the 

391
00:19:19,640 --> 00:19:22,120
barriers for people to try and 
use these products. 

392
00:19:23,160 --> 00:19:26,560
So I could give you an example 
for another industry, This may 

393
00:19:26,560 --> 00:19:30,280
not be the best example, but 
something like Starbucks is an 

394
00:19:30,280 --> 00:19:34,440
attempt to make espresso based 
drinks something that everyone 

395
00:19:34,440 --> 00:19:36,280
drinks. 
And then Howard Schultz very, 

396
00:19:36,280 --> 00:19:40,320
very successfully executed this 
vision after having visited at 

397
00:19:40,320 --> 00:19:43,320
Coffee Fair in Milan when he was
working in the business in the 

398
00:19:43,320 --> 00:19:48,280
very early days of that company.
How do you create a scalable 

399
00:19:48,400 --> 00:19:50,680
high quality? 
You can argue whether Starbucks 

400
00:19:50,680 --> 00:19:52,800
is high quality versus other 
things, but it is a premium 

401
00:19:52,800 --> 00:19:55,600
product versus an instant 
coffee, for example. 

402
00:19:56,320 --> 00:19:58,680
So what great design for 
everyone means or what great 

403
00:19:58,680 --> 00:20:00,880
coffee for everyone means. 
And to, to make that up for 

404
00:20:00,880 --> 00:20:03,240
Starbucks, I know that's not 
their, their slogan is US just 

405
00:20:03,240 --> 00:20:06,000
breaking down the boundaries, 
helping more people get access 

406
00:20:06,000 --> 00:20:09,560
to the types of design that we 
we sell and trying to do that in

407
00:20:09,560 --> 00:20:12,920
an affordable way, but having a 
premium product at the end. 

408
00:20:13,640 --> 00:20:17,600
Yeah, there's an interesting 
tension to that, right? 

409
00:20:17,600 --> 00:20:19,360
Because it's like the great 
design for everyone. 

410
00:20:19,440 --> 00:20:22,000
There's great design which is 
about quality. 

411
00:20:22,000 --> 00:20:27,080
Sometimes that's used as a proxy
for just a higher price or even 

412
00:20:27,080 --> 00:20:29,880
like exclusivity, right? 
And, and that's one of the the 

413
00:20:29,880 --> 00:20:31,760
kind of sins in the design 
world. 

414
00:20:31,760 --> 00:20:35,840
There's often this kind of elite
snootiness to things. 

415
00:20:35,960 --> 00:20:38,080
And then on the other hand, you 
have the for everyone, which is 

416
00:20:38,080 --> 00:20:40,840
about scale. 
And sometimes you do need to 

417
00:20:40,840 --> 00:20:43,880
make compromises to keep things,
you know, below a certain price 

418
00:20:43,880 --> 00:20:46,760
point or what not. 
So yeah, like what are your 

419
00:20:46,760 --> 00:20:51,280
approaches at MU for maintaining
this quality at scale since you 

420
00:20:51,280 --> 00:20:56,600
have grown to this global scale?
So I think that it's a great 

421
00:20:56,600 --> 00:20:57,840
question. 
There is that tension, of 

422
00:20:57,840 --> 00:21:02,560
course, and I mean IKEA has this
nice thing where the, you know, 

423
00:21:02,560 --> 00:21:04,760
the first thing on the page is 
the price it's going to sell 

424
00:21:04,760 --> 00:21:05,880
for. 
I mean, that is that really 

425
00:21:05,880 --> 00:21:09,480
focuses the mind when you have 
to design A sofa for 50 bucks or

426
00:21:09,480 --> 00:21:12,680
something. 
For us, maybe it's similar like 

427
00:21:12,760 --> 00:21:15,000
hit a range of price points we 
can design for. 

428
00:21:15,400 --> 00:21:17,600
You know, they're going to start
at super accessible. 

429
00:21:17,640 --> 00:21:19,880
What's the best thing we can do 
at that price point? 

430
00:21:19,880 --> 00:21:22,560
Not necessarily how we're going 
to make the most money, but what

431
00:21:22,560 --> 00:21:26,680
can we make that we'll be proud 
of, that we can deliver at this 

432
00:21:26,680 --> 00:21:31,600
price point using the best 
materials, but also what can we 

433
00:21:31,600 --> 00:21:33,840
do at this higher price point? 
What can we deliver it, you 

434
00:21:33,840 --> 00:21:36,800
know, two or three times that 
price, But it's attention. 

435
00:21:36,800 --> 00:21:38,800
We attention we deal with, you 
know, all the time. 

436
00:21:38,800 --> 00:21:41,280
I think, I suppose I want to 
challenge some of the some of 

437
00:21:41,360 --> 00:21:44,160
what's behind your question and 
be make for an interesting 

438
00:21:44,160 --> 00:21:47,480
conversation. 
I think a lot of the design 

439
00:21:47,480 --> 00:21:49,800
should be popular, right? 
I think design should be 

440
00:21:49,800 --> 00:21:51,400
enjoyed. 
I think it should be something 

441
00:21:51,400 --> 00:21:54,040
that many, many people have 
access to, whether that's 

442
00:21:54,040 --> 00:21:57,360
renting, visiting, owning, you 
know, on all those different 

443
00:21:57,360 --> 00:21:59,800
levels. 
I think designing something that

444
00:21:59,800 --> 00:22:03,720
is for a very few, for very few 
people, maybe it makes me feel a

445
00:22:03,720 --> 00:22:06,840
bit sad that, you know, that 
it's so exclusive. 

446
00:22:06,840 --> 00:22:09,400
And I think there's a little bit
of a chicken and egg thing 

447
00:22:09,400 --> 00:22:13,840
around, you know, is it starting
with the price? 

448
00:22:13,840 --> 00:22:16,520
We're going to make this 
inaccessible and then we're 

449
00:22:16,520 --> 00:22:17,640
going to build something around 
that? 

450
00:22:17,640 --> 00:22:21,080
Or is it, you know, the kind of 
a Vapelin effect where it's like

451
00:22:21,240 --> 00:22:23,920
pricing is the exclusivity, Like
we're just going to price the 

452
00:22:23,920 --> 00:22:25,080
part of the market with this 
thing. 

453
00:22:25,760 --> 00:22:28,000
Or, you know, you see a lot of 
fashion brands are burning their

454
00:22:28,000 --> 00:22:31,440
stock at the end of the year to 
to, you know, reduce the amount 

455
00:22:31,440 --> 00:22:34,800
of stock on the market there. 
There's no resale of these 

456
00:22:34,800 --> 00:22:35,720
things. 
We're going to burn them. 

457
00:22:35,720 --> 00:22:37,960
And, you know, and I just think 
that's terribly sad and 

458
00:22:37,960 --> 00:22:41,440
wasteful. 
So I think great design should 

459
00:22:41,440 --> 00:22:44,240
be for the mainstream. 
I think that to innovate in that

460
00:22:44,240 --> 00:22:46,560
space, you have to be clever 
about what materials you're 

461
00:22:46,560 --> 00:22:47,840
using. 
You have to be clever about your

462
00:22:47,840 --> 00:22:49,120
logistics. 
You have to be clever about 

463
00:22:49,120 --> 00:22:52,440
manufacturing and supply chain. 
Increasingly so in the world we 

464
00:22:52,440 --> 00:22:55,200
live in today. 
But I have a populist view on 

465
00:22:55,200 --> 00:22:57,040
this. 
And I, you know, believe that 

466
00:22:57,040 --> 00:22:59,040
design is a thing we should all 
be able to enjoy. 

467
00:22:59,040 --> 00:23:02,600
And, you know, the cheapest new 
products, 5-10 bucks, you know, 

468
00:23:02,600 --> 00:23:04,960
it's super accessible. 
So yeah. 

469
00:23:04,960 --> 00:23:06,760
But this tension is with us 
always, for sure. 

470
00:23:08,400 --> 00:23:11,440
Yeah. 
Getting back to the idea of the 

471
00:23:11,920 --> 00:23:15,840
of the tension and the choices 
behind when you design your your

472
00:23:15,840 --> 00:23:21,680
products, I'm also curious to 
hear from you how you elaborate 

473
00:23:21,680 --> 00:23:25,080
your own personal relationship 
with design and how did you get 

474
00:23:25,080 --> 00:23:29,680
interested in design in the 1st 
place, So before you, before you

475
00:23:30,440 --> 00:23:32,960
founded your own company? 
Sure. 

476
00:23:33,160 --> 00:23:36,040
Well, I probably didn't think 
about it as design much. 

477
00:23:36,040 --> 00:23:38,760
My my grandfather was an 
architect and we used to visit 

478
00:23:38,880 --> 00:23:43,720
him every year and he he had 
built his own kind of mid 

479
00:23:43,720 --> 00:23:46,480
century house filled with 
furniture from the era. 

480
00:23:46,480 --> 00:23:50,040
I remember sitting on his kind 
of Eames lounge chair and 

481
00:23:50,040 --> 00:23:52,200
Ottoman and just being like, I 
really like this thing. 

482
00:23:52,200 --> 00:23:56,080
I don't know why I like it, but 
I really like it as a, you know,

483
00:23:56,360 --> 00:24:00,880
7 year old, 6 year old kid and 
being in this space that was 

484
00:24:00,880 --> 00:24:03,560
different to other houses 
because it was designed by him 

485
00:24:03,560 --> 00:24:07,960
and in a geography that he had 
tailored for a house itself. 

486
00:24:08,760 --> 00:24:11,560
So kind of my first experience 
even thinking about design was, 

487
00:24:11,800 --> 00:24:14,520
was of architecture and 
architectural spaces and and 

488
00:24:14,520 --> 00:24:17,120
furniture. 
Passion for design probably 

489
00:24:17,120 --> 00:24:21,120
manifested through film more so 
than through product design or 

490
00:24:21,120 --> 00:24:23,800
other things or graphic design 
or maybe graphic design in 

491
00:24:23,800 --> 00:24:26,560
films. 
I remember as a kid I was, I was

492
00:24:26,560 --> 00:24:29,920
an obsessive collector of films 
and probably still I am, and 

493
00:24:29,960 --> 00:24:32,480
watching things like John 
Carpenter movies from the 70s 

494
00:24:32,480 --> 00:24:35,360
and seeing this very kind of 
utter mindset. 

495
00:24:35,360 --> 00:24:38,400
And I'm going to be called John 
Carpenter's The Thing, You know,

496
00:24:38,400 --> 00:24:40,760
he's going to have his name 
above it, like Zuckerberg's 

497
00:24:40,840 --> 00:24:42,520
Facebook, you know, in the early
days. 

498
00:24:42,520 --> 00:24:47,000
And he would design the music 
and he would design, he would 

499
00:24:47,000 --> 00:24:49,000
write the film and he would 
shoot the film and he would 

500
00:24:49,240 --> 00:24:51,040
produce it. 
And it was this amazing. 

501
00:24:51,640 --> 00:24:55,600
The film is a, is a sort of 
multidisciplinary design 

502
00:24:55,600 --> 00:24:59,760
exercise with ultimate control. 
I mean, just thought, you know, 

503
00:24:59,760 --> 00:25:02,560
I was fascinated by that. 
Now, I suppose that's somewhat 

504
00:25:03,120 --> 00:25:07,080
correlates to my, my interest in
entrepreneurship because if you 

505
00:25:07,080 --> 00:25:11,040
are a bit of a control freak, 
it's the perfect, it's the 

506
00:25:11,040 --> 00:25:13,960
perfect career for you. 
Being able to influence all the 

507
00:25:13,960 --> 00:25:16,040
different things, you know, kind
of around you. 

508
00:25:16,120 --> 00:25:19,120
Film was probably the first 
thing that I got into and maybe 

509
00:25:19,120 --> 00:25:20,880
think about design or designing 
things. 

510
00:25:21,200 --> 00:25:23,640
Right, yeah. 
Your answer kind of has me 

511
00:25:23,640 --> 00:25:25,760
thinking about like, yeah, this 
blurring of boundaries, right? 

512
00:25:25,760 --> 00:25:28,760
Because it's like creating a 
company as an entrepreneur, 

513
00:25:28,760 --> 00:25:31,720
growing that company is like the
ultimate design projects, right?

514
00:25:31,720 --> 00:25:34,600
Because it's not just about like
the individual product or 

515
00:25:34,600 --> 00:25:37,840
service that you're crafting, 
but there's the whole business 

516
00:25:37,840 --> 00:25:40,440
model behind it and making sure 
that you can stay in business 

517
00:25:40,440 --> 00:25:43,360
and grow and all of that, as you
were saying, like similar to 

518
00:25:43,360 --> 00:25:45,160
film, right? 
Because all of these great 

519
00:25:45,360 --> 00:25:47,240
auteurs, like are not just 
artists. 

520
00:25:47,240 --> 00:25:50,600
They have to get millions of 
dollars just to make the film 

521
00:25:50,600 --> 00:25:53,160
and have this huge team that 
they have to manage to make it. 

522
00:25:53,760 --> 00:25:57,800
Yep. 
So I wanted to turn to the theme

523
00:25:57,920 --> 00:26:01,240
of the season of the podcast, 
which is design and performance.

524
00:26:01,400 --> 00:26:03,640
And we've had guests look at 
this in different ways. 

525
00:26:03,640 --> 00:26:07,360
You know, I mean, this interview
was a kind of performance, but 

526
00:26:07,360 --> 00:26:09,680
also we could talk about like 
business performance, a high 

527
00:26:09,680 --> 00:26:13,520
performing team in the context 
of MU or your own performance as

528
00:26:13,520 --> 00:26:15,600
a leader. 
So just this is an open-ended 

529
00:26:15,600 --> 00:26:18,400
question for you to interpret 
design and performance in your 

530
00:26:18,400 --> 00:26:20,840
own way and refund it. 
And if you have anything to 

531
00:26:20,840 --> 00:26:23,760
share with our listeners or our 
viewers, if folks are watching 

532
00:26:23,760 --> 00:26:26,120
this on YouTube, Yeah. 
I was thinking about this and I 

533
00:26:26,120 --> 00:26:29,600
was thinking about film and 
running a business and I was 

534
00:26:29,600 --> 00:26:32,000
thinking about it this. 
When I was thinking about 

535
00:26:32,000 --> 00:26:35,280
performance in particular, there
was a scene from a from a 

536
00:26:35,280 --> 00:26:38,840
documentary that I watched, 
which I think is my favorite 

537
00:26:39,440 --> 00:26:42,160
Collaborate. 
Like there aren't a lot of films

538
00:26:42,280 --> 00:26:46,240
or documentaries that show you 
into the boardroom in a company,

539
00:26:46,440 --> 00:26:48,280
You know, they fictionalize 
those things, right? 

540
00:26:48,320 --> 00:26:51,200
There aren't a lot of films that
show you a creative team meeting

541
00:26:51,200 --> 00:26:53,920
in a company or a decision 
meeting or what executive 

542
00:26:53,920 --> 00:26:56,120
meeting because they want to be 
secretive about that stuff and 

543
00:26:56,120 --> 00:27:00,240
it's very messy often. 
So I and I think about 

544
00:27:00,240 --> 00:27:03,360
performance particularly at no 
as being about being able to 

545
00:27:03,360 --> 00:27:05,000
bring, we're vertically 
integrated, right? 

546
00:27:05,000 --> 00:27:06,960
We manufacture our products, we 
decorate them. 

547
00:27:07,000 --> 00:27:09,600
We're the printer, right. 
But we also design our products.

548
00:27:09,680 --> 00:27:12,040
We're the design company. 
It's all in house. 

549
00:27:12,080 --> 00:27:13,520
We do all the customer service 
in house. 

550
00:27:13,520 --> 00:27:16,400
We design all the technology in 
house, a full stack, you know, 

551
00:27:16,400 --> 00:27:18,680
business. 
And the secret to being 

552
00:27:18,680 --> 00:27:21,400
successful is being able to 
bring all of those disciplines 

553
00:27:21,400 --> 00:27:24,000
together and make it work. 
Not just make it work like we 

554
00:27:24,000 --> 00:27:26,680
can physically make the product,
but make it work like the margin

555
00:27:26,680 --> 00:27:28,400
is good. 
There's demand from the 

556
00:27:28,400 --> 00:27:30,080
customer. 
We know how to market it. 

557
00:27:30,680 --> 00:27:32,320
You know, it's good for the 
planet. 

558
00:27:32,840 --> 00:27:36,040
You know, there's 25 things that
that need to come together. 

559
00:27:36,440 --> 00:27:40,160
There's no way you can do that 
without true collaboration. 

560
00:27:40,840 --> 00:27:44,840
So I was just thinking about 
this fantastic documentary 

561
00:27:44,840 --> 00:27:48,640
called Sound City, which is 
about recording studio in 

562
00:27:48,640 --> 00:27:51,920
California that Fleetwood Mac 
recorded. 

563
00:27:51,920 --> 00:27:56,480
Rumors in that Nirvana recorded 
Never Minded and Dave Grohl 

564
00:27:56,520 --> 00:28:01,200
produced this this documentary 
and there's a scene where Dave 

565
00:28:01,200 --> 00:28:09,040
Grohl, Josh Homme from Brain is 
gone, Queens and Steinage and 

566
00:28:09,040 --> 00:28:11,360
Trent Reznor write a song 
together. 

567
00:28:11,520 --> 00:28:17,280
You have three independent 
musicians, superstars, soloists,

568
00:28:17,680 --> 00:28:21,760
leaders of their bands come 
together and write a song, one 

569
00:28:21,760 --> 00:28:25,800
on the piano, one on the bass, 
one on the guitar and singing. 

570
00:28:26,400 --> 00:28:30,080
Amazing. 
And the respect and the skills 

571
00:28:30,080 --> 00:28:32,480
and the collaboration, it's just
incredible. 

572
00:28:32,560 --> 00:28:36,120
And I think, but when I think 
about how we think, when we 

573
00:28:36,120 --> 00:28:37,800
think about performance at the 
moment, we think about, you 

574
00:28:37,800 --> 00:28:39,280
know, what do we need to do 
successful? 

575
00:28:39,280 --> 00:28:42,120
It is about how you bring all 
those disciplines together so 

576
00:28:42,120 --> 00:28:44,720
that you can make this beautiful
music or, you know, roll the 

577
00:28:44,720 --> 00:28:47,440
analogy out however you like. 
But there's no way that we can 

578
00:28:47,440 --> 00:28:50,880
be successful as a business 
without having our drummer and 

579
00:28:50,880 --> 00:28:53,920
our guitarist and our, you know,
like, come together and do their

580
00:28:53,920 --> 00:28:57,160
thing in time with everyone 
else, right, In a complementary 

581
00:28:57,160 --> 00:29:00,120
way to everyone else. 
So I love the musical analogy 

582
00:29:00,120 --> 00:29:04,880
and and you know, that's another
kind of like high performing 

583
00:29:04,880 --> 00:29:07,960
weirdos. 
You know, that's that's music 

584
00:29:07,960 --> 00:29:10,160
all over, right? 
That is exactly what it's about.

585
00:29:10,200 --> 00:29:12,840
You know, you've got really, 
really strong performers, but 

586
00:29:12,840 --> 00:29:14,040
they have to be able to play its
band. 

587
00:29:14,480 --> 00:29:17,480
Yeah, yeah, that also reminds me
of this is another 

588
00:29:17,480 --> 00:29:19,800
recommendation for our 
listeners, our viewers, The 

589
00:29:19,800 --> 00:29:23,120
Beatles documentary series get 
back the Peter Jackson one, 

590
00:29:23,120 --> 00:29:24,680
right? 
Where they're just like, jamming

591
00:29:24,680 --> 00:29:26,480
in the studio for the Let It Be 
album. 

592
00:29:26,480 --> 00:29:28,480
And I think it's like Paul 
McCartney starts something and 

593
00:29:28,480 --> 00:29:30,680
they all like you. 
McCartney starts playing Get 

594
00:29:30,680 --> 00:29:31,720
Back. 
Yeah. 

595
00:29:31,720 --> 00:29:33,280
And you literally see. 
Yeah. 

596
00:29:34,720 --> 00:29:38,120
And you see music get written in
front of your, you see, you 

597
00:29:38,120 --> 00:29:39,680
know, what would you perceive to
be genius? 

598
00:29:39,680 --> 00:29:43,440
And it is genius. 
But it's so in a way, it's so 

599
00:29:43,440 --> 00:29:45,400
banal. 
It's just him playing on the 

600
00:29:45,400 --> 00:29:47,440
guitar, but you see the song 
pour out of him that you've 

601
00:29:47,440 --> 00:29:49,680
heard a million times. 
It's just amazing, incredible. 

602
00:29:49,920 --> 00:29:52,040
Yeah, very organic with 
designer. 

603
00:29:53,040 --> 00:29:58,360
Yeah, yeah. 
So Richard, still Speaking of 

604
00:29:58,360 --> 00:30:01,880
performance, can you share with 
us what has been the best, the 

605
00:30:01,880 --> 00:30:06,760
best failure or some type of 
unexpected outcome that taught 

606
00:30:06,760 --> 00:30:10,680
you about performance? 
Yeah. 

607
00:30:10,920 --> 00:30:15,640
I think that the best failure is
probably launching business 

608
00:30:15,640 --> 00:30:18,400
cards. 
So I mean that sounds strange, 

609
00:30:18,440 --> 00:30:21,480
but I'll explain it to you. 
So when we started, we were the 

610
00:30:21,480 --> 00:30:23,720
anti business card, we were the 
personal card or the pleasure 

611
00:30:23,720 --> 00:30:27,400
card and we wanted nothing to do
with business cards because they

612
00:30:27,400 --> 00:30:30,040
were boring and they were 
traditional and why would we do 

613
00:30:30,040 --> 00:30:31,720
that? 
And that was in the early days 

614
00:30:31,720 --> 00:30:35,880
and when we started moving into 
working with social networks 

615
00:30:35,880 --> 00:30:39,280
and, and being AB to C brand, 
working with Skype, working with

616
00:30:39,280 --> 00:30:41,840
Flickr, working with these guys,
one of our investors quite 

617
00:30:41,840 --> 00:30:43,680
rightly said to us, you know, 
you're going to do business 

618
00:30:43,680 --> 00:30:46,080
cards at some point and we'd be 
taking all these weird products.

619
00:30:46,080 --> 00:30:47,840
So we saw these little skinny 
mini cards. 

620
00:30:47,840 --> 00:30:49,720
We made these funny note cards 
and sticker books. 

621
00:30:49,720 --> 00:30:52,360
These were all products that 
were very cool and very, very 

622
00:30:52,360 --> 00:30:54,400
different. 
But no one was looking for them.

623
00:30:54,400 --> 00:30:57,480
No one was going onto Google and
saying what I really need is a 

624
00:30:57,520 --> 00:31:00,840
funny shaped card. 
You know, there's no like 

625
00:31:01,040 --> 00:31:05,120
keywords such As for these 
products and I was incredibly 

626
00:31:05,120 --> 00:31:09,880
resistant to to doing a business
card because it was like selling

627
00:31:09,880 --> 00:31:12,760
out to go back to the music. 
You know, it's like trying to 

628
00:31:12,760 --> 00:31:15,480
write your second album that 
sounded like the first album 

629
00:31:15,480 --> 00:31:19,120
wasn't different, wasn't you? 
And when I finally kind of 

630
00:31:19,120 --> 00:31:21,720
capitulated and said, OK, we'll 
do it, but we'll do it in our 

631
00:31:21,720 --> 00:31:23,160
way. 
And we'll make a beautiful 

632
00:31:23,160 --> 00:31:26,240
recycled paper and we'll put it 
in a, you know, we'll make a 

633
00:31:26,240 --> 00:31:28,600
beautiful box, the boxes with 
different, but, you know, same 

634
00:31:28,600 --> 00:31:30,280
kind of idea, beautiful 
packaging. 

635
00:31:30,360 --> 00:31:32,120
And we'll tell this story in our
own way. 

636
00:31:32,200 --> 00:31:35,080
Basically the sales doubled 
overnight and just kept growing 

637
00:31:35,160 --> 00:31:39,000
because finally we had all of 
the DNA of a product business 

638
00:31:39,000 --> 00:31:42,600
that knew how to design 
remarkable different beautiful 

639
00:31:42,600 --> 00:31:45,480
things, finally selling products
that people also wanted. 

640
00:31:47,080 --> 00:31:49,800
So it was a very important 
learning for me. 

641
00:31:49,800 --> 00:31:54,080
I think my values were very anti
business cards and in the 

642
00:31:55,080 --> 00:31:58,080
basically deciding that we were 
going to try it after having 

643
00:31:58,080 --> 00:32:01,080
already put pressure put on me 
was the best decision we could 

644
00:32:01,080 --> 00:32:02,040
have made. 
It's business. 

645
00:32:02,080 --> 00:32:04,040
I guess it was a failure. 
It was a failure that we didn't 

646
00:32:04,040 --> 00:32:06,440
do it sooner, probably looking 
back, but yeah, it was that 

647
00:32:06,600 --> 00:32:07,960
transformed the business 
success. 

648
00:32:08,960 --> 00:32:14,080
Very cool. 
Another angle to explore this 

649
00:32:14,080 --> 00:32:18,040
performance theme is about your 
personal rituals or habits as a 

650
00:32:18,040 --> 00:32:20,240
leader. 
Do you have any of those that 

651
00:32:20,240 --> 00:32:24,320
are like maybe daily or weekly? 
And we could be any sort of time

652
00:32:24,320 --> 00:32:26,040
scale? 
But yeah, what are they? 

653
00:32:26,040 --> 00:32:28,160
How did you develop them? 
Yeah, none. 

654
00:32:28,160 --> 00:32:30,440
I want to share. 
I think like we, we're a bunch 

655
00:32:30,440 --> 00:32:32,560
of weirdos, right? 
Yeah, it's a little bit weird. 

656
00:32:33,760 --> 00:32:37,120
And also I'm I'm often very wary
of giving advice because I think

657
00:32:37,120 --> 00:32:39,160
every journey is different and 
every person is different. 

658
00:32:39,920 --> 00:32:46,800
I think the biggest like hack at
doing this is really, I know 

659
00:32:47,120 --> 00:32:50,600
it's super obvious, super 
obvious to say, but doing 

660
00:32:50,600 --> 00:32:54,040
something in a space you 
actually care about that you're 

661
00:32:54,040 --> 00:32:56,840
interested in. 
I think there are a lot of very 

662
00:32:56,840 --> 00:33:00,920
smart people who will be very 
successful who are going into 

663
00:33:00,920 --> 00:33:06,960
spaces that are exciting or have
value to them where there's a 

664
00:33:06,960 --> 00:33:09,000
lot of hype. 
Let's say AI, you know, like 

665
00:33:09,000 --> 00:33:12,240
pick AI for no reason other than
the fact that it is big at the 

666
00:33:12,240 --> 00:33:15,440
moment. 
And people opportunistically 

667
00:33:15,880 --> 00:33:17,840
going into that space and saying
that they're going to build an 

668
00:33:17,840 --> 00:33:22,120
AI business, which is fine. 
But when it gets hard and when 

669
00:33:22,120 --> 00:33:25,840
it, you know, if that's not your
passion or it's not your skill, 

670
00:33:26,560 --> 00:33:28,800
it's going to be so much harder.
And it's always hard, right? 

671
00:33:28,960 --> 00:33:32,280
Like for 99.9% of people, it's 
very hard. 

672
00:33:32,880 --> 00:33:35,600
Most businesses fail, like 2/3 
of businesses go out of business

673
00:33:35,600 --> 00:33:39,200
in the first couple of years. 
So pick something you really 

674
00:33:39,200 --> 00:33:40,720
care about. 
You'll work so much harder on it

675
00:33:40,720 --> 00:33:45,000
and care so much more about it. 
I suppose the thing you need to 

676
00:33:45,000 --> 00:33:47,640
avoid is the thing that I was 
doing, which is like getting my 

677
00:33:48,400 --> 00:33:51,440
being too belligerent about 
executing your vision in a 

678
00:33:51,440 --> 00:33:54,440
certain way and not being wise 
to commercial opportunities when

679
00:33:54,440 --> 00:33:56,400
they're there. 
But you know, I really care 

680
00:33:56,400 --> 00:33:57,960
about what we do and what we 
make. 

681
00:33:58,640 --> 00:34:00,760
It's a passion of mine as a 
consumer and as a business 

682
00:34:00,760 --> 00:34:02,440
person. 
I think this journey, I would 

683
00:34:02,440 --> 00:34:04,560
have packed packed it in a long 
time ago. 

684
00:34:04,560 --> 00:34:06,400
I think of it was something I 
wasn't passionate about. 

685
00:34:06,400 --> 00:34:10,800
So very, very, very lucky to be 
doing something that I care 

686
00:34:10,800 --> 00:34:12,280
about. 
Yeah. 

687
00:34:12,719 --> 00:34:16,920
And as that sort of continuing 
that momentum, are there places 

688
00:34:16,920 --> 00:34:20,199
where you go for inspiration? 
Like how do you stay innovative 

689
00:34:20,199 --> 00:34:22,960
and up to date? 
Yeah, I go shopping. 

690
00:34:23,560 --> 00:34:26,639
I go shopping a lot. 
Not to buy, not to buy anything.

691
00:34:26,960 --> 00:34:31,199
Like I'm a real window shopper. 
So I go to the stores when I 

692
00:34:31,199 --> 00:34:34,080
visit other countries, I love 
going to the shops to see what 

693
00:34:34,280 --> 00:34:36,040
supermarkets might be probably 
like. 

694
00:34:36,159 --> 00:34:37,800
What's the branding like in the 
store? 

695
00:34:37,800 --> 00:34:41,320
Like what food, you know, like I
remember going to just a few 

696
00:34:41,320 --> 00:34:42,840
years back, just tiny little 
things. 

697
00:34:42,840 --> 00:34:45,920
I only going to tiny, tiny 
supermarket in Italy and they 

698
00:34:45,920 --> 00:34:50,120
had organized the food in the 
supermarket by the miles it 

699
00:34:50,120 --> 00:34:55,159
traveled to the supermarket. 
Those tiny little details just 

700
00:34:55,159 --> 00:34:58,080
so just so interesting. 
Like tomatoes were the front 

701
00:34:58,080 --> 00:34:59,240
because they'd come from down 
there. 

702
00:34:59,480 --> 00:35:01,600
It was like, I'm not saying this
is like a big thing. 

703
00:35:01,600 --> 00:35:03,440
It was just the first time I'd 
ever seen it. 

704
00:35:03,560 --> 00:35:05,040
I was like, oh, that's really 
interesting. 

705
00:35:06,480 --> 00:35:07,720
Yeah. 
So I love going to the shops. 

706
00:35:07,720 --> 00:35:10,480
I love travel as well. 
So I love going and looking at 

707
00:35:10,480 --> 00:35:12,840
the windows of stores in other 
countries, particularly going to

708
00:35:12,840 --> 00:35:17,200
Asia, where in my business, in 
the stationary business, there's

709
00:35:17,200 --> 00:35:19,000
a lot going on and a lot to be 
inspired by. 

710
00:35:19,000 --> 00:35:21,160
So yeah, or, or, or shopping 
online. 

711
00:35:21,160 --> 00:35:23,640
I'm an incessant bookmarker and 
record keeper. 

712
00:35:23,640 --> 00:35:26,920
You know, I, yeah, I bookmark 
millions and millions of things 

713
00:35:26,920 --> 00:35:29,480
to go back into, to rediscover 
later. 

714
00:35:29,600 --> 00:35:31,560
Yeah, I'm with you on the 
supermarket thing. 

715
00:35:31,560 --> 00:35:35,080
I was in Portugal on vacation 
last month that we just went to 

716
00:35:35,080 --> 00:35:37,600
the supermarket, not because we 
needed anything, but it was just

717
00:35:37,600 --> 00:35:39,880
to see like, OK, how do people 
here shop? 

718
00:35:39,880 --> 00:35:42,720
How do they live And then? 
Culture. 

719
00:35:42,920 --> 00:35:47,000
Culture is represented in what 
you eat, you know, is it is it a

720
00:35:47,000 --> 00:35:49,280
bunch of stuff in the freezer or
is it all Whole Foods that 

721
00:35:49,280 --> 00:35:51,360
people were chopping up and 
turning into dinner every like 

722
00:35:51,480 --> 00:35:53,400
You'll learn a lot about a 
country by what what the 

723
00:35:53,400 --> 00:35:55,640
supermarket looks like. 
For sure. 

724
00:35:58,800 --> 00:36:03,520
So to wrap up our conversation 
today, we wanted to hear your 

725
00:36:03,520 --> 00:36:07,760
recommendation for our listeners
and that could be a book, a 

726
00:36:07,760 --> 00:36:12,280
show, a movie or some other type
of media that you would like to 

727
00:36:12,280 --> 00:36:15,320
share that kind. 
Of given by. 

728
00:36:15,520 --> 00:36:18,040
Your. 
Yeah, yeah, absolutely. 

729
00:36:18,040 --> 00:36:23,080
So given my my early passion for
film, I think it'd have to be a 

730
00:36:23,080 --> 00:36:25,240
film. 
Can I cheat and give you a 

731
00:36:25,240 --> 00:36:27,080
double bill? 
Yeah, totally. 

732
00:36:27,240 --> 00:36:27,640
Yeah. 
Yeah. 

733
00:36:27,920 --> 00:36:29,640
All right. 
OK. 

734
00:36:29,720 --> 00:36:32,040
So we'll post links to all of 
these too, but it's helpful to 

735
00:36:32,040 --> 00:36:32,840
hear from you. 
Yeah. 

736
00:36:33,040 --> 00:36:37,800
I I think one of the most 
amazing films I've ever seen is 

737
00:36:37,800 --> 00:36:40,440
The Holy Mountain by Alejandro 
Jodorowski. 

738
00:36:41,120 --> 00:36:46,400
It is an insane massive budget, 
crazy designers fantasy. 

739
00:36:46,640 --> 00:36:51,000
It is beautiful and shocking and
weird and insane. 

740
00:36:51,120 --> 00:36:54,240
And I would double bill it with 
Jodorovsky's June, which is the 

741
00:36:54,240 --> 00:36:57,320
story of how he nearly made the 
film June, which David Lynch 

742
00:36:57,320 --> 00:37:02,200
went on to make and subsequently
has been remade again recently. 

743
00:37:03,560 --> 00:37:08,440
Watching the finished version of
his masterpiece in the Holy 

744
00:37:08,440 --> 00:37:12,960
Mountain is an incredible thing.
And then watching his process as

745
00:37:12,960 --> 00:37:16,120
a film maker and watching him 
try to raise money and try to 

746
00:37:16,120 --> 00:37:19,840
get, you know, a Pink Floyd to 
soundtrack and trying to get all

747
00:37:19,840 --> 00:37:23,080
these amazing people involved. 
It is like watching or hearing a

748
00:37:23,080 --> 00:37:25,680
story about stuffed up the crazy
founder. 

749
00:37:26,240 --> 00:37:30,120
So I think those two films, 
Holly Mountain is an amazing 

750
00:37:30,120 --> 00:37:32,320
film for designers to watch 
because it's just so rich and 

751
00:37:32,320 --> 00:37:34,280
filled with incredible visual 
imagery. 

752
00:37:34,800 --> 00:37:38,600
And then watching the 
documentary about about Dune and

753
00:37:38,600 --> 00:37:41,440
how hard it is to actually do 
these things, I think it's an 

754
00:37:41,440 --> 00:37:43,960
inspirational double built watch
late at night. 

755
00:37:44,080 --> 00:37:46,200
I think that they're they're a 
good pet to put together. 

756
00:37:47,120 --> 00:37:51,400
Wonderful. 
And to finally wrap us up, 

757
00:37:51,400 --> 00:37:54,720
Richard, we'd love to give you 
the opportunity to do a call to 

758
00:37:54,720 --> 00:37:57,600
action. 
Folks just share their links, 

759
00:37:57,600 --> 00:37:59,880
whatever they want to do. 
Of course, we'll post links to 

760
00:37:59,880 --> 00:38:02,320
the show notes as well, but it's
helpful to hear from you or see 

761
00:38:02,320 --> 00:38:04,560
from you. 
So yeah, where can folks go to 

762
00:38:04,560 --> 00:38:07,080
learn more about you? 
At your work, at MU or other 

763
00:38:07,080 --> 00:38:09,000
things that you want to get 
people to go to? 

764
00:38:09,800 --> 00:38:12,680
I have so little social media 
presence. 

765
00:38:12,680 --> 00:38:14,120
I don't I don't think I have 
insight. 

766
00:38:14,120 --> 00:38:16,320
It's really worth worth 
following. 

767
00:38:16,360 --> 00:38:18,600
Well, we'll see. 
Maybe the Moo blog people can go

768
00:38:18,600 --> 00:38:20,880
check out the Moo blog or just 
check out moo.com and have a 

769
00:38:21,000 --> 00:38:22,560
have a look at what we do. 
Awesome. 

770
00:38:22,640 --> 00:38:25,000
Richard Moross, thank you so 
much for spending some time with

771
00:38:25,000 --> 00:38:27,360
us today on the AIGA Design 
Podcast. 

772
00:38:27,360 --> 00:38:29,880
And thank you all for listening 
or watching. 

773
00:38:30,080 --> 00:38:35,160
Please subscribe and review us 
or send us a voicemail as well. 

774
00:38:35,160 --> 00:38:37,080
We'd love to hear from you. 
I'm Li Shawn Huang. 

775
00:38:37,080 --> 00:38:37,800
Until next time.
